#best traditional artist 2019

[klappert-art]

1-10 ink-tay-bers (scanned)

although the last 4 were done in November lol

Did the first 6 in October 2019, done in more than 3 days/picture. Crammed the last 4 in 2 days in November 2023 ha...ha.

[kimyoonmiauthor]

HWA writer is doing a vote on Artificial Intelligence and a round up on what graphic designers actually do and why you shouldn't shoot your foot.

So writer news the HWA is voting about AI use, both in writing and covers. Most of my social media bubble is saying NO. 'cause obviously, it's stealing other people's work, but there is also this guy...

I get it, a lot of people don't understand the process that graphic designers have to go through. But it's harder than people think and some of the cost is BUYING LICENSED PICS TO USE IN YOUR COVER.

Unlike AI, graphic designers pay the photographers, etc OR have really expensive equipment to make high res images for book covers themselves. My cheap camera was 600 bucks in 2019. That does not include background, lights, etc. If you're complaining about the cost of custom covers from graphic artists, think about the cost to hire models, costume, and the camera equipment.

But it's more than Oh, snap pretty pictures or pay for it, there are other principles that go into art which include composition (which I covered many times), color and color theory knowledge (which AI can't always do well because there is also psychology per culture that one has to put in.)

There is also typography and knowledge of the market and psychology. You're paying for a lot more than Oh, just slapped pictures together. You're paying for a human who can create something unique that shows off the elements of your book in maybe ways you didn't think about.

Graphic artists are artists because we do things like arrange your websites for you to maximize psychological interaction. Graphic artists are not on the same par as AI.

So, no, this is a horrible take. I use traditional and computer media. But you can't unite if you think, OMG, you drew that in a computer v. you drew that on paper versus and think the first one is invalid. OMG, you wrote that in a computer. You wrote that on paper. The principles the human is applying are pretty similar.

Many graphic artists also draw. Many people use both media.

When Will up there can explain the positives and negatives of what a tangency is and how to color adjust a photo digitally on levels+curves, and how those things can affect the psychology of people interacting with their final product, then he can talk about OMG, how digital art is ruining covers.

Graphic Designers also know how to typeset your covers, who usually do it digitally, so don't eff with them by slamming the people that work with you. Because lemme tell you, the thing that makes your covers and the back of your books look excellent is that tight yet quite difficult art of typography. If that graphic designer really cared, they put that little extra work into eliminating the rivers on the blurb for you to make sure it was that extra bit more readable. They cared about the color of the type and the type face. And those people too are graphic designers. Psychologically, great graphic design is chef's kiss and when typography is done just so, the potential reader *feels* it through the design and the emotion your book is promising to give them.

So don't disparage graphic designers. Even for the fraction who cannot draw, when they are good they HELP with your marketing that much more.

General advice: Don't disparage platforms. Don't disparage your fellow true artists/creatives. Because it's likely you'll have the opportunity to work with them someday, and do you want to cut off the roads to making your book/product the best it can be? Uplift. Graphic designers are not the same as AI. Graphic designers pay other artists for licenses to their work.

Add to that the HWA is holding a vote about AI writing, etc. And yeah, we kinda need to spread this info around.

Dear HWA Members, An open comment period will be coming soon on the drafted Horror Writers Association Al Policy which has been diligently crafted since March. Members, please look for a Special iMailer in your inbox by the end of the month with instructions on where to send your feedback. The feedback period will be open for open for 25 days. The Board of Trustees values art and artists and looks forward to the comments from its membership. Sincerely, Maxwell Gold Executive Director, HWA

[thelensofyashunews]

BBYMUTHA SHARES NEW SINGLE "LINES"

The defiant Chattanooga-born, Atlanta-based artist and underground staple bbymutha has just shared her new single “lines” from her upcoming album sleep paralysis—out 4/19 via True Panther Records. Defined by colorful lyricism and genre-bending production, bbymutha instantly stood out among other SoundCould-era artists on her 2017 hit “Rules” (6M+ Streams) and solidified her name a year later with "Lately" featuring Rico Nasty, as well as the poppy, R&B-infused banger "Sleeping With the Enemy" (9M+ Streams). A viral performance of “Heavy Metal” on COLORS in 2019 followed by the release of bbymutha’s critically-acclaimed debut album Muthaland in 2020 led to subsequent collaborations with Zelooperz, Baby Tate, Na-Kel, Pink Siifu, Kelela, and Fly Anakin on her most recent album, Muthaleficent 3. Most recently, bbymutha announced a 25-date tour in support of the forthcoming sleep paralysis, along with new tracks “gun kontrol” and “go!”, with Pitchfork praising the former for the “allure and force of [bbymutha’s] voice, a thick Tennessee drawl that she wields like a weapon”. Cementing herself as a staple in the Southern underground scene, bbymutha is continuing to usher in a new era of self-discovery and reinvention on her new single “lines”, and forthcoming album sleep paralysis – out on 4/19.

With its jittery beat and electric-shock lyricism, “lines” finds bbymutha continuing to challenge traditional genre boundaries by experimenting with new sonics and textures – a trend that will continue across sleep paralysis. A unique blend of Punk, Electronic, and Rap, “lines” is a heart-pounding thrill ride packed with lyrical barbs (“Religion, worship, purpose / Love is not enough for me”) tied together with an infectious UGK/Fat Pat-referencing hook (“He wanna cut me / Like the lines on the dresser”). The track is the third offering from sleep paralysis, which compiles beats from nine different Electronic and Club producers including Foisey, Bon Music Vision, and Kilder. Marking bbymutha’s first full-length LP with True Panther Records, sleep paralysis layers steely and hilarious musings over windswept synths and echoing industrial 808s, bringing both an urgency to bbymutha’s words and a glint of experimentation to her ever-developing sound. The album’s inspiration was derived from a post-lockdown tour in the UK on which she was introduced to the sounds of 90's Garage and UK dance music, a revelating moment following a gauntlet of bad luck and creative rut during the peak of the pandemic. The album’s title, sleep paralysis is a literal reference to the syndrome which bbymutha has been afflicted with since childhood. Providing a way for her to dive back into memories she didn’t even know she had was essential in crafting the album. Showcasing why NYLON recently hailed bbymutha as “Chattanooga’s best rapper”, it’s an album fascinated with the dreamlike nature of trauma, personal history, and fantasy.

[i-drop-level-one-loot]

You watch slasher movies? I haven't done so in years (much to my disappointment), got any recommendations, classics, popular, underrated, anything really?

I knew I hadn't watched them in a long time, but it wasn't till I had to try and write something based on classic slashers, that I realized how long its been since I consumed that kind of content.

My only plan so far is that I need to watch The Texas Chainsaw Massacre

Alright, Pandora, it depends on your tastes, and what you look for in a "slasher" ❤️

As you may remember, I fucking love the OG the Texas Chainsaw Massacre, and when I got pretty bad last month emotionally I watched it on repeat for two weeks straight. However, if you go in for a regular slasher film you will be disappointed. The first movie is incredible, focusing on amazing shots and atmosphere for nearly the entire first half. It's less of a slasher as we would come to know the genre, and more of an artistic film centered around the horrors of humanity. The series is a wonderful mess of multiple timelines and little continuity, but the sequels better fit the slasher archetype. The best sequel (imo) is the one directly after the first, and it's a black comedy slasher, focusing more on the kills.

Now, slashers ❤️

If you're a nerd and want to experience the slasher history, then before Halloween (which still holds up) there was Black Christmas, and before that the Town that Dreaded Sundown.

The Town that Dreaded Sundown is based off a true serial killer, and unlike TCM which is loosely inspired by Ed Gein, a lot of the kills (except the trombone scene) are based on actual murders, with his mask accurate to the only real world survivor's testimony of her assault. It's very slow pace, and with how desensitized we are as a society you might find it boring, but if you ever get a phonecall from Ghostface, then you have to know the Town that Dreaded Sundown. Fun fact, his mask also inspired Jason's mask from Friday the 13th part 2!

Black Christmas is awesome! I'd recommend it more than Sundown, because of pacing, characters, acting, and overall atmosphere. I love my second wave feminism horror (Stepford Wives (mwah)), and it did a lot better with it's feminist themes than the loose remake from 2019 that tried to be intentionally feminist (ignore the 2006 remake entirely, so bad, so lame, so gross). It did the first person perspective of the killer nearly four years before Halloween's iconic opening. It introduced the idea of the final girl, but she wouldn't become a sexually repressed younger woman until Halloween solidified the trope. It has some great kills that still hold up, and Billy is iconic. I really feel the only reason why he isn't more well known in non-horror spaces is because he doesn't have a mask or outfit that can be replicated and sold in Spirit.

After that we have our most well known slashers, and they're popular for good reason ❤️

A Nightmare on Elm St, Friday the 13th, and Halloween spawned sequels that spiraled off into varying degrees of madness, but still have fun moments.

After the success of Friday the 13th (and the realization of the franchise-ability of slashers) there were a lot of slashers that tried to capture the money magic of the first few success stories. Not all of them were great, but a few notable slashers imo are My Bloody Valentine and the Dentist.

