#brilliant but also a dumbass

[lumpsbumpsandwhumps]

Villains that are geniuses but still lack common sense are my fucking favorite trope

Like they've concocted an entire evil scheme with 10 failsafes in place and a 99.7% success rate to prove fatal but they keep forgetting North Dakota is the one above South Dakota

[screeching-painter-witch]

the xianle quartet really just have one braincell pinging between them like a plinko ball

[karmaajr]

HIYA!!!! ive been on tumblr for like, almost a year now (time flies 🤧) and realised that.. "oh shit, i still havent made an intro post" so hERE IT IS NOW YALL!!!! >,<

also btw, dms r ALWAYS open if ya wanna chat bcuz like.. i LUVVVV meeting new ppl so plsss slide in anytime frfr 🙏🙏🙏

anyways, without any further ado, HERE IS MY INTRO POSTTTT YAY!!!

about meee:

-> im like, a minor but idm nsfw convos :3

-> some of my irls have called me janjan?? so call me that maybe?? (🎶 HEY I JUST MET YOU AND THIS IS CRAZYYY🎶)

-> ACC u can call me anything u want!! as long as it dont feel masc :3!! (I JUST RLLY HATE FEELING MASCULINE FOR SOME REASONNNN SHHEHSHDHS IM WEIRDD 😭)

-> last thing (hopefully) obvs translating to me being a she/her girly frfr

-> there will be a BUNCH of cringe shit!! yes, i am cringe but i am also free af!! ^^

-> anon hate is my babe, so feel free to hmu girly 😍

-> when i say girly/bro/dude i dont mean them as gendered terms so if u feel kinda iffy abt it PLEASE SAY SOOO, ILL TRY NOT U CALL U IT AGAIN.. LIKE GENUINLEY ILL DO BETTER TRUST

-> im a tad bit of a train wreck btw so js don't mind all that pookies 🥰🥰

-> a lot of this blog is reblogs but i DO HAVE SOME OG STUFF GUYS 😭😭🙏 ITS JS IN LIKE, LIL TAGS OF THEIR OWN U GET ME???

-> it has come to my shitty little attention span that some of yall think im white when i say im british....... CHAT NOOO IM BORN N RAISED IN THIS TEA RIDDEN COUNTRY BUT ETHNICITY WISE IM BANGLADESHI!??!?! YALL IM LITERALLY A BROWNIE OMFDS 🤧

@panikbutt0n is my maple-syrup chugging 4lifer/pookie wookie bear btw so hit girly up BCUZ HES AWESOMEE

MY TAGS!!!:

karmaajr rambles

karmaajr answers ig :D

important thing for me to tag bcuz yes

karmas mum mentions :3

my sister and i

daddy's unhinged

MY ASS MENTIONING PANIK

BTW YALL, IM NOT A GATEKEEPER SO I GOT THE MATCHING PFP THING FROM @tuturthecarvroom BLOG (very skibidi art, do reccomend frfr)

AND CURRENTLY MATCHING WITH THE SILLIEST GROUP EVER FRFR

▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒

(also dots bcuz yes :3!!)

anyways i have no clue what else to write!!! which is weird bcuz im a yapper frfr :D

ANYWAYS BAI BESTIESSS

[ladyofthelake]

Seeing such bad takes on Merlin on other social media and I wanna die so I'm gonna vent

No Merlin didn't owe telling anyone his secret not even his close buddies

I fucking love Merlin and Gwaines friendship and Merlin and Lancelot's but you don't need to shit on Arthur to lift them up

Someone said Arthur wasn't loyal to Merlin as much as the others...babe this isn't a competition and also what Arthur dying for Merlin, risking his life, disobeying Uther for him lying to Uther for him letting Merlin get away with so much shit when another person would have been fired immediately THIS ISN'T LOYALTY?!

And fucking don't forget that Arthur never knew about their destiny he kept Merlin around because he was Merlin and their bond was special soulmates two sides of the same coin this is canon. It does not negate the strength of Merlin's bonds with Gwaine Lancelot the other knights and all the other people he loves. Like girl I'm so tired of people shitting over Arthur and acting like was just an ass to Merlin every single second. Rewatch I beg and understand that many beautiful bonds can be shown that none are better than others but ultimately Merlin and Arthur's bond IS the heart of the show. I cant help it that it's canon.

[noblehcart]

Statistical "Which Character" Personality Quiz

take  the linked  quiz  from  the  perspective  of  your  character or yourself,  then  select  5 - 10   (i picked more) results from  the  complete  matches  list  that  you  feel  resonate  with your  character  the most.

