#besides that I'm trying to post more

[liamrhett]

oc stuff ig 🚶🏻‍♂️

[lizzybeeee]

DATV explaining the 'Regret Prison'

A REGRET PRISON IS STUPID AND I'M TIRED OF PRETENDING THAT ITS NOT

TL;DR: a prison can serve as a metaphor but it shouldn't be entirely comprised of a metaphor.

From what I understood from what the game gave us: Solas has made a new prison to move the God's too - since bringing down the veil would free them from the Black City. This new prison is separate(?) from the fade or so far removed/contained that bringing down the veil would not compromise it...apparently. We interrupt his ritual, Solas gets sucked into the new prison he made, and the elven gods are free.

When Rook gets kicked into the fade they're physically there - which means it's a physical place in the fade, like how it was a mixture of physical/thought when we entered it in DAI. Which makes sense - the gods are real and living beings, they need to be in a place, there must be some aspect of physicality to it.

Alright, cool, it's a Black City 2.0 - I assume it's better defended to prevent people breaking in/out again?

NOPE.

We get there and it's a 'regret prison'?? It's tied to the regrets of those within it? Composed of regrets??? Solas had to wait for the right moment for Rook to be sufficiently 'full of regret' that they could switch places?

So is the prison tied to Solas's regrets? If so, how can Rook escape? The prison seems to work around the idea that it relies on the regrets of the person it's holding to work - which is how/why Rook was able to be trapped and later free themselves (along with whatever remains of the team apparently being able to do something on their end, not that we hear about it).

WHICH IS STUPID!

Are you telling me the prison intended to hold to megalomaniac elven gods was going to imprison them based on their own regrets? Is Solas assuming that Elgar'nan and Ghilan'nain are as self-pitying as he is? They'd break out quicker than Rook did! He made a time out corner for the elven gods to sit in and gave them an out if they reflected on their emotions/regrets or decided that they don't regret what they did. Elgar'nan, a spirit of tyranny, is not going to 'regret' his actions - he is going to justify them by telling himself and others that he knows what's best.

We can come across some of Solas's regrets in the prison if you run around a bit and explore:

Remnant of Failure - talking about the orb from Inquisition.

Remnant of Parting - talking about Mythal

Remnant of Reflection - more vague, talking about the Titans I believe.

So maybe he altered it - maybe he intended the prison to be 'locked' with his own regrets because after a millennia of having a pity party he still can't bring himself to self-reflect and look to the future. But what if Solas died? Or if his guilt lessened - would it diminish the strength of the regret prison?

We already have pre-established lore (though DATV has shown they don't really give a crap tbh) that once the being that has claimed/altered an area of the fade is slain, it's influence diminishes both in and outside of the fade. So if the prison was tied to his regrets then it would require Solas to basically live forever to keep it stable - especially if he brought down the veil and removed the one barrier that kept the world and the fade apart.

Rook and Solas needed some assistance to exit - but it doesn't seem like it was much! Solas used his dagger and Rook just...got out through a fade tear? This is Solas's 'more secure' second prison? It has a worse track record than the Black City! If Rook - who is not an elven god - managed to escape the regret prison what is to stop anyone else from breaking in and out of the prison?

And what did Solas intend to do with the blight - the bulk of which is apparently in the black city?? If bringing down the Veil would free the gods in the black city doesn't that mean that the blight would also be released?! Did he have a plan? Why does he go fully ahead with bringing down the veil at the end if the black city is still there and filled with blight?!

I get it: the 'regret prison' is a metaphor for how Solas holds onto the past and how Rook can move past their regrets and grow. He's trapped by the past - it's a prison. Cool. But this prison is supposed to by a physical place to contain the gods - not just to solely contain Solas. The mission is literally called 'A Cage for Gods'.

The Black City is an actual place that's so far out of reach of anywhere else in the fade that no mage can ever reach it while in dreams - let alone physically, which was only done once and took tremendous effort/blood sacrifices. It made sense - it was cool to see floating in the sky in DAO!

Though it's not said specifically, it's strongly implied that Arlathan is the Black City. You can see in the concept art that floating elven city is exactly the same as the black city in DAO! It's this foreboding thing just lurking in the sky - a constant reminder of the sin that led to the horrors of the blights and darkspawn. A real place with lore and history that also serves as a metaphor for the hubris and destruction of those who call themselves gods and act as tyrants -> for both the evanuris and the magisters.

I WANT TO UNDERSTAND THIS BIOWARE!

WHAT IS THIS KINGDOM HEARTS NONSENSE???!!

[necrotic-nephilim]

I am always thinking TimJay thoughts related to the fact that they have matching scars from getting their throats slit, and not only that, but Jason slit Tim's throat first in an attempt to threaten Bruce, where Tim was nothing more than a pawn for Jason to use to emotionally manipulate Bruce.

batman (1940) #618

And then, just a little while later when Jason is trying to confront Bruce and do his whole dramatic moment with Joker in UTRH, and Bruce slits Jason's throat to stop Jason from killing the Joker.

batman (1940) #650

It makes me so Unwell. They have literal matching scars. When do you think Jason realizes it? When do you think, while running his fingers over the scar he has to always remind himself that Bruce was willing to jeopardize Jason's own life just to save the Joker, Jason realized it was the same scar *he* gave Tim? And does it click for him too, that he and Tim are a lot alike? Being used as pawns in Bruce's game? And for the first time he maybe understands Tim Drake, just another kid trying to get Bruce's attention and approval? And Jason did to Tim exactly what Bruce did to Jason? And that's part of what spurns on Jason's obsession with Tim, trying to "save" Tim from Bruce's ideology?

When they finally get together does it make Jason even more possessive? He put that mark on Tim and now he has his own to match. It's the closest to being understood and loved he's ever felt when Tim runs his fingers over Jason's scar at the same time Jason touches Tim's. Mirrors of each other, in a fun, fucked up little way.

