#blue being blue

[coppertophomegurl]

Bridgerton season 3 was really a win for the fat girls, and the gingers, and the wallflowers, and the bisexuals.

[hinamie]

happy gojoday to all who celebrate

[frenchublog]

[hella-marshmella]

“My vote doesn’t matter (so I’m gonna sit it out/vote third party/put a write-in protest vote)!”

Unfriendly reminder that Al Gore only lost Florida (and subsequently the entire 2000 election) by only 537 votes. Your vote absolutely fucking matters.

If y’all really, truly don’t want Trump/Republicans back in control than you better get out and vote down the ballot, especially if you live in an even remotely purple/swing state.

The MAGA voters will absolutely get out and vote, don’t let them out-do you.

[moonliteve]

cw/ gore

↓ standalone ver.

[zhelin-thames]

A Ghostly Text Mishap

Danny flopped onto his bed, phone in hand, glaring at the screen. Another long day of dealing with Vlad's manipulative nonsense had left him frustrated beyond belief. He opened his messages, found the contact labeled Trucker, and began furiously typing.

Danny: You will NOT believe what Plasmius did this time. The absolute NERVE of this guy. You’d think being half-dead would make someone LESS petty, but nooo, this man’s ego is bigger than the Ghost Zone.

Danny: He tried to "buy" my parents' company AGAIN. He offered to “help” with ghost containment tech but really just wants to snoop around for weaknesses in the portal.

Danny: AND he had the audacity to call me “Little Badger” like it’s a term of endearment. I swear, if I hear that ONE MORE TIME, I might go full ghost and dropkick him into the Fenton Thermos.

Satisfied with his venting, Danny tossed his phone onto the bed and buried his face in his pillow. Unbeknownst to him, he had made one critical mistake.

Jason Todd, aka Red Hood, was sitting in his safe house, polishing his guns when his phone buzzed. He glanced at the screen.

Unknown Number: You will NOT believe what Plasmius did this time…

Jason raised an eyebrow. “What the hell is this?” he muttered, scrolling through the tirade. By the time he got to “Little Badger”, he was smirking.

He typed back:

Jason: Kid, I think you’ve got the wrong number. Unless this “Plasmius” guy is a Gotham villain I’ve somehow missed.

Danny’s phone buzzed, and he rolled over to check it. His heart dropped when he saw the reply.

Danny: Oh no. This isn’t Trucker, is it?

Jason: Nope. But you’ve got my attention. Who’s Plasmius, and why does he sound like the type of guy I’d shoot on principle?

Danny hesitated, then decided to just roll with it.

Danny: Short version: he’s a half-ghost fruitloop billionaire who’s obsessed with ruining my life, becoming my creepy stepdad, and taking over the world. Think Lex Luthor but undead and ickier.

Jason burst out laughing, earning a curious glance from Roy Harper, who had just walked in.

“Who’s got you laughing like that?” Roy asked, setting down a bag of takeout.

“Some kid who texted me by mistake,” Jason replied, showing him the messages.

Roy skimmed them and snickered. “Plasmius? Sounds like a knockoff vampire villain.”

Jason’s fingers flew over the keyboard.

Jason: Okay, kid, you’ve officially got my interest. I don’t know who you are, but if this Plasmius guy’s half as bad as you say, I’ve got some creative ways to deal with him. You in Gotham?

Danny stared at the message, blinking. Who even was this guy? But... he did sound like he knew how to handle problems.

Danny: Uh, no. I’m from Amity Park. It’s kind of a supernatural hotspot, so I’ve got it covered. But thanks for the offer, I guess?

Jason smirked.

Jason: Supernatural hotspot? Kid, you’re talking to someone who’s been resurrected. Ghosts don’t scare me.

Danny froze. Resurrected? Oh no. This guy might actually know about the supernatural.

Danny: ...Wait, who ARE you?

Jason: Name’s Jason. Most people call me Red Hood. Ever heard of me?

Danny blinked, then groaned. “Of course. I text a vigilante. Just my luck.”

Danny: ...Yeah, I’ve heard of you. So, uh, thanks for not tracking this number and showing up at my house or something.

Jason: Yet.

Danny felt a shiver run down his spine.

Danny: That’s not funny, dude.

Jason: Relax, Little Badger. Your secret’s safe with me. For now. But hey, if you ever need help dealing with your undead billionaire problem, hit me up.

Danny sighed, shaking his head.

Danny: Sure. Thanks, I guess?

Jason leaned back, grinning as he saved the number under Ghost Kid.

