#book of the ancestor series

[imjustheretomooch]

Hilarious things about this the Book of the Ancestor series

-the 12 year old main character and all her friends dislike a woman’s vibes SO intensely that they paralyze her, seal her in a wine barrel, and ship her away for literally no other reason than that they dont fw her

-Kettle and Zole just chill out in the cave system of the world's most deadly assassins for TWO DAYS without anyone noticing AFTER having killed like 6 of them walking in. how? theyre literally in the walls

-Joeli failed so badly at bullying Nona that she literally had to sell her to the Spanish Inquisition 

-Nona swallowing a pill given to her by the woman known as ‘the poisoner’ who has a history of constantly poisoning her students, then being surprised that it was poison, in addition to admitting to have a crush on said Poisoner (in addition to her bombshell best friend and a random dude who beat her ass once). And then, years later, forming a shadow bond with the Poisoner's gf and getting flashbanged with images of them together

-Nona killing one of the strongest characters in universe by drowning him? she literally lures him into a cave and then empties a lake on his head and it's not even that important??

[deconstructthesoup]

Every so often I get hit with a deep, deep stab of sorrow and regret due to the fact that the How To Train Your Dragon movies were so well-made and instilled in pop culture that almost nobody knows about the absolute mastery that is the How To Train Your Dragon books

[bayofwolves]

Do you have any thoughts on what Meilin’s mother was like? She’s such a source of untapped potential in canon. What happened to her spirit animal? Does General Teng share stories about her with Meilin? Do she and Abeke bond over losing their mothers at such a young age? I feel like she’s one of the many many things the authors forgot about :(

Yes! I agree, we really missed out on learning about Meilin's mom. I haven't developed her too much yet, but I'll tell you what I do know.

I currently have her name as Qianyue (骞月), but that is subject to change. Her spirit animal was a yellow-throated marten named Sujia. She was only twenty years old when she died giving birth to Meilin.

Qianyue did not get the chance to become a Greencloak, as her betrothal to Teng was arranged quite soon after her Nectar Ceremony. She was no warrior, conforming to what Zhong expected of women in that period, but Meilin desperately wishes she knew her. Everything she knows about Qianyue came from General Teng and her maternal grandparents. They told her she was clever and artistic but solitary, spending long hours in the garden of their mansion with Sujia by her side, lost in her own thoughts. With the guidance of her Marked parents, Qianyue spent much time working on her bond, too, learning to channel Sujia's speed and agility. Had her circumstances been different, she could have made a fine Greencloak. Teng always expressed that he loved her deeply, and she him, and Meilin doesn't doubt that -- but she sometimes wonders if her mother felt unhappy in her life. Married so young, unable to choose her own path, and on her deathbed five years later. It's not a life Meilin would have wanted.

Sujia survived the initial loss of her human partner and lived in agony for several more years. She was allowed to roam the family mansion freely and wanted for nothing in terms of comfort, but she never found peace. She retreated into herself and, over time, started to act more like a common animal. Finally, when Meilin was six, she refused all food and fasted to death. Meilin's memories of her are hazy, but she remembers being very little and sitting with her as she gazed wistfully into the garden where Qianyue used to walk, stroking her fur, encouraging her to eat with offerings of fruit, asking her what her mother was like. Sujia, of course, couldn't reply. When she died, it devastated Meilin. Sujia was her closest connection to her mother, and it felt like Qianyue was dying all over again.

Meilin grieves for her mother in a strange way, given that she never knew her, and that she herself was the cause of her death. That's a fact that has always been difficult for her to reckon with, even if she knows it was not her fault.

The nature of Qianyue's death has shadowed Meilin her whole life. It has left her with a fear of pregnancy and childbirth, and is one of the reasons why she and Rollan decide to adopt in adulthood.

[vavuska]

The dead of Loraille do not rest. Artemisia is training to be a Gray Sister, a nun who cleanses the bodies of the deceased so that their souls can pass on. She’d rather deal with the dead than the living, who point and whisper about the odd girl who was once possessed by a violent spirit. When her convent is attacked by possessed soldiers, Artemisia fights back by awakening an ancient spirit bound to a high saint’s relic. It is a revenant, a malevolent being now whispering in her head. Wielding its extraordinary power almost consumes her in body and soul. But death has come to Loraille, and only a vespertine, a priestess trained to wield a high relic, has a chance of stopping it. As Artemisia investigates a mystery of saints, secrets and dark magic, an ancient evil is stirring. Can an untrained girl, tormented by the burden of containing the revenant’s devouring power, have any hope of defeating it?

The complete Book of the Ancestor Trilogy, a stunning epic fantasy series by Mark Lawrence! Red Sister: At the Convent of Sweet Mercy, young girls are raised to be killers. In some few children the old bloods show, gifting rare talents that can be honed to deadly or mystic effect. But even the mistresses of sword and shadow don’t truly understand what they have purchased when Nona Grey is brought to their halls. Grey Sister: Behind its walls, the Convent of Sweet Mercy has trained young girls to hone their skills for centuries. In Mystic Class, Novice Nona Grey has begun to learn the secrets of the universe. But so often even the deepest truths just make our choices harder. Before she leaves the convent, Nona must choose which order to dedicate herself to—and whether her path will lead to a life of prayer and service or one of the blade and the fist. Holy Sister: The ice is advancing, the Corridor narrowing, and the empire is under siege from the Scithrowl in the east and the Durns in the west. Everywhere, the emperor’s armies are in retreat. Nona Grey faces the final challenges that must be overcome if she is to become a full sister in the order of her choice. But it seems unlikely that she and her friends will have time to earn a nun’s habit before war is on their doorstep.

This two books are very similar: both the protagonists, Artemisia in Vespertine and Nona in The Book of Ancestor, are orphans raised in a female-dominated holy place, trained in their ways. Both became possessed by devious spirits at some point of the story and both are reluctantly call to save the day. Both the characters are highly influenced by the traumas they endured (physically and psychologically) but while Artemisia — at the beginning of the book — is more isolated and lacks of friends, Nona, despite her more feral nature, is more easily going with people who became loyal friends to her. Both in Vespertine and Book Of Ancestor Trilogy there's a great curruption in the secular and religious hierarchies, but while in Vespertine those religious authorities are victims in their own way, in Book Of Ancestor the corrupted spiritual leaders are more mundane and their action are plotted by the political plans and ambitions of the royal family members.

The main difference is that Artemisia is not a warrior herself: when the convent is attacked by possessed soldiers (Revenants), she takes up a reliquary kept by an elderly nun and, thanks to the spirit that resided there, she runs into the fight, saving the day. Afterward, she is arrested by a priest — probably a future love interest — in conflict with himself and his religious beliefs.

There are a handful of supporting characters with their own special traits: a soldier who experienced a similar trauma to what Artemisia went through as a kid, whom she's able to connect with and help; a fellow nun from the convent who is very different from Artemisia (I appreciated their enemies-to-friends relationship, and her cleverness); and a grouchy but powerful elder who you can't help but adore (which is very similar to the cunning Abbess who took Nona under her care) .

The Revenant is an interesting character, who is supposed to be evil, and it is in some ways, but it’s also caring: it's the revenant that taught Artemisia to take care of herself, to consider herself worthy of being cared for.

Artemisia isn't as kickass as Nona ––many of the badass moments were due to the revenant controlling her––but she has her strengths. I appreciated that she grew to trust and care for the revenant despite how she was raised, and that she was able to push out of her comfort zone at times. It's nice to see how people in similar situations can turn out differently based on their individual experiences.