[thirdeyeblue]

“Nine would have treated Martha better than Ten did”

I need to talk about this argument that never seems to stop circulating.

Note: Not a venomous/anti post. There’s more than enough of that across fandom spaces as is, and this is supposed to be a place for ✨sweet, blissful escapism✨

When making this argument, people seem to envision a scenario in which Nine never met Rose.

While I can appreciate a good hypothetical, recognizing Rose's significance to the Doctor (Nine and Ten) is essential to understanding why things with Martha played out the way they did in the first place.

In the third series, the Doctor is grieving. This grief is deliberately threaded into nearly every script, whether spoken aloud or not (and these are just a few examples):

He's burning in Rose’s wake the entire time Martha travels with him, which is why it’s so frequently called upon: It’s 100% deliberate in framing his grief. He grieved as Nine too, of course— having been fresh on the heels of the Time War — but then he met Rose, which changed everything.

Back then, he was still a rude, traumatized pain in the ass, but we watch Rose soften more of those jagged edges with every episode as they grow closer; as he lets his guard down and forms a deep connection with her.

He falls in love (against his better judgment) and it's game over.

And yes: provided S1E1 had been titled 'Martha', one can realistically assume things might have unfolded similarly to how they did with Rose. However, it wouldn’t have been that way just because the Doctor was Nine and “Nine was different” — it would be because he wasn’t already in love with someone else. The same can't be said for the start of S3.

Think of it like this: if Rose AND Martha had been in that cellar — if Nine had taken both of them along with him in S1 — we’d eventually be looking at the most melodramatic love triangle ever, what with him living in close quarters with two brilliant, gorgeous, compassionate young women... But Doctor Who is plenty “soap opera” as is with just one woman in the TARDIS.

(I certainly wouldn’t object to reading that fic, though)

Now, regarding the unrequited elephant in the room…

His inability to be romantic with Martha isn’t because he thinks her lesser, nor is it for lack of compatibility. It isn't because Rose is any better than her. It certainly isn’t just because he’s Ten.

It’s really only for one reason, which can't be denied — and now I’m a broken record:

He is still in love with Rose.

(cut from a tenrosedaily gif)

Nine is Ten, and Ten is only such a mess in S3 because he’s just lost the love of his life. Martha merely got caught in the crosshairs of a volatile Time Lord in mourning, and yes — it sucks. Absolutely.

But it also feels dismissive to chalk Ten and Martha’s relationship up to little more than some sort of mindless dance of pining, jealousy, and toxicity.

Ten trusted Martha with his life over and over again — and hers, with him. He constantly praised her brilliance, happily carting her around time and space with no intention of letting her go. In the BBC’s extended universe of novels/comics/cartoons/etc, there’s so much depth to their relationship: love and trust and trauma and sacrifice. They had their own special bond as mates, their own complexities — so it’s a bummer that it's forever overshadowed by the other things.

I’m not denying that there was a lot of stuff that sucked/was for sure toxic about Ten's S3 behavior, but so many of the things I've seen him catching flak for can be directly attributed to being A Clueless Fucking Alien Idiot (not a trait that’s unique to Ten) — as well as his flat-out obliviousness to Martha’s feelings.

So yes, I agree: if Rose never existed, he would have treated Martha differently as Nine. He also would have treated her differently as Ten. Certainly.

But Rose did exist, and when discussing canon, it matters.

“He tells me that he absolutely, 100% loves Rose... He tells me how my daughter; my wonderful, beautiful, clever little girl saved him from himself before… And he says that’s all because of me! I made her into the Rose Tyler that saved him.”

-Jackie Tyler, Flight Into Hull!

Martha got the short end of the stick in S3. She came round at the wrong place and time, but that doesn't mean it was all bad. It doesn't mean the Doctor didn’t adore her. It certainly doesn't mean the time they spent together was wasted or worthless. They were brilliant!

Sure, he could be a twat, but let it be known that he was a twat with Rose as well, both as Nine and Ten. I’m sure Tentoo can be plenty infuriating, too. So while I'll defend Ten (and Tentoo) into the ground forever and ever and ever, I'll concede that he's fucked up.

The Doctor is a certified Pain In The Ass. It’s one of the things I love so much about this character — dynamics.

But never forget that Martha was goddamn tough as nails and overcame every bit of it. She moved on with her life, and the Doctor moved on with his. One can only pray that, when they inevitably drag her back onto the show (which feels inevitable if I'm honest), we see at once that she's been living her best life for all these years.

[spookyxsprinkles]

if there’s no one beside you when your soul embarks, then i’ll follow you into the dark [chapter 1/?]

hayakawa aki × shy fiend f!reader

-> safe for work (for now) // 4.9k words // AO3. -> warnings: smoking, blood, cheesy, friendship, romance, discrimination, fluff, angst, pining that may or may not be mutual, soft aki, protective aki, eventual smut, eventual romance, canon divergent, fic will get into darker topics as the story progresses but i'll update the warnings as i go, chainsaw man part 1 spoilers.

Devil hunters use devils to kill devils.

The irony was never lost on you. This was a use or get used world, after all.

In the distance, your ears picked up the sounds of a fight. Explosions, rubble falling, metal crunching. It sounded far enough away for you not to worry about closing the convenience store early (not that your boss would’ve let you), but it was still close enough for you to stay alert as you stood on a flipped milk crate, stocking the fridge. The situation seemed to have settled by the time you finished and you allowed yourself to relax.

You were behind the counter reading a romance novel when the smell of dust and blood assaulted your nose, making you look up at the source. The sliding doors let out a melodic chime as a tall man with a top knot dressed in a black suit entered the store, walking straight for the freezers in the back. Your eyes stayed glued to the sword strapped to his back until he was no longer visible from where you stood.

