#bisexual edmund

[lyn1catz]

does he know

[yourfavealbumisgender]

Dreamland by Glass Animals is Bisexual!

[yourdailyqueer]

Edmund Gosse (deceased)

Gender: Male

Sexuality: Bisexual

DOB: 21 September 1849  

RIP: 16 May 1928

Ethnicity: White - English

Occupation: Poet, writer, writing critic, professor

[oakensheilded]

Unpopular opinion?

Edmund from Narnia is either gay or bi and is confused/has internalized homophobia from the time period he was born in so him wanting to fight prince caspian might've been (probably was) just sexual tension or romantic tension somewhere along that line

[dragonsarecats]

[ Previous anon ]

 I'M SORRY FOR WORDING IT LIKE THAT I played the Golden Deers, some of my favorite queer ship are with Deers and some of my favorite character are among the deers! My favorite deer ship is probably Leonie x Lysithea ( She litteraly say Leonie would make an incredible partner! Why do their support stop at B again?? ) and my otp is Hilda x Edelgard ( do not judge me I have REASONS ). And also, one of my favorite queer headcanon is trans aro-ace Claude! So I genuinely love the Deers as queers!

However, for me the deer and the diverse queer content around them is heavily a fandom thing. When I say the deer are "too straight for me", I meant it for the game directly. Like you have the Black Eagles where not only litteraly every characters is canon queer/has heavily subtext but has also its whole narrative drenched in queer metaphor! You have the Blue Lions where, while there's less "canon queer", you litteraly cannot say most of its members are straight with how heavy the subtext that's barely even subtext anymore is: there's 0 straight explanation for Felix crying more at Dimitri death than his wife, or him dying the same day as Sylvain because they can't live without each other.

But for the Deers... You have Hilda/Marianne and Claude/Lorenz as the most popular one but while their relationship are so fascinating, when you only look only at the game, they feel too platonic? Especially compared to a Dedue/Dimitri ( like a family in private. took up a post at his grave for the most of his days. BURIED BESIDE EACHOTHER ) or a Ferdinand/Hubert ( rare A+ support, with blushing, their own little surname, Ferdinand/Edelgard support changing just to mention Ferdinand drinking coffee ). Otherwise you have Leonie/Lysithea which stop at B. You have Raphael/Ignatz where they decided to just push the relationship to make their ending all about Ignatz with his sister.

Like really, the Deers manage to have less in game queer moment than the Church of Seiros, Rhea aside, of all things! We were so robbed! The rainbow house deserve better. I'm a lesbian and after all my playthrough Verdant Winds was my only route where I had to marry a man, all I wanted was a lavender wedding with Claude while I have a passionate romance with Leonie :(

To sum up: Lysithea and Leonie should kiss, Intelligent Systems are fucking cowards 

For the fandom I'll have to disagree, I think the Deers have a lot a queer content and it's amazing :] My only thing might be how Claude has become the first character you think of when talking about bi fe3h character which is kinda telling how wlw are dismissed in the general fandom, but its better than some people insisting he's totally straigh so eh ¯\_(ツ)_/¯

( Also I big agree on Hilda support being gem, she's such a great character and one that's much more complex than given credit for!! )

Oh and I think I disagree with Deers being the more family found-esq ( saying that bc it's a great subject of I discussion and I want to hear more about your opinion on the matter )

The Lions is the family where they all stick together through thick and thin, following Dimitri to hell and back, but their relationship are complexe and not always healthy ( mostly at the beginning with like Dimitri & Felix or Ingrid & Sylvain ).

The Eagles are the found family where a lot of them bitch about each other at first but they end up with deep relationship where they take care for each other and stand together against the world, even sticking together during the time skip ( also because they kinda all killed each other dad ).

The Deers are for me more like an actual close group of friend: their life are not going to revolve around each other like it does with the other houses, but they won't hesitate to come for that 5 years reunion to see the other. It's kinda like you say they're so normal in a good way! They tease each other but they don't hate each other in the way of a Dimitri/Felix, a Caspar/Petra, a Ferdinand/Hubert ( except for Lorenz but like, it's Lorenz ). They won't kill the other dad, but they'll sure as hell support each other like Lorenz and Ignatz or Marianne and Raphael. They might not start a revolution together but they will listen to the other even when it’s total heresy ( Leonie & Claude, such an incredible support :’) ) and help the other to reach their goal… I do agree with you it’s linked to not knowing each other before, but on that, isn’t knowing each other before more of a Lion thing than not knowing being a Deer thing? I don’t know, the BE are kind of a middle ground.

( Sorry for my ramblings- It's so fun talking about the deers )

AA anon thank you for the long ask!! Okay I'm gonna take this point by point under the readmore!

"My favorite deer ship s probably Leonie x Lysithea ( She litteraly say Leonie would make an incredible partner! Why do their support stop at B again?? )"

INCREDIBLY fair and based of you, lol, I read Lysithea as gay and it's 100% because of the support conversations she has with Leonie and Hilda (which to me implies an ADORABLE crush--Lysithea seems to genuinely respect and admire Hilda which is not something you'd expect from like, a surface level reading of their characters).

