#big life moments

[intothestacks]

2 queer-inclusive picture books about becoming a big sibling

All Our Love by Kari-Lynn Winters – A little girl writes a letter to her new baby brother, welcoming him to the family. Features gay parents.

When Aidan Became a Brother by Kyle Lukoff – When Aidan was born, everyone thought he was a girl. Eventually, Aidan realized he was actually a boy, and so he and his parents corrected the parts of his life that didn’t fit anymore. Now, Aidan is about to become a big brother, and he wants to make everything right for the new baby. But what exactly does that entail?

[inkskinned]

it's extremely critical that you see the photo of the perp walk for luigi mangione as being propaganda. i've seen so many people wave it off and instead fawn over his looks. and trust me, i know it ended up being kind of pathetic and weird - but please don't brush it off as a "modelling opportunity" for him. it's a fucking terrifying message the police are sending.

i want to make a few comparisons here, in case you're not from the US or familiar with why the perp walk thing is something to pay attention to. just to set the groundwork for why this is a purposeful, unusual, and cruel act by the nyc police - for why this is not a common occurrence and for why that matters.

the prosecution alleges the show of force is due to the charge of "terrorism." for comparison, in june 2015, tsarnaev was found guilty for the boston marathon bombing, which killed 3 people and injured hundreds. his actions are considered to be an act of domestic terrorism. i have spent the last hour looking through google for pictures of similar to mangione's perp walk - and so far, i have found zero. i also just do not personally remember a moment like that, despite living in boston at the time.

they allege that luigi is a stone-cold killer who carried out a longterm plan, making him particularly dangerous. again for comparison: in nyc, recently cory martin was found guilty of the killing of brandy odom. the murder was planned and premeditated to steal insurance money. and yet no staged perp walk. why didn't her life matter enough for a "show of force"?

but mangione gets paraded by a veritable army of police officers as if he is a rabid animal. for a single citizen who allegedly killed one other single citizen, the "largest perp walk ever" occurs.

so what is the "strong message" that the mayor and the police were trying to send here? the mayor speaks as if mangione is already convicted of terrorism. there is a very thin number of people who feel threatened by the CEO's death. none of us felt like mangione needs to be under massive armed guard.

the message is that you shouldn't resist. they are trying to "make an example" of him - that if you behave badly and kill a single rich person, you'll be treated as if you killed hundreds of people. you will be treated worse than a man who was found guilty of terrorism. you will be considered guilty without trial. the message is that the rich are a protected class, and you cannot touch them without massive punishment. they are trying to prevent a revolution by showing dominance and force against you.

the message is that the police are a puppet of the wealthy and that the law is not equally applied across class disparity. it is "some are more equal than others." it is "one life is more precious than another."

the show of force wasn't for luigi. it was for us. it was a warning. they are trying to remind us who is really in control.

[juiche]

a moment of peace before the whole world shatters 😇

get your own print here ❤️

[keferon]

Two Peas in a Pod: part 4/?

Hopefully the dialog isn't confusing.

______________________________

"Still dizzy?" 

"Not really," Jazz answered with a comfortable smile, though stole a quick glance over to the gate. The first since Blaster had arrived for the morning routine. The other mer wasn't awake yet last he saw, but he was shifting more. The medication had obviously long worn off by now, but Jazz still hoped they weren't in too much pain. 

But Blaster noticed and it prompted him to pause his checks to ask, "did he wake up last night?" 

"Kinda? He could have been talking in his sleep though." 

"Hm, there's a good chance he'll be up soon, then." 

Jazz's expression of his usual cheerfulness shifted, just slightly and if it had been anyone other than Blaster, they would have missed it. He flipped the clipboard over in his lap and rested his elbows against his crossed legs. 

"You're nervous," Blaster pointed out gently and gave Jazz an encouraging smile. "Is this about their injuries, or is this about making a friend?" 

The mer's face soured and he looked away. "I thought I wasn't supposed to ask." 

"That was about the gate, and I'm sorry about that." It was just the two of them on the pier, but Blaster still practised a surveying sweep of the area with what looked like stretching. Then with a lower voice, he continued, "The Vet Chief wanted to fully isolate them from you, to keep them in a transfer-crate, at least until the injuries had a low risk of reopening. I argued that it would put them under a lot of undue stress, and you because you knew the Mer was here. Which is part of why it took so long for–" 

"–and it's fine to say this now?" Jazz snapped and turned back to him with a small scowl. 

"Jazz, how many staff members were in your area yesterday? When we talked about the gate?" 

He paused, trying to recall. Blaster was with him and the group that went into the bay had five… seven? 

"There was thirteen, Jazz," he supplied, knowing that any answer coming would be incorrect. It was a lot of people, and with Blaster already known for making waves on the regular, the sudden addition had eyes and ears on him. That, and because he had fought so hard against the 'great idea' brought up in the first meeting after emergency treatment had ended. "You didn't even clock the vet on standby at the pier entrance." 