Penny (Dr. Horrible's Sing-Along Blog): 96%

Beth March (Little Women): 95%

Pam Beesly (The Office): 94%

Hilda Spellman (Chilling Adventures of Sabrina): 94%

Eliza Hamilton (Hamilton): 94%

Valentine Wiggin (Ender's Game): 94%

Mary Margaret Blanchard (Once Upon a Time): 94%

Belle French (Once Upon a Time): 94%

Mamá Coco (Coco): 93%

Jane Bennet (Pride and Prejudice): 92%

Francis Mulcahy (M*A*S*H): 92%

Egwene al'Vere (Wheel of Time): 92%

Georgiana Darcy (Pride and Prejudice): 91%

Rita Bennett (Dexter): 91%

Esme Cullen (Twilight): 91%

Rosalind Walker (Chilling Adventures of Sabrina): 91%

Chien-Po (Mulan): 91%

Melanie Hamilton (Gone With the Wind): 91%

Tracy Mills (Se7en): 91%

Charlie Bucket (Willy Wonka & the Chocolate Factory): 91%

Anastasia Steele (Fifty Shades of Grey): 91%

Peeta Mellark (The Hunger Games): 90%

Marmee March (Little Women): 90%

Andrea Sachs (The Devil Wears Prada): 90%

Kes (Star Trek: Voyager): 90%

[bookofkellsss]

I loved this episode so fucking much. I love how everything always comes together to end up with Barry getting away with shit in the most dumb luck way possible lmao the fucking raven is now real, the Chechnyan connection to the theater, gene being with Barry when they found Janice's body...God this show is amazing. This episode was hilarious and brilliant and felt like peak Barry to me.

[thebicanary]

.

[roshambo05]

My favorite Cyclops characterization is when he's just an absolute dork of a man. Like, yeah, he's a brilliant strategist and competent leader but he's also eaten nothing but soup for the past five days, organizes his underwear by color, and acts either like a 40 year old man or a teenager with no in-between. Scott is an OCD/autistic man with everything together but his life and his brain is filled with nothing but battle strategy and Seinfeld reruns. Scott Summers is the world's smartest dumbass.

[ohimsummer]

✎ . . .❝ —IT’D BE THE ONE WITH THE BREEDING KINK. ❞

—minors dni, poly! stsgverse, shoko cameo, m!preg jokes…i’m only a girl, pregnancy talk, breeding kink mentions so suggestive, dick is said once

⭑ ࣪ ˖ sum’z notes.ᐟ based off this post qwq

“suguru told me he stores cursed spirits in his stomach.”

“mhm?” satoru hums, shoves another spoonful of sugary cereal in his mouth before glancing between you and the aforementioned man. “what about it?”

the forced frown on your trembling lips is a dead giveaway to your amusement, if the delight in your eyes wasn’t enough. suguru sighs, satoru grins. nothing like troublemaking at 8am.

“excellent.” falls amongst your next words. “im one step closer to getting him pregnant.”

shoko slaps a hand over her mouth, muffling laughter that is immediately overshadowed by suguru's sharp gasp, choking on his oatmeal. “pregna—“

“who says you’re getting him pregnant?”, satoru objects, and pouts his lips at you. “i’m the one with the equipment to make that happen, how are you gonna get him pregnant?”

you wave him off with a dismissive hand. “im sure there’s a curse out there that can give me a dick or something.”

“y/n, i am a man.” suguru gawks at the two of you as he states the obvious. “i don’t even have all the necessary organs to carry children—“

“now, suguru, it’s alright. don’t you worry your pretty little head about that.” you reach over to thumb a gentle caress over geto’s knuckles. despite the affectionate gesture, the playful grin on your lips reveals your true feelings. and it’s not sympathy at his lack of a womb.

“yeah, shoko could always surgically implant you with new parts—ow!” satoru’s brilliant suggestion is interrupted by your brunette friend’s elbow to the back of his head.

“don’t include me in your dumbass idea.”, she scoffs, also flicking you in the forehead. she giggles at your exaggerated ‘owww!’ before escaping into the living room.

“i think if anyone here was gonna get pregnant—,” suguru narrows his eyes, “—it’d be the one with the breeding kink.” he studies you up and down after the snarky words.

“oh!”, you nod your head in understanding. “sooo, satoru?”

gojo objects through another mouthful of milk and cereal, “no! no, not me!”

“ah, you two do share that interest, don’t you?”, suguru wonders aloud. “i suppose it’s up to me to provide you both another worthwhile experience, then. and if it leads to satoru getting pregnant, so be it.”