I'm gonna admit my own bias here in terms of canon text endings--my favorite Lysithea ending is her paired ending with Lorenz. It really reads like a queer platonic relationship to me--I don't really get romantic vibes from either of them (gay as they are) towards each other, but the commitment and care they have for each other genuinely warms my heart. Especially the fact that like, Lorenz is SO determined to ensure Lysithea takes care of herself and the ending doesn't really imply that she dies young (only that her health is delicate/poor) in comparison to others, and she and her family get to live the quiet life they want. Of course, as an aro/ace disabled person, I think it probably hits differently for me than people who aren't just because of the fact that after the most recent time I saw their support chain/got their ending I teared up a bit (and also why I'm now adoring your trans-aro-ace Claude).

ANYWAYS, I agree IS are cowards and that's why Edelgard is the only Lord who can romance both male/female Byleth.

"For the fandom I'll have to disagree, I think the Deers have a lot a queer content and it's amazing :]"

I probably didn't word what I meant completely lol correctly-- it's not that the Deer don't have a lot of queer content, it's just that overall, they have less content in general made for them then the Black Eagles and Blue Lions.

I do ALSO love so much of the queer content made for the Deers! The Three Houses fandom is amazing.

"My only thing might be how Claude has become the first character you think of when talking about bi fe3h character which is kinda telling how wlw are dismissed in the general fandom, but its better than some people insisting he's totally straight so eh ¯\_(ツ)_/¯"

Okay, so I was kind of dancing around saying this to your last ask but you hit the nail on the head lol. I genuinely think the reason why the Deer might come across as less queer is because the "main ship" for them, so to speak, is the WLW pairing Hilda/Marianne.

Ironically when I think about bi fe3h characters my first thought is consistently Lindhardt?

"Oh and I think I disagree with Deers being the more family found-esq ( saying that bc it's a great subject of I discussion and I want to hear more about your opinion on the matter )

The Lions is the family where they all stick together through thick and thin, following Dimitri to hell and back, but their relationship are complexe and not always healthy ( mostly at the beginning with like Dimitri & Felix or Ingrid & Sylvain ).

The Eagles are the found family where a lot of them bitch about each other at first but they end up with deep relationship where they take care for each other and stand together against the world, even sticking together during the time skip ( also because they kinda all killed each other dad )."

Okay so I definitely agree with you that they're all found family, explicitly in the text lol. What I meant in my statement that they're the most found-family-esq is that you get to see the development of ALL their relationships and becoming that family together on screen.

The Lions (a mess, and I love them), are pretty heavily involved with each other at the beginning of the game. A lot of the intrigue with them is the fact that they all have backstory stuff going on with each other (save for Ashe, I think, but we kill his dad on screen so). Mercedes and Annette went to Sorcery School together, Felix/Sylvain/Dimitri/Ingrid are all childhood friends with intense complications, and the trauma and deliberate kindness that brought together Dimitri and Dedue makes me emotional.

Similarly to them, the Black Eagles all have a history with each other (save for Dorothea) as well. There's the insane and amazing devotion between Edelgard and Hubert, Lindhardt and Caspar's childhood friendship, the onesided rivalry going on between Ferdinand and Edelgard since they were kids and Hubert's judgement of Ferdinand for it. Petra and Bernadetta, technically don't have pre-established relationships with the others, but in ways that are deliberately intense. Petra is blatantly a political hostage in the Academy Era in a way that really informs her relationship with Edelgard and Hubert even before they get to know her. Additionally Bernadetta's isolation creates a kind of infamy between her and the other nobles.

The Golden Deer, on the other hand, don't really have as many intense bonds going in (and thus, in my opinion, makes it easier for Byleth to integrate amongst them as an eventual equal). There's the preestablished dynamic of Lorenz being suspicious of and wanting to best Claude, but it's a recently developed dynamic, as Claude only appeared a year ago. This would be a bigger personal issue if he was leading a house like the Blue Lions or the Black Eagles (noble heavy as they are), but it's barely an issue in the Deer and not just because of the commoners. Hilda, Lorenz, Lysithea, and Marianne are not close. In all his supports with the three of them, Lorenz is the one reaching out because of his belief that their time in the Academy should be used to form better and closer connections with other nobles. There is nothing to imply that there was any substance to their pre-existing relationships. The only two who have anything to their relationship before the game starts, are Raph and Iganatz, who haven't spoken in years, mostly due to guilt on Ignatz's behalf for what happened to Raphael's family.

So as a result, you get to see the bonds being formed and deepened with the Golden Deer from scrap. Obviously some development happens off screen during the time skip, but other than that the Deer's found family forms and develops completely on screen, which is why I think it's the most found family-esq of the three.

