#being selfish means putting you own wants over other people

[joons]

okay no wait, I'm so curious your thoughts on the elvis mythology! I'm trying to think of an example haha. anyway, thank you for that food for thought. your takes on elvis are so interesting and kind of a different perspective than I normally see

Thank you! That means a lot because I do love going into his psychology and thinking about how he thought about things. And I love being able to engage with Elvis stuff from all different angles!

I can think of a few - like there will be people who were close to him who make such absolute statements about him: he refused to wear blue jeans, he hated eating fish, he loved eating peanut butter/banana/bacon sandwiches, he was afraid of germs, he wouldn't sleep with women who were mothers. But not all of those are true for him 100% of the time, or they seem to be big outliers where no one else has reported anything like that. And as you read more, you can see moments where he behaves differently than these big eccentricities that people pin on him, and you have to think about why that might be. You pick up little clues that you can put together to figure out what he meant. Did he have an almost pathological dislike of blue jeans because they reminded him of his childhood poverty, or did he just tell one of his band members that because he had made a brusque joke about the guy wearing blue jeans in front of a bunch of people and wanted to find a way to apologize without apologizing? Was he covering up behavior he was ashamed of, or was he revealing the real shame that drove him to look his best and make sure his entourage looked their best too? Did he actually have an aversion to women after they had given birth (unlikely, since he had relationships with several mothers), or did he want to give Priscilla a reason for avoiding her that she couldn't work around, knowing that she always went overboard trying to change herself to get his attention and getting rid of things she thought were coming between them (his spiritual books/Larry Geller/etc.)? Was this just one of a long line of excuses he made for not truly being in love with her and not wanting to try anymore? Did he actually eat the same sandwich every day, or did he just make a big deal about it one time because it was Lisa's birthday and he wanted to fly her somewhere special? And the other stuff he did eat every day, did he do it because it was one of the few things in his life he had control over, and could extract comfort from, or did he do it because, as he told Larry, he wanted to make himself sick of it so that it would no longer be a temptation? And how much of these conversations are either hearsay or someone putting words in his mouth to absolve themselves of something that bothered them?

The long and short of it is that people have sometimes reported things he said or did without any surrounding context, or it gets stripped away when it's reported elsewhere, and we are left with these moments that don't make sense or tell us anything about him unless we see how he dealt with them throughout his life, around different people, and see him as a whole person and not the Elvis Image that he tended to embrace when it suited him and resent when it hurt him. A really great moment that I think shows how Elvis tended to approach things is reported by Steve Binder, where he said Parker was telling Elvis absolutely not to do something, and Steve felt like Elvis just kind of shut down and mumbled "yes" until Parker left, and then Elvis' eyes flashed and he turned to Steve and said, "Fuck him," and did what he wanted to do. He was a people pleaser! A huge one! He valued loyalty above honesty. He was willing to lie to people he cared about if he felt that it would avoid a confrontation, and sometimes that tipped into a selfish "I want to do things my way," and sometimes that tipped into a selfless "I want them to have everything I can give them." And he waffled between those extremes because of his own low self-esteem and loneliness. I'm! Screaming! About this! At all times! He is an unreliable narrator, he's such a bubble of emotions that pops with the slightly scratch, he's so complex that you are not sure if he wants the bubble to be an opaque shield or a transparent boundary that you can slip through. He was testing people all the time to know if he could trust them with his heart without expecting him to be the Elvis Image, telling them things that were an invitation and a challenge and an insult and a declaration of love all at once, and so much of the problem we deal with now is that people are still completely uninterested in these depths. I???? Love him??? And the things he can help us learn about ourselves??? Just by trying to see him as he really was????

I don't know, I just get very overwhelmed!!!!

[sapphic-agent]

I think one of the biggest Chekhov's guns in the entirety of bnha is the fact that the League got to where it is thanks to Stain even though Stain was never part of the League of Villains.