“now, wait a minute!,” satoru interjects. “why is it just me and not y/n—“

“a worthwhile experience?” his upturned lips make your own grin widen, and the silent, mutual agreement to purposely ignore satoru’s protests only adds to both of your amusement. "just say you also have a breeding kink, suguru."

he chuckles. “shut up.”

tagz: @anthoosies @staryukis @venusiansilk @satoruxx @hellkaiserinphoenix @astral-hydromancy @bookswillfindyouaway @tryn-ity @hongsxn @ha-zel-art @ratedrrrrrr @mynahx3 @ivy-vivii @squishies0102 @peachyaone @kayleegomez @zzzlevislothzzz @starsharkz @liv1ng-d34d-slutt @froggkat @idkluvv @babytoshiii @leilalilox @flvffybunny @exinqiu @getouolgy @whokilledvivi @purplegemadventures @roseqzpd @toptierbunny @elleflying07 @sataraxia @trafalgarrattata @apatauaia @snackeyalleyjuice @luvr-exe @rosso-seta @rubyredish @lovmygojo

[hamliet]

Love is Life, and Also Unpredictable

The Decameron is a brilliant, beautiful show that deserves way more praise than the lukewarm reviews. I don’t think I’ve ever seen a love story so beautiful and characters who subverted expectations in the most satisfying ways.

Every time you think a character is an unforgivable lout, you'll be surprised at how human they'll be. The character you think is a buffoon and whom you wish would die because they're THAT level of annoying ends up making you bawl with their words a single episode later, and it still feels in character.

I dunno, the show has pretty mixed reviews, but if you like dark humor and a study on humanity, this show is for you. Also, if you like love stories of any sort, because this show contains several of the single most unique love stories I could have ever imagined. Yes, including queer and... ace love.

*yes i have read boccaccio's work on which it's based

Spiritual, Agape Love: Neifile and Panfilo

I genuinely think the sexless marriage and partnership of a gay man and a devout, neurotic straight woman is one of the most beautiful love stories I've seen in media, ever. They genuinely want each other to be happy, and they aren't content just being each other's "beard" or financial security. They want to know each other more. They want honesty. They want to be together and to have intimacy, just not romantic or sexual.

The scene where they reconcile in front of Ruggiero is stunningly wholesome and--dare I say it--pure.

The scene where Neifile falls in the well and waits for God to save her is clearly a riff on the classic parable of the guy who is drowning and turns down two boats and a helicopter rescue saying "no thanks, God will save me," only to die and get to heaven and cry, "God, why didn't you save me?" Then God replies, "you dumbass, I sent you two boats and a helicopter!"

Neifile is rescued because her husband Panfilo pays someone to rescue her and to tell her God sent a vision telling them where to find Neifile. When she finds out Panfilo orchestrated it, she's furious about him deceiving her. But the reality, we later realize, is that he didn't exactly. Neifile wanted proof God still cared about her. He sent her a husband who loved her so much he would do anything to save her.

Neifile's faith isn't perfectly written, but it's not mocked. In the end, Neifile and Panfilo live like Christ--which is to say, they save their friends even though they die. Neifile dies afraid, but life comes with no guarantees. It's unpredictable, just like love. And after her death, Panfilo seems to lose the will to live--but when he decides to sacrifice his life to die alongside Neifile, it's not so much out of a desire to die as it is out of a desire to have his friends survive. And it's not a coincidence that the foe they face off with is a self-proclaimed prophet who's really a cruel, hypocritical cult leader. Neifile's dead, plague-ridden body is more holy than the cult leader's sword.

Romantic/Eros Love: Misia and Filomena, Tindaro and Stratilia, (and everyone)

Everyone has romantic love and/or a sexual relationship in the story. Everyone has a "pairing," but it is seldom their most important bond.

Dioneo and Licisca

Filomena and Misia

Pampinea and Sirisco

Tindaro and Stratilia

Neifile and Panfilo/Ruggiero

Panfilo and Neifile/Andreoli

The two that are the most important here are Misia and Filomena, and Tindaro and Stratilia. Yet they are both quite unique portrayals as well, because while Misia and Filomena's love is requited, Tindaro's loev for Stratilia is completely unrequited. Yet, its power still shines through.

Tindaro's love for Stratilia is utterly unrequited and stays that way. However, his love for her is nonetheless real and he proves it over and over, and it isn't dependent on her returning it. His determination to love her, no matter what she does or doesn't give him, is honestly a beautiful exploration of unrequited love. Usually in fiction unrequited love is either someone wasting their time or a tragedy.

Rarely does unrequited love have power to redeem and save, but here it does. It motivates Tindaro to change himself for the better and to become the best version of himself, and it saves Stratilia's life and the life of her son.

Yet, the story avoids any kind of iffy subtext about sex corrupting love. Misia and Filomena get a happily ever after (the only pairing in the series that does), but Tindaro's love for Stratilia, which literally starts as hate sex and stays that way for her, redeems Tindaro. So the show avoids saying that sex is all that love is, and avoids the implication that sex ruins love as well.

Familial Love: Licisca and Filomena, Stratilia and Jacopo

The series addresses sibling love in a variety of ways. Filomena and Licisca are clearly sisters long before we get the official reveal that Licisca is actually Filomena's half-sister in blood. And even when we see them fighting and pushing each other off a bridge (literally), they love each other. They can't bear to see each other die, even as they peck at each other and insult each other constantly.