Jazz huffed and laid out flat, resting his chin on his crossed arms. Okay, so he wasn’t paying attention to who was around. "Then what is it about the gate? I get the bit about climbing the walls, but…" 

"That one is on me, I was – am – being overly cautious. Not of you, but of others misunderstanding your excitement or anxiety as aggression. And I know how persistent you can be when something catches your interest. But that's not the point, what is, is that if the team reports you showing signs of aggression, they'll… remove him." 

Now looking worried, Jazz glanced from Blaster to the gate. "But what if he shows aggression?" 

"We're expecting that, at least at first." Blaster wanted to reassure him, but there were still too many unknown variables. "Unknown place with an unfamiliar face, and likely limited communication. There is bound to be backlash." 

Jazz looked down with an expression of growing despair, before dropping his face against his arms. His words muffled, "so whether he stays or not depends on me being able to talk with him." 

Blaster reached out and placed his hand on the orca's shoulder. "Listen, buddy, this might be hard to hear. But let me explain, okay? … So far it looks like there are no issues and the current plan is to have him released once he recovers." As he feels Jazz tense, Blaster frowns in understanding and begins to rub his shoulder to comfort him. "There is only one reason that the aquarium wouldn't go through with it, and honestly, I don't want that to happen. It's all sorts of fucked up and would only make things worse– but I don't want you to distance yourself from him. I want you to try and befriend him." 

"… why," Jazz asked weakly, cursing him for telling him the truth – for reminding him of the truth – for breaking his small piece of hope of not being alone anymore. If he was going to be taken away, if he was just going to lose him no matter what, then it would hurt less if he just ignored him. 

All sorts of answers bounce around in Blaster's mind. From wishful thinking – because I want you to go with him. To long term goals – anything we could learn could help Mers everywhere. But he settled on as close to the truth as he could. "Because I'm trying to make sure that no matter what happens, it's the best result for both of you. But I can't do that if the two of you can't at least work together. So, I'm asking you to try." 

"Right," because he doesn't need to be kept here to survive… he just needs time to heal. Where I – "–right. Okay, I'll try… but where do I even start?" Jazz took a deep breath to compose himself before he lifted his head. 

"Well, why don't we see if sleepy-head is waking up? Maybe he'd like breakfast." Blaster offered, first with a reassuring smile, but then twisted it into something more mischievous. "And maybe you could find out if he's got a beautiful name, too." 

It took a second to realize what Blaster was getting at, and for the first time in his life Jazz felt bashful. "W-what are you talking about?" He hid it terribly. 

"He's beautiful~" he whispered dramatically, and Blaster learned that mers could in fact blush. 

— 

When Blaster left to get food for the wild mer, Jazz calmly made his way over to the view port. Only to be taken by surprise, he was looking directly at Jazz. Though, glaring, might be more accurate with how his face was pulled tight with focus and the sheer intensity of his stare. 

But otherwise, they were completely calm. Jazz wasn't sure if that was a good sign or bad. Yet, it didn't stop his nervous excitement from returning. He waved with one of his best smiles – one without teeth – and greeted him with a friendly, "hello!" 

What he got in return was a slightly more intense furrowing of their brow – irritation or confusion? 

"Oh! Sorry, habit." Jazz switched to mer. {Hi!} 

The tension didn't leave his face, but there was slight movement and, again, Jazz didn't know how to interpret that. But he did answer, {||၊|။||||•။၊|။|။|၊|။||၊၊၊|?} 

"Uh…" Yep, didn't understand any of that. 

Then the door opened on the edge behind them and Jazz for a moment thought that it would startle the wild mer. But they didn't even flinch. And while their eyes remained on him, Jazz was fairly sure now that they had been using their sonar to track the human's movement. 

"Are they still asleep?" Blaster asked, puzzled. 

"Nope, very much awake." He shifted lower to try and get more than the man's boots in his sight. 

"Ah…" He sounded uneasy and began to make small careful steps around the edge closer to Jazz while he spoke as calmly as possible. "Well, I'm going to keep talking, just so you don't think I'm trying to sneak up on you." 

When he reached the point where he was straight across from the wild mer, they lifted their head to turn their glare on the human. Blaster to his credit did not flinch, but he did freeze. "Whoa– that's – wow, t-that's quite the look." 

A series of slow clicks came from them, but their lips did not move. Jazz didn't think it was echo-speak, as it reminded him of his own searching clicks when he was trying to get a better picture. "Oh! I think he's trying to see what you have." 

The wild mer glanced to Jazz, becoming silent once more before looking back up at Blaster. 

"Fair enough, alright new buddy, I'm going to be real slow about it okay?" Back to narrating his actions calmly as he knelt down. Showing the long pole with a thin, blunt hook, "just an arm I don't mind losing if you decide that you don't like the breakfast I brought," and poured out the fish from the bucket. 

Still the wild mer glared, unblinking and watching every little movement. 