You took a sip from your water bottle before returning your attention back to the book in front of you. Two pages later, you realize you weren’t actually processing the words on the page and, with a sigh, you flip back to try again. You struggled reading the same paragraph over and over until the sound of aluminum cans clanking against the counter top startled you. The man with a top knot (with a sword strapped to his back) had placed canned coffees and an apple in front of you.

“Cigarettes, too.”

Before he could finish pulling out his wallet, you set a white box down on the counter between the two of you. He stared down at the box of Mevius One KS cigarettes with a furrow in his brow and his eyes moved to meet your own.

“I-I have a good nose.” You anxiously look away from him and quickly scan his items, placing them neatly in a plastic bag. “That’ll be ¥4,570.74.”

The man eyed you for a moment, as if studying you, then pulled out his card to insert it into the machine until he noticed a sign with messy handwriting stating that the card machine was out of order. He returned his card back into it’s place in his wallet before pulling out cash and placing it into your outreached hand, his cold fingers brushing against yours as he did so.

“You’re good,” he says quietly.

You suck in a breath at his comment and nod, feeling unsure of how else to respond so you simply thank him for shopping at the convenience store and to have a nice day. You watch his dark form disappear down the street before letting out a sigh of relief as you adjusted the crochet beanie on your head.

+

Two or three times a week, he would come in to buy canned coffee and cigarettes. The two of you never spoke much beyond pleasantries. (“hello,” “good afternoon,” “have a nice day,” “you too.”)

Currently, he was in the back of the store by the freezers. You tried to keep your attention on your book as you absent-mindedly fidgeted with the sleeve of your over-sized cardigan.

It had been a few short months since you started working here, since you first noticed him. The convenience store wasn’t the closest one to the Public Safety office in Tokyo, but it was still frequented daily by people who worked there, including other devil hunters.

Every now and then you’d stop seeing a face come by the shop and determined that they must have been killed on the job. It wasn’t a secret that devil hunters didn’t have very long lifespans, it was the nature of the job. However, you recently found yourself feeling relieved whenever he stepped over the threshold of the sliding glass doors and greeted you in return.

You weren’t entirely sure why you felt that way. He was obviously attractive, though you doubted that was reason for your feelings.

Still, relieved as you may be, you found it difficult to focus whenever the two of you shared the same four walls.

To you, devils had an acrid smell. The stronger the devil, the more offensive the smell was. You were sure the devil hunter was human, but the scents that lingered on him were the strongest you had smelled in quite a while. The smell was stronger on him than it was on most of the devil hunters you encountered.

He must have worked closely with strong devils and the thought of that frightened you. You once heard a group of devil hunters mention a special division in Public Safety that made devils work for them without free will.

You cautiously cast glance his way as he flipped through a magazine, and you wondered if this devil hunter (your devil hunter) was involved with something as awful as that.

+

By now, he must have noticed the way you always avoided eye contact with him. You're sure of it.

You try to read but you simply could not focus and you found yourself looking in his direction every few minutes. He walked around the shop, aimlessly browsing, rather than going straight for what he came for like he usually did. You’re tempted by the opportunity to strike up a conversation with him, to get to know him a little (for better or worse), but you bite your tongue.

You wouldn’t know what to say. The majority of your social skills were learnt through reading books.

You notice that sometimes, when the store gets empty, he stares at you for a few moments, as if he wants to say something, before thinking better of it and exiting the store, leaving you to watch him from behind.

+

You felt your hands shaking more than they usually did whenever he was around. You hoped he didn't notice, though when you looked up at him, you could see him watching you. Your eyes briefly look over at the sword on his back before returning your attention back to the monitor and reading him his total.

You took his money and shakily hand him the receipt, which he takes. You quickly look away and feel his lingering gaze, followed by the small intake of breath. You get the impression that he's about to say something.

You do your best to look busy organizing your space behind the counter. Your hands were trembling, causing you to knock over a candy display. Rolls of mints clattered around your boots and you bend over to pick them up.

You hear the chiming of the sliding doors as they opened and closed and you peeked over the counter to see that he was gone.

+

A few days later, you’re stocking the freezer with drinks. Despite wearing your cardigan and beanie, you shivered as you struggled to reach the top shelves. You forgot to grab the milk crate from behind the counter to help you reach higher, but with the devil hunter in the store earlier than usual, you decided to quickly wrap up stocking so that you could get back to the counter.

Large, pale hands grasp the can from your hand, making you flinch in surprise. You look over your shoulder and see the devil hunter helping you place the remaining drinks on the top shelf. You swallow hard and avert your eyes from him.

“Thank you...” He nodded then went on his way to continued his shopping. You walk back to the register to wait for him. You felt his gaze on you but you didn’t dare look up away from the register you were pretending to clean. Your head hurt from overthinking.

You checked out his items when he brought them over to you, faster than you usually did. You were eager for him to leave so that you could focus on anything other than him right now.

"A box of Mevius One KS, please."

You were too distracted with your own thoughts that you forgot to give him his cigarettes. You apologize and turn in a hurry to reach for them on the shelf, stepping onto the milk crate, but in your haste you lost your balance. You yelped as you fell onto the cold tile, boxes of cigarettes raining down on your head.

The next thing you knew, he’s behind the counter kneeling beside you, scanning you for any injuries before returning his gaze to yours.

“Are you okay?”

You couldn’t help but notice the concern in his voice. It was a stark contrast to the stoicism he usually exuded whenever he was in the store.

You nod, feeling your cheeks heat up with embarrassment as you looked up at him. You look away again, sitting up despite your butt aching from the fall. You ran a nervous hand through your hair and realized your beanie had fallen off and the devil hunter was staring—right at the pair of fluffy ears on your head.

“You’re…” he pauses, looking at you in a way that was hard to read.

You panicked. You grabbed your beanie from the floor, clumsily hopped over the counter, knocking over the candy display in the process as you ran out of the store.

“Wait! Come back!”

