tomafome
tomafome
TOMA FOME
436 posts
é preciso ter sempre um ferro no fogo
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tomafome · 7 days ago
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Não havia um roteiro estabelecido ou rígido e o acaso sempre era aproveitado pela sua força movediça e desconexa; portanto, sem ensaios Wolf Vostell, reunindo os três elementos que julgava mais importantes na atualidade (cuja validade parece não ter expirado), caminhava em torno de um brilhante “Cadillac” branco circundando-o com pães embrulhados em folhas de jornais representando, por seu trabalho “Energia nº 8” – um comentário sobre a mecânica do Capitalismo explicitado pela frase impressa “São as coisas que vocês não conhecem que transformam suas vidas”.
Ana Paula Felicissimo, 2007, Curadoria da “Rua Fluxus” na 17ª Bienal Internacional de São Paulo (1983): Walter Zanini e Dick Higgins, USP, p.207.
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tomafome · 7 days ago
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Soraya Vasconcelos (1977), g1-x (state y), 2013
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tomafome · 11 days ago
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Unknown artist, Photograph of Koloman Moser, c. 1903, MAK–Austrian Museum for Applied Arts/Contemporary Art, Vienna. Photo © MAK
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tomafome · 25 days ago
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Paul De Vree (Antwerp, Belgium, 1909–1982), Eeroo-tic, 1971. Silk screen print on paper, 45 x 45 cm. Collection M HKA Museum, Antwerp / Collection Flemish Community © M HKA
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tomafome · 1 month ago
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Lee Lozano, NO TITLE, 1962. Graphite and crayon on buff paper, 27,3 x 34,9 cm (10 3/4 x 13 3/4 in.). © The Estate of Lee Lozano. Courtesy Hauser & Wirth.
A large, thick-fingered hand performs an odd dance in sharp chiaroscuro, taking up a whole sheet of paper.
Lozano's graphic work is less explicit than the other drawings in the series to which it belongs. It depicts a single hand whose fingers have the features of a male sex in different variations. The phallic motif is omnipresent in her work. Whether explicit, suggestive or even abstract, it always tends to evoke the omnipotent presence of man in our society, even in our most harmless visual world. 
No Title was presented for the first time by the Pinault Collection during the 2009 group show “Mapping the Studio” at the Palazzo Grassi and Punta della Dogana.
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tomafome · 2 months ago
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Celestial Music for Imaginary Trumpets (1976) by Tom Johnson
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tomafome · 2 months ago
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Brion Gysin, PERMUTATIONS, pp. 8-9 / The sequential permutation of the Divine Tautology ‘I AM THAT I AM’ begins. Written between 1958 and 1982. Edited and designed by Alec Mapes-Frances, DABA Press, 2021.
This volume collects, for the first time, all of Brion Gysin’s “permutated poems.” Written between 1958 and 1982, these poems are composed from a brief phrase or sentence whose words are exhaustively or almost exhaustively permuted over the course of each poem. Gysin wrote the texts manually at first, although later, in collaboration with programmer Ian Sommerville, he would generate permutation poems with the help of a computer.
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tomafome · 2 months ago
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Thomas Mailaender (b.1979), Prank, 2014. Cyanotype print on paper
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tomafome · 2 months ago
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Electronic Revolution Cover Ph., Written by William S. Burroughs, Originally published in 1970 by Expanded Media Editions
↘︎ https://www.ubu.com/historical/burroughs/electronic_revolution.pdf
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tomafome · 2 months ago
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Chapeuzinho Amarelo por Chico Buarque, ilustrado por Ziraldo, 1979
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tomafome · 2 months ago
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I’ve Got Something to Say that Only You Children Would Believe, 1969. A book illustrated by Abbas Kiarostami and written by Ahmad Reza Ahmadi. Tehran, Iran: Kanoon (Center of Intellectual Development of Children and Young Adults/کانون پرورش فکری کودک و نوجوان). You can download a PDF version of the book here.
Abbas Kiarostami had a long, colourful career as an illustrator, graphic and film title sequence designer, and photographer before his career as a filmmaker got kick-started in the early 1970s.
His slow success and even a slower international recognition meant that this first part of his artistic life had vert little chance to be appreciated in time and not surprisingly, it was overlooked even by his ardent audience. One could argue, his eventual coming back to these fields (plus poetry and installation) in the 21th century was itself a classic case of Kiarostamian "return" as often seen in his films: returning to a home, to a place, to a landscape, in this case, to old passions.
A great portion of the achievements of these early years remain unavailable but here we have a wonderful example of his illustration work which he contributed to a children book, written by modernist poet and author Ahmad Reza Ahmadi.
There is another interesting story about the book: Attached at the end of the PDF file are letters from the Ministry of Culture demanding changes (i.e. censoring) for the second edition of the book which came out in 1971. I can't still figure out what made the censor sensitive to the content on pages 6 and 20 but if there's a lesson in this, it's that censorship in Iran has always been as stupid and pointless as it is today.
Special thanks to Morteza Seyyedi-Nejad who has scanned and shared online this rare and precious publication.
↘︎ Posted by Ehsan Khoshbakht: https://notesoncinematograph.blogspot.com/2020/03/Kiarostami-book.html
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tomafome · 2 months ago
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KPFA Folio Cover [Voulkos at work by M. d’Hamer], Vol. 15, No. 24, March 8-21 1965 (From the Pacifica Radio Archives / Pacifica Foundation)
Our cover photograph by Margaret d’Hamer is of Peter Voulkos at work in his studio. Both are UC Design Department members.
↘︎ https://archive.org/details/kpfafolio1524paci/mode/2up
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tomafome · 2 months ago
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PIM-PAM-PUM cada bala mata um Mas se a bala não matar não há problema nenhum podemo-los estrangular com a fome ou com a prisão com o frio com o segredo com o degredo com a tristeza com o bafio ou com o medo
José Fanha em Busca, Edição do Autor, Lisboa, S.d. [1977], 37 págs, 14,5 x 20,5 cm (com ilustrações de Manuel Botelho e capa de João Nasi Pereira)
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tomafome · 2 months ago
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Kátia Bento, O GESTO INTER/ROMPIDO, c.1970s. Colagem e caneta s/ papel, 16 x 25 cm [do Arquivo do Poema/Processo, aqui].
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tomafome · 2 months ago
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Jonathan Rosen, Smile! In LCD magazine, “The Best of LCD: The Art and Writing of WFMU-FM 91.1 fm”, Dave the Spazz (editor), Princeton Architectural Press, New York, 2008, p.33.
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tomafome · 3 months ago
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Norma Tanega, Mark Iosifescu (ed.), Try to Tell a Fish About Water: The Art, Music, and Third Life of Norma Tanega (Brooklyn, NY: Anthology Editions, 2022)
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tomafome · 3 months ago
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William Wondriska, Which Way to the Zoo? (NY: Holt, Rinehart & Winston, 1961)
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