"Okay… I'm not sure what to make of this, so far everything has been nothing like previous encounters." 

"Ya, didn't you say he'd be freaking out?" 

"You got anything to calm or reassure our new buddy here that I ain't going to hurt him?" Blaster was doing his absolute best at trying to remain calm, but even his hands were starting to tremble under the pressure the wild mer was giving him. He wasn't even moving, just watching, but it felt like the human was being stalked. 

Honestly, Blaster was probably one bad move from being lunged at. Though, if that was the case, he had maybe one chance to get away. The hammock would throw him off on the first strike, the supports could probably take two or four hard thrashings before it snapped under the mer's strength. Injuries be damned, this mer was in peak physical condition. 

Jazz gave a small chirp to try and gain the other's attention, and failed, but continued with trying to talk. {It's okay, you're safe.} 

He was given a very tiny dip of his finial facing the gate – a tell that he had heard him? 

{You're safe,} Jazz repeated. 

The mer didn't look away, but he did at least respond. {•၊၊|•|၊|။။၊|။•|||။||||။၊|။•၊၊||၊|။||||။•၊|။•၊၊||၊|။||||။၊|။•} Though, far too fast for Jazz attempt to understand. 

"I'm hoping you two are talking about your favourite fish." Blaster joked to cover his nervousness. 

Jazz sighed and admitted the truth, "I haven't a clue to what they're talking about…" 

"Just let me know if I should run, kay?" He shifted slowly on his knees, trying to find a comfortable spot without making himself too vulnerable. 

But Jazz hadn't given up yet. {Hungry?} He tried instead. 

More chirps and clicking that didn't translate. 

{Hungry? Yes? No?} 

The heavy huff that came from them caused Blaster to flinch, but the mer finally focused on Jazz. There was clear irritation in their face now on top of glaring. And the damns broke, he started ranting at him loudly. 

"Hey, don't yell at me, I'm trying okay!?" Jazz glared back, not backing down. Though wasn't all that intimidating with him just having a little porthole to look through. 

"Jazz, buddy, please don't aggravate him." He, after all, was the one in the room with the wild mer. 

"He fuckn' started it!" 

Silence came quickly as the wild mer plunked his face into the soft floaty that had been his pillow. Blaster would have found it utterly hilarious if not fearing for his life currently. With another heavy and long huff, the wild mer looked back at Jazz, still glaring, but slightly less than before. {•|||။||||။၊|။•၊၊||၊|။? Yes? No?} 

Jazz blinked at him for a moment, depending on the question, no could be a yes. {No…?} He answered tentatively instead. 

{It's safe? Yes? No?} And he pointed his nose towards Blaster briefly, but clearly wasn't happy about it. 

{Yes!} Jazz nodded vigorously and smiled for extra encouragement. Out of all the staff, Blaster was safe, Jazz held some trust in the human after all. {[Blaster] safe.} 

"What about me?" 

"He asked if you're safe and I told him you were. Relax a bit or something to show him." 

Easier said than done. Blaster cursed, but did his best to ease the tension from his shoulders and smile a little. Even, daring to slowly lift a hand to wave. 

The mer did not seem convinced, but his glare lessened some more and looked over the human with more curiosity than before. 

{Hungry? Yes? No?} Jazz tried again. 

There was a long pause, but they sighed and answered. {… yes.} 

"Progress!" He cheered and then stuck his hand through the little window. "Blaster, hand me one of the fish. He's hungry, but I have a feeling that he'll trust you more if he sees me eat what you have." 

"Okay." He made sure that it was clear as possible what his intentions were. Taking a fish under the gills, Blaster looped the blunt hook in and out the mouth. Then, very slowly, began to feed the length of the pole towards Jazz's waiting hand. Once Jazz felt the tail touch his palm, he grabbed it and waited until Blaster twisted enough for the fish to slip free. Then the pole was just as slowly drawn back. 

The whole time the wild mer watching the exchange intensely. 

Jazz pulled the fish over to his side, chirped for the other's attention before he swallowed it whole. Smiling once more as he said, {safe.} 

Blaster had to admit, he was surprised when the mer shifted slightly in the hammock, and then cautiously held out his right hand. The glare never left, but this one felt like a threat, that if he messed this chance up, there would not be another. 

Though this was the first time Jazz had been able to see any of his injuries. The colourful tape-bandages almost covered every inch of his skin from his hand up to his bicep. It reminded him that just yesterday he had been mortally wounded. Which was probably a key reason the wild mer seemed so calm, they had only started to recover and every action was either painful or exhausting. Likely both.

Jazz watched closely as Blaster went through all the careful steps as he had with Jazz and held the fish out. The only difference, was that the human's grip was loose, just in case the wild mer decided to try and yank him into the water with it. But they didn't, doing exactly as they saw before, allowing Blaster to release the fish and retreat. The whole process was so slow that the wild mer's arm started to shake from being held out. 

