#briefly but its there

[3-2-whump]

The Scent of Jasmine

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Who's in the mood for some carewhumping after the emotional rollercoaster of almost dying? I know I am!

Thank you @whumped-by-glitter and @generic-whumperz for being awesome beta readers

TW/CW: aftermath of mock execution, trauma aftermath, extremely dubious consent, nonverbal whumpee, whumper turned carewhumper, dubiously consensual nudity, death threats, chastity devices (yes, it’s back), forced domesticity, food whump (sort of) (tagging it anyway to cover my bases), intimate whumper

The boss noticed Khaled’s grateful enthusiasm slowly fade into a catatonic silence on the drive home. He didn’t think much of it, though. Poor boy is just shocked is all, he told himself, we can work on that. He parked, got out of the car and led Khaled out of the garage and to the elevator.

His first order of business was to strip Khaled when they got home. The poor thing was soaked in melted snow and cooled piss. He was barely responsive as Thomas pulled him into the laundry room and slowly peeled each layer of clothing off his shivering body. “You need a bath, Khaled.”

Khaled didn’t reply, instead opting to stare at his bare feet with empty, starless eyes. I can’t blame him for being quiet. Anyone would be a little messed up after a mock execution, he figured. He sighed, gently taking the slave’s hand in his and leading him to the master bathroom.

Once inside, Thomas deposited him at the entrance and turned on the lights and the fan. Khaled stood silently watching him by the door as he knelt by the large, deep bath tub. “Come on in,” he beckoned. Khaled inched closer to the bath tub as Thomas poured a generous glug of bubble bath solution into the marble expanse and cranked the water full-blast, making micro-adjustments to make sure the temperature wasn’t too hot. As a finishing touch, he uncapped a tiny bottle of jasmine oil and dripped a few drops into the tub. The floral scent rose on the plumes of steam coming from the frothing tub.

Once the tub was full enough, Thomas turned off the tap and pulled Khaled closer to the tub. He effortlessly scooped the young man’s cold body into his arms, settling him on the edge of the bath tub before gently lowering him in. “I’m going to help you wash your hair and body. Nod if you understand me.”

Khaled faintly nodded, eyes fully closing as he slumped into the soapy water. “Good boy.” Nothing but a small, contented sounding whimper answered him. At least he’s becoming verbal again.

Thomas methodically washed the young man’s body and hair, being mindful of not getting any soap in his eyes as he massaged his scalp with the shampoo. He noticed the newly forming chafe marks on Khaled’s wrists as he scrubbed his body. All the while he whispered sweet nothings into his ear, like “good boy, you’re being so good right now, we’re almost done, I gotta rinse you off and drain the tub next.”

The awareness in Khaled’s eyes was flickering back on once Thomas helped him out of the bath tub and began towel-drying him. “Back with me, beautiful?” he teased.

“Mmm.” Inky dark eyes glittered up at him from dark lashes and damp strands of black hair as Thomas wrapped a soft fluffy towel around his shoulders.

“Yeah, good. Very good.” He procured something small and metallic from behind his back.

Khaled instinctively backed away as soon as he saw what it was. “Khaled,” he warned. It was all he needed to say for the boy to stay rooted on the spot. “I haven’t forgotten about you running around and getting an STD,” he explained as he wrapped the cock cage around Khaled’s privates. “And I’m still mad about it. But maybe I will let you out once we’re both all better.” He padlocked it in place and held the small caged appendage in his hand. “Or once I put that dumpster lover of yours under, like the horndog he is. Whichever comes sooner.” He marveled at how it was but a microcosm of Khaled’s greater captivity. As he craned his gaze upwards, he saw Khaled pout. “Oh, don’t give me that look –I’m doing this for your own good!” The boy smoothed his frown back into a neutral expression of apathy as he hid his eyes behind his lashes.

“That’s more like it. Now, can you change into your pajamas and wait in the living room until Master is done in here?” He measured out his words slowly and carefully, explaining it as if Khaled was a child again. Another quiet hum answered him. “Good boy. When I’m done, we can eat, and then we’ll watch whatever you’d like.” He gestured him out with a small wave of the hand, then hopped into the shower for a quick rinse off himself.

