#both academically and creatively in my case

[theatrekidenergy]

There’s such a weird stereotype about therians that I’ve never seen anyone talk about.

And it’s that all therians are super creative, artsy, kids who (this is the part that confuses me) are all totally unathletic and don’t typically perform well in school..

Which just isn’t accurate in my case or any of the therians I know irl for the most part? Like put the academics aside for a second, if you already think all therians are in athletic you’re totally dismissing quads (which is an entirely other stereotype set by tiktok for the most part, that also is just laced in ableism from the get go because lots of therians physically can’t do quads.)

Like in my case I’m hella academic. I’m in a nationalally recognized honors society. I have a 4.0 on a 4.0 scale. I’m ranked in the top 5 students in my entire class. I’m an advanced figure skater. I workout daily. I’m a hiker. I honestly don’t even fit the artsy role as well because I’m not that good at art.

My friend is a cat therian. He’s very artsy yes, but he’s also an incredibly intelligent and well performing student. Beside that he’s a field and ice hockey player and he’s the best player on the team. So he definitely doesn’t fit the stereotype.

My friend who’s a deer therian? She’s proves both points right. She’s athletic and academic. My friend who’s a fox therian? He proves it right again. It’s a gymnast and also academic. My friend who’s a dog therian? He’s going to fucking Harvard as we speak.

So yeah, not all therians will fit the academic and athletic bit, but I’ve seen a disproportionate amount of people saying that if you’re a therian you can’t at all. It’s really frustrating, and it feels like the same thing about how all therians must do quads that all therians must also be super artsy and not excel in STEM for some reason?????? It’s so confusing????????? Like a lot of therians I know want to work in stem because it relates to animals even (like being a vet, marine biologist, etc.)

Anyways thank you for coming to my TED talk this is probably more of a rant so I appreciate you sticking around. Send over your thoughts. It’s like 5am and I woke up randomly so I don’t know if I’ll remember even writing this in a few hours when I wake up.

[badolmen]

‘Write everyday!’ Advice sounds really stupid/unsustainable when you’re used to sitting down and writing 10k words for 8 hours straight once every 6-8 months but it does, admittedly, work.

[martian-astro10]

D9/ Navamsa chart observations - Part 5

Moon in 1st house gives a spouse who is emotionally expressive, they can also be very moody. If you're attracted to men, then this can also mean that your husband might be a huge mama's boy, so marry someone whose mom likes you. With this placement, if you manage to maintain a good bond with your MIL then you'll have almost no problems in your married life. Your spouse can be prone to jealousy as well.

Sun in the 5th house gives you an extroverted spouse, I feel like this works the best when the person who has it, has a really high self esteem, because if not, you can be jealous of the attention that your spouse gets. You can also feel as if you're not good enough for them.

Mercury in the 4th House can mean that your spouse will be working as an advisor. They may also come from a family where education is given a lot of importance (I know a few people with this placement and their spouse's family was super adamant about them completing their master's before marriage, this is true for both men and women). If you're an academically intelligent person then your in-laws would be more than happy to help you establish your own business, I have noticed this to be true in a lot of cases.

Venus in the 5th house.....can give you a spouse who may be a little too obsessed with themselves. I used to think this was a good placement but then I met a lot of people who have this and their spouses always downplay their achievements and play the victim in social situations. I know a couple where both of them have this and they constantly talk about things that the other has done wrong and it's like a competition of who is sadder, it makes me soooo uncomfortable. One good thing is that, your children are gonna be SUPER creative.

Mars in the 11th House is great in regards to finances, your spouse knows how to earn AND save money, and even though they may like to live a luxurious life, they're well aware of the limitations. They may also have friends in high places and be good at climbing the social ladder. One negative of this is, that they can be TOO focused on earning money, but if Jupiter and Venus are well placed then you have nothing to worry about.

Jupiter in the 3rd house can give you a jolly spouse, they can also be the youngest in their family. They may be really close to their family and after marriage, they would like to live close to them. Your family will treat your spouse as their own child. You know those couples where a person's family ends up becoming closer to their spouse than them, yeah, this is what happens when you have Jupiter in 3rd. You guys may also travel a lot together. I think this placement is really cute.

Saturn in the 2nd house gives you an ambitious spouse, very hard working and tough love type person. They may earn a lot of money but refuse to spend it, OR they refuse to spend money on themselves but have no problem spending it on you. It depends on other factors. ( I know a woman with this, and her husband is so fucking rich but doesn't get new clothes for her, and doesn't buy anything for her, I feel so bad ��, Its giving "ballerina farm") BUT you can also get a spouse who is like "here's my credit card, buy whatever you want"

Rahu in 4th is a strong indicator of moving abroad after marriage, I know people who were unable to get a student visa, work visa and then they got married and were able to settle abroad. This also shows that your MIL may be very involved in your married life, whether for good or bad depends on several other factors.

Ketu in the 5th house gives a spouse who won't be that interested in raising kids. They may also be a little emotionally detached, and can believe in traditional gender roles.

I was thinking of not putting this observation, but then.... precaution is better than cure, so...90% of the female celebrities who have been cheated on by their husbands have Jupiter in Gemini/ Aquarius in d9. So if you have this, be very very picky about who you marry, this is for everyone, but especially for those who have this.

© martian-astro All rights reserved, 2024

[praisethegabs]

AKRASIA

ID!Professor!Leon Kennedy x Student!F!Reader

euphoria masterlist

summary: you met him during a party, and it was a one night stand for both of you. (un)fortunately, it turns out he's your new college history professor, and neither of you expected that.

warnings: age gap, reader is in college and in mid 20s while Leon is in his 30s. NSFW content, delicate to rough sex, p in v, oral receiving (both), praise kink, degradation kink (eventually), use of pet names (bunny), vaginal fingering, masturbation, cum swallowing, dom!leon and sub!reader. leon is insecure af. oc named chloe as the reader's best friend.

word count: 5684k

a/n: this is a new mini series I'm writing since I had a hard time with creative blocking, and I'm taking this very slow just in case.

AKRASIA is the state of mind in which someone acts against their better judgment through weakness of will.

You sat in your cozy room in the apartment you shared with your best friend, Chloe. The pale evening light casts a warm glow over the mismatched posters adorning the walls. Your textbooks were spread out across your desk, a mountain of assignments awaiting your attention. But Chloe, your vivacious best friend, had other plans.

"Come on, my lovely pumpkin," Chloe pleaded, tossing a colorful scarf around your neck as she perched on your bed. "You can't spend another Thursday night buried in textbooks. It's the first college party of the semester, and you've been MIA for weeks!"

"Chloe, you know I have that history essay tomorrow morning. I can't afford to waste any more time." You sighed, pushing a strand of hair behind your ear.

"But it's not just any party, it's Jake's party! He's practically begged me to convince you to go. And you know he's got a major crush on you." Chloe's bright green eyes twinkled with mischief as she leaned closer.

Your cheeks flushed at the mention of Jake, the charismatic guy from your history class. You had caught him stealing glances at you during lectures, but you were too wrapped up in your studies to think much of it. Besides, you already had your share of a "bad girl" period. Now, you need to finish your obligations.

"I don't know, Chloe," you hesitated, twirling a pencil between your fingers. "I feel so out of my element at those parties. I used to get drunk just for fun, but I don't do that anymore"

"Sis, that's what makes you unique. Besides, I promise you'll have fun. And who knows, maybe Jake will be your study partner for that history essay or whatever you need. It's a win-win!" Chloe chuckled, tousling her auburn curls.

You bit your lip, torn between your dedication to your academics and the allure of a night filled with laughter, music, and maybe even a spark of romance. You glanced at your textbooks, then back at Chloe's eager expression.

"Okay, Chloe. I'll go to the party. But only for a couple of hours, and you owe me a serious study session tomorrow." Finally, with a hesitant smile, you relented.

"Deal! Now, let's get you ready. You're going to look stunning, and I promise you won't regret this." Chloe's face lit up with triumph as she jumped off the bed.

As you both began raiding your closet for the perfect outfit, you couldn't help but feel a surge of excitement mixed with a touch of nervousness. Little did you know, this college party would mark the beginning of an unforgettable chapter in your life.

After a shower, you stood in front of the full-length mirror, twirling in your black cocktail dress. Your reflection grinned back at you, the dimples on your cheeks deepening as you admired your outfit. The cocktail dress that Chloe picked up for you, which she said it looks beautiful on you. She was perched on the edge of your bed, her perfectly curled auburn hair cascading over her shoulders.

"You look amazing, sweetie" Chloe gushed, adjusting her own outfit. "This party is going to be epic!"

"Thanks, Chloe. I can't believe you really convinced me to go to this college party." You laughed, the excitement bubbling within you.

Just then, your phone chimed with a familiar notification tone. You picked it up, your heart sinking as you saw the message. It was from Matthew, your ex-boyfriend. The name alone sent a shiver down your spine.

"What is it?" Chloe asked, her eyebrows furrowing with both concern and curiosity since you had a strange expression on your face.

"Hey, I know it's been a while, but can we talk? It's important." You sighed, your fingers trembling slightly as you read the message out loud.

"Oh no, not him again. What does he want now?" Chloe's expression shifted from excitement to concern, her voice sounding annoyed for a moment. She really hated your ex.

You chewed your lower lip, feeling torn between responding and ignoring the message. You hadn't spoken to Matthew since your messy breakup a few months ago. Your relationship had ended in bitter arguments and hurtful words.

"I don't know," you replied, your voice wavering. "Maybe it's something urgent. I should at least find out."

"Honey, I've been looking forward to this party for weeks, and I had a lot of trouble to convice you to join me. You can't let him ruin our night. Besides, he had his chance to talk when you needed it." Chloe shook her head, her green eyes filled with worry, and her face with evident disapproval. She really cared about you.

You sighed again. It was really difficult to put your past behind, especially after everything you had with Matthew.

"Look, you go first, and I'll meet you there." You glanced at Chloe, hoping she would give up and just leave you to take care of your ex-boyfriend on your terms.

"Do you promise?" Chloe asks, with those big green and puppy eyes, which she did every time she wanted something.

"Yep, I promise." You nod your head and smile when Chloe screams like a little girl, hugging you tight.

As you watch Chloe leave your shared apartment, your entire attention returns to your screen. You felt a wave of buried feelings returning slowly, leaving you with the hard choice in hands. You hesitated, your phone still in your hand. You knew Chloe was right, but curiosity gnawed at you.

"I'll just send a quick reply. Let him know I can't talk right now." You muttered to yourself, deciding what was best for you at the moment. You typed out a short message, your fingers tapping the screen rapidly. "Can't talk now, Matthew. At a party. We'll talk later."

But as soon as you hit send, your phone chimed again, this time with a call from Matthew. You watched the screen light up with his name and number. Your heart raced, torn between answering and turning it off.

Instantly, you pictured the image of Chloe in front of you and what she would say at this very moment. She would, of course, curse him a lot, and then, as your best friend, she would say something like, "Ignore it, honey. You made your choice. Let's not let him ruin our night"

And again, she was completely right.

As you entered the place, the pulsating beat of music washed over you, drowning out the noise of your own doubts. The college party was in full swing, with colorful lights flashing in time with the rhythm, creating a kaleidoscope of patterns on the walls.