Book of the Ancestor, on the other hand, follows the growth of young Nona Grey, adopted into a convent of nuns known for their martial and magical skills. Nona and her friends must learn how to utilize the magic of their world to hopefully save their empire. Nona’s story, as she taps into her own potential and makes peace with herself — and the violence within her — is well-written and the self-immersion in her thoughts is cathartic and immediate.

The world of Book of the Ancestor deserves special attention. It is, in my reading, wholly unique. Giant ice sheets are slowly covering the world, squeezing nearly the entire population of the world into a narrow strip of land. It's a fascinating concept and becomes a major part of the series.

Overall, I enjoyed the series. It's fast-paced with characters that I came to enjoy (more on that in a moment). The books have a fun magic system that leads to excellent pay-offs in each of the books, and Lawrence plays with time, too, keeping the tension high throughout the stories.

I'm not a huge fan of magical academy tropes, which are very prevalent in Book Of The Ancestor (like the first book of the The Poppy War Series by R. F. Kuang). There are occasional moments of familiar tropes (there is a brief period where the book seems like it is aping the story of the first Harry Potter book beat for beat; luckily, that quickly fades out), but in the end, Nona and her friends more than turn this into their own story…helped by the fact that this most definitely isn’t a Chosen One story. Indeed, within the first few chapters, it’s revealed that the Chosen One prophecy of this world is hokum designed to distract people – and it’s that sort of decision that makes Book Of Ancestor a great trilogy.

In Book Of Ancestor, magic and supernatural abilities are more common and accepted, while in Vespertine is more marginal, at the point that only elderly nuns have a deep knowledge of the precious powers of the reliquary that they kept.

Nona Grey is also very similar to Rin from The Poppy War Series by R. F. Kuang: high skilled warriors, dominated by their fury, but loyal to their friends, used as weapons by powerful authorities. Even if Rin, at the end, falls victim of her rage and is more eager to be manipulated than Nona, who seems to be unaware of the deeper meaning of her own battles all the time and just follows the Abbess' indications.

And also the detailed distinction made by Lawrence of the four tribes and their powers reminds me of the one created by Susan Dennard in her Witchlands saga, in which every nation has their own elemental-related talents.

[ramshacklefey]

It's amazing to me just how good the Mormon church has been at hiding just how bad they really are from public view. Even the shit that gets spread around is the relatively harmless bullshit. They had a crazy prophet with magic glasses. They believe in god-mandated polygyny. They think everyone who is good enough will get their very own planet after the world ends. They wear magic underpants. Mormon men are all paladins.

Here's one of the ones you hear less often:

See, like many other Christian sects, the Mormons really do believe that the existence of Christ obviates the existence of Judaism. Judaism was just a placeholder until the "real" church could be established by Jesus.

And the Mormons in particular believe, dead ass, that the entire inheritance of Israel has been given to them, because the Jews failed to recognize the Messiah when he was on Earth. They really do. They have this whole system where people are given a "divine revelation" about which of the Tribes of Israel they're a member of (don't worry, they decided that most people belong to the two tribes that are willing to "adopt" people. Only the most specialest boys and girls are members of the original ten).

Let's sum up so far. The Mormons believe that they are the people of Israel, chosen and protected by God. If Jews want to get back in on that party, they can always repent and convert to Mormonism, the one true church to which God gave all the rights and blessings that were originally bestowed on Abraham's house.

But it doesn't stop there!

The Mormons also believe, in all seriousness, that all Indigenous peoples of the Americas are descended from a small group of Jewish people who left just before the fall of Jerusalem (~600 bc iirc). Their entire weird-ass extra bible is a chronicle of those people's history in [unspecific part of America]. At the very beginning of the book, two brothers in the original family turn away from god, so they and all their descendants are cursed with dark skin, so that the good Nephites (who remain "white and delightsome") will always be able to tell themselves apart from the wicked Lamanites.

So, you've got supposedly Jewish people running around the Americas. And the "good" ones are white, and the "bad" ones are brown. Then, ofc, Jesus comes to visit them (I guess supposedly that's part of what he was doing during his dirt nap? Or possibly after he left again, it's not clear), and they all convert to Christianity, which they think is clearly the natural evolution of Judaism. Well, at the end of the book, all of them become wicked, in a kind of weird pseudo-apocalyptic series of events. They are all cursed with dark skin, until such time as they repent for their ancestors sins and return to the gospel.

But of course, Mormons being the good and kind people they are, they want everyone to receive the blessings of God and be brought into the houses of Israel etc etc. And it isn't the fault of those poor little Indigenous children that their distant ancestors turned away from God and became wicked.

So what's the natural answer? Well, Mormons are real big on missionary work, as we all know. But apparently that wasn't enough in this case.

Because the Mormon church has been one of the big players in abducting as many Indigenous children as possible, in order to indoctrinate them into being good Mormons, so that they can turn white again and be blessed. My mother remembers hearing talks about this in the 70s and 80s. The church literally had a "Lamanite Adoption Program," where families in the church were encouraged to get as many Indigenous children as possible away from their families and not let them be reunited until they were fully assimilated and ready to go back and proselytize about how wonderful the church is.

The church leadership literally talked about how wonderful it was to see these children becoming whiter. Actually whiter. Like, saying that when they finally saw them with their families again, it was beautiful how much paler they were.

I'm pretty sure this program has been officially ended, but it doesn't take a genius to speculate about who might be behind the curtains on the movement in the western US to gut the ICWA....

So yeah. Next time someone tries to tell you that the Mormons are just harmless weirdos, please remember that they're an antisemitic cult that advocates for the forced assimilation of Indigenous children to help them escape the cursed brown skin of their ancestors.

[imjustheretomooch]

just finished Red Sister by Mark Lawrence! Its not anything groundbreakingly new to the 'young girl is extremely talented in high fantasy world's magic school' genre, but its a solid fucking entry with a cast that's 95% woman, really cool world building, and well written friendships

really fun book! and it's a trilogy!

[thewritetofreespeech]

A Whole New World

pairing: Aemond Targaryen x Reader

summary: in the wake of all the rats abandoning ship, you ask Aemond to leave King's Landing with you as well. [sort of in the vein of my tv show series?? mostly because I want to keep it seperate from the rest of my HOTD stuff that is more book related. part -X XX XXX]

-------------------------------⚔️--------------------------------

“Let’s leave this place.”

Aemond looked up at you from his table. Maps and plans littering the surface. There were not enough hours in the day to make headway on a plan to attack or thwart Rhaenyra, so they had moved into your bedroom. “We will leave for Harrenhall in a few days’ time.” He told you. “We will be off soon enough.”

“No, I mean leave this place.” You told him. “Leave Westeros.”

Your husband looked shocked at your suggestion. Understandably. “You would have me leave Westeros. Leave my birthright.”

“It is not yours Aemond.” It was a bitter truth, but a truth none the less, and you were the only one that could tell him that without threat of death.

None of this was supposed to be theirs. Aegon nor Aemond. Deep down they all knew that. Knew that Viserys had not wavered in his final moments on who his favorite child was. Who his first and only was. Alicent could have given the former king 100 sons, and it would not have made up for the one he lost with his first wife. “Rhaenyra now has 7 dragons to our 1 with her dragon mongrels taking flight. Besides which her armies.”

“I have Vhagar!” Aemond shouted in anger. Rising to his feet. “The oldest, strongest, largest dragon in all Seven Kingdoms.”

