#bes rewatch!

[jinkx-monsoon-season]

I love her. I studied the way of your school deeply, and found that it was trash. Roast their fancy-ass school, girl

And she does! With demonstration,

examples,

and broken bones

[christadeguchi]

tou-san said “boy, you’d better werk”. anyway, please watch kinou nani tabeta

[lungthief]

listen. i know it's not 2014 anymore and i know it's just a throwaway line and that the russo brothers didnt intend for marvel action blockbuster captain america the winter soldier to become the tragic gay love story that never was but man. having steve say "it's kind of hard to find someone with shared life experience" in a conversation about romantic relationships right before the bucky reveal is so cruel. it's not just about steve and bucky obviously having the shared experience of being "out of time," it's the fact that they've both been stripped of their humanity in opposite directions. steve is a legend, he is an american hero and a national icon before he is a human being the same way that bucky is a weapon and a killing machine before he is a human being. steve knows that anyone who falls in love with him in the 21st century fell in love with captain america first, and that's just not him. but then the one person who knew him first and knew him best and loved him (not captain america, that little guy from brooklyn) so much he died for it is alive, impossibly. and it's a miracle because he's back and it's horrific because he's back under the worst possible circumstances. but to steve, the winter soldier is worth tearing the world apart for because he's always been bucky first. they find each other and suddenly they're human again. and maybe, despite it all, being "out of time" becomes a blessing, because in this century they'd finally be allowed to love each other the way they've always wanted to. like real people do.

like. no. the captain america trilogy isn't about two queer men traumatized and alienated by war and modern life rediscovering and reclaiming their humanity through their love for each other. but. i mean. it couldve been

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[curioscurio]

I'm rewatching Steven Universe and I will never forgive Fandom for what it did to her

[mobius-m-mobius]

#the Nowhere Man who waits and the God of Stories who watches

[enthyrea]

let’s boogie

[bet-on-me-13]

The Ambassador

So! It was finally happening. After Years of Pleading with the Guardians and other Ruling Bodies of the Galactic Community, the Justice League had finally gotten then to agree to create an Alliance with Earth.

With an Alliance, Earth would gain the Protection of Multiple Empires and The Guardians, which would mean an end to the Constant Alien Invasions they faced. There was also the legal opening of Trade Routes between Planets to exchange Technology and Resources on the Galactic Scale.

Of course Earth would return the Favor, legally being able to defend it's Allies with its unusually large population if Superheroes and quickly advancing Tech, while also trading Tech and Resources between Planets.

Of course the battle was not entirely won yet.

They still needed to begin Negotiations to see if both sides would even agree to the Alliance in the First Place, as well as decide on the specifics of the Treaty. The United Nation's would decide on Ambassadors to represent the different countries, while the different Alien Governments would send an Ambassador Each.

When the Ambassadors arrived, they asked to be introduced to the Representatives of the Planet. Except, they claimed that there was a missing Member.

They claimed that there was one more Major Kingdom on the Planet, the most Powerful One, which they felt must be at the Negotiations.

When asked who this missing Ambassador was, they simply replied, "King Phantom of the Infinite Realms, he and a Shard of his Kingdom reside on this Planet, do they not?"

Now they are working around the clock to find this missing Kingdom, because the Alien Ambassadors refused to negotiate without the most powerful Kingdom at the Table, and they woud not wait forever.

Just who was this "King Phantom", and why had he not revealed himself yet?

...

Sam and Tucker sat on the Couch in their apartment, staring at the TV as the Chosen Representatives for America finished their Speech. Apparently the Peace Talks had been put on Hold for a few more days as they did some last minute preparations. Something about making their Guests more comfortable before they began discussing politics.

"Hey Danny, they're delaying the Negotiations for a few more days." Sam called over to the Kitchen.

"Aw, what?!" Shouted Danny from the Kitchen, sounding extremely disappointed, "I just finished making all the Popcorn!"

"I know Honey, its too bad." Tucker comforted his Partner, "Let's marathon Star Trek instead, how about that?"

Danny slumped out of kitchen and into the Couch between them, steaming bowl of Popcorn in his Lap, "I guess. We can make good use of all this popcorn at least."

Sam patted him on the arm, "Hey it's okay, the Talks will just take a few more days."

Danny shrugged, "Yeah, you're right. Man, what I wouldn't give to be in that Room."

[ipostmysimpingstuffanonymously]

This week's Discord Prompt!

JJK X OHSHC

Find @cocoabell drawing here

[shesnake]

24 hour time loops: not long enough to create or undo anything permanent, crazy-making but often still funny

365 day time loops: the most fucked up shit you could possibly imagine

[unkreativstermensch]

Corroded Coffin making it big after touring with Metallica, but at this point they’re basically immune to being starstruck ever again (because…well, they’ve toured with Metallica) so they’re pretty chill around famous people.

Fast forward to an award show a couple months later, Eddie brings Steve, Steve brings Robin and while Eddie just mostly stays at their table chatting away with Jeff and James, Steve and Robin get drunk and go absolutely ballistic.

Running around, stealing bread from all the other tables, and doing shots with everyone who’s willing to put up with their antics. At some point Steve comes up to Eddie, hands on his shoulders, excited and giddy and tells him, „Hey Eds, I just talked to Rick Astley! He’s such a nice guy. Robin told him he should release a negative version of his song and just sing ‘then im gonna give you up, then im gonna let you down’ and he actually seemed to consider it as an April Fool’s joke or something.”

And Eddie just looks at him, an amused, fond smile on his lips, says, “that’s great, baby, m’glad you’re having fun“ and presses a kiss to Steve’s neck, before turning around again, resuming his conversation with Kirk about about a song idea.

[midnightcrows]

“We are allies today. Perhaps in the future we will be allies again.

[shepscapades]

20. Weight of the World — Battle Tapes

You showed up haunted with a fist full of dynamite Curated provocateur Ooh, the funny thing about a life that's so civilized Is when the lines start to blur Delusional, until we fold Buried under the weight of the world

This songs hits ten times harder if you imagine that the instrumental dropping out to the slowly rising bass at ~2:28 is the moment Tango respawns after Bdubs' boogeyman kill and starts to spiral into rage.

[umblrspectrum]

hi heres art so you pay attention to me now go read the tags

[blackseafoam]

✨Air Show✨

[sam-reid]

THE INVITATION (2022) INTERVIEW WITH THE VAMPIRE (2022--)