You weaved your way through the crowd, your heart pounding with anticipation and a hint of anxiety. Your best friend, Chloe, had convinced you to attend, promising a night of unforgettable fun. Your eyes scanned the room, searching for Chloe's familiar face amidst the sea of strangers.

You finally spotted Chloe near the makeshift bar, holding two red plastic cups filled with a mysterious concoction. Chloe grinned when she saw you and waved you over. Chloe joined you, your tension slowly giving way to excitement.

"Oh, you made it!" Chloe shouted over the music, handing you a cup. "This is the famous 'party punch.' Drink up!"

You hesitated for a moment, then took a cautious sip. The sweet, fruity mixture danced on your taste buds, and you couldn't help but smile. Chloe always had a knack for finding the best drinks.

Feeling the alcohol mess with your mind and following the rhythm of the music, you two chatted and laughed as the night went on, your voices blending with the raucous sounds of the party. You watched as people swayed to the music, their bodies moving in sync with the beat. It was a wild and chaotic scene, but there was an undeniable energy that you couldn't resist.

"Come on, let's dance!" You grabbed Chloe's hand, leading your way to the crowd, letting your body follow the flow.

You swayed to the beat of the music, your body moving sensually with the rhythm as colorful lights flashed around you. The college party was in full swing, the pounding music reverberating through the entire place as students danced and mingled. You, feeling adventurous and carefree due to the alcohol in your organism, held a red plastic cup in one hand and scanned the crowd for someone intriguing. Your eyes settled on a tall, ruggedly handsome man who stood out from the rest of the college-aged crowd.

As you glanced around the people, your eyes met those of a striking man across the dance floor.

He was, obviously, a few years older than the typical partygoer, exuded an air of maturity that drew your attention. He leaned against the wall, his brown hair falling effortlessly over his forehead, and his piercing blue eyes scanning the room with a hint of amusement. He was an enigmatic figure who seemed to easely blend into the college scene while maintaining an air of mystery. For a moment, you thought he was too old to be there, but can you blame the man for wanting some fun? Despite the age, he was very handsome.

And his eyes were locked specifically on you.

Your eyes locked for a moment, and you felt a flush of warmth spread across your cheeks. You couldn't believe that this stranger was actually looking at you. A burst of self-confidence surged within you, urging you to take action.

You couldn't resist the urge to approach him, so you casually sauntered over, a playful smile curving your lips. You didn't let their age gap deter you; after all, age was just a number, right?

With the music pulsing through your ears, you decided to seize the opportunity. Hopefully, you could put the blame on alcohol and say you weren't thinking right — despite the fact that you weren't that drunk. You made your way through the crowd, not even seeing Chloe around, your heart pounding in your chest as you approached him. The closer you got, the more you noticed his rugged charm and the intensity in his piercing blue eyes.

"Hey there," you said, your voice carrying a hint of confidence as you leaned closer to be heard over the music. "You seem like you're in the wrong party. This crowd is usually reserved for broke college kids."

"Hey," he replied, his voice just loud enough to be heard. He then leaned in closer, his expression intrigued but slowly changing. Leon turned his attention to you, a bemused smile playing on his lips. "Well, maybe I'm just here for the youthful energy. It's refreshing."

You laughed, your eyes sparkling.

"Or maybe you're just trying to relive your college days." you said, taking another generous sip on your drink. At this point, you weren't caring about anything else.

"What makes you think I'm not still in college?" Leon raised an eyebrow, his expression teasing.

"Because I've been around here long enough to recognize someone who's seen a few more semesters than the rest of us." You chuckled between another sips, leaning even closer, your faces just inches apart.

"You're perceptive, aren't you?" Leon's lips curled into a grin, and he took a sip from his own cup.

"I have my moments. So, Mr. Mysterious, what brings you to our humble party tonight?" You nodded, your flirtatious energy in full swing. At this point, you were regretting your decision to stop with alcohol because you could never talk to a man like him the way you were doing.

"Well, I heard there was someone here I couldn't resist meeting. Looks like I found her." Leon's eyes held a glint of intrigue as he leaned in slightly.

Your heart skipped a beat at his response, your flirtatious banter taking an unexpectedly genuine turn.

"You're quite the charmer, aren't you?" You asked him, feeling a sudden heat rush over your body like a wave.

"Only when I'm talking to someone as captivating as you." Leon leaned in a bit closer, his breath warm against your ear.

After a few more drinks and flirts, you decided to ask what was eating you inside. Of course, in the next morning, you wouldn't remember anything, and you could live without regrets. Chloe was having fun with a bunch of friends, so why couldn't you just do the same? You were so horny at this moment that you were willing to have fun.

"So, it was my impression, or were you practically eating me while I was dancing?" You provoked him, drinking another sip from whatever Chloe said it was.

He almost spit his drink, completely shocked by your question. The old man looks at you with curiosity, but then, a slight smirk appears on his lips. Those beautiful blue eyes that never left yours made your body shiver, and that smile, well... that smile of him almost ripped yourself in two parts.

"How presumption of yours, huh?" He replied, still smiling, his lips meeting his glass again.

"It wasn't presumption, it was true," you said back, sounding cocky; you didn't care, and you had the balls to do so.

"Well, I might have done that. Who knows?" He says, his voice softly husky, almost low, like he did on purpose to provoke you.

"Well, lucky for you, I might have enjoyed that," you said, leaning closer to his ear, enough to whisper to him and enough to make him smile.

It was amazing what alcohol did to you. Honestly, you weren't this type of slutty horny girl, but let's face the truth; your ex-boyfriend was an asshole and the last time you had sex with someone with your age, it was a terrible experience. Maybe someone older could handle the job well? And besides, you both knew you wouldn't see each other again.

"You know, this party is fun, but I have a feeling the night could get even better." He leaned closer, his voice a soft murmur in your ear, and he seemed to think the same as you.

"Oh, really? And what do you have in mind?" You turned to him, a mischievous twinkle in your eyes.

Leon grinned, his confidence growing as your connection deepened.

"How about we leave this noisy place and head to my apartment? It's not far from here, and we can continue our conversation without shouting over the music." He suggests, and you had the certain he was thinking the same thing you were.

You hesitated for a moment, weighing your options. The party was completely wild at this point. Everyon, with no exceptions, seemed drunk enough, but the prospect of spending more time with this stranger and handsome man seemed far more appealing. Plus, there was an undeniable attraction that had been simmering between you two all night.

"You know what? I think that's a great idea. Lead the way." You replied with a playful smile and finally decided what you wanted.

Leon offered his hand, and you took it, allowing him to guide you through the lively crowd. You both made your way out of the crowded house and into the cool night air. The stars above shone brightly, and the distant sounds of the party slowly faded into the background.

As you two walked together, Leon couldn't help but feel a sense of excitement and anticipation. The decision to invite you to his place had been a bold one, but it seemed like the right choice. The night was filled with possibilities, and he was eager to explore where it would lead.

When you both reach his place, it's just a matter of seconds before he grabs you by your thighs, pinning up against the wall, kissing your neck desperately. Your hands meet his hair, holding so tight that between his kisses, he groans a little.

"God, you're so beautiful" he moans softly, leaving marks on your skin, to remember you that he was there.

"Stop talking, handsome" you said, now biting his earlobe, making him moan again. You were feeling something between your legs, and you couldn't tell if it was yours or his. "And just fuck me"

"That's what I intend to do" he whispers, still holding you by your thighs, leading you to his room, not caring about the mess he did along the way.

Your body falls graciously on his mattress, and he removes your black dress, throwing it somewhere inside his room. He removes his belt so quickly, like he really wanted this. You can see his cock inside his underpants, which makes you smile.

"Do you like the view, huh?" He provoked, sucking his fingers and making them touch your already wet pussy. "Is this all for me?"

"Shit" you moan louder when you feel his fingers circling around your pussy, tasting you. You sighed with pleasure, leaning back your head, biting your lower lip.

"Don't worry, we have all night" he whispers, his wet lips meeting your skin between kisses, making your body joint and shiver.

You feel him sucking and licking your left niple, his hand holding your other breast while his other hand was still circling slowly your clit. Your moans were so loud, so pornographic that you knew his neighbor would here your scandal. But God have mercy, he was very talented with his hands.

And then, without any warnings, you finally feel him inside, slowly sliding between your legs. You groan, letting him know you needed time to adjust to his size. Your nails found their way into his skin, leaving scratches that would take time to heal — a reminder about this night.

When you feel comfortable enough with him, you nod slightly, and he starts to move between your legs, penetrating you so softly and yet so caring. His eyes observe you, sometimes his lips meeting yours in a smooth kiss, and sometimes moaning in your ear.

You follow his pace, and when you notice, he's moving faster inside you. One of his hands holding yours so tight that it's almost impossible to escape his grip — which you don't intend to do. You wouldn't mind be his bitch for a night.

"You're taking me so well" he moans again, leaving marks on your breasts and smiling as his hips hit yours harder.

"Oh, fuck..." you moan again, biting your lower lip and closing your eyes, already feeling a wave of pleasure running through your body.

"Oh, be a good girl for me" he teases, his free hand circling your clit again, making your body joint.

And he kept teasing you for a very long time. Each time you were close to orgasm, he stopped what he was doing to make you beg for him and your pleas were almost insignificant to him, despite the fact that he was enjoying seeing you beg to cum.

"Please, let me cum" you begged again after the fifth time he denied your orgasm. You were almost crying at this point, unable to hold the ache in your pussy. "I need you, please"

"Such a baby girl begging for me" he said, smiling and starting to circle you clit again, making you whine. "I'll let you cum if you take me in your mouth right now"

He stood up on the edge of his bed and you crawled into him, opening your mouth to put his cock inside, sucking him while your hands massaged his balls. You can hear him moan, grabbing your hair to force you to keep sucking him. You started to tear up, gasping while his cock was inside your mouth.

He didn't care.

You kept sucking him until he released his cum inside your mouth and he didn't had to say anything. You swallowed him, like the good girl you were. And with his smile of approval, you knew you earned your time. He made you lay back in his bed and started to suck your clit, tasting yourself in his mouth.

"So good" he said, holding your thighs against his shoulders, sucking you, licking your wet pussy.

"S-shit" you moan again, holding his sheets with violence, wanting desperately to cum on him. Your moans get higher and again, you started to feel the warm pleasure in your body.

"Cum for me, baby" he orders smoothly again, giving the attention you required, his tongue doing such a great work on you.

Finally, with his approval, you had the liberty to release yourself. You felt something hot coming out of you at the same time that your body reached the peek and you finally had the orgasm of your life. You had to control yourself, your body almost collapsing while his mouth was still between your thighs.

And after you had your orgasm, releasing your cum on him, he smiled at you, licking his lips to savor you and then crawling his way to your side on his bed.

"You're okay?" He asks, going to his bathroom to grab paper to help you clean yourself. "I hope I wasn't that hard"

"You kidding me?" You ask him, cleaning yourself from the mess he did. "You were great, I'm impressed"

The moonlight cast a soft glow through the curtains, filling the room with a gentle, silver light. Leon and you were laying side by side on the cozy, disheveled sheets, your breathing slowly returning to normal.

Leon turned toward you, his eyes filled with tenderness as he reached out to stroke your hair, his touch feather-light.

"Are you okay, really?" he whispered, his voice filled with concern.

You smiled, your eyes shining with a mixture of contentment and affection.

