#best camera lens

[m0e-ru]

say cheese !

[screwsfall0ut]

Tim Drake Befriends a Bee Minific

When Tim was young and very lonely, he befriended a bumblebee. 

Back then, he was curious in a way that teased wonder on every rusted fire escape. At 9 years old, even Gotham’s grimiest streets sparkled under the right light and perfect Summer days were for adventure, not dread. 

It had been one of those perfect days - balmy, sunny, fresh, and crisp - when Tim almost stepped on a bee. He paused, one leg raised, light up sneakers still flashing, and hopped to the side. 

He carefully picked it up. The poor thing didn't have wings. It was so delicate. Its tiny legs tickled Tim's palms.

Tim was stricken with fear that it would die on the hot pavement, alone and scared. It needed to be protected. It needed a chance.

An eyedropper of sugar water and 30 minutes later, the bee was moving - crawling all over the table and, eventually, over Tim's hands. He brought the bee out into the garden, letting it examine the roses, the lavender, the yarrow.

Tim couldn’t leave it out there, defenseless, with no one to watch over it, to make sure it wasn't eaten or crushed or lonely. 

He named the bee Sisko, after his favorite Star Trek character, and because it was an onomatopoeia of the strange buzzing sound Sisko would make while traveling up and down Tim’s arms.

Day after day, Sisko and Tim would make new sugar water, then go explore every flower and bush and stone on the Drake property. Sisko’s favorites were the yellow roses, which had bloomed brighter and taller than anything else that season. Sisko would always crawl back to Tim’s hands in the end, or his arms, sometimes even up Tim's neck and into his bushy hair to keep Tim company while heating up chicken nuggets or peeling open protein bars or chowing down cold pizza. 

At night, Sisko slept in the ratty, soft stomach of Tim’s favorite stuffed animal, a bunny his Mom had given him when he was too young to remember. Tim moved the stuffy from his bed to his dresser (he was nervous about rolling onto Sisko in his sleep) and every night checked that Sisko was safe and sound before turning out the lights. 

They were friends - best friends. 

With Sisko, Tim lost the urge to wander off in Gotham proper for batwatching. Instead, he’d re-learned every step of Drake property, fell in love again with the flowers and trails, the old, old trees, and the pond out near the property line. 

Tim knew Sisko was on borrowed time (of course he did) but against all logic, Tim was certain that Sisko wasn’t any normal bumblebee. How could he be? Not when he’d chosen Tim, not when they'd made a home together. Anyway, why should it be so ridiculous to think that Sisko might be a witch's familiar or a companion like Jiminy Cricket. Magic was real, and there were stranger things on Gotham's streets every day.

Tim started to believe, actually believe, that one day he and Sisko might slip into Narnia or Wonderland or Middle Earth. Every day was an adventure.

Eventually the cold began to creep back, hardening the ground, taking the flowers, and turning the leaves. It was a chilly Sunday afternoon when Sisko crawled into Tim’s palm, fell asleep, and never woke up again. No matter how much Tim begged and begged and begged.  

He'd died so quietly. So unceremoniously. Tim wasn't ready. It wasn't fair.

Sisko was just a bee, and Tim was just a boy, and there were no magic wardrobes waiting for them.

Tim buried Sisko under the yellow rose bush, long gone spindly and brown. He cried so much that he'd thrown up in the dirt. 

Later that week, Scarecrow broke out of Arkham. For the first time since June, Tim pulled out his black clothes and his camera bag to watch Batman and Robin save the day. 

The click click of his camera shutter, the smoggy sky, the sweet rot smell of the dumpsters: that was familiar. Tim was a shadow again. He could lose himself: in the dark, in the night. 

Tim tucked his bunny stuffy into the back of his closet. He stopped waiting for magic to find him, at least, not the kind you'd read about in storybooks. Magic may have been real, but it was for people like Robin, people who swung from rooftops and laughed loud and made the world brighter. It was never meant for someone like Tim.

[cantankerouscatfish]

you adorable little bastards. get off my senecio.

[whataboutyouisamascot]

Doing planned photography has me saying shit like "wow, my tripod sucks ass" and then looking up to see how much a better one would be, instantly getting obliterated at the results

[thephoblographer]

The Best Camera Lens Filters for Photographers who Hate Boring Photos (And Editing)

Camera lens technology is getting so good, that it’s not hard to find glass that’s near perfect. The problem is, those perfect lenses feel a bit clinical, a bit too sterile. And it’s not technical perfection that creates a good photograph, but rather the emotion that the image evokes. Ironically, photography is at a technical peak and yet some photographers are “hacking” lenses with a pair of…

[doyouknowthemossinman]

April 2024 Eclipse from the Little Apple ~

[quibbs126]

So like, do I make a Berserk joke or

Well anyways the eclipse happened over where I live, and I managed to get some pictures of it, and I might as well share

These are like, the best quality I have. It was difficult to get good pictures

[senseiwu]

Someone on fb is selling a telefoto lens that fits my camera for $160.....

