#benjamin paul bruce

[open-your-heart-and-your-eyes]

AA moments that live rent free in my brain part 1 of ????

[politicaldilfs]

Arizona Governor DILFs

Evan Mecham, Fife Symington, Sidney Osborn, Benjamin Baker Moeur, Jack Williams, John Howard Pyle, Samuel Pearson Goddard Jr., TBD, Dan Edward Garvey, Doug Ducey, Robert Taylor Jones, Rawghlie Clement Stanford, Ernest McFarland, Raúl Héctor Castro, Bruce Babbitt, Paul Fannin

[yorgunherakles]

lacan'a göre bilinçdışı, varoluşumuzun bizden kaçan ve üzerinde hiçbir denetime sahip olamadığımız parçasıydı, fakat aynı zamanda bastırılan duygu ve arzularımızı yöneten de oydu.

sean homer - jacques lacan

[abs0luteb4stard]

W A T C H I N G

[open-your-heart-and-your-eyes]

“OF MICE AND MEN. HAVE YOU EVER READ A BOOK?” - Ben Bruce. Pitcam.Tv interview

Do the Asking Alexandria guys and Of Mice & Men guys actually hate eachother or are they friends that just mess with eachother?

I really do not believe it

[filmhoundsmag]

"Each line is perfection" - Writer Toby Benjamin discusses his new book about Withnail and I

  Continue reading Untitled

[clemsfilmdiary]

Escape from Alcatraz (1979, Don Siegel)

1/28/23

[moviesandmania]

THE STOIC Action thriller with Scott Wright - trailer and release date

‘The quietest rage is the deadliest’ The Stoic is a 2024 action thriller about a group of mercenary leaders in a country retreat after pulling off a raid on a drug gang. Things take a turn for the worse after they raise the attentions of “The Stoic” (Scott Wright), a man from an ancient clan of smugglers determined to save the hostages they have with them… The movie was written, directed and…

[ciceroprofacto]

SOA supplementals

Primary Sources / Letters

Papers of George Washington RevWar Series volume 11 (all)

The Army Correspondence of Colonel John Laurens in the Years 1777-1778 compiled by William Gilmore Simms (p.145-162)

The Papers of Henry Laurens volume 13 (p.33-140)

The Political Writings of Alexander Hamilton by Holloway and Wilson (p.7-117)

Backstory / additional context

The First Conspiracy by Brad Meltzer and Josh Mensch (all)

The Great New York Fire of 1776: A Lost Story of the American Revolution by Benjamin Carp (all)

Kidnapping the Enemy by Christian M. McBurney (all)

Strategy, Politics, Staff

Fatal Sunday by Lender and Stone (p.xi-122)

Washington's Secret War by Thomas Fleming (all: p.223-244)

To Starve the Army at Pleasure by E. Wayne Carp (various)

The Valley Forge Winter by Wayne Bodle (all: p.163-220)

George Washington's Indispensable Men by Arthur Leftkowitz (p.15, 45-157)

John Laurens and the American Revolution by Gregory Massey (p.86-106)

Washington's General: Nathaniel Greene and the Triumph of the American Revolution by Terry Galloway (p.165-171)

Wives / Women of the Army

Founding Mothers: The Women Who Raised Our Nation by Cokie Roberts (various)

The General & Mrs Washington by Bruce Chadwick (p.209-222)

Martha Washington: An American Life by Patricia Brady (p.118-126)

Caty: A Biography of Catherine Littlefield Greene by John & Janet Stegeman (p.48-59)

Pox Americana by Elizabeth Fenn (p.98-103)

Spies

Revolutionary Spies Intelligence and Espionage in America's First War by Tim McNeese (p.99-209)

General Washington's Spies on Long Island and in New York by Morton Pennypacker (p.1-119)

Washington's Spies by Alexander Rose (all)

Spies in the Continental Capital by John Nagy (all)

George Washington's Secret Spy War: The Making of America's First Spymaster by John Nagy (all)

Allies / foreign officers / special forces

Unlikely Allies: How a Merchant, a Playwright, and a Spy Saved the American Revolution by Joe Richard Paul (all)

Thomas Paine: Enlightenment, Revolution, and the Birth of Modern Nations by Craig Nelson (p.99-145)

Special Operations During the American Revolution by Robert Tonsetic (p.7-149)

Light Horse Harry: A Biography of Washington's Great Cavalryman by Noel B. Gerson (p.1-60)

John Paul Jones: Sailor, Hero, Father of the American Navy by Evan Thomas (p.97-133)

The Admiral and the Ambassador by Scott Martelle (p.49-54)

Tadeusz Kościuszko and Casimir Pulaski: The Lives of the Revolutionary War's Most Famous Polish Officers by Charles River Editors (Pulaski section)

Pulaski: A Portrait of Freedom by R.D. Jamro (p.85-99)

Steuben / Drill

The Drillmaster of Valley Forge by Paul Lockhart (p.105-113)

The Life of Von Steuben by Frederich Kapp (p.120-136)

Baron Von Steuben's Revolutionary Drill Manual: A Facsimile Reprint of the 1794 Edition (all)

Lafayette

For Liberty and Glory: Washington, Lafayette and Their Revolutions by James R. Gaines (p.98-106)

Adopted Son by David Clary (p.154-179)

Lafayette by Harlow Giles Unger (p.65-71)

The Marquis: Lafayette Reconsidered by Laura Auricchio (p.59-64)

[motherofplatypus]

Bisan Owda is a journalist in Gaza that keeps updating about the barbaric genocide actions that israel committed with weapons supplied mainly by US, all the while living through that genocide itself.

Over 30k+ has been killed, and over 15k+ of those are children and babies.

The celebs and artists who wanted to rescind Bisan's nomination are as follow:

Ari Ingel, Executive Director, Creative Community for Peace

David Renzer, Former Chairman/CEO Universal Music Publishing Group, CCFP Chairman & Co-Founder

Steve Schnur, Worldwide Executive & Music President, Electronic Arts, CCFP Co-Founder

Rakefet Abergel, Actor/Director, Cyclamen Films

Orly Adelson, Former President of ITV Studios, America

Marty Adelstein, CEO, Tomorrow Studios

Anne-Marie Asner, Co-Founder, Animation Israel

Jeff Astrof, TV Producer/Showrunner, Other Shoe Productions

Michael Auerbach, Partner, Jackoway Austen Tyerman Wertheimer Mandelbaum Morris Bernstein Trattner Auerbach Hynick Jaime LeVine Sample & Klein

