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journeytothewestresearch · 1 year ago

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The aforementioned five ornaments are sometimes combined with another item to form the “Six Ornaments” or “Six Seals” (Sk: Shanmudrā, षण्मुद्रा), each of which is associated with a Buddhist wisdom:

The yogic ornaments … are commonly classified as being six in number: (1) the skull-tiara, (2) the armlets, (3) the bracelets, (4) the anklets … (5) the bone-bead apron and waist-band combined … and (6) the double line of bone-beads extending over the shoulders to the breast, where they hold in place the breast-plate Mirror of Karma, wherein … are reflected every good and bad action. These six ornaments (usually of human bone) denote the Six Pāramitā (‘Boundless Virtues’), which are: (1) Dāna-Pāramitā (‘Boundless Charity’), (2) Shīla-Pāramitā (‘Boundless Morality’), (3) Kshānti-Pāramitā (‘Boundless Patience’), (4) Vīrya-Pāramitā (‘Boundless Industry’), (5) Dhyāna-Pāramitā (‘Boundless Meditation’), and (6) Prajñā-Pāramitā (‘Boundless Wisdom’). To attain to Buddhahood, and as a Bodhisattva to assist in the salvation of all living creatures, the Six Pramita must be assiduously practised (Evans-Wentz, 2000, p. xxv).

The most detailed source I’ve found reads:

a. The Bone Wheel Vajradharma wears a bone wheel on his head. It is formed from a small bone circle that sits around the crown of the head, surrounded by a second, larger circle. The two circles are attached to one another by eight bone spokes. On each of the five spokes at the front, above the forehead, stands a dried skull that supports the jewel, which is the crest ornament. From the lower part of their jaws, looped chains and hanging decorative chains extend downward to the space between Vajradharma’s eyebrows and to the tips of his ears. One the back of each skull is a multicolored vajra with a crescent moon placed to the left. The deity’s long hair passes up through the hole in the middle of the inner bone circle and is tired in a topknot. b. The Earrings There are five parts to the earrings. There is a main circle of bone, which is like a bangle. From the bottom of the circle hang two smaller rings, each one attached to the larger ring above them by a semi-circle of bone. c. The Necklace The necklace is made of two strings of bones bound together with hair taken from both a corpse and a living person. At the front is a square central hub. The hub forms the base for a T-shaped triple vajra. There are to more triple vajras placed at the two points where the strings of the necklace reach the shoulders. d. The Bracelets The deity wears a bracelet on each ankle, wrist, and upper arm, making six in total. Each bracelet is made from two strings of bones that have been bound together. There are three vajras on each pair of bracelets, one at the knot in the upper string, one at the knot in the lower string, and one opposite the knot in the upper string. e. The Brahmin’s Bone Thread Next is the Brahmin’s bone thread, or investiture thread (yajnopavita). On the front of the body, above the novel, is a bone wheel with either right or four spokes. There are holes in four of the spokes and two parallels strings of bone pass through each of them. Two of these strings go over the shoulders, and two pass under the armpit. On each of these strings are two vajras on the shoulder and another two under the armpit, making eight in total. Sometimes there is a second bone wheel on the back, to which all the strings are tied; if not, all the ends of the strings are knotted together. Together, or with the thread of hair from a slain thief, these bone ornaments are called the ornaments of the five mudras. f. The Bone Belt The bone belt, or apron, hangs from the waist. It is made, as before, of two parallel strings of bone. The strings have five vajras attached to them–one at the front in the center, one on each hip, and one on each side of the center, halfway to the whips. Hanging chains and looped chains decorated with small silver bells and small bone spearheads hang from the tips of the vajras. The chains end at the point where the calf muscle begins to taper. According to oral tradition, the necklace we just mentioned is ornamented with five vajras at the heart. Although I have consulted many descriptions of the bone ornaments, I have never seen this stated anywhere else. There are many traditions concerning the bone ornaments, but here I have presented that of the oral tradition taught by my master (Lingpa, Rinpoche, & Chemchok, 2017, pp. 52-54).

As can be seen, the tiger skin is not mentioned among these ornaments either.

Also, as is mentioned, the items making up the six ornaments vary from tradition to tradition. For instance, Huntington and Bangdel (2003) list bone ash in place of the bone thread (p. 161). But it’s important to note for our purposes that the circlet, bangles, bracelets, anklets, and belt make up the five basic accoutrements.

One example of the "skull-tiara" or "bone wheel" (i.e. the ritual headband) mentioned above looks like this.

A 19th-century Tibetan bone headband from the Art Gallery of NSW.

A drawing of Monkey wearing the bone ornaments would be great.

Sources:

Evans-Wentz, W. Y. (Ed.). (2000). Tibet’s Great Yogi Milarepa: A Biography from the Tibetan Being the Jetsun-Kabbum Or Biographical History of Jetsun-Milarepa, According to the Late Lama Kazi Dawa-Samdup’s English Rendering. United Kingdom: Oxford University Press, USA.