[shoutsindwarvish]

there are two wolves inside me

[naomithegiraffe]

unreasonably excited about mid-80s auto focus cameras this evening

[awpro]

Best Canon Camera R5 C and Lens RF 70-200mm F2.8 Combo

In the ever-evolving world of photography, the right equipment can significantly impact creativity and efficiency. The Canon EOS R5 C and the RF 70-200mm F2.8 L IS USM Lens are two standout products that cater to both professional photographers and videographers. Available at AWPRO in Dubai, these pieces of equipment promise to enhance your shooting experience while addressing common challenges faced by photographers.

Canon EOS R5 C Powerhouse

The Canon EOS R5 C is a groundbreaking mirrorless cinema camera that excels in both still photography and video recording. With a full-frame sensor boasting 45 megapixels, it captures stunning images with exceptional detail. Here are some key features:

8K RAW Video Recording: The R5 C allows for internal recording of 8K video at up to 60 frames per second, making it ideal for filmmakers seeking high-resolution footage.

Dynamic Range: With an impressive 15 stops of dynamic range, this camera provides excellent detail in shadows and highlights, crucial for dynamic scenes.

Autofocus System: Utilizing Dual Pixel CMOS AF II, it offers fast and accurate focusing, essential for capturing moving subjects.

Challenges and Solutions:

Heat Management: Extended recording times can lead to overheating. The R5 C includes a built-in cooling fan, enabling non-stop 8K recording without interruptions

Weight Considerations: Weighing around 1.7 pounds, it is relatively lightweight for a full-frame camera, but can still feel cumbersome during long shoots. Pairing it with lighter lenses like the RF 70-200mm can help alleviate this issue.

RF 70-200mm F2.8 L IS USM Lens Versatility in a Compact Design

The RF 70-200mm F2.8 L IS USM Lens is renowned for its versatility across various photography genres, from portraits to sports. Its design is notably 27% shorter and 28% lighter than its EF counterpart, enhancing portability without sacrificing performance.

Key Features:

Image Stabilization: With up to 5 stops of image stabilization, this lens ensures sharp images even in low-light conditions or during handheld shooting.

Custom Control Ring: A unique feature of RF lenses is the customizable control ring on the barrel, allowing photographers to adjust settings intuitively while shooting.

Challenges and Solutions:

Limited Zoom Range: While the 70-200mm range is versatile, some may find it limiting for specific scenarios. Adding a teleconverter can extend its reach without compromising image quality.

Bokeh Quality: Achieving beautiful bokeh can be challenging with zoom lenses. However, the large f/2.8 aperture allows for stunning background blur, making it suitable for portrait photography.

Impact on Photographers

Both the Canon EOS R5 C and RF 70-200mm F2.8 L IS USM Lens significantly enhance a photographer's toolkit:

Convenience: Their compact designs make them easy to carry, allowing photographers to shoot longer without fatigue.

Quality Output: The combination of high-resolution imaging and advanced autofocus systems results in professional-grade photos and videos.

Creative Flexibility: With capabilities spanning various formats and settings, these tools empower photographers to explore their creativity without limitations.

Where to Buy

For those in Dubai looking to elevate their photography game, both products are available at AWPRO. This reputable retailer offers competitive pricing and expert advice on camera gear.

Conclusion

Investing in the Canon EOS R5 C and RF 70-200mm F2.8 L IS USM Lens can transform your photography experience on AWPRO, providing solutions to common challenges while enhancing your creative potential. Whether you’re capturing breathtaking landscapes or dynamic action shots, these tools are designed to meet the demands of modern photographers.

[upperranktwo]

Good morning everyone!!!!!!!! Almost at the end of the week now !!!!!

[rmspeltzfarm]

git it fixed

[kuiinncedes]

adfjgbak;ngajkfglkafhg

[thephoblographer]

The Best Lenses For Sony Full Frame Cameras: An Updated Guide

Two years after Sony announced its game-changing A7 and A7R series of full-frame mirrorless cameras, we created an exceptional guide to help photographers choose the best lenses for their gear. The Sony lens guide, thus, is an amalgamation of some of the most exciting lenses we have reviewed. But today, it gets an update. We all know how the camera industry works—there is a new iteration every…

[farazdakstudio]

How to Choose the Right Lens for Every Photography Genre

Understanding Lens Basics

Before diving into specific lenses for different photography genres, it’s important to understand the basics. Lenses are classified by focal length, which determines the angle of view and magnification of the image. They can be broadly categorised into:

Wide-Angle Lenses (10–35mm): These lenses are ideal for capturing expansive scenes, making them perfect for landscape photography. They allow you to fit more of the scene into the frame, making them a go-to choice for architectural shots and group photos.