But both Jazz and Blaster let out a breath of relief as there had been no backlash. 

He eyed the fish in his grip with a mild sneer before he swallowed it and then held out his shaky hand for another. It was clear that the pain was getting to him, but nothing in his expression showed weakness. 

The feeding got easier and quicker as Blaster relaxed a bit, not fearing that a normal pace would come off as threatening to the wild mer. 

When the shaking got bad enough, the mer rested his arm back in the hammock, but kept his eyes on the remaining fish. As if to convey he wasn't finished, just needed a break. Blaster was more than happy to comply and gave him a few praises, even if they didn't understand. 

"Hey," Jazz called gently, chirping for the other's attention. He waited until they looked his way, then pointed at himself. "Jazz," and then to the human, "Blaster," and back to himself once more, "Jazz," before pointing to the other mer with a questioning tilt of his head. He hoped it was clear what he was asking for. 

When the silence stretched on for a bit, the human also joined in. "Blaster," to himself and to his mer, "Jazz." 

There was a brief moment that Jazz could see that they were working over something, opening their mouth a few times before the sound of a sharp zip came out. "… 'tzz?" 

Jazz snorted, before breaking into a few chuckles. "Ya, missing the Ja, but you'll get there. I'm Jazz." He placed a hand over his heart. 

The gesture was reflected, {•၊||၊။} 

It was his turn to try and work out the sound in his head. Jazz tried the word out soundlessly on his tongue once. It was like a popping roll? {•၊||၊၊၊၊၊?} 

{•၊||၊။} they repeated, firmly correcting him. 

"Nice to meet ya, {•၊||၊၊၊၊၊}!" While the mer scowled at him for not even trying to fix his pronunciation, Jazz just smiled brightly.  

"So... what is his name?" Blaster asked for a translation, very interested in the development between them.  

Jazz laughed, "I have no idea." 

______________________________

Don't ask about my attempt to make sound-wave-like-text, it's gibberish, lol, and going forward only •၊||၊။ (Prowl) & •၊||၊၊၊၊၊ (Prowler) will be used until Jazz has a English (common?) name to attach an understanding to.

Keferon, I just wanted to say that every comment or tag you leave on the fic is like serotonin being injected into my veins. Every silly little image is like rolling down a grassy hill in the warm sun while I laugh with manic joy. When you add art, it's like an adrenaline shot to the heart that makes me want to run across the globe just to frantically wave hello with both hands, give you a hug and run back to get started on the next part.

And the next part will be Prowl joining Jazz in the main pool and Jazz learning just how fast he is, even while injured. >:)c

-GLC

𓆝 Previous 𓆟 Next

---------------------

Me looking in my inbox and seeing that there's two peas in a po

Odjndgdjdkfhdkm PLEASE. Blaster is so nervous EVERYONE IS SO NERVOUS Ooohhhnooo he's gonna freak out and kill everything he can reach oh no we all know how all those wild stupid creatures are oh no watch out While Prowl is trying to blow their pancakes with mind

And I juswannasay I love it so much ehehejgknfbfkdn THE SOUND WAVE SPEACH? I LOVE THE LOOK OF IT EHEHEH

Always a big fan of creative ways of showing imaginary languages. This thing?? ||ll•|Il It looks hella stylish >:O

Aaannnndd I got excited and made some art hehe

[lurkingshan]

A Brief History of Queer Representation in Modern Kdrama

Earlier this week, totally unrelated to Heesu in Class 2, @twig-tea and I were making a list of kdramas with proper queer representation, because Twig loves to track queer things and I love to make highly specific lists. In light of all the discussion around Heesu and its appeal to a mainstream kdrama audience, we thought it would be helpful to share as context for what Heesu’s creators set out to do, how it compares to Love in the Big City and its goals, and why both shows are so significant for those who are not as familiar with this media landscape. We wrote the below together (strap in, folks, it's a long one).

As always, let us be clear what we are talking about with this list. We’re only looking at modern mainstream kdrama, so this list is not inclusive of Korean queer cinema or QL dramas, both of which have a rich history of their own. And when we say queer representation, we mean canonically queer characters that are acknowledged as such in the text of the show, if not by saying the words, at least by openly acknowledging same sex attraction. If there’s anything we know about queer people on the internet, it’s that our community can read gay subtext into anything, but that’s not what we’re doing here. For this list we are only interested in depictions of LGBTQ+ people that are clear and spelled out for anyone watching a show.  In addition, for the purposes of this list we are talking about intentional inclusion of queer characters with a proper role in the story, not nominal nods to queer people existing (like every Hong Seok Cheon cameo in a drama), comedic gender bending without real reckoning with sexuality (ala The King’s Affection), use of queer people as the butt of a joke (glaring at you Vincenzo), queerness in psychosexual dreams to titillate and generate buzz (hiiiii Friendly Rivalry), or subtextual gay tension between two same sex actors who happen to have chemistry (waves hello to The Devil Judge). The point of this exercise is to chart the evolution of significant queer representation in kdrama—both good and bad—not to document every gay character that ever appeared for two seconds on screen. That said, while Shan has watched several hundred kdramas and Twig has tried to watch everything gay on the planet, it’s possible we missed something that should be here, so let us know if you think we did (though please do mind the criteria and don’t send us an impassioned essay about why Beyond Evil should count). 