In fact, it's a huge part of Claude's story. It's something you don't really notice in his route, but it's really clear when you don't pick him. While Edelgard and Dimitri kind of can't function and literally can't without Byleth's support, Claude has probably the highest survivability rate when you don't choose him of any character save technically Marianne. He survives the Blue Lions route, the Black Eagles route (if you spare him), and is implied to have survived the Silver Snow route. When he doesn't have Byleth, he still survives, so not choosing him isn't as dramatic. But it's easy to see that without Byleth as a teacher, he doesn't open up enough to the Deer. Dimitri and Edelgard have assured loyalty from their houses (even Ferdie and Felix) becuase of these pre-established relationships and positions, but Claude has to earn it. That's why Hilda, despite being his vassal, is recruit-able so long as you don't choose Black Eagles (the only route where he can die). Without Byleth, although the Deer do grow close, they don't do it as quick or as closely as they do with the Professor. Claude is a character who's never been able to truly rely on others, even if they care about him, and being able to rely on Byleth allows him to open up and rely on the Deer and truly trust them. I mean, Claude's two most relied upon people in the Deer (as seen in 3Hopes when he goes against Dimitri) are Hilda and Lorenz. I don't think people talk enough about how insane it is that Claude trusts Hilda Goneril with his life, considering he's an Alymran prince.

That's also why I think the Deer are so good for Byleth. I don't think any of the other route's are bad for Byleth at all, but I think the deer provide something to Byleth that neither the Lions or the Eagles can bring to her: a single of equivalency. Byleth is only slightly older than her students in the Academy Era and is in fact younger than most of them in the War Era, and yet it's only really with the Deer that she feels like she's amongst peers (whether it be because of the commoner/noble ratio or that she's as much of a stranger to them as they are to each other.) I mean, Claude is literally the only character who doesn't call refer to her by her Profession.

Anyways, TLDR: I think they're the most found family because a huge part of the Golden Deer route is them getting to know and love each other from scratch, and being a found family is a much bigger thematic aspect for them then it is for the other two houses.

"However, for me the deer and the diverse queer content around them is heavily a fandom thing. When I say the deer are "too straight for me", I meant it for the game directly. Like you have the Black Eagles where not only litteraly every characters is canon queer/has heavily subtext but has also its whole narrative drenched in queer metaphor! You have the Blue Lions where, while there's less "canon queer", you litteraly cannot say most of its members are straight with how heavy the subtext that's barely even subtext anymore is: there's 0 straight explanation for Felix crying more at Dimitri death than his wife, or him dying the same day as Sylvain because they can't live without each other."

"But for the Deers… You have Hilda/Marianne and Claude/Lorenz as the most popular one but while their relationship are so fascinating, when you only look only at the game, they feel too platonic? Especially compared to a Dedue/Dimitri ( like a family in private. took up a post at his grave for the most of his days. BURIED BESIDE EACHOTHER ) or a Ferdinand/Hubert ( rare A+ support, with blushing, their own little surname, Ferdinand/Edelgard support changing just to mention Ferdinand drinking coffee ). Otherwise you have Leonie/Lysithea which stop at B. You have Raphael/Ignatz where they decided to just push the relationship to make their ending all about Ignatz with his sister."

Okay, so I definitely agree with you that those things are canon queer and subtext, and that it's a shame they don't push the Raphael/Ignatz stuff and focus on Ignatz and Raph's sister (which is admittedly adorable to me).

Again, I'm aro/ace, so for me, queerness doesn't necessarily require romance as a prerequisite? Which is why I like Lorenz and Lysithea's ending, lol.

Hilda/Marianne in no way reads platonic to me, so I really disagree with you there. Hilda treats Marianne completely differently to how she treats everyone else in game. Their support chain is focused on how Hilda, who manipulates her way out of doing anything she doesn't want to, chooses to consistently over and over again do things for Marianne that she can't, and refuses to let Marianne feel bad over it. She leverages this into Marianne buying her pastries and them having a lunch date together. Their A support consists of Marianne questioning their regular dynamic of doing this and Hilda reassuring that she enjoys it so much she'd feel odd if it changed. They compliment each other to the point where Hilda starts to get a little flustered, and Hilda's even able to poke fun a little at Marianne and get Marianne to poke fun at her back. Marianne laughs at Hilda, and Hilda textually thinks it's adorable and can't even get mad at it because it's so cute. Marianne seems so genuinely happy and herself (even in negative ways!) with Hilda, and can rely on her in a way that doesn't make her feel inadequate or a burden.

I can understand as being able to view Claude/Lorenz as platonic, especially since I will never diverge from my Claude/Byleth endings, but I think they can also still be read pretty textually clear and potentially romantic. Part of this is Lorenz, who just, is very clearly gay to me? But again, part of this is the fact that a huge part of the Lorenz/Claude dynamic is them being viewed textually as equals, which is something that will and can never happen with Edelgard/Dimitri and their rival characters. Their support chain is all about getting to know and respect each other as they grow to care for one another, and while it isn't explicitly as romantic as Marianne/Hilda, I think their paired ending really speaks a lot for itself, in that Claude trusts Lorenz to be Fodlan's face of diplomacy towards Almyra. He trusts Lorenz to help him achieve his dream in the most direct way possible, something I think you can absolutely compare to his relationship with Byleth in their S-Support. Additionally about their support chain, their A-support really is about affirming to the player how close they've become, how fond they are of each other, and how neither of them can imagine the future of Fodlan without the other one in it. While there isn't a lot of direct text between Claude/Lorenz, I think there is absolutely enough subtext that you could read them romantically, especially from Lorenz's POV. The hard thing with this game is that each character needs to be able to be paired with Byleth, so they can never be textually obviously/blatantly in love with another character save for Byleth until their paired ending, and I think that absolutely holds doubly true for Lord characters, which is why I think Claude/Lorenz relies more on subtext.

