#Brion Gysin

[garadinervi]

From: Gertrude Stein. Une pièce circulaire, (1949), Text by Gertrude Stein, Translation by Gérard-Georges Lemaire, Works/Illustrations by Arthur Aeschbacher, Albert Ayme, Brion Gysin, Jiří Kolář, Tom Phillips, Édition Traversière, Paris, 1985 [Saint-Martin Bookshop, Bruxelles-Brussel. Fondazione Bonotto, Molvena (VI)]

[yama-bato]

 A discrete set of photographs taken by Gysin known as the ‘Danger Series’, show Burroughs with a cigarette in front of construction work outside of the old Théâtre Odeon, not far from the rue Gît-le-Cœur.

Photograph by Brion Gysin. Paris, October 1959

https://octobergallery.co.uk/artists/gysin

[iamjapanese]

Brion Gysin（British, 1916-1986）

Plateau Beaubourg 1974 encre et collage sur papier 25 x 34 cm.  via more

[postpunkindustrial]

Brion Gysin ‎– "Recordings 1960-81"

Brion Gyson was a painter, poet and inventor. His poems art and experiments were just as influential influential as Burroughs in the early days of Industrial music.

This is an album of his earlies and most influential audio work consisting of Cut-ups, poems, Musique Concrete and conversations.

Instead of the album cover here is a pic of Brion Gysin hanging out with his Dream Machine. You could build one HERE.

You can get this album from my Google Drive HERE

[werkboileddown]

HERE

[noosphe-re]

Brion Gysin, I am that I am, [1960], via D’Ambrosio, Matteo. (2018). The Early Computer Poetry and Concrete Poetry. Matlit. 6. 51-72. 10.14195/2182-8830_6-1_4.

[thinkingimages]

Brion Gysin, Magic Mushrooms, (work on paper), 1961 [October Gallery, London. © Brion Gysin]

(Source: octobergallery.co.uk)

[abjectionporn-blog]

William S. Burroughs with Brion Gysin Untitled (Rub Out the Word) 1965

[spaceintruderdetector]

the-exterminator-william-burroughs-brion-gysin : Free Download, Borrow, and Streaming : Internet Archive

[tomafome]

Brion Gysin, PERMUTATIONS, pp. 8-9 / The sequential permutation of the Divine Tautology ‘I AM THAT I AM’ begins. Written between 1958 and 1982. Edited and designed by Alec Mapes-Frances, DABA Press, 2021.

This volume collects, for the first time, all of Brion Gysin’s “permutated poems.” Written between 1958 and 1982, these poems are composed from a brief phrase or sentence whose words are exhaustively or almost exhaustively permuted over the course of each poem. Gysin wrote the texts manually at first, although later, in collaboration with programmer Ian Sommerville, he would generate permutation poems with the help of a computer.

[jokeanddaggerdept]

[kiki-de-la-petite-flaque]

William Burroughs at the Institut Française by Brion Gysin - Naked

Lunch Launch series, Paris, 1959.

[yama-bato]

1. William Burroughs on the corner of the rue Gît-le-Cœur and quai des Grands-Augustins, photographed by Brion Gysin. Paris, October 1959.

2. William Burroughs and Maurice Girodias walking along the rue Gît-le-Cœur, photographed by Brion Gysin. Paris, October 1959.

https://culturedarm.com/william-burroughs-brion-gysin-and-the-beat-hotel/

[iamjapanese]

Brion Gysin（British, 1916-1986）

Untitled 1961 gouache and ink on paper 55.3 x 43cm. via more

[postpunkindustrial]

Brion Gysin: I Am That I Am

[werkboileddown]

A COLLECTION OF LEAVES FROM THE ORIGINAL MANUSCRIPT DRAFTS OF THE THIRD MIND. One of the last surviving groups from the Burroughs "Vaduz" Archive, famously stored in a Saratoga Trunk, comprising papers and art from 1958-1972. The material in the trunk was both pictorial, cut outs and typed, most relating to the "Third Mind" project, a collaboration between Gysin and Burroughs in the period 1961 to 1965. Burroughs and Gysin came back to New York in late 1964 to work on the book, returning to Paris in September 1965, and these leaves seem to date from this period. The work on the book died out after 1965, but the sprawling manuscript was sorted out and a selection of it published in Paris in 1977, and again in English by Viking in New York in 1978. The majority of this final manuscript is in LACMA, with some pieces with a collector in Paris; the chaotic history of the manuscript makes it difficult to know how much has been lost. The "Vaduz" Archive is so called because in August 1973 Roberto Altman, a Lichtenstein collector/financier, purchased the contents of the trunk, which had been sorted into folders of related material by Burroughs, Gysin and Barry Miles, a Burroughs biographer. Burroughs had been feeling broke and depressed in England and needed money to get out, and it was Gysin's idea to cash in their work. Initially the archive was intended to be sold to Columbia University through Gotham Book Mart, but Burroughs broke the contract. In the end, Burroughs, Gysin and the dealer Richard Aaron, who knew Altman, all went to Altman's home in Vaduz, Liechtenstein, did the deal, and banked the cash in a Lichtenstein Bank. After the dealer's commission, Burroughs and Gysin split the remainder 50/50, as it was the process had been a collaboration. The papers remained in Vaduz for a few years, with the idea that they would be made into a museum, but in mid 1970s they were sold on to an American literary collector from Cleveland. In 2004, he sold them on to the New York Public Library where they now reside in the Berg Collection. The present owner of these few leaves, sold a bulk group of similar 1961-65 leaves at Christies East in May 2000, but they were catalogued without detailed explanation.

HERE