#ben rosenbaum

[hallmark-movie-fanatics]

When Calls the Heart

Season 11, Episode 12 'nothing for Love' - photo preview 2 of 2

(photos 2, 17, and 22 are from parade.com)

[dadvans]

my favorite fic from 2005 was a star wars rpf/wb rpf/big hollywood rpf/lotr rpf giant (i know) where either viggo mortensen (i know) or brad pitt (i know!!!) is explaining to hayden christensen that people spell "never mind" as one word because of nirvana while they're smoking on a patio, and to this day whenever i read it spelled as "nevermind" i'm always like, man they don't write em like they used to

[flashfuckingflesh]

You're Not Going Crazy. EVIL Has Snuck in Its Egg! "Cuckoo" reviewed! (Neon / Blu-ray)

Fresh Horror for the Taking! “Cuckoo” Available on Amazon! Moving to the Bavarian Mountains can be breathtaking, relaxingly scenic, and peacefully remote.  For Gretchen, however, the involuntary move comes shortly after the death of her mother, and she’s forced to leave the U.S. with her father, stepmother, and half-sister to now live at the base of the German Bavarians where an isolated…

[sinceileftyoublog]

Jake Xerxes Fussell Live Show Review: 10/17, Empty Bottle, Chicago

Jake Xerxes Fussell

BY JORDAN MAINZER

Over the years, Jake Xerxes Fussell's repertoire and sound have expanded, though he's never lost sight of his exploratory ethos. On his self-titled debut and sophomore effort What in the Natural World, he introduced himself as a contemporary troubadour, an interpreter who used original arrangements to surface the universal meaning out of old songs. 2019's Out of Sight was his first record with a full band, 2022's Good and Green Again his first to combine traditional songs with wholly original compositions. In July, Fussell brought it all together on his debut album for Fat Possum, When I'm Called; it's an album featuring a murderer's row of collaborators and songs that Fussell constructed backwards, coming up with melodies and riffs before adapting them to folk songs that fit.

On When I'm Called, legends Fussell knew who may or may not have met each other, like cowboy artist Maestro Gaxiola and painter, musician, and folklorist Art Rosenbaum (a mentor of Fussell's who passed away in 2022), are intimate bedfellows. Fussell lifts from the public domain, Benjamin Britten, and found poetry on a scrap of paper. Returning are close collaborators like James Elkington, in the producer's chair and playing seemingly everything from synth to harmonica, as well as Joan Shelley, singing alongside Fussell's baritone on "Cuckoo!". Uniting with Fussell for the first time are guitar luminary Blake Mills, whose abstract tones nestle between Fussell's acoustic guitar and Elkington's pedal steel on "Going to Georgia", and Hunter Diamond, whose woodwinds pop up just when you need them most, like a consistent smiling face around the neighborhood. In general, on When I'm Called, more than ever, the band gets room to meander, to take in their surroundings.

Fussell & Ben Whiteley

How, then, would Fussell, who usually plays solo, adapt the arrangements not just to a live stage, but for a crowd who has had months to take in the recorded versions? Indeed, Thursday's show at the Empty Bottle featured the youngest crowd I've ever seen at a Fussell headlining show. Some of that, perhaps, had to do with the venue itself and the start time of his set (after 10 P.M.). But something tells me, at this point, people are less inclined to hear beloved old songs and more amped for Fussell specifically, the guitar player who picks bright-eyed on "Jump for Joy", the singer who belts, "Well, wake up woman, take your big leg off of mine," on "Have You Ever Seen Peaches Growing on a Sweet Potato Vine?". (I went to get a beer at the bar as he sang, passing by a crowd member cackling, turning to their friend and declaring, "I love that line!") Well, for one, Fussell didn't play solo this time. He was always accompanied by bassist Ben Whiteley, who plays on When I'm Called. Whiteley's steady plucking eased us into "Michael Was Hearty", and his rhythms buoyed Fussell's chugging guitars on an unexpected, but great cover of Nick Lowe's new wave classic "I Love The Sound of Breaking Glass". As we were in Chicago, Elkington, too, joined Fussell on stage for a number of songs, providing contrasting guitar textures on "Cuckoo!" Even The Weather Station's Tamara Lindeman, all the way from Toronto, was in the crowd and came on for backing vocals.

Fussell

It's easy to say that what is usually a lonesome affair turned into a party, given that the number of people on stage at any given moment quadrupled from its usual number. The more I thought about it, though, whether it's four musicians crowding around each other or just Fussell perched on a stool, his shows are always communal. On Thursday, the most affecting and memorable moments of the night were spontaneous. Out of Sight's "Jubliee" started as a singalong and felt like a full-on hymnal towards the end, the crowd repeating, "Swing and turn, Jubilee / Live and learn, Jubilee," like it was a mantra of keeping-on. And then there was "Donkey Riding", a traditional song which does not (yet) have a studio version, inspiring the biggest, and somehow still most polite sing-and-clap-along of the night. The moment the crowd seemed to get a tad too rowdy, we shushed each other so we could hear one last instrumental flourish, one last guitar lick from the artist who continues to give us gifts we didn't even know we already had.