I do think it's a shame that Lysithea doesn't have any A supports with women in her own house. Leonie like you mentioned is an adorable one, and I think Lysithea has a huge crush on Hilda in the ones with her, and there is definite potential in the one she has with Marianne (which in my opinion is a kinder, more gentle version of her supports with Ignatz).

I also think there's a few other support chains where there is a queer romance blossoming, they just don't get the chance to have an ending. A big one for me, personally, that I think deserved more, is Ignatz and Lorenz. I also think Leonie and Marianne's support chain was very cute, and deserved an A.

This is kind of what I was saying when I answered your last ask, I think, wherein the Deer have queer romance, but because the don't have a big blow up mlm ship (Claude is more often shipped with Dimitri + a lot of people aren't as fond of Lorenz as I think they should be lol), they kind of get sidelined as their big queer ship is WLW. And unfortunately in most fandoms, wlw ships are rarely as popular or have as much pushing force.

And also, I think, that the deer are queer without having as much romance. Their romantic pairings are far less set in store then the other two houses, I think, and part of that is because a lot of their endings read really queer platonic to me. Plus, a lot of the heavy romance lifting in the explicit text for a lot of supports tends to happen in the A/A+ region, and a several of the wlw/mlm golden deer pairings only go to B, which I think is a shame and forces them to rely more on subtext.

Additionally, because they're not the revolutionary or chivalry aligned House, a lot of their endings aren't written as...dramatically? Like I adore Felix/Sylvain to death (I have a print of them hanging next to my Claude one lol), but their childhood promise is very much the product of living in Faergus, similarly to how Hubert and Ferdinand's relationship is defined by them living in the Empire. I think because the Alliance politics are far less dramatic (or are far more dramatic in a visibly different way) the subtext for Claude and Lorenz's Romeo/Juliet for politics thing doesn't come across as huge as two characters who promised to die with each other as kids and keep it (insane I love them).

That's why in my original post I talk about loving how normal the Deer are, and I think ultimately a part of that comes from their setting: the Alliance. In my first play through, I specifically chose having my loyalties lie (in the initial meeting with the Lords) with the Alliance, because to me, someone who had no real context for the game, the Alliance was the closest thing to a democracy from what little we'd hard of each nation. Politics informs almost every aspect of the Golden Deer; sure it's played for angst and importance in the other two routes (Duscur/Sylvain's Crest Complex/Felix's problem with the chivalry system for the Blue Lions--with the latter two never being things that are textually resolved in the Kingdom's government--and Enbarr/those who Slither in the Dark for the Black Eagles), but Claude actually has to balance what other lords want in the War phase, and it's his ability to be so good at politicking that enables the Alliance to consistently remain neutral in the war. So a lot of the subtext stuff comes to fruition through the realm of politics in a way it doesn't entirely through the other two, if that makes sense. It's a huge gesture of love that Claude can trust Lorenz with his dream.

"The Deers are for me more like an actual close group of friend: their life are not going to revolve around each other like it does with the other houses, but they won't hesitate to come for that 5 years reunion to see the other. It's kinda like you say they're so normal in a good way! They tease each other but they don't hate each other in the way of a Dimitri/Felix, a Caspar/Petra, a Ferdinand/Hubert ( except for Lorenz but like, it's Lorenz ). They won't kill the other dad, but they'll sure as hell support each other like Lorenz and Ignatz or Marianne and Raphael. They might not start a revolution together but they will listen to the other even when it’s total heresy ( Leonie & Claude, such an incredible support :’) ) and help the other to reach their goal… I do agree with you it’s linked to not knowing each other before, but on that, isn’t knowing each other before more of a Lion thing than not knowing being a Deer thing? I don’t know, the BE are kind of a middle ground."

I both agree and disagree with what you've said here!

I think it's true, that in any route where you don't choose Byleth, the Deer are textually viewed much more as just close friends rather then found family, whereas I think if you chose their route they end up much closer (as I said above). I think the Black Eagles and Blue Lions have their lives, by nature, revolve around each other since they're literally all Nobles and thus part of the governning system of this world (with the exception of Dorothea). I think the Golden Deer have to make it a much more deliberate choice, and I do think it's something they do after the War in any route (assuming the majority of them have been allowed to live) because that sort of thing just forms a life long bond between people that's hard to shake without deliberate effort I can't imagine any of them truly wanting to put in.