He continued to call out after you, his voice growing more and more distant until you could no longer make out the individual words. Your feet feel like they’re going to give out from underneath you as you sprint along the sidewalk hoping to never see him away.

+

The following day was your day off, but your boss called you in. He fired you for leaving the store unattended and withheld your final paycheck. When you timidly tried to stand up for yourself, telling him that he couldn’t do that, he said he could because you had no human rights as a fiend.

There was nothing you could do about it.

You managed to find another job in a grocery store on the other side of town. It was farther away from your home, but safer since it lessened the risk of running into the same devil hunter again.

A few weeks later, you were working the register when you recognized his scent. Your eyes widened in horror when you realized he had found you. The two of you stared at each other.

His expression was stern and focused. There’s no trace of the gentleness he’d shown last time. A depressing reminder that this man wasn’t just a man and you weren’t just a woman.

He was here to kill you, or worse.

You were frozen in place. It’s only when he begins to approach you that you remember to breathe. You trembled fearfully as he stood in front of you.

“Hey—”

“P-Please don’t hurt me,” you sputtered out from behind the register.

His expression softens, but his eyes are steady, resolute. You can tell by the look in his eyes that he’s trying to convey some sort of message to you.

“I’m not going to kill you, don’t worry,” he replies calmly. “I’m not here to harm you in any way.”

"But you're a devil hunter... are you here to capture me and force me to work for Public Safety?"

"No."

You don’t believe him and flinch away when he pulls something from his inner suit pocket.

An envelope.

"I realized you were probably scared of being hunted, so I didn’t chase you. I went looking for you back at the convenience store the next day. Your boss said you were fired. I found out he illegally withheld your final paycheck, so I've been searching for you to return it."

Your brows furrow as he places the envelope on the counter. You weren't sure if you could trust him or not. His eyes never left your face as you looked down at the envelope then back up at him. You're not sure what to say or do, but his quiet, patient composure is a stark contrast to his intimidating presence earlier.

He gestures towards the envelope. “You can open it. I’m not trying to force you to join Public Safety. I’m simply making sure you get what’s rightfully yours. You can’t exactly sue him.”

The fact that he seemed so confident that this was going to change everything, that you're going to trust him, sends your brain into overdrive. You don't know what to do.

“Open it," he says quietly. Gently.

You hesitantly reach for the envelope and open it, finding the money your former boss denied you of. You expect him to demand something from you in return, but he quietly walked out of the store.

+

A couple of weeks later, you pick up his scent again as you’re stacking a table with cans on sale. You noticed he was accompanied by two others with inhuman scents. Both strong and familiar smells that you’ve smelled on him in the past. Devils. In the grocery store? Their casual-wear made it seem like they weren’t on official business and based on the way they were acting, the three of them seemed close.

You were nearly finished with stacking the can display, when the devils accidentally ran their cart into the table, knocking over the cans. The devil hunter turned at the sound and came over.

You’re on your knees, picking up cans and placing them back on the table to get them off the floor. The devils snickered, until the devil hunter scolded them.

"Can you two knock it off and help pick those up?"

For some reason that makes you feel embarrassed and you tell him that it’s okay. “It was an accident. Don’t worry, it’s my job to do this...”

His gaze meets yours.

“Hey," he says quietly as he approaches the knocked over cans. After taking a quick glance at you, he begins to clean up the mess while the devils continued to bicker and argue as they stacked, making a competition out of it. The way they carried themselves, like bickering siblings. Not that you would know personally, but it reminded you of siblings in the stories you’ve read. You were wondering how old they were when you realized just how tall the devil hunter actually is; he seems to dwarf the other two.

"Are you alright?" He asked, looking at the fallen cans lying on the floor. You could feel his eyes on you, looking over you as though checking to see any sign of injuries. You sneak a peek at him, noticing his eyes glancing at the beanie on your head. The beanie that covered your devil ears.

You nod, your timid and nervous nature getting in the way of the moment. He scolds the others and eventually gives them the task of doing the rest of the shopping and offering them a snack reward. They run off excitedly with the cart as he helped you stack the cans. The two of you worked quietly.

He continued helping you for a bit longer, his presence soothing rather than intimidating like before. Then, once you finish stacking the cans on the shelf, he steps back for a moment as though hesitating.

You glance at him nervously, nodding as you chewed on your bottom lip. You wondered if it’d be rude to walk away right now. Probably.

"Are you busy after work?"

Your eyes widen, and you can feel your heart beginning to beat faster. You can hear the others laughing in the distance, clearly not paying attention to the conversation taking place.

"Yes," you lied.

He made a face, as if he could easily tell that you had just lied from your tone and nervous body language, but nodded anyways. He offered to buy you something to eat as an apology for the cans and for being the reason you lost your previous job at the convenience store.

"Will I... owe you?"

"No."

You weren’t sure whether or not you should trust him. So far, he seemed to have your best interests in mind, though you knew that could also be a trick. You decided to take a leap of faith.

"Apples. I like apples."

His expression remained stoic and you felt vulnerable under his watchful gaze. People who knew you were not human treated you differently, saw you differently. To them, you felt invisible and disposable. Like something to be used and tossed away when it became too much trouble. The way this devil hunter looked at you now was different than how he used to look at you when he thought you were a human like him, but it also didn’t feel like he thought of you as something less than him. The way he was looking at you right now made you feel like your heart was in your throat. You try to swallow it back down.

“Apples?” He gives a small nod. "Then I'll buy you some.”

+

He buys you a bag of apples.

It becomes routine.

Whenever he stops by the grocery store, he would leave you with a bag of apples.

It was the kindest thing a human had ever done for you.

You craved speaking with him, not really getting much positive attention from others. You felt lonely and wondered if he could tell. You didn't trust humans but you wanted to trust him. You really wanted to trust him.

So, you tried talking to him a little bit. It was awkward and you were as clumsy with your words as you were with your body but in a few months, the two of you were able to have casual small talk. You were so happy to be able to joke with him, even just a little bit.