Standard Lenses (35–70mm): Often referred to as “normal” lenses, these offer a field of view similar to what the human eye sees. They are versatile and can be used for a variety of photography genres, including portraits, street photography, and everyday shooting.

Telephoto Lenses (70–200mm and beyond): Telephoto lenses bring distant subjects closer, making them perfect for wildlife, sports, and portrait photography. These lenses create a shallow depth of field, allowing you to blur the background and make the subject stand out.

Prime vs. Zoom Lenses: Prime lenses have a fixed focal length, offering sharpness and a wide aperture, which is great for low-light conditions. Zoom lenses, on the other hand, provide flexibility by allowing you to change focal lengths without switching lenses.

Lenses for Portrait Photography

When it comes to portraits, the goal is to capture the essence of the subject while creating a pleasing background blur (bokeh). For this reason, lenses with a focal length between 50mm and 135mm are considered the best lenses for photography in this genre. A 50mm prime lens, often referred to as the “nifty fifty,” is a favorite among portrait photographers for its sharpness and ability to perform well in low light.

A 85mm lens is another popular choice, offering a flattering perspective that avoids distortion. For more versatility, a 70–200mm telephoto zoom lens allows you to shoot from a distance while still achieving beautiful background blur. Farazdak Studio, recognized as one of the best photographer in New Delhi, often utilizes such lenses to capture timeless portraits that highlight the subject’s unique features.

Lenses for Landscape Photography

Landscape photography requires lenses that can capture wide scenes with sharpness from the foreground to the background. Wide-angle lenses, particularly those between 10mm and 24mm, are ideal for this purpose. They allow photographers to capture sweeping vistas and intricate details in a single shot.

For photographers who want to emphasise specific elements within the landscape, a telephoto lens (such as a 70–200mm) can be a powerful tool. It enables the compression of the scene, making distant objects appear closer together, which can create striking compositions.

At Farazdak Studio, our approach to landscape photography often involves using a combination of wide-angle lenses for dramatic views and telephoto lenses for highlighting specific aspects of the scenery. This combination allows us to create images that are both expansive and detailed.

Lenses for Event Photography

Event photography demands versatility, as you need to capture everything from candid moments to posed group shots in various lighting conditions. A zoom lens with a wide focal range, such as 24–70mm or 70–200mm, is often the best lens for photography in this genre. These lenses allow you to switch from wide-angle to close-up shots without changing lenses, making them ideal for fast-paced environments like weddings or corporate events.

A 50mm prime lens is also a valuable addition to an event photographer’s kit, offering excellent low-light performance and a natural field of view. For indoor events, lenses with a wide maximum aperture (f/2.8 or wider) are essential for capturing sharp images in dimly lit venues.

At Farazdak Studio, we rely on high-quality zoom lenses to ensure we don’t miss a moment during an event. These lenses provide the flexibility to adapt to different situations quickly, ensuring that every important detail is captured.

Lenses for Wildlife Photography

Wildlife photography requires lenses that allow you to capture animals from a distance without disturbing them. Telephoto lenses with focal lengths of 300mm or more are essential for this genre. These lenses bring distant subjects close, allowing you to capture details such as feathers, fur, and expressions with clarity.

A 400mm or 500mm lens is often the go-to choice for professional wildlife photographers, enabling them to photograph animals in their natural habitat without getting too close. However, these lenses can be heavy and expensive, so a 70–300mm lens can be a more accessible option for enthusiasts.

At Farazdak Studio, when we venture into wildlife photography, we select lenses that provide the necessary reach and sharpness, ensuring that every detail of the natural world is preserved in our images.

Conclusion

Choosing the right lens is crucial for achieving the desired results in any photography genre. By understanding the characteristics of different lenses and how they apply to various types of photography, you can make informed decisions that enhance your work. Whether you’re shooting portraits, landscapes, events, or wildlife, the right lens will help you capture images that stand out.

For those looking to capture moments with the expertise of the best photographer in New Delhi, Farazdak Studio offers professional photography services that cater to a variety of needs. With a keen eye for detail and a deep understanding of lens selection, we ensure that every shot is tailored to perfection.

Read More Blogs:

The Impact of Social Media on Photography

Commercial Photographer in New Delhi

How to Choose the Right Wedding Photographer

Best Portrait Photographer in New Delhi

Originally published at https://farazdakstudio.blogspot.com on September 5, 2024.