Filomena: Licisca, you saved me again! Licisca: Yeah, you dumb bitch. Love's got long claws.

Truly, a sister exchange right there.

What gets in the way of their familial relationship is class. The series juxtaposes class issues against familial ones quite a bit. Leonardo, for example, we never meet, but the way he treats Stratilia and Jacopo (his son) is pretty terrible.

And yet, Jacopo has a good life. Stratilia loves him, even though he is the reason she can never leave the villa, marry, or have any sort of life of her own. She knows Leonardo never plans to have Jacopo as an heir or treat him as a son in any way, but she loves him and sticks around for him, and doesn't resent him for it. And he in turn adores his mother and wants to protect her. Love is a burden, as Panfilo says directly, but so is life. Love anchors.

What gets in the way of love for this mother and son, temporarily, is again class. Not for herself, but for her son, Stratilia eventually decides to take the villa since Leonardo is dead and Jacopo is the rightful heir. But clinging to class and material possessions in this series never ends well.

When Stratilia realizes her desire to seize the villa in the name of justice for her son will likely get them all killed, she cries and blames herself for their coming deaths.

As Tindaro says:

Stratilia: I failed my son Tindaro: No. You have given him everything. And love most of all. He is blessed. You understand that Jacopo? You are blessed.

In other words, love doesn't have to be perfect. It can involve major screwups and pain, but that doesn't mean the life they had or the love was any less powerful.

Also of note: the whole reason the peasants turn to mercenaries and cults is because the rich lock themselves away from the poor, when in reality they are all humans. You can't counter acts of God (or, y'know, rats) but where humans do have power, in all the terrible hands life slaps them with, is the ability to love each other and help each other. While this sounds cheesy, the juxtaposition of this idea with a black comedy plague setting actually makes it shine.

The Loveless: Pampinea

At the start of the story, there are two buffoons: Tindaro and Pampinea.

Tindaro is misogynistic and pathetic, and Pampinea is equally insufferable but more sympathetic because her insufferable tendencies are clearly driven by her status as an unmarried woman in a patriarchal, misogynistic society.

Yet Pampinea has all of these kinds of love, and can't accept any of them. Sirisco loves her and thinks she is beautiful. She not only pushes him away, but is cruel in doing so. She has the respect of Neifile and Licisca. She has unrequited loyalty and love from Misia, and uses it to manipulate Misia into killing Ruggiero for her (and the irony is that Misia, who is traumatized from killing Ruggiero, then kills Pampinea).

Pampinea is a well-written villain, imo. You love to hate her, but you also see her humanity. The way she treats Misia, though, is increasingly horrifying, and their relationship foils Tindaro and Dioneo's, Filomena and Licisca's, and Leonardo's and Stratilia's/Sirisco's.

In fact, Filomena even directly acknowledges that she's no better than Pampinea for how she's treated Licisca. Tindaro doesn't get the chance to have that realization about Dioneo while Dioneo is alive, but he does give him a decent burial when he definitely didn't have to. And, there's an aspect of tragedy there too--Dioneo did care about Tindaro, but Tindaro's inability to show any kind of care for Dioneo while he lived means that he doesn't realize that Dioneo did in fact find love in the end, though he acknowledges that this was what Dioneo did primarily want in life.

In contrast, Pampinea has chance after chance after chance to choose differently, to choose a single bond, and she doesn't. She also recognizes that her servant wants love more than anything, just like Tindaro and Dioneo, but instead of using that to honor them, she uses it to degrade and manipulate Misia.

Bad Victims and Toxic Love: Misia and Pampinea

Misia is a bad victim. It takes forever for her to realize she's being abused and even longer to accept it. She does in fact murder someone for her mistress, and she keeps going back to Pampinea even when it means essentially betraying Filomena, whom she romantically loves. When she asks for help, she pushes the people she's asked away.

Eventually, the only way she sees to free herself is to kill Pampinea, because love for Pampinea is a way to cage someone rather than a way to set them free. Pampinea's already introduced the idea of killing for love, so it's not really a surprise when this comes back to bite Pampinea and she is killed.

Yet the story doesn't demonize Misia for this. It shows how damn difficult it is to free oneself from an abuser, and how genuine the love for an abuser can be. In fact, the victim can often not even realize they're being abused and taken advantage of.

Furthermore, Misia's abuse doesn't make her a better person. Most people tend to assume that victims cry and wait for rescue, but that's not realistic. Victims lash out and can sometimes have a massive cognitive dissonance, as demonstrated in the show when Misia begs Sirisco for help and then blames him for Ruggiero's death when he calls her out on Pampinea's abuse of her.

Even Misia killing Pampinea isn't portrayed as a moral positive. It's tragic, but it also doesn't have to destroy Misia's future. Filomena loves her and forgives her, and that love can tether Misia to life despite her having two murders under her belt.