“And a pack of wild dogs can take down a lion if their numbers are great. I am not trying to upset you Aemond, I’m simply following the maths.”

The prince took a deep breath though his nose and turned from you. Annoyed that you were right, but clearly didn’t want to admit it. “You want me to abandon the city, ney? Run away and hide like the rest of those cowards!”

Aegon had left the city, for his own protection. To where, you could not be sure. That may have been by design as many whispered about how Aemond would kill him in his bed if given the chance. You knew he wouldn’t do that; if for nothing else than the simple fact that it would be dishonorable to murder a cripple in their bed unarmed. His mother had been missing for days at a time now. Uninterested in the war efforts since her dismissal from the council. Such was her right, but the fact that she wouldn’t look you in the eye these days did not grant you comfort on what the former Queen was thinking. The rest seemed to slip out under the cover of darkness. Less and less people seemed to be in the castle. The rats saw that the ship was sinking and were abandoning it quickly.

“I don’t want you to ‘run away’ Aemond. I want you to live.”

Aemond huffed and turned from you again. “Better to die in battle then wither in obscurity.”

“And if you die, and Rhaenyra takes the city, what of me then? Die an honorable suicide like the Queens of old? Be a political prisoner here until the Queen forces me to marry one of her bastard heirs as a good will gesture?”

That got Aemond’s attention. The idea that you could die not nearly as infuriating as the thought that one of Rhaenyra’s “strong boys”, or even her Targaryen brood, would touch you. “That would never happen.”

“You’re right. It wouldn’t. Rhaenyra would have to kill me. If not for the simple fact that I would not bend the knee, but also for the fact that I am a charge to her claim.”

Your hand came to rest at your stomach. Still the same, but not for long. Aemond’s eye followed your hand, and his expression turned to shock before you raised his face to look at you with your other hand. “There are more world out there, my love. Across the Narrow Sea. Beyond. We could take Vhagar and make a new kingdom like your ancestors. We don’t have to stay here and fight over this one. We could have so much more.”

Aemond’s gaze dropped from your hold, but he took your hand at his cheek and held it. “You would have me abandon my family? Turn my back on them?”

“Have they not turned their back on you?” They blamed Aemond for everything. As if he put Aegon up on that stage and gave him a crown. You weren’t naïve enough to think your husband was blameless in his actions during this war, but they were looking for a scapegoat at this point and Aemond was the convenient target. “We are each other’s family now. We are all that matters.”

“Daeron….”

“He can come with us.” You felt maddened to the point of tears. You were fond of Daeron, the few times you had met. A sweet boy who was free of this place. Though you would honestly say anything to Aemond at this point to get him to come. “Helaena too, if you wish. We will fly to some far away place like Aegon and his sisters. Just please….please…let us leave this place.”

Aemond seemed to think about it for a long moment, before he gave you his answer and that was the end of it.

In the morning, Vhagar took flight over the city. Whether she went to Harrenhall with her rider or parts unknown, no one could know then. What was sure, as the histories tell us, was that it would be the last time the great dragon, her rider, or his wife ever came back to the city.

[paragonrobits]

i was just thinking about how in later Discworld books, even as its an unspoken understanding among everyone in Ankh-Morpork that Carrot is the King of the city and he's probably the last descendant of the original ruling line, not only does Carrot avoid pushing the narrative to exploit it unless absolutely necessary, but it never de-emphasizes the fact that he's a dwarf by adoption

Even in later books Carrot is still regularly writing letters to his family in their mine; he thinks of himself as a dwarf, he is CONSIDERED to be a dwarf by all except the most hardliners of dwarf society (and even they can't outright deny him dwarf status, the best they can do is say he is an anomaly); he might USE his narrative status as the One True King, but in his heart, to himself, he is still the child of the Ironfounderssons.

His human heritage is functionally irrelevant to him unless he needs to make use of it, much like his ancestral sword. And it occured to me, what if he actively chose to distance himself from his human heritage because he learned about them in later books and found nothing worth acknowledging?

Carrot is in a weird place because he is the One True King, a narrative status that makes him the good and wise king who knows only truth and justice and comes bringing goodness to all, and this is quite a contrast to the ACTUAL kings of Ankh-Morpork, who were universally at BEST a bunch of horribly useless and inept absolute rulers that are living embodiments of 'the aristocracy are dumber than a sack of doorknobs' the series leans into, and at worst are implcitly some of the most horribly sadistic and cruel people in the setting.

One particular example is Lorenzo the Kind, the last king of Ankh-Morpork, whose name was deliberately ironic; he was so horrifically sadistic that he spelled the end of the kingship because he's the one who was killed by Suffer-Not-Injustice Vimes, who because no one was willing to judge him because kings were considered Special, just dragged him off his throne, cut off his head, and the surviving family members were exiled from the city.

Lorenzo is the last member of Carrot's biological ancestry we have definitive information on, off the top of my head, and he paints a dark, horrific image. He's painted as the absolute nadir of horror from the ruling classes, and is heavily implied to have been a sadistic pedophile with a penchant for torture (at the very least Carrot and Vimes both note that he was apparently fond of children and was painted with a lot of them nearby at all times, discussing it in a way that suggests a DEEPLY uncomfortable topic neither of them wants them to address, and later in Feet Of Clay Vimes points out that Lorenzo had unspecified but horrific machines in the basement).

Carrot is very strongly implied to, at least starting from Men At Arms (in which he discovers he is the king), have investigated his ancestry, and he's able to elaborate on their actions and history, and this also marks the point where he carefully but firmly emphasizes his dwarf heritage for the rest of the series.

He found out who his ancestors were, and discovered they were horrifically evil people, and that Mister Vimes was fully justified in being proud of his ancestor putting them down like rabid beasts, and it leads to him firmly emphasizing that his family are the Ironfoundersson dwarfs.

[electricsoul-rpg]

Netflix's 3 Body Problem

I tried watching Netflix’s American adaptation of Three Body problem. I watched five episodes and boy, is it painful.

(Full disclaimer: I really liked the Chinese adaptation by Tencent, I read the book after I watched the drama, and I am a European of Chinese descent, so I am definitely biased.)

The general whitewashing and westernization of the story is already pretty bad. Why take a Chinese story if you’re going to make it so blandly American?

Everyone is horny and thinks about sex, relationships based on ideals are reduced to attraction and sex. Everyone is so vulgar and crass. IQ seems very low.

Ye Wenjie. What did they do to Ye Wenjie. She’s a brainless horny fanatic woman now. And Shen Yufei is replaced by a generic unhinged lady. All the scientists seem supremely dumb.

White characters explain or emphasize things in Chinese, for Chinese people, when their Mandarin is bad. Not gibberish bad, but still pretty bad. Please just use English, your white actors clearly can’t speak Chinese. Your Chinese characters can understand and speak English. Don’t hurt our ears like this. It might be cool and exotic for the average Western audience who doesn't understand Mandarin but it’s cringe and painful for us.

A small thing but since I lost my father a few months ago, it struck me pretty hard. What was that altar in Clarence Shi’s house? Just two big pricey candles and one stick of incense? This is so cold and lifeless. Where is the FOOD??? The drinks??? The flowers/plants??? You're calling your wife and you're leaving her starving and depressed!

(For info, a normal small home ancestor altar should look more like this. As you can see : FOOD. Take care of your ancestors!)

The cast and setting is supposed to make this adaptation more "international"...but two British dudes decide everything when, in the novel and the Chinese adaptation, it is truly an international decision and an example of global cooperation. Five Oxford alumni of different skin color does not make this more international!