Dean Bahat, Attorney, Ziffren Brittenham

Andrea Ballas, VP Comms, CBS

Jackie Barrie, A&R Manager, Nvak Collective

Richard Baskind, Partner & Head of Music, Simons Muirhead & Burton

Aton Ben-Horin, Executive VP of Global A&R, Atlantic Records Group

Steven Bensusan, President, Blue Note Entertainment Group

Adam Berkowitz, Founder and President, Lenore Entertainment Group

Sharon Bialy, Casting Director, Bialy/Thomas & Associates

Josh Binder, Co-Founder and Partner, Rothenberg Mohr & Binder, LLP

Neil Blair, Founding Partner, The Blair Partnership

Selma Blair, Actress, Author, Advocate, Sainted Productions

Rebecca Blumberg, SVP Ad Sales, Paramount

Evan Bogart, Songwriter & CEO, Seeker Music

Benjamin Budde, CEO, Budde Group GmbH

Bruce Burger, Producer, RebbeSoul

David Byrnes, Attorney, Ziffren Brittenham

Civia Caroline, Social Impact Consultant, CLiC Impact

Pamela Charbit, Director of A&R, Warner Music Group

Emmanuelle Chriqui, Actor, Yellow Ray Entertainment

Leanne Coronel, Talent Manager, The Coronel Group

Raye Cosbert, Managing Director, Metropolis Musi

Paul Craig, Ceo, Nostromo Management

Doug Davis, NATAS Member, 2x Emmy winner, The Davis Firm

Rebecca De Mornay, Actor

Jamie Denbo, Co-Executive Producer, Grey’s Anatomy, ABC/Disney

Josh Deutsch, Chairman/CEO, Premier Music Group

Avi Diamond, Director, Film/TV Sync, Warner Music Canada

Craig Dorfman, President and Owner, Frontline MGMT

Rachel Douglas, Manager, Range Media Partners

David Draiman, Frontman, Disturbed

Jeremy Drysdale, Screenwriter, bigbamboo

Craig Emanuel, Ryan Murphy Productions

Hannah Epstein, Agent, CAA

Rami “Kosha dillz” Even-Esh, Rapper/Comic/Actor

Lindsay Fabes, Actor

Ron Fair, Record Producer & CEO, Faircraft Inc.

Sharon Farber, Composer, Score by Score Music

Danny Federman, Owner, Maccabi Tel Aviv Basketball Club

Eric Feig, Attorney and TV Academy Member, Feig/Finkel

Patti Felker, Attorney, Felker Toczek Suddleson McGinnis Ryan LLP

Ken Fermaglich, Partner, United Talent Agency

Ross “Remedy” Filler, Artist

Shalom Fisch, President, MediaKidz Research & Consulting

David Fishof, CEO, RRFC Films, LLC

Siri Garber, Publicist, Platform

David Gardner, President, Artists First

Barbara Garshman, CEO, Garshman Productions LLC

Gary Gersh

Gary Ginsberg, Senior VP, SoftBank Group Corp.

Brian Ralston, Composer/Producer, Studio 74 Music, LLC

David Glick, Founder & CEO, Edge Group

Zusha Goldin, Celebrity Photographer, Zusha Goldin

Michael Goldwasser, President, Easy Star Records

Andrew Gould, President, Music Publishing

Scott Greenberg, Partner, LBI

Steven Greenberg, Founder and President, S-Curve Records

Daniel Grindlinger, Writer

Ronnie Harris, Partner, Harris & Trotter

Michael Hirschhorn, Manager, Streaming and Sales, Atlantic Records

Linda Edell Howard, Attorney, Novick Law

Rich Ingram, Artist/Creator

Neil Jacobson, Former President, Geffen Records, Founder & CEO of Hallwood Media

Michael Kaplan, Writer/Producer

Sam Katz, Music Manager, Homebase MGMT, LLC

Zach Katz, CEO & Co-Founder, Fixated

Ketura Kestin, Film Producer, Serendipity Productions

Amanda Kogan, Manager, Aaron Kogan Management

Keetgi Kogan Steinberg, Writer/Producer/Showrunner

Jason Kozel, Creative Executive, Range Media Partners

Rick Krim, CEO, Krim Music + Media

Evan Lamberg, President, North America, Universal Music Publishing Group

Sherry Lansing, Former CEO, Paramount Pictures

Colin Lester OBE, Founder/Chairman, JEM Music Group

Sean Liebowitz, Agent

Koura Linda, Founder & CEO, Space Dream Productions

Marci Liroff, Intimacy Coordinator/Casting Director

Cory Litwin, Managing Partner, Range Media Partners

David Lonner, CEO, The David Lonner Company

Ben Maddahi, President, Unrestricted Publishing & Mgmt

Gabriel Mann, Composer

Deborah Marcus, Executive, CAA Foundation

Susan Markheim, Full Stop Mgt., The Azoff Company

Amanda Markowitz, Actor/Producer, SAG/AFTRA & PGA

Orly Marley, President, Tuff Gong Worldwide

Devra Maza, Screenwriter

Debra Messing, Actor/Producer

Hilary Michael, Agent and Partner, WME

Beth Milstein, Writer

Jennifer Morrow, Actor, CAA

Patrick Moss, Writer, Moroccan Boychik

Robert Munic, Writer/Showrunner, Pull The Pin Productions, Inc.

