#best way to generate leads

[sociallyactives-blog]

In this infographic you will learn more about native ads networks.

[mohntilyet]

illario as the grandchild that is most like caterina is something i'm loving to chew on. the grandson that took her lessons to heart the most. kill anyone who sees your face and knows your name, "we are not revolutionaries", the first out of the two to prioritise the contract. power at any cost, and the only one to lean into the unnecessary abuse that their grandmother told them was tradition. why is anyone surprised he allied with the venatori? and then there's illario's considerable skill in infiltration and manipulating any mark, he has always had the charisma that lucanis lacked. illario isn't attached, he has/can/will use someone and immediately drop them; "that does free me from promises i don't intend to keep". he can lie about how much he cares so well that he fools a magister into believing he loves her. he kills zara without hesitation to cover his own tracks, meanwhile lucanis blindly promises a young girl in the middle of a siege that he will help her find her father. even the lessons about family stick with him, and in this entire messy power struggle, he never actually orders anyone to directly kill caterina or lucanis, not until he's backed into a corner.

and even after all that. despite even lucanis believing illario should be first talon, lucanis is still the better killer. illario is not strong enough to be the brutal assassin caterina needs him to be. so when lucanis seems to fill the role his mother left, grief and love for her dead heir apparent remains, and any of the other qualities caterina needs in her next talon doesn't matter. whatever his mother was, lucanis has to be. what illario does doesn't matter, because he will always be second best to caterina's memory of her favored daughter.

[strawglicks]

i cant think of a clever caption . cathal obliterating graham with little effort upon ye

[squuote]

the way the broom closet and the infinite hole being nearly parallels to the other in that they are both areas of the game that stanley has immense attachment to but the narrator doesn’t understand why and makes an entirely huge fuss about his confusion for the affection towards these areas. I think what makes the infinite hole just as funny is the fact that despite succeeding in making a new game feature that stanley seems to really enjoy, he’s so much more focused on the fact that stanley is enjoying it the “wrong” way. aspects of the game that go hand in hand with the bucket.

[aro-culture-is]

Aro culture is having not a single fucking clue what to say when your coworkers start talking about relationships. Like how am I supposed to contribute to this conversation. I can’t tell you about my nonexistent partner. I can’t whine about how I haven’t found anybody I don’t want. I can only say “oh that’s cool” and “damn sorry about that” so many times. And now I look awkward and standoffish.

.

[tvckerwash]

ah yes I've been reminded about how much I dislike wash's arc with locus on chorus because it makes no fucking sense!

like that scene in s12 where wash has that dream about shooting donut? while perhaps understandable when looked at in a vacuum, it makes absolutely no sense in the context of wash's arc from s6-s10.

wash repaid his debt to donut by protecting him from one of the tex bots in the 100 tex battle (which is what that seemingly random line in that fight where wash says "okay, we're done here" is referencing), and wash mentally justifying shooting donut in the dream with a "I was just following orders" also makes no sense because that's not what happened!

pretty much everything wash did from mid s7 through s8 were all things that he chose to do. wash chose to go to the chairman and make a deal after he found out that caboose still had epsilon, wash chose to shoot donut and lopez (because he didn't know them and had no attachment to them), wash chose to take doc prisoner, etc etc.

yet despite all of those awful choices he made, the reds and blues still refused to let him die. they chose to save wash when they had every reason to not save him, and they did it because that's what friends do—they protect their own.

this is why wash pulling his gun on lina in s10, and the words that followed him doing so were so important. wash knew what she was feeling, he understood her on an intimate level because lina was mentally in the same place that he himself had been in not too long ago—but he was not going to stand by and watch her hurt his friends, and he was not going to let her force the reds and blues into a battle that wasn't theirs (like he himself had done in s6 on his quest to defeat the meta).

tldr; wash's arc on chorus with locus doesn't make sense because the whole point of his arc (and kind of lina's arc too) prior to chorus was unironically about rediscovering the power of friendship thanks to a group of dumb guys in colorful armor.

[muse-write]

Staring at the next chapter of TCoE and realizing with horror that I need to rewrite it.

[topnotchquark]

Behind F1's Velvet Curtain

This article by Kate Wagner on her INEOS sponsored trip to the Austin GP at COTA last year was commissioned by Road and Track magazine and then taken down. Presumably because Kate has was pretty staunch in her opinions about what was essentially a paid trip.

It is exactly the kind of thing I have wanted to read about the felt experience of the money business of F1. It doesn't get into technicalities and does not produce any spreadsheets for reference. It's just, her experience of the presence of wealth in the sport.

She starts off by talking about how she has been covering cycling and NASCAR for a while now and both of those, in comparison, are scrappier sports with smaller sponsors and cheaper tickets.