And so so so so many more things that are wrong. I feel like there is not a single Chinese brain cell in this.

All in all, I did not expect anything good, but I am still disappointed. It is so bland. No build-up. No mystery. No menace. No ambiance. Nothing. Everything is said straight to your face. They must think the audience is stupid, I guess.

Watch the Chinese adaptation

Did you like the ideas behind the Three Body Problem, either the book or the Netflix series? Are you ok with reading subtitles and watching something not in your language? Are you ok with seeing something set in another culture, with another culture's codes, not simplified and westernized for your sake? Are you ok with not being able to binge-watch it in one weekend? Are you ok with more complex characters, a slower-paced plot? Then try the Chinese adaptation. It's on Youtube and Viki, with subtitles. Legal and free.

[asongofstarkandtargaryen]

I hate the fandom notion that Martin chose Dany as one of his main heroes to make her stand out among the supposed vile Targaryens and that she'll break the wheel of her again supposed tyrannical ancestors.

Martin has dedicated a lot of time fleshing out the Targaryens with all his side book projects featuring them and they in these projects they aren't portrayed as evil caricatures. Some of them are bad people, some are good, some are efficient leaders with good morals, some while being good at ruling are bad in their personal relationships etc. Basically, they are complex human beings just like all the characters Martin writes.

And House Targaryen as a whole isn't more "evil" than House Lannister or House Stark or any other House of nobles in this series.

Again, it's the fans who project their negative feelings towards the Targs and believe that since they don't like them and find them "a rotten family" so does the author. But that is not supported by canon.

[flowerandblood]

The Fall from the Heavens

[ canon • Aemond x Strong • niece female ]

[ warnings: kissing, angst, arranged engagement, violence, swearing, humiliation, bullying, chauvinism ]

[ description: A cool distance turns into friendship and more when two children see that they can find refuge and understanding in each other. However, naïve dreams collide with the reality in which every event has consequences and what once could have been love becomes a dark, newly painful obsession. Angst, sexual tension, obsession, violence, madness, very dark Aemond. ]

The story in this series is an alternate reality from the oneshot Stay and love, leave and die, in which Aemond reads the letters his niece has sent to him over the years. They are the same characters and it shows what would have happened between them − I have changed the background story from their childhood slightly for the sake of the plot.

Characters & Series Moodboard Lady Strong Moodboard Aemond & Lady Strong Moodboard Aemond & Lady Strong Childhood

* English is not my first language. Please, do not repost. Enjoy! *

Next chapters: Masterlist

_____

He had always felt that he lacked something. Part of him claimed that if a dragon had hatched from his egg, things would have been different, however, years later, he recognised that this was not entirely true.

Aegon had a gift for light-hearted conversation, an ironic humour that he lacked. He kept telling him to smile at last, to get his nose out of his books, that he was boring, perpetually serious and withdrawn. He preferred to spend time with Jace and Luke − they were louder and funnier than him, they understood him, they had what he was missing.

They had dragons.

They didn't spare unpleasant comments even to their own sister, calling her a hamster, most likely referring to her rosy, firm cheeks and big eyes.

He could see that she was running away from them crying, but he wasn't going to comfort her. She was a girl – her world, filled with poetry, embroidery and music seemed to him as distant as Essos.

The only thing they had in common was books.

They bumped into each other occasionally in the library, and although at first they simply pretended not to see one another, one day she dared to sit next to him as he looked through the family tree of their ancestors.

"What is it?" She asked, placing the large volume on the table in front of them with difficulty.

He huffed as the dust that rose with her movement reached his nostrils, out of the corner of his eye he noticed that it was The Great History of Aegon the Conqueror.

He did not reply, turning the page of the book, not knowing why he should explain it to her.

He didn't believe her, didn't trust her, didn't want her.

She was a bastard, though she probably didn't know it herself, wallowing in riches like a princess even though she didn't deserve them.

He didn't want her pity, attention or anything else she could give him.

He didn't want to be her second choice, the place she ran to because her brothers were mean to her; he had his own, in his mind very adult, worries and he didn't want to listen to hers.

"Is this a book dedicated to our family history?" She asked softly, leaning out so that she could see what he was reading.

She stood up, coming closer to him, intrigued. He pressed his lips together when he smelled her pleasant scent, some intense vanilla oil.

He felt a tightening and burbling in his stomach at the thought of the cake that smelled similar, which his mother had ordered to be baked for his Name Day a few months earlier.

"Ah, our family tree. Where are we?" She asked cheerfully, and he sighed heavily, reluctantly flipping forward a few pages, tracing their line with his finger, showing her a place at the very end.

He swallowed loudly as he saw how Laenor Velaryon was written in the space where her father was inscribed, trying not to smile with mockery.

She leaned lower, looking at the area he had pointed at and he glanced at her out of the corner of his eye, her cheek right next to his.

He was surprised at how different they were, apart from the obvious fact that he was a man and she was a woman.

His eyelashes were almost white and translucent and hers were black, long, surrounding her shining eyes, making them seem even bigger to him. His skin was pale, thin as parchment when hers was flushed and full of life, her lips plump and moist, her nose shapely and straight, the contour of her face gentle as his jaw was outlined sharply.

And finally, his hair, the colour of Targaryen's, the white she lacked, her luscious black curls falling gently down her back was visible proof of who her father was.

Although he liked to mock her in spirit, he couldn't say she was ugly or repulsive.

"Would you marry Helaena if our King so commanded?" She asked curiously, glancing sideways at his seated figure. He lifted his gaze to her and sighed heavily, figuring that nothing would happen if he spoke to her for a while.

She was simply bored, just like him, and he didn't get the impression that she had come to entertain herself at his expense.

He shrugged his shoulders.

"Yes. I would do my duty as a Prince and son of the King." He said lowly, solemnly, fiddling between his fingers with the page of the book he had just looked at, crossing his legs.

Even though he was still a child, he was trying to sound and look like a man.

She cocked her head, clearly genuinely intrigued by his statement, a wide smile on her face.

"Are you in love with her?" She asked as if it was obvious, as if she was encouraging him to reveal to her his little secret. He looked at her in disbelief, not knowing what to make of her question.

He swallowed loudly, lowering his gaze, feeling his heart pounding fast.

What did it matter?

"Well…she's my sister. Of course I love her." He replied coolly, feeling strange with the words on his tongue, as if there was something inappropriate about them.

"I love Jace too, but I'm not in love with him. There's a difference." She said with a kind of calmness and wisdom that surprised him, looking at him with a gentle expression on her face that consternated him.

Why were they even having this conversation?

Still, her words made him feel a tightness in his throat, a realisation that he understood what she meant, but didn't want to admit it.

The tenderness of falling in love, the poems and the late-night frolicking were the domain of women's imagination, which unfortunately then had to collide with the cruel reality. He was a man, however, and he had no intention of getting into these deep divagations of the weaker sex.

"Don't be naïve. Marriage is not meant to be a pleasure. It is meant to be a sacrifice for the good of the kingdom, to secure its needs." He said dryly, turning back to the page he had been reading earlier, frustrated for some reason by her remark.

She did not speak again, returning to her seat, sinking into reading the gigantic volume dedicated to Aegon the Conqueror.

Although he could have done it in his chamber, he had been coming to the library to read ever since and always met her in the same place. Although they didn't appoint themselves, they both had their assignments until midday and would turn up there to read immediately afterwards, sitting next to each other, exchanging thoughts in passing.

He was afraid that Aegon would see them one day, but fortunately he never ventured into the abyss of the library, few people went there and he felt reasonably safe.