Lisa Nupoff, Manager, iminmusic management

Scott Packman, Founder and Managing Member, SSP Partners LLC

Mark Pinkus, President, Rhino Records

Jonah Platt, Actor/Producer

Wendy Plaut, SVP Music & Celebrity Talent, Paramount Global

Jessica Poter, Writer, Gustavo Anibal Productions

Golan Ramraz, Writer/Producer, EGX Film Factory

Bruce Resnikof

Frederic Richter, Producer, Writer & Researcher

Wendy Robbins, Executive Producer, Creators Inc

Dan Rosen, President, Warner Music Australasia

Rick Rosen, Co-Founder, Endeavor, WME

Aaron Rosenberg, Partner, Myman Greenspan Fox Rosenberg Mobasser Younger & Light

Gregg Rossen, Screenwriter

Michael Rotenberg, CEO, 3 Arts Entertainment

Joshua Rothstein, CEO/Founder, Ice Cream For Dinner

Haim Saban, Chairman and CEO, Saban Capital Group

Glenn Sanders, Writer/Director/Creative Director, Masonry Creative

Ayelet Schiffman, SVP Head of Promotions, Island Records

Paul Schindler, Senior Partner, Greenberg Traurig LLC

Jordan Schur, CEO and Chairman, Mimran Schur Pictures and Suretone Entertainment

Adam Schwartz, Writer

Sam Schwartz, Partner, Gorfaine/Schwartz Agency

Jay Schweid, Founder/CEO, ephelants/Village

Adam Segal, President, The 2050 Group

Ben Silverman, Chairman and Co-CEO, Propagate Content

Ralph Simon, Chairman & Chief Executive Officer, Mobilium Global Limited

Tamar Simon, Owner/CEO, Mean Streets Management

Martin Singer, Attorney, Lavely and Singer

Halle Stanford, President of Television, The Jim Henson Company

Mimi Steinberg, Writer/Producer

Jonathan Steinsapir, Partner, Kinsella Holley Iser Kump Steinsapir

Gary Stiffelman, Founder, GSS Law

Traci Symanski, CEO, Co-Star Entertainment

Aaron Symonds, Film Composer

Fernando Szew, President, Fox Entertainment

Tal Tavin, Actor

Adam Taylor, President, APM Music

Michael Testa, Casting Director, Michael Testa Casting

Fred Toczek, Partner, Felker Toczek Suddleson Abramson McGinnis Ryan LLP

Eric Tuchman, Writer/Producer, MGM-TV

Noa Vinshtok, Streaming, Range Media Partners

Joshua Washington, International Recording Artist, JoDavi Music LLC

Avi Weider, Filmmaker, Loop Filmworks

Jon Weinbach, President, Skydance Sports

Nola Weinstein, Tech Executive

Ilana Wernick, Writer/Producer, Fox

Modi Wiczyk, Co-Founder, MRC

Evan Winiker, Managing Partner, Range Music

Seth Yanklewitz, Casting Director, Yanklewitz Pollack Casting

Sharon Tal Yguado, Founder & CEO, Astrid Entertainment

Ky Zaretsky, Manager, Range Media Partners

David Zedeck, Global Co-Head of Music

[Sources: here, here, and here]

[bracketsoffear]

Dark Leitner Reading List

The full list of submissions for the Dark Leitner bracket. Bold titles are ones which were accepted to appear in the bracket. Synopses and propaganda can be found below the cut. Be warned, however, that these may contain spoilers!

Andersen, Hans Christian: The Shadow Asimov, Isaac: Nightfall

Barker, Clive: Abarat Barnes, S.A.: Dead Silence Baxendale, Trevor: Fear of the Dark Brennan, Joseph Payne: Slime Brontë, Charlotte: Jane Eyre

Chukovsky, Korney: Stolen Sun Cortázar, Julio: Casa tomada (House taken over) Coville, Bruce: The Shadow Wood

Dean, Benjamin Appleby: Lamplight Dukaj, Jacek: Ice

Enríquez, Mariana: Nuestra parte de noche (Our share of the night) Enríquez, Mariana: Bajo el agua negra (Under dark waters)

Halpern, Jake & Peter Kujawinski: Nightfall Hesse, Hermann: Demian Hodgson, William Hope: The Night Land

King, Stephen: IT King, Stephen: The Mist Kirby, Todd: No Power Kristoff, Jay: Empire of the Vampire

Leroux, Gaston: The Phantom of the Opera Lord Byron: Darkness Lovecraft, H.P.: The Haunter of the Dark

Milton, John: Paradise Lost

Poe, Edgar Allan: The Pit and the Pendulum Pronzini, Bill: Peekaboo

Robertson, M.P.: The Moon in Swampland

Schwartz, Alvin, ill. Stephen Gammell: Scary Stories to Tell in the Dark Sheckley, Robert: Ghost V Smith, Clark Ashton: The Double Shadow Snicket, Lemony: The Dark Snicket, Lemony: The Ersatz Elevator Stine, R.L.: Revenge of the Shadow People Stover, Matt: Luke Skywalker and the Shadows of Mindor

Tolkien, J. R. R.: Shadow-Bride

Weir, Andy: Project Hail Mary Wilson, F. Paul: Nightworld

Andersen, Hans Christian: The Shadow

The story follows a Learned Man on a voyage south from northern Europe. One evening as he sits by a fire, he amusedly observes his shadow dancing and imitating his movements in the light of the flames, and thinks that it would be funny if it was a creature with a will of its own. The next morning, he awakes and finds to his surprise that his shadow has disappeared overnight. But as a new shadow slowly grows back from the tip of his toes, the Learned Man does not give the incident another thought, and soon thereafter goes home to northern Europe. One evening several years later, however, he hears a knock on his door. It is his shadow, the one he lost years before during his journey, now standing upon his doorstep, almost completely human in appearance. Intrigued, the Learned Man invites the Shadow inside, where the two sit down and talk about the Shadow's experiences during its travels and how it came to take the form of a human.

During the conversation, the subject turns to the Learned Man's rather unsuccessful writing career. The Learned Man values the good, the true, and the beautiful in the world, and writes about it often, but his writing seems to garner little to no interest with the public. The Shadow declares that the Learned Man is too much of an idealist, and his view of the world is flawed. The Shadow claims that he, unlike his master, understands the world, that he has seen it as truly is, and knows how evil some men really can be. They soon part ways once again.

The Shadow goes on to make itself quite wealthy, even as the Learned Man barely manages to survive. He eventually grows very ill, and so the Shadow proposes they travel to a health resort. The Shadow will fund the trip, on the condition that the Learned Man pretend to be its shadow instead of the other way around. Absurd as the suggestion sounds, the Learned Man ultimately agrees and they undertake the trip, with the Shadow as his master.

On the trip, the Shadow meets and woos a Princess. When the pair are about to be married, the Shadow asks the Learned Man to remain as its shadow permanently, in exchange for a good life with them. The Learned Man refuses and threatens to reveal the truth to the Princess. Thus, the Shadow has him arrested and ultimately executed, and goes on to live a happy life with the Princess.

Asimov, Isaac: Nightfall

"Nightfall" is a 1941 science fiction short story by the American writer Isaac Asimov about the coming of darkness to the people of a planet ordinarily illuminated by sunlight at all times.

link

Barker, Clive: Abarat

"Candy lives in Chickentown USA: the most boring place in the world, her heart bursting for some clue as to what her future may hold. She is soon to find out: swept out of our world by a giant wave, she finds herself in another place entirely... The Abarat: a vast archipelago where every island is a different hour of the day, from the sunlit wonders of Three in the Afternoon, where dragons roam, to the dark terrors of the island of Midnight, ruled by Christopher Carrion. (...)"

Half of the islands in Abarat are night islands and most of the main bad guys work for forces of darkness trying to bring eternal monstrous darkness to all islands.

Spoilers: Can't speak of it in detail cuz I have not read that part yet, but the bad guys apparently succeeded in bringing forces of darkness to the islands.

Barnes, S.A.: Dead Silence

A GHOST SHIP. A SALVAGE CREW. UNSPEAKABLE HORRORS.

Claire Kovalik is days away from being unemployed—made obsolete—when her beacon repair crew picks up a strange distress signal. With nothing to lose and no desire to return to Earth, Claire and her team decide to investigate.