“Roy, I think I just found the weirdest contact in my phone.”

“You say that like it’s a bad thing,” Roy replied, tossing Jason a burger.

“Not bad. Just… different.” Jason chuckled. “Plasmius, huh? Sounds like fun.”

[lauraisconfused]

[snailwriter]

Two halves of one whole haircut

[captainamateur-artistt]

𝐆𝐥𝐚𝐜𝐢𝐞𝐫𝐬 𝐦𝐞𝐥𝐭𝐢𝐧𝐠 𝐢𝐧 𝐭𝐡𝐞 𝐝𝐞𝐚𝐝 𝐨𝐟 𝐧𝐢𝐠𝐡𝐭 𝐚𝐧𝐝 𝐭𝐡𝐞 𝐬𝐮𝐩𝐞𝐫𝐬𝐭𝐚𝐫𝐬 𝐬𝐮𝐜𝐤𝐞𝐝 𝐢𝐧𝐭𝐨 𝐭𝐡𝐞 𝐬𝐮𝐩𝐞𝐫 𝐦𝐚𝐬𝐬𝐢𝐯𝐞 𝐛𝐥𝐚𝐜𝐤 𝐡𝐨𝐥e.

—

Direct reference to that one famous photo of Anne Hathaway, Audra McDonald & Raul Esparza in “Twelfth Night”.

[artielu]

Listen up.

The current Supreme Court is a 6-3 conservative majority.

Justice Thomas, that corrupt fascist fucker, is 75.

Justice Alito, that biased fascist fucker, is 74.

Each is married to a fascist ultra right wing woman. Ginny Thomas was actively involved in Trump's efforts to overturn the 2020 election. Martha Ann Alito is the alleged source of the ultra right wing flags on the Alito homes.

If Trump is elected in 2024, Thomas and Alito will retire, just like Kennedy did in 2018. Trump will get to appoint two more justices in their 50s.

Like sexual assaulter and liar Kavanaugh. Or handmaid's tale Coney Barrett. And the conservative majority will be on lock for thirty years. Gorsuch, Kavanaugh, and Coney Barrett are in their 50s.

Add two more ultraconservative justices in their 50s and you have a five seat conservative majority for 30 years if they live natural lifetimes.

If Trump is elected in 2024, we've not only lost the Court for at least a decade (now) but another thirty years.

What other civil rights would you like to lose? Because YOU WILL. We ALL will.

Can we fucking not? CAN WE FUCKING NOT?

Vote for Biden.

Vote for Democrats for the Senate.

[shining-dawn]

[phantasymistart]

uh oh guys new favourite character time

[tiger-grace]

I think Alfred is constantly dreaming about retirement but is shackled by the knowledge that he is the glue holding this barely functional family together

Alfred: sir I really don’t think

Bruce: why not. why should I not invest millions into funding a therapy corporation that Jason will ACTUALLY be able to trust

Alfred: quite honestly sir I think if it says “wayne” on it he’s 10 times less likely to go

Tim and Damian kicking the hell out of eachother rolling around on the floor: (unintelligible screaming, glass breaking, various cartoon crashing sound effects)

Alfred: (stares into batcamera like he’s in an office episode with several decades worth of exhaustion)

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[balee-art]

What a dysfunctional squad.

[abrillustrated]

something that i really like about blue eye samurai, now that im thinking about it, is that it discusses violence against women without becoming torture porn. like, in a lot of media that portrays women's issues, they show you that scene. like they give you this extended visual of a woman experiencing something traumatic and then laud themselves as feminist for doing so.

blue eye samurai doesn't do that. the whole show is set in a world that is extremely antagonistic toward women, and it makes a point to tell you that being a woman right now sucks, because they are property and are used sexually. but even though it doesn't shy away from this, it doesn't show you the violence itself, which you would almost expect it to because of how graphic the rest of the show is.

im thinking specifically of kinuyo. they very well could have shown us a scene of her being abused, but they didn't. they didn't show the abuse itself, but they did show how it affected her. they showed her seeing a doctor for her sores. they could have made this incredibly traumatic and grotesque scene a spectacle, showing us exactly how powerless she is and how powerful he is. they could have shown us this incredibly triggering event in full detail for our entertainment, but they didn't. they chose not to. and i think that's how it should be.

it is not necessary to have an extended visual and auditory reenactment of violence against women. we the audience understood the gravity of the situation and were able to empathize without needing that scene. having that scene would have completely detracted from the point they are trying to make. it would have turned something completely reprehensible that women everywhere fear because it's a very real issue into entertainment.