Usually it was she who asked him questions and he was the one who answered her. He felt some sort of empowerment because of this – at last there was someone who appreciated his knowledge and rhetoric, who listened intently to his opinion.

"I would like to be like Rhaenys in the future." She said softly and he looked at her as if she had lost her mind.

"Rhaenys? What's interesting about her? Visenya could fight with a sword and she rode the largest dragon still alive in this world. If I had a choice, I would marry her." He said without thinking, recognising that it would be wonderful to have by his side a woman who could wield a sword perfectly, with a sharp tongue and temperament, who would be a born warrior like him.

He saw his niece raise an eyebrow in amusement, a sort of childlike joy on her face, her eyes shining.

"Aegon the Conqueror thought otherwise. Out of ten nights, nine he spent with Rhaenys." She said mockingly, as if immensely pleased that she could take the argument out of his hand. He pressed his lips together at her remark and shrugged his shoulders, returning to his reading.

He didn't care what men and women did at night − his mother had told him that he shouldn't bother with it for the time being, and he had decided that there was in fact no need to, until his father called on him one morning.

"− no −" He heard his mother's voice, leaning over the table where the tired King sat, looking at her as if half asleep. "− I do not agree, Viserys, it's not −"

She did not finish, hearing his footsteps and folded her arms in front of her, trying to calm herself, letting out a loud breath. His father nodded at him to come closer, which he did obediently, feeling his heart pounding hard.

His father had never yet called on him on any serious matter.

"I have just been discussing with your mother the importance of our family, of our kingdom remaining united. Although I have agreed that, according to tradition, your sister should marry your brother and not your nephew, I would like you to be the one to bring House Targaryen together anew, and that you should marry the daughter of Rhaenyra and Laenor in the future." He said calmly, with each finished sentence tapping his fingers on the table top, as if to add some finality and certainty to his words that he was convinced this was the right thing to do.

"− this is ridiculous − Aemond should secure our kingdom with a marriage to the daughter of one of the lords who can benefit us −" His mother began impatiently, her husband sighed loudly, exhausted.

"And who should receive this honour? The Starks? The Arryns? The Baratheons? No choice would be good, for someone would always feel disadvantaged. Marriage within the family will not outrage anyone on the outside, and will only strengthen what has been strained." He said with conviction; the Queen swallowed hard, shaking her head, finally looking at him as if she was certain he abhorred the idea as much as she did.

"− Aemond, you don't have to agree −" She said in a trembling voice, and he swallowed hard, looking at the stone floor beneath his feet, feeling his heart pounding hard.

Bastard or not, the dragon's blood flowed in her, as it did in him. She didn't despise or mistreat him. She knew what duty and obligation meant.

He reasoned that although he would have preferred to have a female warrior by his side, in fact the idea of marrying her did not reject him. He preferred her to the daughter of some common lord.

In his own way, he even liked her.

He grunted, feeling proud to rise to the occasion and fulfil his father's desire.

"If it is my King's wish, I will marry her, for the sake of the kingdom and our family." He said lowly, looking him straight in the eyes, standing upright, his hands folded behind his back.

He felt a squeeze in his throat as his father smiled at him sincerely, for the first and last time in his life.

"So it's decided."

He didn't know how the message had been conveyed to his betrothed, however he could see by the look on her face as she ran into the library, all red with emotion, that someone had made her aware of what had happened and he felt a twist in his stomach at the thought.

He was afraid she would make it clear to him that she didn't want him, that she abhorred him, that she had no intention of marrying a man who didn't have a dragon of his own.

As she approached him however her eyes sparkled, she laughed as if she didn't believe it.

"Is it true?" She asked breathing loudly and he swallowed hard, nodding his head, looking at her with wide eyes.

"I'm so happy." She giggled sweetly, warmly, covering her mouth with her hand, as if someone had just given her a wonderful surprise.

He felt some kind of heat in his chest, an affection towards her, a gratitude for her faithfulness, for her devotion, for the fact that she respected him.

He was shocked to think that she would make a good wife.

Aegon laughed at him, not understanding where his lack of objection came from, how he could think that good had happened.

"She doesn't even have an arse or tits." He sneered and he clenched his jaw, wrinkling his brow, looking at him over his shoulder.

"Shut your mouth. Don't speak about her this way." He growled, feeling that her good name was now his as well, and that he had to protect her.

Aegon snorted, shaking his head, patting him on the back piteously.

"My little brother fell in love with Lady Strong?" He asked, forcing himself into a sweet, mocking tone as if he were speaking to a small child, which angered him even more. He slammed his head against his forehead, and he swore in pain, staggering backwards, catching the table, which fell over with him.

"You fucking bastard!" He shouted throwing himself at him, and they began to pound each other with their fists, wrestling with each other on the floor, until, hearing the commotion, a servant girl rushed into his chamber, trying to separate them.

His future wife visited him in his chamber that day, concerned that he had not appeared in the library, raising her eyebrows in simultaneous concern and amusement as she saw him holding an ice cube to his red cheek, a large bruise under his eye.

"What's happened?" She asked as she was accustomed to, without any pleasantries, approaching him sitting in a chair that was, however, too big and his legs did not reach the ground. He just rolled his eyes and shrugged his shoulders without answering.

He had no intention of revealing what had caused the fight − he wasn't going to appear to her as a prince on a white horse who would worship and adore her, as in all those poems she had surely read.

"Does it hurt a lot?" She asked further, and he shook his head. She sighed heavily, taking a single lemon cake from the pocket of her bottom gown, placing it in front of him.

"I know the Queen only allows you to eat sweets after your weekly visit to the Great Sept, but I stole one for you anyway. As a consolation." She said proudly, and he nodded, lifting his gaze to her, involuntarily feeling grateful.

She cared for him without wanting anything in return.

Since they were betrothed, she hadn't asked him for solitary walks, gifts, confessions of love or anything else a lady of her status might desire from the man she was to marry.

"Thank you." He replied calmly, recognising that he could give her at least that much.

She looked around his chamber and he realised that she was in it for the first time in her life. He stood up, setting the ice sack down in the bowl, walking over to his bookshelf, a gift to him from his mother.

"If you wish, I can lend you some. Just pick which one." He said softly, coming to the conclusion that he wanted to be kind to her, that he wanted her to have no regrets about him becoming her husband, to be proud of it.

She looked at him gratefully and took out a book written by the ancient philosopher, Areon, dissecting human dignity and duty. Something about her choice pleased him, the thought that she wanted to understand him.

She pressed the book to her heart and looked at him, her eyes seemed even bigger to him than usual, her beautiful long eyelashes, hair and plump lips shone in the summer light of the day.

He felt a pleasant tickle in his lower abdomen watching her without saying a word.

"– can I kiss you? –" She asked so quietly that for a moment he thought he had overheard himself. He felt his whole body tense up as his pupils dilate in disbelief, his fingers involuntarily began to rub against each other in a subconscious nervous reflex.

Oh gods.

Should they be doing this?

Was this the right thing to do?

She was supposed to be his wife. From what he understood, husbands and wives did this, as a kind of union and intimacy.

He swallowed loudly, looking at her lips, thinking they looked pleasantly warm and soft; a shiver went through him at the thought that he could feel them in a moment if he wanted to.

He nodded his head.

He watched her vigilantly, involuntarily breathing through his mouth as she stepped closer to him; he was taller than her and leaned in slightly, wanting to make her task easier.