Although Candyman is often lumped in with slashers, like the Texas Chainsaw Massacre, the first movie is more than a traditional slasher. I recommend the first one as a beautiful love story about the horrors of American racism. It's score is still incredible, the behind the scenes are so interesting, and Tony Todd is absolutely beautiful. Such an amazing actor. (Not so) Fun fact: Tony Todd said in the behind the scenes that there originally was a romantic scene where Helen proclaimed her love for Candyman, but they were forced to cut it, because "they were okay with a tall, black man covered in bees.. but, mm, when it came to a kiss, or something like that, it was a little bit too risque..." ( :/ )

(Please please please watch Candyman)

Then the best, or worst (depending on your views), thing happened to the genre; Scream.

One of the best slashers there is, it isn't the first self referential, meta horror (see Wes Craven's New Nightmare), but it did change the slasher genre for a very long time. It was a revival for the genre, since it was declining in popularity by the early 90s. However, post Scream horror was very meta. See Chucky's personality changing from the occasional funny quip, to Bride of Chucky levels of silly (still love him tho). Of the terrible horror trying to copy Scream, I'd recommend Urban Legend over I Know What You Did Last Summer. It was a shame, just how silly a lot of scary movies got back then, trying to be as smart and self aware as Scream was.

But my favorite (outside of Scream) meta horror slasher film is Behind the Mask: the Rise of Leslie Vernon ❤️ took meta to a whole new level, mockumentary style, a camera crew follows a wannabe slasher killer explaining how to be a slasher icon.

I've watched too many slashers to remember all of them right now, but if you want really meta black comedies, Tucker and Dale vs Evil isn't a slasher but a loving joke on the genre, and the Final Girls made me laugh and cry like a little bitch.

A lot of slashers since the late 90s have drifted closer to the black comedy sub genre. Killers that kill for the sake of killing are often B-rated blood fests, that can be great for mindless fun but not so great for box office gains, especially in our current horror renaissance. Slashers don't fit in to the current horror culture. Serial killers aren't scary for desensitized audiences, and the mindless gore expectations set by older slasher films have created a pretty specific genre setup and pay off (dumb people who only exist to die get brutally murdered). It either has to be B-rated mindless fun (Laid to Rest 1 and 2 had terrible camera work and directing, making even incredible actors like Lena Headey feel lackluster, but the practical effects are so impressive I'd recommend it just for the blood and guts (and bewbs)), or comedic (the Hatchet series has great cameos, genuine laughs, and more impressive practical effects, but with good cinematography and directing (still bewbs)). Slashers that don't lean in to how ridiculous the concept of slashers are and try to take themselves seriously often end up falling short, either creating boring killers with no personality or trying to force a plot into a generic slasher shaped hole.

This does include most remakes of slasher movies, as a lot of slashers were remade in the early 2000's with less interesting characters to be killed off by the slashers. The remake of Candyman was an exception, because even though it wasn't as good as the original, it did go back to it's non slasher roots, learning from the mistake that was the third Candyman.

TLDR:

Non slashers that are considered slashers because of the slasher sequels/iconic murderers:

the Texas Chainsaw Massacre

Candyman

Child's Play

Best Precursor to the genre:

Black Christmas

Popular Classics:

Halloween

Friday the 13th

a Nightmare on Elm St

Pre 90's Slashers that I recommend:

The Dentist

Sleepaway Camp (it's divided on whether it's problematic or interesting representation)

Alice, Sweet Alice

My Bloody Valentine

Post 90's meta commentary/black comedy:

Scream

Behind the Mask: the Rise of Leslie Vernon

Hatchet

The Final Girls

Tucker and Dale vs Evil

There are obviously a lot more, but these are a few off the top of my head ❤️

[aclowntiny]

Hiiii!!! First I wanna say how much I really like your work! Also, I stumbled upon our Seventeen and Enhypen as Hogwarts students, but saw you didn’t have it for Stray Kids 😭 I know they’ve mentioned in 2019 what house they think they are, but you seem to have a much better understanding of the houses and I’m very curious to see what you would think their houses would be.

I was wondering if I could request a similar sort of headcannon for them 🥹 Thank you!

Heck yeah! Can't believe I didn't do this sooner tbh but I love this so here we are 😌 I agree, not necessarily that I'm the best at the job, lol, but that people just go for very generic ideas of the houses (Gryffindor is cool, Slytherin is evil, Hufflepuff is nice/silly, Ravenclaw is smart) rather than the true reflection of where they'd be hehe! Like Ravenclaw is actually also known for being artistic and eccentric, Slytherin for strong determination, Hufflepuff for acceptance and breaking tradition, Gryffindor for being the other self-sacrificing house. So sometimes people just say "I'm a Gryffindor because I'm a good guy!!!" anyway rant over here's the actual content we want🤣

🏰 Stray Kids as Hogwarts Students🔮

Bang Chan

☆ Some kids got sorted instantly, but with one Christopher Bang the Hat took longer. Muttered to itself a lot as it waffled between his qualities, dubbing him hardworking and courageous and ambitious and loving. He couldn't help but flush under the hat's words, almost not hearing when its voice finally bellowed "Gryffindor!”

☆ Being Pure-Blood was only ever a phrase on a family tree for Chris. Who one’s ancestors were, what they looked like, or how much money they had said nothing for their value- only their choices and character did that.

☆ It’s only a formal class for one year, but he adores Flying. The feeling of freedom and getting to have some time outside is heaven for him. Defense Against the Dark Arts is another favorite for the similar reason of being able to get active and challenge himself, even literally facing his fears.

☆ Astronomy is very cool to him, but he finds having to fill in the same charts week after week a bit repetitive and not the best use of his time, frankly.

☆ Gryffindor’s Quidditch captain! He plays Keeper, working with great patience and synergy with the rest of the team to keep the goals clear.

☆ Blessed is the only word Chris can think of when he realizes how many happy memories he can pull from- not everyone can say that. As the word comes to mind, his wand lights up, producing a shining silver wolf standing majestically, protectively, before him.

Lee Know

☆ "You're an interesting one," came the Hat's comment upon touching Minho's head, "you've certainly got your priorities...whatever those are. A unique mind for sure. Better be Ravenclaw!" Some of Minho's friends had teased him as a Slytherin, so he was a bit surprised. Not that he would let his house define him entirely.

☆ He hates the reputation and unnecessary pressure that comes with being a Pure-Blood. It’s stupid and not worth debating in Minho’s mind. The only benefit is just the resources and opportunities he might get, and it’s tempting to turn those down on principle. Money and status don’t matter to him at all and there’s a part of him that wants to ‘sully the bloodline’ just for the hell of it! Luckily his parents don’t care either.

☆ Potions whiz. One of the few who actually get it and enjoy the calm, precise art and its beautiful results and wants to go N.E.W.T. with it. He’s also great at Care of Magical Creatures, naturally focused on the well-being of animals and other living things over his own excitement or whims.

☆ Having a fear of heights, Flying is not it for him. No thanks. He passes, but barely, and in his mind it’s not a skill he plans to use.

☆ Naturally, Minho opts out of Quidditch signups, but instead joins the Gobstones club because he thinks spraying the losers with stone juice is funny. Also gets invited to the Slug Club for his Potions skills and influence.

☆ No one is surprised when Minho closes his eyes, focuses, and boom! Produces a little glowing cat bursting from his wand with a few swipes of its paw to groom its nonexistent striped fur.

Changbin

☆ "Quite a softie underneath it all, eh?" Beneath the weight of the tattered Hat, Changbin strikes a bit of a pose. "Got a lot of ambition, but you've also got a lot of...that. Hmmm..." The Hat muses for a few more moments. "At the end of the day, this one’s a Slytherin!” Pride flows through Changbin’s veins- he doesn’t care for the reputation of producing dark wizards, the potential snobbery. All he cares about is showing his ambition to be the best if he puts his mind to it.

☆ He’s a Half-Blood, but both of his parents are wizards so his familiarity is much more with the Wizarding World. He wants to understand Muggles better to connect with them, too, as well as Muggleborns.

☆ Taking Muggle Studies helps with this and learning about another culture is quite fascinating to him- technology especially is amazing, like that’s what people do instead of magic? Wires of captured lightning? Sounds pretty magical to Changbin. He gets into tinkering with technology because of this. Another class he enjoys is Defense Against the Dark Arts. Changbin loves feeling ready to protect himself and others, so that’s the class he spends the most time practicing and taking notes in. He always thinks of his friends and his sister as he does so.

☆ History of Magic is boring, though, Changbin wants to cast some spells! At the end of the day, where certain spells come from don’t matter to him as long as he can use them. However, the idea of showing up in a ‘great wizards’ history highlight one day is appealing to him…

☆ His strength comes in handy serving as one of Slytherin’s two Beaters. The other teams are lowkey afraid of the Bludgers Changbin sends their way because they know how hard he hits!

☆ Bets are flying on what his Patronus animal would be, a pig or a rabbit. Pig is the most popular choice, mostly in jest, but shushing them all Changbin focuses all the great joy he’s expressing…and out leaps a rabbit! Not just any rabbit, though, but the massive, fluffy form of a Flemish giant rabbit that has everyone laughing and Changbin grinning, reaching out to it.

Hyunjin

☆ Nearly the second the Sorting Hat rests atop his head, it's shouting 'Ravenclaw!' Hyunjin himself can't be surprised, really, not when he's heard talk of the great artists in that house. In fact, pride glows in his chest as he joins his table that the Hat could see that in him.