With that, let’s begin our walk through of the last two decades of queer characters in kdrama. 

Coffee Prince (2007) 

Among the most famous dramas on this list, Coffee Prince kicked off queer rep in modern kdrama with a classic gender bender in which Go Eun Chan, a girl, pretends to be a boy for Reasons. But what made it stand out is that her love interest falls for her while he still thinks she’s a man and has a whole sexual identity crisis and bisexual coming out process. Choi Han Gyul (and Gong Yoo), you will always be famous! This show was sincerely groundbreaking, not only for depicting a male romance lead struggling with his sexuality, but also including lots of gender fuckery for the female lead. It’s still one of the most significant queer kdramas ever made.

Life is Beautiful (2010) 

This show is notable for how high it set the bar and how nothing has reached it since. Yang Tae Sub is our central character in this 63-hour ensemble family drama, and his arcs struggling with the closet, falling in love, coming out, commitment, and marriage (yes: marriage! In 2010!), are surprisingly realistic and touching without being too cliche. Kyung Soo and Tae Sub start as a casual hookup, and they have to recalibrate as their feelings change (and yes, they kiss on screen and the show is clear that they have sex throughout the series). They fight, they make up, and as their relationship deepens they have other problems in their lives they support one another through—their gayness is not the only or even the most interesting thing about them. It’s also notable that both of these actors (Song Chang Eui and Lee Sang Woo) were established kdrama stars before taking these roles. 

Secret Garden (2010)

This het romance features a side character (played by our beloved Lee Jong Suk) who is a young musical prodigy pursued for his talents by the second lead, a senior musician. Over the course of the story we learn that he’s gay and harboring feelings for his would-be mentor. His plot is minor, but he ends the story happy and successful in his career, if not in a relationship. It’s small scale representation in the grand scheme of things, but one of only a handful of decent depictions of a gay person in kdrama at that point.

Reply 1997 (2012) 

This wildly popular drama (at the time, it was one of the highest rated cable dramas in history) that spawned two follow-up iterations features a gay character, Joon Hee, who is in love with his long time best friend, Yoon Jae, and confides his feelings to their other best friend, Shi Won. Of course, this show is ultimately Yoon Jae and Shi Won’s love story, so Joon Hee does not get his happy romance ending, but his friends and the show treat him with kindness and compassion, and his character was well received by audiences. 

Reply 1994 (2013)

Similar to its predecessor, this drama featured a side character with a gay subplot, but this time it was more about questioning his identity. Bingguere is a character whose arc is all about his confusion and indecision, and that extended to his sexuality when he struggled to understand his attraction to the male lead. Ultimately, he moves past those feelings and we learn his partner in the future is a woman, and the drama doesn’t really clarify where his sexuality landed. It’s kind of weak in terms of explicit queer rep, but showing a man grappling with his sexuality in a very popular family drama still feels significant.

Seonam Girls High School Investigations (2014) 

While most of their content is limited to two episodes of this 14-episode high school drama, Eun Bin and Soo Yeon have, to our knowledge, the first lesbian kiss on Korean television, which earns them a place on this list. They are an established couple struggling with how their relationship is a risk for them (because it can be and is used against them). Their relationship doesn’t survive to the end of the series, but they are treated with compassion and their humanity is underscored by the narrative. They also spark an important conversation among the main characters about whether they should be helped because they’re gay, which was a little better intentioned than it was executed, but the show had the spirit. 

Perseverance Goo Hae Ra (2015)

In a show about aspiring musicians forming a group to take a second shot at stardom, Jang Goon (portrayed by solo idol Park Kwang Seon) is one of the core group members with a heartwarming arc about acceptance. His story is about his father coming to terms with him being an idol and being gay. He has a one-sided confession scene that is decently done, and the scene where his father accepts him knowing the truth (after having been outed against his will) is genuinely moving. It was also touching to see the girl who originally crushed on him support him once she found out about his sexuality. 

Hogu’s Love (2015) 

This drama was considered progressive for its time, as its core plot is about Hogu, a man who decides to support his first love when he finds out she is pregnant with someone else’s child. In addition to that, side character Kang Chul has an arc where he experiences attraction to Hogu and tries to sort out his feelings, considering whether he identifies as gay before ultimately deciding he does not. It’s not the best rep we’ve ever seen, but it was part of an interesting attempt by a drama to explore complicated social and identity issues.