They are normal! None of them hate each other! They don't have that sort of intensity, but they do have a lot of complexity that lends itself very well to found family. I think a big part of that complexity lends itself to the lack of killing (although I don't really think any of their parents deserve to be killed whether they've alive or dead?). The fact that Lorenz's dad has Claude's uncle killed (which when combined with Hilda, again, being a fucking Goneril is INSANE my man's two best friends are people who have reason to kill him for BOTH SIDES OF HIS ANCESTRY) and thus gets Raph's parents killed is something truly heartbreaking, and yet I think it's because there's no violence amongst each other or against the previous generation that characters like Claude (has had violence perpetuated against him for his heritage), Marianne (has had implied violence perpetuated against her for her crest), and Lysithea (has had violence perpetuated against her to get her second crest) are able to feel safe amongst the Deer. Violence is an intense choice, but I think lack of violence should also be viewed as something deliberate and chosen, esp. in the world of Three Houses. I mean, throughout Verdant Wind Claude is constantly complaining about the perpetuation of violence caused by the War! He's someone who deliberately chooses direct harm reduction. Although, to in fact speak of violence, I think it's absolutely insane that Hilda "I refuse to die for my friends" Goneril will willingly die for Claude "DO NOT DIE FOR MY SAKE FLEE PLEASE I'M BEGGING YOU RETREAT" von Riegan's sake.

I do think that the Golden Deer are the most similar to a modern queer friend group and thus would be the easiest to make a 1:1 comparison, but again the events of the game do kind of necessitate that they are found family because they go through a war together. Their group dynamics are probably the most influenced by Byleth (Dimitri and his relationships with others while "mad" of course, aside), and it's really hard to make generalizations about them because again, the fact that she is not there to facilitate these close bonds makes it a lot harder for them to be as close as they are before the war as they end up being, although even without Byleth I still think they're exceedingly close. But yes, I agree, they do not live in each other's pockets, which does not make them any less found family, but does, probably, make them healthier in modern context lol.

(As a side note about Byleth and the house leaders: I think what she visibly provides to Edelgard and Dimitri is a lot more obvious than what she provides to Claude. She helps the both of them in maintaining themselves and not loosing themselves to the burden of leadership and trauma. Claude, however, is a character who has been handling both of those things alone, and we are shown that he is capable of handling them alone without massive cracks appearing in Three Houses. Claude does not need Byleth to live, as the other two directly do. Byleth gives Claude someone consistent and trustworthy to rely on, which opens him up to being able to do it with the other members of his house far easier then he's able to otherwise.)

Anyways! I think the Golden Deer are very queer, just more subtextually so then the Black Eagles and Blue Lions. I personally view a lot of the straight endings, so to speak, as queerplatonic (again Lorenz/Lysithea and honestly Leonie/Ignatz). Romance is a pretty easy metric to view queer storytelling through, but I don't think I'd see Sylvain as any less of a queer character if he didn't have his paired ending with Felix because of how his story is written. In a similar way, I think characters like Ignatz (wanted to be a painter, but it's not what his family wants for him; yearns to be creative and is self conscious about people thinking it'll interfere in his duties and has to learn to accept himself and his true dreams) and Marianne (sees herself as a monster that other people won't accept if they knew the true her and what she's hiding) are also queer without needing to be in romances, which is why the fandom gets a lot out of them subtextually.

Acceptance, I think, can be viewed as a very queer theme, and I think it's a prominent one within the Deer.

[mogai-headcanons]

Susan Pevensie from The Chronicles of Narnia is a queenatured nonbinary transmasculine silvergender archerygender sistergender bigender lesbian with a chronic illness and PTSD who uses she/her, they/them, and it/its pronouns!

Her older brother Peter Pevensie is a kingnatured bisexual asexual intersex swordgender goldgender brothergender bigender man with PTSD and ADHD who uses he/him and they/them pronouns!

Their younger brother Edmund Pevensie is an autistic kingnatured gaybian bisexual thanafrostchoric frozion agender transfeminine brothergirl demigirl kryotien system with complex PTSD who uses she/her, they/them, he/him and it/its pronouns!

Their youngest sister Lucy Pevensie is an autistic queenatured lesbian aroace pangender divineblessix nonbinary girl who uses she/her, they/them, and heal/heals pronouns!

They all love each other very much!

dni link

[wizling]

I've been really enjoying Zoran's train everyone CQ lunatic challenge; it's so satisfying to watch anyone play any game that well plus he is excellent at explaining how the mechanics work and why what he's doing works. CQ lunatic has some incredible mechanics hidden behind ... the fates story ... so while I'm not rushing to play it myself I would REALLY recommend checking the series out if you haven't already done so!

this isn't fanart for it; I was just instantly enraptured by Felicia and her awkward nervous laughter when she gets a bad level up. I can't tell you why FE has three different bisexual women with Vitamin B12 deficiencies but I am so grateful every time. wishing they all have to share the same primary care waiting room as they wait for their 3 monthly B12 shots soon 🙏

[bigender-leth]

-> Blue Lions icons! <- [self-indulgent]

BONUS:

[unicornofthemidwest]

Shakespeare Characters that ARE Bi pt. 2

Edmund of Gloucester -- He’s trans, he has daddy issues, he has to exist in a grey area of society, he’s neurotic. He’s bisexual.

Puck -- Obviously. Woodsy nonbinary agent of chaos. Doesn’t get more bisexual than that. Bonus points for being one of the characters who’s written as a man but everyone sees them as nonbinary

Parolles -- I know no one else cares about All’s Well but bi Parolles is important to me. Something about trying to conform to patriarchal standards and only finding freedom in realizing that you don’t have to make everyone happy.