What they find at the other end of the signal is a shock: the Aurora, a famous luxury space-liner that vanished on its maiden tour of the solar system more than twenty years ago. A salvage claim like this could set Claire and her crew up for life. But a quick trip through the Aurora reveals something isn’t right.

Whispers in the dark. Flickers of movement. Words scrawled in blood. Claire must fight to hold onto her sanity and find out what really happened on the Aurora, before she and her crew meet the same ghastly fate.

Baxendale, Trevor: Fear of the Dark

Synopsis: "On the very edge of the galaxy lies Akoshemon: a putrefied world of legendary evil.

In the year 2382 archaeologists land on Akoshemon's only moon, searching for evidence of the planet's infamous past. But when the Doctor, Tegan and Nyssa are drawn into the lunar caverns they find more than a team of academics — and help uncover much more than ancient history.

Something is lying in wait, deep inside the labyrinth of caves: something that remembers the spiral of war, pestilence and deprivation that ruined Akoshemon. Something that rejoiced in every kind of horror and destruction.

An age-old terror is about to be reborn. But what is the hideous secret of the Bloodhunter? And why does Nyssa feel that her thoughts are no longer her own? Forced to confront his own worst fears, even the Doctor will be pushed to breaking point — and beyond."

Why it's Dark: The Doctor does battle with the literal embodiment of darkness and evil, as unseen monsters in the dark pick off crewmembers one by one. Even by the standards of this series, this book is incredibly grim.

Brennan, Joseph Payne: Slime

Originally published in the March 1953 issue of Weird Tales. The title creature is a black, amorphous blob from the bottom of the sea. In fact, it's so black that it's all but invisible at night; witnesses to its attacks pretty much see their friends and loved ones "taken by the darkness", as though the dark itself were alive and hungry.

Brontë, Charlotte: Jane Eyre

As you read, the shadows get deeper and darker, and you start hearing noises from overhead. It sounds like it's coming from the attic? Do you have an attic? Why would anyone be up there if you did? No, you can't look! It's my attic! Anyway, secrets and shadows and the unknown.

Chukovsky, Korney: Stolen Sun

A Russian children's poem that narrates how the crocodile consumed the Sun and how the bear gave him a proper pummeling and forced him to release the star back into the sky. No, it doesn't make sense in context either, but it does take on the motifs of Slavic myths about a dragon stealing the Sun and imprisoning it for thirty-three years, cueing global night and cold.

Cortázar, Julio: Casa tomada (House taken over)

It tells the story of a brother and sister living together in their ancestral home which is being "taken over" by unknown entities. The mystery that revolves around what those entities are is largely left up to interpretation, allowing the genre of the story to vary from fantasy to psychological fiction to magic realism to political fiction, among others.

Coville, Bruce: The Shadow Wood

The hero faces down and defeats an army of living shadows with a magic candle... until his own shadow rises up and blows it out.

Dean, Benjamin Appleby: Lamplight

Standard sort of evil shadow monsters made interesting by the fact that the only way to stay safe from them is to be in pitch blackness -- no light, no shadows.

Dukaj, Jacek: Ice

The story of the book takes place in an alternate universe where the First World War never occurred and Poland is still under Russian rule. Following the Tunguska event, the Ice, a mysterious form of matter, has covered parts of Siberia in the Russian Empire and started expanding outwards, reaching Warsaw. The appearance of Ice results in extreme decrease of temperature, putting the whole continent under constant winter, and is accompanied by Lute, angels of Frost, a strange form of being which seems to be a native inhabitant of Ice. Ice freezes history and philosophy, preserving the old political regime, affecting human psychology and changing the laws of logic from many-valued logic of "Summer" to two-valued logic of "Winter" with no intermediate steps between true and false. It can also be used to create candles that cast shadows instead of light. This isn't normal darkness, but rather a sort of "anti-light", which can make people and objects in its radius cast "anti-shadows" made up of non-darkened areas, and seems to have an odd effect on the minds of people who spend a lot of time exposed to it.

Enríquez, Mariana: Our Share of Night

This is like a chronicle of some alternate universe People’s Church of the Divine Host. It centres on a cult devoted to a menacing entity that possesses appropriate hosts, manifesting in rituals that summon a devouring darkness that leaves devotees scarred and maimed. There’s also an abandoned house that may exist in many places at once and is brimming with unnatural darkness that acts as a conduit to either the entity itself or its native realm. Beyond the more straightforward darkness, the book’s themes related to obscured knowledge—the central relationship is between one of the darknesses’s hosts and his son, anticipated to inherit his father’s abilities. We see again and again how Juan works to hide his son’s abilities from the cult and also hide knowledge of the cult and the world that he inhabits from his son, even to the point of hurting him very badly with zero explanation in an attempt to keep him safe when he’s gone.

Enríquez, Mariana: Nuestra parte de noche (Our share of the night)

A woman’s mysterious death puts her husband and son on a collision course with her demonic family.

A young father and son set out on a road trip, devastated by the death of the wife and mother they both loved. United in grief, the pair travel to her ancestral home, where they must confront the terrifying legacy she has bequeathed: a family called the Order that commits unspeakable acts in search of immortality.

For Gaspar, the son, this maniacal cult is his destiny. As the Order tries to pull him into their evil, he and his father take flight, attempting to outrun a powerful clan that will do anything to ensure its own survival. But how far will Gaspar’s father go to protect his child? And can anyone escape their fate?

Enríquez, Mariana: Bajo el agua negra (Under dark waters)

In this short story, a detective called Marina goes to a town to investigate some strange murders. There, she finds a cult that adores something that lives under the black water of the polluted lake.

Halpern, Jake & Peter Kujawinski: Nightfall

On Marin’s island, sunrise doesn’t come every twenty-four hours—it comes every twenty-eight years. Now the sun is just a sliver of light on the horizon. The weather is turning cold and the shadows are growing long.

Because sunset triggers the tide to roll out hundreds of miles, the islanders are frantically preparing to sail south, where they will wait out the long Night.

Marin and her twin brother, Kana, help their anxious parents ready the house for departure. Locks must be taken off doors. Furniture must be arranged. Tables must be set. The rituals are puzzling—bizarre, even—but none of the adults in town will discuss why it has to be done this way.

Just as the ships are about to sail, a teenage boy goes missing—the twins’ friend Line. Marin and Kana are the only ones who know the truth about where Line’s gone, and the only way to rescue him is by doing it themselves.

But Night is falling. Their island is changing. And it may already be too late.