Your relationship with him grew over time with these simple interactions, these little moments of kindness that he showed you.

This is a stark contrast to the way devil hunters and civilians had treated you in the past. Their disdain for devils would get in the way of your interactions, but you didn’t have that problem with your devil hunter. Seeing him with his devil friends gave you hope.

You looked forward to his visits. His presence is a quiet one. He doesn't expect anything from you, nor does he ask much about you yet here you are, talking almost like... friends.

"Th-Thank you, Mr. Hayakawa." You speak his name for the first time, a bit timidly. You learned it a couple of months ago when he asked to be signed up for the grocery store’s rewards program, but you never said it out loud until now. He had just bought you apples again and you wanted to thank him.

His expression was as gentle as his voice. "Just Aki is fine."

The way he holds himself seems to have loosened up considerably. His shoulders, once stiff and tense, now hang loosely by his sides. He no longer seems quite as intimidating. And you're not sure how exactly, but it almost seems as if his presence becomes... softer.

You nod, feeling your face heat up. "Sorry, th-thank you, Mr. A-Aki..!"

You can't tell if there's a small hint of amusement in his eyes, but then again, he's hard to read.

"Why 'Mr. Aki'?" He asks you curiously.

"Did I say something wrong? Would you prefer a different title?" You nervously fiddle with your fingers.

His eyebrows knit together slightly, as though thinking. “It’s not really needed, I guess. You don't need to call me by any title or honorific. Aki's enough..." He trails off.

"O-Okay... A-Aki..."

You felt your face heat even more from being allowed to refer to him so informally. You have never spoken someone's name so casually before. You distract yourself by stiffly scanning the rest of his items.

He eyes the bag of apples sitting at the end of the register’s moving belt. "Did you want anything else?" He asks, his eyes looking back to you. Your eyes widen and you shake your head furiously, knocking your beanie off balance, slightly revealing the bottom of one of your fluffy ears. Aki eyes it, wondering if you’d notice it in time to fix it before anyone else saw it.

"No, no I'm okay! Really! The apples are good. I love apples. I-I... Thank you, Aki."

"Are you sure?" He asks and from the way his eyes were staring at your cheeks you knew he was aware you were feeling very flustered right now.

Aki’s eyes return to your visible ear. You were beginning to feel self-conscious when he leaned over the counter of the register and adjusted your beanie. “Your ear was showing. Sorry.”

You flinched at the sudden contact and as he pulled away, you grabbed his wrists without thinking. You hold onto him for a moment.

The air around you seems to heat up slightly, the intensity of your gaze rather palpable. You feel a shiver run down your spine at the closeness of the situation and notice his eyebrow raising in confusion. He seemed a little surprised by how close you are to him, but he doesn't back away. The sound of someone sneezing snapped you out of your daze and you released him.

You back away from the register, avoiding his eyes and mumbling a series of apologies before making up some excuse about needing to unclog a toilet.

(Aki watched you run off towards the back. He could still feel the warmth of your hands around his wrists as he left the store).

+

The next few times Aki went to the store, you weren’t around. He asks the manager about you and she said that you took a few weeks off.

Aki wondered why and if it had anything to do with what happened.

+

As the days passed, his curiosity over why you weren’t around grew. He doesn’t know if your last encounter with him had anything to do with that, but he hoped that it didn’t.

Your absence brought about a certain sense of loneliness, and though he’s never admitted it to himself, he starts to miss you and the moments that you’d shared with one another.

+

You return a month later, avoiding Aki's eyes as you scanned his items. You were quiet today.

As you return to your old routine, you feel Aki’s eyes trailing you. He keeps to himself and gives you space, but he’s still observant as you worked. Something had changed in your demeanor. You're being polite but distant, keeping your distance from him and not speaking unless absolutely necessary. You’re not like yourself at all. He doesn’t know why and it makes his curiosity grow even more.

"Is something wrong?" He leans forward a bit, wondering if he'd done something wrong.

"No..." You say quietly as you handed him his change, careful not to touch him.

The way that you speak makes him certain that there is something wrong; he's known you long enough to tell. Your avoidance is what catches his attention however.

You bag his items and another customer sets their items down on the belt for you to scan. There are plenty of people lining up behind Aki, so you turn your attention to the next customer as you bag his items.

“Is this about me?” He asks, once the customers have cleared the line-up. He’d been watching you interact with the other customers and noticed that you weren't behaving this way with them. Only with him.

"Yes," you say hesitantly, "But you didn't do anything wrong. It's me that's the problem..." Your face burns red. "Please don't worry about it."

"Well, now you've got me worried," he replies, his usual stoic expression giving way to genuine concern. "You've been acting a bit strange. Like something happened."

"It-It doesn't feel appropriate to say, so I'd really rather we didn't get into it." You say as you fiddled with your fingers. "It's nothing worth worrying about. Nothing bad happened and I don't think ill of you, Mr- I mean, Aki."

If he wasn’t so worried, he would've quietly laughed at your little slip up. Aki watches you as you fiddle with your fingers, a bit more concerned now. He doesn’t like not being able to figure out what’s been on your mind this entire time.

You’re keeping things vague, and it’s driving him crazy.

"So, this has nothing to do with our last interaction?" he asks you, genuinely curious.

Your face reddens even more, "It... it may have something to do with that..." You look at the clock on the wall before timidly looking at Aki. "If it's okay with you, can we talk about it after my shift ends in 20 minutes..?"

He nods, still trying not to let any emotion appear on his face.

"That’s fine. I'll be waiting for you outside if that’s okay.”

+

Fifty minutes later, you run outside, panting heavily.

"S-Sorry for taking so long. You didn't have to wait." Your hands squeezed at the strap of your cross body bag.

"I don't mind," he tells you. You notice the way his eyes scan your face, as if he's looking for something in particular. Like he's trying to figure something out. "Are you okay?"