Regan & Cornwall -- shitty bi4bi couple. big “My girlfriend and I saw you from across the bar and were really digging your vibe” energy

Richard II -- “Broke the possession of a royal bed” ;)

[zonie-az]

The fact that my pride flags and small rainbow ribbon have been hanging up at the front of my work for like 3 days but I've had so many people say they love it and thank you for the colors.

Really shows this kind of thing is important.

And fuck target for folding and taking things down. We keeping the rainbow cat and dog toys.

I work at a big chain pet store and my manager said I was more then welcome to bring in some of my flags.

And he order some more small ones, off Amazon to hang up to. There many gay and trans and just queer people here and we will not be silence from hateful people.

We stand strong together if your able to stand with us we not going anywhere no matter what.

[aubreyhallestate]

Edmund Bridgerton Pride Icons [Part 1]

All Pride icons [HERE]

[pigspeetsandhooflikefeets]

conceptual RR teams because I hate overly romantic teams

The Knitters (FF; Agatha and Dorothy) Expy of the Tennis Rivals. Just two sweet old ladies who have been friends since they were 6... 55 years ago. Early outs, but very endearing women

The Father and Daughter (MF; Cyrus and Freya) Authoritarian military-type dad, with his darling princess daughter, who is not into that and hates him being overbearing. On-going plot that he won’t let his daughter interact with any of the guys her age on the show, because “my daughter can’t date til she’s married”. It’s implied until it’s revealed that she’s actually attracted to the female [platonic] partner of The Horsegirls, of whom they have a rocky alliance with, not the boy in the duo. Late elim.

The Cheer Squad (FF; Mimi and Chloe) One’s a cheerleader, the other’s... in a penguin suit. Well, she’s the mascot for their college. Despite everyone knowing her by name, she won’t take off the suit, which leads to their early elimination

The Dizygotes (MF; Edmund and Eleanor) Fraternal twins, and Don HATES their name choice. The girl is more plucky and the boy is more cautious. After near elimination, the girl becomes way too cautious leading to another near elimination, which the boy overcompensates the pluckiness of the group, sending them to 4th during that challenge. They make up and try to round themselves out. Middle elim.

The Horsegirls (MF; Avery and Billie) Ignore the name, one of them is a guy, but they’re NOT cowboys. They know everything about horses, and any animal that even resembles a horse. Comes in handy the episode they have to ride wild zebras, but it doesn’t translate too far. They have crossover with the Father and Daughter team, forming a stressful alliance. Late elim.

The Magicians (MM; Ricardo and Ángel) Don comments his confusion that the assistant is male and wonders if there’s something more to that, but gets over it like... 3 episodes in. Gothic type magicians and hate small scale tricks. Constantly get slapped with penalties for “cheating” by teleporting with puffs of smoke, but still get done way earlier than everyone else, so it never puts them at huge risks. During their elim episode, it’s revealed none of it was camera tricks, and they actually are magical people. Don says that makes for great television, but he doesn’t forgive them, telling them to leave. Middle elim.

[butchhamlet]

do you have any good shakespeare retelling book recs?

what a beautiful time to ask this, says guy who has left this ask collecting cobwebs in his inbox for months! because guess who has two thumbs and just finished queen goneril by erin shields! WHAT a fucking play, holy SHIT, this is some of the best characterization of the lear sisters that i've ever read and the exploration of womanhood as filtered through class + race + shitty families + political maneuvering is so so so good. also the things shields does with the og playtext... chef's fucking KISS

anyway, recency bias aside, i've been meaning to make a post about my favorite shakespeare retellings for a while, and i think i never actually did it because i wanted to make a lear retelling ranking list and then i never read some of the ones on my TBR. so whatever. the learlist will happen someday. here are my favorites in general. (here is my goodreads shelf for the retellings i've read, good and bad, and here is the shelf for the ones i have yet to read.)

in no particular order:

a thousand acres by jane smiley: outsold. epitome of what makes an effective retelling--a book that clearly has something to say about and to the original text, but that also isn't afraid to diverge, to exclude here and zoom in there. ungraciously, this is "lear on a farm" and it starts a little slow, but holy fucking shit, i can't do justice in a paragraph to the way this book unraveled me. one of the best books of all time mayhaps. also, introduced the edmund character by describing his ass. 10/10

the last true poets of the sea by julia drake: i don't read that much YA anymore but jesus fucking christ. books tailored for me specifically. twelfth night retelling about siblings + mental illness + being bisexual + love triangles that actually make sense (emotions are confusing!) instead of being contrived + beautiful description + excellent dialogue + THE MENTAL ILLNESS. books that made me start crying in zoom class in 2020

rosencrantz and guildenstern are dead by tom stoppard: kind of a cop-out answer because we all know this one. but that does not detract from how good it is. this is one of those plays, at least for me, that makes me think, "ohhhhhh, THIS is what theater can do. this is using its medium to the absolute utmost." it is so clever and it makes me want to cry. i think about "i don't know. it's the same sky" more often than i can say

american moor by keith hamilton cobb: not exactly a retelling, but a one-man play about a Black man auditioning for the lead role in Othello, tangling as he does with his relationship with shakespeare's work and cultural dominance. suuuuuch a good fucking play even beyond the analysis of othello (which is excellent); the language is so fucking incredible. everyone who likes shakespeare should read this.