When he got out of the shower, towel-dried himself, and changed into a fresh pair of flannel pants and a wife-beater tank top, Thomas made his way to the living room, where Khaled sat on the floor, at the foot of the couch, gazing down at the carpet with desolate eyes. He was still wrapped in the bath towel. Seeing him there brought back memories of when Khaled was younger, when he would lean against his shins and let him brush his thick black hair. The memory brought back fond feelings in Thomas’ chest. He turned around and went back to the bathroom for a hairbrush.

Once he was done brushing his slave’s hair, they ended up sitting opposite each other at the dining room table, each with a plate of reheated takeout from a new Indian restaurant Tom had wanted to try. While the boss himself ravenously devoured the bhuna ghost, Khaled kept tearing the same corner of buttered naan between his fingers while staring apathetically at the murgh cholay.

“Are you sure you don’t want any more food?” he asked again. “You hardly touched your portion.”

The boy merely shook his head.

“Come on, at least two more bites, Khaled,” he coaxed. “Give me at least two more bites before I put it away.”

Khaled cast him an empty, weary stare, not breaking eye contact as he tore off the weathered chunk of bread, dipped it into the curry, and ate exactly two more bites.

They ended up cuddling onto the couch together after dinner, a rarity in their household. Thomas man-spread on the couch and rested his arms outstretched along the back. Khaled, still wearing nothing but a damp bath towel around his shoulders, leaned against his side with his head resting on his chest. His hands curled around a steaming mug of chai, which he occasionally sipped as they watched a rerun of the AFC World Cup. Khaled didn’t cheer, or groan, or offer any commentary of any kind throughout the whole match. It was unusual for Khaled to remain this quiet and glum during a game. Thomas gently took the mug from his hands and set it on the table. “What’s wrong? Why are you so quiet this evening? Is it –oh, is it because of that little scare off the side of the road?” he guessed. Khaled pushed his weight up against him, just short of burrowing into the man’s side.

“I guess I scared you pretty badly, didn’t I? Look, I’m sorry,” he apologized. “I know now it wasn’t you, but I had to be sure. I promise I will never fake you out like that again.”

The young man remained silent as he leaned against his chest.

“If anything, you should be blaming that boyfriend of yours,” he continued. “I bet he never would’ve attempted that hit if he knew what I was about to do to you tonight. But, what’s done is done, and now you’ll never see him again.”

Khaled did not respond.

It took about an hour more of mind-numbing soccer footage for him to realize the boy had fallen asleep on him.

Oh. He softly smiled as he turned off the TV. He carefully got up and lowered Khaled onto the couch, disentangling the towel from his unconscious, nude form. He propped a throw pillow behind his head, then unfurled a fleece blanket and draped it over him, making sure his feet were covered and he was properly tucked in for the night. “Goodnight, Khaled,” he whispered, leaning in to plant a soft kiss on the side of the boy’s parted lips. “I… love you...”

Le Tag List: @kabie-whump @rainydaywhump @whumped-by-glitter @skittles-the-whumpee @generic-whumperz @bamber344 @there-will-always-be-blood @morning-star-whump @a-la-whump @watermelons-dont-grow-on-trees @defire

[audible301]

Consider me a follower of the Ankarna Cassandra Ruvina Galicaea misunderstood lesbian pantheon

[rubysparx]

Honestly I don't think I'm qualified to make this post, I just don't know if I can make coherent enough words man. But the thoughts are in there and I will try to articulate them. This is probably going to be mostly images though. anyway yeah KABRU POST.

A couple nights ago (at approximately 2:30am, lasting a little over half an hour) I had a bit of a moment about Kabru. That, too, was mostly images- most of what you see in this more concise post were presented then as well. I think my main points of the "moment" were about Kabru's trauma + self hatred, his autism and/or general otherness, and also a little labru if you'd like..

I think something easy to start with is I wanna point out Kabru's constant back and forth and conflicting opinions of demihumans and how, I believe, thats a reflection of how he goes back and forth on what he believes his purpose of living is- and the general worth of his own life. I've said it before and i've just kinda shown it in images; Kabru is "i think im a monster and it disgusts me" where Laios is "I know im a human and it disgusts me" (i could go more into the latter on another post)

the above are both from the world bible, with the left being from the section on kobolds and the right being from the section on Kuro specifically. Utaya was very near to the desert where most of the kobold population is, this is likely why Kabru is able to speak Kuro's language- he grew up around demihumans. (chapter 48 cover, kobold chapter in the world bible) I won't try to speak for how his mother or the rest of utaya felt about the kobolds but I can say that Kabru was very much othered as a child, as was his mother, purely for the way her son's (kabru) eyes looked.