"I'm more than okay. That was... amazing." You said honestly to him. And it was entirely true; despite his age, he was the best sex you ever had.

Leon's smile mirrored yours as he continued to run his fingers through your hair, tracing soothing patterns along your back.

"I'm so glad to hear that," he said. "But I want to make sure you're comfortable. Is there anything you need right now?" He asks, sounding curious and kind. You felt he came from a fairytale. He was too good to be real.

You thought for a moment, then shook your head.

"I just need you here with me, like this."

"I'm right here, and I'm not going anywhere," he promised. Leon leaned in and kissed your forehead gently, his lips warm and reassuring.

You two lay together in comfortable silence, basking in the afterglow of their intimate moment. Leon's caring touch and reassuring presence were all the aftercare you needed, a reminder that your connection ran deeper than the physical. As you both drifted off to sleep in each other's arms, you knew that this bond was something truly special, despite the fact that you both also knew it wouldn't happen again.

As the first rays of morning sunlight filtered through the curtains, you groaned and slowly opened your eyes. The unfamiliar surroundings of Leon's apartment briefly disoriented you until the events of the previous night came flooding back into your memory. You'd met him at the party you went with your best friend, and one thing had led to another. Now, you were here, alone in his apartment.

With a groggy sigh, you pushed yourself into a sitting position, rubbing your temples to soothe the pounding headache. Your mouth felt like a desert, a testament to the amount of alcohol you'd consumed the night before. Your bleary eyes scanned the room, searching for any sign of Leon.

A folded piece of paper on the coffee table caught your attention. You reached for it, your fingers trembling slightly, and unfolded the note. Leon's neat handwriting greeted you:

"Hey, stranger. I hope you slept well. I had to head to work early, but I didn't want to wake you. There's coffee brewing in the kitchen to help with your hangover, and I left some pain relievers on the counter. Make yourself at home. There's my number if you need anything. Leon"

You couldn't help but smile. Despite the awkwardness of waking up in a stranger's apartment, Leon's thoughtfulness warmed your heart. You stumbled out of bed and followed the scent of freshly brewed coffee to the kitchen.

As you sipped the steaming cup of coffee, the pounding in your head began to subside. The pain relievers helped, too. You glanced at your phone and gasped when you saw the time. You were so late for your college classes.

With newfound energy, you left your phone number on his desk and rushed back to the bedroom, desperately searching for your scattered clothes. You managed to piece together an outfit from the items you found strewn across the floor. It was far from your usual put-together look, but it would have to do.

Once dressed, you scribbled a quick note of thanks to Leon and left it on the kitchen counter. You grabbed your bag and dashed out of his apartment, promising yourself you'd explain everything when you saw him again.

As you hurried to catch a bus to your college, you couldn't help but reflect on the unexpected turn of events. Meeting Leon had been a whirlwind, and while your head still throbbed with the remnants of a hangover, you couldn't deny the spark of excitement and curiosity that had ignited between the two of you.

As you ran down the hall, your heart raced with anxiety. You knew you were late for your history class, but your unexpected encounter the night before had left you disoriented and sleep-deprived. With your disheveled hair and the remnants of last night's makeup still on your face, you approached the classroom door. The chattering of your fellow students stopped abruptly when you entered.

The professor, his back turned to the door, continued writing on the chalkboard. You sighed with relief, hoping you hadn't disrupted the class too much. You scanned the room, searching for an empty seat. Most of your fellow students had already found their places, and the only available desk was in the front row.

You tiptoed down the aisle, trying to make as little noise as possible, and took a seat at the front. The professor turned around, ready to begin his lecture. When your eyes met, your heart dropped into your stomach. It was Leon, the man you had met at the college party the night before, the one you had shared an unforgettable night with.

"Fuck" you muttered in surprise, your face going red like a tomato.

Leon's expression changed from one of stern concentration to one of recognition and shock. You felt your face flush with embarrassment as you realized that he was your history professor. The sounds of your obscenes moans echoed inside your head. You wanted to evaporate.

"Good morning, miss" he said, his voice tinged with surprise, but trying to sound polite. "I didn't expect to see you here."

"I...I didn't realize this was your class," you stammered, your cheeks burning with embarrassment.

The rest of the class watched the exchange with keen interest. You could feel their curious eyes on you. Leon cleared his throat and attempted to regain his composure.

"Well, since you're here, you might as well stay," he said, attempting to sound professional despite the awkwardness of the situation. "We'll discuss your tardiness later. Now, let's begin our lesson on the American Revolution."

As the class continued, you tried your best to focus on the lecture, but your mind kept wandering back to the night you had spent with him. It was going to be a long semester, filled with more than just history lessons.

At the end of his class, you were so nervous that you felt you could explode right there. Leon hesitated as he watched you from across his desk, where he had papers and books strewn haphazardly. Your presence filled the room with an electric tension, one he couldn't deny any longer. You were his student, and you both knew the boundaries you both had crossed were dangerous. And when everyone left his room, you stood up to leave as well, until you heard his voice.

"Sit down," he said, his voice trembling slightly as he gestured to the chair in front of him. You took a seat, your eyes locking onto his, searching for answers.

You never felt this nervous before. You were shaking, and your palms were sweating cold. You wanted to disappear forever.

"We need to talk about last night," Leon began, his gaze never leaving yours. "What happened between us was a mistake, and I shouldn't have allowed it to happen."

Your lips quivered, but you remained silent.

"I'm your professor, and you're my student. It's against the rules, and it's unethical. I can't let this continue." Leon continued, his voice softer but resolute.

You looked down, your fingers nervously playing with the edge of your notebook.

"I know, Leon," you finally replied, your voice barely above a whisper. "But I can't deny that I felt something for you. It's more than just physical attraction."

Leon's heart ached at her words, his inner struggle evident. God, this was so wrong, and yet, his mind was a battle over what was right and what was wrong. He couldn't deny he felt something for you too — something he thought he would never feel again.

"You don't understand, I like you too," he admitted, his voice barely above a whisper. "But I also care about your future, and I can't jeopardize it."

You raised your eyes to meet his once more, tears glistening.

"What are we going to do, then?" You asked, feeling sad and, somehow, pathetic. You met him the night before, then why were you feeling like this?

Leon sighed, his resolve crumbling.

"I don't know" he confessed, his voice filled with regret. "But we need to find a way to move past this and focus on your education."

Your eyes locked in a shared moment of vulnerability, the unspoken desire still simmering beneath the surface. Leon had tried to convince you it was wrong, but his feelings for you were undeniable. The battle between his heart and his principles had only just begun.

"I think it's for the best if we keep this as it should be. I don't want to risk anything" Leon said, his voice sounding sad for a moment. "And I'm sorry, but we can't see each other like that again"

You nod and then leave his class. You made your way back to your apartment, wanting a shower, because you felt you could drown yourself in the water and forget everything that happened. He was your professor. You knew it was wrong, but for God's sake, why him? Why did he have to take you to heaven and then throw cold water on your head?

"What the hell happened?" You heard Chloe ask as soon as you enter your apartment. You completely forgot about her.

"I met someone last night" you explained, avoiding details. You were still feeling the effects of the hungover.

"Really? I bet it was good... you didn't even come back home, you naughty girl" Chloe teases you, laughing. "Have you heard about the new history professor? He's really hot"

"Yeah, I got late for his class" you sighed, laying on your bed with Chloe right behind you, excited about the new professor. If she only knew...

"No shit? Lucky you, he's cool. I've heard he was at the party last night and left with someone. I wish I was that lucky" Chloe kept saying, sitting on the small armchair in your room.

"And they saw who this person was?" You asked in panic, suddenly glancing at your best friend, which you regretted immediately.

"No fucking way... it was you!" Chloe almost screams, surprised and then, throwing a pillow on your face. "I can't believe you were banging the new professor!"

"In my defense, I didn't know!" You said, defending yourself. Deep down, Chloe didn't care. She wanted to see you happy. "I found out this morning... but it's okay. He doesn't want to see me"

"Too bad for him. You're too much for him, anyway" Chloe smirks, being the supportive friend you needed.

Chloe always had the ability to make you feel better with few words. You were really thankful for having her; so, you decided to do what he wanted. For the next few weeks, you watched his classes and noticed that, sometimes, he was glancing at you.

How could you both forget that night?

It was almost impossible. He made you feel so fucking good and you wanted so bad to be with him again. You even fantasized having him fucking you all over again, making you completely his. God, this was very hard. They've always said you will always want more intensely what you can't have, and they are so right about that.

And then, after one month since that party, Leon couldn't avoid that anymore.

He felt the urgency to talk to you, to smell your perfume or see your smile. He was going insane for not having you the way he did that day. Why was he feeling like that? He couldn't tell. But it felt good.

"May I have a word with you after class? It's about your essay" Leon says, closer to you and sounding very professional.

"Yes, Mr. Kennedy" You nod your head, already feeling your heart skipping a few beats and your body shaking again.

That was it.

After class, you remained sitting, waiting for your colleagues to leave his room. He avoided your eyes until there were just the two of you. Your breath was heavy, and instantly, you were feeling the heat on your body.

"What is it you want to talk with me?" You ask him, breathing nervously.

Leon gets closer to you, enough to make your body shiver. You look at his blue eyes and the image of him fucking you plays in your head like a movie.

"I shouldn't do this..." he whispers, his breath reaching your face smoothly. "But to be honest, I don't give a shit about morality anymore"

And then, he finally kissed you like he meant that.

It was everything you needed to know. He wanted you, and you wanted him. This could end bad for both of you, but you didn't care. You were weak, and he was weak as well. And right now, he wanted you more than anything.

[pinkpigtailsprincess]

𝜗𝜚 ݁ ˖ Summer Glow up: creating new habits 🎀⭐️ *࿐ ࿔*:･ﾟ!

Hi Dolls!! Welcome Back 2 Dollies 2 Months of Summer Glow Up !! 🎀⭐️ Today im gonna talk all about implementing brand new habits in my life !!

> Hobbies !! 🎀

> Academics !! 📒

> Beauty Care !! 🧖‍♀️

> Scheduling !! ☀️

> Taking Baby Steps !! 🛼

❤︎ ໋𓈒 Hobbies!! 🎀

…: This Summer I Plan on Taking up Some brand New Hobbies to keep my self busy and learn about brand new things bc everyday is useful!! and so i can use my time more wisely some hobbies i have in mind are…

- Yoga

- Painting

- Creative Writing

- Learning Japanese + Spanish

- Reading

- Puzzles!

- Blogging

- Learning To Code

- Doll Collecting

- Book Collecting

- Sewing + Crocheting

- Digital Art

- Piano

and obvii im already a blogger but i still added it anyways i will watching videos on how to get into these hobbies and videos on learning Spanish and more Japanese, also fun fact i’ve actually been studying Japanese sine 2021 but i stopped bc it got to hard but im starting back up!! anyways, after i watch the videos im gonna set up a financial list bc i have the fund all of these but its okay bc i can easily get money!! 🎀

❤︎ ໋𓈒 Academics !! 🎀

More Goals of mine are to raise my grades in an academic space bc i do have decent grades but i wanna aim higher and have PERFECT Grades so in turn that means i must study more and have more discipline and not so irresponsible with my time!! and i also wanna study subjects outside of school bc its always good to learn something new!! now for learning tips so far i have..