Hesse, Hermann: Demian

Religious imagery, seen very often w/ the Dark (i.e. Hither Green Chapel, Montauk's cult that I forgot the name of, etc), especially blasphemy (seen most clearly in Manuela Dominguez's statement). Max Demian of Demian fame would be an avatar of the dark I think. There *is* a hint of the End in there but not enough to qualify it

Hodgson, William Hope: The Night Land

The Sun has gone out and the Earth is lit only by the glow of residual vulcanism. The last few millions of the human race are gathered together in the Last Redoubt, a gigantic metal pyramid, nearly eight miles high, which is under siege from unknown forces and Powers outside in the dark. These are held back by a shield known as the "air clog", powered from a subterranean energy source called the "Earth Current". For thousands of years vast living shapes known as the Watchers have waited in the darkness near the pyramid. It is thought that they are waiting for the inevitable time when the Circle's power finally weakens and dies. Other living things have been seen in the darkness, some of unknown origins, and others that may once have been human.

King, Stephen: IT

Pennywise is the boogeyman, the monster under the bed, the shapeless fear in the dark.

King, Stephen: The Mist

In the wake of a summer storm, terror descends...David Drayton, his son Billy, and their neighbor Brent Norton join dozens of others and head to the local grocery store to replenish supplies following a freak storm. Once there, they become trapped by a strange mist that has enveloped the town. As the confinement takes its toll on their nerves, a religious zealot, Mrs. Carmody, begins to play on their fears to convince them that this is God’s vengeance for their sins. She insists a sacrifice must be made and two groups—those for and those against—are aligned. Clearly, staying in the store may prove fatal, and the Draytons, along with store employee Ollie Weeks, Amanda Dumfries, Irene Reppler, and Dan Miller, attempt to make their escape. But what’s out there may be worse than what they left behind.

This exhilarating novella explores the horror in both the enemy you know—and the one you can only imagine.

Kirby, Todd: No Power

A blackout. A bloodthirsty beast. The Bronx. This is not how Tom pictured his 17th birthday... His plan was far more bleak. When Manhattanite Tom Walton wakes up from a suicide attempt, he finds himself in a Bronx hospital being attacked by an ancient, savage creature that thrives in the darkness of a summer blackout. Tom, the son of a rich and racist New York politician, teams up with his fellow patients — a diverse group of Bronx natives — in an attempt to fight back. As Tom falls helplessly in love with Kiki, a badass teenage patient, he gains a deeper understanding of the source of his pain and reconsiders his stance on life. But when Tom’s true identity is revealed to the crew, he must work to unify the group and escape the hospital… or be eaten alive.

Kristoff, Jay: Empire of the Vampire

Daysdeath is the term used to describe the sudden shroud of ash and smoke which rose into the sky twenty-seven years prior to the beginning of the story. The exact cause remains unknown, though most people suspect a falling star which crashed into the earth with enough force to send tons of debris into the lower atmosphere, blanketing the skies and preventing more than a smidgen of sunlight from passing through the shroud. The shroud has not abated in strength over the following decades, and the results have been devastating - repeated crop failure and abysmal harvests, the withering of forests and other natural greenery and the resulting food and material shortages, but perhaps worst of all, the undead no longer being constrained be the daily need to hide from the sun, their numbers quickly multiplying as the lesser vampires were no longer destroyed by the sunlight. The ancien vampires soon realized the opportunity this afforded, and not only have they embarked on a campaign of global conquest, they actively work to eliminate any chances of mankind dispelling the shroud through artificial means.

Leroux, Gaston: The Phantom of the Opera

Everything revolves around the hidden and unseen opera ghost -- the lights are harsh and the dark is a refuge for him, one that he tries to tempt Christine into.

Lord Byron: Darkness

Written in the 'Year without a Summer' of 1816, Byron was inspired by the ashen darkness to compose this poem about the end of the world, and the gloom that would accompany it.

Lovecraft, H.P.: The Haunter of the Dark

The main character, Blake, inadvertently summons an eldritch being into his local church. The being can only go abroad in darkness, and is hence constrained to the tower at night by the presence of the lights of the city. However, when the city's electrical power is weakened during a thunderstorm, the local people are terrified by the sounds coming from the church and call on their Catholic priests to lead prayers against the demon. Blake, aware of what he has let loose, also prays for the power to remain on. However, an outage occurs and the being flies towards Blake's quarters. He is subsequently found dead, staring out of his window at the church with a look of horror on his face.

Milton, John: Paradise Lost

The primary imagery for Satan and other demons is unadulterated darkness. "No light, but rather darkness visible."

Poe, Edgar Allan: The Pit and the Pendulum

The protagonist describes the horror and uncertainty he feels in stumbling through his darkened enclosure, only able to feel around for the instruments of his destruction.

Pronzini, Bill: Peekaboo

From TV Tropes: The only character in the story is a career criminal pretending to be a reclusive writer hiding out in a rented house a good distance away from the closest town. One night he thinks he hears an intruder in the house and decides to investigate while armed. While he's searching his suddenly creepy hideout, he can't help but reminisce on the games of Peekaboo he used to play when he was a kid, as well as the old rumors of occult worship and paranormal activities surrounding the house. He's a nervous wreck by the end of the story, and when he finally reaches the basement after finding nothing in the rest of the house he giggles in relief. There's nothing there after all, it's just him, all alone, hiding under the stairs.

"Peekaboo," a voice behind him said.

Robertson, M.P.: The Moon in Swampland

Hidden in the dark, marshy bogs of Swampland, the wicked and mischievous bogles hide from the Moon, and lie in wait for travellers. Anyone who wanders too close to the edge will feel clammy fingers dragging them beneath the murky water. When the Moon saves a young boy called Thomas, she gets captured by the bogles, and Thomas must set out to save her. Can he end the bogles' reign of terror?

Schwartz, Alvin, ill. Stephen Gammell: Scary Stories to Tell in the Dark

Scary Stories to Tell in the Dark is a collection of short stories, written for children. The stories themselves are pretty standard stories that are just spooky enough for kids, but the illustrations are what most people remember. Each story is accompanied by a picture that are still unnerving to look at as adults, let alone as kids. Growing up with this book, it felt like a test of bravery just to turn the page. It reminds me a lot of the Season 4 TMA episode, in Callum Brodie's domain - an avatar of The Dark planting images of monsters in kids' heads and letting their imaginations do the rest of the work in scaring them.

Sheckley, Robert: Ghost V

The protagonists visit a planet with an atmosphere full of a drug bringing out hallucinations of their childhood bogeymen, potentially lethal as if you think you're dead, you are. They take out a couple of monsters with a magic word and a water pistol, but the last bogeyman is absolutely invincible. It's also capable of getting past any lock and door.

(Spoilers) They do manage to beat it with a security blanket. But hey, Leitners do tend to twist their tales -- it could just as easily finish off with 'the blanket never did anything'.