I feel like its fair enough to say that both kabru and the kobolds were othered, and possibly for similar reasons (villager's seeing them as nonhuman, as monsters) and the fact that Kabru learned their language probably didn't help his case. I think his perception of kobolds (and all demihumans, subsequently himself, as he probably still views himself as nonhuman or not human enough.. deep down) was damaged by the Utaya incident. at 2:30am when I first started this ramble my main comment was that "had the utaya incident not happened kabru would have little reason to feel ashamed for his connection to monsters. and may have ended up similar to laios in that he couldve had otherkin swag" which is just a sort of silly way of saying Kabru could've learned to love the thought that he is possibly nonhuman or at least not hated himself so much for it.

in the original ramble I said, and quote, "he has been STALKING laios. laios is his hyperfixation to learn how he can ever be loved. he keeps going back and forth so harshly on wether or not he wants to kill Laios and he clearly sees his survival from utaya not as an unfortunate trauma [*] but as a necessary, deserved fate. a punishment for his mother's witchy sins, and for his sin of being non-human. to atone for it all, to apologize for being alive, he tries to better the lives of all humanity. He was set on his way to dethrone the governor of the island . do you understand? im going insane" *i also said somethings about the way he processes other people's traumas and not his own. He's able to understand and even help some people, but he struggles to process his own issues and see himself as worthy of love and life.

^some examples of Kabru being understanding of or helping others who have suffered greatly. I think its also worth mentioning that with Rin (called "Lynn" in that translation) he says "I wish there was a way to get her out of this" though he's insisted and pushed for himself to go into a dungeon;

In chapter 94, Mithrun says "The desire I had left wasn't revenge. All I wanted.. was for it to finish devouring me." and I don't feel like it's a stretch to say Kabru was in a similar situation. Mithrun sought out the demon with no plan on how to kill something like that because deep down he wanted it to end his (Mithrun's) own life, to finish the trauma it caused and kill him. I think Kabru went into the dungeon in part with the hopes that it'd kill him. That the same thing that destroyed Utaya and caused him so much trauma would just.. finish him.

I just think Kabru is a beautifully complex character, I have a lotta thoughts on him and I don't see nearly as many analysis posts for him than I do Laios (despite labru being such a popular ship)

there is no tldr for this post idk how to summarize it. do what you will with this collection of images. have fun. go crazy

fun fact the woman in the bottom left corner is his mother, she is labeled here as "witch"

[simplyender]

Can you tell I've leveled up my game?

[filurig]

instructional booklet for basal and listless ceteceans feeling like looking for porpoise

[maskofnova]

Hi chat, breaking the sonic chain to post a singular homestuck post because ive been thinking about moirail dynamics a lot. Don't follow me for homestuck though probably because this is the only one thats likely to break containment aside from maybe one other WIP in the future. Or do! I'm not your dad :]

[nyaa]

Harada Takehito (Disgaea series), April 1996

[secretmellowblog]

Jean Valjean's Canon Toxic Unhealthiness around Romantic Love

( alternate titles: “Does Jean Valjean is Gay?”, or “Does Jean Valjean is Asexual?” Or: “Why is it so difficult to slap an identity/sexuality label onto Jean Valjean?” Or “LGBTPTSD+”)

I was looking at the responses to this poll about whether people interpret Jean Valjean as gay/asexual/straight or something else….and it got me thinking again about Jean Valjean’s canonical intense, complex, awful, toxic, and overwrought emotions around identity/ romantic love. I want to talk about that for a bit because I think it often gets overlooked in fandom!

I've noticed that Les Mis fandom/analysis often tends to interpret Jean Valjean as being far more content, more "at peace with himself," and more "comfortable in his own skin" than he ever is within the novel. This is also a common change in adaptations. The musical's version of Jean Valjean is great-- but he also seems a lot more self-actualized, more like he's gotten himself completely "figured out" by the end of the story. Other, bad, Les Mis adaptations — the adaptations that generally portray Jean Valjean a worse more violent person — also usually make Jean Valjean more confident in himself, more confident in his own feelings/desires, more certain that he’s entitled to certain things, and more willing to demand or take what he wants.