[nicknackmovies]

Every time I talk about a DCEU movie, even a weaker entry like The Flash, I talk about what could have been with the Snyder Cut vision for the DCEU and the other Batfleck possibilities. If nothing else, this movie gave us more of the Ben Afleck Batman and more of the Jeremy Irons Alfred.

Full Episode

[filmgifs]

Who needs Raymond? I found two new men to love… Their names are Ben and Jerry!

AQUAMARINE (2006) Elizabeth Allen Rosenbaum

[justinspoliticalcorner]

Jason Rosenbaum at STLPR, via NPR:

ST. LOUIS — Five states have banned ranked choice voting in the last two months, bringing the total number of Republican-leaning states now prohibiting the voting method to 10. Missouri could soon join them. If approved by voters, a GOP-backed measure set for the state ballot this fall would amend Missouri’s constitution to ban ranked choice voting. Ranked choice voting allows voters to rank candidates and ensures the winner gains majority support, as compared to the vast majority of elections, where someone can win with a plurality of votes. “We believe in the one person, one vote system of elections that our country was founded upon,” Missouri state Sen. Ben Brown, the ballot measure’s sponsor, said in an interview. In the 2022 election cycle, a group of Republicans and Democrats unsuccessfully sought to advance a ranked choice voting proposal in Missouri. That would have instituted nonpartisan primaries for statewide, congressional and state legislative elections. The top four candidates would advance to the general election, where voters could then rank candidates from favorite to least favorite. If someone gets a majority of initial votes, they win. If no one gets a majority, the fourth place contender would be eliminated. And voters who ranked that candidate first would have their vote go to their second choice. This process would continue until a candidate gets a majority.

The Republican war on ranked-choice voting, including in Missouri, is an attack on democracy, as red states have passed preemption laws banning municipalities and counties from enacting RCV.

[s-che]

simplicity in design is a virtue, you cretins

i'm rereading Avery Alder & Ben Rosenbaum's Dream Askew / Dream Apart in preparation to finally do some serious editing of my game of intimacy, liberation, and faggots at sea Beneath Pirate Flags. among the billion other small things i'm reconsidering as i go over the bob/ndnm fundamentals, i'm really struck by how simple both these games are — elegant in a way i think i really failed to capture in the first public versions of bpf.

i have a theory about this, and it has to do with why i think the sprawling "always another sourcebook" approach taken by a lot of dungeons & drasprawling, commercially successful ttrpgs is fundamentally weak design — but first, here's one of them fancy 'keep reading' buttons you can click on to keep this post from being six and a half miles long.

hey, welcome back. lets get into the details:

bpf makes a critical break from the original ndnm games in the way its environmental playbooks work. mine are things like "the fort" and "the map" (see images) — individual iterations of broader concepts, much like the character playbooks ("legend", "dandy", "monkey" etc) are iterations of common pirate types. there are, almost certainly, multiple "monkeys" in one world — much as there are almost certainly multiple forts.

this contrasts with Askew / Apart's setting books — things like "varied scarcities," "society intact," and "goyishe world." these are intentionally broad environmental pressures. although "society intact" may be encountered different times in different places — with different names and different faces — it is, fundamentally, the same force.

2. this isn't necessarily a thing i want to change (although there are tweaks i'll be making to just about all the playbooks) but it is real interesting to think about how bpf got here, from a design perspective. the story is simple: bpf didn't start from playing either dream. it started with me reading wanderhome, and this design is borrowed (nearly) directly from there.

wanderhome, like bpf, has players create new environmental elements again and again over the course of a campaign — from the smallest kith to the largest citadel, you might be doing generation multiple times in a single session. wanderhome handles this by simplifying, simplifying, simplifying — a trait has one picklist, a nature two, and so the process of generation is quick and nondisruptive, and you're quickly able to create a populated world without losing yourself in any particular moment of generation.

(che, i hear you shouting, you baited us in with an inflammatory claim about d&d's bad design. get to the point already. ok. i will)

one of the things i like most about possum creek games as a whole (ha, got you again) is the way they can become sprawling without ever overwhelming players. this has been talked about a lot in advance of the yazeba's release — but it's true for wanderhome, too.

where both dream askew and dream apart have just six setting elements, wanderhome has (even if you disregard the seasons and holidays) a whopping forty-eight traits and thirty-six natures. it is — despite seeming small in the shadow of yazeba's — a sprawling game, and it's only through a tremendous efficiency and elegance in design that the whole thing doesn't come bursting apart at the seams. some of that is thanks to the ndnm token economy as a whole and some of it is good writing specific to wanderhome, but none of it is possible without an ethic that prioritizes simplicity — cutting the building blocks into their smallest fundamentals, so they can fit into something huge and, more importantly, comprehensible.

