#boxes lore

[bet-on-me-13]

Runaway Rogue

So! A couple of years ago, Danny lost one of his Rogues.

It's not that they got Ended or anything, he literally lost them and couldn't find them. One day they ran off after being defeated and never showed up again. They were one of his Joke Villains, not posing a real threat but still extremely annoying when they wanted to be.

He hadn't seen them in Years now, and with the situation in Amity quelled and more free time on his hands than he had gotten in Years, he decided to finally track the Ghost down and see what he had been up to.

His search led him to Gotham, where he finally found the one Rogue that he had lost all those years ago.

Condiment King.

[copias-juicebox]

Then:

Now:

So we know who taught Papa...

[startheskelaton]

I'm curious how becoming a parent/mentor on Cybertron works. Do the ones that want sparklings just go pick a random one from the ground? Is there like a process they need to go through first?

So first off, this post goes into some information on protoform nurseries. However I’ll delve into this further!

Where you are born determines who and what you are. For example, I image the Seekers as being a noble family in a way, as they have their own nursery that creates bots that are able to fly in vehicle mode (a very coveted ability). Also having red eyes, as that indicates a particular powerful spark. So those sparkings are given to Seekers in need of a disciple or ward, helping to sustain the Seekers high status.

With middle class nurseries, I image it’s more of a fill out a form and get assigned a sparkling kind of thing. Middle class transformers don’t really have to take in Sparklings, as any that are not found homes are given to academies to grow and learn a skill, be it as officers, builders, teachers stuff like that. They can be cars, motorcycles, trains, and even boats

Miner Sparklings are born in the mines, no surprise there. All are checked and given batch numbers as names, only some are given more traditional names by caretakers. They enjoy a small time of peace before being put to work in the mines when it’s deemed they can fallow directions. Miners are mostly working vehicles/ heavy duty vehicles, loading trucks, even mining equipment is common.

[the-chains-cafe]

Hi guys no I’m not dead I just had the flu

Wanted to post this way earlier but I just couldn’t draw so…

I don’t think I’m gonna draw the rest so I’ll just leave what happened after the cut

..oh wait I can’t do that

Ok I’ll just leave it here cuz this is a different phone cuz I (hopefully temporarily) lost my main one

So Ravio is walking home from school after an audition for the theatre club and the next musical they’re doing (which is: Charlie and the chocolate factory)

And he calls Legend cuz he wants to tell him news about it and legend picks up and he’s like “sup” and ravios like “OMG BITCH GUESS WHAT” and legends like “OMG- WHATT!!”

And Rav tells him that he got the part of winki wolla

Strike that reverse it (höhö)

(Ravio literally makes that joke. Legend face palms)

Ravio then thinks he’s just gonna go to the cafe cuz what’s he gonna do at home, study? Nope! He’s not playing Emmett anymore so that vibe is out the window-

So he takes the bus from their (legend and Ravios) apartment and gets off near the chains cafe

SO

Legend meanwhile is chatting with costumers (including his bestie fable)

And he’s made some Christmas cookies and he’s them handing out. And he gives fable one that looks like her. And she’s like “omg it’s me. OMG I TASTE DELICIOUS!! Those cannibals are onto something”

At that very moment Ravio walks in and he hears that convo and he immediately goes

“everything here is eatable. Even IM eatable. But that’s called. ✨C A N N I B A L I S M ✨ and is IN FACT frowned upon. In Most Societies.” *takes a Cookie and eats ir jumpscaring legend*

If anyone Wants to draw that or write it be my guest I am off to my ball, and I’ll see you guys Tomorrow when my social battery is -69%

Edit: why did no one tell autocorrect autocoFucked “frowned” into “grosses”. Whatever I fixed it

[cowardlykrow]

"Hah, dude doesn't even know he's in my tamagotchi."

[its-a-me-mango]

bro

when we binge watching the mlp gen4 series fr /silly

Right now

On second thoughts, binge watching is cancelled until someone gets some fucking therapy.

[fumifooms]

do you happen to have that page that talks about the beauty standards of each race?

Yeah sure. While scavenging pics for this I found this neat reddit compilation & chart & theory talk too. I had um, way more to say than I anticipated (I know you only wanted the one page. I have nothing to say for myself. Like most topics in Dunmeshi things snowball because they’re so interconnected. Mercy…) so, many races and observations are only mentioned near the bottom.