But one major aspect of book Jean Valjean's personality is that he does not have a healthy relationship with anything about himself. He has a tortured broken relationship with his own identity. He repeatedly thinks about “Jean Valjean” as a person outside of himself, a person who he finds frightening, repulsive, savage, and horrible— like a wild animal he needs to sedate, or beat into submission. He is obsessed with self-denial and self-repression. He is fixated on the idea that he is subhuman, that he is not allowed to want things or to pursue having any kinds of relationships with other people-- and that the most heroic thing he can do is "grab himself by the collar” and violently force himself to stay away from the things he wants. He is desperate to be loved and fixated on being unworthy of love and on denying himself love. He is absolutely not at peace with his identity: to paraphrase Jean Valjean in one of the later chapters, he believes he can only gain inner peace by “eviscerating his own entrails.”

He is never truly content with who he is, what he wants, or what kind of love he wants— and he never learns to be. The novel ends with him cutting himself off from his only family, breaking ties with the only person who loves him, and essentially slowly killing himself out of self-loathing.

There are other characters in Les Mis who seem very content with who they are and what they want. Enjolras is self-assured in his identity, and doesn’t appear to feel like there is any kind of love that is missing from his life. Whether you interpret him as gay or ace or trans or w/e, book!Enjolras is written as someone who is extremely self-assured and has a loving support system that is enough to keep him happy. But I don’t think that’s true for Jean Valjean at all XD.

And that’s why it's hard to apply labels like “aromantic” or “ace” or gay/straight/etc to Jean Valjean, when talking about his canon characterization. Those labels imply the person has a basic level of comfort with acknowledging their own desires/lack of desire/identity. And Jean Valjean never achieves that level of comfort. What “label” do you give to someone whose relationship with their identity is “I do not belong in a family, I have no right to want things, I have no right to be happy, I am outside of life, and I will never be at peace until I eviscerate my own entrails?” Is there a “self-disembowelment" pride flag? XD I've seen a lot of interpretations that go "Jean Valjean never expresses any interest in romance, he's perfectly content just to have his relationship with his daughter" but I honestly don't think that's true. Jean Valjean tries to content himself with having only Cosette. But part of why everything explodes so catastrophically in the end of the novel is because he needs more than just a paternal relationship. He doesn’t try to have a “normal” father-daughter relationship with Cosette, he tries to force his relationship with Cosette to be literally everything and everyone to him, for her to be his entire world: and it doesn’t work.

There’s a passage in the novel that talks about how all the love Valjean is capable of ends up being suppressed/sublimated into his relationship with Cosette. The love of a brother, of a friend, of a father, of a husband, the love of everything he is capable of, gets repressed so that he can throw every part of himself into being a father. There are Bad les mis adaptations that incorrectly misinterpret that passage to mean that Jean Valjean is incestuous/grooming Cosette. But in context, that’s not what the passage means at all.

The passage specifies very explicitly that Jean Valjean “did not love Cosette otherwise than as a father,” that “no marriage was possible between them,” that his feelings for her are absolutely paternal. But the passage does show how Jean Valjean is doing a very different unhealthy thing: he’s relying on Cosette to fill every single emotional void in his life.

He’s relying on parenthood to fill the grief/emptiness left behind by all the other kinds of love that he has wanted, but never been given.

To quote a bit of that passage:

Jean Valjean did not love Cosette otherwise than as a father (…) Let the reader recall the situation of heart which we have already indicated. No marriage was possible between them; not even that of souls; and yet, it is certain that their destinies were wedded. With the exception of Cosette, that is to say, with the exception of a childhood, Jean Valjean had never, in the whole of his long life, known anything of that which may be loved. The passions and loves which succeed each other had not produced in him those successive green growths, tender green or dark green, which can be seen in foliage which passes through the winter and in men who pass fifty. In short, and we have insisted on it more than once, all this interior fusion, all this whole, of which the sum total was a lofty virtue, ended in rendering Jean Valjean a father to Cosette. A strange father, forged from the grandfather, the son, the brother, and the husband, that existed in Jean Valjean; a father in whom there was included even a mother; a father who loved Cosette and adored her, and who held that child as his light, his home, his family, his country, his paradise.

Jean Valjean reminds me of a Failmode I’ve seen in a lot of different real-life parents? There are parents who cope with their own hard lives by telling themselves that parenthood is their sole reason for being alive, and who obsess over their child’s success as their only source of purpose, meaning, love, happiness, community, and validation. But it’s a bad idea to rely on one child to provide the emotional support that should be shared by friends, parents, siblings, every possible loved one, etc etc—- One child can’t actually heal you from your trauma, be a replacement for your broken relationships, pull you out of your grief, save you from your adult loneliness, etc etc etc etc.