- Flash Cards

- Practice Methods

- Teaching Someone Else

- Trying to explain it to a 5 yr old

- Study a Week Before

- watch ted talks on topics

- SLEEP

- write out notes

Now i Also Have a list of subjects i want to learn about!!

- drawing facial expressions + bodies

- Sewing Stiches + How to Hem and Crochet

- How 2 Draw Bodies + Poses

- Full Anatomy 4 Both Genders

- Japanese + Spanish + French + ASL

- Color Theory

- Learning Cursive + Improving Handwriting

- Expanding Vocabulary

- Religious Cults

- Case and Law

- Poison and Toxicology

- Astronomy

- Medical Surgical Instruments

- Matriarchal Societies

- Socialism Societies

Now i definitely won’t be able to do all of this all at once bc it would definitely we too stressful so im gonna choose as least 2-3 to start with and study them and just learn! 🎀🧁

❤︎ ໋𓈒 Beauty Care !! 🐬

📧: Now I already have my regular beauty care regime skin,hair,eyebrows,eyelashes etc. but im also more focused on getting weekly treatments & weekly beauty care habits like…

- Nails

- Hair

- Eyelashes

- Face Mask

- Hand + Foot Mask

And i wanna try and find people in my city that can do this especially for nails bc i would go to the nail salon but i feel like they won’t be able to do it exactly how i want it to be !!!

❤︎ ໋𓈒 Scheduling !! ⭐️

Now That im gonna be so busy i need to make sure i also stay organized with my time so it doesn’t lead to stress so ill have my regular school classes on my regular schedule then making dedicated hours to studying Things i wanna learn about + Language Learning!

My Workouts are always early morning before school in the evening hours before i got to bed so i won’t have to worry about that affecting my academics. With my Hobbies i feel like only some of them really need scheduling so ill also make time dedicated to those as well !!!!

Beauty Maintenance will probably always be on weekends for the stuff that weekly/bi weekly like face masks,manipedis,hair etc!!

and last but definitely not least!!

❤︎ ໋𓈒 Taking Baby Steps !! ⭐️

This whole process is still all new too me so i’ll definitely only be doing a little at a time and working my way up and i get more familiar with the change in my daily life and i won’t pressure my self to complete everything extremely quickly and just take my time with everything! bye bye dolls tysm 4 keeping up with me while doing this kisses 4 all of u!!! 🎀⭐️

[raointean]

Silmarillion Survey Essay!

My essay was due last night (submitted it with 6 minutes to spare!) and my professor said I could post it to Tumblr if I wanted to. It's divided into four sections, all marked. The first section is the introduction where I explain the point of the survey, who I studied, and why. The second section is the methods I used to design the survey, get answers, record answers, and control for variables. The third section is results, where I highlight several of the questions I thought would be most stratifying and explain what I actually found (it has graphs!). The fourth section is the discussion where I talk about what I found and what conclusions I drew from that.

I'd love to hear all of your thoughts on the results and my conclusions!

Introduction

            For this project, I looked into age (and length of time in fandom, in one case) affected knowledge and attitudes about fandom language. I investigated several terms and phrases, both from fandom at large and from the Silmarillion fandom specifically. The group I studied was the fandom of The Silmarillion on Tumblr because I am intimately familiar with that internet space (and could therefore phrase the questions in a way that would be understood) and because the majority of Archiveofourown.org (a popular fanfiction website) users are also Tumblr users.

            For the purposes of this paper, I am defining the Silmarillion fandom as a community of practice. The Wenger-Trayner article, “Communities of practice a brief introduction”, defines a community of practice as an entity with three parts: domain, community, and practice. The domain is “an identity defined by a shared domain of interest” (Wenger-Trayner 2). The domain in this case is The Silmarillion. As The Silmarillion is a history book set in a fictional universe, it is incredibly dry at times (there is an entire chapter titled “Of Beleriand and its Realms” which deals mostly with geography) so anyone who reads it by choice is necessarily interested in the work. The second part, community, is made up of “members [that] engage in joint activities and discussions, help each other, and share information” (Wenger-Trayner 2). Most fandoms engage in discourse/discussion, create transformative art (mostly written or visual, but I have seen musical as well) and exchange craft advice to better each other’s creative work, but due to the almost academic nature of the Silmarillion fandom, we exchange background lore knowledge, additions to Tolkien’s conlangs, translations, timelines, and character sheets in addition to the regular fandom activities. Finally, the Silmarillion fandom also has a shared practice, defined as “They develop a shared repertoire of resources: experiences, stories, tools, ways of addressing recurring problems—in short a shared practice” (Wenger-Trayner 2). As mentioned above, the Silmarillion fandom has shared resources (such as tolkiengateway.net, Nerd of the Rings on YouTube, as well as several established “fandom elders” who are happy to answer questions), stories, established characterizations for “only-mentioned-once-in-a-footnote” type characters, settled linguistic debates, and several research-oriented blogs (such as two of my own) that record niche or new knowledge about either Tolkien’s work or the fandom itself. Almost all of the above (with the possible exception of the website and the youtuber previously mentioned) is unpaid hobby work.

            When doing this survey, I expected to find a rather steep difference between older and younger members of fandom regarding their knowledge of fandom terminology. I expected the 18-25 age group to be the most knowledgeable of fandom terms with the under 18 group to be only slightly behind them and the 26-30 group a slightly further way behind the under 18 group. For the groups over 30, I anticipated that the rate of knowledge would sharply decline and that older fans would be unfamiliar with fandom terminology for the most part. I was… incorrect.

Methods

            There are eight questions highlighted in this paper. The first chart (Figure 1.) is the total percentage of answers that amounted to “I don’t know”, filtered by age. The first table (Figure 2.) looks at the people who did not know the term “Isekai” based on whether or not they were native speakers of English or live in Asia (given that “Isekai” is a Japanese word). The second table (Figure 3.) compares the percentage of people who mentioned that the word “angst” is also present in everyday German, categorized by German speakers and non-German speakers. The third table (Figure 4.) examines attitudes towards the anti/pro-ship terms based on age. The second chart (Figure 5.) examines attitudes towards the term “omegaverse” separated by age. The fourth table (Figure 6.) compares groups of people who could define the difference between “peredhel” and “peredhil”, separated by how long they have participated in the fandom surrounding the Silmarillion fandom. The third chart (Figure 7a.) looks at people who understand the phrase “Fëanor did nothing wrong” as a joke, filtered by age. Finally, the fourth chart (Figure 7b.) shows the percentage of people who used the phrase “tongue-in-cheek” in the 31-40 group as opposed to other age groups (that one was not explicitly asked for in the survey; I simply noticed a steep trend while dissecting the results from the “Fëanor did nothing wrong” question).

            I compiled all of these questions (along with several others) in a google form as a three-part survey. The first part was comprised of basic demographic questions, the second of general fandom terms and phrases, and the third of terms and phrases specific to fanfiction of The Silmarillion. The 418 responses were recorded and examined in Google sheets, which I used to filter the demographic information for ease of synthetization.

            The group I examined was people who participate in the Silmarillion fandom on Tumblr. I chose this group because I am familiar with them, because they are the most likely to be aware of these terms (due to the large overlap between Tumblr and Archive Of Our Own), and because fandom language is (to the best of my knowledge) not well studied. I was able to isolate this group by only posting the survey to Tumblr itself. Tumblr posts are only viewable to Tumblr users, so even if someone were to post a link to the post elsewhere, the only people able to access the survey would be Tumblr users. I further attempted to control by including several fandom related and The Silmarillion-specific questions in the demographic portion of the survey. Anyone who completed the demographic portion would have been well aware of the nature of the survey by the end, regardless of how poorly they understood the original survey posting. These measures, of course, did not stop everyone. I had a few respondents who submitted only the demographic portion or the demographic and general fandom portions. Luckily, due to the Google Sheets functions, such responses were relatively easy to filter out.

Results

(Figure 1. A chart observing, out of all 16,065 answers, how many equate to “I don’t know?” Under 18: 14.24%, 18-25: 5.9%, 26-30: 7.43%, 31-40: 9.17%, 41-50: 13.63%, 51-60: 7.3%, 61-70: 9.7%)

(Figure 2. A table comparing different categories of people and what percentage of them are unfamiliar with the term “Isekai”; a Japanese term which is most commonly defined as “a trope in which a character somehow travels from the mundane ‘real’ universe into a fictional one.” 23.08% of native English speakers are unfamiliar with the term. 27.07% of non-native English speakers are unfamiliar with the term. 20% of respondents who live in Asia are unfamiliar with the term.)

(Figure 3. A table comparing different categories who mention that “Angst” (defined in fandom context as “dramatic, serious, and sometimes dark”) is an everyday word in German. 12.73% of German speakers mentioned it. 1.38% of people who either do not speak German, or did not mention it in their language background, mentioned it.)

(Figure 4. A table comparing the attitudes of different age groups to the terms “anti-ship” and “pro-ship”. These terms are hotly debated in fandom. Those on the anti side of the debate define anti-ship as “being morally against abuse and pedophilia,” and pro-ship as “excusing abuse and pedophilia in fandom.” Those on the pro side of the debate define anti-ship as “puritanical and chronically online people who can’t separate reality and fiction” and pro-ship as “letting people ship whatever they want and separating reality from fiction.” Those under 18 are 4% anti, 4% pro, and 92% neutral. Those from 18-25 are 2.44% anti, 29.27% pro, and 68.29% neutral. Those from 26-30 are 0% anti, 33.67% pro, and 66.33% neutral. Those from 31-40 are 2.2% anti, 26.37% pro, and 71.43% neutral. Those from 41-50 are 0% anti, 46.15% pro, and 53.85% neutral. Those from 51-60 are 12.5% anti, 37.5% anti, and 50% neutral. Those from 61-70 are 0% anti, 50% pro, and 50% neutral (although, admittedly, there are only two respondents in that group.))

(Figure 5. A chart that shows the rate at which respondents cringed (using phrases such as “please don’t make me define this,” “oh god,” and “Nuh uh. Sorry man. Sweet baby rays good lord.”*) within their responses while defining “Omegaverse” (an erotica subgenre within fandom based on outdated wolfpack dynamics. Very popular, but also very taboo). Under 18: 16%, 18-25: 6.71% 26-30: 7.07%, 31-40: 6.45%, 41-50: 12%, 51-60: 12.5%)

*All real responses I received

(Figure 6: A chart exploring the differences between who can correctly identify the difference between the terms “peredhel” (half-elf, singular) and “peredhil” (half-elves, plural) based on how long they have been in the fandom. Those who have been in the fandom for less than a year are 31.71% correct and 14.63% incorrect. Those who have been in the fandom for 1-2 years are 71.67% correct and 10% incorrect. Those who have been in the fandom for 3-4 years are 74.44% correct and 7.78% incorrect. Those who have been in the fandom for 5-9 years are 65.93% correct and 9.89% incorrect. Those who have been in the fandom for 10-14 years are 73.85% correct and 12.31% incorrect. Those who have been in the fandom for 15-19 years are 76.92% correct and 11.59% incorrect. Those who have been in the fandom for 20-24 years are 69.57% correct and 13.04% incorrect. Those who have been in the fandom for 25-29 years are 100% correct and 0% incorrect. Those who have been in the fandom for 30-34 years are 75% correct and 0% incorrect. Those who have been in the fandom for 35-39 years are 100% correct and 0% incorrect.)