Beauty standards and race in Dungeon Meshi

Not pictured there’s also how elven society is harsh on visibly disabled people, and how the demon took away Mithrun’s silver eyes and ears to take away his pride. There’s also how Senshi might have fit in with the orcs more easily because of the dwarven wide body shape, and how they tend to have more body hair too I suppose. In the extra on orcs we see Senshi living with the orcs and he gets judged because of the hierarchy rather than his looks.

What is fashionable also differs from culture to culture, and there’s how tattoos only seem common with elves, though dwarves and others do also sometimes have some. They seem to not raise much brows, which makes sense since for many essentially they’re for professional (magical) purposes especially with elves. Gender roles also differ in type and importance, but generally they are similar to irl ones for the races we see. Elven society seems to be the least gendered, which would be an unsurprising logical outcome of having lesser sexual dimorphism aka they look more androgynous. Comparing fashions and gender roles and how they affect beauty standards would be a whole other compilation and conversation. Kui has great worldbuilding partially because she’s got such a good grasp on sociopolitics and geopolitics. History affects cultures and beauty standards greatly. Kui’s oneshot Distant Utopia was very eye opening on her way to worldbuild and the consideration she gives these things, I do really recommend reading it.

Out of the big 5, we know the least about gnomes, but their sheet does say both culture and region are similar to dwarves’ and they end up being confused together often, so we can imagine the beauty standards are similar to dwarves’ as well.

I wanted to touch on this in a post eventually, but how one daydream hour page said half-foots tended to be curvaceous like in the artwork below puzzled me for a long time, all the half-foot characters we see during canon are rather slender and lanky after all, Chil’s succubi also being more curvy than plump. Economics are for sure a factor in that I imagine, the half-foots characters we see are all implied to be some flavor of poor or malnourished, as are half-foots depicted as empoverished oppressed minorities in general. Even comparing the artwork with the half-foot sheet’s depicted average half-foot, the ones on the left seem bigger. Wouldn’t it make sense though, if unlike dwarves half-foots don’t have similar naturally wide bodies, yet due to idolizing dwarves they work towards having a similar body shape/type to emulate them?

It’s said half-foots tend to stick to pretty ethnically homogeneous regions (aka half-foots-only communities) unless they move to the big city with ambition to try and make it big (like Chilchuck and his wife & kids did), and that’s interesting imo because then that would mean that in a ton of half-foot communities, they rarely see or interact with dwarves whom they try to emulate. Of course, one thing about beauty standards is that when they get adopted, at one point it stops being "this is how dwarves look and so this is how half-foots should look" and just becomes "this is how half-foots should look", most people feel as though beauty standards aren’t learned but innate, so I figure the half-foots wouldn’t have any problem still seeking dwarvish traits when there are no dwarves around.

There’s also stuff you can glean here and there if you want to extrapolate more. Like how in the race swap artworks, Mickbell is only smiling in the dwarf portrait, and Rin’s elven portrait looks very close to her elven one- Rin who is stated to be beautiful in her profile blurb. Benichidori’s extra does teach us tallmen can definitely have harsh beauty standards, but also since the text portrays her as very dysmorphic that’s likely reflected in her thoughts to a much more intense degree than is common, not an accurate strict baseline to go off. Ah, Kabru’s blue eyes are also why he and his mother lived a rough life in Kabru’s hometown, but that seems to be regional. Good post here on the topic of Kabru’s blue eyes and ties to irl history. There’s a lot to be said about Kabru being a man that in many ways is close to elven beauty standards, and how that might have affected or been affected by his upbringing with elves + his persona as someone that can effortlessly charm most people. Marcille’s section here in this essay also goes into Marcille’s struggles to fit in with the ideal image of an elf.

Looking human

Also notable are beastkins and demihumans: Demihumans are all dehumanized which makes people treat them worse. So if you differ from the visual idea of "human" (an in-world subjective categorization just as much as demihuman is) most people do judge you negatively. Elves and dwarves get to fight about which type of human is considered the prettiest, but demihumans are below tallmen and half-foots, they are considered as simply below the beauty contest, incompatible with it.