Sirisco also goes down a bad path, similar to Misia. He brings misery and problems to the villa in his outage over Pampinea's treatment of him. Yet he does repent after he sees that his actions have directly led to the deaths of the peasants who treat him well, and he survives.

[reiderwriter]

reiderwriter 5k writing challenge

hello, my lovelies, and thank you so much for 5k followers~♡ it's been just under a year since I started writing on here, and it's been so fun interacting with everyone and writing for Spencer and the other members of the BAU team! I was a bit unprepared for some of my other milestones and threw some stuff together last minute for them, but I've been thinking about a writing challenge for a while and I finally decided to do it!

Please note: This is a writing challenge! All the prompts below are meant to inspire you to write your own fics and not as prompt requests for me. I hope you can use them as a starting point to write~♡

The theme for the challenge is:

daydreams and shooting stars`☆

There are two sets of prompts to choose from! The daydreams' prompts are based on classic fanfiction tropes that we know and live, and the shooting stars prompts are based on the zodiac signs. There are 12 prompts in each list, and you're welcome to mix and match prompts as you like! Maybe you'd like to combine your star sign with your favourite trope, or two particularly match well, or if you like a single prompt, you can just write for that. I don't mind if the fic is only very loosely based on the prompt, too, do whatever you'd like!

The writing challenge will run up until my 1 year writing anniversary, July 27th, so you have plenty of time to get your fics in! I'll be reblogging all the entries, and at the end, I'll add them to a recommendation list! Be sure to tag @reiderwriter in your fic, or use the hashtag #reidersdaydreams or #reidersshootingstars in your tags! I'll be tracking both~♡ You can submit as many entries as you like!

Rules for submissions will be at the end. Please read them before submitting~♡

without further ado, here are the prompt lists~☆

DAYDREAMS

ONLY ONE BED - a true classic in the sense that I will be reading only one bed fics down to the second I take my last breath. Feel free to invert this to "too many beds," or even "no beds at all, but somehow we're still cuddling," either way, I will read it and likely enjoy it greatly.

GRUMPY X SUNSHINE - which character is grumpy, which character is sunshine? my favourite grumpy x sunshine dynamics are the gloomy character trying their best to become more sunny after a tough life 🫡

FAKE DATING - we, in the criminal minds fandom, have written possibly every undercover mission possible to make our characters make out, but I'm coming in as a simple woman to ask - please do it again 🫶

OH. OH. - the plot revelations! Give me them! The sudden moments of clarity! I'm a fan, goddammit.

IDIOTS IN LOVE - there is nothing better than two huge dumbasses falling head over heels in love with each other in an "aw shucks" kind of way. Also, I'm an idiot, representation matters.

ALTERNATE UNIVERSE - coffee shop AU? Soulmate AU? HANAHAKI AU? If someone could please un- or re- traumatise my favourite characters I will be eternally grateful

SECRET IDENTITY - give the character their Emily Prentiss Lauren Reynolds moment, or just make them dress like a clown for like 30 minutes. Both count.

MUTUAL PINING - This harkens back to idiots in love, but it's about the LONGING, it's about the PITIFUL STARES, it's about the BURNING PASSION.

SECRET RELATIONSHIP - my love of gossip makes me a sucker for secret relationship stories because I truly want to be in everyone's business. Character A and B are dating? Brilliant. It's a secret? BRILLIANT.

SICK FIC - your poor little meow meow has a cold. Or your poor little meow meow has been poisoned with anthrax. Or your poor little meow meow is dealing with possible symptoms of schizophrenia. Or your poor little meow meow has been shot-

PSYCHO X PSYCHO - reidams fans, this one's for you 🥰

ENEMIES TO LOVERS - half of my requests are enemies to lovers requests! Feel free to include rivals to lovers, lovers to enemies, friends to enemies to lovers, enemies to friends to lovers, or any such dynamic that your heart desires.

SHOOTING STARS:

Aries - "I burn for you. I can't sleep at night for wanting you. It's the most maddening, beguiling, damnable thing, but there it is."

Taurus - "There is a stubbornness about me that never can bear to be frightened at the will of others. My courage always rises at every attempt to intimidate me."

Gemini - "There's such a lot of different Annes in me. I sometimes think that is why I'm such a troublesome person. If I was just the one Anne, it would be ever so much more comfortable, but then it wouldn't be half so interesting."

Cancer - "I will not say: do not weep; for not all tears are an evil."

Leo - "There is no exquisite beauty… without some strangeness in the proportion."

Virgo - "They slipped briskly into an intimacy from which they never recovered."

Libra - "Somehow, we'll find it. The balance between whom we wish to be and whom we need to be. But for now, we simply have to be satisfied with who we are."

Scorpio - "She didn't understand why, but faced with those decaying buildings and straggling grasses, she was nothing but a child who had never lived."

Sagittarius - "If you tell the truth, you don't have to remember anything."