The Lover (2015)

Lee Jun Jae and Takuya (played by Lee Jae Joon who was also in the gay film Night Flight (2014) and Takuya of jpop group CROSS GENE) are roommates in this series about four couples in an apartment building. Their story starts as a comedy, in which Jun Jae and Takuya end up in ship moments that are played off by the narrative as jokes and misunderstandings, but then they catch feelings for real. We see one of the characters struggle with his queer awakening and there is a happy ending. Using the actors’ real names was a choice, and led to some seriously disruptive RPF shipping; but it was refreshing to have an active idol not only play gay but in a romance with a happy ending. 

Prison Playbook (2017)

Another ensemble show with a queer side character; Loony, one of the main character Je Hyuk’s cell mates, is notable for his queerness not being used as a joke and not being the core of the character’s arc. Instead, this character struggles with addiction and how that affects his relationship, which is only incidentally gay. His story is moving and well developed, especially considering the size of this cast, but it doesn’t get a ton of screen time.

Romance is a Bonus Book (2019)

The queer rep in this drama is minor but overall positive, as we learn that the male lead Eun Ho’s ex-girlfriend, who he is still friendly with, ended their relationship because she fell in love with a woman. The show presents her as a lovely person who helps the female lead several times and is happy in her lesbian relationship, and we even get to see her with her partner briefly. A small win for sapphic representation in a very popular Netflix drama.

Moment at Eighteen (2019)

Jung Oh Je (RIP Moonbin) is a side character friend of the main lead. His sexuality becomes part of the plot when he is confessed to by a friend of the female lead, and he admits that he has a crush on the second male lead (Ma Hwi Young). While the characters in the show are mixed in their response, it’s clear the story is on the side of treating Oh Je with compassion. 

Be Melodramatic (2019) 

This is an ensemble show centered on a group of friends who move in together to support a grieving young woman, Lee Eun Jung, and one of the housemates is her younger brother Lee Hyo Bong, a gay musician with a long-term partner. He is a side character and his most significant plot is about supporting his sister, with his sexuality and relationship part of his characterization rather than an active story thread. It’s a positive depiction and the way his sexuality is presented as just part of who he is felt significant at the time. 

Love with Flaws (2019) 

Joo Won Suk (RIP Cha in Ha) is one of the FL’s older brothers, and while not the focus of the drama he gets his own fully developed arc, including the mentorship of queer side character Choi Ho Dol. The queer rep in this show covers suicidality, the loneliness of the closet, bullying, solidarity, and fear of parental shame. That makes it sound depressing, but it’s a hopeful story about the character moving out of depression and into self-acceptance, has one of the best scenes depicting gay acceptance from a father in any show, and both Won Suk and Ho Dol have a happy ending (including for their romance). 

Itaewon Class (2020)

The first drama on this list to feature a transgender character, Itaewon Class is about a group of social misfits trying to launch a restaurant on a trendy street in Itaewon. Ma Hyun Yi, a transgender woman saving money for her gender affirming surgery, is among the gang. Her story is not a big focus for the drama, but she gets a nice arc about coming into herself and gaining recognition for her talents as a chef, and the other characters always respect her identity. It’s pretty solid representation for a side character.

Sweet Munchies (2020)

This drama tries to tackle the problems of homophobia and appropriating queerness but misses the mark on both. The queer character in this show, Kang Tae Wan, is here to function as a driving force and conscience for the main male lead and female lead; he’s essentially the second lead but never had a chance (though he didn’t know it, since the main lead is pretending to be gay for clout). Tae Wan is a good character, but the narrative doesn’t care much about him or about queer people in general, it’s focused on how heterosexuals experience queerness. Not exactly amazing queer representation, whatever its intentions.

Run On (2020) 

This drama features both a gay character and an asexual character, both of whom are written respectfully and get proper coming out scenes. There is also some messiness around one of the main characters appropriating queer identity as a way to avoid the pressures of her patriarchy, and the drama knows she’s wrong for that. This was one of the first instances of a kdrama acknowledging queer people as a regular part of the world around us and not singular oddities, and it was nice to see multiple facets of queer representation in one show.

Mr. Queen (2020)

This gender bender retains its place on the list because the main character (a man who awakens in the body of a Queen during the Joseon dynasty) openly struggles with his gender dysphoria as well as what it means that he’s attracted to a man, and these struggles are present for the bulk of the show. The character also has sex with both men and women while in that body. It’s one of the better representations of gender swap and feels queer, even when the relationship on screen has the guise of heterosexuality. 

Mine (2021)

In this drama about ambitious women married to powerful men who struggle to break free from their constraints, one of the main characters reunites with her first love—another woman. The drama follows Jung Seo Hyun as she struggles to acquire the power she needs to live as she wants, and she ultimately achieves her goal, reuniting with her lover at the story’s end. It’s the first kdrama with a lesbian character in a major role who gets her happy romance ending. 