What I also especially loved was how fascinated she was with the cars themselves, and how they seem like a true marvel of human engineering. She almost described the cars like these alien beasts that came into this dimension out of nowhere and were being constantly monitored and dueled with to furnish wins and glory (and shareholder value for sponsors).

I think I always had an understanding of the weird myth making surrounding F1 and the kind of media attention it attracts, but someone like Kate (who I have loved reading for a while now) putting it into perspective really made it click for me. This sport thrives off of the kind of cocoon it has built around it and understands exactly the certain exclusiveness it needs to maintain to keep the story alive.

Anyway, give it a read, especially because Road and Track is trying to bury it to not piss off sponsors.

[arolesbianism]

Wormwood hc hours

[catwif3]

i have always been the person who was afraid of skincare because, as anyone else with sensitive skin knows, you can't just go TRYING things what if something TERRIBLE happens??? so i've been happy using the same products for decades (until they are suddenly discontinued without your consent, neutrogena)

and when you go to try to look things up i was like. no, this is overwhelming. what does all of that even MEAN. i would need to spend so much time to learn enough to make choices here! no thanks! i'll keep using the old stuff if it's "good enough!"

and i was so right!!!

i basically spent the last month putting myself through a four-week intensive course. i learned a ton of new vocabulary, economic factors, and science. just to be able to accurately judge the products i was thinking about putting on my face. this has literally been HOURS watching videos from beauty bloggers and dermatologists and aestheticians, but also a TON of reading, looking up products as they are mentioned, looking up the explanations on their ingredients, and learning to recognize key ingredients myself (vocabulary!!!!) this is insane

like i have found out why people make this their hobby and it is because there is SO MUCH stuff to learn it's impossible to learn it all without making it a fun hobby focus o_o;;;

luckily the main takeaway i have from it is: do you NEED any of this? ! NO! u can just keep using a cleanser that doesn't dry you out and a moisturizer that doesn't make you greasy. (however if you haven't found those, or you have concerns to address. oh boy. oof. there's so much information ur about to be besieged by. and literally if you just pick up the first week of the course and drop out you can get SO blindsided by side effects. it's rough out here lads.)

[mariocki]

All Passion Spent: Episode 1 (1.1, BBC, 1986)

"She's not one of those clever women, thank God. Mother has always allowed others to make decisions for her. And now that Father has gone..."

"I suppose, since I have always lived at home, that I should really bear the brunt."

"Brunt, Edith? I'm sure we shall all regard it as a privilege to look after Mother. Brunt is an entirely unsuitable expression."

"Oh dear, when you say it like that, Carrie, I'm not even sure what it means."

[thatone-churro]

not to be emo on main but i miss when my birthday meant something to me :/

[un-pearable]

illadvisedly been reading LU fic again and boy has the fic scene only gotten weirder about the leader thing

[chimaerakitten]

a lot of episodic media will have like...a tension between the nature of episodic media’s need to maintain the status quo and the need for events to effect characters to make them appear to be emotionally and psychologically coherent. The longer the status quo remains unchanged despite evidence that it should or would change, the more characters start to flatten into caricatures, especially when the story is structured around some single big secret or reveal. The superhero's family and friends’ memories of his secret identity can only be accidentally erased so many times before you start to wonder why the hell he can’t just tell them—after all, he remembers at least two incidences and they reacted well in both.

Everyone already knows this—it’s why a solid half of the body of fanfic for any show like this will be about the big reveal finally happening, and a third of those will go on after the reveal in an effort to prove that the status quo can change in this way without the entire premise of the show being moot. Sort of a, “We’ve proved we’ll all still watch a superhero show with reduced identity shenanigans, why the hell won’t the writers get on with it?” thing.

But then there’s a slightly less common tension that happens where instead of flattening into caricatures, characters under the sway of an episodic status quo will stay 3D, but in a way the writers obviously didn’t intend. The first time the hero intentionally erases his family’s memories of his secret identity in episode four, we sympathize, because at that point he doesn't know how they’ll react and he’s trying to protect them. When he does it again in episode 43 after he knows they’ll be ok with it and also that the villains will find out his secret identity and target his family regardless of if they know, he’s an irrational paranoid asshole. And sometimes of course that’s the intent, die a hero etc etc, but it fascinates me that sometimes it’s not and the writers were clearly expecting you to sympathize in episode 43 the same way you did in episode 4.

[fruit-colored-ninja]

Still say that Iron Baron is one of the best villains in ninjago btw

[always-a-slut-4-ghouls]

I will be like “he’s just like me fr” about the most fucked up little guy and when asked how I’m like “idk actually. Maybe I should talk to my therapist about this”