#boetti
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Selfportrait By Vincenzo Gemito Gallerie d'Italia Napoli . #gallerieditalia #galleria #gemito #tatafiore #boetti #pistoletto #ghirri #gallerieditalianapoli #campania #artwork #mostrenapoli #boccioni #art #contemporaryart #painting #rionesanità #scuoladiposillipo #naples #venere #vincenzogemito #italia #faces #manet #azul #sculpture #manzoni #napoli #warhol #vesuvius (presso Naples, Italy) https://www.instagram.com/p/Cp8WdQ2ojuu/?igshid=NGJjMDIxMWI=
#gallerieditalia#galleria#gemito#tatafiore#boetti#pistoletto#ghirri#gallerieditalianapoli#campania#artwork#mostrenapoli#boccioni#art#contemporaryart#painting#rionesanità#scuoladiposillipo#naples#venere#vincenzogemito#italia#faces#manet#azul#sculpture#manzoni#napoli#warhol#vesuvius
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la casa museo di tarquinia ospita la collezione peruzzi, la più importante raccolta di opere seriali dell'arte italiana contemporanea
La Collezione Peruzzi La più importante raccolta di opere seriali dell’arte italiana contemporanea La Collezione Peruzzi è composta da oltre duecento opere seriali di arte italiana contemporanea, raccolte a cominciare dal 1980. Gli artisti sono stati selezionati sulla base della loro effettiva riconoscibilità internazionale e dell’organicità all’area di appartenenza, in modo da soddisfare il…
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#A.Pomodoro#Anselmo#art#arte#arte seriale#Baj#Beecroft#boetti#Bonalumi#Bonvicini#Botto&Bruno#Calderara#Calzolari#Casa museo di Tarquinia#Castellani#Castiglioni#Cattelan#Collezione Peruzzi#Colombo#Consagra#De Lucchi#Fabro#Frattini#Ingrand#Jacobsen#Kounellis#Le Corbusier#Magistretti#Mari#Marisaldi
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senza titolo by alighiero boetti, 1994, wool & cotton carpet, 385 × 296 centimeters
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Alighiero Boetti (Italian, 1940-1994), Senza titolo, 1994. Ink and watercolour on paper mounted on canvas, 125 1/2 x 95 1/4 in. Collezione Gian Enzo Sperone
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Alighiero Boetti
Per nuovi desideri, 1977
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Untitled, Alighiero Boetti, 1989
Embroidery on canvas 42 ½ x 45 5/8 in. (108 x 116 cm)
#art#alighiero boetti#embroidery#contemporary art#textile art#textiles#conceptual art#20th century art#1980s#20th century#italian
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Alighiero Boetti scrittura a due mani, 1970.
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Alighiero Boetti (1940–1994) [Italy] - ‘Today the thirtieth of the fourth month one nine eight nine‘, 1989. Embroidery (109.8 x 112.5 cm).
#art#contemporary art#art hunt streak week#Alighiero Boetti#abstract art#hard edge#accumulation#Letters#embroidery
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#Alighiero Boetti#Senza titolo (Rosso come la rabbia l’ira la collera...)#1986#70 x 100.3 cm#Italian#1940–1994
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Alighiero Boetti, "Tutto" 1990,
Embroidery on Linen, 86 1/2 x 170 1/4 in. (219.7 x 432.4 cm.)
In the spring of 1971, while in search of “something distant”, Alighiero Boetti discovered Afghanistan. This was the beginning of a relationship that tied the man and his work to the Afghan people for 23 years until the artist’s death in 1994.
Boetti maintained these links during the period of exile following the Soviet invasion of 1979, even welcoming some of his assistants into his own family in Italy.
Afghanistan is the scene of the production of many of Alighiero Boetti’s best-known works, including the Mappe (1971-1994), made by female Afghan embroiderers.
His artistic intentions, his experience of the country and his intellectual curiosity give rise to works that act as cultural and geopolitical seismographs.
His work bears witness to the socio-political transformations that affected the Middle East in the 1970s and 1980s, seeing, for example, the embroiderers flee to Peshawar in Pakistan, where some of the last embroideries were produced.
#art#abstract#abstraction#forms#fabric#embrodery#alighiero boetti#all#tutto#tornabuoni art#salman ali#afghanistan#political#afghan#socio-political#middle east#peshawar
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Alighiero Boetti, "Dama," 1967,
Alighiero Boetti 'Dama' consists of 100 “playing” pieces. Despite the work’s apparent simplicity, there is only one way to arrange the pieces in the correct order. This visual simplicity but conceptual complexity allowed Boetti to explore the ideas of order and disorder.
One hundred punceachtured wood blocks, in wood box,
2 x 2 x 2 in. (each block), 2 3⁄8 x 21 ¼ x 21 1⁄8 in. (box),
#art#design#sculpture#minimal#forms#game#dama#alighiero boetti#woodwork#games#gaming#multiplayer#conceptual#order#disorder#1967#block
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Alighiero Boetti - Entre loup et chien, 1987
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Alighiero Boetti, Il Silenzio è d'Oro (Silence is Gold), 1988.
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Arte Povera
Bourse de commerce
#art#art history#italian art#modern art#arte povera#jannis kounellis#alighiero boetti#giovanni anselmo
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Alighiero Boetti (Italian, 1940-1994), Insicuro non curante (Insecure-Carefree), 1979. Ballpoint pen on paper laid down on canvas, in two parts, each: 99.2 x 70.5 cm.; overall: 99.2 x 141.5 cm.
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Alighiero Boetti Tutto, 1988 Sprüth Magers
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