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[raisevoice]

Website: https://www.raiseyourvoice.net.au/

Address: Peakhurst, NSW, Australia

Raise Your Voice by Lea Baker offers expert vocal coaching, helping students discover their free, authentic, well produced voice.

- What I Do:

I help people find their freely produced, efficient and authentic voice. I love to teach and empower students. Each singer is different, there is no 'one size fits all'. My sessions involve lots of physical and vocal explorations, positive reinforcement and lots of encouragement.

Using actors' voice training techniques, I help singers find freedom through embodying their voice and releasing unhelpful tension.

I believe ‘trying harder’ nearly always leads to vocal difficulties. When vocalists discover the power and range of natural, organic and instinctive sounds, they grow in confidence and ease - often discovering the voice they didn’t know they had!

I help those who rely on their speaking voice for their profession, such as teachers, public speakers and call centre workers (to name a few!), avoid vocal fatigue, become more engaging to their listeners and maintain a healthy voice.

- What I Offer:

Success in learning depends on finding the right Instructor; someone who knows the subject well and understands how you learn. My teaching style is practical, holistic, non-gimmicky, and based on science. Students learn how to sing or speak optimally. Clear specific language and examples are used, leading students on a self-discovery journey.  Everyone has a voice. My job is to help you release its full potential.

Here are the four philosophies I follow:

* Trying harder will almost always lead to a deterioration in vocal improvement. It’s finding the ease in vocal use that is the key. Less is often more.

* The most freely produced and authentic singing or speaking comes from your natural, organic and instinctive voice. Often it's noticing and releasing unhelpful vocal habits & muscle tension to find that voice.

* I believe learning is about self-exploration and discovery, with guidance from your voice coach. Doing what the teacher asks to gain their approval isn’t learning.

* Training at NIDA opened up a whole new world. Using acting voice training helps singers to feel and sense their voice, rather than just hear it.

Why choose me?

* I help the student discover for themselves with guidance and targeted techniques.

* I take the time to understand the mindset of the student towards their voice and address this in my coaching.

* I teach holistically – I teach the whole person, not just their voice.

* Students get clear explanations of the ‘why’ when to comes to voice usage.

* My Teaching is underpinned by a good understanding of the science and physiology of the voice.

* Finding the unhelpful habits or traits of the student and helping them rewire these.

* Experiential learning is key, helping students to discover for themselves, no “pleasing the teacher”.

* Learning is layered. What each particular student needs at this particular time. I don’t clutter them up with lots of ‘nice to know’ stuff - it's not about how much I know, it's about what the student needs to be a better singer, speaker or performer.

* Voice lessons are either online or in person (Covid safe).

Facebook: https://www.facebook.com/raisevoice/

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[atalana]

this is just a vent post you can interact with it or not i don't mind just i gotta put it somewhere

[venusvity]

If you were concerned that the girls were being overworked before, welcome to the year, Angelico proved you right ten times over! Refusing to lose their hype and cash flow, Venus would release their first full album, "BRAINROT," alongside the title track WORMZ4BRAINZ. "WORMZ4BRAINZ" received positive reviews from critics, who praised its production and the group's vocal delivery. It attained commercial success, peaking at number two on the Gaon Digital Chart and number three on Billboard's World Digital Songs chart.

Showing their full versatility this year, the girls would come back with their sixth mini album, "#dontlike" taking on a more "teen crush" type concept. The EP debuted at number two on the Gaon Album Chart and number six on the Billboard World Albums chart. The songs from the album also performed well digitally. "#dontlike" charted at number one on the Gaon Digital Chart and number three on the Billboard World Digital Song Sales chart.

Controversially, just two months after Jiah turned 19, Venus would release "Come N' Get It," a sexy summer mini album. While a group of Constellations were very vocal about how inappropriate it was for this concept to be done on a freshly legal adult, the general public didn't seem to care. "Come N' Get It" debuted at number 27 on South Korea's Circle Digital Chart. It rose to number one the following week. The song debuted at number one on Singapore's Top Streaming Chart, the Malaysia International chart, and the Billboard Hits of the World charts for Hong Kong and Taiwan, earning Venus their first number-one in Hong Kong.

When asked about how she felt looking back on Come N Get It in the "The Road To Venus" documentary in 2023, Jiah would discuss how she feels currently about the concept vs. how she felt at nineteen.

The music video, full of provocative dancing and the girls in swimsuits, was filmed two days after Jiah's birthday, resulting in another wave of concern from fans. Jiah would only concern fans further by saying she's been waiting to do a concept like this and was very excited to show this side of her.

As a means of damage control gone wrong, VENUS would close out the year with their second digital single, "BAD GIRL," which spearheaded the Venus Hate Train of 2020. A hate train when you're in a successful girl group is to be expected, and the girls handled it to the best of their ability. However, online critics did nothing to the girls charting power and influence.

"Bad Girls" was named the best K-pop song of 2020 by Business Insider, second by Zenerate, and amongst the best songs of 2023 by Elle. Apple's campaign and "Bad Girls"'s music video received awards at the One Show and the Spikes Asia Awards. The song received four music show awards, twice on both M Countdown and Inkigayo.

[piratefishmama]

Crossing the Line | Part 2

For Eddie Munson, it started with a tweet. A random little tweet in his mentions that ignited his incredibly hard to control impulsive curiosity. One of his long-time followers and his best friends little brother, a boy with a love of DnD who only begrudgingly followed him after he recorded one of his campaign sessions and posted it to YouTube, pinged him a mention with a single link in it to Instagram captioned “roast him he’s ruined Crazy Train!”

Michael Wheeler you little shit. He’d get Nancy on that one, Mike’s obsession with roasting people was getting mildly out of hand.

But Eddie was a curious soul and someone had apparently ruined an Ozzy masterpiece, so of course he followed that link, he didn’t even hesitate, even let out a cute little “boop” out loud as he clicked it.

Now. Eddie Munson, could have probably been classed as a bit of a music snob. He wouldn’t go too far with his snobbery, but for some people... it was just an unwritten rule that some people deserved the snobbery to the max. They deserved the shit storm that came with Eddie’s brutal honesty and lack of verbal filter.

And Nepo-babies with nothing better to do than *fix* legendary metal tracks with their top 10 bubblegum bitch bullshittery were 100% deserving of the roasting his bitchiest of little sheep had called for.

Did he go a little overboard over the following week while bored shitless in between customers at his shitty non-chain coffee shop gig? Absolutely. Did he feel bad? Absolutely not. It’d taken him all of five minutes to decide Steve Harrington was the worst.

Even if the nepo baby thing wasn’t enough, he was spotted with a different piece of arm candy every month, he had girls and guys falling all over themselves to get a glimpse from him in their general direction, like, there were articles about fights breaking out in the audience of his shows because fans couldn’t decide which one of them he looked at. He lived in some fancy ass house if his insta photos were anything to go by which no doubt his parents bought for him, he did way too many PR stunts to make it seem like he was a good guy, and while his voice was… okay, it wasn’t bad… passable, it was passable…

It sure as fuck needed to stay in its own goddamn lane.

So, the boredom in between the rare rush thanks to the Starbucks down the street was filled with what could only be described as obsessive online bullying, his ADHD hyper fixated so hard, but no way was he even going to notice it, so Eddie didn’t even feel bad about it. The guy had so many people falling all over themselves in hopes he’d notice them that his measly little insults would probably wind up just buried in the sea of hormones and the occasional desperate “COME TO BRAZIL” hashtag Brazilian flag and several thousand heart emojis.

And just as a fun little topper on the ice cream sundae that was his weeklong bitchfit into the void, a lovely little cherry on top, he covered Crazy Train on his channel. Not just the guitar bits, but he made chords and tabs for the lyrics too, letting his sweetheart sing for him, he never sang on his channel, vocals were just for the band gigs, his channel was primarily game music covers but this one, this one he declared “This is what it’s supposed to sound like” in the intro then rocked it.

Eddie was all about freedom of musical expression, but Steve Harrington could go suck a fat one if he thought he was getting away with ruining a masterpiece with his croony bullshit.

“So” The week after he’d finally put his one sided feud to rest, found one Nancy Wheeler, the instigators older sister sidling up to the counter mid-way through the most boring Sunday shift Eddie had ever worked in his life.

“Wheeleeerr, my sister from the most boring of misters, what can I get you babydoll?” He didn’t even need to ask, and she didn’t actually need to say it, he was already halfway through making her fancy little favourite, a cinnamon hazelnut latte with soy milk knowing she probably only had five minutes before she’d have to bolt again.

“Eddie… why have you spent the better part of a week harassing a celebrity on Instagram?”

“I think you mean an entire week, your little brother released the dogs of war. Aaaand the ADHD told me to do it.” He grabbed one of the little honey buns from the treats display and popped it onto a plate for her “forgive me honey bun?” A pet name AND a treat combined. She rolled her eyes fondly before accepting the free treat. “Why do you ask?”

“No reason.” There was absolutely a reason, but… honestly he brought whatever was coming to him upon himself. Sort of. She'd stand in his corner if shit got real. “I’ll handle Mike, don’t harass celebrities until you’re actually a celebrity, and even then, don’t harass celebrities.”