this all stands in sharp contrast to what seems to be the tendency in dice- and percentage- based games (told you i'd get there eventually), who — out of a need for a bespoke, simulationist tool for every situation, maybe — have a tendency towards appendices, supplemental books, and a proliferation of minutiae. i am talking about d&d here, although i don't think it's the worst offender — i still have nightmares about the hand-to-hand system from top secret, a game my dad only recently admitted he was "basically only pretending to understand the rules of" when he ran it for my friends and i when we were kids. i'm not saying all crunchy game design is like this — honestly, i think crunchiness is a totally different spectrum from rules-complexity — but i do think that, sometimes, in an effort to feel sprawling and more importantly substantial, games become inefficient and more or less illegible. it is hard to play d&d. it is hard to hold all those rules in your head. by comparison, dream askew, dream apart, and wanderhome can held pretty easily in your head. you could probably even reconstruct some of the playbooks from the design fundamentals (act weak = gain token, act strong = spend token, evocative picklist). the most important thing about these games is that the rules are evocative and they let you stay in the fun part of play for as long as possible, interrupted as little as possible.

let me make this totally clear: the fun part of a game can absolutely be tallying numbers and consulting armor ratings, but i don't think that's the reason some of these games get so big. the real answer is: cutting shit is hard! eliminating systems is hard! saying "this is not helpful, let it go" is really tough, especially when you're left with a design document that was shorter (and by extension, whispers the awful voice in the back of your head, worth less) than you were expecting. still, it's important to remember: 'good system design' is not the same thing as 'filling as many pages as possible.', even if that's hard to accept in an industry that feels like it has to be prices and paid by the page.

how does all this affect beneath pirate flags? well, that's simple — pretty quickly in my recent playtesting, i realized that pausing mid-session to create new maps, forts, ships, and so on sucks ass. it's fun to brainstorm with friends, but the environmental generation throws off the pacing of sessions in a way the wanderhome kith stuff just doesn't. why? there's too much shit in my environmental playbooks! wanderhome has two picklists per nature and one per trait. askew & apart have just one per setting element — and you only have to do it once per campaign. beneath pirate flags has five. five! it sucks! and cutting out that unecessary shit — even if i do want to straddle the middleground between dream askew & dream apart's simplicity and wanderhome's sprawling growth — is going to be the hard first step on the long road to getting this game where it ought to be.

[ultraericthered]

Favorite Takes - DC

Where I cite my personal favorite non-source material (so film, TV, and video games only) adaptations of some comic book characters.

Clark Kent/Superman

Superman The Movie & Sequels (Christopher Reeve)

All Star Superman (James Denton)

DC Animated Universe (Tim Daly, George Newbern)

My Adventures With Superman (Jack Quaid)

CW DC Universe (Tyler Hoechlin, Brandon Routh)

NOTE: I was never the biggest fan of Dean Cain from Lois & Clark so he couldn't get on here, Tom Welling from Smallville might've been a contender had his character and story not got so bastardized, and the less said of poor Henry Cavill from the DCEU, the better.

Lois Lane

DC Animated Universe (Dana Delany)

All Star Superman (Christina Hendricks)

Superman The Movie & Sequels (Margot Kidder)

TV Versions (Terri Hatcher, Erica Durance, and Elizabeth Tulloch)

My Adventures With Superman (Alice Lee)

Lex Luthor

DC Animated Universe (Clancy Brown)

All Star Superman (Anthony LePaglia)

Smallville (Michael Rosenbaum)

CW DC Universe (Jon Cryer, Michael Cudlitz)

DC DTV Universe(s) (James Marsters, Jason Isaacs)

JLA (James Woods) & Young Justice (Mark Rolston)

NOTE: The last two get a split spot since one of them's got the voice of an evil political fascist while the other got his character mangled in later seasons to be a bad parallel to an evil political fascist. I also like the Gene Hackman, Kevin Spacey, Stan Jones, Travis Willingham, Fred Tatasciore, Steve Blum, Ranin Wilson, Giancarlo Esposito, Zachary Quinto, Darin De Paul, Lance Reddick, Marc Maron, and Max Mittelman versions of Lex, and await to see Nicholas Hoult's.

