#bowdoin college museum of art
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Man Ray, "Space Writing" (Self Portrait), 1935
#my post#man ray#photography#b&w#bowdoin college museum of art#light photography#self portrait#gelatin silver print
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The Fountains at Night, World's Columbian Exposition, Winslow Homer, 1893
#art#art history#Winslow Homer#genre painting#genre art#night scene#American art#19th century art#oil on canvas#Bowdoin College Museum of Art
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Albert Bierstadt - Cloudy Study, Moonlight, 1860 oil on paper, 32.4 cm x 23.7 cm Bowdoin College Museum of Art
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Self Promo Sunday: "Sky's Canvas"
This little future Swan-Jones-Mills family fic envisioning them during their happy beginning post-s6 would probably have been well suited to Father's Day last week, but I didn't think of it until too late. I hope it will still be enjoyable this week too. It's a part of my one shot collection on AO3 or ff.net (if you'd prefer to read it either of those places instead) I hope you have fun picturing this alternate idea of what might have happened - and I'd love to hear what you think!
Notes: I toyed with the idea for this one for quite some time. The prompt elements that I have used are: a museum, the phrase “it was just a joke”, and also some small art facts – mostly about the particular museum itself (which is real). I have also put in a CS daughter (my personal head canon imagined one, Morgan Ruth Jones, whom I have written about before), and a college aged Henry. So, this is set somewhere in an alternative post-season 6 reality, where Henry stays in the Land Without Magic to seek his story, and also to be close enough to visit his family often, and for them to return the favor…)
by: @snowbellewells
The bubbly, nonstop chatter of her four-year-old little girl, which has cheerfully been filling Emma Swan’s ears for the past hour and a half, suddenly stills, immediately grabbing her attention and setting off an interior maternal alarm. She turns to seek out Morgan Ruth Jones – her little pirate princess – wondering if her daughter has yet again managed to sneak away from them and find herself in some sort of trouble.
Luckily, Emma doesn’t have to look far before she hears a chortling trill of baby laughter and locates her toddler with the disheveled head of dark, ringlet curls and twinkling, mischievous eyes – an aquamarine mix of her own green gaze and her father’s ocean blue – standing before a huge oil painting of a Spanish galleon rocking precariously on the stormy main and looking up at her father with fixed adoration. “Really, Papa?” Emma hears Morgan chirp, practically bouncing on the balls of her little feet as she tugs anxiously at his hook in eagerness to hear his answer. “Was it a storm that big you sailed ‘Roger’ through when you went to save Henwy in Neverland?!”
Emma is just chuckling wryly at the changes which have transpired in her life to give her a little girl more interested in daring adventures, ancient naval ships, and sword fighting than frilly dresses or dolls and makeup, even as her husband raises his eyes just enough to smirk at her knowingly over Morgan’s head, when another voice, youthful, warm, and settling into its masculine, adult timbre, answers Morgan’s question from over her shoulder, announcing Henry’s arrival to join them. “It was bigger, Pipsqueak,” he confirms jovially, pausing briefly to wrap a wiry arm around his mom in a quick side-hug before continuing to the side of his younger half-sister, kneeling to her level and adding with a gleam in his eye, “A mermaid summoned it to drown them all.”
“Hen-wy!!” Morgan squeals with glee; the painting, and even her papa’s beloved ship, forgotten as she flings herself into her brother’s arms with enough force to nearly bowl him over, causing Henry to chuckle as he catches her close to his chest.
“Hey Munchkin,” he greets affectionately, standing to his full height again – now even with his stepdad’s – still holding Morgan, her arms wrapped around his neck so tightly that Emma has to wonder if she’s ever going to let go. Turning to include his mom and his surrogate father in his next statement, Henry adds. “It’s great to see you all. Things must be quiet in Storybrooke, if you’re still going to stay all weekend.”
Here he arcs an eyebrow in curious bemusement, a trait Emma realizes all too well that he has picked up from her dashing scoundrel of a husband and probably uses to equally charming effect on all the girls he meets in his freshman courses at Bowdoin College. It is clear he has settled easily into the small arts school in Brunswick, Maine, just under a two hours’ drive from them, and that the campus atmosphere and freeing anonymity and normalcy he has there must be agreeing with him. Emma wants to snort in disbelieving laughter at his jest, though well aware that he knows better than to ever think his hometown would go completely, boringly normal. Instead, she shakes her head resignedly, merely giving her grown son a playfully long-suffering sigh. “You know how it is,” she shrugs, “never a dull moment. But – if you don’t count the dwarves coming to blows at Granny’s the other morning because Tom Clark accidentally sat in Leroy’s spot at the counter and got his flu germs on Leroy’s plate of bacon and eggs…”
“Which I do count,” Killian interrupts smoothly, winking at his adopted son. “I am the one who risked infection from the virus in forestalling their skirmish.”