She surprised him when she suddenly lifted up on her tiptoes and her lips pressed against his in a warm, innocent kiss − he felt like his heart had stopped for a moment, the scent of vanilla filled his lungs, her skin delightfully moist and soft.

It felt so pleasant.

She pulled away from him immediately, all red as he was, breathing hard, as if it took a lot of effort and courage from her too, her wide eyes looked at him in excitement, as if she was waiting for his reaction.

"– one more time –"

These words came out of him like a weak whisper, like a plea through which he felt the shame overpowering him.

She smiled before rising on her toes again, this time placing her hand on his shoulders for balance − she pressed her fleshy, moist lips to his for a longer time and sighed softly as he touched her cheek, wonderfully soft and warm.

She pulled away from him with a quiet click and closed her eyes feeling him stroke her skin with his thumb. He pressed his forehead against hers, feeling butterflies in his stomach.

"– will you come to me at night? –"

He had nightmares most of the time at night − usually dreams in which he saw anew the pig that his brother and nephews had introduced to him as his dragon, humiliating him as no one had ever done before.

He found that her presence calmed him and that perhaps if she slept in the same bed, he would finally get some rest.

He didn't think about the fact that it might have been at least inappropriate in the eyes of others when under the cover of night she snuck into his chamber, slipping under the thick furs beside him, snuggling up to him. In his mind she was already his wife, and wives slept with their husbands − unless it was his parents.

They lay that night looking at each other with their foreheads pressed together, stroking each other's cheeks, shy and embarrassed.

Their wordless, innocent confession of affection and need for closeness.

"We are going to have seven children." He stated after some thought, as if he had decided that such a number would satisfy him. He wanted his family to be strong and broad, and also seven were gods, so it had symbolic meaning as well.

She blinked, as if something troubled her in his words, furrowing her brow.

"My mother gets very tired during childbirth and then can't get up for a few days. With the rest, how do we do it?" She asked uncertainly and he shrugged his shoulders.

He had never delved into the ins and outs of the pleasures of the flesh too much − Aegon had said that rapprochements with women were very pleasurable and, as he understood, that was why he couldn't pull away from them, to him, however, what he had was enough.

"We'll find out everything when we're older. Do not fret." He said with certainty, stroking her soft, plump cheek with his thumb. She cheered up, he saw the sparkle in her gaze before her lips stole a soft, warm kiss from him again.

He smiled at the thought that he felt that in her eyes he was a man, the head of their future family.

There had been times when he had forgotten who she was, who her father was, her smile, her laugh, her eyes, the sweet kisses she bestowed on him when they were alone made him think it didn't matter anymore.

Years later, he could not believe how wrong he was.

______

Aemond Taglist:

(bold means I couldn't tag you)

@its-actually-minicika @notnormalthings-blog @nikstrange @zenka69 @bellaisasleep @k-y-r-a-1 @g-cf2020 @melsunshine @opheliaas-stuff @chainsawsangel @iiamthehybrid @tinykryptonitewerewolf @namoreno @malfoytargaryen @qyburnsghost @aemondsdelight @persephonerinyes @fan-goddess @sweethoneyblossom1 @watercolorskyy @randomdragonfires @apollonshootafar @padfooteyes

[psychopomp-recital]

🔥Subtle Brigid Worship⚒️

Completely inspired by @khaire-traveler ‘s subtle worship series!

➤ Light candles in your home

- (bonus points if the scent matches her associations)

➤ Read poetry books and blogs

➤ Build lego sets

➤ Clean your house or space + keep up with repairs

➤ Have bonfires with your community

➤ Swim in lakes or rivers

➤ Write poetry or creative writing

➤ Keep a grief journal

➤ Visit farms/care for livestock

➤ Donate or volunteer at animal shelters

➤ Have a picnic at sunrise

➤ Make your house a home with decor you love

➤ Share a warm drink with her

➤ Make your phone wallpaper something associated with her/art of her

➤ Sit around a fire

➤ Take regenerative baths or showers

➤ Create jewelry or sculptures

➤ Wear clothes or jewelry that suit her energy

➤ Learn a home craft like knitting, crochet or embroidery

➤ Make and mend your clothes

➤ Hang a Brigid’s cross by your door or kitchen

➤ Bake or Cook and share the meal with others

➤ Simmer pots with associated herbs

➤ Volunteer with domestic violence or queer shelters

➤ Work towards and embrace self love

➤ Help mothers & new parents in your community

➤ Grow your own food

➤ Sing songs that make you happy outloud

➤ Show hospitality wherever you can

➤ Have confidence in yourself and your worth

➤ Take care of your body and mind

➤ Go to therapy

➤ Aide the grieving and the dying

➤ Volunteer at a children’s hospital

➤ Do small acts of kindness

➤ Have honeyed or cinnamon toast

➤ Tell folktales, especially to the next generation

➤ Share stories of ancestors, not just those who are blood related

➤ Light a match

➤ Keep a stuffed sheep, cow, ox or other livestock in your home

➤ Wear perfume that reminds your of her

➤ Research Irish history & culture / Gaeilge

➤ Keep artwork of her by your door or kitchen

➤ Keep iron around your space especially your kitchen

➤ Wear iron jewelry

➤ Learn to Blacksmith or Invent something

➤ Create a community either online or irl

➤ Take care of your hair

➤ Go to a cooking or baking class

➤ Take a pottery or quilting class

➤ Foster animals

➤ Befriend your neighbors

➤ Smile and embrace life

➤ Cry and embrace death/grief when it comes into your life (more then just physical death)

➤ Read books and educate yourself

➤ Keep first aide in your home

➤ Get CPR/AED/First Aid certifications

➤ Learn herbalism

➤ Go on walks outside, especially during spring

➤ Make a wish at a well

➤ Embrace your authentic self

➤ Be an ally of or attend LGBTQIA+ events

➤ Eat fruits like apples and blackberries

➤ Learn self defense

➤ Research your ancestors, not just those related by blood

➤ Play ttrpgs or larp

➤ Keep a journal or a commonplace notebook

➤ Support small business and artists

➤ Plant native yellow flowers around your house

➤ Wear shawls, especially when you’re sick

➤ Learn grounding techniques

➤ Washing your face

➤ Eating / Drinking dairy

➤ Create collages

➤ Paint your nails with associated colors or symbols

More to be added later!

[visenyaism]

Sorry if you’ve been asked this but what do you think of all the rot in asoiaf? Obv some of it is related to the problems with monarchy but I feel like a lot of it isn’t and it just leaves me curious. Like cold hands or people killed by the others idk what that symbolizes there. Jon is in a land in which rot is in stasis from the cold and it’s creepy as shit. And then there’s stuff that could have multiple interpretations like dany by proxy of selmy experiencing bio warfare with the corpses like I know some people see it as the fall of old ghis but I wondered if maybe it was a sign to dany about breaking the wheel and doing as her ancestors did. Idk I know it’s a nasty series and sometimes grrm is just doing stuff so that it’s gross but I feel like rot comes up SO much and I people are usually talking online about like Tywin when it comes to rot.

Oh one of my favorite things about the asoiaf series is how heavy-handed george rr martin is with the rot symbolism. and (at the risk of sounding like an mfa vomited on my keyboard) the way that the political, pestilential, societal, and climatological aspects of the rot symbolism all interconnect.

In a society founded on so many feudal evils that has perpetuated for centuries, something has to give. It is a recurring theme in these books that violations of human decency under feudalism cause cataclysmic societal collapse represented through literal and metaphorical pestilence.