Jimmy Olsen

Batman: The Brave & The Bold (Alexander Polinsky)

DC Animated Universe (David Kaufman)

My Adventures With Superman (Ishmael Sahid)

Superman Returns (Sam Huntington)

All Star Superman (Matthew Gray Gubler)

Supergirl

DC Animated Universe (Nicolle Tom)

DC Superhero Girls (Anais Fairweather)

My Adventures With Superman (Kiana Madeira)

CW DC Universe (Melissa Benoist)

Supergirl '84 Film (Helen Slater)

Brainiac

DC Animated Universe (Corey Burton)

My Adventures With Superman (Michael Emerson)

Injustice Series (Jeffrey Combs)

Superman Unbound (John Noble)

TV Versions (James Marsters and Blake Ritson)

Bruce Wayne/Batman

DC Animated Universe (Kevin Conroy)

Under The Red Hood & Young Justice (Bruce Greenwood)

The Batman Trilogy (Robert Pattinson)

The Dark Knight Trilogy (Christian Bale)

Batman: The Brave & The Bold (Diedrich Bader)

Batman '66 (Adam West)

NOTE: I really wanted David Mazouz from Gotham on here, but he had to compete with these other Bruces who were actually full time Batmen, so consider him an honorable mention. I also like Michael Keaton, Val Kilmer, and Ben Affleck as Batman, but there were some problems with their particular iterations. Other runner ups include the other Kevin Conroy Batmen (particularly Arkham and Injustice), Rino Romano, Jeremy Sisto, Daran Norris, Anthony Ruivivar, Ben McKenzie, Jason O'Mara, Troy Baker, Peter Weller, Jensen Anckles, Keanu Reeves, Ethan Hawke, and of course the LEGO Batman(s).

Alfred Pennyworth

Burton-Shumacher Films (Michael Gough)

The Dark Knight Trilogy (Michael Caine)

DC Animated Universe (Clive Revill, Efrem Zimbalist Jr.)

The Batman (Alastair Duncan)

Arkham Series (Martin Jarvis)

Gotham (Sean Pertwee) and The Batman Trilogy (Andy Serkis)

NOTE: Other great Alfreds include James Garrett, Brian George, JB Blanc, David McCallum, Enn Reitel, Anthony Head, Ralph Fiennes, Nolan North, Tom Hollander, Jason Watkins, and Jeremy Irons.

James Gordon

DC Animated Universe (Bob Hastings)

Batman Year One (Bryan Cranston)

The Dark Knight Trilogy (Gary Oldman)

The Batman Trilogy (Jeffrey Wright)

Beware The Batman (Kurtwood Smith)

Batman '66 (Neil Hamilton, Jim Ward)

Barbara Gordon

DC Animated Universe (Melissa Gilbert, Mary Kay Bergman, Tara Strong)

Arkham Series & Injustice Series (Kimberly Brooks)

The Batman (Danielle Judovits)

Young Justice (Alyson Stoner)

Batman: The Brave & The Bold (Mae Whitman)

Batman: Caped Crusader (Krystal Joy Brown)

Dick Grayson/Robin

Teen Titans (Scott Menville)

Young Justice (Jesse McCartney)

Batman '66 (Burt Ward)

The Batman (Evan Sabara)

Batman: The Brave & The Bold (Crawford Wilson, Jeremy Shada)

Arkham Series (Josh Keaton)

Dick Grayson/Nightwing

Teen Titans (Scott Menville)

Young Justice (Jesse McCartney)

DC Animated Universe (Loren Lester)

Under The Red Hood (Neil Patrick Harris)

Arkham Series and Injustice Series (Troy Baker)

DC DTV Universe (Sean Maher)

The Joker

DC Animated Universe (Mark Hamill)

The Dark Knight Trilogy (Heath Ledger)

Burton-Shumacher Films (Jack Nicholson)

Joker 2019 (Joaquin Phoenix)

Under The Red Hood (John DiMaggio)

Gotham (Cameron Monaghan)

NOTE: Other great Jokers include Mark Hamill and Troy Baker as Arkham series Joker, Mark Hamill in JLA, Troy Baker in Batman Unlimited and some of the newer DTVs, Caesar Romero in Batman '66, Michael Emerson in The Dark Knight Returns, Kevin Michael Richardson in The Batman, Jeff Bennett in Batman: The Brave & The Bold, Richard Epcar in Mortal Kombat and Injustice, John Kassir in Superfriends 2010, Alan Tudyk in Harley Quinn, Tony Hale in Batman Ninja, Barry Keogan in The Batman Trilogy, and the LEGO Joker(s).

The Penguin

Batman '66 (Burgess Meredith, William Salyers)

Gotham (Robin Lord Taylor)

The Batman Trilogy (Colin Farrell)

Arkham Series (Nolan North, Ian Redford)

DC Animated Universe (Paul Williams, David Odgen Stiers)

The Batman (Tom Kenny)

NOTE: I like the Stephen Root, David Jennison, Dana Snyder, and Wayne Knight Penguins as well, but they're not quite good enough to crack this. Mad respect to Danny DeVito too, but his Penguin sucks.

The Riddler

Batman '66 (Frank Gorshin*, Wally Wingert)

Gotham (Cory Michael Smith)

The Batman Trilogy (Paul Dano)

The Batman (Robert Englund)

DC Animated Universe (John Glover)

Arkham Series (Wally Wingert, Matthew Gray Gubler)

NOTE: Sorry Jim Carrey, you couldn't quite make the cut! Also in the running: Shannon McCormick, John Michael Higgins, Rob Paulsen, Weird Al Yankovic, Jim Rash, Brent Spiner, and Geoffrey Arrend.