☆ The Hwangs are an old wizarding family. Hyunjin has a lot of opportunities because of this, but fights against the idea that he could be any better than anyone else because of a name. Rather, he is often seen lifting up Muggleborn classmates and highlighting struggled of other magical people.

☆ Ancient Runes comes naturally to Hyunjin, something about his eye for detail, symbols, and decoding. Language is an area of interest for him so that class is like a beautiful puzzle. Astronomy grants Hyunjin so much art inspiration as well as time to relax and appreciate the gifts of nature and their inherent magic.

☆ There's no one class he hates, but like a lot of students Hyunjin has a harder time focusing on all the information getting dumped on him in History of Magic.

☆ Hyunjin’s extracurriculars include the Muggle Art club where he hones his painting skills and the Ravenclaw Quidditch team, where he plays as the team’s Seeker.

☆ Expectations fly as everyone wonders what the next Hwang’s Patronus will be. Will he get a stag, the majestic animal associated with famous wizards? An eagle, symbolizing his house? Not at all, in fact what Hyunjin summons is a beautiful, delicate silver dove that lights upon his shoulder.

Han

☆ “Don’t be so shy, kid, you’ve got heart.” “Really? Thanks bro.” “Yes, that’s what I’m talking about,” the Hat chuckles, “this one’s a Hufflepuff!” Jisung’s eyes go wide. He wasn’t expecting to get Hufflepuff, but if the hat says so, well, who is he to fight it? It’s nice getting the kindest house, too- maybe he’ll make a lot of friends.

☆ As a Half-Blood, the heavy weight of prejudice never really fell on Jisung. Half-Bloods tended to fall between the cracks as having already been sullied, just middle ground. As he witnesses bullying more and more, though, his passion grows to somehow help others and remind people that nobody can help who their ancestors married.

☆ Charms are quick, snappy, spur-of-the-moment but effective in a pinch, and Jisung likes that. It's fun and he can cast charms as quickly as he cracks a joke or comeback! Ancient Runes brings him a lot of inspiration from history and other languages that he loves to bring to his songwriting.

☆ Flying, thank goodness, isn't enforced every year! It scares him, frankly, and he'd much rather stay on the ground where he belongs.

☆ Because flying isn’t his favorite, no way in hell is he doing it with giant leather and metal things trying to smash him. Nope. However he’ll happily watch and commentate, hence him taking the mic and giving very entertaining descriptions of everything that happens. He’s also in the Frog Choir, always trying to get them to perform one of his compositions.

☆ Jokes around that he’s going to get a massive Patronus animal like a bear or a lion, but once he sees the embodiment of his joy skipping from his wand as a little quokka, he can’t even be embarrassed, just smile!

Felix

☆ "Well, you're just a delight, aren't you?" Felix couldn't tell if the Hat was being sarcastic, but still he chose to respond in kind. "I try!" At that, the Sorting Hat chuckled. "Yes, this one's a Hufflepuff for sure!" His sister had told him as much, but Felix couldn't complain- he liked the idea of being a Hufflepuff!

☆ Felix is a Muggleborn, so he takes in every step of starting school with wonder…though it is a bit overwhelming feeling like everyone’s speaking another language sometimes. But then again, magic candy! Brewing potions!

☆ Absolute wonder at Care of Magical Creatures and Herbology. Felix is so gentle and good with every living thing, they practically request he be the one to handle them and that makes his heart burst with joy and honor! He also loves Potions, thinking the idea is so classic and cool, plus despite what most students say it’s kind of relaxing to him.

☆ Transfiguration dropped lower on his list when they started using living subjects. Sure, the idea that anyone and anything can grow and change and exist in many forms is really inspiring, but those poor mice and birds!

☆ Slug Club inductee part two! Even though he’s a Muggleborn with no direct influence, Felix is such a good student and avid potioneer that he’s a shoo-in. He also plays Quidditch as Hufflepuff’s Seeker.

☆ Felix isn’t sure what animal he’ll get, but he certainly isn’t expecting multiple! The entire class is shocked when a whole brood of chicks tumbles forth from his wand, eliciting shock and charmed coos alike.

Seungmin

☆ "This one's a bit of a surprise now," the Hat commented upon being set atop Seungmin's head. Seungmin couldn't help wondering what that meant and if it was bad, how to prove the Hat wrong. "No, lad, all you just did was prove my point. Looks can be deceiving, after all. Slytherin!" He wasn't sure what he expected, but that might not have been it. Sort of made sense, though- he could have fun with that!

☆ He can’t help wondering if the Hat chose as it did because he’s a Pure-Blood, taking Salazar’s old favors into account. Then again, he did just throw a cheating Gryffindor under the bus in class…

☆ Thinking logically is no trouble for Seungmin, so Arithmancy isn’t a bad choice for him. Connecting relationships between numbers and their power just makes sense to him- eight is his lucky number, after all. He also frequents the Potions dungeon, but that’s mostly just to brew the photo solution that grants his personal art projects motion!

☆ Defense Against the Dark Arts is a fun and active class, but it's boisterous and people take the duels too far sometimes.

☆ Frankly, he didn’t have time to join the Quidditch team due to his other extracurriculars, being an avid Frog Choir singer and the Hogwarts paper’s photographer.

☆ Everyone is sure the student everyone sees as a puppy will get a dog for his Patronus. Imagine their surprise when he casts a tanuki! Cute and cunning, no one can deny it matches him perfectly in the end.

I.N

☆ He forgot the Hat could read his thoughts. “So you want a house where you can show your talents and look out for people, huh?” Flushing, Jeongin just nods with a faint, bashful smile. “Well, better be Gryffindor, then!” He’s surprised, thinking maybe he’d have gotten Ravenclaw or Hufflepuff- he isn’t particularly brave, is he? “Trust me, kid, you’ll find your way,” the Hat promises, and do its eyelike folds wink?

☆ As a Half-Blood, he has knowledge of the Wizarding World, but also life outside of magic. Having one Muggle parent means one person getting yanked into the world of wonder, after all! Jeongin is proud to understand both sides of his world and guide his friends on how Muggles really live.

☆ Details don’t escape Jeongin, so he loves drawing star charts for Astronomy. Transfiguration is another favorite of his for similar reasons: he enjoys the focus, the idea that he can reshape objects into something greater or something new. It feels symbolic, poetic.

☆ Potions stresses him out because it's so easy to burn things or measure wrong; even if little details usually fascinate him, he can be a bit clumsy with the required finesse.

☆ Joins the wizard chess club, art club, and plays Quidditch- what can’t our baby bread do? Jeongin becomes Gryffindor’s Seeker, one especially known for turning the tides of the game for his team completely!

☆ He can barely contain his excitement that day in Defense Against the Dark Arts when it comes time to cast Patronus charms! He wonders if his animal will look like him and he certainly gets his wish when a charming little desert fox pops forth.

[aidenlydia]

How long have you been drawing? I really like your art styl. I've been wanting to learn how to draw, but I'm worried I won't ever be able to pick it up or have the patience or know how to start.

(video includes some of my art from 2017-2019)

Drawing has always been a hobby of mine, but I only got serious about it around 2017. The most important thing is motivation, that's why a lot of people get started with fanart and learn the fundamentals through it. Try drawing things you love! References are your best friend, I have entire folders for every character I draw.

All artstyles are a combination of process and appearance preference: I don't use multiple layers for lineart (my sketches are the lineart and I clean them up with an eraser) and semi-realism is the easiest for me because I was mostly into traditional realism at first - I learned I like fine details, clean but sketchy lines and rough textured brushes. It's kinda like handwriting, you already have your own unique way of drawing, but you can shape it to your developing tastes with practice.

For most folk anime and comic styles are usually easier to learn, because they simplify everything already. Especially at the very beginning copying other people's art and manga/comic panels is a great way to get into drawing, figuring out your preferences and build up muscle memory (don't upload copied art, but traced photos are fine).

Remember that the art you enjoy seeing and the art you enjoy making can look vastly different. Having multiple styles, changing over time and experimenting are very natural things.

To this day I struggle drawing chibis and cartoons because I've only studied realism :') Even semi-realism has only recently clicked for me by closely looking at other people's art, so don't stress yourself with only focusing on the fundamentals.

Another tip that really helped me understand better in the beginning was watching various artists draw in real time, just observing them can really clarify the process and break it down. It's also a lot less lonely than learning all alone - there's lots of art youtubers and tutorials.

Here are a few:

How to start drawing for beginners

What our brains do when we draw

How to learn to draw (as an adult)

Learn the sketching basics

Obligatory Drawfee episode

Tips for changing artstyles/get unstuck from patterns

Doodle date (caus they're wholesome and fun)

Guided drawing practice with Nathan

[iwtvfanevents]

Rewind the Tape —Episode 4

Art of the episode

Just like we did for the pilot and for episodes two and three, we took note of the art shown and mentioned in the fourth episode while we rewatched it. Did we miss any? Can you help us put a name to the unidentified ones? Do you have any thoughts about how these references could be interpreted?

Bust of a Woman with Her Left Hand on Her Chin

Edgar Degas, 1898 [Identified by @terrifique.]

Degas, whose work already appeared in the second episode, was a French painter of the 19th to early 20th century. His impressionist paintings often depicted ballet dancers, racehorses, and human portraits of isolation.