“It’s not like he’d notice, let’s be honest he has more fans than there are stars in the sky, all of them, and I do mean all of them, fully up for bearing his children.” Seahorse dads in the house! But also, mpreg too, ass babies unite. “It’s not like some rando having a questionably obsessive and lowkey aggressive meltdown over his ‘I’m bored as shit’ experiment would ever grace his radar.”

“I’m just saying Eddie, you never know who you’re going to reach with your online nonsense, if you ever want to get out of this place, you’re going to have to play nice with people from all walks of life, including nepotism babies.” The bark of laughter that erupted from Eddie Munson would have probably insulted most people, but Nancy had known him for years. He was listening, he was, there were just layers upon layers of automatic reactions to get through before he’d visibly take in what you were saying. “He could be nice, you never know.”

“Oh yeah, his royal highness seems lovely. Did you know people used to call him King Steve?” Seemed like the worst person on the planet masquerading as a semi-decent guy. Eddie wasn’t fooled in the slightest. “Your drink, mademoiselle!” He presented her with a large to-go cup filled with her favourite beverage.

“Don’t you have some odd little moniker on your youtube channel?” She asked behind the lip of her cup, before taking a sip and humming in appreciation. Even if he was a little shit, Eddie could make a mean latte.

“That’s a persona, it’s an online personality! People calling me Kas is different, people just called him that cause of how much ass he got. It’s weird, I bet he started it himself and paid his cronies to use it until it caught on.” That was good, maybe he’d pick his feud back up just to lay that one on him. “Seems very nepo baby of him, y’know? Can’t get a good nickname circling so he’s gotta buy one.”

“Wouldn’t his parents have bought it for him?”

“Ohhhh Wheeler good one! Nice nickname, did your daddy buy it for you? Babe, sugar plum, I love you. Imma write that one down for later.”

“Please don’t.” He was already off, and she caught sight of her smartwatch beeping about some meeting she was close to being late for. “Shoot! Gotta run, no more harassing celebrities!”

“I promise nothing!” Ah well, it probably wasn’t that big of a deal that Steve Harrington’s best friend had DM’d her, probably not a big deal at all, probably meant nothing... probably.

Part 4

[symbioticfic]

Producing Pleasure: Prologue

(Main story of Idol Alternate Universe)

Tags: Original Characters, no smut, just a teaser, an intro to the world

This is an alternate universe. Some events may differ from real life.

Thanks to @twice-inamillion The Company series for making me revive this idea from the drafts. Check out their awesome work on their blog.

-------------

“What?!”

“I said, I want you to produce our new girl group.” Mrs. Kwon repeats herself. You rub your face in disbelief, hoping your CEO is joking.

“With all due respect Ma’am, I’m already a leader of a group and you put me in charge to become our group creative director. That’s quite a lot. Why not choose Eunji or Keenan for the job?” you plead your case. All your focus is for your co-ed group, Twelve Six, along with Eunji and Keenan. With being creative director for your group and sometimes groups under your label, you don't want more stuff in your hand.

“Well, Eunji is also helping out as a composer for Phoenix. And Keenan is broadening our A&R connections. We may be an up and coming label in this industry, but we are still short staffed.” Slumping back to your chair, gears in your brain are working hard to find a way out of this.

“Then why don’t you hire someone who has experience doing this kind of stuff? I know you have the money to find one. If the three of us are spread thin like this, when are we going to make music?”

Mrs. Kwon always says that the three of you were geniuses and is the reason why OTB is the rising star of companies in Kpop. Take Shamrock for example. A thirteen member boy group and the first idol group under OTB. You recommended a talented Japanese street dancer that you used to battle and Keenan found a genius kid producer online. Both of them become important members of Shamrock. As for Eunji, she trained OTB’s first GG, Phoenix in vocals. With her and her sister, they composed and produced music for the five member group, resulting in them competing in the Red Sea of girl groups right now. Also not to mention, your group Twelve Six. Your group’s music is able to breakthrough the public listeners. Decades after the last big co-ed group, finally Twelve Six changed that. Now, Korea sees Twelve Six as “Music for the people” because of your group penmanship and music move and touch many people's souls, not just in Korea but also the world.

“Because I trust you and I see potential in you to be a great producer.” there she goes again, putting huge faith in you. Ever since joining your label, Out of The Box (OTB) Studios, you have been one of her favourites. As an experience street dancer and performer, also having a brain being a portal to fantasy world says Mrs. Kwon, she has pushed you to the limits. She even goes as far as creating you a co-ed group with her youngest daughter Kwon Eunji and a Korean American rapper named Keenan Shin. The three of you were born on the same day and year, the twelfth of June, hence the name Twelve Six comes from.

With all the money in the world and full trust on you, Mrs. Kwon will do anything to help you to become one of the greatest artists in K-pop. But you doubt your ability if you are given another responsibility.

“Listen, Choi Sesang.” you sit up straight as your CEO calls you by full government, “Just please look into this file and consider it.” a brown file is presented in front of you. Reluctantly, you take it and open it. The first name on the paper almost made you jump out of your seat. You flip through the pages and surprisingly most of the names are familiar to you.

“Ma’am, there are-”

“Yes, they were idols. Some had troubles with their past companies and ended their contracts, and some I bought them out of their contracts.” bloody hell this rich woman. Her way of using money to get what she thinks is the best for the company still baffles you even after years knowing her, “They deserve a second chance and I know you’re up for the job. And rumour has it, you have your ways with girls.” she gives you a teasing look.

“Your daughter really has a nasty mouth, you know that?” Mrs. Kwon laughs at you cursing her youngest daughter.

“I don’t care if what Eunji implied was the truth or not. But I do have my own eyes.” she says after calming herself, “Your relationship with the Phoenix girls is admirable. They see you as a brotherly figure and a safe space to talk to. Those girls are strong minded and some are hard to get through, but you easily befriend the girls. That is enough for me to know you’re the right person for this project.” you look down to the file in your hand, taking in all what Mrs. Kwon says. A heavy sigh escapes your lips.

“Okay, I’ll do it.”

“Splendid!” she claps her hand in joy, “Also, there is one thing I need to tell you.”

Here you go, the catch in all of this, “Doing this job means you have got out of your way to get the job done. I know you are a good kid and have been staying clean until now. But sorry to say son, you have to get your hands dirty with this one. It's part of the industry, the system. No matter how long you try to avoid it, your time will come.”

Saying those words with a beaming smile so easily creeps you off. Well, a CEO of a K-pop company is not exactly the most morally right person in the world. Mrs. Kwon has always been brutal when it comes to business and you are led into one of her traps. Situations like this remind you where Eunji gets her nasty personality from.

Defeated, you know there’s no way out of this. Your fate has been sealed by the devil. Already, you try to drown your mind to come to terms with this twisted system. With heavy heart, you look straight at Mrs. Kwon. You can see insanity behind her eyes.

“So… do the job by any means necessary?”

“Correct! There you go, already getting a hang of it.” it’s supposed to be a laugh of joy for Mrs. Kwon, but it feels like she’s laughing at you. Soon enough, you will be playing with people's lives just like her.

“The girls will be coming in next week. Prepare yourself, mind and body. I have a feeling you will like them.” with a smirk, she leaves the room. You groan as you throw yourself back into the chair. The dreaded day is near. By next week you will become one of those industry scumbags. You love performing and singing, but you despise the industry. Being in it long enough to know stuff. The girl that you will be working with surely also knows a thing or two.

Thinking about your doomed future only makes you mad at yourself. Feeling suffocated, you pack your stuff and go home, not before leaving a text in the group chat.

Chat Room

Three silly peas in a pot

You

@Enzy your mother is a fucking witch

Enzy

WHAT THE FUCK?!

I mean you’re not wrong

But still…

WHAT THE FUCK?!

THAT’S MY MUM YOU PRICK!

K.S.

LOL 😂

Dorms now

I need this juicy story 👹

_ _ _ _ _

Three days since you operate as the main producer for OTB’s new girl group. You’ve met with the company staff and instructors over the week to discuss the training program. These three days have been orientation and waiting for the rest of the girls to join the company. Today is the day where they all finally present and training will begin to ramp up.

You arrive at the company at eight. Not wanting any problem, you do a morning check up every day just to make sure. After doing that, you take a sip of your black coffee while looking through the girl's profile again. You seriously can not wrap your head around the names on the list. Mrs. Kwon really is a crazy businesswoman for getting these girls to become trainees again in your company.

“Damn they’re hot.” startled, you almost spilled your hot coffee onto the papers. You look back to see Keenan peeking over your shoulder. His curly dark brown hair really needs a cut. It almost pokes your eye.

“Could you not sneak up on me like that?”

“You’re the one who’s busy staring at these profiles.”

“Hey!” he takes a seat next to you and slides the file over to him. You let him be, as you need a break from reading those papers over and over again.

“Still can’t believe they are trainees here.” Keenan says.

“Me too.”

“Mrs. Kwon is one damn good negotiator.”

“You can say that again. It’s like a person playing DnD and always rolls Nat 20 on persuasion.” Keenan laughs at your cheeky joke.