*I refuse to credit John Astin's one appearance. That didn't happen!

Selina Kyle/Catwoman

Arkham Series (Grey Griffin, Chantelle Barry)

The Dark Knight Trilogy (Anne Hathaway)

Burton-Shumacher Films (Michele Pteifer)

Gotham (Camren Bicondova)

Batman: The Brave & The Bold (Nika Futterman)

The Batman (Gina Gershon)

NOTE: Wish DCAU Selina could've made it since Adrienne Barbeau has easily the best voice for the character, but the writing and artwork let her down too often. Other good Catwomen include Julie Newmar, Ertha Kitt, Patty Matson, Jaynse Jaud, Eliza Dushku, Stephanie Sheh, Laura Bailey, Cree Summer, Jennifer Morrison, Naya Rivera, Liz Gilles, Gina Rodriguez, Christina Ricci, and Zoe Kravitz.

Two-Face

DC Animated Universe (Richard Moll)

Arkham Series (Troy Baker)

The Dark Knight Trilogy (Aaron Eckhard)

Batman '66 (William Shatner)

Batman: Caped Crusader (Diedrich Bader)

Batman: The Brave & The Bold (James Remar)

NOTE: Apologies to Billy Dee Williams, who would've done great, and Tommy Lee Jones, who could've done great (but definitely didn't). Also in the running but their coins landed on tails: Travis Willingham, Matthew Mercer, Robert Picardo, Petter Jessop, Dave Boat, Keith Ferguson, Gary Cole, Andrew Daly, and Josh Duhamel.

Mr. Freeze

DC Animated Universe (Michael Ansara)

Arkham Series (Maurice LeMarche)

Young Justice (Keith Szarabajka)

Batman '66 (George Sanders, Otto Preminger, Eli Wallach)

Gotham (Nathan Darrow)

Burton-Shumacher Films (Arnold Schwarzenegger)

NOTE: Other noteworthy Freezes who got frozen out of making it include Clancy Brown, Eric Bauza, Robert Kraft, Oded Fehr, Peter Stromare, Jim Pirri, and Matthew Mercer.

Poison Ivy

Arkham Series (Taisa Valenza, Amy J. Carle, Darcy Rose Byrnes)

DC Animated Universe (Dianne Pershing)

The Batman (Pierra Coppola)

Harley Quinn (Lake Bell)

Batman: The Brave & The Bold (Vanessa Marshall)

Gotham (Peyton List, Clare Foley, Maggie Geha)

NOTE: Uma Thurman, Laure Bailey, Fryda Wolff, Natasha Leggero, Paget Brewster, Peyton List II, Cristina Milizia, and Katee Sackhoff are all fun Poison Ivys as well.

Harley Quinn

DC Animated Universe (Arleen Sorkin)

Harley Quinn (Kaley Cuoco)

The Batman (Hynden Walch)

DCEU (Margot Robbie) and Suicide Squad ISEKAI (Karlii Hoch)

Arkham Series (Arleen Sorkin, Tara Strong)

Batman: Caped Crusader (Jamie Chung)

NOTE: Meghan Strange in Batman: The Brave & The Bold, Jenny Slate in The LEGO Batman Movie, Laura Post in the Telltale games, and Melissa Rauch in Batman and Harley Quinn are also great, and I've no doubt Lady Gaga could've really rocked it too but....yeah.

Ra's Al Ghul

DC Animated Universe (David Warner)

Gotham (Alexander Sidigg)

The Dark Knight Trilogy (Liam Neeson)

Batman: The Brave & The Bold (Peter Woodward)

Young Justice (Oded Fehr)

Arkham Series (Dee Bradley Baker)

NOTE: Also among the great Ra's Al Ghuls are Jason Isaacs, Lance Reddick, Giancarlo Esposito & TC Carson, JB Blanc, and Cas Anvar.

Bane

The Dark Knight Trilogy (Tom Hardy)

Arkham Series (JB Blanc, Fred Tatasciore)

Young Justice (Danny Trejo, Eric Lopez)

DC Animated Universe (Henry Silva, Hector Elizondo)

The Batman (Joaquim de Almelda, Ron Perlman)

Harley Quinn (James Adomian)

Scarecrow

Arkham Series (Dino Andrade, John Noble)

DC Animated Universe (Henry Polic II, Jeffrey Combs)

The Dark Knight Trilogy (Cillian Murphy)

Injustice Series (Robert Englund)

Batman: The Brave & The Bold (Dee Bradley Baker)

Batman Unlimited (Brian T. Delaney)

Killer Croc

Arkham Series (Steve Blum, Khary Payton)

The Batman (Ron Perlman)