Krumau on the Molde, Kneeling Girl with Spanish Skirt and Self portrait in a jerkin with right elbow raised

Egon Schiele, 1912, 1911 and 1914

Schiele, whose work we have also been seeing around Rue Royale since the pilot, was an Austrian Expressionist painter, very prolific despite passing before turning 30. His work is recognizable for its transgressive portrayal of the nude body, including his nude self-portraits; but his later oeuvre features many landscapes.

The Kitten's Art Lesson

Henriette Ronner Knip, 1821-1909 [Identified by @terrifique.]

Knip was a Dutch-Belgian romantic style artist best known for paintings of animals, particularly cats and dogs of a playful nature. See more of her work here.

Nosferatu

F.W. Murnau, 1922

Nosferatu is a silent expressionist horror film from the legendary German director F.W. Murnau. It is an unauthorized adaptation of Bram Stoker's Dracula. While not a commercial success upon release in 1922, film historians now consider it an influential and revolutionary film in the horror genre. Since it has been in the public domain since 2019 in the U.S., it is now free to stream on YouTube.

Untitled piece

Sadie Sheldon, undated [Identified by @lanepryce.]

The incredible metalwork piece on the wall of the reading room was made by a New Orleans-based artist, for New Orleans... pizzeria! It was made for Pizza Delicious, using dozens of tin cans. Sheldon describes her work as "site and time-specific projects from found materials (...) related to adaptability, renewal, and appreciating the objects of our everyday life".

New York

George Bellows, 1911 [Identified by @nicodelenfent, here.]

Several of Bellows' pieces have been featured in previous episodes. He was an American realist painter, known for his bold depictions of urban life in NYC. His work "revolutionized the conventions of the traditional American urban vista and surpassed the efforts of other contemporary urban realists" [x].

Backstage at the Opera

Jean Beraurd, 1889

Beraurd was a Russian born French painter known for his depictions of Parisian life and society during the Belle Epoque. [Identified by @nicodelenfent.]

Unidentified works

In Claudia's room: above the Knip we can see a painting of what looks like four people, maybe women sitting at a balcony. To the left of the door we can see, on top, a floral bouquet over a dark background, and below that, an illustration or painting of a woman with flowers over a bright pink background.

You can see all unidentified works from the first season in this post. If you spot or put a name to any other references, let us know if you'd like us to add them with credit to the post!

Starting tomorrow, we will be rewatching and discussing Episode 5, A Vile Hunger for your Hammering Heart. We can't wait to hear your thoughts!

And, if you're just getting caught up, learn all about our group rewatch here ►

[sharpbutsoft]

So I know you do digital art, but The Hanged fireMan looks like a watercolor. Do you work with watercolors as well, or is it the program you use?

(please brag about your art process, basically)

Yeah! So I do all my (fan)art in everyone’s favourite innuendo of an art program, Procreate. (Specifically on a 2019 ipad pro with a 1st gen Apple Pencil, both of which I would tentatively recommend if you can get them 2nd hand for less than 200euro like I did)

I did a lot of painting as a teenager, and still paint often to this day. Though I mostly worked in acrylics, I have been known to use watercolours (like, when I was in college I bought a little 3euro paint set and would use the inside of cardboard cereal boxes as diy watercolour paper and paint wild little Irish landscapes… and Winter Soldier fan art, sometimes. 2017 was a different world)

So in summary - I ‘paint’ digitally using some very traditional techniques I picked up over the years, and I kinda prefer digital art now, which I will elaborate on below the cut as I detail how I created The Hanged fireMan…

I’ll start with my favourite digital art ‘cheat’ which is that I use So Many Layers. Like seriously, pretty much every new colour goes on its own layer because I am a control freak and love being able to tweak them all as needed. So for this relatively simplistic piece, I’ve still got something like 20 layers all together.

I’m also usually better at grouping layers but in this one I gave up at some point and it felt dishonest to group them nicely before showing you guys lol

So yeah layers is my biggest hack, but the other is using specific texture brushes

I spent a while playing around with various brushes before finding this Tarraleah one which has just the most delicious watercolour-y texture and a really fun edge to it (and it’s got pressure sensitivity, so I can really control the amount of colour I want to put down on the page)

This background was painted entirely with the 1 brush & colour, and I think it turned out pretty cool. For this particular piece I did have a reference on screen to work off for the most part, but those clouded were just painted with my heart

Next (or maybe before, it’s a while sinceI drew this and sometimes I mix it up) is the lines, which are always done with my best friend, the Procreate Pencil!! I love her, she’s so fuzzy and textured and also if you tilt the tip on the pencil you get a broader line (like with a real pencil) which is just the coolest thing!

When it comes to lines I just sort of go for bigger shapes 1st and details later, and basically always with some kind of reference. I also use a very old & well known trick of putting the most detail into the object of most importance, and leaving the background more loose and vibey

Artists will tell you that this is to draw focus with details. Artists are lying. It’s cause we got lazy after drawing he fun part & phoned the rest of it in lol (I know this because I am an artist)

Also I love this pencil because I don’t have very steady hands and I actually cannot draw straight/smooth lines to save my life! If you’ve ever seen anything resembling a smooth line in something I’ve drawn, it is almost certainly a whole bunch of lines over each other and then erased at the edges to make it look neater

But who needs straight lines when sketchy sketch lines are so fun!

Next is flat colours (the 3layers in the middle with check marks beside them)

I used the same colours as the background, which you can tell from where they completely blend together right down the bottom, and what I genuinely do is use the Tarraleah brush to generally block out he shape, and then go back in with an eraser and smooth out the lines

Why do I do this? …good question

Next is one of my favourite parts, which is adding the lights! Procreate has some really fun -glowy- layer effects - my favourite is probably Add (A) though Colour Burn (CB) is great too for its vibrancy.

Also those 2 layer 11s are there because I duplicated one and then used the ‘Gaussian Blur’ feature to ‘fuzzify’ it (yes, that’s the technical term) It’s a pretty quick and easy way to add a more diffused light effect around something. (I did the same for the yellow reflective strips on the turnouts too!)

Last step now! So full disclosure - I absolutely traced that writing from a photo of a tarot card lol. I actually always trace writing, as, much like drawing straight lines, I’m bad at handwriting on a screen

I also stumbled upon the Exclusion (E) effect by accident - Originally it was going to be a plain cream boarder like a traditional tarot card had, but I wasn’t fully happy with it, so I just flipped through a few layer effects and as soon as I got to this one, I knew it was the right choice

I love the dreamy contrast of the pinks and purples to the dark navy and grey & how it makes everything looks kinda unreal and outer-spacey

And yeah that’s about it! Everything else comes from my 15+ years of Practical Art Knowledge but these are the specifics of how I utilise it digitally!

This was a lot of fun to write out, and I hope that if you’ve made it all the way here, it was fun to read too!

[bananaproved]

Top 6 shelved dramas that I would still really like to see

Ranked in no particular order, selection based on my personal tastes.

1) The Prisoner of Beauty

Plot : Adapted from the novel "Zhe Yao" by Peng Lai Ke, it tells the story of the arranged marriage between Wei Shao (Liu Yuning) and Qiao Man (Song Zuer). The fun thing about this marriage is that they both hate each other for complicated family reasons (in the novel Qiao Man's family is directly responsible for the death of Wei Shao's father), so they start they relationship by trying to make the life of the other a living hell. Ultimately, their relationship will develop as they are impressed by each other's ingenuity and discover common interests. There is also an important "let's protect the empire and the common people" plot behind the romance.

Why I wish I could see it : It looks good !! The main duo of actors are both really good looking, but the production in general looks really high budget, with good costumes and sets. I would love to see that. Just look at this trailer !

Why I am not seeing it any time soon : Song Zuer :/ bestie :/ tax evasion is bad !!

Can we have some hope ? : Not really, at this point of time, no c-actors caught for tax evasion managed to make an actual comeback in the industry (even really popular ones like Deng Lun or Fan Bing Bing). Song Zuer is still being investigated, so maybe we can hope to see her name cleared but it's a little unlikely because they don't investigate people just for fun. However Song Zuer was involved in a lot of high budget projects so I am sure a lot of people are really motivated to try to airdrop at least some of her projects if they have the possibility.

2) The Fated General

Plot : Classic high-budget historical drama telling the story of real life historical figure Huo Qubing (Zhang Ruoyun) during the Western Han Dynasty. It follows his military feats that got him the reputation of being one of the best military generals in the history of China.

Why I wish I could see it : First, the cast is incredible. We have Zhang Ruoyun (famous for being really good at choosing his scripts), Mao Xiao Tong, Bai Yu, Li Hongyi, Xu Yue, and others. It's really an all star cast except the drama was shot in 2016, before some of them became really famous, so it can be really interesting to watch ! Plus it's a really high budget drama, most of the outdoor scenes are shot in real landscape and not in a studio and it globally looks really good. For a better impression, look at this nice looking MV based on the different trailers of the show :

Why I am not seeing it any time soon : In 2019 (I think ?) the censorship rules changed concerning historical dramas and established the fact that dramas were forbidden to "distort" certain historical facts. This kind of put an end to traditional historical dramas as they became a way more risky investments, and stopped this one from airing as it already took some liberties in terms of storytelling. Huo Qubing is also a semi-controversial historical figure so it is not helping.