“Yeah… so, which one you gonna fuck first?”

“I- what?! Bro, shut up.” you punch his arm only for him to laugh even more.

“Come on, seriously bro. There are some hot chicks right here. If I were you, I would try every single one of them.”

“But I’m not you dumbass. I’m not some guy who will fuck every girl he sees.”

“Not yet.”

“Fuck off.” Keenan's laugh now turns hysterical. He’s always been like this. Being from Brooklyn makes him more frontal than your average Korean. He’s been teasing you since both of you met. With your ability in speaking English, you bonded easily with him. You also help him get accustomed with his homeland culture. But it seems you can’t take Brooklyn out of Keenan.

You take back your file from Keenan and walk off, “Ay! Where are you going?”

“Training is almost starting! I’m needed in the dance room!” you shout back at him.

“Okay then! Tell me if you score on one of them!” you don’t look back and flip him off. You can hear Keenan laugh fading as you walk further away from him.

The dance room for trainees is in the basement. Everything related to the trainees are in the basement. Only the ones who debut are the only ones who can experience the freedom of the city view from the artist dance room upstairs. For the trainees, the dark and damp basement is their prison. Some even will never see the day of light from the dungeon. Sound of blaring music can be heard at the end of the hallway. The girls may be stretching right now.

Other than being the main producer for the group, Mrs. Kwon also personally assigned you to be one of the dance instructors. Talk about a burden. It’s not the first time you are teaching a class. During trainee days, you already helped to train the fellow members of Shamrock and Phoenix. It’s just for a few sessions because Shamrock have a capable and experienced dance line and for Phoenix they are natural performers. Not the same can be said for this group. Maybe one or two names stood out, but they are nowhere near the talent as your fellow labelmates when they first join the company. And your part is to train them to be on par to standards.

Standing before the dance room door, you take a deep breath before twisting the door handle. The sound of your arrival alerts the girls. Quickly, they line up in a line with one of them scrambling to turn off the music before joining the line.

“Good morning PD-nim.” they greet you in unison.

“Good morning. At ease.” you say that, but they are clearly tense. Fifteen girls standing in front of you. You recognize their faces with a few unfamiliar ones. Some of these girls had a respectable career as idols. They are without a group due to them being in a project group making their contract length shorter than normal or suing their way out of their contract because of how stupid their company was. Some were in a group that disbanded. Others are trainees from different companies. Now, here they are starting from zero once more.

Knowing you have to keep professionalism, you close your eyes and take a deep breath. Starting today, you will have these girls' fate on strings. Toying with their dreams, giving them false hope. Just like Mrs. Kwon you thought. You open your eyes and give them a big smile.

This is when you notice Mrs. Kwon foul tricks, attacking your weakness: boobs. Most of these girls have sizeable to huge tits. You felt your cock twitch at the sight of the girls wearing tight sports bras, pushing their boobs together. One of them has a big enough bust, it outlines her baggy shirt.

“My name is Choi Sesang. For those who don’t know, I will be the main producer for this debut project as well as your dance instructor. Pleasure to finally meet you all.”

--------------------------

If you made it this far, thank you for reading. Like I said on the top, this was an idea that was collecting dust in my google docs. @twice-inamillion The Company series really got me thinking about this idea again.

I already have a few names for the girls: Chaehyun, Natty, Hyeju, and Xiaoting so far, with the first three already having a rough idea for it.

Recommendations for idol names are gladly accepted with the general prompt of the story would be helpful also.

I know I said a Pokémon story is on its way but that's on hold for now. I have struggles for the smut scene of that story. Wait a little more.

See you next time 😄

[overthebluemoon]

BLUE MOON! is a kpop GIRL GROUP formed in 2018 by OUTSIDER MEDIA. they first debuted with FOUR members in 2018, though in 2022 added a FIFTH and FINAL member. the group currently consists of FIVE members; JINRI, ARIES, DELLA, COMET, and TAEHA.

KANG JINRI is the LEADER, MAIN RAPPER, LEAD DANCER, VOCAL, CENTER, and PRODUCER of the girl group BLUE MOON. she was first shown to the public through the survival show PRODUCE 48 where she placed 15TH overall.

FULL NAME :: kang jinri

STAGE NAME :: jinri

BIRTHDAY :: february 10, 1999

POSITION :: leader, main rapper, lead dance, vocal, center, and producer

FACECLAIM :: jeon soyeon

BACKGROUND!

KANG JINRI was born in BUSAN, SOUTH KOREA as an only child in her family. from a young age her parents pushed her to be the best of the best in school, which only seemed to push her further and further away from it. when she was little, her uncle produced music and she always looked up to him for it, wanting nothing more than to be like him when she grew up. her uncle helped her learn all about producing even if her parents hated that it was talking time away from her studies. JINRI knew that if she wanted to get her parents approval to be a producer one day, she would have to become one of the best, which had her working every spare moment on becoming better. in 2016, she began posting her music online, where it was eventually found by MINJI, a member of the girl group LOTUS along with a producer under OUTSIDER MEDIA, and she asked to become a mentor for the young producer. JINRI agreed and started to work under MINJI, though in 2017, OUTSIDER MEDIA asked her to become an idol trainee to be in their next girl group. after only a few months of training, she appeared on the survival show PRODUCE 48, where she placed 15TH overall, just missing the debut lineup and went back to her company to debut in OUTSIDER MEDIA’S next girl group BLUE MOON.

NAM HYUNBIN, professionally known as ARIES, is the LEAD VOCAL and VISUAL of the girl group BLUE MOON. prior to being added into BLUE MOON in 2022, she was a well known MODEL due to her parents fame in the ENTERAINMENT INDUSTRY.

FULL NAME :: nam hyunbin

STAGE NAME :: aries

BIRTHDAY :: april 5, 1999

POSITION :: lead vocal and visual

FACECLAIM :: kim minjeong

BACKGROUND!

NAM HYUNBIN was born as the THIRD child and ONLY daughter of famous parents NAM DONGHYUN and KWON GYURI. her parents were one of the biggest couples in the entertainment industry and from a young age their kids were pushed into the public eye. she appeared in her father’s dramas and as a child model from numerous campaigns since she was little, focusing more on modeling once she hit her teen years. once she turned eighteen, she stopped appearing in the public eye all together, causing numerous rumors to pop up. HYUNBIN had decided her hated modeling and that she wanted to be an idol from the age thirteen, though her parents refused to hear anything about that, wanting her to follow in her mother’s footsteps and become a model. while she was younger, she couldn’t do much to change their minds, though at the age of eighteen she refused to take anymore modeling gigs and started to audition for many different companies. many companies were after her, though she didn’t want to go to one of the big companies, instead choosing OUTSIDER MEDIA, where she trained for a few years before being added into the BLUE MOON lineup when MAISIE had pulled out of it after IZ*ONE’S disbandment.

DELLA JANG is the LEAD VOCAL of the girl group BLUE MOON. prior to BLUE MOON, she had been a member of the girl group MISSKISS, which disbanded after only a year in 2017 and then appeared on the survival show PRODUCE 48 where she placed 38TH overall.

FULL NAME :: della jang

STAGE NAME :: della

BIRTHDAY :: may 16, 1999

POSITION :: lead vocal

FACECLAIM :: lee chaeryeong

BACKGROUND!

DELLA JANG was born as an only child in BOSTON, MASSACHUSETTS. DELLA had always been a very hyperactive child and her parents put her in dance classes given by her preschool to tire her out. she started to really enjoy dancing, though it was always more of just a hobby for her. she also joined her schools theater program as a way to keep her busy after school, falling in love with singing and lots of musicals. when she was sixteen, she and her family went on a trip to SOUTH KOREA, where she was street casted by a small agency and decided to try her luck with an audition. she made it through the audition and quickly became a trainee under the company and debuted in the company's first girl group MISSKISS, which quickly disbanded after a year of inactivity. she then moved to OUTSIDER MEDIA with her fellow members MAISIE and TAEHA in hopes to debut in the company’s next girl group. she then quickly appeared on PRODUCE 48 where she placed 38TH overall, failing to make it into the debut lineup. she then came back to OUTSIDER MEDIA, where she debuted in the girl group BLUE MOON.

CHALITA 'COMET' NIKULPHON, professionally known as COMET, is the MAIN DANCER and VOCALIST of BLUE MOON. before her debut, she had been one of the most well known OUTSIDER MEDIA trainees.

BIRTH NAME :: chalita 'comet' nikulphon

STAGE NAME :: comet

BIRTHDAY :: june 2, 1999

POSTION :: main dancer, vocalist

FACE CLAIM :: natty

BACKGROUND!

CHALITA 'COMET' NIKULPHON was born in BANGKOK, THAILAND as the oldest child of three kids. her parents put her in dance classes as a kid, due to her mom loving taking dance classes as a kid, and COMET quickly fell in love with dancing. she started dancing all the time and quickly became a competitive dancer where she was noticed by some kpop companies around the age of fifteen. she joined JYP ENTERTAINMENT and began to train, though once she saw that she would likely not debut in their next group she left and joined OUTSIDER MEDIA in 2017 where she trained and joined the lineup of BLUE MOON, debuting in 2018.