Beware The Batman (Wade Williams)

DC Animated Universe (Aaron Kincaid, Brooks Gardner)

Batman: The Brave & The Bold (Stephin Root)

Batman Unlimited (John DiMaggio)

Clayface

The Batman (Steve Harris, Wallace Langham)

Arkham Series (Rick D. Wasserman)

Batman: Caped Crusader (Dan Donohue)

DC Animated Universe (Ron Perlman)

Harley Quinn (Alan Tudyck)

Batman Unlimited (Dave B. Mitchell)

Professor Hugo Strange

Arkham Series (Corey Burton)

Gotham (BD Wong)

The Batman (Frank Gorshin, Richard Green)

Strange Days Short (Brian George)

Batman '66 (Jim Ward)

DC Animated Universe (Ray Buktenica)

NOTE: William Salyers in Gotham By Gaslight is fine as well but his part is too secondary. Young Justice Strange is the only one I dislike.

Diana Prince/Wonder Woman

Wonder Woman DTV (Keri Russell)

Wonder Woman '76 (Lynda Carter)

DCEU (Gal Gadot)

Young Justice (Maggie Q)

Batman: The Brave & The Bold (Vicki Lewis)

DTV Universe (Grey Griffin, Michelle Monaghan, Rosario Dawson)

JLA (Rachel Kimsey)

NOTE: Really wish a Susan Eisenberg Wonder Woman could've landed here, but both of her most major iterations had some issues.

Slade Wilson/Deathstroke

Teen Titans (Ron Perlman)

CW DC Universe (Manu Bennett, Michael Chiklis, Esai Morales)

DTV Universe (Thomas Gibson, Miguel Ferrer)

Injustice Series (JG Hertzler)

Arkham Series (Mark Rolston)

Tara "Terra" Markov

Teen Titans (Ashley Johnson)

Teen Titans GO! (Ashley Johnson)

DTV Universe (Cristina Ricci)

LEGO DC (Laura Bailey)

Young Justice (Tara Strong)

Darkseid

DC Animated Universe (Michael Ironside, Kevin Michael Richardson)

Justice League Heroes (David Sobolov)

Batman: The Brave & The Bold (Michael Leon Wooley)

Injustice Series (Michael Leon Wooley)

DTV Universe(s) (Andre Baugher, Bruce Thomas, Tony Todd)

JLA (Johnathan Adams)

NOTE: I discount Steve Blum from the DTV Universe(s) 'cause what the fuck was that, and Ray Porter in the DCEU was tragically ill-fated.

[plotbunnygames]

I thought I'd post a reminder of all the games you can get through us!

Viva la QueerBar is a story game about a queer bar and the team who runs it. GM-less one-shot for 2-6 players, Descended from the Queen mechanics. Written by Sandra Dahlhoff and Andrea Rick, cover art by Hannah van den Höövel.

Miss Bernburg's Finishing School for Young Ladies is a story game about the interpersonal drama at a boarding school for upper-class young women in the 1950s. GM-less one-shot or few-shot for 3-6 players, Firebrands mechanics. Written by Andrea Rick, cover art by Christiane Ebrecht.

Bunny, We Bought a Dungeon is an OSR map-drawing story game about anthropomorphic bunnies who bought a dungeon to move in there together. GM-less one-shot for 2-6 players, D6 dice pool mechanic. Written by Jasmin Neitzel and Andrea Rick, cover art from the Public Domain.

Dolly, We Bought a Dream House is a dream-house-drawing story game about Dollys in a pinktastic world who explore and furnish a Dream House together. GM-less one-shot for 2-6 players, D6 dice pool mechanic. Written by Jasmin Neitzel and Andrea Rick, cover art by Andrea Rick.

Magical Pets is a narrative TTRPG about pets at a magic school. One-shot or mini campaign for 2-6 players and 1 GM, Lasers & Feelings hack. Writing and art by Andrea Rick.

Rodents With Guitars is a narrative TTRPG about a group of rodents who want to win a guitar band contest. One-shot or mini campaign for 2-6 players and 1 GM, Honey Heist hack. Writing and art by Andrea Rick.

ImproVeto is a story game to practice collaborative storytelling (usually fun and absurd ones) and using the X-card. Warm-up or one-shot of 10-90 minutes, minimal mechanics. Writing and art by Andrea Rick.

---

We've also published the official German translation of Follow by Ben Robbins and are currently working on further translations into German (including Dream Askew/Dream Apart by Avery Alder and Benjamin Rosenbaum).

We'll be crowdfunding our next bilingual game Against the Monster/Gegen das Monster in February 2024 (separate post to come!).

You can buy all the games shown in this post through our website (most of them are available in print and PDF). Digital versions (all screenreader-ready with image descriptions, PDF tags, etc.) and more detailed descriptions in English are also available on Itch.io.