(Figure 7a. A chart observing who sees the phrase “Fëanor did nothing wrong as ironic” divided by age. Under 18: 23.53%, 18-25: 35.77%, 26-30: 36.9%, 31-40: 42.67%, 41-50: 22.22%, 51-60: 37.5%)

(Figure 7b. A chart observing the percentages of age groups who used the phrase “tongue-in-cheek” while answering the above question. 18-25: 1.84%, 26-30: 2.04%, 31-40: 9.78)

Discussion

            Observing these results, I can see that, while there is some level of stratification by age and length of time spent in the fandom, it is not nearly as dramatic as I had expected it to be. These results strongly demonstrate the power of communities of practice. These people, across ages and continents, communicate so often and so deeply, that nearly all terms are understood to the same degree by everyone, and nearly everyone has similar stances on divisive pan-fandom debates.

            Were I to do this study again, or a similar study in the future, I would probably narrow the purview by a lot. I would ask fewer questions (or at least, only ask questions of a single type), compare them against only one demographic question, and sincerely consider making them multiple choice. That being said, I do not regret this survey having short answer questions. There were several definitions of several terms that I never could have come up with in a million years. Synthesizing the short answers may have taken more effort on my part, but I learned a lot about my fandom.

@proship-anti-discussion (ship debate was mentioned)

[ot3]

Hey! The link to your FAQ wasn't working for me so I don't know if this question has been asked before. I really appreciate your perspectives on AI art. Do you happen to have any resources that you read/listened to on intellectual property rights and the issues with it? I just don't really know where to start with it.

[heres where i cut out a big paragraph of me, once again, bitching about how blog pages don't work on the tumblr app and i think that's fucking stupid]

anyway i dont have any generalized sources on the subject but the tl;dr of it is: intellectual property rights exclusively benefit people who have the resources to pursue sustained litigation. 99% of the time, what IP law is being used for is to reinforce corporate ownership of work that was done by their employees.

the whole disco elysium debacle is a great case study.

The shareholders of ZA/UM accused the trio of, among other things, intending to steal intellectual property (IP) from the company — a curious accusation, considering that the world of the game is based off of a novel written by Kurvitz himself. The case of Disco Elysium illustrates the shortcomings of IP rights as protection for artists. Consequently, it contains a lot of lessons for the labor movement when it comes to the arts, and serves as a reminder that creative workers are, at the end of the day, workers. But this is not just an academic exercise. It’s a human story about the intimate consequences of capitalist exploitation. “I got my soul ripped out of me,” Kurvitz told me over Zoom in April of 2023. “I got my skull cracked open and my brain lifted out of it by a fifty-five-year-old financial criminal.”

another example: alex norris of webcomic name, which you will probably recognize when you see it, has been raising hundreds of thousands of dollars over the past several years to try and keep up with the protracted legal battle over maintaining ownership of his own work.

I have been fighting this case since 2019. It arose out of an agreement to make a boardgame based on my webcomic in 2017 but the publishing company has used this as an opportunity to take all of my intellectual property, and has even claimed ownership of Webcomic Name as a whole. I can't go into more detail here, but the details of the case are publicly available to read online.

Then, in a 2024 update:

I have essentially won the main case based on the decisions made last summer. The Judge has clearly stated that I own my comics, and that the other party has infringed on my copyright. It is not over yet, as there are still a few things that need to happen. Hopefully things will all be wrapped up this year. After 6 years of legal battling, I can’t wait to be free of all of this. Hopefully, this second case will backfire, and they will be sanctioned for filing it. But to get to that point requires a frustratingly large amount of work, time and money.

An interesting thing about both of these two specific instances is that they involve creators who had entire bodies of work produced around the specific IPs that were stolen from them before they even began partnering with corporate entities to produce works. which is insane! you can spend years writing novels, drawing comics, and if a company comes in with enough lawyers they can own those ideas.

this is pretty distinctly different to me than instances of work you do while being employed by a corporate entity being owned by that corporate entity, because at least you know what you're getting into there to some degree, but i still think that's bad too. consider stuff like the owl house and gravity falls, two disney shows made by people who very very clearly did not like working for disney. disney owns their ideas, their characters, their worlds, because that's the price you pay for having an animated show produced.

essentially it's very very clear upon even the slightest examination that intellectual property in no way exists to codify who the creator responsible for specific creative concepts or works is. it exists to turn nebulous things like 'ideas' into market commodities, and to funnel the profits made by the labor of individual artists and writers into corporate bank accounts.

the only person who has ever really benefited from IP law as an individual trying to lay claim to their own work is ken penders, who notoriously won his suit to have ownership of characters and storylines he created. heartbreaking: Worst Person You Know Gets An Unequivocally Deserved Legal W.

The comics continued under Flynn’s direction as if nothing happened, but things started looking grim in late 2012, when Archie suddenly fired its entire legal team. The company had been unable to produce Penders’ work-for-hire contract, which would have given control of his creations to Sega. Penders claimed the contract had never existed. A heavily circulated Tumblr post outlining the case (which has been corroborated as a reliable source by Penders) explains that while Archie did provide a photocopy of a contract allegedly signed by Penders in 1996, Penders claimed that the document was a forgery. That it was neither an original copy nor a contract from the beginning of the writer’s tenure at Archie meant that its validity was questionable. Making things worse, Archie couldn’t produce an original copy of any previous contributor’s contract, meaning that any writer or artist who had worked on the Archie Sonic line could potentially follow in Penders’s footsteps and reclaim their work. “So are you saying prior counsel blew it?” the presiding judge asked Archie counsel Joshua Paul in a May 2013 court session. His reply was unequivocal: “Absolutely, your Honor.”

So yeah. Owning the work you do as an artist is only something that happens when the people trying to profit off of it show unprecedented and staggering level of incompetence in their legal teams.

Then, alongside not owning the concepts and ideas you produce while working with corporate entities, there's the issue of NDA regarding specific pieces you've produced. This causes a LOT of trouble for freelance illustrators/character designers/concept artists, etc. Looking for work is very hard when the past three years of pieces you've drawn can't be added to your portfolio. Some people have password protected pages on their portfolios that they use for NDA work, but I believe the right to do this varies depending on your contract. I'm not 100% sure. In cases where the project you worked on eventually comes out, that's one thing, but there will be instances where the entire project gets canned after all the work is done, but is still under NDA so essentially all of your work has been taken from you, crumpled up into a ball by a studio executive, thrown in the trash can, and legally you are not allowed to go pick it out of the bin and try and flatten it out again.

This has all been pretty art-focused because that's the kind of circles I run in and where a lot of my interests lie but the truth is none of this is even remotely close to as evil IP law gets. I've saved the most egregious for last: The Lakota Language Consortium

The Lakota Language Consortium had promised to preserve the tribe’s native language and had spent years gathering recordings of elders, including Taken Alive’s grandmother, to create a new, standardized Lakota dictionary and textbooks.  But when Taken Alive, 35, asked for copies, he was shocked to learn that the consortium, run by a white man, had copyrighted the language materials, which were based on generations of Lakota tradition. The traditional knowledge gathered from the tribe was now being sold back to it in the form of textbooks.

When you're in defense of IP law, this is what you're siding with. This is the rational endpoint of IP and it is neither a fluke nor an example of the concept being twisted against its original design. Art, culture, language, it belongs to whoever is most capable of turning it into a product. The economic incentives of producing and distributing arts and culture demand this is how things be.

Meya says his work is a vital tool in preserving the Lakota language, which did not previously have a standardized written form. He estimated that there are fewer than 1,500 fluent Lakota speakers left and that over the last decade and a half, the organization has helped add 50 to 100 more. “Just because money is involved in it does not inherently make it an evil thing,” Meya said in a recent interview with NBC News. Most of the products his organizations make are free, he said, but the cost of printing textbooks has to come from somewhere. “That tends to be sometimes part of the rhetoric, ‘Oh, there’s money involved. It must be, you know, part of the overall colonization effort.’ Well, you know, that’s just not realistic.”

Artists looking to force their way into the class of people who gets protected by these laws are not looking out for their community. They are not protecting anything but their own perceived financial interests. Intellectual property will never, ever benefit the most marginalized members of creative communities and anyone who tries to convince you otherwise is huffing some serious copium.

Frankly, I don't believe anyone can or should 'own' things like Ideas or Specific Aesthetic Flairs. But even if you do believe in that, IP law isn't the framework for handling it.

[txttletale]

Your discussions on AI art have been really interesting and changed my mind on it quite a bit, so thank you for that! I don’t think I’m interested in using it, but I feel much less threatened by it in the same way. That being said, I was wondering, how you felt about AI generated creative writing: not, like AI writing in the context of garbage listicles or academic essays, but like, people who generate short stories and then submit them to contests. Do you think it’s the same sort of situation as AI art? Do you think there’s a difference in ChatGPT vs mid journey? Legitimate curiosity here! I don’t quite have an opinion on this in the same way, and I’ve seen v little from folks about creative writing in particular vs generated academic essays/articles

i think that ai generated writing is also indisputably writing but it is mostly really really fucking awful writing for the same reason that most ai art is not good art -- that the large training sets and low 'temperature' of commercially available/mass market models mean that anything produced will be the most generic version of itself. i also think that narrative writing is very very poorly suited to LLM generation because it generally requires very basic internal logic which LLMs are famously bad at (i imagine you'd have similar problems trying to create something visual like a comic that requires consistent character or location design rather than the singular images that AI art is mostly used for). i think it's going to be a very long time before we see anything good long-form from an LLM, especially because it's just not a priority for the people making them.

ultimately though i think you could absolutely do some really cool stuff with AI generated text if you had a tighter training set and let it get a bit wild with it. i've really enjoyed a lot of AI writing for being funny, especially when it was being done with tools like botnik that involve more human curation but still have the ability to completely blindside you with choices -- i unironically think the botnik collegehumour sketch is funnier than anything human-written on the channel. & i think that means it could reliably be used, with similar levels of curation, to make some stuff that feels alien, or unsettling, or etheral, or horrifying, because those are somewhat adjacent to the surreal humour i think it excels at. i could absolutely see it being used in workflows -- one of my friends told me recently, essentially, "if i'm stuck with writer's block, i ask chatgpt what should happen next, it gives me a horrible idea, and i immediately think 'that's shit, and i can do much better' and start writing again" -- which is both very funny but i think presents a great use case as a 'rubber duck'.

but yea i think that if there's anything good to be found in AI-written fiction or poetry it's not going to come from chatGPT specifically, it's going to come from some locally hosted GPT model trained on a curated set of influences -- and will have to either be kind of incoherent or heavily curated into coherence.

that said the submission of AI-written stories to short story mags & such fucking blows -- not because it's "not writing" but because it's just bad writing that's very very easy to produce (as in, 'just tell chatGPT 'write a short story'-easy) -- which ofc isn't bad in and of itself but means that the already existing phenomenon of people cynically submitting awful garbage to literary mags that doesn't even meet the submission guidelines has been magnified immensely and editors are finding it hard to keep up. i think part of believing that generative writing and art are legitimate mediums is also believing they are and should be treated as though they are separate mediums -- i don't think that there's no skill in these disciplines (like, if someone managed to make writing with chatGPT that wasnt unreadably bad, i would be very fucking impressed!) but they're deeply different skills to the traditional artforms and so imo should be in general judged, presented, published etc. separately.