Smith, Clark Ashton: The Double Shadow

The titular shadow arrives after a master wizard attempts an ancient and unknown summoning spell. It does nothing except approach the casters one by one, very slowly, ignoring every method they use to flee or fight it, until it touches and merges with their own shadow, forcing them into a hideous transformation.

Snicket, Lemony: The Dark

The Dark is about a young lad named Lazslo, who is terrified of the dark. He avoids “the dark” as it mainly hangs out in the basement. Then, one night “the dark” is in his room as his nightlight bulb loses its spark. Lazslo, the young lad, must come face-to-face with his fears of “the dark”.

Snicket, Lemony: The Ersatz Elevator

I actually don't think the whole book is cursed, I'm thinking specifically of those pages that are fully blacked out when they're in the elevator shaft

Stine, R.L.: Revenge of the Shadow People

Afraid of your own shadow? Vinny Salvo is. Lately weird things have been happening to his shadow. It's grown horns. And claws. And big sharp teeth! Now it's coming after him! Vinny needs someplace to hide -- and quick. But where can you hide from your own shadow?

Stover, Matt: Luke Skywalker and the Shadows of Mindor

The villain, Lord Shadowspawn, is a Force-user who has a different view of the Force than that of Jedi or Sith; he believes that the Force is the Dark, which is basically destruction and entropy; he induces visions of the Dark — of being alive in the eons after all the stars burn out — to cause despair that he can then use. On a metaphorical mind-battly level, his ultimate technique is to become a black hole, which makes sense in story.

Tolkien, J. R. R.: Shadow-Bride

This macabre poem is about a man with no shadow who sits like a statue until a woman passes by. Then he wraps her shadow around them both and forces her to dance with him forever, casting a single shadow...

Weir, Andy: Project Hail Mary

The book is about alien microbes extinguishing the sun by siphoning off its light energy to fuel their own metabolism. The book follows the amnesiac protagonist, sent far off into the depths of space to the origin of said microbes to save the world before everything gets too dark and too cold. Basically, the sun is dying.

Wilson, F. Paul: Nightworld

At the start of Nightworld the sun rises five minutes too late. Repairman Jack can't understand why the scientists are so disturbed by this, but when portals to Another Dimension open all over the world, spewing a horde of Eldritch Abominations every night, the fact that every day the sun inexplicably rises later and sets earlier than the last becomes a reason for serious panic.

[wonderfulworldofmichaelford]

Michael in the Mainstream: Top 100 Movies #75 - #51

Here is part 2, a follow up to the previous part! Let's not waste any time here, no need for a big ass intro for the second quarter:

75. Blue Velvet

This is weirdly one of David Lynch’s most straightforward works and yet is still one of his best ever. It’s a dark, seedy thriller that has the single best Dennis Hopper performance of all time—and this is a man with no shortage of great performances.

74. Wet Hot American Summer

I love comedies that are just a random collection of the funniest possible people you can think of doing gags, and that's exactly what this cult classic is. It’s hard for me to decide what’s funnier between Paul Rudd tossing children out of moving vehicles or H. Jon Benjamin portraying a talking can of mixed vegetables.

73. The Hunchback of Notre Dame

Easily one of the darkest films in Disney’s entire filmography, something that helps it stand out and shine. Yes, it isn’t a perfect film—the gargoyles can be extremely grating as I’m sure you know, though I’m a lot more forgiving than most because I just love hearing Jason Alexander’s voice—but I think the rest of the movie is so exceptional it makes the bad bits easier to swallow. Tony Jay’s performance as Frollo helps solidify him as one of the greatest and most depraved Disney villains ever. The dude is both horny and genocidal, a feat only matched by Thanos.

72. Jaws

The original summer blockbuster, and one of my favorite thrill rides since I was a teen. The sparing use of the shark really helps build the suspense like nothing else, and that opening is still utterly terrifying due to how chillingly plausible such a thing could be. This is an adaptation that is leagues better than what it’s adapting; muchlike the shark at the end, the movie blows Benchley’s novel out of the water.

71. Glass Onion

I think I may be a lunatic, because I genuinely prefer Glass Onion to Knives Out. Yes, the mystery is far less clever here mainly because the murders are caused by an egotistical idiot with no common sense. And yes, the comedy is amped up in this one. But these are all things that make me love it more. You’ve got Edward Norton playing a self-righteous pastiche of Elon Musk, which makes it so satisfying to see him flounder, and then you have the rest of the core cast portrayed by heavy hitters like Kathryn Hahn and Dave Bautista as well as a shockingly impressive turn as the co-lead alongside Daniel Craig from singer Jenelle Monae. In a world where obnoxious billionaires and other rich assholes are constantly getting away with crimes they’re flagrantly flaunting, it’s nice to see a character who resembles the worst of that group get what’s coming to him.

70. Holes

It is genuinely astonishing just how faithful to the book this movie is. Stanley being skinny is the most notable change, with everything else being just as it was in the novel. The Kissing Kate Barlow backstory segments are easily the best part, but the whole movie is a fun hunt movie with a delicious villain performance courtesy of Sigourney Weaver. This movie is as sweet as a peach and as savory as an onion.

69. Unbreakable

Forget The Sixth Sense (or don’t because that’s still a classic), this is M. Night’s magnum opus. The man completely deconstructed the superhero movie genre before it was even a thing, and he got Bruce Willis to give a performance second only to his role as John McClane in my humble opinion. Plus that final twist… Hoo boy. It’s honestly impressive that it hasn’t been as spoiled to Hell and back as The Sixth Sense’s twist, but that’s just a sign that this movie needs to be experienced for yourself.

68. Candyman

An epic meditation on the nature of urban myth with amazing atmosphere and a haunting score, all from the mind of horror master Clive Barker. Tony Todd plays horror’s sexiest supernatural slasher, which is all the more impressive when he is covered with thousands of live bees and yet still somehow oozes seductiveness.

67. The Goonies

80s kid adventure movies never got better than this one. There’s such a sweet, cheesy earnestness to the proceedings here; this is such an unbelievably goofy premise, but it’s played so straight that I can’t help but love it. All of the child actors here feel fun and natural, with Jeff Cohen’s Chunk easily stealing the show with his antics, but I’d also like to highlight Anne Ramsey as Ma Fratelli. She’s such a delightfully nasty villain, and she plays it with such conviction.

66. The Truman Show

Jim Carrey is a fantastic comedic actor. Everyone knew that back in the day. What many didn’t realize was that the man could deliver one of the most heartfelt and powerful dramatic performances you’ll ever see, all with a light comedic touch to pull it all together. I will say that if he deserved an Oscar for anything, it would be Eternal Sunshine, but this movie is far more enjoyable in my opinion. The movie was also scarily prescient in its vision of a future where every moment of a person’s life is recorded for the entertainment of others, to the point where this can almost be considered a horror film.