Can we have some hope ? : It's been 7 or 8 years and the regulations concerning historical fiction only got more restrictives in China so I would say no.

3) Immortality

Plot : I'm sure everybody knows the plot of Erha so I don't need to write it but just in case the important tags are : xianxia, dangai, shizunfuckers, reincarnation, blood spitting, stairs, ...

Why I wish I could see it : Outside of the obvious reasons (gay people on my screen, Luo Yunxi spitting blood), it's also produced by the same people involved in the production of Till the End of the Moon and Shui Long Yin, so I have I hopes for the artistic direction of the drama. Also for dmbj fans : did you know Liu Chang played a guest role in this drama ? Idk what he is doing here but I would love to see it.

Why I am not seeing it any time soon : We are all aware of the famous 2021 dangai ban, but in general the chinese government is not a big fan of massive and really agitated fandoms (in the way The Untamed fandom was), so Immortality is in a pretty bad position.

Can we have some hope ? : Yeah !!!!! Hyx TOMORROW !!! Believe in your dreams !!!

For real : Two options. 1) On a random morning of the year 20XX you wake up to danmei fans in your tl losing their marbles bc the 6 first episodes of hyx were randomly airdropped during the night with no promotion and no warnings. You cry some tears of joy and immediately go watch Luo Yunxi spit some blood on screen. 2) After many years hyx is still not out but there were so many leaks that the fans managed to recreate the entire series from scraps and now you can watch it in full. Look, they already started :

4) Night Wanderer

Plot : Zong Yin (Ni Ni) is a forensic expert living in Shanghai in 2021. She met, in her own apartment, a man, called Sheng Qing Rang (Deng Lun), claiming to be the owner of this apartment but in 1937. Together they discover that they can travel to their respective time periods through their shared apartment and start to develop a strong relationship, first as confidence and progressively as lovers. However, the situation get complicated as the Battle of Shanghai broke out in 1937 putting both of their lives in danger.

Why I wish I could see it : First, for lesbian reasons as I would never miss an occasion to stare at Ni Ni for 36 episodes (Wang Yuwen also has a supporting role here and I really like her ! Double win !). Second, it's actually a really nice and original plot for a CDrama and I have full confidence in both actors' capacity to pull off a really good performance to go with it. Look at this trailer ! It looks so promising !

Why I am not seeing it any time soon : Deng Lun !!! Tax evasion is bad !!

Can we have some hope ? : Even less than for The Prisoner of Beauty as Deng Lun is 100% proved to have committed tax evasion. There is often rumors about him coming back to acting but it's unlikely.

5) Winner is King

Plot : Based on the novel "Sha Po Lang" by Priest, set in a steampunk version of the Liang Dynasty. It tells the story of Chang Geng (Chen Zhe Yuan), a young man living in a random countryside village, who discovers after a raid on their village that the closest people around him were hiding a big secret about his identity. He also discovers that the people around him are not who they pretend to be, especially his yifu (adoptive father, played by Tan Jianci), and realizes that his life will never be the same.

Why I wish I could see it : Outside of the reasons already mentioned in hyx's case, Winner is King is also directed by the same director as Guardian and a Journey to Love. I really like his work and he proved that he was able to do really good things even with a really low budget, so now imagine with a decent amount of money ? It could be great. Also I really like the idea of an ancient china steampunk but I am too lazy to read the book.

Why I am not seeing it any time soon : Same reason as hyx and all the other dangais </3 Also I am not sure of how advanced the production was when it was stopped, because I feel like there are not as many content leaks.

Can we have some hope ? : If we can manifest hard enough the end of the ban, it is possible.

6) The Love of Hypnosis

Plot : During the end of Qing Dynasty, a (patriotic) young man named Yen Shen (Jing Boran) meets a fragrance shop owner named Lu Man Sheng (Liu Yifei). Man Sheng has the special ability/ mission to relieve the hearts of people suffering because of love, but it does not mean that her own romantic life is easier to deal with. Together they fall in love and have to navigate the really troubled times of the end of Qing Dynasty.

Why I wish I could see it : If you are familiar with Liu Yifei and Jing Boran acting I'm sure you can see the potential of this pairing ??? Just the poster has more on screen chemistry than some pairings have in 40 episodes. At this point the plot could be written by a cat walking on a keyboard and I would still have hope for a good chemistry. Also the drama has Liu Mintao in a supporting role and I am in love with her so it's a plus.

Why I am not seeing it any time soon : First, there are some copyright issues with the original manhwa author. Second, the second male lead, Zhao Lixin, got more or less canceled a few years back for political reasons (sorry I don't have the details).

Can we have some hope ? : I would say maybe a little. Copyright issues can be solved and I've heard that Zhao Lixin is still shooting in dramas, meaning that there is hope for some of his stuff still being released.

That's all <3

Sorry for depressing information maybe ? Next time I promise I will make a post about dramas I am looking forward to and that are likely to be released sooner or later. 

[rosequart]

animation is cinema: a primer

there's been recent discussion about animation and how it should be treated as "real" cinema and "real" art for all ages—which is true! but these social media conversations typically only touch on already popular animated films in the U.S.

i've briefly listed what i consider the best international animated films of the past 10 years as a "primer" for people who want to get into more animated movies around the world, beyond well-known directors like miyazki and moore.

there's enough variety in art direction and plot that there's something for everyone: family friendly, war dramas, romantic comedies, horror. anyone is free to add their own recommendations in the reblogs. movies are good! watch them!

boy and the world (o menino e o mundo, 2013)

adventure/family. a boy leaves his small brazilian village and discovers the industrialized city. uses collage alongside traditional animation to tell a story about globalization and capitalism that children can understand. PG.

flee (flugt, 2021)

documentary. follows a boy's escape from afghanistan to denmark, incorporating archival film footage of the time. balances the realities of war and immigration with pockets of levity and warmth. PG-13: warnings for war, human trafficking, implied sexual violence.

josep (2020)

history/drama. a dying military policeman remembers his encounter with catalan artist josep bartolí in a french concentration camp after the spanish civil war. changes art styles depending on the time period. not rated: warnings for war, sexual violence.

loving vincent (2017)

history/drama/mystery. a man retraces vincent van gogh's steps before his death. some truly beautiful art direction, each frame an oil painting. PG-13.

marona's fantastic tale (l'extraordinaire voyage de marona, 2019)

drama/family. follows the life of a little dog and the various people she meets. an eclectic and mesmerizing animation style, paired with a great original score. not rated: warning for animal death.

night is short, walk on girl (夜は短し歩けよ乙女, 2017)

comedy/romance. a college sophomore goes on a series of surreal encounters with the local nightlife, all the while unaware of the romantic longings of her classmate. a unique, simple art style that gets increasingly surreal as the story progresses. PG-13.

the tale of the princess kaguya (かぐや姫の物語, 2013)

drama/historical fantasy. based on the 9th century folktale where an old bamboo cutter discovers a little girl in a stalk of bamboo. beautiful use of watercolor, limited backgrounds, and simple ink strokes to complement a devastating story. PG.

the wolf house (la casa lobo, 2018)

horror/fantasy. a young woman takes refuge in a house in southern chile after escaping from colonia dignidad. surreal use of stop-motion animation that utilizes an entire house: painted walls, moving furniture, paper mâché, and more. not rated: warnings for body horror, general horror elements.

[aeolianblues]

Thinking about Fontaines D.C. again. They’re quite different from any other band of the 2020s that I can think of, somehow they’re simultaneously both completely of this decade in their themes, context and sound, and still have something almost old-fashioned, maybe even timeless about them.

Like they’ve got that sound, depth and emotional complexity that makes people believe there’s something more to them, they’re no flash in the pan, they aren’t chasing any trends or whatever. And still, their post punk sound was so placeably 2018-2022 that you’d listen to it and you have to say yep, these lads came up in the wake of bands like IDLES at the same time as bands like Shame, very 2019.

And you never think, ‘oh I wonder what happened to them, I haven’t heard from them in a while,’ despite the fact that they are basically not active at all on social media. They have the band IG and each member too, but half of them last posted in like 2022 once. They aren’t doing any ‘trends’ or challenges or too many behind the scenes stuff— nothing. It feels almost like a classic band, like someone from the 90s or for the last time, the 00s.

And yet they feel modern, maybe it’s just that they speak to pretty modern fears and anxieties. I don’t know. But then, they’re also still doing the band grind. They’re not famous for anything except their music. No gimmicks, no collabs, they’ve never had a viral hit. People buy their whole albums because nothing they do misses. They sell more on vinyl than some of artists who are much bigger than them and monopolise the record pressing plants (coughs and dies).

Their best known songs are widely known because of fantastic televised festival performances in 2019 and 2022 (Boys In The Better Land, R+L 2019, R+L 2022 when they had that 18 y/o fan join them on guitar; Big Shot with the strings and piano and I Love You, Glasto 2022). Nothing about that is modern, and yet here they are. I couldn’t really see them coming up in another age, not because of the music but the context and themes.