Onis are perhaps the demihuman people we know of with the least cultural influence on the dunmeshi world, and with the least intensely different appearance than other demihumans—they seem to be technically categorized as human to people not from the eastern archipelago?— but even them are treated as lesser than human, treated as beasts to slain for reputation points or useful strength to have around and command. It’s said their "magnificient horns" and fangs are often shaven off when the oni lives in tallman towns, so you could easily make the argument that onis are denied the right to have their own beauty standards, having to conform to other people’s and going through mutilation to take away features they might otherwise have taken pride in. Inutade was bought by the Nakamotos from a dangerous sumo fighting ring that got one of Inutade’s tooth broken on her first and only fight, and kept as a low ranking servant ever since. Remember when I said different fashions existed in dunmeshi and how those could also affect beauty standards? Like the elves, if you look at the portraits pages which include a lot of characters that aren’t in the story you can see distinct cultures within the same races, for example one young elf is bald which is in sharp contrast with the usual elven long luscious hairstyles, and that’s especially true for onis I think. Maybe not only from different regions but different eras as well… They have a bit of population in the very north of the western continent, so I like to think some of the ogres live in very cold, maybe even subarctic or arctic conditions. The point I’m getting at here is that within a race, culture/ethnicity like with Kabru will also influence them it isn’t just tallmen as a whole, different communities will have differing beauty standards. The oni history blurb and third row first collumn portrait remind me of Mongolia (which historically was a lot of different nomadic communities with different cultural identities as well. Something something, the oni empire experienced a decline and then tallmen overpowered them, and now they’re governed and split apart by stronger social classes & slavers and the richness of culture was hurt for it especially if they have no real community left of their own), but obviously many of them are dressed and look rather japanese, makes sense considering living in/close to Wa, and first row second collumn portrait reminds me of ainus which again would be logical considering geographical placement, though I’m far from an expert. Interestingly, ainus are indigenous people both in Japan and Russia- Perhaps the northern western continent ogres are meant to be closer to Russia than Canada like I imagined? Ok tangent over.

The kobold sheet says they’re especially sought after as slaves because they’re "adorable", but locally in the western continent they’re repeatedly said to be seen more as ferocious and dangerous. The dehumanization is most apparent in the first comic below. The language barrier and conflicts no doubt worsen this by a lot, but I think it’d be hard to deny that their canine appearance makes the dehumanization worse. "They’re ferocious beasts, they’re demihumans, they can’t be communicated with". Most characters in Dungeon Meshi’s world are desensitized to slavery and most characters are prejudiced one way or another. Point being, kobolds are fully removed from human beauty standards, but no doubt for kobolds, other kobolds are more beautiful than humans are. They’re assumed to be an uncivilized bunch, but just like any other people they like to adorn themselves with nice clothes and jewelry and keep themselves clean and groomed; they too take care of their appearance and take pride in it.

And the orcs! This one we have the most contact with in canon, with not only there being foreigner characters from the ethnicity or hearsay of their homelands and culture but full on contact with a community. We get to see up close what they’re like and what they think, and of course in turn they’re our introduction to how demihumans are harshly looked down upon and seen as inferior, less human and thus less worth valuing and less dignified. It’s text that orcs are ugly to most humans and humans are ugly to most orcs. Since I judged they didn’t need accompanying explanation the pictures showing this are in the pictures dump at the top.

God forbid you sell vegetables to orcs my god- but then again they do basically mandate adventurers to kill any orcs they come across so yeah the world isn’t above that even a little bit.

So yes, my main point here is simply that orcs are yet another evidence of the physical ideal of "human" being an important beauty standard for human societies globally.

Izutsumi is our glimpse at how beastkins are treated in the world, and in Wa at least that’s ending up being caged and mistreated as part of a freak show. Izutsumi hates her appearance and wishes she could leave the feline part of herself behind to only be human. Interestingly, not that we have a lot of info on them so this is very much a take with a grain of salt situation, but there seems to be less stigma around artificial beastmen, those who can shapeshift at will. The main difference is of course appearance, that most of the time they simply look like average tattooed humans. Artificially creating humans is an illegal practice, and no doubt it’s not well regarded, but being able to hide that makes them less likely to be discriminated at any moment, or even just discriminated less intensely. Again, looking human is important, not only for belonging but for safety’s sake. Beauty standards rule the world with harsh hands.