LEE TAEHA is the MAIN VOCAL, LEAD DANCER, and MAKNAE of BLUE MOON. she had also been a member of the girl group MISSKISS with fellow member DELLA prior to the debut of BLUE MOON.

BIRTH NAME :: lee taeha

STAGE NAME :: taeha

BIRTHDAY :: july 2, 2000

POSTION :: main vocal, lead dancer, maknae

FACE CLAIM :: an yujin

BACKGROUND!

KIM TAEHA was born in DAEGU, SOUTH KOREA as the youngest of two kids. ever since she was little she wanted to be a singer from watching idols on stage. she began learning how to sing, though never actually got formal lessons. when she was fourteen, she finally convinced her mother to start letting her audition for companies, though she got rejected from most of them and kept audition to different companies for a year before being accepted to GLOWLIGHT ENTERTAINMENT, where she was quickly placed in the debut lineup for MISSKISS, which debuted in 2016. once the group disbanded after a year of inactivity, she moved over to OUTSIDER MEDIA with MAISIE and DELLA and debuted in BLUE MOON following the completion of PRODUCE 48.

[kiiyunz]

posted⠀by⠀junjiie⠀⠀⸻⠀⠀1Oth May,⠀2O24.

Alright, alright, I know it’s a little late. I got distracted! A human error. But anyway, I’m back with the promised rundown of KIHYUN’s NCT U eras—but I’m ditching the rankings this time around, as the majority (up until UNIVERSE in 2021) took place in and around KIHYUN’s BAD eras. Everything else is the same, though, so.. Have fun!

EMPATHY  2018  GLOWSTICKS & (FAKE) GUCCI

RELEASED TO THE PUBLIC just over a week after his seventeenth birthday, the first whole NCT album was both a somewhat-old (he’d been promoting for a good two years by then, after all) but still refreshing experience for Kihyun. Participating in BLACK ON BLACK, GO, and BOSS, the vocalist threw every part of himself into it as usual—and maybe even a little more so, reinvigorated by the fact he was collaborating with members from the other unit (and ones from an upcoming one) that he’d only ever trained with in the past. He enjoyed the more mature feel of the teasers for GO, as well as the music video and the song itself—it was during this era (although it would only really become more apparent during WE GO UP promotions in September of that same year, and during EMPATHY he kept this thought mainly to himself) that he was starting to feel like the whole childish concept was something he wanted to be rid of, that he wanted to trade in for something different; and GO fit that vision perfectly. He had a notable amount of fun on the set of the music video, and slated filming it as the ‘best thing he’d get to do all year,’ despite the fact they were only three months into said year.

Due to the would-be unspoken rule of Kihyun only making an effort to have any sort of online presence when he wasn’t the biggest fan of an album’s concept or music, he was fairly offline during this era—the only actual content fans ended up getting was in the official music videos & the behind-the-scenes and dance practices for said videos. They made the most of what they were given, choosing firstly to poke fun at what they’d styled him in—one of his outfits included a horrendous rip-off Gucci jacket that was noticeable from a mile away—and secondly to enjoy the interactions he had with the members of 127 (the EMPATHY era showcased his bond with members like Johnny, Jaehyun, and Jungwoo to the public for the first time) and members like Ten and Kun, who hadn’t yet found their place in a permanent unit—although it wasn’t long in the making, as would be proved by WayV’s debut the next year. This was most prevalent with the behind-the-scenes of the BOSS music video in particular, a clip of Kihyun and Jaehyun chasing each other around dangerously close to the literal circle of fire featured in one of the later scenes while Mark watched on on the obvious verge of panic going quite viral online.

MY  FAVOURITE  MOMENT: ⠀GO  MV  BEHIND

Kihyun getting a little too ambitious while balancing on the metal of the train tracks and nearly falling flat on his face, much to the delight of Chenle and horror of Jeno—who ran over to see if he was alright, and then proceeded to nearly trip himself up also. The nearly-fall didn’t deter him in the slightest and he continued to walk down the line, Jeno stepping up behind to follow along (he noticeably wobbled more than a few times, but still stuck with it if only to give Kihyun some company). Chenle got bored of watching—or, as Haechan called it, “got FOMO,” and it didn’t take long of observing the other two before he was running over and trying it out for himself also. Him and Kihyun were walking on parallel sides, with Jeno in the middle after having given up on the whole balancing shtick; watching as the two in front of him reached out to hold on another’s hands and intercepting so they were both grabbing hold of one of his instead. Mark cooed, Haechan pretended to throw up in his mouth.

RESONANCE PT 1  2020  VOCAL FRY & BADLY DISGUISED VODKA

IN THE MIDDLE OF running around and getting up to many a scandal with someone that was, really, doing him more harm than good, NCT came back together as a full group to release RESONANCE PT 1. For the album he traded his newfound clubhopping hobby for what’s considered by some fans as one of his best (although criminally short, what with him only participating in VOLCANO and DÉJÀ VU—something that many suspect was a sort of punishment for the bad press he’d been bringing to both Dream and, by proxy, the group as a whole by that time) performances in the entirety of his career thus far. During VOLCANO he gave listeners a few seconds of rap lines, a skill of his that had previously been rarely utilised, Kihyun’s voice taking on a raspier edge that he later mentioned off-handedly as being his “Taeyong impression,” which was met with both positive and negative reactions—as is the same with most things any idol says or does while they mention another. DÉJÀ VU saw him back to his standard vocalist position, but many slated his lines as being their favourite, or his tone standing out amongst the rest in a certain moment. Altogether, despite his public image still not being anywhere close to being fully repaired, at least he wasn’t being accused of being talentless to add fuel to the fire.

What was adding fuel to it, however, were the leaked photos of him with a shiny silver flask halfway to his mouth on the way to a taxi. It was after hours, hardly being able to be accused of drinking on the job (but with a job like being an idol, it would be a little difficult to blame him for doing so), but it still sent a few people into an outrage—and Kihyun’s response didn’t help matters either, the simple ‘whoops’ he sent on Bubble enough to prompt some into showing their truce stance on Kihyun and his situation as of late (that being, of course, that they hated him). Most took it in good humour and laughed along with him, seeing as those photos and content put out by the company were all they got to see of him for the whole era. Even his moments in things such as behind-the-scenes videos were frighteningly scarce, only appearing for a scant second or two before he was being whisked off by another member or the camera had decided to abruptly cut away in the middle of his screentime where in the past it most likely would’ve lingered a little longer. It was sort of a tug of war between the good and the bad things throughout the whole promotion period.

MY  FAVOURITE  MOMENT:  KYUNDERY  INSTAGRAM  LIVE

It was almost like a miracle, the day Hendery logged into the NCT account and decided to start a live—and with Kihyun, no less. They were a little drunk, and didn’t care if the people watching realised that. In fact, them being tipsy probably played a part in the decision to go live, so maybe it was really something they should be thankful for. The majority of the time on live was spent by the pair taking turns scrolling through the filters and laughing themselves into hysterics, so much so they could barely get a word out between their fits. When they’d finished filter sampling they held an impromptu karaoke session, despite the fact their voices were cracking a minimum of twice for every line they belted out into the empty company room they’d holed themselves up in (and, when Hendery tilted the phone to show viewers their set up, it almost looked like they were camping for the night—there were a few pillows and a blanket they’d hoarded from somewhere, snacks galore, bags and a few empty bottles and one singular shoe). Beggars couldn’t be choosers in the Kihyun-content regard for this era, but it just so happened that the one thing they did get (or rather, most of them got, as some missed the notification and had to watch clips elsewhere) was something they could hold dear.

RESONANCE PT 2  2020  LUCKY NUMBERS & LEGO SETS

STILL RUNNING AROUND, still not the fan favourite he once was, most were expecting much of the same treatment during RESONANCE PT 2 as Kihyun got during PT 1. However, to the surprise of all of them, he actually received a little more screentime this promotion period around—most likely because of his involvement in the tracks 90’S LOVE and WORK IT, where there was far more extra content to go alongside just the music (as well as RAISE THE ROOF, although that didn’t receive a music video like the former two), but most fans decided to take it as the plus it undoubtedly was. He looked happier than he had in months skating around with Mark and Jeno, catching up with Ten, cracking easy jokes with both Shotaro and Sungchan in his attempts to get to know them better despite the slump he’d been in for most of the year thus far, and of course messing around to his heart’s content with Johnny and Hendery on the WORK IT set. His normal full-of-energy self was back—not that it had ever left, but he’d seemed far more tired, almost lifeless, in the months running up to the dual albums—and to see him so sunny again seemed to brighten the mood of a few of the members he was particularly close to in tandem. 