Move to Heaven (2021)

Despite only being featured in episode 5, this was a good story that garnered a lot of attention in a popular Netflix drama, so for cultural impact reasons alone it belongs on this list. We start the episode with Jung Soo Hyun’s death, but this is a show about finding closure after death, so for once this death doesn’t feel like bury your gays. This is a compassionate tragedy in which we see how fear held Soo Hyun back from his relationship with Ian Park while he was alive, but his belongings at death indicate he was getting ready to face his fear and move to the US to marry Ian after all. Through the main characters of the show, Ian gets the closure of knowing Soo Hyun loved him. 

Nevertheless (2021) 

Yoon Sol and Seo Ji Wan have a typical plot for side characters (they’re in the female lead’s friend group) with a friends-to-lovers arc that depicts the fear and frustration when both friends are closeted and uncertain about risking the friendship but reach the point where they can’t pretend anymore. Since they’re both women, this felt pretty radical. They got a good romantic arc and a happy ending, if not a lot of screen time.

Under the Queen’s Umbrella (2022)

In this sageuk, the fourth prince is living a double life, hiding away makeup and women’s clothing that they wear in secret. The character is depicted as trans, but given the setting, explicit language and modern terminology (including altered pronouns) are not used in this side plot. When the prince’s mother finds out, she supports her child to have an artist paint a portrait of their true self, and ultimately, the prince leaves the royal family to go live a more authentic life in isolation in a bittersweet resolution. 

A Time Called You (2023)

The queer rep in this drama comes in the form of a brief backstory montage for two gay characters, one of whom (Yeon Jun) is in a coma. We learn that he ended up in this state after getting into a car accident while in the process of confessing to the guy he mutually liked (Tae Ha), who was killed in the accident. From there, Yeon Jun’s body is taken over by a heterosexual character (it’s a whole time loop thing). This entry is mostly notable for featuring a high profile cameo from Rowoon playing Tae Ha, and unfortunately, for being a fairly textbook example of the bury your gays trope. In 2023!

Wedding Impossible (2024) 

This disaster of a drama purported to finally feature a gay character in a prominent role that drove the narrative—in a story about Do Han pretending to marry his longtime friend to avoid being forced to marry another woman—but Do Han ended up a minor side character in his own story when the show chose to focus nearly all its attention on his brother’s het romance. Worse, the other characters treated him terribly and the story blamed every problem on his sexuality. This show was straight up homophobic and it was a significant regression for queer depictions in mainstream Korean media. 

Bitter Sweet Hell (2024)

image credit @respectthepetty

Choi Doi Hyun (played by Park Jae Chan of Semantic Error) is the closeted son of the main character, struggling with how hiding his secret affects his school life and his relationship with his family. His story ends happily with Jun Ho in the US, which felt like a win after the above history with kdrama, but because his secret being his queerness is hidden for most of the story, we don’t get to see it inform the narrative much except in retrospect. 

Squid Game 2 (2024)

The most recent entry on our list features Park Sung Hoon as Hyeon Ju, a transgender woman who enters the life or death game at the center of this drama to earn money to move to Thailand and get gender affirming surgery. While her inclusion wasn't entirely groundbreaking, Hyeon Ju was a well-developed character with a sympathetic backstory who quickly became a fan favorite, notable given Squid Game's popularity and broad international audience. 

Bringing Better Queer Stories to Mainstream Drama Audiences

With all that context established, we have been contemplating how queer creators in Korea can reach a wider audience with their stories and ensure queer representation in kdrama is both more common and more authentic. We look to Love in the Big City and Heesu in Class 2 as a start, as we would argue that both shows exist in the gray space between mainstream kdrama and kbl. They both leverage kdrama style and structure to tell queer stories that include, but are not limited to, gay romances. They both had unusual distribution and battled to even get released and in front of an audience, with LITBC rushing its episodes out amidst public protests and Heesu sitting on the shelf for two years before being quietly released on a streaming platform. And they both had goals to reach an audience beyond the usual BL viewers, albeit with wildly different tones and themes in their stories. The BL audience is too niche to effect the social change that queer creators are seeking, and the limited runtime, genre tropes, and laser-focus on romance means it is harder to make wider social and cultural points in a BL story (it doesn’t hit the same when gay characters are treated as human in a story that takes place in the no homophobia BL bubble). And as we’ve seen from this walk through the past, there are real limits to queer representation that is not created by queer people or informed by their lived experiences.

As you can see from reviewing this list, these two shows were the first kdramas in well over a decade (after the only other example, Life Is Beautiful) to center on a gay main character whose journey drove the story, and they were doing this in the context of a media landscape that rarely elevates queer people beyond minor side plots, still regularly fumbles on respectful representation, and in which representation seems to be getting worse. Love in the Big City set out to show a young queer man’s life in all its glorious messiness. Go Young was not an easy character, and the show did not hold back on his flaws or shy away from either the joy or the struggle he found in his sexuality. Heesu is about a younger character and so his struggles are centered around coming of age and first love, but it similarly depicts a beautifully flawed young gay man coming to terms with himself and asks the audience to empathize with and care about him as his loved ones in the story do. Where LITBC uses a unique storytelling structure to draw in the viewer and highlight what makes Young’s life feel different, Heesu roots itself in familiar drama beats and queer-coded side plots in the hopes that the audience will see and be comforted by the familiar in Heesu’s world. 

