#brandon goode

[drunkonimagination]

they were literally born to voice them 😭

[fascinationstreetmp3]

found and read this interview again... he just gets it

[natdeviantrat]

Just by listening to him, I felt like I was in a trance. I felt like I was fighting. And I cried! I cried in his arms after we shot the scene.

~ Luke Brandon Field on Assad Zaman as Armand during the "rest" scene in 2x05, ScreenRant Interview

It was such a scary thing to do to be sort of thrown into that episode, and it's the one I look back at and I can see– I have a bit of an out of body experience every time I watch it, kind of don't recognize myself in it.

~ Assad Zaman on the filming of 2x05, PRIDE Interview

[adoniseverywheremen]

Brandon Good by Greg Swales

[sparkyava]

kaladin doodle :)

[campbenji]

it's so hard being a BowmanKon brothers enthusiast in this economy

[queenofshilla]

BRANDON LEE in THE CROW (1994) (dir. Alex Proyas)

[glitchedcosmos]

THE DUET WE FUCKING GOT BUT AT WHAT COSTS MAN

[jerswayman]

LOVE THY GOALIE. GIVE THY GOOD BOY HEAD PATS.

[hydrogenandhelium]

[m3tth4ws]

everyone wants to be in on am34's hot girl arizona summer

[armandaniel-iwtv]

You come into my house and tell me this twink doesn't want to be called a good boy?

[fangirl-nadir]

[androfiles]

Brandon Good

[jonsnowunemploymentera]

Imo saying Jon won't care that he's half Targ because he has "nothing to do with that house" is a not only very simplistic way of viewing his arc but also just a flat out wrong and bad take. Like my brothers and sisters in R'hllor, he has everything to do with that house even though he may not bear the name! Jon is constantly equated with Targs in the series. In fact, he's constantly equated with the best that house has to offer. He's got Jaehaerys and Alysanne in him, he's directly paralleled with Maester Aemon and Aegon V, he transforms into Daeron the Good at the Wall, and he's basically best boy Jacaerys resurrected some 200 years later. Let's also not forget that he's best girl Dany's 1:1 narrative mirror. Jon's personality is what you get when you combine Daemon the Rogue Prince, a little bit of Maekar I, Egg, a teaspoon of Rhaegar, a few sprinkles of Baelor Breakspear, and a whole cup of Jaehaerys. He has the heroism of Aemon the Dragonknight, the innate leadership of Aegon the Conqueror, the youthful foolhardy of Daeron the Young Dragon, and the aggressive pettiness of Prince Daemon. He's got Daemon Blackfyre's nobility and Brynden Rivers' terrifying pragmatism. His rebirth is literally equated to the waking of a dragon ("two kings to wake the dragon", "promised prince born amidst salt and smoke"). He has both the good and the bad that comes with House Targaryen. He also has the good and bad of House Stark, but no one ever thinks less of him for that... Y'all let Targ hate and Rhaegar hate (both of which are just extensions of Dany hate lbr) cloud your judgement and ignore what's right in front of you. Jon is a Targ. The same way he is a Stark. He's not either or, he's both. The lesson at the end of the day isn't for him to choose one or the other. The lesson is to recognize that he so much of BOTH in him, and he can take these and become whatever he wants - bastard as he is.

[autumnhortsnort]

Hello coauthor! A Residuum reader here. One thing I really like about your comic is how the consequences of the characters' actions feel so plausible, but what stands out to me the most is the pacing in how they're presented throughout the story. Do you have any tips for structuring a plot? Every time I try to outline mine, it feels a bit incoherent, and the scenes don’t seem to flow well together. I’d appreciate any advice 🐢

best advice? Write the whole outline down as much and as far as you can, doesn't matter if it makes sense, that's for editing you to figure out. Then edit the ever-loving daylights out of it, add in connecting actions, and take out things that don't work. Residuum has had Five different drafts, with major tweaking as we go. The outline is not set in stone.

Also don’t share it outside of friends, that can make you feel pressured to stick to (the previous plot) even when it doesn’t work for how your story has progressed. There’s a reason we didn’t share any of the potential endings when we were still trying to figure out where the story was going. When the first arc was being posted we had an idea of the plot til about halfway through arc 4, but we didn’t actually have a concrete ending.

how we structure a plot (and do pacing)

Write out your main plot points and then write what the characters need to do to make that event happen. We basically do the plot mountain structure, but for each arc (there are 4 of them) we tend to make the climax of each arc into turning points or decisions that the main characters have to make that they cannot undo. here's a good article to read about structuring plots. (Note! This is for the broad spanning major plot beats, each update actually gets written as needed, they aren't written into the outline.)

When it comes to character decisions it’s more about, “what would make the character do this?” rather than, “would the character do this?” You can make characters do things they normally wouldn’t if you give them the right incentive.

For the pacing with residuum, because it’s serialized, we try to have something progress with each update. Either you learn something new, the plot has progressed (aka the status quo has changed), or there's set up/foreshadowing for later, most updates actually have all three. When writing in a serialized format (each chapter getting its own release) it’s a good idea to treat each update as a complete chunk. Try asking yourself: what is the goal for this part? are you using this update for anything actually important? are you conveying anything new and/or important to the plot? Is this something you want to focus on? Are you writing this to meet audience expectations or because you want to? There are parts where residuum gets almost no interaction but, importantly, those parts still meet our individual update rules. If you're writing for audience engagement you are going to get discouraged from writing long spanning plots very quickly. The audience doesn’t know whats coming, so they won’t interact with anything that doesn’t have their current blorbo™, even if it’s plot important.

for how we make the consequences make sense

Make things make logical sense? honestly i don't what to tell you.

We read. a. lot. I used to read 400 books over a school year, beaze has read about 13.6K fanfics on Ao3 over the course of 4 years. plus a ton of manhwa and manga, and that doesn’t include nonfiction, stuff from sites outside of Ao3, course assigned books, reddit fiction, royal road. Most of how we understand and structure plots is instinctual because we fire hosed our brains with them for years.

I'd recommend watching watching Overly Sarcastic Production’s Trope Talks, and reading stuff that's not rise related, as well as researching nonfiction stuff that's relevant to what you want to write we are at a place where we aren’t writing the outline anymore, just editing it if needed. We use the outline structure to make each update because it gives us a objective for the update, and gives us a road map for when to place the set up for future updates. But if you struggle to use outlines you can just… not use them. Garden writing is a valid writing strategy, I use it for one shot AU’s of residuum.

For long spanning stories written garden style the first draft can be your outline. Just edit and flesh it out once you’ve written it.