Capricorn - "There's a low-level, specific pain and having to accept that putting up with you requires a certain generosity of spirit in your loved ones."

Aquarius - "An education was a bit like a communicable sexual disease. It made you unsuitable for a lot of jobs, and then you had the urge to pass it on."

Pisces - "I think it's perfectly acceptable and rather admirable to be moderately delusional."

Rules:

I'm accepting reader insert, an Original Character, a character/character ship, a platonic ship, or a Gen fics for this challenge. It can feature any Criminal Minds character or any character from any fandom you write for. I assume a lot of people will stick with CM, but feel free to write for whoever you choose!

Please tag me in your entries or send the link to me in a DM. It can be already written, or you can write it for the challenge. Again, the tags I'm tracking are #reidersdaydreams and #reidersshootingstars ♡

The fic can be any genre, but ONLY send me smut if your bio states you are 18+. I will not endorse, nor do I want to read smut written by minors. I will check the ages of accounts posting smut.

For smut or angst fics that could include triggers, please include a content warning above the fic so we can be aware before reading!!

Enjoy!!

[science-bastard]

my brilliant lab assistant, who is also incredibly sexy: hey can i see your lab notes real quick? i spilled green goo on mine

me, dumbass scientist: *frantically flipping to a different page to hide my crayon drawing of us kissing sloppy style* oh yeah sure here you go

[stealingyourbones]

What suggestions would you have for cool, lesser known DC characters I could write a crossover fic with.

Preferably not Gotham-based characters because as much as I love them I need a break and I want to try something new. I know you mentioned Animal Man in another post. Does he have a solo run I can look up or is he usually in group comics/a side character in somebody else’s comics?

(I am deliberately baiting you to info-dump to me about any DC characters you want and I will write a fic with them so go nuts.)

Sadly at this current moment I can’t infodump nearly as much as I’d want to because my carpal tunnel is being a lil bitch but I can give synopses:

Animal Man- Buddy Baker, a typical suburban dad who also happens to be a hero that can use abilities based on any nearby animal (including bacteria?). He is powered by The Red which is the animal version of The Green (Plant Life). The Red is less the concept of all animals but more the concept that all animals are meat. his comics are either a beautifully terrifying body horror gore fest or a 4th wall breaking mind bending creation. No in between. Having Animal Man fight the Lunch Lady and realize she’s fundamentally a different being and not of The Red would be crazy awesome.

Booster Gold or Ted Kord: Booster Gold is a Time Cop who got his job from stealing shit from the Hall of Justice Museum and heading to the Age of Heroes to fund enough money and fame to pay for his mothers cancer treatment. He could be used in Clockwork related fics a lot and he’s also equally as much as a dumbass as Danny.

Blue Beetle also known as Ted Kord, is basically in the same package deal as Booster. Ted Kord, Late owner of Kord Industries, ja a brilliant master of technology and has stuff from a massive beetle ship to a gun. He’s best friends with Booster and their bromance could be fun if you want Danny to have two partially functional adult mentors.

Wally West. The second and fastest flash. A he’s the most go with the flow dude I’ve seen in recent comics, including dealing with an inter dimensional WWE esque fight where he fights alongside Space Hulk Hogan, and has a wonderful Wife, Linda West, and (sometimes) twin kiddos. The Flash’s entire sthick is family. They’re more family centered than the Fast and Furious movies for god sake. Having Danny find a new home in any speedsters home would be incredible.

The Spectre: the embodiment of Gods Wrath. I would go on far too long of a rant remind me to do one later but for now all I’m saying is that it would be sick as fuck for The Spectre to kill Vlad for the horrible things he’s done.

Green Arrow or in general Star City: Oliver Queen, inheritor of Queen Industries is a dude who got trauma after a boat sank and some island thing (tbh I don’t know his backstory off the top of my head), but he’s a very quippy and hilarious guy who’s jokes would mesh pretty nicely with Danny’s humor and in general he’s underutilized in both dpxdc and DC so it’d be nice to see that change :)

Ok hands are getting angry but I hope that’s a fun starting example list for ya!! :D

[frozenjokes]

deeply infatuated with them. so much so that you guys can have the full ficlet as a treat. And yeah he wears that dumb fuck lab coat to bed of course he does. he’s also a socks in bed wearer and if you don’t think so we will be dualing at dawn.

zombiecleo and the worst found family in the world vvv

Ow. Ow.

Mosquitos, deer flies, horse flies, bugs, Cub was being ravaged by bugs, he really hadn’t considered the bugs when he’d started this journey. In the Wisconsin northwoods you breathed them, all sorts, but the deer flies were his worst enemies, drawing blood even through the thick layers of.. well, moss didn’t feel like an accurate descriptor. It looked a little like moss, like life had reached toward the sky and captured the stars, brilliant and twinkling and everything good. But moss didn’t have teeth. Sculk did. Cub liked that about it. Whether it hurt more or less than the flies, that was up for debate, but the sculk was consistent, familiar, everywhere, and the flies were in his way.