teenage dick by mike lew: modern teenage richard iii; this one's more reimagining than retelling, because it diverges pretty sharply from the plot of richard iii, but god, it's so fucking fun. and upsetting! really upsetting also.

foul is fair by hannah capin: i will be so real. i read this in high school and some of the YA books i've revisited since did not hold up for me. so idk if i can tell you this is "good" with my full chest. but the pitch is "lady macbeth gets sexually assaulted at a party and decides to fucking kill the boys who did it" and i stayed up until like 1am to finish it because it was such a vicious gleaming wild ride

the stars undying by emery robin: does this count? hard to say, because it's just as much a retelling of roman history than shakespeare's antony and cleopatra (honestly, more, since it focuses on the era where caesar and cleopatra were lovers, which is before shakespeare's play). but i'm counting it anyway because it's bisexual space opera cleopatra and it's the best book i've read so far in 2024 and it's making me crazy and i'm writing a thesis on it < genuinely

peerless by jihae park: macbeth, but college applications, featuring asian macbeths (they're twin sisters >:3) who think their classmate has taken their place in their dream school because of affirmative action/DEI. this play is absolutely VICIOUS. it's macbeth x heathers. think it mirrors macbeth in faltering a little in its final stretch, but it still fucks hard

the wednesday wars by gary d. schmidt: okay, not a retelling; this is about a preteen boy in the 60s. but it's one of the best most genuine and heartwarming books i've ever read and it manages to be hilarious while also foregoing cheap slapstick punching-low humor for a hell of a lot of warmth and passion. and the main character interacts with shakespeare a lot as a running theme so i can justify putting it on this list. #evangelizing

of course, i would be remiss not to mention that @suits-of-woe / @mjulianwrites has written the best take on Two Gentlemen of Verona to ever exist, and i mean that quite seriously. unfortunately it hasn't been published yet so we'll all just have to prayer-circle about it. i would also be remiss not to take the opportunity to. uh. coughs. do a bit of casual self-promo. if you 1. have ocd 2. have gender or 3. think about malvolio a lot. boy do i have the novella for you

will definitely add to this when i read more retellings; feel free to drop recs in the tags/replies/reblogs/my askbox!

[diamonds-of-the-first-water]

I Have Evolving Thoughts on Fran’s Sexuality

(god hannah dodd is so pretty)

First of all let’s thank GOD francesca is the queer sister and not…that other one.

Anyways upon my initial viewing of part 2 I definitely read Fran as bisexual and if you continue to read her as such I think that’s fine but my mind has changed on the matter.

I believe that Fran is actually a lesbian suffering from comphet.

The reason this actually started to seem likely to me is because of her wedding scene with John. The whole season I thought they seemed so taken with one another and I enjoyed their quiet dynamic. They were more than comfortable sitting in silence with one another and seemed to grow closer in that way.

I like many others assumed this meant their love was romantic, but that kiss

Would a woman who is attracted to men make this face after kissing the man she loves? I don’t think so. Some people seem to think it’s because she’s shy but it doesn’t seem like she’s even thinking about her family here. It seems like she has retreated into her own thoughts. It seems like she was disappointed. And after spending the whole season feeling nothing for any of the men she meets why wouldn’t she be. She met a man she loved and she kissed him and she didn’t feel those sparks.

Now Fran is also autistic coded so this initially affected the way I viewed her relationships as well, but all of that changes when you take into account Michaela.

Francesca immediately starts to stutter and is flustered when she sees Michaela. We have never seen Fran act this way with a man, even her husband. It wasn’t for no reason that Violet describes how she felt the first time she fell in love with Edmund and then almost immediately after Fran reacts the same way to Michaela. The butterflies, not being able to string a sentence together. This was foreshadowing.

Some people were upset because they said it erased everything Fran said about having a quiet love and that is somewhat true, but I disagree with people saying that it erases slowly built love when Polin’s whole story is about love not striking you like a bolt of lightning.

None of this is to say she can’t love John, I believe she does I just feel it is platonic, and the loss of John would hit hard even if he was her best friend. John is one of the great loves of her life but who is to say that love is romantic? Friendships are the foundation of our lives and they are equally as important as any romantic relationship. Fran met someone who understands her and is like her, that doesn’t mean she has to have romantic attraction for him.

Some of this is affected by personal bias as I am a late-blooming lesbian, but holy shit the way I relate to Fran wanting to get married just because it would mean she wouldn’t have to pursue any other relationships with men and the way she was willing to accept whoever the Queen deemed fit because she didn’t have any criteria except “is kind to me”. Fran does not seem to be searching for love as she has not felt it before. The closest she comes is with John because the two of them are so similar and I believe she thought that because she liked him so much that she must be in love with him which is just so…lesbian coded I don’t know how to explain it.

This isn’t to say bisexuality isn’t real or is “just a phase”. Ew. Gross. No. This is just the way I am interpreting the character with the information we have now. If it comes out definitely that she is bisexual then I will accept that, sapphic rep is so needed.