When I see the common interpretation that Jean Valjean is perfectly content just to be the father of Cosette, I think of this line:

Thus when he saw that the end had absolutely come, that she was escaping from him, that she was slipping from his hands, that she was gliding from him, like a cloud, like water, when he had before his eyes this crushing proof: “another is the goal of her heart, another is the wish of her life; there is a dearest one, I am no longer anything but her father, I no longer exist”; when he could no longer doubt, when he said to himself: “She is going away from me!” the grief which he felt surpassed the bounds of possibility. To have done all that he had done for the purpose of ending like this! And the very idea of being nothing!

On one hand, the terrible Les mis adaptations that portray Valjean as Incest Creep are incorrect and wrong. On the other hand, though, Jean Valjean IS unhealthy about Cosette— just in a different and actually sympathetic way.

He has made fatherhood his only purpose, to replace every other purpose he could have in life. So he can’t be “just Cosette’s father.” He can’t imagine her becoming an adult and leaving the nest, like children do. What does he have if he’s not taking care of her? What is his purpose in life if she doesn’t need him to be her parent? He's not just being her father, he's relying on her to be his entire reason to exist. He hasn't been allowing himself to have things outside of her.

And speaking of things outside of Cosette: segue time. This post was supposed to be about Jean Valjean and romance, so let's switch gears and talk about his canon 'romantic experiences' more:

We’re told that in his youth he “never had a sweetheart” because he “never had time to be in love.” There is no indication that Jean Valjean never wanted to be in love. The opposite is implied. Hugo frames it as a tragedy that Jean Valjean’s does not experience young love; it’s the horror of poverty taking yet another thing from him.

Within prison, Valjean is “gloomy” and “chaste;” when he traumadumps to Montparnasse about it, he talks about women looking on galley slaves with horror and disgust. Romance, at least “normal” heterosexual romance, is no longer something that is permitted for him. Jean Valjean knows very little about romance/love/sex and it repeatedly messes up his life. He spends 19 years in the all-male environment of prison, then about a decade in the almost-all-female environment of the convent. He has very little experience with how men and women are supposed to interact. The oppression Fantine faces as a sex worker, and Cosette's relationship with Marius, are both two big 'blind spots' that he struggles with.

At one point romantic love is described as “The only misery Jean Valjean had not yet experienced, and the only one that is sweet.”

In his massive confession to Marius, he agonizes over how he is not allowed to be part of a family, and is incapable of being part of a home. He compares himself to someone sick and diseased, that poisons good and normal people with his presence, and cannot be allowed to make himself part of their families.

So Jean Valjean doesn’t frame Romance as “a thing he doesn’t want:” it’s a thing “he is not allowed to want,” it is one of the many things he is banned from wanting. It's impossible to tell what kind of things he would want, if he were allowed to want them.

One of the most interesting things to me, however, is his general attitude towards Marius/Cosette.

Obviously his first reaction to Marius snooping around is fear and resentment— he doesn’t know to interact with romance, having never experienced it, and immediately begins catastrophizing. He views Marius as a privileged booby ruining his life for something as frivolous as a love affair: it reads to me as partially envy, envy of the fact that Marius lives the kind of safe comfortable life that allows him to experience young love.

Jean Valjean added: “What does he want? A love affair! A love affair! And I? What! I have been first, the most wretched of men, and then the most unhappy, and I have traversed sixty years of life on my knees, I have suffered everything that man can suffer, I have grown old without having been young, I have lived without a family, without relatives, without friends, without life, without children, I have left my blood on every stone, on every bramble, on every mile-post, along every wall, I have been gentle, though others have been hard to me, and kind, although others have been malicious, I have become an honest man once more, in spite of everything, I have repented of the evil that I have done and have forgiven the evil that has been done to me, and at the moment when I receive my recompense, at the moment when it is all over, at the moment when I am just touching the goal, at the moment when I have what I desire, it is well, it is good, I have paid, I have earned it, all this is to take flight, all this will vanish, and I shall lose Cosette, and I shall lose my life, my joy, my soul, because it has pleased a great booby to come and lounge at the Luxembourg.”

But, even though Jean Valjean views romance as something he isn’t allowed or have or to want, views it as a threat and catastrophizes over how it will ruin his life……he seems to also put heterosexual romance on a pedestal.