But with all the bugs, there was some reprieve. Afterall, another source of food meant less of those teeth under Cub’s skin. Less pain, though, somehow, he still managed to miss it.

Sculk was alien. It was not supposed to be here. But it wanted to be.

Sculk was a parasite. So was Cub.

Ow- Fucking- stupid ass dumbass fucking-

Cub jolted awake with a screech, being shaken- dragged out of bed, the monster on his neck- he was falling, a bear- a black bear had got him, he was being dragged through the woods by a black bear- fuck- what bear was it you where you were supposed to play dead? Cub had thought the brown bear, there weren’t brown bears in Wisconsin- He tried anyway.

He realized the floor was not dirt. The paws awkwardly dragging him along weren’t black or brown. Momentarily stunned, he heard Cleo cackle through the darkness.

“Scar- Scar! What are you doing? Wait- No no- No! Scar!”

Cub had the wind knocked out of him as his kidnapper attempted to jump onto Cleo’s bed, his stomach slamming into the mattress before he was unceremoniously dragged all the way up over a howling Cleo. Briefly Cub was released, to which he cautiously began to move until the sheets were pulled so hard underneath him that he fell off balance, only to be grabbed by the throat, then shoved head first underneath.

Cub needed a second to breathe, utterly shocked he was still alive. Then a large weight fell on top of him, and breathing became a little harder. The weight began to purr.

“Scar.” Cleo gasped, sounding just as shaken as Cub felt, though not nearly as dazed. The purring ceased briefly, then began again, Cleo’s bewilderment remaining unanswered. “What- Why?” they tried again, which Scar seemed more receptive to.

“Easier to watch when you’re close together. This is better. Efficient. Safer.”

“We- We don’t need to be watched, Scar. We are safe. This room is safe. There is literally nothing in here that can hurt us.”

“That RenKing is awfully suspicious. It’s watching me.”

“He’s not on! He can not turn on by himself, we are fine.”

“What else lurks in the shadows, Cleo? You never know, you never know. One minute you’re safe, the next minute a hawk has swooped out of nowhere and grabbed your kitten, you gotta be careful, you gotta sleep together. It’s the best way to do it, it’s the best way.”

“I can not argue with you about this right now. Is Cub even alive?”

“He’s wriggling.” Cub was indeed wriggling. He wasn’t even uncomfortable per se, there was something deeply mollifying about having a large weight directly on your back, and he slept face down anyway, so this wasn’t a huge issue. Just adjusting.

“Let him go, Scar.”

Cub was a little offended by the implication that he could not get Scar off by himself- Scar was at least half his weight! “I’m fine.”

“He’s fine,” Scar parroted.

Cleo sighed, long and strained. She said no more. With enough passage of time, Cub stopped going to sleep in his own bed, since no amount of arguing was going to stop Scar from dragging him out of it every night. Though, out of all of Scar’s disruptive quirks, this was not something Cub minded all too much. He liked Cleo’s company, though he was relatively certain Cleo did not enjoy sleeping in a full bed nearly as much. Well, Cub definitely took up more room, but it wasn’t like she had slept alone since Scar had invited himself to sleep at their feet anyway.. then their legs.. then their stomach.. then their chest. Maybe this was always the next step. Cub wouldn’t be surprised if Scar had been planning it from the start. Oh well. No skin off his back.

uh if you like this there’s more of it on ao3 here’s a link

[imustbenuts]

nuts reading trigun in japanese 5 - vash is. super good with kids

disclaimer: more triangulation purposes etc etc

so i mentioned before in my part 3 that the japanese language has an inbuilt hierarchy quirk to it. and i kind of noticed this nuance getting somewhat lost in the english translation, either because again i have skill issues with english, or that EN inherently doesnt come with the same quirk.

elaborating a bit more: this hierarchy of position/standing can be determined by age, profession, occupation, and experience. in terms of hard priority, age and profession tends to take precedence over everything else.

this means effectively, vash being over 150 should be top dog and given respect in JP/Asian context (respect your elders! or else!!), but because he 1) looks 24, 2) uses very immature speech with strangers, 3) uses boku, hes effectively keeping his head down and posing as a dumbass schmuck.

ヴァッシュの兄貴　行っちまうのか！？ Big bro Vash, you're leaving?! (兄貴 = aniki = big bro but informal and can be used for no blood relations)

so schmucky that he has no problems handling children. in fact, in the JP version during his departure on the sand steamer, the kids call him Big Bro Vash. twice! so he's earned their adoration in no time flat.