Both of these stories, in their own way, speak to a mainstream audience and ask for queer existence and queer humanity to be acknowledged. And this does not make them problematic as queer works, because they accomplish their goals of speaking to a wider audience while still being true to queer experiences. Given how scant decent queer representation has been in kdramas over the last twenty years (consider the size of the list above against the fact that there are well over 1500 modern kdramas, and so few of the above listed characters are mains or even significant sides in these dramas), more shows like LITBC and Heesu are needed to bridge this gap. We sincerely hope they find the support they need to get made.

[150en]

Ooooooh you should draw Lizzie ooooooh new customer for the noodles ooooooh pink ooooooh magical girl vibes ooooooooh ooooooooooh Im being totally unoriginal rn but oh well oooooh

Oh wowwww I wonder who sent this message... Could it be the same guy as before? ˙ ͜ʟ˙ Jokes aside, have this doodle I made for WL ep.1

[jaymang0]

In every way, I know healing is hard.

I'll be here waiting for you.

[autumnoakes]

very interesting going back to hades 1 after playing a significant amount of hades 2. because the first game is about repairing relationships and not exactly fixing past mistakes but making up for them as well as lost time. whereas the second game is less about making up for the past but about avenging the past. it's interesting too how neither zagreus nor melinoë remember the past they're fighting for, but they've both been significantly impacted by it. zagreus was raised by a bitter father who was cruel to him because of persephone running away whereas melinoë was raised to be a soldier, fighting for a family that she never even met and that never got the chance to know her. they parallel and foil each other in this really interesting way, where zagreus is fighting for himself and melinoë is fighting for everyone but herself.

[genderqueerpond]

We don't talk enough about the fact that Amelia Pond, s5 Amelia Pond, before the timeline is reset, isn't just a normal orphan. Her parents didn't die, didn't abandon her, and didn't send her away. They never existed in the first place.

And if her parents never existed, then Amelia cannot exist. She is a causal impossibility.

"People fall out of the world sometimes, but they always leave traces." A photograph. A face carved into an apple. Yes. Sure.

A child.

Now that's too big, surely.

But that's what she is. She is exactly the same as these things. A trace. An echo of something that could never be, never was, never could have been.

And the universe should never allow it. A whole person, that's just too much. She could not have continued to exist indefinitely, in normal circumstances, after her parents never existed.

In normal circumstances.

Because the Doctor didn't just save her from things coming out of the crack in her wall. He saved her from going into it. And he didn't just save her from the threat of going into it simply because of its vicinity.

No, by arriving when he did, he interrupted a process that was probably already in motion. And then by arriving again only moments later on a cosmic relative timestream (too quickly for the process to complete) and yet in the local relative timestream, years later --- years of a potential future caught midway through the process of rewriting -- he solidified that existence. Amy is a creature from another timeline, caught in amber. The Doctor prevented her from never existing, but only after she could already never exist.

And so, no one around Amelia thinks about it. Neither does she. There's some kind of consciousness block, because if you thought about it, really thought about it, for two seconds you'd realize she cannot exist. And the human mind can't deal with that. So, to protect itself, everyone's brain simply slides off it before ever noticing. They just assume that her existence makes sense, and don't question it, and don't notice what they don't question, that is staring them in the face.

But of course, to some extent they do notice. They can't think it, but they notice subconsciously that there's something they can't think. They notice there's something wrong with her, something uncanny. And they don't like it, and they alienate her even more because of it.

"Does it ever bother you Pond that your life existence doesn't make any sense?"

[iwaasfairy]

cause when he loves me…

caleb doing ‘just big brother things’ aka I love them I do I really doooooo. art by me

[kairospy]

When i say James Potter is the little spoon I mean Regulus hates having his back turned to anyone, hates having people where he can’t see them, hands on him while he’s unaware, but James loves being held at any given moment

Movie date? He’s pressed against Regulus’ side. Hanging out with Sirius? They’re essentially holding hands. He will plop down on Regulus’ lap randomly and all Regulus does is change the book to the other hand so he can play with James’ hair

[dennisboobs]

10x06 // 12x10 // 14x04 // 15x07 // 16x01

[phoebebuggers]

”i feel like my life started that day we found you in the woods” to el while will was RIGHT THERE was crazy work mike wheeler when i catch you

[usertoxicyaoi]

"Did you really reach the west gate? Then, why didn't I see you?"

THE ON1Y ONE (2024). EPISODE TEN.

[nuggetpool-hi]

Lil idea I had hi

[alienatedbug]

hey so guess who was the idiot who yelled with full confidence in a silent room full of people ‘Hirowada toxic doomed yaoi, vampire AU’ accidentally

cw: shitty dialogue

Yeah so have my doodles