65. The Crow

A Gothic supernatural superhero story about revenge, a film that is sadly trapped in the shadow of the tragic on-set accident that claimed the life of its star Brandon Lee. It really is sad watching this, imagining the career his immense talent and charisma would have so easily given him, but it’s also awesome because this film kicks so much ass that it’s unreal. Considering I’m literally writing an urban Gothic horror fantasy series as we speak, it should come as no surprise that this movie is one of my favorites (as well as a minor inspiration).

64. The Lego Movie

When you put actual effort into your toy commercial, people will actually forget it’s supposed to be a toy commercial. And boy, did they go the extra mile with this one! This is animated so brilliantly it really emulates stop-motion, just with more polish. And where the sudden transition to he real world in the third act could have easily derailed the movie, it leads to a really powerful, heartfelt emotional reconciliation that ties the whole film together. The plot may be your standard family film adventure, but it just goes to show with enough skill (and Batman) you can do any plot really well.

63. Whiplash

I’ve called this one of the scariest horror movies in recent memory, and I stand by it. This is a movie where an abusive man in a position of power slowly erodes the willpower and self-esteem of a young man and drives him more and more insane in his never-ending chase of perfection. It’s far more chilling than any masked lunatic butchering girls for sick thrills.

62. Halloween

Ok, well, almost more chilling. John Carpenter is just that damn good at it… Though, to be fair, this movie basically invented the tropes the genre would later run into the ground. As far as slashers go, this is still one of the few that genuinely feels like more than just a showcase of gore and sex, and it’s also the last time for several decades that Michael Meyers truly felt like the unknowable, evil Shape.

61. Deadpool

You can say whatever you want about Ryan Reynolds, but you can never convince me he is not passionate to the character of Deadpool to a degree most superstars aren’t these days. Think about how Craig hated being Bond (I do not blame him); it’s just nice there’s a guy who not only adores the role he plays to the point he practically lives the role, but also worked tirelessly to ensure the character was brought to life properly on the big screen. As far as a straight Deadpool film goes, this is easily my favorite.

60. Spider-Man

Sam Raimi came out the gate swinging with his first shot at Spidey. Equal parts heart and cheese, just like a classic comic, this is as good of a Spidey origin as we could see on the big screen. As much as I love Spidey though, it’s Dafoe’s Green Goblin and J.K. Simmons’ JJJ who really steal the show here.

59. Who Framed Roger Rabbit

Forget Endgame. Forget Super Smash Bros. This right here is the single most ambitious crossover of all time. Bugs goddamn Bunny and Mickey motherfucking Mouse share a screen together; we are never gonna see something of this magnitude ever again. But let’s not pretend like the crossover part is the only reason I love this film; being a perfect blend of film noir and classic cartoon silliness is what really makes this the stone-cold classic that it is.

58. Army of Darkness

Ditching horror for comedic fantasy seems like a bad move for anyone else, but no one else is Sam Raimi. This is the movie that codified Ash Williams as one of my favorite heroes ever, solidifying his status as a snarky, quip-spouting badass who wields a boomstick and chainsaw with equal finesse.

57. The Shining

This is proof that sometimes being pragmatic when it comes to adapting novels. Maybe it isn’t the most faithful to King’s vision, but when you get one of the most atmospheric horror films ever made complete with an amazing soundtrack and career-defining performances from Jack Nicholson and Shelley Duvall, it’s hard to be too mad that they left King at the wayside so Kubrick could do his thing.

56. Spider-Man 2

This movie has a reputation as one of the greatest action films ever made. And, well, have you seen that fucking train fight? I love Raimi’s Spider-Man trilogy a lot, but it is undeniable that this is where everything came together. Peter’s struggles in this film are more relatable than ever, Molina’s Doc Ock is sinister and tragic in equal measure… As far as Spider-Man in live action goes, this is as amazing as it gets. Guess when Doc Ock and Spidey collide it always results in a superior Spider-Man, eh? Eh?

55. Avengers: Infinity War

I think the reason Endgame gets a lot of flak for feeling more like an event than an actual movie is because it is following up an actual movie that is also an event. This is The Empire Strikes Back of superhero films, an epic step forward for the story that ends in a crushing defeat. Thanos picks up the pace after almost a decade of slack and effortlessly cements himself as one of the superhero movie genre’s greatest villains, in no small part to Josh Brolin’s compelling performance. It’s fun, funny, exciting, sad… It was always gonna be an uphill battle for Endgame to live up to this one.

54. A Nightmare on Elm Street

I always go back and forth over which between the first and third one is my favorite, because both are excellent slashers in their own right. It really depends on what day you ask me, really. Still, if we’re talking about which of the movies is actually genuinely chilling, the one where Freddy’s at his scariest, it is hands down this one. This is before he became more of a quipster, so he’s just a nasty fucking freak with a dark sense of humor here. What really gives this movie an edge, though, is you get to see Johnny Depp brutally murdered in a giant geyser of blood.

53. House

Surreal, trippy, dream-like horror films are totally my jam, and this is one that stuck with me ever since I saw it. It’s so strange and inventive, so batshit insane, so fucking cool! It also has the scariest piano this side of Super Mario 64 (that thing has to be an homage to this film).

52. Freddy Got Fingered

This movie is not simply “so bad, it’s good;” no, this movie is so bad, it’s art. Only an absolute genius troll of the highest order could create something that defies every bit of logic and crosses every single boundary to such a degree as this film. Tom Green absolutely knew what he was doing, and by god did he succeed beyond his wildest dreams! I didn’t get this film the first time I saw it, but boy do I get it now.

51. The Lord of the Rings: The Two Towers

The middle film in a trilogy is always the hardest one to stick the landing on I feel. You make one misstep and no one’s coming back for the third one, you know? This movie does not have that problem at all. It starts with the full Gandalf vs. Balrog fight, it has Legolas deliver his world-famous line about where they’re taking the hobbits, it has Viggo Mortensen kicking that helmet (DID YOU KNOW HE BROKE HIS TOE FOR REAL? BET YOU NEVER HEARD THAT ONE), it has Treebeard, it has the epic battle of Helm’s Deep, it has dwarf tossing, it has it all! But most importantly, it has one of the best characters ever: Gollum. Andy Serkis as Middle Earth’s resident split personality crackhead is one of the most compelling characters in a movie that is genuinely stuffed with compelling characters. How he didn’t get an Oscar for this I’ll never know.

