Danai Gurira and Andrew Lincoln for The New York Times
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I swear, the Pale King just organized a conveyor belt for the production of minions from the void and delegated his duties to them
In my understanding, Lurien and the Collector were the two most reasonable specimens, so the King made them work. For free, of course, only out of a sense of love for its creator. And less autonomous samples became his kingsmoulds
Lurien was obviously entrusted with overseeing the City of Tears, but I think the situation is more interesting with the Collector
I think the King originally appointed him as a scientist who was supposed to study the effects and consequences of contact of living beings with the void. Is it possible to defeat the infection in this way or reduce its impact? It would be easy for him, since he himself is from the void
After all, he has his own tower with a study. But to be honest, the Tower of Love reminds me of one big room with soft walls for a madman, and it stands literally on the very edge of the city, isolated from it. I think the king initially saw that the Collector was not quite adequate, but he needed research, so he simply provided him with a tower with access to the Edge of the Kingdom so that he could catch unreasonable beetles there for research, and not cause problems in the city
The bug with the void flowing out of its eyes, in which we find the key to the tower, thinks that they have been together with someone for too long, and have become one. I think it was one of the assistants or workers in the tower who escaped when the influence of the void on the inhabitants of the tower became obviously detrimental. He locked the Collector up and took the key with him so that he could no longer "protect" everything he could reach
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rick grimes ♡ favorite scenes [2/?]
I know we'll never get things back to the way they used to be. I only clung to that for you - for Judith. Now she's... gone. And you? You're a man, Carl. You're a man. I'm sorry.
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If I used dating apps, I would put this on my profile to blend in with all those cis guys holding fish.
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Jim McLaughlin - Original cover art for The Beyond #28, Ace Magazines, 1954
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