There’s the sociopolitical collapse in the riverlands caused by war of human decency and norms like guest right and prohibitions on kinslaying or cannibalism just dedicating away as times get hard. broken men. bodies left to rot in the sun for the crows to feast on. There’s the fermenting wildfire under every major street in Kings Landing. There’s the familial/relational decay of incest especially the targaryens and the lannisters. The people who hold power and that society rot, despite everyone’s best efforts at keeping up appearances: Robert Baratheon the “war hero” dies of a very nasty festering stomach wound he got in a drunken hunting accident, Tywin gets shot on the privy and his corpse putefies in the sept.

The climate stuff is also very salient. The series starts during late summer and as things get worse and worse in the world declines into the autumn where the summer fruit and all of the abundance is literally rotting through the hands of the characters. (see: renly’s peach vs doran’s blood oranges!) The cold up at the wall keeps the rot at bay for a while, but it does not entirely stop it. Coldhands’ hands are still blackening. Things are still unraveling at the hinges of the world. that’s pretty representative of the way that the violence of the border wall and the penal colony stationed there to patrol it are not sustainable. The decline of the night’s watch from a once proud order to a penal colony full of cruel and often impoverished convicts dropped off there by circumstance is a symptom of the society that sends people up there. But something still has to give. The wall will fall down and the existential crisis will come, it’s just slowed.

Critically, there is also the forgotten parable of Old Valyria: a society founded on extreme cruelty and slavery which eventually experiences cataclysm coming up from the very tunnels they send the enslaved into to die for the empire. A lot of what Daenerys experiences in Essos is an extension of that commentary on slave societies to me. Like. as the slavers try and reconquer places dany has liberated, people fleeing the violence, bring disease like the bloody flux with them. The rot creeps back. (important: disease and rot in the series is not always something people get for being morally bad. it often happens to people who just have no choice but to live in these places.)

But that’s why I think the way Volantis is described really ties a lot of those elements of the rot symbolism together. This is a society that has founded itself up from out of the corpse of old valyria. The city maintains some veneer of old glory, but the fountains are dry and the paint is chipping. The people there eat food that is so sweet it literally causes your teeth to rot out if you were to consume it every day. In terms of climate, I think it’s relevant that it is described as extremely, almost disgustingly, humid, and everything is excessively perfumed to cover up a tangible smell of decay.The air is quite literally cloying and difficult to breathe. You feel dirty after walking through it. The evil of slavery is rotting the city to its core in the same way that the evil of feudalism and the wars for the iron throne is affecting the city of king’s landing.

To wrap allllll this up. Rot is a signal that obviously societal collapse is coming, but it’s also transitional: the empire of old ghis brought about its downfall, and then valyria found itself on the same principles which brought about its own downfall, and then the Targaryen went to westeros and engineered their collapse in Kings Landing while the freehold did the same essos. I think the climatological and disease aspects of it are really heavy-handed symbolism that something has to give in the societies and we’re at the point in the series where that’s about to happen.

I think the ultimate arc of the series ends in some form of significant societal collapse, but instead of building upon a rotten foundation again people are going to have try and hope for something new and gather the courage to build that.,quite literally dreaming of the spring.

[nellasbookplanet]

Book recs: werewolves

Want your monsters a little hairier? Then this list is for you! Whether you prefer your werewolf books fantasy, horror, slice of life, or romance, this list has a something for everyone (especially if you want your werewolves queer!)

For more details on the books, continue under the readmore. Titles marked with * are my personal favorites. And as always, feel free to share your own recs in the notes!

If you want more book recs, check out my masterpost of rec lists!

Lobizona (Wolves of No World series) by Romina Garber

Young adult. As an undocumented immigrant, Manu has been told her existence is illegal. When her mother is arrested by ICE, Manu is left alone, and decides to seek out the only connection she has left: her dead father's criminal connections. Here she finds a secret underworld of Argentinian folklore, where a seventh daughter is a bruja and a seventh son is a lobizón - a werewolf. But as Manu understands more about who and what she is, she comes to realize her self is seen as forbidden in more ways than one, and that she will have to fight for her way to exist. Tackles heavy subjects in a more lighthearted magic school setting.

Empire of Wild by Cherie Dimaline

Horror. Nearly a year ago, Joan's husband Victor disappeared seemingly into thin air. That is, until Joan stumbles across a revival tent where the local Métis have gathered to listen to the charismatic preacher Eugene Wolff - a man with Victor's face. But when she faces him, he doesn't recognize her at all, claiming his mission is only to spread the word of Jesus. Only, that is far from all he's doing. Now Joan must find out the truth of what happened to her husband.

Lycanthropy and Other Chronic Illnesses by Kristen O'Neal*

Young adult. Priya had plans to go to Stanford, but is derailed when the fallout from lyme disease puts her back, making her question if she'll ever get back to normal. Luckily she has her discord support group with whom she can chat and vent about her illness. Even more - she has Brigid, online fandom friend and fellow chronic illness sufferer. But when Brigid disappears from the web without warning, Priya must drive to Pennsylvania to make sure her friend is okay - and finds that Brigid's condition is a bit hairier than she expected.

Santa Olivia (Santa Olivia duology) by Jacqueline Carey*

Is this werewolf fiction? Technically not. It's sci-fi more than fantasy or horror, with a plot reminiscent of superhero stories. It follows Loup Garron, a young girl growing up in Santa Olivia, an isolated town by the border between the US and Mexico, where the inhabitants aren't allowed to leave. Loup is the daughter of a "Wolf Man", a soldier enhanced with wolven traits which she have now inherited, allowing her to take a stand against the soldiers keeping her small home town oppressed. Also features a main f/f couple!

A Wolf Steps in Blood by Tamara Jerée*

Novella, lesbian soulmate romance. Red wolves went extinct in Alabama long ago - except for the ancestors of Yasmine's family, who were saved by witches putting a spell on them, allowing them to take human form to hide. Now, that spell is growing weaker, and Yasmine is struggling for control with her wolf. When a chance encounter with the exiled blood witch Kalta reveals the two to be not only fated mates but also the possible answer to the pack's struggles, Yasmine and Kalta both must work together to overcome the grief in their hearts and save their families.

Mongrels by Stephen Graham Jones

Horror. A coming-of-age story following a boy and his aunt Libby and uncle Darren, living on the road and staying outside the law. They're all outsiders, but Libby and Darren are mongrels, mixedbloods, werewolves waiting to see if their nephew is like them or not. The boy, meanwhile, must decide if the wandering life of his family is for him, or if he belongs somewhere else.

How to Be a Werewolf by Shawn Lenore*

Graphic novel, available as printed or webcomic. Malaya was bitten by a wolf as a child, and ever since she has lived an isolated life with her family, working in their coffee shop and fearing she will lose control of her wolf side. Having never met another werewolf, Malaya knows little of what she is - until she meets a stranger claiming to be like her, and that she's far from alone. But the more she gets involved with other werewolves, the more she also gets dragged into the dangerous conflicts between packs.

Artie and the Wolf Moon by Olivia Stephens

Middle grade graphic novel. One night, young Artie witnesses something incredible - her own mother turning into a wolf. She finds out she's from a lineage of werewolves, and to help her awaken her abilities her mother invites family friends who are like them. A new world opens up for Artie, but so do dark secrets: werewolves have a deadly enemy, and it's coming back for them.