Huntington, J. C., & Bangdel, D. (2003). The Circle of Bliss: Buddhist Meditational Art. United Kingdom: Serindia Publications.

Lingpa, J., Rinpoche, P., Chemchok, K. (2017). The Gathering of Vidyadharas: Text and Commentaries on the Rigdzin Düpa. United States: Shambhala.

More on the Origins of Sun Wukong's Golden Headband

I've previously suggested that the Monkey King's golden headband (jingu, 金箍; a.k.a. jingu, 緊箍, lit: “tight fillet”) can be traced to a ritual circlet mentioned in the Hevajra Tantra (Ch: Dabei kongzhi jingang dajiao wang yigui jing, 大悲空智金剛大��王儀軌經, 8th-century). This is one of the "Five Symbolic Ornaments" or "Five Seals" (Sk: Pancamudra, पञ्चमुद्रा; Ch: Wuyin, 五印; a.k.a. "Five Buddha Seals," Wufo yin, 五佛印), each of which is associated with a particular Wisdom Buddha:

Aksobhya is symbolised by the circlet, Amitabha by the ear-rings, Ratnesa by the necklace, Vairocana by the hand ornaments, [and] Amogha by the girdle (Farrow, 1992, p. 65). [1] 輪者，表阿閦如來；鐶者，無量壽如來；頸上鬘者，寶生如來；手寶釧者，大毘盧遮那如來；腰寶帶者，不空成就如來。

Akshobya is known to have attained Buddhahood through moralistic practices (Buswell & Lopez, 2014, p. 27). Therefore, this explains why a headband would be used to rein in the unruly nature of a murderous monkey god.

The original Sanskrit Hevajra Tantra calls the circlet a cakri (चक्रि) or a cakrika (चक्रिका) (Farrow, 1992, pp. 61-62 and 263-264, for example), both of which refer to a "wheel" or "disc." The Chinese version uses the terms baolun/zhe (寶輪/者, "treasure wheel or ring") and just lunzhe (輪者, "wheel" or "ring").

One of the more interesting things I've learned is that these ornaments were made from human bone. One source even refers to them as "bone ornaments" (Sk: asthimudra, अस्थिमुद्रा) (Jamgon Kontrul Lodro Taye, 2005, p. 493, n. 13). [1]

Can you imagine Sun Wukong wearing a headband made from human bone?! How metal would that be? Finger bones would probably do the trick.

Note:

1) Another section of the Hevajra Tantra provides additional associations:

The Circlet worn on the head symbolises the salutation to one's guru, master and chosen deity; the ear-rings symbolise the yogi turning a deaf ear to derogatory words spoken about the guru and Vajradhara; the necklace symbolises the recitation of mantra; the bracelets symbolises the renunciation of killing living beings and the girdle symbolises the enjoyment of the consort (Farrow, 1992, p. 263-264). 謂頂相寶輪者，唯常敬禮教授阿闍梨及自師尊；耳寶鐶者，不樂聞說持金剛者及自師尊一切過失、麁惡語故；頸寶鬘者，唯常誦持大明呪故；手寶釧者，乃至不殺蠕動諸眾生故；腰寶帶者，遠離一切欲邪行故。

2) For more info on the association between Hindo-Buddhist practices and human remains, see "charnel grounds".

Sources:

Farrow, G. W. (1992). The Concealed Essence of the Hevajra Tantra: With the Commentary Yogaratnamālā. Delhi: Motilal Banarsidass.

Jamgon Kontrul Lodro Taye (2005). The Treasury of Knowledge, Book Six, Part Four: Systems of Buddhist Tantra (The Kalu Rinpoche Translation Group, Trans.). Ithaca, NY: Snow Lion.

#headband #ritual headband #esoteric buddhism #monkey king #sun wukong #bone ornaments #yogi #buddhist yogi #journey to the west #jttw #lego monkie kid #lmk

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starberry-cupcake · 1 month ago

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I FINISHED THE THING (part 2)!!!!!

The Polly Pocket Style Star Trek bridge for the Christmas tree is done!! I know it could look better, please be kind, I'm very tired.

I made the screens in acetate sheet (from a cake container, everything I used except the clay was re-purposed) so that the tree lights acted like screen lights, and made a couple holes in the ceiling (it's painted as well) to pop some lights through as well.

Here in read more are some process pics where you can see some extra details of the base painting.

The 3d ship things are made in cold porcelain, the figures and chairs are made in polymer clay and baked. I wish I had used sculpey instead of fimo but alas, I made choices.

Chekov lost an arm during the baking process, it was so tiny it got lost and I had to make a new one. Spock's ears had to be sculpted bigger than normal so that it didn't happen to him, that would have been more difficult to fix and we would have ended with a snw human Spock moment situation nobody wants to re-live. I was this 👌 close to making Jim in his cunty little green wrap outfit but decided against it in the end. Uhura has her ear piece painted on. I wish I could include my hand for size reference but my posts get blocked when I do that so, for reference, the figures are set for baking in tuna cans in the pic above. I'm not a fancy crafter but I'm a resourceful one, what can I say.