[dustedmagazine]

Jake Xerxes Fussell—When I’m Called (Fat Possum)

Folk musician and curator Jake Xerxes Fussell was initially known for recordings with a front porch vibe. On his latest, When I’m Called, some performances hew to traditional lines. The album’s opener, “Andy,” is a story about Andy Warhol by Maestro Gaxiola, depicting a pseudo-rivalry between the artists. Fussell plays it simply, just acoustic guitar and voice, giving the song a rustic rework.

Elsewhere, new and past collaborators perform with Fussell. Like his 2022 release, Good and Green Again, James Elkington produces, creating elaborate arrangements and contributing instruments to several of the songs. Other frequent collaborators join them, including horn-player Anna Jacobsen, guitarist Blake Mills, bassist Ben Whitely, who plays both electric and upright bass and drummer Joe Westerlund. Musicians new to Fussell’s orbit include string player Jane Cook and woodwind performer Hunter Diamond. Throughout, Fussell’s understated baritone allows the words practically to speak for themselves.

Fussell culls another selection from a different source than usual. Composer Benjamin Britten collected many folk songs, arranging them for classical and scholastic musicians. Britten’s collaboration with Jane Taylor, “Cuckoo,” is given the Fussell/Elkington treatment, obscuring its rather formal source. Joan Shelley provides backing vocals on the chorus.

One of Fussell’s mentor figures, the poly artist and folklorist Art Rosenbaum, passed away in 2022. Several songs from Rosenbaum’s collection are featured on When I’m Called: “Leaving Here, Don’t Know Where I’m Going” the Scottish ballad “Feeing Day,” “Gone to Hilo,” “Who Killed Poor Robin”, and the album closer “Going to Georgia.” Each is treated a each bit differently: “Leaving Here…” has a pastoral vibe that includes winds, harmonica, and piano, “Feeing Day” has sustained horn chords in the background, “Who Killed Poor Robin” incorporates an inexorable character in the rhythm section and Elkington playing tangy organ chords and autoharp, “Gone to Hilo” has guitar soloing from Fussell and Elkington on pedal steel and organ, and “Going to Georgia” has Mills providing an extra guitar, Cook strings, Elkington organ and feedback, and Whitely and Westerlund grounding the whole in an Appalachian mid-tempo pattern. While many of the songs are given relatively brief renditions, “Going to Georgia” allows the musicians a chance to stretch out a bit.

Fussell is still a captivating figure singing by himself with a guitar; I wouldn’t want to see his front porch abandoned. However, this album's changes in approach and material invariably work. These and the talents of his collaborators help When I’m Called to be one of Fussell’s strongest recordings to date.

Christian Carey

[hallmark-movie-fanatics]

When Calls the Heart Season 11 Promo Shots

[transfemmbeatrice]

hello! I loved reading your interpretation of much ado's beatrice... I think it makes a lot of sense. on another note, as someone who enjoys shakespeare, do you have any adjacent media like literature classics to recommend? I need to find a classic work of fiction to analyze I think... no pressure though, answer if you want.

i have been giving this ask some thought and i have a number of answers for you! though i don't know if they're exactly what you're looking for, it's what came to mind.

Les Mis. my favorite book of all time!! there is SO much there to chew on, Victor Hugo is an incredible (if incredibly unsubtle) writer. the unabridged version takes some real work to get through, but it's worth it imo. even a good abridged version is still really excellent! i have some opinions on english translations you're free to inquire about if you're interested. whatever you do, don't read Denny. and the brick also still has a great, active fanbase on tumblr!

2. Twelfth Night (2017) dir. Simon Godwin. idk if you're already a twelfth night fan, but this production puts a little twist on it in a way that i am still thinking about years later. it works best if you're already familiar with the play so you can understand how its being subverted; if you're interested, hmu and i can hook you up with any number of productions to watch (which is true of any shakespeare, really. i collect them.)

3. The Imperial Radch trilogy by Ann Leckie. not classic lit, but the best contemporary scifi i've read. leckie is an incredible writer; there is nothing she's done i haven't loved and i would recommend all of her work, but this trilogy is my favorite. (if you want to try a sample of her writing, she released a short story collection this year called Lake of Souls.) the radch trilogy deals with empire and resistance and colonialism and language and gender and bodies and technology and identity and personhood and so much more!! they're one of my favorite books of all time.

4. other well-written scifi that really gets into it and has given me a lot to think about: the unraveling by ben rosenbaum (which does such a good job, imo, of feeling really alien) and a memory called empire by arkady martine (which has a great sequel as well).

5. crush by richard siken. not to be a cliche, but his poetry is fucking amazing. reading crush was the first time i understood poetry. i went my entire school career never clicking with it--i was a prose girlie and it felt like my brain just shut off every time i tried to engage with poetry, but crush fucking rewired my brain and i've read it so many times. if you haven't checked it out, i can't recommend it highly enough; the language and themes are so intricate and well done and it feels like a coherent whole in a really compelling way.