"I'll be okay. Thank you, Aki." You chew on your bottom lip as you look at him. It all suddenly feels too real and you look down at the ground again. "I-I'm not being weird because you did something wrong. I've been acting strangely because I've recently realized my... my feelings. I'm sorry." You say quietly.

"Ah..." Aki replies softly, his attention glued to you as you nervously chew on your lip. "Can I ask you something?"

You nod. (In your head, you were mentally preparing for him to tell you to work at a different store so that he never has to see your devil face ever again.)

"You said that you've recently realized your feelings, but..." he pauses. "How long have you actually liked me?" There's a teasing smile playing on his lips.

Your ears perk up on your head, shifting your beanie slightly. "Not long! I swear, I promise it's only recent. It wasn't until I went home after the last time I saw you, when you were fixing my hat, that I realized there might be some feelings from my end. I promise I had no ulterior motives during the last ten months."

"Just how recent are we talking?"

"...Actually, maybe I did have an ulterior motive. No, not maybe. I did have one."

Your ears moved under the beanie, knocking it off of your head. Your ears lay flat against your head, like if you did something wrong.

“Really?” Aki raises an eyebrow, "What was your ulterior motive?"

"I…” You spoke quietly while staring down at his shoes. “I wanted to be your friend."

There’s a long moment of silence.

“...That’s an ulterior motive?” he asks, a hint of amusement returning to his voice. “I wasn’t expecting that.”

"Of course it is..! It was something I wanted that you didn't know I wanted. That's the definition, right?" Your face is red and your ears twitch but remain flat. "You were always so kind to me and whenever I saw you and Power and Denji behaving so familiar with each other I-I wanted that too." Your voice cracked and your eyes welled with tears.

Aki’s kindness meant the world to you and you wanted to be a part of his world, too.

He picked your beanie up off of the ground and dusted it off before placing it back on your head, carefully covering your ears for you.

“It is technically an ulterior motive,” Aki admits. He looks away from your eyes, to the ground between the two of you. “Is that really the main reason you kept talking to me?”

You nodded while trying to make yourself look at his face,

"I like you, in both senses of the word, but the platonic meaning is what I value the most. You've treated me with kindness and patience, even when I pretended to act like I was bad at my job just so I could have a few extra seconds of time with you."

Aki's expression softens.

“Do you want to come over my place for dinner?”

“Huh!?” Your eyes nearly pop out of your head at his sudden question, “Where did that come from?”

“Denji and Power will be there, too...” He trailed off.

“No, it’s okay. Thank you for the offer, though. I appreciate it but I don’t want to impose.”

“You won’t be imposing.”

He walks you to his car and when he unlocks it, you open the door to the backseat. He says you could sit up front if you wanted to. So you do. He helps secure your seat belt since you weren’t doing it quite right.

“Sorry. I’ve never used a seat belt before.”

“Never?” He asks as he maneuvers the car around the parking lot.

“Never.”

He stops, waiting for a chance to safely enter the street and takes that moment to glance at you from the corner of his eye. “You can open the window, if you want.”

Your ears perk up, pushing the beanie off of your head and onto your lap. Aki tells you which button to press and soon enough, your window was all the way down.

“Thank you, Aki.”

He nods, making a noise of acknowledgment as he turned the car onto the street. You stuck your head out the window to feel the wind whipping at your grinning face. And as Aki drove the two of you to his home, he had a feeling that he wouldn’t mind getting used to this.

[gideonisms]

THE number one most irritating thing about life is deciding when you're meant to speak or make eye contact and when you're not, and for how long and how many phrases you're meant to say at a time

[bugsinshoes]

i freaking love star wars

[triangle-strategy-notes]

Decimal Concept Art

Decimal's concept art (a whole 4 pages)! Translation notes and image ids under the cut.

Translation notes:

The Japanese word for "doll" that's used for Decimal could also be translated as "puppet" (which is the same word that was often used to describe the Hierophant). I went with doll because Decimal's a little less puppet-looking, but "puppet" or even "automaton" would probably have also worked.

The name "Gwilym" was a little bit of a guess. "Appling" is one I'm more sure about because I found someone who had online translated the name from Japanese to English, but I couldn't find any direct translation for ゴアメル (Goameru/Goamelu), so I just looked for a similar name that belonged to a dragon. If someone who's played the Bravely series has more accurate info, feel free to leave a comment and let me know.

"This is what we privately call 'playing fast and loose with the design framework'" was a weird one. The first part was something along the lines of "So-called" or "this is called", and the second part was "secret" or "hidden" or "concealed", the third part was "amusement" or "play" or "game", and the fourth part was like "frame(work)" or "zone" or "slot" (generally referring to an area within a set of boundaries). There were a lot of different ways to interpret this, like maybe he was referring to Decimal itself as a "secret playerbox/toybox" or possibly referring to the creative process for Decimal as "a place to secretly play around with the rules". In the end I just tried to put in something that made sense contextually to me.

"Metal bands" was literally something more like "metal chocks" or "metal wedges". I changed it to "bands" for clarity.

The text didn't initially have the explanation for the different types of clay figurines, I added those in for context. The initial translation looked like "I like clay figurines, clay figurines, and golems," so I felt like being more specific was necessary.

The word I translated as "analytical/analyzing" is literally 見極め, which means ascertainment, or as a verb, "to ascertain; to make sure of; to determine; to probe; to get to the bottom (of something)". I went with "analyzing" because "ascertaining" sounded a little awkward, though it admittedly loses out on some of the original meaning.

"Haywire" from "Haywire Mode" is a word that primarily seems to mean something along the lines of "reckless" or "rampage", but it also had another meaning of "runaway" as in a "runaway rocket" (i.e. an engineering project that becomes out of control). I went with "haywire" which leans more toward the second meaning, but (I hope) still retains the "reckless" vibes.

"Gotta love cost-effective manufacturing" was literally something more like "Love keeping costs low".