Mermaids and fishmen

Ok we’re done now right? Right-! But wait… Wait…! Mermaids and fishmen are said to be demihumans too, special separate cases to the main three demihuman species however, which is also represented by how mermaids and fishmen both are in the Adventurer’s Bible chapter Monsters meanwhile ogres, kobolds and orcs are in the chapter World. They’re an interesting topic because they directly tackle this topic, not only in a meta way for the readers but also making characters themselves struggle to quantify their humanity with the goal of knowing wether they should be eaten or not, especially Chilchuck. Chilchuck’s "is it really just a matter of feelings?" mini arc.

The party asking themselves "Should we eat this?" is very common, and often they end up playing a little loose on morality, like eating the red dragon’s meat despite it having digested Falin. Not unsimilarly Marcille freaks out a little over the vegetables they harvested having been grown with fertilizer, aka largely human poo. Half of the motivation of "should we eat this perhaps sentient creature" is out of consideration and compassion, but more strongly and more often, the characters struggle with a sense of taboo at eating something too closely related to humans. Even, feel uncomfortable because of the deepseated impression that eating it would dirty them in some way. Cannibalism is an interesting and relevant topic in many ways, but what I want to mention is how there’s the more or less universal belief that committing cannibalism inherently taints you as a person and turns you more monstrous, morally but also literally depending on some myths such as w*ndigos and onis in some cases, like in Touge Oni. Marcille and Izutsumi both express a fear of eating monsters turning them monstrous. Maybe this is part of what Laios was hoping for, honestly. There are two fears here, if eating a demihuman monster constitutes as cannibalism or not, and so, will eating it taint you because it’s a human, or will eating it taint you because it’s a monster? You are what you eat, until it’s a little too literal. You morally are the means by which you get your food, and you physically are the result of your nutrition. Dungeon meshi manages to mix an exploration of humanity with the theme of food because our relationship to food is very deep and complex, psychological as much as physiological.

In the end, the characters sort of shrug and accept that they’ll never quite understand the world of mermaids and fishmen and how they operate, and what that means about them. Laios is the one always challenging these notions other characters take for granted, it’s not obvious to Laios why people are softer on mammals than other animals and plants, it’s not obvious to Laios why people would be afraid of eating a monster just because it’s a monster, it’s not obvious to Laios why some food is gross to Marcille but not fish testicles, it’s not obvious to Laios why you should immediately regard orcs and kobolds badly.

"Cows are probably closer to humans [aka closer to being human] than fishmen, though they’re clearly intelligent", dehumanization to lessen empathy towards them to be able to eat them. Meanwhile, mermaids seemingly have a less noticeable "civilization" or intelligence, they hunt in groups like fishmen, but they don’t use tools and such, they feel more primal and similarly instinct driven, and yet… Do they attract sympathy more? Mammals, humans, is it because of their nature or because of their appearance?

Both the nature and appearance of fish are ones people don’t typically sympathize with. "Fish don’t feel pain", "goldfish only have 5 seconds of memory", "it’s okay to keep fish in completely empty bowls too small for them until they die from it", so many lies and misconceptions exist that make people less considerate of them. The average lifespan of a goldfish is 10-15 years, the record is 43, but they’re not seen as lives that really matter, so a lot of goldfish die in a few weeks of bad aquarium conditions. There’s a lot of research on animals evolving to look cute and appealing to make some predators want to kill them less and parents want to care for them more, including humans. First good google research result gave me this credible short article on the topic. In Chilchuck’s weighing wether a fishman is far enough from being human or not to eat, "face is 100% fish" is his biggest argument for it being more acceptable. The face, the most important thing for empathy and recognition. The face, the decapitated fishman one that falls into his hands next chapter.

To quote @room-surprise: "Chilchuck can't explain why it's wrong to eat the merpeople, even though it's NOT complicated. But the problem is Chilchuck would have to accept and acknowledge that the merpeople might be people? And that's outside of the worldview he passively believes, so he can't just say that, because he doesn't think that's true. But that IS why he "feels" it's wrong. And it's all you'd need to say for Laios to understand! But it would require acknowledging that maybe the way they're treating and talking about the merpeople is wrong."

The idea of Chil not being able to grapple with how maybe some monsters are more humans than they seem, him who had been an advocate of half-foots rights, half-foots who get undermined and treated as inconsequential sacrifices… Grappling with how he could relate to the merpeople’s situation almost, and pulling away because it’s so existentially horrifying. I do not want to see myself into an hostile fish-faced warrior I can’t communicate with. In a way this also relates to Chilchuck being the only party member who doesn’t see Izutsumi as a cat in the relationship chart, the only one to treat her with full human dignity. He knows the struggle to be taken seriously, he knows being infantilized and he knows what it’s like to be treated as less than human.