I know, some of their songs sound like they could’ve been observational poems by Keats, Yeats, modern ones like MacGowan. Grian has said he’s still drawn to nature poetry despite being a city boy, but you listen to something like Oh Such A Spring and tell me he couldn’t write an ode to a landscape. Songs like I Love You, the album Skinty Fia in it’s whole. I personally nearly cried hearing it the first time, because as much as musicians have often written about being misfits, about not fitting in, it wasn’t very often that you’d hear someone explicitly framing that from the theme of an immigrant, of someone away from home, neither any longer a part of their home place but noticeably a stranger in the new. About having his Irishness almost heightened by not being in Ireland anymore. All of that. Oddly for the times, and very relevant. Songs like Bloomsday as well. Going back home and realising why you left in the first place. In some ways, Fontaines could only be a band of the now. And yet, there’s been something so traditional about their ascent.

Got big off the back of solid songwriting, they come off as clear-eyed romantics, still with a bit of the mystery and distance afforded to a rockstar of the past, yet not rockstars because they’re such ordinary people. The everyday poets, with a bit of mysticism about them. Amongst many of the bands that have got big in the last four years, they’re the only ones who are still truly independent, all the rest are on Island (UMG subsidiary). They have, if anything, gone more independent now: they’ve moved from Partisan to XL Recordings, both independent labels, and XL is part of the Beggars Group, perhaps one of the largest to still remain completely independent. At this stage in their career: chart topping albums, huge physical sales, a Grammy nomination, Irish Choice Prize nom and a BRIT win, surely if they wanted to, they could easily get on any of the majors. They could bypass the subs and go directly to like, Warner. They’d definitely get signed if they wanted. They’ve chosen to remain independent, admirably.

In some way, it adds to the appeal of the band. There’s a bit of the old band charm to them. I want to be careful not to over-romanticise or turn to folklore a group of very real human beings who have indicated at times that they are perhaps not very comfortable being put up on a pedestal (they are right), and I respect and honour that notion. But there’s certainly something special about this band. And perhaps Starburster has only reignited my admiration for this band, man they’re good.

[artfromsaturn]

Saturn’s Free CSP Brush Recommendations, Across the Web Edition

I may sell (sorry, obliged to shill) brushes now, but I still love me some free brushes & love to share them with people.  These are a bunch of cool brushes made by other people that you can use to build up a nice library of tools without having to spend any cash on, perfect if you’re new to CSP or are on a budget.  If you do download these, be sure to like them & give some love to the artist if you enjoy them. :D

All of these are on different sites, like Gumroad, Deviantart, Artstation, etc..  They’ll be organized by source on this post since most brushes posted are general packs with multiple different types of brushes (very nice). Feel free to reblog this with your own suggestions, there’s many brushes out there I missed. :D  Check defsiarte’s suggestions too, and if you want to see my recommendations for stuff on the Clip Studio Asset Store or other places, check this tag.

Gumroad

Tamberella’s Brushes - Fur, Foliage, Bookshelves, & northern lights, all nicely formated and easy to use for CSP.  Good variety.

Ronchan’s Brushes - he makes a lot of neat little brushes, great for illustrations, sketching, & art in general.  High recommend!

Scott’s Clip Studio Brushes - I mostly use the grease pencil from the big pack, but all of them are pretty good if you’re looking for a more traditional inking experience.

Cae’s Brushes - they’ve released a variety of cute painterly brushes that are fun to use.  You can either download the ones you want or all of them at once. :)

@pharanbrush‘s BorupenP - a really nice set for doodling.  If you enjoy the free set, check out their pencils & other sets if you have the spare cash. :D

Cheapcookiez Brushes Sets - I really like the blender in this set.  Comes with Sai brushes as well.

Trisketched Ink Brushes - 3 fun rough inkers for inky pieces.

CSP Painting Set - I like the gentle use of texture on the painting & sketching tools.  A real nice rounded out basic set.

Jason Piperberg’s Free Samples - It’s a nice sample pack of his bigger pack.  He likes using a lot of halftones in his art and it gives a fun bold look to his illustrations.  If you like drawing comics, I do suggest checking out his paid sets too.

Vierdz’s Brushes - I like the Halftone, clouds, & fish brushes the best, but all their brushes are nice.

Sebijy’s Clip Studio Paint Brush pack 2019 - It’s been a bit since I downloaded this pack but I remember I really enjoyed using the airbrushes.  Has some good painters & textures.  Also has a nice paid set if you enjoy the sample.

DAUB Pencils - A decent set of pencils.

Scrapefiend’s Free Brushes - There’s some real cool inkers Scrape released for free, I used them a bunch even before I purchased his bigger pack (also recommend).  Great ink looks that are fun to use & whip around!

“...Of the Wild” - A brushset based of the Breath of the Wild/Tears of the Kingdom Legend of Zelda games.  Great for copying the style or just painting in general (then again I might be biased because they used my public domain textures, bless).

Art Station

PaPauloV’s Brushes - he was nice enough to optimize his brushes for both Photoshop & Clip Studio, as CSP sometimes has a weird time importing PS settings.  Another nice basic set!

LPZ Hell’s Stylistic Brushes - Fun for messy looks!  IIRC you can also find it in the Asset store.

Maria Pechenkina/ Mothka's Brushes: Artstation | DA - I love the pastels in this set. Lovely little dry set.

Mar’s Halftones ( & other brushes!) - Halftones with fun textures, now avaliable away from the CSP Asset store too!

Expressure Free Sample Sets: ArtStation | Gumroad | Ko-Fi - ZH has put a ton of effort into his sets, both the first & second.  Worth a try & even the free brushes are full of effort!

Deviantart

Awanndus Brushes: Oil Metal Painting, Indian Ink, Fantasy Background, & Pencils - all neat brushes that are worth a look if you need any of these.

Roastedstix's Painting Sets - Really enjoy the green Goauche Brush Set.  Great addition to the already lovely CSP default Gouache.

Yettyen’s Sets - All her free Enviormental & decoration sets are great.  I also like her painters & scale Sets.  She has a Gumroad she releases brush sets for a dollar for, they’re also worth checking out along with her Ko-Fi!

Clip Studio Copic Brushes: Deviantart | Google Drive - These are some of my favorite marker painters out there.  Nice and easy to use with wonderful results, good blending.

Freckle Brushes - A nice varied set for freckle lovers.

The Inky Way’s Sets - TIW has been making brushes for clip for years & they’re all nice, honed sets that are fun to use.  Very high recommendation!

SerketXXI’s big set & their Danganronpa/Hetalia Brushes - A nice basic set with some nice decorators, as well as two good sets for making Danganronpa & Hetalia styled illustrations (obviously).  The brushes are also good for general useage.

FnF Brushes - For those who need a Friday Night Funkin’ Style Brush!

Hearts Emoji Brush - something I forgot to get a preview for, just a fun brush taking basic emojis and scattering them around.  Always need a few fun brushes here and there. :)

General Around the Web (twitter, tumblr, ko-fi, etc)

Pufuu’s Splatoon Brushes (Imported to CSP) - Splatoon artstyle lovers rejoice!

Rai’s CSP brushes - Currently releasing a bunch of pattern brushes, but she has a lot planned in the future brushes.  Try ‘em out!

@nubtail​ ‘s CSP brushes -  The fur blender brush is fantastic!  And the crusty brushes are a nice crunchy organic look. :)

@kriztelpixel’s Brushes - She explains the instructions in English in the linked tumblr post, some lovely oil brushes.

Bunabi’s Brushes - She’s got some really great decorating brushes, I’m very fond of the fun arcade rug decorators!  And of course, since it’s patreon, you can always donate to support her or unlock more from her if you enjoy her stuff.

A few others I forgot the preview for:

Palette Knife - swoosh around some fake palette knives with this set!

Timcanpy-shaped brush - A cute D. Gray Man themed brush c:

Xerox Pencil - a pencil with a bold texture that’s fun for recreating old lineart.

Again, feel free to respond with some of your recommendations & favs as well, free or paid for. :)

[correlance]

Art of Alastor as a Boucle Unicorn with deer features that I commissioned back in 2020 from my best friend, Dana Veitinger, a professional artist, illustrator, and animator. Dana and I met years ago through HARPG (Horse Art Roleplaying Game) on DeviantART.

See below the cut for a full explanation on "Boucle Alastor", as well as more related art and design pieces by Dana V. and other artists.

Some background: From 2017 to 2022-2023, I was highly active in Boucle Unicorns, a fantasy equine D&D art and pen-and-paper roleplaying game. In the tradition of "ponifying" characters, as seen with the TV show My Little Pony: Friendship is Magic (MLP: FiM), people who participated in Boucles created unicorn OCs, as well as variations of characters from other IPs in unicorn form. The group also revolves around breeding; specifically, using a breeding roller that took years for the group to create that auto-randomizes breeding rolls.

Now, normally, Boucle Unicorns look like your standard fantasy unicorns, with various mutations and variations that you could choose, such as lion manes, gemstone horns, etc. I initially joined the group in April 2017 due to the group offering a limited-edition Lapin mane, or bunny-ears-and-tail, for the month of Easter. However, in August 2017, the group introduced one of the biggest changes to the breed: Corrupted, a super-rare deformity that would turn your Boucle Unicorn into an eldritch abomination, or a "cursed" version, of itself.