"Wind-up toy" was literally "self-propelled toy".

"External calculator bag" could have also been translated as "external computer bag".

Image ids:

[id: Four pages of concept art from the Triangle Strategy artbook centered around Decimal. The first page has a colored and uncolored version of its canon portrait, as well as a designer's note that reads, "The barrel robot Decimal is a character that we were aiming to make into a mascot, like 'Appling' from Bravely Second or 'Gwilym the Dragon' from Bravely Default II. I hope it becomes a character that everyone will love! (Ikushima Naoki)" and another that reads, "This is what we privately call 'playing fast and loose with the design framework'. Although it was difficult for Mr. Ikushima, he tackled it with great enthusiasm. (Asano Tomoya)".

On the second page there's another uncolored portrait of Decimal with different parts labeled, notably that the clockwork key on top of its head is made of aged brass (with the caption "Does the barrel turn it on its own!?"), the majority of its body is made of wood, and the metal joints and accents are made of "black-ish metal". There's a note that specifically asks the game artists to make sure the black metal bands around the barrel have high-contrast white highlights. Another small drawing shows a tankard merch design based off of Decimal. Some close ups of its hands show that the majority of them are wood, but the fingertips are metal. The bottom of Decimal's barrel is shown, and it's shown that its feet retract into its body during "standby mode", and the soles become part of the bottom of the barrel. Another diagram shows that the back of Decimal's hands cover the hole left behind by the shoulders when the arms are retracted. An illustrator's note at the bottom reads, "Now that I think about it, ever since I was a child I've liked dogū (clay figurines from the late Jōmon period), haniwa (hollow unglazed terracotta figures from the Kofun period), and golems, all of which have a simple, vacant 'huh, I wonder what they're thinking' kind of look. That might have unconsciously been reflected in my work…… it feels that way, at least. (Naoki Ikushima)".

On the third page, there are different iterations on Decimal's design, titled, "Analytical Doll (with Haywire Mode) Rough Draft". Some bullet points read, "Doll" and "Explore appropriate shapes that convey the ability to analyze". There's a collection of robots with large lens "eyes" that are labeled "Analyzing". The next collection of sketches are labeled "Adding charm while pondering the meaning of existence" and "Toy Knight". The sketches show a small nutcracker-esque doll with a wind-up key on the top. There are captions that read, "Originally a wind-up toy" and "Knight Automaton (Mechanical Puppet)". In one of the sketches the knight toy has a spyglass, labeled, "Analyzing Mode", and in another sketch it has a sword, labeled "Haywire Mode." The next collection of sketches feature a robot that resembles a maid, labeled, "Considering the role it plays and why it was made as a self-propelled system" and "Mechanical Serving Doll (Maid Robot)". Like the knight toy, it has a drawing where it's using a pair of binoculars, labeled, "Analyzing Mode", and another where it has red eyes and claws, labeled, "Haywire Mode." Next to the haywire drawing is the note, "As a waiter or maid, the ability to analyze was necessary to support and serve the master. The "haywire" function was an intensification of some of the functions for emergencies." The bottom portion of the page has many different sketches of vaguely computer-looking devices, labeled, "Collection of rough sketches for an arithmetic doll". At the bottom there are two illustrator's notes. One reads, "Initially I was given the theme of 'a doll that can analyze', and from that point on I was excited and started drawing. I also liked the 'Toy Knight' type on the top left of the page! (Naoki Ikushima)". The second reads, "This was us trying to find out how far we can deviate from the norm. (Tomoya Asano)".

On the fourth page, there are drawings that are more finalized rough drafts of Decimal's design. It's titled, "Analytical Arithmetic Doll - Design Proposal". At the top there's a note that reads, "A barrel-shaped doll that would fit in with a traveling merchant's wares". There are several drawings grouped together labeled "Basic Form", including a drawing of Decimal with a typewriter that folds out of its body which is labeled, "Keys on body for arithmetic". There are many sound effects to the effect of "click clack" around it. Another drawing of Decimal using a spyglass that folds out of its head is labeled "Analyzing" and has a slide whistle and "PLONK" sound effect, as well as a note that reads, "Uses scanner on head for analyzing". A drawing of Decimal with an arrow pointed to its foot reads, "The bottom of the barrel is a foot" (as opposed to a wheel which is used further down on the page). A cartoony drawing of Decimal going going berserk with flaming eyes and its body extended is labeled, "Haywire." Next to it is a drawing of Decimal with its arms and legs retracted, labeled "Standby Mode". There is also a short man who's placing a hat on Decimal's head, labeled "With the old man..." and "Receiving a hat". A section titled "Basic Ability Proposal" shows another earlier prototype Decimal with a pair of telescopic goggles than can be pulled down over its eyes, as well as a drawing of Decimal performing with a guitar in front of a crowd, with a peddler behind it laughing and saying "Bring customers to the market!" Another section titled "Barrel Idea Brainstorming" has a version of Decimal called "Crowd-Puller Costume Version" where it has a wheel instead of feet, the key is placed on the back, and in some drawings it has a calculator bag, a waistcoat, and a hat. There is a closeup of the wheel that shows that the wheel housing is a horseshoe. Another small drawing shows that Decimal's different segments should slide in the direction of whatever way it's headed. The last section shows a "Low-cost version" of Decimal which looks similar to its canon form. There are notes that read, "Gotta love cost-effective manufacturing!"; "Since the parts are separate, you can move them just by sliding"; "If you're going to rotate a turning key, it's more cost-effective to put it on top."; and "Equipped with built-in electronics". At the bottom are two more illustrator's notes. The first reads, "And here you can see, the barrel-shaped robot was the one where I went "yes, this is it!" In terms of the setting, it was a prototype of a movable doll, so it was supposed to represent the stage of experimentation when it finally moved after repeated tests using the various materials that were available. The appearance based on barrels, which are easily available in medieval cities, was an attempt to express "developing technology" that was not yet complete, but was charming. (Ikushima Naoki)" and "You know, I think it's appropriate that design and function be considered two of a set. (Asano Tomoya)" /end id]

[spotaus]

Late Night quick thing (New Age Sillies)

Bad news: That joke post about including Reset + Orchid is definitely not canon. (I legit got sad thinking about Reset being in a universe where Orchid isn't- because their stories are so so intertwined- but Nightmare 100% would NOT risk the whole twins exploding Error's soul thing.)