[hms-no-fun]

What's your opinion on the new HS^2 update? I'm really excited it's back but I'm a little worried. Like, the fandom has had a real problem with pretending all the horrible shit that caused it to end in the first place never happened. Is this just gonna sweep that under the rug even more? Is James Roach heading the project because he's less "problematic"? I love James roach and I'm sure he'll do great but what about all the transphobia? I just hope they finally fulfill the Toblerone Prophesy and make June Egbert cannon.

short version is, i'm cautiously optimistic! but this is a loaded question you've given me on a lot of fronts, so i'm gonna try to take it piece by piece.

to start with, the sudden revival of Homestuck^2 (now minus the squared) took me by surprise because to my knowledge, it was entirely dead in the water. my involvement with anything Official ended at Pesterquest, and pretty much the entire post-canon crew i was friends with in 2019-20 has moved on to greener pastures. i share a similar sentiment with @pochapal in that i would have put money on hs2 staying dead forever. i have, quite frankly, dreaded the inevitable day when official Homestuck media would resume production, because the fandom at large seems quite eager to sweep the ceaseless harassment and transphobia that ended hs2 under the rug and pretend that it just, like you said... never happened. when that california cafe used older Pesterquest-like character designs that omitted short chubby Terezi and black-coded Roxy, however well-intentioned and ultimately harmless that was, it felt like a sign of things to come. that, as you fear, the sharper & more personal queerness that we tried to bring to this series would be erased, in favor of something meant to simultaneously appease both tenderqueers and redditors, two sects of the fandom most responsible for the aforementioned harassment.

luckily, that really doesn't seem to be the case!

to your worry that James Roach was made director because he's "less problematic," i'll just say that's entirely the wrong way to look at it. it's not like WP (such that it even still exists) were cruising to get HS2 back up and running. by all accounts, James is the only reason it's happening again in the first place. i can't stress enough just how small an operation this Homestuck business actually is (or, at least, was when i was involved). this is not a Huge Corporation making cynical cash grab decisions. this is someone who cares about the material pushing to get something made where otherwise there would be nothing. check the new About page, where the principles of the so-called Homestuck Independent Creative Union are laid out in plain terms. this is something the original hs2 team fought for, so for this new version to start from there as square one is huge and a good sign of the possible longevity of the project.

next, let's talk about the question of this new team erasing the legacy of the old one. Kate Mitchell is on the record that she was reached out to about this new hs2, approved it, and declined to be involved. i don't know if the other writers were reached out to, but i have no reason to believe they weren't. this is a tremendously important gesture of good faith and goes a long way towards easing some of these worries.

but let's look at the composition of the team itself. do you remember The Perfectly Generic Podcast? originally hosted by future hs2 writer Kate, pgen became a flashpoint for community discourse, often opening doors between official homestuck and homestuck fandom. what made that show special was that, rather than relying on the imo tired genre of the liveread, pgen focused on a different topic each episode and explored it with one or two qualified guests. Kate's goal with the show was to encourage a more adult and quasi-academic discussion of homestuck, of its successes and its failures. if you weren't there, the weight i'm putting on pgen might seem overblown (not least because you can't find it anywhere anymore except on the internet archive). but it's not! when they decisively criticized the wild contents of the Skaianet debacle in episode 19, Andrew listened and worked to bring a more diverse group of creators into the fold. in the months after the Epilogues were released, Andrew issued a statement through pgen on episode 52 about how the Epilogues are meant to create bridges and offramps for the post-canon fandom. it's an essential piece for understanding the epilogues and their relationship to fanworks! that it wasn't included as the author's introduction to the Epilogues in the book version remains to my mind an astonishing oversight, but whatever. point is, pgen mattered to the folks in charge.

so let's look again at the writing staff of this new crew. James Roach first guested on pgen in episode 7, and would go on to be a regular. Haven, who did the Vriska and Roxy sprites in Pesterquest (and probably more stuff i don't remember), guested in episodes 81 and 87. Miles guested on episode 87 as well (unless it's a different Miles, i'm not familiar with their work and ugh this damnable linkrot). Floral, creator of one of my favorite hs fanworks & huge godfeels influence Liminal Space, first guested on pgen in episode 47, and would go on to be a regular (including once during my tenure as host to talk about Jade). on the technical staff side, Kohi built the hs2 website and has remained a backend mainstay both on the WP side and on Vast Error.

all of which is to say, if you were looking for a crew to cynically erase the past and appease the haters, these probably aren't the folks that'd be at the top of your list. of course, if you *really* wanted to cynically erase the past and appease the haters, you wouldn't bother reviving hs2 in the first place!

and that's the crux of the matter here. what cash is there to grab? what clout could possibly be chased? i struggle to think of a decision less obviously profitable and popular than continuing hs2 with a new crew right where it left off. i have to believe this is happening because the people involved want to make it.

so, yeah, i'm cautiously optimistic. i like this crew, i like the contents of the first upd8, and i'm glad as hell it's not a reboot! i'm grateful that by reviving hs2, the hs:bc crew have instantly yanked the epilogues & the post-canon project back into relevance in the broader community. and i always liked hs2 a lot! i was excited to see where they were going! i'm really looking forward to seeing more YIFFY!!!!!

but the thing is, this won't be the hs2 i wanted. i know that, and i'm not expecting it. my greatest hope for hs:bc, for this crew, is that they get the chance to take up the reins and drive this thing in whatever direction they feel most passionate about. if that winds up looking like the hs2 that was originally planned, great-- but more than anything, i want everyone on this team to feel just as empowered to leave a profound and personal mark on this series as the original team did, as i did working on Pesterquest. i hope the outline changes! i hope they take some really wild swings! i want to be surprised!! i want to be challenged!!!

above all, i want them to have the chance to pick a course, sail it, and see it through to the end regardless of what the public thinks. they deserve the chance that the original crew didn't get.

i have plenty of bitterness and cynicism in my heart over the events and circumstances of 2019-20, but as far as i'm concerned it has no place here today. i would never, ever wish the trauma and stress of that era on anyone. let the fandom at large react in whatever way it will, but i want things to be different this time. this is a second chance-- not just for hs2/hs:bc, but for all of us. even people who hate homestuck post-canon! this is an opportunity for everyone to choose to be better this time, and to push back when others might squander that opportunity. this team is not a group of celebrities, not an abstract fiction on the other side of the world, they are human beings who took a job. they've earned the opportunity to do that job, and they deserve to be treated with the respect and dignity that was so often absent a few years ago.

as to your last point, about june egbert and the toblerone. i've been saying for years that andrew's confirmation of june was less "the granting of a wish" than it was "a spoiler shared without input from the creative team." that there is any doubt about june's providence in hs2 can only be attributed to willful, aggressive ignorance on the part of people who refuse to engage with the written word in any way other than plodding literalism. the original team didn't unveil june ~immediately~ because they didn't think of june as a wish, they thought of her as a character in an ongoing story who needed time to develop naturally. i have never not felt entirely crazy about how thick everyone has been about this!

but will the new team make june canon? obviously i have no way of knowing for sure, but i'm gonna go out on a limb and say that probably the answer is "yes, when they're good and goddamned ready." just, please, for the love of god, don't go after every upd8 like "where's june? where's june? why hasn't june yet????" this was one of the worst results of the toblerone spoiler and it put INSANE pressure on the hs2 team. so just... just let this story be what it is. let this new team make the homestuck continuation they want to make.

and in the meantime, if you're really hungry for june... there's always godfeels :)

[opashoo]

staring so kindly at your sluglang post,, as someone working on a language as well this looks fantastic (and is also. super organized compared to mine BHAHAH) Any tips for putting together a language? Like resources on how to go about it, or notes? /genq

You are staring kindly... (thank you)

As for tips... Wikipedia is actually one of my biggest, most useful tools, because I love to read articles about grammatical concepts, and they will usually have a varaiety of examples of use if you can figure out how to parse the academic language. There are some core ideas that pop up all over the place crosslinguistically, like case marking or converbs, and you can get a lot from learning how other languages might parse the same idea, both how they handle the idea grammatically and what kind of metaphorical language might be involved; like how in Scottish Gaelic, to say you have something, you say it's 'at' you, or how it doesn't have an exact equivalent of English's infinitive, or how Mongolian has so many word endings that convey meaning, and a bunch of them are literally endings stacked on top of other endings.

There's also really good conlang youtubers, like David Peterson, the one who made Dothraki and other pop media conlangs, Artifexian, Biblaridion. They have videos on both interesting grammatical concepts that don't exist in english AND how to integrate them into conlangs. Davide Peterson especially has interesting videos on things like sound changes, vowel harmony, phonological concepts that can really help shape your language and bring a degree of naturalism if that's what you're looking for.

Etymology can be extremely informative though, and really help you to understand exactly how creative people have gotten with language over the past thousands of years. Etymonline is a great website for that. Did you know that the word "next" was originally literally "nearest"? Or that that the suffix "be-" was originally "by", so words like "before" actually meant "by the fore", and very often these meanings are metaphorically extended to the way we use them today. It's great for helping to develop very important words that can be structural to your language, so that you're not just trying to raw make up a new word with no basis every time.

Aside from that, there's no single source I go to for making conlangs. Everything is on a case by case basis. Something that has been really helpful for me is constantly writing example sentences and finding things to write about, because similar to translating existing texts, it forces me to reckon with the way my conlang works, figure out how to convey certain ideas (or whether or not the language can convey the idea at all).

Usually I'll have a few languages that I keep in mind for inspiration for any given project and if I'm stumped or need an idea, I'll actually look up learning resources for those languages. My slugcat language has had me looking up a lot of "How to say..." in Korean, Arabic, Japanese Filipino, a little bit of Indonesian? Some Russian for verb stuff. Once I find resources, I spend a bit of time dissecting how it works in those languages and figure out how that can fit in the existing framework of my own project, or if it's something I'd even want in the project at all.

Once I have an idea, I'll just start iterating on it, usually on paper, basically brainstorming how the sentence structure and sounds might work until I find something that is both sonically satisfying and logically sound within the existing framework. If I'm feeling extra spicy, I might try to consider how the culture and priorities of the speakers might shape the development of the language. The important thing while doing this is, just like brainstorming, to be unafraid to keep throwing ideas onto the page no matter how unviable or nonsensical it may seem in your head. You NEED to experiment and find what doesn't work or else your brain will be too clogged to find out what does. Exercising your pen will help you get into the mindset of someone using the language (because you are), it'll help you form connections to other parts of the language you've already developed, and once you've developed enough, the language will almost start writing itself.

I've actually had some really interesting interactions happen my scuglang between the archaic system of suffixes, the position word system, and the triconsonantal root system, which actually gave rise to an entire system of metaphorical extension, letting speakers use phrases like "at a crossing of" or "at a leaving of" to mean across or away and also talk about concurrent events like "He talked while eating noodles" (He, at an eating of noodles, talked).

Anyway, I know I got kind of scattered but these are some of the big parts of how I approach conlanging! If I have questions or needs, I look to other languages, find learning resources, apply it, and then ask more questions. Spend time with your language and get familiar with it. There's the time I read "Ergativity" by Robert Dixon, but reading literal textbooks is not a requirement for conlanging. You just need to chip away at it and keep asking question.

Here's some photos of my own conlanging notes so you can see how serious I am when I say iterating and brainstorming are extremely helpful. You need to be throwing shit on the paper. I will handwrite three pages just to contradict myself on the next because those three pages were important for forming the final idea.