Bored Gay Werewolf by Tony Santorella

Brian is a slacker, having dropped out from college, working as a waiter, and spending his nights drinking with his friends - except the nights when he turns into a werewolf, of course. But after having slipped and killed a jogger, Brian is noticed by fellow werewolf Tyler, who's working on a self-help startup for werewolves and offers to mentor Brian. At first Tyler's methods helps Brian get back on his feet, but the more he learns of Tyler's expansion plans, the more he realizes he might be bad news. A good read if you want a funny, goofy take down of toxic masculinity that doesn't take itself very seriously.

Such Sharp Teeth by Kim Harrison*

When her pregnant twin sister is left by her boyfriend, Rory decides to go back to her home town and stay with her for a time. But the town is also the home of old childhood trauma, and something wild is roaming the woods. When she gets attacked and mauled one night, Rory's successful life is changed forever. Lycanthropy used as a metaphor for female rage, trauma, and bad coping mechanisms.

What Big Teeth by Rose Szabo

Young adult horror. It's been years since Eleanor Zarrin last saw her family, having been sent away to boarding school when she was little. But after a bloody misstep, Eleanor must flee the school and return home to her family's manor. Here she's reminded of her family's darker side, and that she has never been able to run and hunt in the woods alongside them. But in a family of wolves Eleanor is something else - and even more dangerous.

Red Hood by Elana K. Arnold

Young adult horror. A take on the little red riding hood tale where the girl is both the victim of the wolf and the huntsman who slays it. After a particularly embarrassing incident, young Bisou flees into the woods, only to be faced with a predatory wolf. To her shock, their face-off ends with the wolf dead, not Bisou. Even more shocking: the dead wolf turns into a boy. Suddenly, Bisou finds herself a hunter and a protector, routing out the wolves who masquerade as boys. Visceral and bloody, but pretty feminism 101 in its portrayal.

Fear the Wolf by Stefanie Gilmour

Urban fantasy. Alex never wanted to be a werewolf, but when a latent gene was triggered by a traumatic event, causing her to shift, she had no choice but to accept her new reality. Now she stays under the radar, avoiding other werewolves as she tries to keep a job and keep her temper under control, fearing that she will be discovered or even hurt someone. The only person outside her family who knows her secret is Emma, a wizard and Alex's closest friend. But when Emma gets a new boyfriend and starts acting strangely at the same time as attacks and disappearances of supernatural citizens are on the rise, Alex might have no other choice but to get involved in the local werewolf community to fight back.

Kitty and the Midnight Hour by Carrie Vaughn

Urban fantasy. Kitty Norville is a midnight radio host and a werewolf, having been turned after a traumatic attack. Stuck in an abusive pack, Kitty needs an outlet, and decides to use her radio midnight hour to speak about the supernatural. Soon others like her are calling in, seeking advice, and Kitty's life is looking up - but in drawing attention to the supernatural, she has also put a target on her back, and someone wants to make her shut up, no matter what.

No Gods, No Monsters by Cadwell Turnbull

When Laina's brother gets shot and killed, a video recording the incident reveals something shocking: a giant wolf which, when shot, turns into a naked man. The video gets leaked, and little by little monsters start coming out into the open. But there’s a reason monsters have decided to step put of hiding, something otherworldly and far more dangerous than them. Follows a large cast of characters, among them members of a werewolf pack.

Bonus AKA I haven't read these yet but they seem really cool

Rules for Werewolves by Kirk Lynn

A story told entirely in dialogue, Rules For Werewolves follows a group of young outsiders, drifting from place to place and squatting in empty suburban houses as they try to build a life in a world that has no room for them,

Howl by Shaun David Hutchinson

Young adult. New kid in town, Virgil Knox, has been attacked by a monster. Only, no one believes it was actually a monster, insisting it must've been a bear. But Virgil knows it was really a monster, and now he fears that it will come back for him - or that he will become one himself.

The Devourers by Indra Das

In Kolkata, India, college professor Alok encounters a mysterious stranger who tells him a story of a race of people at once man and beast, and a wanderer in 17th century Mughal who is torn between two worlds.

Thor by Wayne Smith

Thor the German Shepherd is devoted to his suburban family, and when Uncle Ted comes to live with his family, that devotion is put to the test. For Ted is no longer human, and Thor can sense that there is something dark and dangerous hiding inside him, something which he must keep his family safe from.

Wild by Meghan O'Brien

Selene leads a lonely life, avoiding forming close relationships to keep herself and others safe as she turns into a remorseless wolf creature every full moon. Eve is a forensic pathologist who has sworn off romantic relationships after having had an ex cheat on her, focusing instead on catching murderers. But when a masked man attacks Eve and Selene comes to her rescue, the two become unavoidably intertwined as a monster even more dangerous than Selene stalks the streets.

Wolfsong by T.J. Klune

Ox Matheson's neighbors, the Bennett family, aren't ordinary people: they're shapeshifters, able to turn into wolves. Intrigued by their lifestyle, Ox becomes close to the youngest son, Joe. But when murder comes to town, Joe ends up leaving, and won't return until years later. Now adults, the feelings between them can't be denied any longer.

[pitviperofdoom]

So it's been a hot second since I took a break from my full series reread, but I found myself once again thinking about Outcast of Redwall and the raw deal that Veil Sixclaw got.

What kills me is that before the poisoning, the one thing Veil got in trouble for--the only thing, in fact--was stealing. This kid didn't even get into fights, he just stole food from the kitchens, which as Bryony points out is normal Abbey kid behavior. Another character shoots back that stealing is something most kids outgrow implying that the fact that Veil hasn't is suspicious, which is frankly a wild thing to say to the great grand-daughter of Gonff the Mousethief.

(In a kinder version of events, the adults in Veil's life might have shaken their heads with long-suffering fondness and remarked that he was following in his adopted ancestor's footsteps.)

The whole point of Redwall is that it's the woodland utopia where no one goes hungry and everyone has what they need, which is why kids stealing pies off the windowsill is no big deal... except when Veil does it, apparently. Veil's the one that gets physical punishment when he's suspected of stealing--not even proven! I can't recall off the top of my head any incidents in the rest of the series of corporal punishment in Redwall beyond idle threats that the kids know not to take seriously. But Veil gets scrutinized from the moment Redfarl and Skipperjo pick him up out of the mud and they and Bella look at this literal infant and say "oh yeah, he's gonna be evil for sure."

And then a thought occurred to me: it's generational trauma.

Most of the characters in Outcast are two generations removed from the characters in Mossflower. Bella of Brockhall is in both books. Verdauga and Tsarmina are still within living memory. Until the end of Outcast, as far as she knows, Bella lost her entire family to vermin warlords. Mossflower opens on a scene in which a ferret kicks in the door of a family of subsistence farmers, threatens their children with slavery, and takes all their food as taxes leaving them with none for the winter--and the Stickles were the last holdouts. The other farmers in the area had already run off to join the resistance at that point, so this kind of treatment was normal.

And we're left with a close-knit society of people who've grown up with this shared history, with a venerated authority figure who still carries the scars and memories of what they lost--and suddenly another warlord comes within a hairsbreadth of discovering the peaceful society they built in the aftermath, and leaves behind a starving neglected baby whose first impression is eating frogspawn in the mud and biting his rescuers while being the spitting image of the warlord they just narrowly avoided.

All of that gets thrown into this caustic mixture of fear and paranoia that gets projected onto a literal baby and results in their completely out of pocket response to a child taking food from the kitchens in the We Share Everything Abbey.

It also might explain why Bryony, who's young enough to be three generations removed and may have been born after most of the survivors of Kotir had already passed, is the only one who isn't scared and suspicious of Veil on sight.