As was beginning to become the (unfortunate) norm, hardly any extra content atop what the company gave the fans came from Kihyun himself—no lives, no posts, barely any messages on Bubble, the list only went on. Some said he was simply following his own tradition of staying quiet if he liked the music making up the album he was in the middle of promoting, but most people were still under the impression that it was due to the scandals and articles and countless rumours that had completely taken over his public image with fans—decidedly for the worse, seeing as it ended up getting so bad once that people were left wondering if he was going to be kicked out of NCT on the whole. The mood was beginning to dip again, fans taking his complete lack of presence that wasn’t company-mandated to mean that they were going to be seeing even less of him in the future. Until—a post from Kihyun, a simple selca on their Twitter account of him in his 48 hockey jersey from the 90’S LOVE music video, the two simple words ‘lucky number’ as his only caption. You’d think he’d just dropped a movie-length vlog from the amount of people celebrating his (brief) return, the words ‘HE’S BACK’ trending for a few hours or so as most of his fanbase frantically changed their profile picture to the aforementioned selca.

MY  FAVOURITE  MOMENT:  WORK  IT  MV  BEHIND

No one was happier to see Kihyun than Johnny, and that fact was apparent from a mile away. They were attached at the hip the second the cameras stopped rolling, always visible in the background glued to each other’s sides even if they didn’t get much time talking to the camera for the BTS video. When it was finally their turn to give their small interview (or rather, when it was Johnny’s turn, and he dragged Kihyun along with him by the arm) Johnny was resting his head atop Kihyun’s and buttoning and unbuttoning the blazer he was wearing for that scene while he spoke. Kihyun even cracked a smile or two at the jokes that had obviously only been told for the sake of his reaction, and contributed a few words here and there. Another moment from the video widely loved was from the scene on the wide open field, where he was captured sprinting away from Jungwoo giving chase, Jaemin and Johnny close behind, wide grins on all of their faces and the faint sound of laughter being picked up. Jisung was standing and watching with a small smile, with the rest making bets on who was going to trip over their very-much-not-made-for-running shoes first.

UNIVERSE  2021  BASEBALL BATS & BETTER DAYS

WELL ON THE WAY to being fully back to his normal self again (despite it being a couple years in the making), UNIVERSE saw Kihyun far happier than the previous two promotion periods, almost reaching his mood during the EMPATHY era. Participating in songs UNIVERSE (LET’S PLAY BALL), OK!, BIRTHDAY PARTY, and of course BEAUTIFUL, it wasn’t as if he was at a loss for things to do. He admitted it was tiring, but also that it was fun—because with the more songs he got to work on, the more time he was given the chance to spend with members not in his unit (namely Hendery, Xiaojun, Johnny, and Jungwoo—although he did talk a little more with Shotaro and Sungchan also, stating proudly to the camera on one occasion that they’d been thinking about going out for dinner one night in the future). He also found it fun because he enjoyed every track on the album, even if he didn’t make an appearance on most of them. Despite the hate some of them got from the fanbase (BIRTHDAY PARTY in particular) he held firm and even sent a few Bubble messages defending them in earnest, complete with angry kaomojis and one (not really) accidental swear. Kihyun saw UNIVERSE as his chance to prove he was ready to be a proper representative of the neos after his nearly-two-year-long slump, and was truly giving it his all.

Like the mood maker he’d always been, this dramatic change for the better in his demeanour affected everyone’s around him also. A few member’s smiles always seemed a little wider now that Kihyun was nearly back to normal, after they felt far more confident in the hope he’d bounce back stronger than ever, and benefit all of them—Dream members in particular, of course—while doing so. UNIVERSE was also an era in which Kihyun put his extrovert nature to work and gave fans interactions with members they’d barely been allowed to see him share one word with—the main ones being Doyoung, Kun, and the most surprising to a fairly large amount of fans, Winwin. Despite only appearing with the latter on BEAUTIFUL (as it was a whole-group song), once things like the jacket BTS began to be released, they were made witness to the bond the two of them shared; far closer than apparently most had ever dreamed of them being. Kihyun was as affectionate with the WayV member as any other person in the group, but as he only did with a few of them, Winwin was reciprocating—a returned hug here, tolerating a little handholding there. He wasn’t exactly matching the boundless enthusiasm the acts of affection were performed with, but no one was really expecting that anyway. It just went to show that Kihyun could pull most people into his orbit, even if it was just for a moment or two.

MY  FAVOURITE  MOMENT:  ALBUM  UNBOXING

Placed into a group with Johnny, Hendery, and Shotaro, Kihyun was having the time of his life. He went to lengths to include the newer member in all of his conversations, light-heartedly prodding at him like he’d known him for years, and even making an effort to slow down his usual break-neck pace of speaking so that Shotaro would have a better chance of understanding him fully—the ribbing could’ve gone a lot worse if the latter thought Kihyun was actually poking fun at him, but thankfully Shotaro took it well and even gave it right back on a couple of occasions, which made all four of them burst into laughter. For his pulls, Kihyun received a Kun photocard (he couldn’t have ripped off his phone case fast enough, with enough force that he nearly sent both it and the HOT SAUCE era Jeno that was still inside flying across the room), a Johnny poster (which the 127 member was delighted about, and demanded to have a picture sent to him later of said poster tacked up on Kihyun’s wall), a Jaemin postcard, and a Mark sticker—which Kihyun immediately stuck on his phone case also.

GOLDEN AGE  2023  POLO SHIRTS & ..PURPOSE?

HAVING MOVED FAR PAST all that was weighing on his mind during previous whole-group slbums, Kihyun went above and beyond for GOLDEN AGE. Featuring in INTERLUDE: OASIS, THE BAT, ALLEY OOP, and obviously GOLDEN AGE, he made sure to throw more than he’d ever thrown before into recording. He was fully aware that the past years hadn’t been his best, and despite already making amends during UNIVERSE, he still wanted to prove his worth all over again. Everything was fully behind him, and it showed in the sparkle in his eyes and brightness of his laughter that came alongside every appearance of his in any piece of behind-the-scenes content. Always smiling, always energetic, always wanting to make whoever he was laugh, even if it was just for a second. Although he did stick to his usual (and very obviously favourite) members—Mark, Jeno, Chenle, Johnny, Hendery, Niko—he did make sure to wrap all of them in a too-tight hug and hang off of them while they talking to other members or giving mini interviews to cameras at some point or another. ‘Spreading the love,’ he called it, to which Chenle beside him, through poorly contained snickers, quipped that he was also probably ‘spreading diseases,’ which earned him a punch in the stomach.

Kihyun even made an effort to show up (often unannounced) to sets of the track videos he wasn’t involved in—namely PADO and KANGAROO. There he enjoyed himself thoroughly, poking at Jaehyun’s hair, dragging Donghyuck off to who-knows where, and making fun of Hendery’s outfit on one set, and latching onto Renjun’s back, avoiding small talk with Yangyang at all costs with red ears, and cooing obnoxiously loudly at Jisung on the other. He opened his copy of the album on a live with Jungwoo and Mark, and pulled a Xiaojun photocard which, as per, he immediately stuck over the face of ISTJ Renjun and patted with horribly contained smugness (he then remarked to the camera that he barely pulled Xiaojun in any of his WayV albums, and so it was practically a miracle). And apart from the live, he was very online in general—once again breaking his rule of staying quiet if he was happy with it all. He posted on his Instagram, he was sending messages on Bubble at least once every week instead of monthly at best, he was going live with just about every member of the group (there was a lot of karaoke, a lot of giggling at stupid filters, and a lot of radio hours mish-mashed with fit checks mish-mashed with impromptu fashion shows). Overall—a very happy time for Kihyun, and everyone around him.

MY  FAVOURITE  MOMENT:  #1  MARKF  ACTIVITIES  (SORT  OF)

He’d never made any attempt to hide his love for Mark (like most of the group, really) but during GOLDEN AGE it felt like he was turning it up to eleven. During the fit checks and fashion shows on live, sometimes Kihyun would be decked out in full Polo Ralph Lauren—laughing all the while he showed it off, but wearing it all the same; no doubt because of a certain someone’s connection to it. He even bought a flat cap, and had great delight in showing it off to anyone who wanted to see it. Mark’s music taste also looked like it was rubbing off on him. Suddenly he was sharing Justin Bieber songs (mid 2010’s era Justin in particular—the PURPOSE album if you want to be extra specific), doing dance covers, almost to the point where it felt like he was trying out a new era of being a mini-Mark—which, when brought up to him on a fancall, set Kihyun off into uncontrollable laughter for so long his and the fan’s time nearly ran out because of it. It was there, quickly trying to cram all of his explanation in before he was made to hung up, that he told them that it was his penalty that came out of a bet with Chenle that Kihyun had evidently lost. What the bet was had yet to be determined, but all inquiries after that were met with a secretive smile and a finger to his lips. Mark did appreciate the fanboying, though, despite it not being entirely genuine—he posted a selfie on Bubble of him and Kihyun in their matching caps and argyle sweaters with an abundance of hearts coming afterwards.

[throughtheprism]

PRISMATIC! is a kpop GIRL GROUP group formed in 2023 by LOVELY RECORDS. they are the FIRST group under the company, all of the members being handpicked by CEO and fellow artist, CHLOE KWON. they have a ELEGANT concept which was loved by many once they debuted.

MYUNG DOHA is the MAIN VOCALIST of PRISMATIC. she was a well known OUTSIDER MEDIA trainee and even lent her VOCALS to many DEMOS under the company, as well as appearing in the survival show CHOOSE YOUR PLAYER. it was also thought that she was a possible member in the lineup for BLUE MOON.