To this end, one of the administrators, Tigglesaurus, introduced the first Corrupted: Doom, based on Sleipnir from Norse mythology. In order to get your own Corrupted, you had to breed a normal mare to Doom, and hope that, through chance, the breeding roller would roll for the foal to inherit the Corrupted deformity; that is, of course, if the breeding was successful. As many group users started breeding to Doom, the group made it harder to breed Corrupted foals, as the deformity was supposed to be rare. The rules were changed to this:

"Corruption is an incredibly rare group of birth defects, and their ways of expressing is largely unknown. It seem to warp the bodies and sometimes the minds of the Boucles, and while they do not have special magic types or abilities some seem to be prone to their magic backfiring. A Corrupted Boucle will always reflect the phenotype it has; for example, a Corrupted Muffet would have a spider theme! If an Ancients' Blessing [from the gods] is bestowed upon a Corrupted Boucle, the Corrupted [curse] is removed!"

Breeding Corrupteds:

All Boucles that inherit Corruption also roll for an extra defect, as well as any others inherited from the parents (i.e. blind, deaf, etc.).

Only 50% of breedings to normal Boucles succeed, as Corrupted Boucles quite often scare away their partners [due to their fearsome appearances], or are not very fertile. 

Breeding one Corrupted to another Corrupted has a 75% rate of a successful breeding.

Even if the breeding is successful between a Corrupted and a non-Corrupted, and a foal is produced, there is still only a 25% chance that they also inherit Corruption (50% chance if both parents are Corrupted).

If you breed a Blessed Boucle to a Corrupted Boucle, and it inherits both, the Blessing will cancel out ('heal') the corruption, [as the Boucle deities hate Corruption, and Corrupted Boucles].

I helped my friend, Dana, breed one of the first successful Corrupted offspring from Doom: Pennywise, based on Pennywise the Clown from Stephen King's IT. However, when the Hazbin Hotel pilot episode came out on YouTube on 28 October 2019, I decided that I wanted to try my hand at breeding Alastor the Radio Demon as a Corrupted Boucle into the Boucle Unicorns roleplaying game.

Now, for those familiar with Boucle Unicorns, and how their breeding roller works, this was an exceedingly difficult task, due to how inheritance works in the game. For one, the mutations needed to create "Boucle Alastor" could not simply be ported as a starter Boucle Unicorn into the game; you had to specifically breed a certain combination of mutations into a foal to get the result you desired. This means having to submit a breeding, and hoping that the "odds were ever in your favor" of you rolling all of the mutations you want.

On top of this, in order to breed a Corrupted foal, you had to breed a Corrupted Boucle to a normal Boucle, and hope that, one, the breeding didn't fail outright (50/50 odds of success/fail); two, that the breeding rolled each mutation that you wanted (50% chance of each for heterozygous); and three, that you also rolled the 25% chance of the foal inheriting the Corrupted defect from their parent.

Breeding Alastor into the game itself also took a lot of careful planning, and selecting a sire and dam who could pass the desired trait(s) to produce Alastor's genotype and phenotype. When I say that summoning Lucifer himself through a demonic summoning ritual would've probably been easier, I mean it. I was lucky in the sire department; Dana, who owned Pennywise, gave me unlimited breedings to him, as I had helped her breed Pennywise into the game successfully in the first place. However, finding a dam was harder.

For one, one of the mutations needed to create Alastor in the game was "Extended Fawn Rayé", a gene that gave a Boucle foal deer-like features, such as antlers, a deer tail, etc. However, as Extended Fawn Rayé was a limited-edition Christmas mutation, I had to find a mare with the gene who I could breed to Pennywise to combine it with Corrupted. I eventually got two breedings to Tropdetache, a mare with the Extended Fawn Rayé gene, as well as "Sabertooth Félin", an additional gene that could give a foal sabretooth cat-like fangs.

All in all, it took months to organize, plan, and roll the breeding. A few months after the pilot episode aired in October 2019, I finally sent in the breeding between Pennywise and Tropdetache in January 2020. Why January 2020? Well, you had to breed during the month of January in order to get a red birthstone for the foal. Since I just had two breedings to Tropdetache, I had to hope and pray that the randomized roller gave me the genes that I needed to breed Alastor.

There were low odds of success, but the breeding, much to my surprise, worked...mostly. The breeding rolled in the 50% range for "success" (i.e. produced a foal), and I rolled an amazing 50% "success" for each of these genes: "Vampire (1) Noir Merle (2) Winternight Nuage (3) Jeté (4) Féerie (5) Haunted Joker (6) Plumes (7) Extended Fawn Rayé (8) Sabretooth Félin (9)". That's nine genes in total, with about a 50% success roll on each (1 in 512 probability).

There was just one big, glaring problem: The foal didn't inherit the Corrupted gene from Pennywise (25% odds, so lower than 50%), which was one of the main points of the breeding to begin with. However, I was able to find a loophole: By bestowing an Ancient's Blessing of Blood on the foal through another in-game reward, I could have the foal mimic Corrupted, without it actually being Corrupted. Thus, "Alastor the Boucle Unicorn" was born in the game.

Note that some genes were technically "Christmas", but because the foal also inherited Vampire and the Ancients' Blessing of Blood, I could "twist" the Christmas genes to be more Halloween-ish. For example, "Winternight Nuage" became a blood moon here instead.

From October 2019 to September 2020, when Alastor was finally bred, designed, and referenced, the entire process took about a year. Dana and I spent another few years levelling up Alastor in the game.

Boucle Alastor's magical abilities, which had to be earned in-game, with Alastor being a disciple of Sanguis, the Deity of Blood:

Fire Magic (ability to produce and control fire, from god Ignis)

Blood Magic (ability to control blood, from god Sanguis)

Dark Magic (power over shadows and darkness, from god Nox)

Electricity Magic (ability to control electricity, from god Fulmen)

Time Magic (ability to control time and flow, from god Tempus)

Telepathy Magic (ability to read minds, from god Animo)

Creator Magic (ability to create objects, from god Aedifex)

Official group description for Sanguis:

Not only did Boucle Alastor become even more overpowered than canon Alastor ended up, but Boucle Alastor became a god himself. A lesser one, to be sure, but still a powerful being blessed by the gods.

In turn, Alastor also created his own slew of offspring, including the lovely Anenome, designed by the artist Memuii, also blood-themed:

Eventually, since Dana and I both ship Charlie/Alastor (Charlastor), I was able to breed a mate for Alastor in the game: "Princess of Hell". Ironically, Boucle Charlie did inherit the Corrupted gene from her father, so you have a Blessed Boucle, favored by the higher gods, paired with a Corrupted Boucle, with the gods hating Corrupteds.

There is another small irony: Charlie is taller than Alastor, officially speaking, per the randomized official rolls. Alastor is 16 hands high at the shoulder, whereas Charlie is 17-18 hands high, more like Lilith.

I'll edit or reply to this post later with Dana's art of Boucle Charlie.

[declanlikesmusic]

Music is a thing in the music industry and so I would like to talk about music,

Why Plunderphonic Concept Albums Should Be a Bigger Thing, Actually.

Plunderphonics is such a fascinating genre to me. There is so much potential in taking pieces from other peoples' work and using those pieces to orchestrate a new work entirely. Not just that, but taking those pieces and crafting a new story out of them aurally, like a concept album or a sound collage, something of the sort.

When I say that, the first example that comes to people's minds when it comes to sample-based concept albums, it's most likely Everywhere at the End of Time by The Caretaker. If you don't already know, Leyland Kirby produced a monolithic 6-part saga of albums that ran from 2016 to 2019, each part representing a different stage of Alzheimer's disease & dementia and each part taking from super old traditional pop & jazz records and warping them to some degree until the very end where they're no longer intelligible. It's an absolutely staggering work of art and it blew up in the years since its conclusion to stunned reactions.

But to me, there's a lot more do delve into than creating haunting ambient pieces like this. Not to knock The Caretaker at all, I think it's amazing that this even happened, but it's nothing that I would personally want to listen to regularly, unless I wanna feel spooked by putting on Stage 3, but even then, look me in the eye and tell me you would listen to that kind of thing in the background on a casual setting.

Another artist that kind of fails in this regard is also one of the most important & genre-defining plunderphonics acts. Negativland are an infamous band in one of the best ways possible, using sample-based music to create some of the most biting pieces of satire in the late 80s and even 90s. I love it. They still don't have that replayability to me personally, but I still can't think of songs like Christianity is Stupid and Yellow Black & Rectangular from their Escape From Noise album without chucking a laughing fit.

Nowadays, plunderphonics music is so much easier to make than with the technology they had back then, so those albums are still miracles to me. Today, they're almost too easy to make. There are more plunderphonics albums in this past decade and a half than at any other point in history. To mention that, I need to talk about vaporwave again. They didn't start off as super detailed conceptual albums, but the way they have presented themselves over the years, you'd think they were conceptual by default.

Vektroid's pioneering albums in this genre are very potently indicative of the sounds, atmospheres and even worlds that they were not only capturing, but deeply exuding in their mere presence. You listen to Floral Shoppe under her Macintosh Plus alias and you are immediately taken somewhere else. It's completely atmospheric in that there's an ambience to the music that's playing and how they're twisted to warp you into its reality.