Emma rolls her eyes at her deputy husband’s interruption and mutters “drama queen” under her breath, which Henry and Morgan both clearly hear and snicker at before she continues, “Otherwise it’s been as quiet as it ever gets. No deathly dangerous villains or curses meant to tear us apart and wipe our memories blank.”
“Yet…” Killian adds on needlessly, an ominous tone in his voice acknowledging the fact that they all know it’s only a matter of time before some new threat is wreaking havoc again. Their sleepy little town might seem like a place lost in time and space, but it is still a veritable magnet for trouble, and none of them can deny it.
Killian, however, waggles his brows playfully after his foreboding aside, making Henry shake his own head at his stepfather. It had seemed a rather grim pronouncement for the reformed pirate – more like his mom, really.
Morgan grins widely back at her father, nodding in gleeful agreement, her gap-toothed smile showing where she has lost a fair few of her baby teeth recently. “Yeah…yet!” she exclaims, not fully understanding the concern behind the sentiment, but always ready – as is her entire extended family – for action and excitement.
Emma shakes her head in humored exasperation at her two “children” – wondering, as she often does, how someone who has seen and experienced as much as Killian, who has witnessed some of the worst humanity had to offer and suffered at their hands, who has lived so long and weathered such crushing heartbreak and hate, can still easily find such simple, child-like joy in the littlest things. “Really, guys?” she questions, looking to her college student son for more mature support. “Can’t we just enjoy things being normal for once?”
“Aye, of course, my Love,” Killian replies deftly. “ ‘Twas merely a joke,” he adds, leaning over to brush a quick kiss to her brow that makes Morgan giggle, hide her face in Henry’s shoulder, and cry out, “Eww, they’re kissing again!” in a frank, tickling whisper against her older sibling’s skin.
“Just a joke is right,” Henry declares, motioning them forward to venture on into the rest of the Bowdoin College Museum and toward the particular exhibit he wants them to see. The collection was an 1811 bequest from a wealthy benefactor to the school and was one of the earliest college art collections in the country, as Henry had enthusiastically told her over the phone some weeks ago when his project had commenced. His Maritime History class had done a cross-curriculum partnership with the arts department to put together a student exhibit of research and mixed media in the college’s museum, and Henry has been quite secretive about his entry, even if insistent that they needed to see it in person. “Like anyone could be around you lot for long and think you were normal!” he scoffs.
“Ha ha,” his mother laughs drolly, bumping into his side with her shoulder in playful retribution as they move ahead side-by-side, with Killian, who is now holding a wriggling Morgan once again, following closely behind. However, once the jostling ceases, Emma grasps her nearly-grown son’s hand in hers for a moment, stunned anew at how much he has changed from the little boy who had found her in Boston all those years ago, and led her into the very life she has now. Squeezing tightly with emotion welling up in her throat, she wishes he could truly understand how much she loves him.
“Missed you too, Mom,” Henry murmurs softly, pressing her fingers back with his own wrapped around them. It is more than enough and makes her heart flutter in gladness.
Once Henry leads them through a few different rooms and several intriguing displays, he slows when they reach a large, somewhat circular room with a high, arched ceiling, and then turns to them with a mysterious smile on his face and clear anticipation in his big, brown eyes, just as they have always held, even at ten years old.
At first glance, this particular exhibit, this room in itself, seems empty. Looking around with faces equally full of curiosity and confusion, Killian, Emma, and Morgan end up staring back at Henry expectantly until Killian finally speaks up, “Begging your pardon, Lad, but I’m afraid I am not quite certain what you wish for us to see.”
Henry gives a nod of acknowledgement, rather knowingly pleased, and making Emma smirk to herself with a mother’s satisfaction at seeing her son so confidently happy and in his element. ‘He’s definitely got something up his sleeve,’ she thinks affectionately, admittedly finding herself anxious to see what his surprise might be. She knows that Henry has been loving this course all term – not to mention how thrilled her husband had been at the news – and that the long term practicum research projects are being showcased here throughout the entire month of April. Emma can only conclude that her son’s hard work has paid off in a way he’s proud of, and he must believe wholeheartedly that they will be too.
All Henry says is, “I take it you’re ready then?” and at Killian’s nod and Morgan’s “Yes, yes, YES, Henwy!!” exclamation, while she hops up and down exuberantly, he switches off the lights and presses a previously unnoticed button next to the light switch.