BIRTH NAME :: myung doha

STAGE NAME :: doha

BIRTHDAY :: january 11, 1997

POSTION :: main vocalist

COLOR :: yellow

FACE CLAIM :: im nayoung

BACKGROUND!

MYUNG DOAH was born in SEOUL, SOUTH KOREA. her father was a classical musician, while her mother was an opera singer, so she had been close to the music industry her entire life. at the age of five she began to take singing lessons for fun, though she had dreams of being a singer like her mother. as she got older, she decided to steer away from the opera side of singing and started to just sing and make covers for fun and eventually started to post them online when she was fifteen. shortly after, DOAH’S covers started to gain traction and she was asked to audition for many companies. DOAH made it into OUTSIDER MEDIA, training with the members of BLUE MOON, though being cut from the final lineup. she was still a well known trainee, however, and many waited for her debut. she, along with LENNIE, participated in OUTSIDER MEDIA’S survival show CHOOSE YOUR PLAYER, but was one of the first eliminated and followed MAISIE to LOVELY RECORDS when she decided to move over to debut in PRISMATIC.

BAE JINJOO is the LEAD VOCALIST and VISUAL of PRISMATIC. she was a well known JYP TRAINEE, appearing on SIXTEEN where she was eliminated early on. she also appeared on IDOL SCHOOL, though did not make it into the final lineup and decided to give up on idol life until CHLOE KWON offered her a part in PRISMATIC.

BIRTH NAME :: bae jinjoo

STAGE NAME :: jinjoo

BIRTHDAY :: september 7, 1998

POSTION :: lead vocalist, visual

COLOR :: red

FACE CLAIM :: yoo siah

BACKGROUND!

BAE JINJOO was born in JEJU, SOUTH KOREA. from a young age she had seen idols on TV and decided that was what she wanted to do when she got older. she begged her parents to let her take dance classes and vocal lessons, which after a few years of begging, they finally agreed to. she began auditioning for company’s very young after again convincing her parents and finally passed the JYP audition at THIRTEEN. she began training and eventually appeared on SIXTEEN, though was one of the first people eliminated from the show. after the end of the show, she went back to training, though she left the company and appeared on IDOL SCHOOL in 2017 as a last shot at being an idol. she made it far into the show, but again failed to make it into the final lineup. JINJOO gave up on her dream of being an idol, going back to school and going through college. she had almost forgotten about her trainee days when CHLOE KWON, one of her best friends as a trainee under JYP, told her she was creating a girl group and wanted her to be part of it. she accepted and debuted as a member of PRISMATIC.

MAISIE PARK is the LEADER, MAIN DANCER, VOCALIST, and FACE OF THE GROUP of PRISMATIC. she is well known for having debuted many times before in the groups MISS KISS in 2015 and IZ*ONE in 2018.

BIRTH NAME :: maisie park

STAGE NAME :: maisie

BIRTHDAY :: october 23, 1999

POSTION :: leader, main dancer, vocalist, face of the group

COLOR :: blue

FACE CLAIM :: song hayoung

BACKGROUND!

MAISIE PARK was born in NEW YORK, NEW YORK. when she was little she often took dance classes and even competed in many DANCE COMPETITIONS as she grew up. during one of her DANCE COMPETITIONS, she was scouted for GLOWLIGHT ENTERTAINMENT, where she joined, quickly being put in the debut lineup for their group MISSKISS. after a year of inactivity the group disbanded and she went to OUTSIDER MEDIA with fellow members DELLA and TAEHA. the three of them were placed in the debut lineup up BLUE MOON, though prior to the group debuting, she appeared on PRODUCE 48 with DELLA and JINRI. she was the only member of the OUTSIDER MEDIA trainees to make it into the debut lineup of IZ*ONE, placing 7TH overall. she stayed as a member of IZ*ONE until the group disbanded in 2021 and was thought to join BLUE MOON, though she refused and went back to being a trainee under the company. in 2022, she moved to LOVELY RECORDS to become part of the debut lineup for PRISMATIC.

PRIYA DEHLAVI is the LEAD VOCALIST of PRISTMATIC. she is known for almost participating in the survival show, CHOOSE YOUR PLAYER, though was pulled from the lineup.

BIRTH NAME :: priya dehlavi

STAGE NAME :: priya

BIRTHDAY :: september 28, 2000

POSTION :: lead vocalist

COLOR :: orange

FACE CLAIM :: maitreyi ramakrishnan

BACKGROUND!

PRIYA DEHLAVI was born in KANCHEEPURAM, INDIA. as a kid, PRIYA had no intentions of wanting to be a singer or be famous in any way, though her friends and family had always thought she had a pretty singing voice. when she was EIGHTEEN, a video of her singing was posted and started making its way around the internet. a recruiter from OUTSIDER MEDIA then got into contact with her and asked her to audition for the company. PRIYA agreed to an audition, not thinking to would go far, but she ended up making it into the company. throughout her time training, she had basically been promised a spot in the company’s upcoming survival show, CHOOSE YOUR PLAYER, though was one of the members that had been pulled out of the lineup in favor of other trainees. in 2022, PRIYA moved from OUTSIDER MEDIA to LOVELY RECORDS in hope that she would finally be able to debut in their upcoming girl group PRISMATIC.

LENNIE TORRES is the LEAD DANCER, VOCALIST, and RAPPER of PRISMATIC. she is known for appearing on the OUTSIDER MEDIA SURVIAL SHOW, CHOOSE YOUR PLAYER, where she placed 2ND, though due to outrage of alleged VOTE MANIPULATION, she was pulled from the final line up of the group.

BIRTH NAME :: lennie torres

STAGE NAME :: lennie

BIRTHDAY :: january 25, 2001

POSTION :: lead dancer, vocalist, rapper

COLOR :: purple

FACE CLAIM :: olivia rodrigo

BACKGROUND!

LENNIE TORRES was born in PHOENIX, ARIZONA. LENNIE had taken some dance classes as a kid, though as she got older she quickly grew out of them. in LATE 2018, LENNIE started a TIKTOK account called LENNIEBBY, which steadily gained followers and in 2020, she was asked to join OUTSIDER MEDIA. LENNIE quickly became a trainee, though she had little to no training and was pretty slow at picking up the skills she needed to become an idol. still, the company pushed for her to be a member of the survival show CHOOSE YOUR PLAYER, where she was often criticized for being far behind the other trainees in terms of skill. she did manage to place 2ND on the show, which sparked a lot of outrage from viewers with rumors of VOTING MANIPULATION, though it was never proven. still, the company pulled her from the lineup, keeping the group as SIX members instead. in 2022, LENNIE then moved over to LOVELY RECORDS where she became a member in PRISMATIC.

CHARLOTTE 'CHARLIE' KWON is the VOCALIST, RAPPER, and MAKNAE of PRISMATIC. she is most well known for being the younger sister of LOVELY RECORDS ARTIST and CEO, CHLOE KWON.

BIRTH NAME :: charlotte 'charlie' kwon

STAGE NAME :: charlie

BIRTHDAY :: august 3, 2002

POSTION :: vocalist, rapper, maknae

COLOR :: green

FACE CLAIM :: shin ryujin

BACKGROUND!

CHARLOTTE ‘CHARLIE’ KWON was born in VANCOUVER, CANADA. CHARLIE had never known her father as he left soon after she was born. growing up as the younger sister of CHLOE KWON, CHARLIE wanted to do everything that she did, often begging CHLOE to try and teach her how to play guitar like she knew how to do, though she had a very rough time picking it up and quickly gave up. her sister moved to SOUTH KOREA to become a trainee when CHARLIE was ELEVEN and she immediately wanted to follow her, though her mother wouldn’t let her audition for any companies and said maybe when she was older, though it had always been more of a passing thought for CHARLIE unlike how much CHLOE had wanted to be a singer. it wasn’t until her sister returned home during her long hiatus at the beginning of her career that the thought of becoming an idol even crossed her mind again. she started to try and audition for companies, not wanting her sister to go back to KOREA alone, though she kept getting rejected from all of them. CHLOE offered to try and train her the best she could, though she eventually had to move back to KOREA, leaving CHARLIE to try and teach herself some things. she kept working and auditioning for many companies to no avail and in 2022, when CHLOE opened her own company, she allowed her to come under the company as a trainee. CHLOE had been planning her first girl group as a FIVE membered group, though eventually added CHARLIE to the lineup last minute and she became a member or PRISMATIC.

[not-she-which-burns-in-it]

Ok, my fixation on the Magnus Archives isn’t going away any time soon, and I don’t want to jump into Protocol yet because I’m not ready to say goodbye to Jon and Martin. And I don’t want resent some fabulous new characters just because they’re not my boys.

Instead, I played one of my favorite games. Turn on an album and use my theater brain to figure out how I would stage it. I had a 3 hour drive for an out of town gig, so I listened The Mechanisms all the way there and back.

Each album got 2 listens in a row, one for vibes and appreciation, and one to dissect and take notes.

I think I like The Bifrost Incident the best. The songs are so good. A train set would be totally reasonable to build. Utterly destroying it a little bit harder, but I was thinking of a large scale regional production (something like Papermill, ART, La Jolla) where automation/projection/special effects aren’t an issue - so we could explode a train.