All in all they look so good and I can’t wait to see these queers kiss and have a romance.

Also I think that Michaela still could have fallen first. Fran just realized she was a dyke at that exact moment and her brain stopped working which is valid. But did you see the way Michaela looked at her. I KNOW A LESBIAN FALLING IN LOVE WHEN I SEE ONE.

[darkcrowprincess]

Pevensie siblings( and Caspian) headcanons:

Peter: himbo bisexual

Susan: Queen of the lesbians

Edmund: angry/sad gay boy who's true love is tragically separated from him.

Lucy: Pansexual hippy.

Caspian: Bisexual king/pirate, but who's heart is pinning tragically for his love separated from him.

Everyone else, especially in Narnia is on some form of the lgbtq spectrum. Its my headcanon, Narnia was literally in a closet, so everyone will be very gay because I say so.

(Don't like don't read. Post hate and I'll block you)

[spaceorphan18]

SO's Guide to the Bridgerton Children so @coffeegleek can tell them apart ;)

Violet Bridgerton

Okay, so first of all this is the mom of all these children. Her husband was Edmund. He got stung by a bee and died, so he is no longer around.

Anthony Bridgerton

Okay, so the oldest son is Anthony. He is the current Viscount (don't ask me about British nobility, I know nothing) and is currently running the Bridgerton estate, though that is not his favorite thing to do. He had very unfortunate sideburns in season one. And he likes to shout things like "you are the bane of my existence" and "LILACS". He does have oldest child syndrome where he acts like he doesn't want to be in charge, but he totally loves being in charge and telling everyone what to do.

His wife is Kate Sharma. She is a delight, and possibly the second best character on this show (obviously after Penelope). So just remember, passionate and loud guy with Kate -- that is Anthony. Oh, and they have one child who is being born in India because Jonathan Bailey is apparently very in demand right now.

Benedict Bridgerton

Benedict is the artsy, bisexual who hangs out on the swings with Eloise. He is an actual delight, but the writers don't seem to really know what to do with him. He makes a good comedic foil to Anthony. Also they cut his hair for seasons 2 and 3 which doesn't help the whole looking the same thing. We're speculating his season is next because of a bunch of hints. In the books he falls in love with a lower class girl.

Colin Bridgerton

Colin is the sweet, sensitive (most likely demisexual) writer and world traveler. He's got some insecurity issues, a massive hero complex, and is a complete simp for his wife.

HOW HAVE YOU FOLLOWED ME FOR THE PAST TWO MONTHS AND NOT KNOW WHO COLIN IS - C'MON GIRL, PAY ATTENTION

He is married to Penelope Featherington, aka Lady Whistledown, aka the best damn character on this whole show. 90% of the time, Colin is hanging off Penelope, so he honestly should be easy to spot. Also, he got her pregnant BEFORE the wedding and little Lord Feathertington was born 8 months into their marriage.

Daphne Bridgerton

She was the main character of Season 1, who looks a lot like Keira Knightly. You don't really need to worry about her, because it's doubtful that she's coming back.

She is married to the Duke - Simon Basset, Lord of Hastings or something. He enjoys licking spoons. Daphne burns for him. Again, he's not coming back so, you know, I wouldn't worry about it.

They do have a child together, a little boy I believe and I think they hinted at a second one? Idk, maybe the kids will come back to hang out with Gregory and Hyacinth at the end of the series.

Eloise Bridgerton

Probably my personal favorite Bridgerton? (Idk, Colin wormed his way up there.) She stands out because Claudia Jessie is just amazing at giving her a lot quirky mannerisms. She doesn't want to get married and is really into women's rights. She is also fucking hilarious. I would love her to be asexual, but the writers insist she's getting a love story at some point, so.... The internet would prefer her to be a lesbian. That's cool, too, but also unlikely to happen.

Eloise spends a lot of her time on swings with Benedict and in is often the third wheel with Pen and Colin (though sometimes Colin is that third wheel).

She and Penelope are BFFs. I LOVE THEM SO MUCH!

Francesca Bridgerton

Francesca is SUPER into the piano(forte) and really nothing else. There's really not a whole lot to say about her other than she IS probably going to be the lesbian of the show.

She is currently married to John Stirling. The two are very quiet together and that's exactly how they want it. Don't get too attached to him, he's most likely going to die in the next season. John also has a female cousin named Michaela, whom the internet is mad about because she is a woman -- making Francesca's future love interest a woman instead of a man. I say more power to the lesbians. Calm your tits folks, it'll be fine.

Gregory Bridgerton

OMG, look how adorable this kid is. He's gonna look just like his older brothers when he grows up. They've already given him a tad more to do in Season 3, and he's been an utter delight. I'm sure he'll be great leading Season 8 when we get to it in 2034.

Hyacinth Bridgerton

The youngest Bridgerton! She is excitable and energetic and super excited about all the marriages and also KNOWS who is ending up with who and is totally down for it. She is also a sassy delight and really can't wait until she starts holding her own with Eloise!

THERE YOU GO THAT'S THE WHOLE BRIDGERTON FAMILY - DOES THAT HELP??