[yorgunherakles]

var olmak için kontrol edemediği bir sertlik göstermeye kendisini mecbur hisseder.

elisabeth roudinesco - her şeye ve herkese karşı lacan

[singeratlarge]

HAPPY BIRTHDAY to Paul Badura-Skoda, singer-songwriter Bruce Barr, composer-guitarist Glenn Branca, William Butler (Arcade Fire), Roseanne Cash’s 2009 album THE LIST, Le Corbusier, Kevin Cronin, Britt Ekland, my cousin Daniel Ertel, The Fisk Jubilee Singers (1871), Ioan Gruffudd, Fannie Lou Hamer, Thor Heyerdahl, David Hidalgo (Los Lobos), the 1929 film THE JAZZ SINGER (the first major “talkie”), Mylon LeFevre, “Swedish Nightingale” Jenny Lind (she filled concert halls before microphones were invented), Carole Lombard, Thomas McClary (Commodores), The Monkees 1969 appearance on the LAUGH-IN TV show, Meg Myers, producer Jim Pierson, Shostakovich’s 6th Iron Quartet (1956), Fay Spain, Millie Small, Matthew Sweet, Karol Szymanowski, George Westinghouse, and the 1965 single by The Supremes, “I Hear a Symphony.” The song is a romantic idyll for the wonders of a lover, and it was the 6th #1 hit single for The Supremes. It was composed by the incomparable Motown Records songwriting team of Brian Holland, his brother Eddie, and Lamont Dozier. They’d been writing since they were teenagers and wrote hits for The 4 Tops, Marvin Gaye, Martha Reeves, and others. Dozier said, “We were keeping up not only with what was going on at Motown, but in the world, meaning The Beatles, The Beach Boys…There was definitely a standard…Everything that came out had a signature as well as it had to sound like a hit.” Dozier said they’d regularly go to chamber, opera, and symphony concerts “for song concepts.” Baroque, electronic, ethnic, and orchestral influences became part of “the Motown sound.”

“I Hear a Symphony” was a turning point. Early Motown hits like “Money” and “Please Mr. Postman” were rooted in r’n’b, rock’n’roll, and gospel, and they sold mostly to teens, but Motown President Berry Gordy envisioned a broader audience. Ray Charles had already merged “strings with soul,” but his audience was older. The Beach Boys, Phil Spector, The Beatles, and other British Invasion pop acts cherry-picked ideas from musicals, classical, and the avant-garde (perhaps prophesying the “progressive rock era” when Keith Emerson would do Bartok, Bernstein, and boogie-woogie in one flash). By comparison, Motown was even more pro-active about marrying classical, jazz, and pop/rock to “soul music.” Motown arrangers (Paul Riser, etc.), were inspired by Broadway and the jazz orchestrations of Duke Ellington and George Gershwin. They hired musicians from the Detroit Symphony to connect elegance with The Funk Brothers, the Motown house band. “I Hear a Symphony” features the muscular drumming of Benny Benjamin and the distinctive baritone sax solo of Mike Terry. 

Singing it demanded an exuberance that stretched the vocal abilities of then-22 year old Diana Ross. She still claims it’s one of her favorite Supremes songs to do, and it’s on my list of 12 pieces of music that changed my life. https://www.youtube.com/watch?v=bpL1TTxffO0

#birthday #dianaross #supremes #symphony #motion

[alexyskinnerstories]

!!Request Inbox Is Open!!

Who I Write For

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And many more just ask if I know the fandom

[jules-has-notes]

VoicePlay's Patreon pizza party launch promos

The creative gentlemen of VoicePlay rarely do anything by half measures. So when they decided to join crowdfunding platform Patreon, they didn't just write a blog post or make a simple video talking to a camera. No, they decided it was time for a whole scripted skit, complete with multiple song excerpts and a location shoot.

The original YouTube video has since been made private, but they reposted it to their Facebook page the following summer.

Beleaguered business boy Geoff tries to browbeat his hungry buddies into listening to his pitch, despite the many interruptions and digressions. (Yeah, I don't feel like doing any more alliteration.)

Details:

title: Patreon pizza party — ep. 1

original songs / performers: "Born in the U.S.A." by Bruce Springsteen; "My Prerogative" by Bobby Brown

written by: "Born in the U.S.A." by Bruce Springsteen; "My Prerogative" by Bobby Brown, Teddy Riley, & Gene Griffin

arranged by: VoicePlay

release date: 13 November 2015; reposted to Facebook on 1 August 2016

.

Once the guys are finally onboard with the plan, the close quarters of the restaurant cause a different problem.

Details:

title: Patreon pizza party — ep. 2 "The Pizza Awakens"

original song / performer: "Womanizer" by Britney Spears

written by: The Outsyders — Dean "Deaneaux" Beresford, Kamran "KAM" Main, Ervin "Wiz Kid" Ward, & Rapheal "Ro.A" Akinyemi

arranged by: VoicePlay

release date: reposted to Facebook on 2 August 2016

.

How do you defuse a fraught situation? If you're a professional a cappella group, you sing it out and maybe even start a dance party.

Details:

title: Patreon pizza party — ep. 3 "Dances with Pizza"

original songs / performers: "Bad Blood" by Taylor Swift, featuring Kendrick Lamar; "Ms. Jackson" by Outkast; "Apologize" by Timbaland, featuring One Republic; "Shut Up and Dance" by Walk the Moon

written by: "Bad Blood" by Taylor Swift, Max Martin, & Karl "Shellback" Schuster; "Ms. Jackson" by "André 3000" Benjamin, Antwan "Big Boi" Patton, & David "Mr. DJ" Sheats; "Apologize" by Ryan Tedder; "Shut Up and Dance" by Ben Berger, Eli Maiman, Ryan McMahon, Nicholas Petricca, Kevin Ray, & Sean Waugaman

arranged by: VoicePlay

release date: reposted to Facebook on 4 August 2016

.

Trivia

The alliterative waitress is played by VP's production manager extraordinaire, Kathy Castellucci, a talented performer in her own right.

The affronted mom is played by Jaimz Dillman, who has also appeared in several PattyCake productions, mostly as Mary Sanderson from Hocus Pocus.

The diners at the surrounding tables include Layne's parents and his step-daughter Lilly, audio engineer Paul Kaleka, theme park pal Jonathon Timpanelli, and Eli's then-girlfriend Ashley.

These videos were filmed overnight at a Winter Park pizza place called Carlucci's, which has since closed.

VoicePlay had previously included "Bad Blood" and "Shut Up and Dance" in their "Aca Top 10 — Summer Hits 2015" countdown.

One of the sillier Patreon perks for early supporters was that Layne would "snore your name" as he napped, a reference to an incident during the 2014 Sing-Off tour when he started beatboxing in his sleep on the tour bus.

The fans met the first milestone of $500 per video in the first day, and hit the second just three days later.