[wrenteen75]

CHAOS DREAMING!

SYNOPSIS: aurora henson cannot stand economics. . . the summer before her junior year only highlights this when she crosses paths with a seemingly rebellious group of boys from welton academy, mixed about at a fine arts camp they’ve been shipped off to. little does she know, they’re fighting to rewrite their lives, too—which inspires her to live a little on the edge before she goes back to her all-girls boarding school next fall 𝟅𝟈

author’s note! you can find part three here! also—so happy this fic is coming into its own :') dabbling with the mix of literate & social media au has been so fun

PART FOUR — CLANDESTINE

ENTER AURORA HENSON. . .

The girl had been sprawled out in the grass, unable to sleep and unable to stop thinking. She’d been here in Vermont for a week now—and through new friends, rebellion, and creative bursts, she couldn’t stop herself from wondering more about Charlie Dalton.

Neil meant all the best for Aurora by introducing her to his friends, but the meeting only drove the girl towards insanity.

It was crazy of her—she didn’t know Charlie, and she certainly didn’t have a connection with him.

She couldn’t.

Hell, she could barely have that with herself. What made her think she’d be capable of having that with someone else?

She sighed.

The wind picked up, the leaves rattling above her smaller frame. A few fell down, landing in her hair and sticking to the fabric of her sweater. It didn’t matter if it was summertime—if the wind was blowing, she’d wear long sleeves. That’s how it worked.

Too lost in her own loneliness, she lacked proper focus as someone creeped up behind her, their feet rummaging through the grass as they ascended the hill. Spooked by the sudden noises, Aurora found herself jolting from her spot, relieved to see Neil approaching her.

His hair was a mess, and she assumed he couldn’t settle down, either.

“You scared me,” she mumbled.

Neil smiled, taking a seat across from her. He pressed his back against the tree trunk. “Sorry, Rora.”

“All good,” she answered. “Can’t sleep?”

“Nope,” Neil said. “Charlie’s been keeping us up.”

Aurora’s eyebrow furrowed. “Oh,” she muttered.

“Oh?” Neil repeated her response back to her, eyeing her expression through the darkness of the summer evening. There was something there—he could sense it.

Aurora blinked. “What else am I supposed to say?”

“I dunno,” he mumbled. “Sympathy would be nice.”

She exhaled. “I’m sorry that Charlie is keeping you and your friends up. There, is that better?”

Neil laughed. “Much better.”

There was a slight hint of humor in their conversation, though Neil was catching onto something he wasn’t sure Aurora knew about yet. Or, maybe she knew, but found comfort in hiding it—hoping he wouldn’t find it.

She and Charlie were more alike than he thought.

They both carried this hefty self-guilt, though Charlie covered his with pride and sarcasm. The two had only shared one conversation—the clandestine introduction under this exact oak tree, where Aurora realized there were more people out there like her.

Perhaps that scared her. Perhaps she was intrigued by Charlie, but wouldn’t admit it due to her parents and the weight of expectations—both academically and emotionally.

Neil kept all of this in mind as he spoke to the girl, curious and prepared to crack the case. “You look busy,” he said.

“Hm?” Aurora hummed.

“There’s something going on inside your head,” he reiterated. “What’s up?”

Aurora had forgotten how well Neil could read her.

After years of friendship, it was expected by now, but it shocked her nonetheless. The blonde exhaled tiredly. “I came here to discover my passions and finally break free. Meeting your friends—it showed me I wasn’t alone in that, you know? That scared me. The idea that there’s so many of us with the same passions, but we can’t act on them.”

Neil hummed. “How is that scary? Wouldn’t it be the opposite? To know you’re not alone, wouldn’t that give you some sort of hope?”

“I mean—I guess so?” Aurora hadn’t thought of it that way, not until now. She’d been so pessimistic.

“Look,” Neil eyed the girl. “I get it. I know you. We’re all here for the same reasons. I think you should take that and run with it, yeah?”

“How do you mean?” She asked.

“You know what I mean,” he replied cryptically. “Make connections, get to know people, break free. Don’t stay holed up in your shared bunk with a journal in your lap. Who knows, a conversation or two with the right person might just reveal new information.”

Aurora’s heartbeat quickened. Neil knew too much.

“You’re a pain,” she joked quietly.

He chuckled. “Yeah, yeah.”

THE NEXT MORNING. . .

It was a dreary start to the day. Aurora was drowsy, her legs covered in bug bites from the constant grass-sitting. She itched at them as she tossed and turned in her bed, the other girls in her bunk seemingly dispersed amongst the Vermont campgrounds.

In the short, solemn silence, she reached for her phone. Birds chirped outside—a sense of hope and confidence surging through her veins.

Her fingers grazed over the rings of her journal as she picked her phone off the dresser, the metal cool to the touch. Biting at her lip, she unlocked the screen and typed aimlessly, her thumbs trembling over the keyboard.

[my-deer-friend]

I have a two part question if that is okay!

1) What graduate program are you doing? Is it online? What was the application process and admission like? I really would like to get a graduate degree in history but I don't know if I could up and move for a year or so to get it.

2) How do you combat bias in your research? I know I struggle with preconceived ideas that I have or what I hope to be true, I just wonder if you have any advice!

Thank you so much for your blog and research! It's so interesting and informative!

Hi, friend!

I've skirted around it, but I'll say it outright here – I'm not going to say what program I'm taking. It's not online, but there are many, many such options out there that are. You'll have to do the research for yourself and see what fits your needs and goals. And the process is going to differ vastly by country and institution, so I can't be any help there either.

Now, as for biases.

All people have biases. Step one is to acknowledge that you have them, and try to pin down what they might be, remembering that even "positive" biases can be detrimental to good academic work. (Do some reading about unconscious bias. It’s eye-opening.)

Other people have biases too – that applies both to primary as well as secondary sources. Always ask: Who wrote this? To whom? From what perspective? With what goal, motive, ideology? What are they trying to convince the reader of? I always like to do a quick "bias check" before I start reading – who are the authors, and how might that shape their perspective? (For example: one of my readings by a British scholar very firmly tried to make the case that English, and not French or other continental European writers, were really the ones responsible for the Enlightenment. Now, that may be right, but I'm going to take that with a huge pinch of salt.)

In academia, your biases tend to be enforced by what you read, so the best way to minimise them in the first place is to learn how to vet the quality of sources, to read broadly, and to be critical of all of it. This is a challenge in sociocultural historical research, because we don't really know what someone meant, or felt, or did in between the points of evidence that we have, so a large degree of interpretation is present. And that is where the bias hides.

As soon as I get that "I want this to be true" feeling, I stop and examine it, because that's usually a sign that wishful thinking is filling in the gaps in my research. I wouldn't need to be wishing if I could back the claim up, right? So I look for the holes and the leaps of logic, and find a way to address them, and sometimes that means I'm proven wrong. (You will often be wrong. This is normal, common and good.)

I also find that bias creeps in more easily when making a broad and sweeping assessment than a more specific one. "So-and-so was gay" is a claim that is rarely possible to prove to any degree of academic certainty, but "this interaction between X and Y shows there was a homoromantic dimension to their friendship" is both useful and provable. Scaling down the claim you are trying to make (and the stakes you personally feel in making it) can really help to reduce your bias.

And of course, the tried and tested method – try to disprove your own claim. Have you missed any straightforward alternative explanations? Have you left unfavourable evidence out? Have you "creatively" used a source to make your point? (Biographers stop doing this; challenge level impossible). Are you leaning on logical fallacies or making excessively large logical leaps at the core of your argument? Would someone without your agenda be compelled to come to the same conclusion? And so on. Get someone to read over it and do a "wikipedia edit" (citation needed; said by who?; sources dispute this, etc.).

Good luck!

[gallifreyinstituteforlearning]

does all the information on here have actual sources or is some of it ur own creation?

Does all the information here have sources?

Yep! Nothing is pulled out of thin air; it’s all rooted in genuine Doctor Who lore. Some of it is speculative with some creative license because it has to be, but everything is firmly based on established canon. I always prioritise canonical responses and specify when I’m being more theoretical.

🧠 How each area is approached ...

🗣️Language: The Gallifreyan language is a conlang, but whenever there’s a real word or concept in Doctor Who lore, I'll provide that first. I always specify when I have to default to the conlang if I can't provide canonical answers.

📅 Friday Facts: These are always hard, real facts, and I always provide a source.

🧬 Biology: I work in medicine, so this is my special interest. It's more comprehensively constructed than any other area. It bases itself on almost every mention of Gallifreyan and Time Lord biology in any medium, supported by anatomical textbooks, online medical databases, and multiple learning resources. All sources are cross-referenced and analysed, ensuring that the biological systems are both true to Doctor Who lore and scientifically rationalised.

💭 Hypothetical Questions: For random questions like "How do Gallifreyans view balloon animals?" or "Do Gallifreyans wear Speedos?" where there's literally no information at all in lore and probably never will be, I use known facts about Gallifreyan society and biology to create the most plausible answers (and before you ask, it's a personal preference for Speedos and balloon animals are just plain weird not matter what planet you're on).

📚 The sources used include ...

My Brain

Rassilon, Omega, and That Other Guy x (information found here is located in the original source and checked)

TARDIS Wiki x (information found here is located in the original source and checked)

Tardis Technical Index x

Parkin, L. and Pearson, L., 2018. Ahistory: An Unauthorized History of the Doctor Who Universe. Volumes 1-3. 4th ed. Mad Norwegian Press. x x x

Reference Guide x

Discontinuity Guide x

Chrissie’s Transcripts x

Standring, S. 2020. Gray’s Anatomy: The Anatomical Basis of Clinical Practice. Gray’s Anatomy. x

Tortora, G. and Derrickson, B., 2017. Tortora's Principles of anatomy & physiology. 15th ed. Wiley. x

Waugh, A. and Grant, A., 2018. Ross & Wilson anatomy and physiology in health and illness. 13th ed. Edinburgh: Elsevier. x

BMJ Best Practice x

British National Formulary (BNF) x

ClinicalKey x

NICE x

Skills for Health x

Osmosis from Elsevier x

Oxford Medical Handbooks x

Patient for Medical Professional x

You can find the source list for canonical references at the bottom of every post, including this one.

It's currently moving along with the anatomy guide, so right now, it's only focused on biology and is a WIP. This source list extracts and examines the relevant information in the DW EU directly from the primary source to help support anatomical concepts. Each extract is contextually checked. It's all ridiculously academic.

🔍 Then there's the evidence hierarchy ...

Because Doctor Who is such a ridiculous universe with a million conflicting sources, I use an evidence hierarchy to harmonise and prioritise information. The highest priority is at the top:

TV Show: Classic and New series are of joint importance, including animations and info on lost episodes. Any conflicts are sorted on a case-by-case basis.

Spin-offs and Extended Broadcast Media: Full spin-off series (Torchwood, SJA, Class, etc.), BBC-produced minisodes, animations, cartoons, trailers, and charity broadcasts.

BBC Books/Audio: BBC-produced main book ranges, audios, and comics.

Big Finish: Main ranges, crossovers, spin-offs. Excludes alternate universe stories like Doctor Who Unbound and Death Comes to Time.