The way Jean Valjean idealizes marriage is one of his weirdest character notes for me.

He views marriage as Cosette’s “happy ending.” It’s her “happily ever after” point where she won’t need him anymore, where she won’t need anyone outside of her husband. A Man And a Woman Are Meant to Get Married, It's Fate, and It Means They Will Live Happily Together Forever. Marius is “the goal of her heart, the wish of her life; her dearest one.” Nothing outside of that matters anymore.

He treats her marriage as if romantic love is inherently always more important than any kind of platonic relationships, and always takes priority over them. He later dismisses the unconventional family structure he has with Cosette, saying that despite his love for her he was only a "passerby" and was not actually her real father, because they were not biologically related.

There's a moment where Jean Valjean is described as someone whose ideal is to be angel on the inside and a bourgeois on the outside. Jean Valjean's worship of bourgeois social norms, norms he can never truly be a part of, is one of his character flaws. He has a similar "guard dog" energy as Eponine does when she defends Rue Plumet from her parents.....Eponine and Jean Valjean both become the guard dogs of a kind of romantic relationship they believe they are banned from having. Jean Valjean believes that getting Happily Straight Married in a Middle-Class Home with a Picket Fence(tm) is the ideal path for life....but believes himself broken/incapable of ever following that path. And so he instead throws his entire life into securing that future for Marius and Cosette.

In what manner was Jean Valjean to behave in relation to the happiness of Cosette and Marius? It was he who had willed that happiness, it was he who had brought it about; he had, himself, buried it in his entrails, and at that moment, when he reflected on it, he was able to enjoy the sort of satisfaction which an armorer would experience on recognizing his factory mark on a knife, on withdrawing it, all smoking, from his own breast. Cosette had Marius, Marius possessed Cosette. They had everything, even riches. And this was his doing.

TL: DR:

Jean Valjean's gender/sexuality label is “idk but he’s super fucked up about it.”

[sakuraluck]

this moment will never fail to make me feral bc he gave up!!! till, the boy who rebels even when all it does is get him hurt, the one who burns as brightly as the stars in the sky, the flame that lasted for almost two decades finally gave up!!! he snuffed out!! he closed him eyes and stopped fighting!! do you understand how devastating that is??

especially to ivan who idolizes and adores him for it?? who has only ever known till for his never-ending love and will that never falters? to see the man he loves broken down like this—a hurt that extends far beyond that of the physical body but to his soul— must’ve been terrible

and you can see it

ivan’s crumpling too. his mental state is on the verge of snapping too. his shoulders are dropped and his eyes are bloodshot.

till’s given up and ivan can see it and as his hands tighten around the other’s neck, a voice whispers what if you don’t let go?

because that’s what till wants right? he isn’t going to win against luka like this. he wants to die and no matter what ivan does, it’s not going to change that. so why not kill him?

that way they can die together.

wouldn’t that be wonderful?

ivan has always had a great potential for darkness and he holds it back most of the time, rarely ever letting it come to the surface. it wouldn’t be far off to assume this was one of those moments, where emotions are high and last minute regrets and wishes are surging forth—it isn’t far off to think there was a small part of him that was seriously contemplating throwing away his decision to sacrifice himself alone.

but then he gets shot in the chest, through the lungs, and the pain snaps him out of it. because this is it. this is the end. and he remembers why he’s doing this.

he remembers his desire to save till despite how foolish as it may be, how hypocritical it may be. the light reappears in his eyes and it’s ivan in love again. it’s ivan swelling with pure love, looking at till for last time.

it’s ivan doing the one thing he’s never been able to do:

it’s ivan letting go

[jellyfisharesatan]

The foxes are maybe the most interesting iteration of the found family trope I've ever seen. They love each other. They hate each other. They spend half their time fighting. They literally hide behind each other when threatened. They call each other slurs. They're all gay and date each other. They're mentally ill and traumatised. They're so problematic it's ridiculous. Canonically three of them are murderers. They have a massive sleepover where they all snuggle together .Some of them have about two lines of dialogue together. What the fuck

[vitamin-k-tablets]

ref sheets and dumb sketches

[airocats]

[sleep-nurse]

purgatory / the nothingness

[ritoryb]

[baskipps]

Roni (roh-nee) the mouse

a creature of simple wants

[chiquilines]

Lord forgive me for not posting lesbianism but they are very special to me