6. the count of monte cristo by alexandre dumas. it's been over a decade since i read it, but i know i loved it and so do many other people so i trust my own past assessment. i remember drawing a character map about how everyone was connected because it was so complicated (i may still have that somewhere, actually) and it certainly has some strong similarities to les mis but is focused on being a revenge story. i watched V for Vendetta recently and it comes up in that movie a bit and it made me really miss it.

7. Be Good and Rewatch It: Pride and Prejudice. Waypoint (rest in peace<3) did some media rewatch podcasts on this feed, and the star of the show is their series on the 95 BBC adaptation of Pride and Prejudice. altogether, their podcasting is more than twice the length of the show itself, but it is so incredibly worth listening to all of it. the adaptation adheres pretty closely to the book so a lot of what they get into relates to the original work as well. there is some fantastic insightful analysis like the difference between english and french relationships with nature and how its reflected in their gardening trends and what it says about lady catherine that her estate is done in the french style--and also there's darcy/peter b. parker fanfiction. extremely well done and also very, very funny, i cannot recommend this more highly!

8. In a similar vein, Shelved By Genre is an excellent podcast if you like sinking your teeth into literary analysis! they focus on genre literature, and have done Book of the New Sun, the Earthsea books, works by Junji Ito, a series by Mercedes Lackey, and I think next are doing Neuromancer? I'm very behind, but they do really excellent work. it's a touch more serious than the last one i mentioned, but it's still a LOT of fun. all three come from academia and i always feel like i'm learning so much when i listen to them.

9. Heart Berries by Terese Marie Mailhot. it's a shortish memoir that i really enjoyed, and there was an interview at the end that i can't stop thinking about because of how she talked about her craft and her story's place in a larger context. i recommend at least reading the interview (which i posted here). i'll also throw Alan Davies' memoir "Just Ignore Him" in here, because i loved it so much and also have a lot of thoughts about how it is written and structured which that interview made me think about again. i'm very biased on this one because i'm a huge fan of his, but i think it's still pretty good if you're not familiar with him. it should be noted that both these books deal with some dark stuff, so feel free to reach out to me for content warnings if you like. alan's audiobook is excellent; heart berries' audiobook is horrendous.

10. this list could not be complete unless i recommended Friends at the Table, an actual play podcast focused on critical worldbuilding, smart characterization, and fun interaction between good friends. genuinely the work they do is some of the best stories i have ever encountered, in my entire life, in any medium. there's a shit ton of it and i'm always happy to give recommendations on where to start, whether you're ready to dive in totally or just try a sample. i could never even begin to put into words how good this show is or how much it means to me. it makes me laugh, it makes me cry, it makes me laugh until i cry, it haunts me (positive), it has led me to meeting so many cool people and introduced me to lots of other great and compelling media and philosophy and political ideology. and that's not even getting into my fascination with how game mechanics shape a story, and the sheer joy of things coming together based on chance rather than convenience--it's such an interesting way to tell a story! i'll shut up now but as i will continue to say up to and including when i'm on my deathbed--please listen to friends at the table.

[theresattrpgforthat]

re: non-medieval european fantasy, "dream apart" is set in a fantastical 19th century europe, but focuses on a jewish shtetl, which i feel is a very different vibe and a perspective you don't often see in ttrpgs.

You make an excellent point, and the fact that it's written by Ben Rosenbaum means that it's written by a person who's connected to the culture which it is about. I'm fascinated about the roots of the Belonging Outside Belonging system, how it centres the stories of communities who can't rely on established systems for justice or protection. I think the fact that they so often de-centralize power not just within the setting, but in the way the game itself is run is so so so vitally important. The more I think about this system the more it makes sense that Avery Alder and Ben Rosenbaum would be the people to pioneer these systems of games. And I'm very grateful to them for doing so.

[whencallstheheart]

Ben Rosenbaum is When Calls the Heart

[unhingedhearties]

Why Do These People Never Have Tact Or Social Awareness?

The set up:

When Calls The Heart’s Ben Rosenbaum (the one that’s always dehumanized by the mentally unstable Heartie who’s obsessed with Erin) raised $12,000 for the MS Society. I know. Evil, right? To encourage people to donate, donors had the chance to win WCTH prizes in a raffle. Some of the prizes are replica hair pieces made by the woman who makes the hair pieces the actresses wear and the boxes the pieces are in are signed by Erin (Elizabeth), Pascale (Rosemary), Natasha (Minnie), Johannah (Molly) or Kayla (Fiona). 

Truly the worst behavior humanity has seen.

Pascale made a post on her Instagram showing off the hair pieces and promoting both Ben’s post but also the woman, Lori-Anne Jackson, who makes them.

So you can see that with all this charity and giveaways and promoting a woman-owned independent business it’s totally appropriate to post stuff like this:

And of course it was these two smooth brained ragepigs.