Other BBC-Licensed Material: Books, audios, comics, and board games. Includes Virgin New Adventures, IDW and Titan ranges, and other BBC-licensed content, plus anything that got deleted from above.

Proximal Sources: Production team comments and other relevant but less reliable sources.

At any point, the answers I give could be invalidated by new releases, but at the time of posting, they’re the most likely and detailed responses you could get. I would absolutely detail every source on Tumblr if I could, but I just don't have the time because unfortunately, this isn’t my full-time job 😭 However, the Anatomy and Physiology Guide will be fully referenced when released.

🎉 So, what's GIL all about?

Essentially, GIL is designed to be a kind of information point where you can ask the weirdest, dumbest, and most intriguing questions and I'll try my best to provide accurate and comprehensive answers that align most with established lore. As mentioned, I specialise particularly in Gallifreyan biology, but I'll take pretty much anything.

Why? I have no idea. Help me.

Any purple text is educated guesswork or theoretical. More content ... →📫Got a question? | 📚Complete list of Q+A and factoids →😆Jokes |🩻Biology |🗨️Language |🕰️Throwbacks |🤓Facts →🫀Gallifreyan Anatomy and Physiology Guide (pending) →⚕️Gallifreyan Emergency Medicine Guides →📝Source list (WIP) →📜Masterpost If you're finding your happy place in this part of the internet, feel free to buy a coffee to help keep our exhausted human conscious. She works full-time in medicine and is so very tired 😴

[toomanywatchers]

Why I Love Travel Season’s Editing Style:

Okokok- I already made a post stating my love for Travel Season after my first initial watch-through of the first two episodes, but I have more to say. Last night, I could not stop rewatching these episodes. Possibly because I am just over the moon seeing Steven, Andrew, and Adam back in action in a show created 100% by them, and where they are allowed to make it their way- BUT there is another reason I could not stop watching it. All do in part of the editing style.

As a self-taught (and soon to be academically-taught) video editor, my favorite thing when watching digital media is seeing what techniques and styles creators use to convey an overall concept to their videos/shows. Some of the more detail-oriented editing I see in today's climate of internet content comes from Watcher's shows. For instance, Mystery Files with the corkboard graphics. Are You Scared of the hand-drawn art from illustrators Mollie Ong and Rafael Mejia. Dish Granted with the use of circle cutouts and white negative spaces. Weird Wonderful World with its cartoon sound effects and stylistic graphics/music to fit whatever atmosphere the boys are in. Puppet History with the motion graphics being put within the confines of the puppet theatre and just everything that goes into the post-production process of the lore events of that show. I could go on, but I might end up writing a whole novel in the process.

Plus, this is about Travel Season... so let's talk about Travel Season.

I was barely 5 minutes into the first episode when I realized just how different Travel Season stands out against anything Watcher has ever created. The overall vibes of the show are calm, peaceful, comforting, and relaxed. The whole show feels like I am watching an old family home video made in the 90s with a camcorder. This style of content that isn't constantly moving at a fast pace and in your face would not perform well in the YouTube algorithm, and I am glad that Watcher was able to launch their own platform to make shows like Travel Season because gosh, this is the kind of content I miss. Oversaturation and pleasing the algorithm can only go a long way as a creative, trust me.

Anywho- back to editing. I am going to point out just some of my favorite editing details that were showcased in the first two episodes of Travel Season. Starting off with probably my favorite scene from both episodes:

This small clip highlights many of my favorite details of the post-production of Travel Season. The first detail I brought up in my previous post involves The Brick aka the camera. The concept of The Brick ties in with what Meredith, Watcher's Development Coordinator, said in Pod Watcher episode #23 about physical hobbies. Something that we can create in a physical sense that does not belong to a digital realm ala the internet/social media. The idea of having a functional prop with The Brick can tie a whole show aesthetic together, but in this case, The Brick also aids in the post-production allowing the team to make smooth-flowing transitions. What I mean is sometimes, especially with a show like Travel Season where they cover many different locations/activities in one video, finding a perfect, easy-flowing transition can be difficult. Jump cuts can be useful in certain cases to hit a comedic mark or shock the viewer, but that is not the overall vibe of Travel Season. The pictures taken on The Brick from their work tripe an easily organized B-roll for harder transition points and simple things such as finding Seoul provide space for much-needed voiceovers for context.

Another editing point that is provided in this clip is the audio. Watcher has never missed the mark regarding audio choices and the addition of sound effects in their work. Sometimes people think that when editing, the editor finds a song that fits and slaps it on the timeline, but here showcases the idea of editing for the environment. What really stuck out to me is the jump cut to the location and using an effect like Lowpass on the audio to make the audience feel as though they are truly standing outside of this nightclub-esk restaurant. Then it jumps to the audio back to normal with Steven dancing as Andrew browses then back to Lowpass edit as they introduce this next location. It's just such a subtle touch that had me all giddy because small details as this audio editing elevate the scene to another level. Showing that Watcher was trying to make you feel like you are there with the boys on their travels. A true immersion effect that I just love.

Also to Adam and Annie who were both camera operators, your b-roll is absolutely superb and adds to the overall vibe of Travel Season.

The last point of editing I want to bring up as it's on the top of my head are these moments:

When they use a frame hold and then change the aspect ratio for a transition. I just find it such a charming technique in video editing. Plus I feel like this transition fits in with the whole "taking photos" approach because in a way the changing of the ratio on a frame hold is like taking a snapshot of that frame like a picture.

I just... I just love it, okay?

Honestly, I could go on and on about every little detail of this show and how they decided to overall produce it, but like I said- novel.

Watcher just puts so much love and care into all the shows they make. Even when it comes to the last process of video production which is editing the episodes together. I have not seen many channels put this much thought into the specificity of their videos like Watcher. This is why I gravitate towards them so much they care about the little things in the shows they create.

Moral of the story: I am in love with Travel Season and with Watcher as a whole.

thank you for listening to my ted talk aka my nerdy ramblings

[just-an-enby-lemon]

I unfortunally don't have The Sims 4 anymore (I had the og paired with totally legal not even a lil bit OFMD inspired DLCs but the DLCs bugged for ocean reasons and it broke the og and now I don't have it but can't redowload it because it acts as if it's still on my PC) but I was looking at my phone's note to delete some and I found a detailed traits plan for a bunch of TMA characthers. So I'm posting it here in case someone finds it usefull or a fun thing to discuss (or tells me how to fix my game so I can add new totally legal DLCs and play as my beloved blorbos).

-

The traits change as seasons go because CHARACTHER DEVELO0MENT, my beloved.

P.S: no season 5 because the literal end of the world brings more than 3 traits on it's victims/survivors

Jon - S1: Snob, Perfecionist, Bookworm

S2: Paranoid, Perfecionist, Bookworm

S3: Cat Lover, Gloomy, Paranoid

S4: Gloomy, Cat Lover, Bookworm

Scotland: Socialy Akward, Cat Lover, Bookworm

Aspiration: Reinassanse Sim (nerd) (he can also be a wizard and have Spellcraft and Sorcery or play as uni Jon and have Academic, uni Jon's traits are more open to interpretation I would suggest Perfectionist, Cat Lover and Bookworm but rly up to player)

Martin - S1: Creative, Socialy Akward, Clumsy

S2/S3: Creative, Socialy Akward, Loyal

S4: Gloomy, Loner, Loyal

Scotland: Creative, Jealous, Loyal

Aspiration: Best-Selling Author (when concluded there is also Country Caretaker for the good countryside good cow life, let's pretend the Eyepocalipse never happens and no one is likely a compurter program)

Sasha - Genius, Good, Geek

Aspiration: Nerdy Brain

Not-Sasha - Evil, Mean, Kleptomaniac (stoled some tapes)

Aspiration: Chief of Mischief (I hear you Public Enemy fans but Chief of Mischief has Tormentor as a bonus trait so...)

Tim - S1/S2: Bro, Outgoing, Adventurous

S2/s3: Hot Headed, Gloomy, Adventurous

Aspiration: Extreme Sport Enthusiast (for all the kayaking; other sugestion is Serial Romantic, for all the cop seduction as unfortunally revenge isn't a sims 4 aspiration but maybe there is a mod? Would sugest looking for it)

Basira - S3: Bookworm, Dog Lover, Loyal

S4: Dog Lover, Ambitious, Genius

Aspiration: Nerdy Brain (baby just wants to read and chill)(I'm unsure of her traits cause I actually think she just has all 5 and picking the more evident per season was hard. I feel very proud of Dog Lover for her tho, she loves her werewolf wife)

Daisy - Hunt: Mean, Hot-Headed, Loyal

Post Hunt: Dog Lover, Loyal, Active

Aspiration: Lone Wolf/ Inner Peace (she changes aspiration, also sugestion werewolf, the lone one is cause Basira is all the pack she needs)

Georgie - Foddie, Outgoing, Catlover

Aspiration: Computer Whizz (unsure what do with aspirations for her, I also considered Neighboorhood Confidant for the cult and also how protective she is of her people and Master Actress for the matress add, on the other hand is fundamental you buy the brave bonus trait for her)

Melanie - Slaughter: Hot Headed, Mean, Erratic

No Slaughter: Hot Headed, Geek, Romantic

Aspiration: World Famous Celebrity (with her yt channel)/ Archeology Schoolar (is the closest to non moded paranormal specialist sorry)

Elias- Actually Jonah (that bitch): Evil, Self-Absorved, Genius

Aspiration: Public Enemy (it's the cloest to king of the broken world and it's trait is mastermind, would also recomend Seeker of Secrets for it's beholding energy, tbh he should have both)

OG Nepo Baby: Bro, Lazy, Slob

Aspiration: Fabulosly Welthy (he already is but wants to keep being without having to rly work for it)

Peter: Loner, Evil, Child of the Ocean

Aspiration: Sucefull Lineage (hear me out: that's the whole Lukas thing ok? Also isolating people is not a valid option)

Gertrude: Genius, Ambitious, Self-Assured

Aspiration: The Positivity Challenge (?) (Is the closest to stopping rituals ig, if you find smt better please please tell me)

Gerry (my son): Bookworm, Gloomy, Music Lover

Aspiration: The Positivity Challenge (?) (again burning Leitners, stopping rituals, other better ideias would be appreciated)/ Painter Extraordinary (this one was added rn while formating the list for Tumblr and is inspired by happy Gerry from TMAGP : ) )

Michael Shelley- Assistant: Loyal, Good, Clumsy

Aspiration: Friend of the World

Distortion: Eratic, Evil, Insider

Helen Richardson: Non-Comital, Ambitious, Self-Assured

Aspiration: Mansion Baron

Distortion: Eratic, Evil, Cheerfull

(Unsure what the distortion really wants, so my sugestion for aspiration is either whatever the players wants or just keep changing it at random lol)

Agnes (my gal): Romantic, Gloomy, Self-Assured

Aspiration: City Life (because she scaped the cult)/ Soulmate (be it that guy or Gertrude)

Annabelle (my problematic fave): Ambitious, Perfecionist, Genius

Aspiration: I'm unsure maybe Public Enemy for the evil plot + mastermind trait or Friend of the Wolrd but friend is in quotation marks for her.

[marvelous-llama]

Tomorrow x Together recs

most of the mentioned works is 18+ NSFW, MINORS DNI

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pls don´t hesitate to hmu, if any of mentioned links doesn´t work or you have suggestions for more fics... thank you so much for all the love and comments

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