Good news: This means I COULD include Kane (Reset's older brother who usually dies in timelines where Reset is born) and use it to develope his character a bit more! Also! Perhaps a Blue × Dream kiddo is finally in the stars for me to design?

[cubtales]

home from work at last (๑و>o<)و happy tuesday sweetie pies !

[some-stars]

i have absolutely NO patience for anyone being shitty or judgmental or othering about addicts, not just because of my ethical principles and baseline compassion for other human beings, but because i have personal experience with how inseparable substance abuse is from mental illness and other kinds of inescapable suffering. i got high on cannabis and benzos all day long, 6 days a week for two years because i had severe treatment-resistant depression (aka i had tried EVERY legal treatment available without improvement). when i found a medication that made it go away almost entirely, i dropped down to maybe 3 times a month purely for fun and after my day's responsibilities are done, within days of starting to feel better. and now i feel like shit again and i've been getting high several times a week as literal self-medication. because, you know, i'm in horrible pain and it would be cruel and inhuman for someone to tell me i had to ignore the one tool i had access to that would reduce my suffering, just so i wouldn't be an ~addict~, which is of course the worse most disgusting worthless thing a person can be.

i know that there are many addictions that are more physically damaging and that people continue to crave physiologically even when they start recovering from the mental or physical pain that drove them to drugs in the first place. i am very, very fortunate that due to my life circumstances i have no access to meth or heroin or more dangerous stuff like that. but it is sure as hell a lot less difficult to resist even those cravings when the pain that they were used to alleviate is drastically reduced!!!

anyway this is all just me restating the rat town study that proved almost all drug addiction is caused by capitalism and/or trauma, and weakening capitalism and building rewarding caring societies eliminates substance abuse almost entirely. why the fuck would you scream at and shame people experiencing unspeakably terrible pain rather than the forces and people who caused/failed to treat that pain?

[starlene]

I've been saying I want to do some Moulin Rouge! Stockholm fanart... so tonight, I got the old oil pastels out of their box and drew a little tribute to my favourite character. Never ever have I been as charmed by a piece of theatrical set design, I absolutely adore this cheerful celestial fellow.

(Photo by Mats Bäcker.)

[watery-melon-baller]

did I perhaps spend the last 8 hours poorly sketching out an oc animatic instead of sleeping or doing any of my assignments? Sure Did

[kanene-yaaay]

Oh my, I am feeling so relaxed and happy rn, what a perfect moment to scroll through some of old fav tickle fanfics that I still enjoy immensely and read all of them ahain. I am sure that this will have no lasting consequences and will not make me get into a Tickle Mood or whatsoever :D of course not :DD

[doedipus]

a large amount of time I've been spending on -untitled undefined scope original fiction project- since the last time I posted about it has been trying to develop the protagonist concept I came up with last summer or whatever into like, a character that would feel real and era appropriate.

it's fun research to do. naturally a lot of the details I assigned to her are things that I already think are cool, so it's been a lot of fun trying to trace her traits back through the relatively recent past, getting reminded of how much things have changed, or where the gaps in my intuition are, and then doing a flurry of reading to get a sense for exactly how someone like her and the people around her could have happened and what her life was probably like leading up to her present day. hopefully this results in some good good verisimilitude.

[shayberri789]

I'm a little hurt by some of my irl friends and have two courses of actions, but which will both have similar outcomes

Basically, I have three creative irl friends. Every time they share their writings with me (be it fics, poems, stories or creative non fic), I ALWAYS read it as soon as I'm able and give feedback + healthy amount of gushing.

But whenever I write something I am proud of and I share it with them, none of them acknowledge it. Its like they don't see the link you know. And its fine because I just say "I wrote a thing" and give a link. I'm explicitly asking for feedback or validation. I can't be upset because they're not mind readers

But sometimes I explicitly DO ask them "hey did you see what I wrote?" "Hey, what do you think of this?" And i get half assed responses at best. "Oh its good" "uh ill read it when I get home *never hears about it again*". And that's a little more frustrating.

Earlier today I needed to put together a portfolio, and asked my two best friends to please read through it, because it was important and I needed their input on (1) thing, and I needed it *before the end of the day*. It was three pages of easy reading. Its not like I was asking for concrit or editing or something time consuming.

One of them skimmed it and gave me feedback. The other one is adhd and forgot. Said she'd read it later when I reminded her. When I reminded her again, she said she forgot and had made plans, can she do it in the morning?

And normally I'd say that's fine! Because I don't expect immediacy from my friends online, esp for favours. But I had a deadline, and this was the third time this particular friend has done this. There's only so many times I want to poke someone to read my shit before I start feeling like I'm bragging/attention seeker/being entitled and demanding. So I just went and asked someone else.

I know I'm valid to feel hurt about this, and frustrated. I also know that my friends don't mean to make me feel like this, or forget. I know they want to support me. But I'm also tired of getting burned so I'm just going to fucking stop trying to share my writing with them because instead of validation I'm getting pain.

My two options are either a) telling my friends that actually their silence and forgetfulness hurt me or b) just lettint it go

Either way, I'm not reaching out again. B) seems like the option less likely to hurt my friends/make them feel bad, so I'm leaning to that. If the roles were reversed, I'd rather option A), because when people tell me these things I do genuinely try to do better in the future, and I know my friends would feel the same. But I've also lost faith in their ability to do so in this area. Idk what I should do