Immediately, the light and airy sound of some sort of flute or piccolo trickles through the quiet air of the room, a gently evocative melody with a lingering, haunted quality to its tone, enhanced by the sound echoing beneath of waves washing gently against the hull of some easily floating ship or back and forth over the shore of some deserted bay. Even as the sounds which are familiar and comforting to his tiny family audience wrap around them, small pinpricks of light appear just like stars in the night sky out on the ocean, sparking to life on the walls around them and the high ceiling overhead. It is a constellation spread out just for them in breathtaking majesty. Then, the Author begins to narrate his newest story…
Listening to Henry’s words, Emma feels her breath catch just a bit in both awe and emotion, glancing quickly over at her husband and daughter, before either of them realizes they are being observed. Morgan’s green eyes are wide and sparkling with interest and excitement, her mouth an open “o” as she looks above her, dazzled at what would appear for all the world to be the stars and constellations in the night sky brought indoors and spread out for their entertainment. Killian is silent and still, so much so that Emma knows – as few others would – just how valiantly he is battling some strong emotion…how very touched he is. Emma was never as great a student of the star charts and navigational astronomy as her sailor would have loved to make her, but Henry ate it right up, and she would bet her battered and beloved old VW that Henry has recreated some particular display that holds an extra meaning for he and his stepdad alone.
Shaking herself slightly to bring her focus back to earth and her attention back to the words of Henry’s presentation once more, she hears her son’s voice – soothing, engaging, and reeling her into the adventurous stories behind the scattered specks of light arrayed above them and their meaning and guidance to generations of sailors making their ways on a wide and pathless sea.
“The Cygnus,” Killian mouths silently beside her, appearing genuinely awestruck as he takes his gaze just momentarily from Henry’s representative “sky” to look in the eyes of the young man he has for years now cared for and loved like a son; a sincere gaze of fond understanding passing between them that brings a film of unshed tears to Emma’s vision that she has to rapidly blink away. In fact, soundless though it may be, she catches Killian’s comment only because she is so focused on her husband and his emotional reaction to this gift Henry has given all of them – but her pirate in particular. Emma senses that Killian knows it in this moment and holds tightly to his fingers twined with hers while practically beaming at her son, wondering again how she ever got lucky enough that the two most important people in her world would love each other as much as they each love her.
Morgan reaches over from Killian’s arms to pat her mother’s cheeks as Henry concludes his tale and turns the lights back up. “Don’t cry, Mama,” Morgan coos sweetly. “Henwy’s story was happy in the end. The Swan leads the sailor to his home.”
Emma smiles shakily at her daughter, and then the rest of her family with their looks of understanding. “I know, Baby,” Emma murmurs softly, still brushing away the evidence, but with her smile growing broader all the while. “Don’t worry. These are happy tears.”
Tagging a few who might enjoy: @jennjenn615 @searchingwardrobes @kmomof4 @jrob64 @apiratewhopines
@whimsicallyenchantedrose @laschatzi @stahlop @teamhook @revanmeetra87 @winterbaby89
@spartanguard @therooksshiningknight @tiganasummertree @optomisticgirl @xsajx @bluewildcatfanatic
@xarandomdreamx @booksteaandtoomuchtv @anmylica @jonesfandomfanatic @motherkatereloyshipper @branlovestowrite
@linda8084 @lfh1226-linda @the-darkdragonfly @elizabeethan @donteattheappleshook @let-it-raines @ineffablecolors
#self promo sunday#cs future family fluff#canon divergent cs ff post s6#sky's canvas#cs one shot#cs famiily fluff#captain cobra feels#cs baby: morgan ruth jones
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1880 Winslow Homer in New York (photo by Napoleon Sarony)
(Bowdoin College Museum of Art)
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Mina Loy, Devant le miroir, c.1905. Graphite on brown paper mounted on cardboard, 41 × 33 cm. Private collection. Courtesy Bowdoin College Museum of Art. Photo: Jay York.
One of the first artworks in Mina Loy: Strangeness is Inevitable at the Bowdoin College Museum of Art [2023, curated by Jennifer R. Gross], is an early self-portrait titled Devant le miroir, in which graphite carves the waterline under a young eye suffused with heavy darkness. Below, a cheek shades down into a curve around sensuous lips that, one feels, used to smile. This is Mina Loy (1882–1966), a creative light both renowned and obscured in Modernism’s histories, whose eponymous exhibition is the first monographic presentation of her work, and significantly restores her to the center of international 20th century Modernism. ↘︎ Amy Rahn, https://brooklynrail.org/2023/07/artseen/Mina-Loy-Strangeness-is-Inevitable/
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Mina Loy, “Untitled (Surreal Scene)” (c. 1935), gouache with collage on panel, 20 3/4 x 16 3/4 inches (photo by Jay York, all images courtesy Bowdoin College Museum of Art)
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Boîte-Series D (based on Boîte-en-Valise, 1935– 41), 1961
Case covered in light-green linen, lining light-green Ingres paper, and sixty-eight items enclosed in box
Bowdoin College Museum of Art
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Plate #23- Musa paradisiaca, Caligo teucer and Cnemidophorus lemniscatus
Maria Sibylla Merian
Fecha: 1705
Estilo: Naturalismo
Género: pintura de animales
Localización: Bowdoin College Museum of Art, Brunswick, ME, US
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“Duchamp at Chess Board” (1958), by Arnold T. Rosenberg
#art#marcel duchamp#Rouen#france#arnold rosenberg#photography#nyc#new york#bowdoin college museum of art#brunswick#maine#USA#chess
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CUTLER, AMY
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Amy Cutler es una artista contemporánea nacida en Poughkeepsie, Nueva York, en 1974 (edad 47 años). Cutler es una artista internacionalmente conocida y está representada por la Galería Leslie Tonkonow en la ciudad de Nueva York. Recibió su título de BFA de The Cooper Union School of Art, Nueva York, Nueva York, en 1997.