Below, you will see Chilchuck draws the line of where they become not okay to eat as when "they already look like mermaids". Above, there’s speculation that the algae hair is partly to mimic "the mermaids’ beautiful female form". Is it because mermaids are their enemies and the ambiguity might give them extra seconds to attack or flee? Is it to trick adventurers instead? It’s striking to me that this is what works, with the adventurers. Sure the fishmen are intelligent, but explicitly here, what makes them no longer acceptable prey to Chilchuck is that they look close enough to a mermaid, close enough to human. Mermaids who of course themselves have this form to entice and seduce and charm the adventurers they prey on. Chilchuck considers the intelligence due to the tridents, but most of his internal debate centers around their appearance, and the image of a fishman skewered sickens him. The power of mimicry… Mimic being a beautiful human woman. Mimic being cute, babies being wired to make us feel protective and softened. Half-foots, sometimes pretending to be children for scams or help or avoiding trouble.

The mermaids are only concerned by their differences and not their similarities, and have no trouble treating the fishmen as food rather than peers. To an outside perspective like us, the audience, all these categorization of "more human" and "less human" between onis and orcs and elves and tallmen etc seem stupid and unfounded, but to the people living in Dungeon Meshi’s world, elves may as well be mermaids while onis are fishmen, not alike at all, unworthy of empathy and thus fine to eat.

Ultimately, Dungeon Meshi promotes unity. It’s about seeking to understand the unknown and the misunderstood, the dehumanized and the inhuman. It shows the good that comes from seeking to understand what you do not, even when that’s one another.

[nowimjustastranger]

Did Stcmo!Ford regrets confronting his Stan at home, since Filbrick heard the hole thing and decided to kick Stan out? Since in canon it was Ford's accusation of Stan deliberately sabotaging him that gave Filbrick the excuse he needed to kick Stan out.

Yes.

Ford beats himself up for picking a fight with Stan in their living room, for throwing such a bold accusation at his brother without stopping to think about what he was saying. If he had just taken a few moments to cool off instead of going straight home, he would have used his allegedly genius brain and considered scenarios other than sabotage. Ford might've been distancing himself from his brother once they hit highschool, but he still knew Stan.

And, while Stan had been incredibly nonchalant about accidentally breaking his project and ruining his chances of attending his dream school, that didn't mean that he deserved to be dragged out of his house and thrown to the sidewalk with a pre-packed duffle bag. And it was entirely Ford's choice to turn away from his brother without even bothering to get his side of the story, without considering how he felt about being left behind while Ford chased his bullshit destiny. They had both been selfish in different ways, but they were children on the cusp of becoming adults in a house that had given them no room to grow.

Regardless, Ford had clung to that useless anger and betrayal, had held it close to his aching heart so he wouldn't feel the real pain of losing his brother that lurked beneath it. He wanted to be right about Stan's intentions just as much as he wanted to be wrong. Because if he was wrong then he turned his back on his brother for an accident, had abandoned his little brother to the streets. Ultimately, Ford decided that he would reach out to Stan and ask if they could talk after graduating from Backupsmore.

It didn't matter in the end though.

He discovered a message from his dying brother on his answering machine after he and Fiddleford got back to their dorm, the two having spent a few hours studying at the library for separate upcoming exams. And it would be just his fucking luck that the one time he didn't pick up the phone for his mystery caller, Stan decided to talk. His brother left what amounted to a suicide note considering he was bleeding heavily from his slit wrists, barely managing to hang up the phone when he began to fade because he didn't want Ford to hear him die.

[canisalbus]

I was in a road trip in Arizona, it was nighttime and I was looking out the window. I tried to think about just random stuff to let the time pass, but then I started to dream of a scenario where Vasco went over to Machete's grave, he was grieving and pretty much just talking to the grave about how there could've been some way to save him, or that he will never see him again, and stuff like he lost a piece of himself and how he would honor him. It was very emotional but that was the only thing I thought about for like 20 minutes until he ended his conversation and left

I've been thinking about this a little bit, and I'm not quite sure how easy it would be for Vasco to visit Machete's grave, to be honest. As a high ranking member of the clergy he'd most likely be entombed in a crypt underneath one of Rome's hundreds of churches, maybe one that held some kind of significance for him. As a secular citizen with no family relations to him, I'd imagine it could be challenging for Vasco to gain access to such a private and sacred space, at least unless he managed to pull some strings. But then again, I'm just theoretizing. He could and would still visit the church that stands above it.