The problem is that it’s a train … In Space!

Outer Space and Theater feels so deeply incompatible. Not that people haven’t tried, I’m just not sure I’ve ever seen someone do it successfully (sorry Jonathan Larson) But that’s fine. This is a reimagining, it doesn’t have to be an outer space train, it can just be a train traveling through the BiFrost.

Ok, then I started thinking of design, maybe more of a steampunk aesthetic to go with the train. But hey, wait a minute, a pantheon of gods, in a tragic story about a doomed train, singing a little jazzy-folky, cabaret tunes.

Oh. Fuck. We’ve just invented Hadestown. 

And every design and staging idea, I’ve been mulling over for the past hour drive vanishes in a puff of smoke. Nah, I can’t do a big intricate metal spiral staircase. That’s too fucking close to Hadestown.

It’s even got the narrator that pretends to be neutral, but is actually deeply emotionally invested in the story. And while I like Jonny’s vocals very very much it’s just mean, - for any performer - to allow the audience to draw a direct comparison to Andre DeShields.

So it’s with a heavy heart I put The Bifrost incident down and try the Snow White/Rose Red album Once Upon a Time (In Space). And unfortunately, I think we’ve hit market saturation of gritty warlike retellings of Grimm’s fairytales. I’m sure this absolutely fucking slapped in 2012, but in 2024 Disney’s Once Upon A Time has ruined the possibility for everyone. I tried so hard to imagine a design, but all I could see was either that or the new generation of Disney live action remix. Or even that one Huntsman movie with Kristen Stewart as Battle!Snow White.

I kind of love, weird, obscure shit, though, I could totally see this, finding a home in fringe circuit. Unfortunately, you need those institutional dollars if you want highly stylized, long wigs and battle armor and spaceships. It’s the intrepid black box theater troupe that gets a show that looks like this:

But with less tailoring.

So with a great sadness, I put Once Upon A Time In Space on the reject pile for my fantasy new musical development workshop.

The next time I have a long drive I’ll try out Ulysses Dies at Dawn but unfortunately, that would be a race against time since there are about four different odyssey themed musicals in development right now. One of which, epic, is getting a lot of traction online. And another will be coming to one of the LORT theaters I mentioned earlier. (Fucking call me back [Redacted] am I working on [redacted] or not UGH)

So, I’m about three years too late to win that game. [inset joke about Gatsby vs Gatbsy here].

All this is just fantasy of course, even if I did strike gold I would still need to convince actual-human Jonathan Sims to engage in a years long, time consuming, deeply frustrating development process, on the wrong continent. So for the absolutely microscopic overlap of my followers, who are both invested in The Magnus Archives/ The Mechanisms and also Musical Theater, I’m sorry to disappoint.

But it is nice to think about New Ideas tm for theater while making my yearly sacrifice to the gods of freelance employment and do another year of The Nutcracker. Oh well at least I’m not Christmas Caroling this year.



[levyfiles]

Since it happens a lot less frequently now, I have less cause to say it but one train of thought hits me every time an anti decides to start a misguided crusade all "hurricane in a box" style. The train of thought follows the memory of all the fans in the past who made it their most important mission to shame, bully and harass anyone who participated in fan spaces for themselves; not the creator. Who didn't follow a subset of rules they just made up.

What I think about is how content must have seemed to them, the deeper they got into it. Every time Ryan or Shane would do something particularly fond for each other, I'd see at least twenty comments spread out on the video, in the tag, or even in the Twitter mentions going "Ahh, the shippers are going to be SO ANNOYING about this".

And were we? I mean if I were an anti, and I was thinking that and my first thought is to hate-scroll through my blog. I remember posting on my own blog, reblogging from the shyan tag, posting in the shyan tag, cackling in group chats. There was a while there when some antis liked to screenshot things we said on our blogs or on servers (some who were lurking in group chats) declaiming how annoying and twisted and creepy we were. It didn't really get anything done. It annoyed a few people but we moved on because the content continued to be fun; the guys kept doing their thing and having fun doing it.

My point is that every time one of these righteous crusades bombs, I catch myself thinking about what it must be like for that anti. To watch something and to be thinking about how someone else is receiving it, how that someone else is someone I have an irascible hatred for is probably somehow going to have more fun with it than I ever could. Because I'm so busy receiving each moment, teeth clenched that it might vindicate someone having fun in their own spaces when I've explicitly said It's Wrong.

And it's like? Yeah, of course, I'm not having fun. Every time Ryan or Shane makes some dumb joke about how close they are or their body language shows fans just why these two started a company together, that would be intolerable to me because I'd be thinking so hard about how much a stranger online probably liked that more than they're "supposed to". Work husbands??? Why did they say that? Now the shippers are definitely enjoying the content and I'm uncomfortable because I gotta think about the implications of the phrase "Work husband" and between my irl responsibilities, have to craft some reasoning as to why homosocial male friendships are a bitter victim to the love spectrum.

I'd get so bored; the content wouldn't bring me any joy. So imagine how that person who decided to make a second blog to craft a 2017-era "breaking my silence" call-out post about Simone is going to experience content now. They won't be able to so much as make it through five minutes of a video without thinking of every single damn fan who told them their post was dumb and how much more fun y'all are going to have as the social media posts get all the more funnier; how Simone's fandom origins give her a good and easy insight into why we enjoy Watcher. Every time there's a promo and it becomes obvious that thanks to Simone's hard work editing clips she knows we'd like, the bloopers are a fans smorgasbord lol.

In the end, is it ever really a surprise why vocal antis leave fanspaces? They dive bomb into spaces to start a fight instead of making friends and end up with a bitter scar that ruins the content for them.

Best I can say is RIP, ya know?

[justinspoliticalcorner]

Brian Tyler Cohen (12.30.2024):

As this volatile year nears its end, most of the talk being hurled around the incoming administration is minimally focused on plans for the country’s future, for better or for authoritarianism. Instead, it remains trained on MAGA’s adolescent civil war between Trump’s most vocal supporters and his co-president, Elon Musk. Musk’s honeymoon in the MAGA-sphere—though destined to combust—appears to be ending weeks before the administration has officially launched. While most of us were celebrating our holidays, Elon was holed up in some supervillain cyber vehicle, waging a fight with the very people whose voices and ideologies he spent months amplifying.

Trump created the problem, as is his way, by proposing the appointment of Srinam Krishnan, a Silicon Valley venture capitalist with whom Musk has consulted closely, as his senior policy advisor on AI. Putting forth Krishnan is apparently more outrageous than choosing an alleged sex offender and financial mismanager for defense secretary; a woman who’s been enthusiastically green-lit by the Kremlin for director of national security; or an anti-vaxxer (who dumped a bear he intended to eat in Central Park) to lead health and human services. But Krishnan caused the crater within MAGA this holiday season…because he’s a naturalized American citizen who was born in India and recruited here because of his tech expertise.

He’s remained here thanks to our H1B program, which offers visas to highly skilled foreign workers. Such a laudable program, which celebrates American values and could have been deftly supported, was instead publicly advocated for by Musk via increasingly hysterical posts capped with awkward attempts at wedging in sports references.

Like his co-president, Elon doesn’t handle criticism with a notable amount of grace.

Naturally, he was backed up by his fellow unelected co-chair of the Department of Government Efficiency (DOGE), Vivek Ramaswamy, who tweeted a tirade that delved into misplaced parenting advice while referencing shows like Saved by the Bell and Family Matters, to really drive home his point that…well, that remains unclear. 

[...] Safe to assume that this fight is not going to end well. Or end at all. This is a hill that Elon will die on, for obvious reasons: He’s a former H1B visa immigrant who owns businesses that, no doubt, rely on H1B visa recipients to function. But it’s also a hill that the original MAGA faithful (you know, those who attempted a coup on our Capitol before the oligarchs became part of Trump’s traveling circus) will die on. Trump’s agenda is “America First.” His campaign handed out “Deport Them All” signs at rallies. So they were both fooled. The MAGA loyalists will take it worse, once they recognize (if they haven’t already) that they unwittingly installed into power an unelected foreign oligarch who’s going to use Trump to expand immigration programs that they hate. And there’s nothing they can do about it; Elon is the de facto president. Which is not to suggest that he is in a position of triumph. Remember, Musk is a sad little man who so desperately craves the rousing approval of the MAGA base that he spent the better part of a year nurturing them and doing performative jumping jacks for their applause. He needs their adulation; his ego depends on it. And now he’s facing off with those he presumed would be his footsoldiers. Perhaps he is only now becoming fully aware that they are immovable racists who were happy to accept financial help but don’t actually agree with his worldview. They want to elevate white Americans and no one else. So…nobody wins.

I sincerely hope this goes without saying, but the H1B program is an invaluable channel. We should absolutely bring the best and brightest talent to the United States. If we don’t welcome them here, that talent goes to other countries. In other words, there’s an “America First” incentive to continue investing in such programs. Of course, MAGA doesn’t care. For them, that brand is about promoting white Americans. It’s not concerned with helping the nation as a whole.