ヴァッシュの兄貴—ッ Big Bro Vash!!

leaving the translation like that ^ wouldnt flow well in english, so rip. also. cute scene.

and yet his meeting with Kaite is chaotically bad to say the least. i mean, he even gets drugged and knocked out. Kaite does not respect the guy who gave him food at all and plans to seemingly feed him 3 meals a day for the entire trip. so how? well.

once Brilliant Dynamites Neon comes in and turns things serious, Vash's starts doing a few interesting things.

skipping forward this and that. after getting almost blown off the sand steamer, vash holds onto kaite and they both cling on for dear life:

もうちょっと登れば通風口があるよ mou chotto noboreba tsuufucou ga aru yo If we can climb a little higher there's a ventilation duct そーか　そーか　今行こうすぐ行こう souka souka ima ikou sugu ikou Okay, okay, let's get going right now!

added romanji and color to highlight how vash is repeating phrases in his line. the そーか　そーか souka souka and 行こう 行こう ikou ikou repeats are there as if to 1) make himself sound immature, and 2) to reassure kaite that things are under control.

only touching on the bottom right panel. another possible reading of that line:

助けて頂いてありがとうございましただろう Situations like these are where you should say "thank you very much for saving my life" instead!

はいそーでした!!!

Now say it!!!

he's chiding kaite and doing the very asian adult thing of teaching the youngin manners in terms of tone. but in a stern funny way no offense taken way bc, as you might have noticed...

vash is deliberately putting himself on the same level as a kid. in tone in standing in speech. hes not being condescending. hes not lording his status as an adult over a child. (something something christ like but in the context of jp... hehe.)

this is ultimately what gets tough nut kaite to trust vash to get down to business to defeat The Neon. even without the words hes visually getting himself to be on the same (eye) level with kaite. i think its so good alsdjfdsa

kaite starts crying after thinking of his dad and regretting what he's done, gets caught in a regret reflection loop, but vash brings him back to reality. like this:

な に を 感 傷に ひ た って る か な こい つ は

another reading of this "What the hell are getting all sentimental for now ya brat?!" line might be "What. Good. Is. It. To. Lose. Your. Grip. On. Yourself. Now. You. Dummy?!"

with this he puts kaite's head back into reality and readjusts both their priority.

so again. vash just. is good with kids. his emotional intelligence is through the fucking roof as proven by all the other moments throughout tristamp and trimax*

idk its warms me bc. the asian confucius hierarchy is so... yuck. im technically of chinese descent so i know how fucked it is. so. vash is really cool with this slightly extra japanese asian hierarchy context.

i think this aspect of vash is something i dont see in english fanworks a lot, and not in the same tone. on the other hand, i do see this a lot in the jp fanworks. so idk exactly what factors or if im looking in the wrong places, but yeah. vash is good with kids. just like wolfwood.

again, studio orange understood the assignment and gave some of that dynamic here to Tonnis.

are they called studio orange bc im meant to squeeze stampede for all its worth or what. stampede is actually incredible to me im in awe.

bonus:

the jp version of the left text says roughly:

"I'm cursed!! I must be! By either the reaper or a god of misfortune and or more!!"

yeah he specifically says Shinigami and Binbougami. i dont think that would translate well in en bc this kinda throws the catholicsm theme into a bit of a tailspin LMAO. (also. the Ore here. note the context.)

[gffa]

If you could change anything about the Prequel and the Sequel trilogies, what would it be?

I love the prequels, in all their both brilliant and dumbass glory, so as tempted as I am to say that I would have had Lucas find someone else to direct the prequels after Spielberg said no (I think he was firm in saying Lucas should do them?), I really love that mix of something genuinely good and something genuinely bonkers. I would change the Tuskens storyline to be less racist/the Neimoidians to have a different accent and I would put more Asian Jedi into the scenes, if you're going to base them on Buddhist monks, we could use a little more real world reflecting of that. The sequels on the other hand need an overhaul from top to bottom. At a bare minimum they needed to have at least planned the storyline out ahead of time and had a single vision instead of the tug-o-war that we got. I would not have made Kylo and Rey's characters all about each other, I would have spread the connections around more, given Kylo and Luke more than just the one scene together, I would have given Finn a better storyline, I would have given Poe a better backstory, I would have connected the storyline better in the movies to the world they inhabited (ie, use more established settings and alien races, etc.), I would have kept the OT trio to secondary characters, but also let them have reactions to each others' deaths in the same room, I wouldn't have made Han/Leia into that because how am I supposed to have fun with rewatching the originals knowing everything went to shit, I would not have brought Palpatine back (or at least I would have set it up from the beginning otherwise), etc. The sequels were in a difficult place, but even as many issues as I have with TFA (too much of a palette swap of ANH for my tastes), the pieces for a satisfying story were there, it's just that everyone wanted to take it in different directions and none of the three movies really seemed to get what Star Wars' themes were. I love the characters and there were great moments in there, but I would have sat them down with a bunch of Lucas interviews about what the themes of Star Wars was before starting and tried to give them a better foundation for understanding it.