[genericpuff]

man i would have accepted the Pear Wiggler as a better punishment for Apollo's crimes than fucking community service smh

[poorly-drawn-mdzs]

Cultivator and Lawyer, Elle Woods (& Her spiritual dog Bruiser)!

Part 2 (soon)

[borealing]

one thing about northern ireland is that everyone has seen derry girls. and loves it. for example i went to the ulster museum today and they had the chalkboard on display

[pastel-medic]

Is the like a Timebomb version of Demoknight- like Timeknight? Im genuinly curious

Sorta! They call him Bombslinger :P

He shoots "quick draws" with what I'd like to think is a smaller variant of the sticky launcher which looks more like a pistol and can shoot multiple smaller bombs (which can be tough to dodge I'd imagine)

[amazinglyegg]

Due to not being able to find a decent reference for Danse's room, I used this video to sketch out a floor plan!!

Along with references for what all the furniture looks like:

Details and rambling below the cut!

General notes:

The only time we see his room is after Blind Betrayal. I wonder if he brought anything from his room with him, despite leaving the duffle bag near the door?

He has a ton of storage space. Like, a lot. He doesn't even have a footlocker at the end of his bed it's just an entire metal box.

Despite that, he has nowhere to sit. Not even his desk has a chair.

Also he has a rug between his bed and his big drawer! Cute!

Pet food bowl near his door with fresh bloatfly meat in it. Not only does he manually open the door for Emmett to enter and leave (no cat door), but Emmett visits often enough that he goes out of his way to give him a bowl of fresh food! Does Quinlan even feed him!?

Has a lot of random cardboard boxes filled with papers and stuff on his floor. Given that the filing cabinet is for files, I wonder if these are books or journals?

Has a plain old bed with no pillows or blankets. Like most beds, this is probably done for game reasons (like animations or clipping) instead of canon reasons. At least I HOPE he sleeps with a blanket!!

On top of his safe is three dog food cans, maybe supposed to represent cat food. Also has a can of cram on his big drawer. I wonder if he stores more food in there!

The flag is actually a smaller one, but I couldn't find the exact model on the wiki. I find it interesting that he has a pole flag instead of a regular wall one. It just looks so sad :(

Has a lot of small blue and wood boxes around his room that I didn't include in the floor plan, they're empty I'm pretty sure

I didn't realize people outside of middle school used lockers, especially SIX of them. What do you even store in lockers?? Can't be clothes since they have multiple segments, hung clothes wouldn't fit and folded clothes would probably fall out.

No real personal stuff like holotapes or journal entries. I would have expected something unique! He also has no decorations other than that one sad droopy flag, but I guess it'd be hard to hang up paintings when the walls are made of metal. Can't just hammer a nail into that!

As a note, I think items within storage containers are randomized, so I didn't bother looking at them while making this.

Desk and filing cabinet:

Whisky and vodka bottles, no shot glass in sight. He is chugging those straight from the bottle. Not as many bottles as Maxson, at least!

Also an entire carton of cigarettes and an ashtray. He canonically smokes and doesn't even bother going outside to do it, his room must reek of cigarettes.

A food tray and mug, which is... interesting? Does he often eat alone in his room?

Filing cabinet for files, probably does paperwork at this desk as well.

Drawers:

Has like, three wrenches, as well as a tool box. This must be his workshop!

A lunch pail and a nuka cola. This table is right next to his desk so it makes sense he has food and drinks here. Surprised there's no water!

Speaking of the table... it's an institute table. Probably just done for aesthetic purposes, but I found that interesting

Let me know if you have any opinions, headcanons, or things I missed!

[uesp]

We can officially confirm that Rigurt the Brash has in fact met Vivec. As a gift, Rigurt offered the God-King an empty box, previously containing rabbit meatballs and a wheel of stinky cheese that Rigurt ate while waiting in line to meet Vivec. Vivec found this to be quite funny.

[vectorisheree]

I don't think I've ever mentioned it here but Milk is mute! He had his voicebox damaged from the skulk infestation and now chooses to communicate through writing and sign language

From the @daycarefriendpickup magma ^^