Brian Tyler Cohen gives an excellent breakdown on the MAGA-on-MAGA feud over H1-B Visas.

[finnoahsource]

I’ve been saying that the cast isn’t icing him out for so long, and I’m glad to get confirmation of it. Honestly I think they did the best thing by not talking about it online or vocally defending him because it’d only drag them into the mess and keep the hate train going. The best way to make people calm down is to offer Noah in person support and friendship, and to just mention him in interviews normally, as if nothing happened. That way people can get used to hearing his name without controversy attached. It’s nice to see Caleb and Gaten saying that stuff though. It’s an FU to everyone saying they weren’t friends, and Caleb has always been supportive of Noah. It wasn’t going to stop now. Social media doesn’t tell the whole story

I definitely agree, it's always the best call (in the industry's eyes) to let time pass, so I always expected exactly what happened, to happen. people LOVE to assume they know what's going on because they project that celebs have the same mindset as them but that'll never be the case 😭 celebs are on a different planet. noah was always getting support in person and I'm just glad to get glimpses of proof of it til they start posting behind the scenes content where we see them all having fun!

yup them casually bringing him up in interviews is a great thing, and I enjoyed the fact there was no hesitation or awkwardness, they both just carried on as normal because nothing is wrong lmao. hoping to see more (not to be biased but I'd love another noah mention from finn just because he's always so kind) as we go because more time passing will allow for it :)

I've been saying it for months now but what would really cure me is some pics or videos of noah being hugged by the cast, as more positive confirmation sure, but also some friendship content 🙏 I miss them all so much

[heavenlycloud]

meet the users: the angels .ೃ࿔﹢࿐ ☆

huh yunjin (lyra)~ @ jenifrmtheblock

❀ vocalist and dancer who trained for 4 years before debuting in le sserafim. she’s the ‘middle child’ of her group and the supposed reason for sakura’s grey hairs. yunjin’s the funny one in her group just not to her members because they don’t get her american ass jokes. to fans though she’s the american who’s chronically online and borderline an ipad kid so of course she’s fairly popular. instead of actually addressing her feelings she writes them in songs then never thinks about them again.

୧ ‧₊☆彡˚ ⋅﹢

miyawaki sakura~ @ifeelbonita

❀ vocalist and dancer who debuted in japan nearly 13 years ago, then in korea around 6 years ago, and again in korea with le sserafim. honestly, she’s just a tired wine mom with 4 kids at this point. she prioritizes taking care of all of her members and sometimes a little more than herself, but that’s something she’s willing to sacrifice if it means her girls are happy. she’s only been in one committed relationship which is a little disjointed right now, tbh she doesn’t even know what’s going on between the two of them. as the oldest member she’s made fun of for being of the loop on nearly every trend but surprises her members every now and again. 

୧ ‧₊☆彡˚ ⋅﹢

kim chaewon~ @nepobabychae

❀ leader and vocal who trained for 10 months before her first debut then trained again for about 9 month before debuting in le sserafim. sakura knows her best since they’ve known each other the longest. when it comes to her relationships she has none because she’s the most awkward and dorky mf known to man when a pretty girl comes around…so yeah she has no game. what she does have is a staring problem.

୧ ‧₊☆彡˚ ⋅﹢

nakamura kazuha~ @toeshews

❀ dancer and rapper who trained for 12 weeks before making her debut with her members. girlie is an ex-ballerina and her company will not let anyone forget about it…ever. she has literally no interest in dating to the point where she forgets people actually want to date her and laughs when she gets asked out because she thinks its a joke. she’s the second youngest and along with yunjin drains the life out of chaewon like it’s a hobby. sometimes she pretends she doesn’t understand korean so she can eavesdrop on conversations. 

୧ ‧₊☆彡˚ ⋅﹢

hong eunchae~ @ohmymanchae

❀ dancer and vocalist who trained for 6 months before debuting in le sserafim. she’s the youngest and her group’s pride and joy. whenever she does anything her members already have phones out to take pictures while they marvel over her just breathing. eunchae is so energetic it’s like she runs on lithium batteries, but nobody complains. she’s the actual reason for sakura’s grey hairs.

[oonlyaangel]

the eras tour is ending tonight and i wanted to say something about it. please don’t think i am one of those chronically online/celebrity obsessed people, i’m just a really sentimental girl who loves music, and i wanted to share how much this means to me.

i started to like taylor on a random friday in 2017. my dad knew i how much i liked music so he asked a friend (who had a music school) to give me singing lessons. this teacher knew how much i hated english songs (i didn’t understand anything at the time), but she made me sing back to december since it was kind of on my vocal range and was a cute song for a 11/12 years old. i liked this song so much that i started to sing it every time someone asked me to give a performance during family functions, and one day someone told me “maybe you should try to listen some of her music, if you like the song so much” and my journey begun. i remember being 12 years old and watching the you belong with me mv like every day on my computer, but my favorite songs were we are never getting back together and look what you made me do. as an italian tween who didn’t understand a single word in english, i just liked the music and the mv, they were literally so fun to watch!!

then in 2028 my parents gave me my first phone, and the first thing i did (after changing my wallpaper into a photo of my harry potter house, ofc) was install spotify and really start listening to taylor swift. one night i was traveling on a bus for a school trip, and i was listening to fearless with my headphones, but the music was so loud that the next day i heard people talking about this strange music on the bus.

when i started high school lover had just came up, and i became old enough to understand that i could just search for the translation of the songs (plus i was getting better in english anyway!); that album helped me so much since everyone in my new school kept pushing me for a coming out. they were right, but at the time i was so confused about it.

i had a lot of dark moments in my life, and i could alway rely on music for support. like when i fell in love with my amazing girlfriend in the worst moment of my life, feeling so alone and literally clinically depressed (lol), and reputation became my favorite album, i could really connect with it. that’s why my favorite song it’s call it what you want (and dress, but that’s a completely different story)!

when taylor released the europe dates for the eras tour i couldn’t get tickets, but i thought about all the times my dad told me he found last minute tickets at concerts/soccer matches and i convinced my gf to go with me to milan ( a 4hours train ride.)

idk how but we found 2 tickets DURING APPLAUSE, they were a little bit pricey but in one year we made some money just for the concert so we made it.

going to the eras was the best experience of my life, dancing to lover with my girlfriend, the love of my life, listening to my favorite childhood songs, THE REPUTATION SET, everything, you don’t know how much it meant to me. knowing that it’s over breaks my heart, and i know it’s stupid because it’s a tour, but idk, i feel like it helped me so much during this year (and i had a lot of sick family members, my sister almost died, plus my declining mental health).

[jennyyybello]

(November 13, 2024) RADICAL OPTIMISM TOUR 2024

LEFT MY HEART IN PH ARENA.🥺

To be honest, I already accepted na hindi ako makaka-attend ng tour ni Dua nung ticket selling pa lang, because of the venue. I opted not to purchase on that day.

On Nov. 6th, while working, I impulsively checked sm tickets online and I originally scored UBB tickets for me and Ion. Unfortunately, hindi siya available so I had to look for another option.

Luckily, may nakita akong nagbebenta ng Lower Box A Premium ticket kasi she could not attend din. She sold it to me BELOW SRP!!🍀

Nabenta ko rin agad yung tickets na nabili ko. I thought hindi ko mabebenta agad but a few mins. lang after posting it sa online group nung village namin, may bumili agad. She even offered ng carpool for a reasonable price so I grabbed it! Oh diba, nakatipid pa ko.

BTW, I also attended Dua's concert last 2018 and I know she was made fun of her dance moves before. I did not care much, kasi maganda talaga vocals niya. 💯

So ayun na nga, start pa lang ng show ang strong na. Training Season yung show opener niya and the PH arena went fucking WILD!!

The show lasted for almost 2 hours, and grabe yung improvement niya! Her stage presence, visuals and choreography!! Before dalawa lang backup dancers, now ang dami na.

Grabe, PCD is real. It was the best concert I've attended so far, and I am so happy I did not miss it! Pagsisisihan ko rin if nag-settle ako sa UBB seat kasi PH arena is so huge!!

Also, I'm super grateful for concert angels like Celica, kasi sa dami ng scammers sa concert scene, na-meet ko pa siya. Can't thank her enough!

Dula Peep, can't wait to attend your next show. Come back soon, pretty please? 🥰🫶

[sisville-v11]

for any trans girls who wanna voice train but are struggling with it in some way, heres my certified method of the best way you can possibly go about it:

go online and find something like L's guide on reddit, something with a lot of reading and really intimidating to approach

give up on it 2 weeks later because you couldnt stick with it and the exercises felt weird to do

wait a year to try it again

find out randomly that oh, that first method apparently sucks now and is more likely to damage your vocal cords, heres this new guide on the best method to doing it

not realize what the fuck theyre talking about in the guide so give up again

wait for a few more months this time

decide that fuck it youre just gonna try pitching your voice up in conversations and worry about the more technical stuff later

do this for a few months

realize that somehow doing it this way automatically made your voice not suck ass anymore despite not learning how to do all that other stuff that the guides failed to explain well to you

profit by complete accident

(i can only assume this method works for trans boys too, just pitching their voice lower in step 7 rather than higher)