Amy Cutler se basa en los medios de comunicación, la cultura popular, los cuentos de hadas y sus propias experiencias para transmitir las complejidades de la feminidad.
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Salida de Opal, 2011
Litografía en 11 colores
15 1/4 × 12 1/4 pulg.
38,7 × 31,1 cm
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Provisions, 2008
Lithograph in 15 colors on Rives BFK gray paper
34 1/8 × 24 1/8 in
86.7 × 61.3 cm
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Peddling in the Poppies, 2016
Gouache on paper
21 3/4 × 15 3/4 in
55.2 × 40 cm
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Late Afternoon, 2018
Gouache on paper
19 3/10 × 16 1/10 in
49 × 41 cm
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Ingrid, 2011
Gouache on Japan paper
13 × 10 3/4 in
33 × 27.3 cm
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Kokeshi A, 2011
Gouache on paper
13 × 10 1/2 in
33 × 26.7 cm
#c#cutler#AMY#AMY cutler#Galería Leslie Tonkonow#The Cooper Union School of Art#Poughkeepsie#Cooper Union#moma#contemporary artist#Art Design & Architecture Museum#the Huntington Museum of Art#the Weatherspoon Art Museum#Bowdoin College Museum of Art#Museo Nacional Centro de Arte Reina Sofía#Indianapolis Museum of Art
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Andrew Wyeth
Night Hauling. 1944
#andrew wyeth#painting#night scene#american regionalism#modern art#nocturne#figurative#bowdoin college museum
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The Ivory Mirror: The Art of Mortality in Renaissance Europe is at the Bowdoin College Museum of Art through November 26, 2017.
This exhibition will constitute a significant contribution to our understanding of a critical facet of late medieval and early modern culture: the centrality of the macabre. The theme reached the apex of its popularity in the years around 1500, when artists working in a variety of media treated it in innovative and compelling ways.
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Second Phase of Saving the Chamberlain House
Second Phase of Saving the Chamberlain House
Good grief! What a ride it’s been since I last blogged about what I’m now calling The Chamberlain Project. I need everybody to go read the first blogbefore you continue with this one because it lays out all of the information about why we’re here and why the Joshua Lawrence Chamberlain house is an important American landmark that needs our help. It has been one of the most fulfilling and…
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#america#american civil war#american history#ancestry#architecture#army#art#arthrogryposis#artist#atlanta#atlanta artist#black and white#bowdoin college#brunswick#chamberlain#chamberlain museum#charcoal#civil war#dark#disability#disabled#disabled artist#downeast maine#drawing#fannie chamberlain#fanny chamberlain#fundraiser#genealogy#georgia#georgia artist
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The Annunciation Denys Calvaert (Flemish; ca. 1540–1619) ca. 1595 Oil on copper Bowdoin College Museum of Art, Brunswick, Maine
#Denys Calvaert#Calvaert#Flemish painters#Flemish artists#Flemist art#Flemish paintings#paintings on copper#religious art#Baroque art#Baroque artists#Annunciation#The Annunciation#Virgin Mary#Mary#Gabriel#Angel Gabriel#Holy Spirit#lily#lilies#angels#1590s#16th century#16th-century art#16th-century Flemish painters#16th-century Flemish artists#gestures#Flemish artists in Italy#Bolognese School#School of Bologna#Bowdoin College Museum of Art
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Andrew Wyeth
Night Hauling 1944
Tempera on masonite
Bowdoin College Museum of Art, Brunswick, Maine
Night Hauling was painted by the twenty-seven-year-old Andrew Wyeth at the height of World War Two. Set against the Maine coast in Port Clyde, where Wyeth’s family summered, it depicts a shadowy lobsterman hauling in a trap under cover of darkness, the scene lit only by the figure’s concealed lamp and the water’s startling nocturnal phosphorescence.
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