I know I've knocked The Caretaker's music for being too ambient, but there's a musicality in the way that Vektroid distorts her samples that still keeps them wildly enjoyable to me. I've especially been tuning into her New Dreams Ltd. project's Initiation Tape: Isle of Avalon Edition a lot recently for this exact reason. I almost so desperately want a visual accompanyment, I want to be in that lonely hotel room in the middle of the night with only this music & my feeling.

I could talk all day & every day about vaporwave albums that capture me and lift me away with their potent atmospheres. Tuning into Vacant Places by Hantasi, which makes me float like a ghost across the halls of its incredibly haunted & dense yet empty shopping centre; or The Path to Lost Eden (ロストエデンへのパス) by Nmesh & telepath テレパシー能力者 whose individual sides take me to two different ends of a journey to a mystical rainforest paradise; or Into the Light by Infinity Frequencies if I ever want to see The Backrooms again.

I also want to add probably vaporwave's biggest leading act right now into the conversation, who were responsible for some of the genre's most enriching & creative concept albums. death's dynamic shroud.wmv is a supergroup who at a point in time were creating conceptual mixtapes non-stop in 2014, my personal favourite being SEAWRLDハートブレーク from their member Tech, but there are a ton of fan favourites across their discography to choose from.

They didn't stop there either. James & Keith put together the group's magnum opus in their essential I'll Try Living Like This the following year and after a while of slowing down, they've since kicked off the NUWRLD Mixtape Club with new albums almost every month, many of which are concept albums of multiple stripes! It's so impressive how much they've been able to put together as a group.

But I'm getting ahead of myself, because over the course of its existence, vaporwave as a genre has also grown to have albums sometimes simply be albums without the need for heavy concepts or even samples to speak of to deliver an atmosphere. But I want to talk about a certain artist who bridges between plunderphonics & vaporwave in ways that I think have loads of potential in unprecedented ways.

If you know me, you know I'm talking about christtt. He's one of the most experimental figures in the vaporwave genre and often the most polarising because of it. His 2016 album no lives matter* takes the simplest components of vaporwave and completely flips them on their head by delivering themes & concepts of death and the afterlife in hell. It's the minimal sample editing and yet potent atmospheres that are common in most vaporwave albums taken to some of their logical extremes.

Along with that, you have his 2018 album deep dark trench, another concept album that delivers in a completely unique way, taking from sound collage to deliver emotions about worldwide tragedies. Not to mention his side-project 아버지 (father2006) and its album reflection, another album about death that is far more ambient, simultaneously dissonant and yet emotionally devastating. These three are among my favourite albums of all time. They are so incredibly captivating, both sonically & conceptually that they make up my most replayed listens ever.

There is so much potential in the music that he's creating that so few people are taking from to create their own concept albums with these approaches to vaporwave & plunderphonics. Especially since the ones that I currently have in mind the most recently are also among the most flawed examples. To bring up christtt again, as much as his best material has some amount of contentious decisions put into them, his lower received material is even more debatable.

His most recent album last year A.D. is probably his most underrated? It combines many of the styles that he's experimented with in a concept album about the rapture. It mostly centers around the lone survivor, but there's also a suite of tracks titled hell that surround those in the afterlife, which caught many people off guard. Even worse is social justice whatever from 2017, what I see as a love letter to the early ages of the internet paired with subtle sombre & bittersweet moments, most other people see as a compilation of chopped together memes & shitposts, understandably so.

But the biggest example to me of the unforeseen potential in music such as this is made not by him but one of his protégés. This year, a friend of mine RAWINTHEVOID put out their most recent concept album NOTINTHEMOOD, which tells the story of love at first sight turned into a sexual yet eventually bitter & spiteful relationship. There are some amazing tracks on this album that I highly recommend you sit through to find for yourself, but in my opinion, it also has some rough patches. I'm proud to say he's certainly found his edge ten albums in, but it needs some sharpening & polishing to say the least.

Conclusion? No. Concussion. 💥🔨

Overall, I hope this post serves as an inspiration for more albums like these to be made. Plunderphonic music these days is so easy to create, but it's also much more difficult to create great plunderphonic music and additionally, great plunderphonic concept albums. I would kill to see so many more albums like these coming out today. With the state of Bandcamp right now and how slowly the vaporwave scene itself has been progressing since 2017, it's easy to not have too much hope, but the potential I see is incredibly boundless and I implore anybody reading this who's interested in making music like this to get creative and go wild. The music world is your plundered oyster.

[mybeingthere]

Joyce J. Scott (born 1948) is an African-American artist, sculptor, quilter, performance artist, installation artist, print-maker, lecturer and educator. Named a MacArthur Fellow in 2016, and a Smithsonian Visionary Artist in 2019, Scott is best known for her figurative sculptures and jewellery using free form, off-loom beadweaving techniques, similar to a peyote stitch. (wiki)

Joyce Scott associates her beadwork with American Indian, African American, and West African cultures. Scott grew up in Baltimore and trained in fine art and art history. Drawing on past generations of craftspeople in her family, she adapts the traditions of handcrafted beadwork to create edgy imagery that often suggests issues of race and gender. The expressive faces in Africa appear to tell a story, but Scott invites us to form our own ideas about what the piece means. She used the ​“peyote” stitch to craft the necklace, a technique that derives from American Indian beadwork. The name comes from the peyote cactus, which is eaten during spiritual ceremonies with a beaded utensil. (SAAM)

https://www.craftinamerica.org/artist/joyce-j-scott

[handsofdarkness]

WITHIN TEMPTATION To Release New Single, 'A Fool's Parade'

Dutch metallers WITHIN TEMPTATION will release a new single, "A Fool's Parade", on April 5. The track features a guest appearance by the Ukrainian alt-rock/metalcore artist Alex Yarmak, who has been steadily growing his fanbase since 2021.

In a fall 2023 interview with Metal Kaoz, WITHIN TEMPTATION singer Sharon Den Adel spoke about the band's decision to release its latest album, "Bleed Out", independently, having parted ways with the Vertigo label. She said: "I did this participation with [Dutch trance DJ] Armin Van Buuren once — I wrote a song together with him — so we tasted a little bit of the dance music and we saw that they were doing things so differently, knowing him, knowing the scene and starting to watch what they were doing. They were actually just doing it so not traditionally, as in rock music is known for and metal music. So they are way more fluid in when they can release something. They say, 'Oh, I'm gonna write a song and I'm gonna release it two weeks from now.' They can do that. It's because they think differently and it's a different ballgame. And we felt, like, 'Why aren't we doing that? Why are we always restricted to writing a complete album? And then writing certain songs that you feel are essential or in the moment that you have to release now, because if it ends up on the album, three years later, everybody has talked about it; it's not important anymore.' And they're, like, 'Oh my God. Are they still talking about that? That was three years ago.' That really feels stupid to me. And so we told the record company, 'Can we please just release some songs? Because the album's not going to be out there yet, and we're going on tour with EVANESCENCE. And they said, 'No. We can't do that, because we're traditional. We don't know how to cope with that different way of releasing.' And they still had an option for a new album. And we said, 'Well, then we would like to break up the contracts and go our own way.' And they said, 'Well, maybe you should, because we don't see how we can do this with you.' And we were happy they let us go."

She continued: "[2019's] 'Resist' [album from WITHIN TEMPTATION] was very successful for [the record label], but still, I think that they would not have had happy campers in their company with us [being around]. [Laughs] We're not the easiest maybe also. But in the end, it was the best way and I'm really happy it went the way it is. And it gave us the opportunity to do it our own way. On the other hand, it is more work, because we have to hire now people to do the job that a record company normally does. And you have to think about budgets and stuff like that. Who are you gonna do interviews with? How many interviews? Organize press agents all over. It's, like, oh my God. It's a company on its own. But, luckily, we have a management that does take most of that away. Of course, we have to come up with the ideas and give the goals and everything, but they work it out for us. And so we are not involved in that part, because it takes so much energy away from writing music and being creative, of course, which, you as an artist, never want to [deal with]. You just want to [be], like, 'They do that.' And I'm so happy they do that, because they're good at it. And I don't wanna do this. But then, now it's forced upon us again to do those things as well. And it gives you more freedom, and that's what we wanted."

"Bleed Out" signifies a bold leap forward for the band. From contemporary, hard-hitting, and djenty riffs to soaring melodies displaying their symphonic roots, WITHIN TEMPTATION has created a sonic journey that fuses diverse musical styles and thought-provoking themes. This is an album that is as epic as it is unflinchingly outspoken, and now more than ever, this is a band who isn't afraid to make a stand on issues the members care about.

Since the start of the war in Ukraine, WITHIN TEMPTATION have shifted their focus from writing about personal emotions and societal subjects to tackling global injustices and reflecting the tumultuous state of the world in a way that other artists seem unable or unwilling to do.

While songs such as "Wireless" and "We Go To War" examine the authoritarian aggression on display in Ukraine and other warzones, the title track itself addresses the plight of women fighting for their rights in Iran after the murder of Mahsa Amini.

The album also grapples with the complex issues around a woman's right to choose in recent single "Don't Pray For Me" and throughout, this impassioned and political focus is reflected in the intensity and heaviness of the music. Embracing a new era of musical exploration and lyrical depth, WITHIN TEMPTATION have pushed boundaries and showcased their artistic evolution, delivering a fist-in-the-air proclamation of both their moral convictions and their fearless approach to music.