The League's reputation is built off a lie that the organization wants to take down fake heroes and right the wrong in the corrupt hero society because people assume Stain was a member of the League when the actual goals of the League are far more simplistic, one-dimensional and selfish than Stain's. All Shigaraki wants is to lash out and mindlessly destroy everything in his path and All For One the actual mastermind behind the League is using the organization as a vehicle to retrieve his brother's quirk and rule over Japan like he did before All Might punched his face off.

In my opinion, the perfect moment when this could have been revealed was after AFO broke out of prison and in order to isolate Shigaraki, so none of his friends interfere with or try to stop the merger, AFO shows them a video caught on camera of Stain and Shigaraki's interaction in the bar. Immediately shattering the bonds formed within the League in his absence by showing them that Shigaraki had been lying to them the entire time with no intention of telling the truth to them. AFO would add salt to the wound and say that Shigaraki never cared or even thought about heteromorph discrimination, quirk marriages, heroes abusing their family, quirk discrimination or the bogus quirk counselling system.

I feel like Spinner and Toga would take this the worst.

Sorry if this sounds like I'm putting Stain on a pedestal. I'm not really a big fan of him and don't think he's as complex as Horikoshi wanted us to belive at the time of the Stain arc.

Please don't apologize, I love Stain! And sorry I got to this so late. I wanted to answer it carefully.

I've touched on this lightly before, but there's a certain... disparity when it comes to Stain and the LOV. That is, that Horikoshi tends to ignore that he's the reason Dabi and Toga joined. I've made a few posts on the regression of their characters during the progression of the series and apart of that is Horikoshi completely casting aside what Stain said.

Stain claims hero society is corrupt, but has no credence to this other than the fact that he claims Izuku and All Might as true heroes. We, the audience, know he must be at least partly right, but in-universe he's made out to be an extremist because he never went after, say, Endeavor or the HPSC (you could include Hawks as part of this if you wanted).

This is a repeated issue with Horikoshi not supporting his own thesis within his story. Quirkless people are a minority and born "unequal," but we never see anyone suffer the ramifications of this outside of Izuku. The HPSC is rearing literal child assassins but we're gonna have the main victim of this continue to support and work for them (oh and he also idolizes an abuser despite having an abusive parent). The students are struggling with being constantly attacked by villains, but we're gonna ignore their trauma with a festival! Oh, and then we're gonna send them to war. A top hero was revealed to be an abuser and sex trafficker but it's fine because nearly all of his colleagues and victims support him.

Horikoshi refuses to dive deeper (or at all) into these themes. I don't know if it's because he's simply unequipped to handle them or if going into these things will make his favorites (Aizawa, Bakugou, Endeavor) look bad.

Where am I going with this?

Horikoshi refusing to actually address these things means that the characters centered around them- Stain, Dabi, Toga, Spinner, Hawks, Izuku, etc.- lose complexity. Their stories aren't being supported by the narrative that introduced them.

So it doesn't matter that the LOV wasn't actually aligned with Stain because- at least for Toga and Dabi- Stain isn't as big a part of their characters as he previously was. Dabi's goals completely pivoted from what they were established to be and Toga was simplified a lot as a character.

(Twice's death was a great opportunity for Toga to revisit Stain. Where she differs from Dabi is that she idolized Stain because she felt a kinship with him due to their quirks. For someone who was shunned for her quirk, she joined the LOV simply to find others like her. Twice's death could have been the moment she really started to understand what he stood for. But Horikoshi can't be bothered)

Spinner is a little different because he does seem to still carry Stain's ideals, but in my honest opinion you could say that he completely lost sight of them. The shift to idolizing Shigaraki can be seen as symbolic of his ideals being completely skewed from what they once were. Which could have been a fine descent arc, but the execution wasn't done well.

My point is, even if it was revealed, the LOV were so regressed from how they were introduced that I doubt it would have mattered. Dabi wouldn't care (which honestly would have been true either way because he clocked that Shigaraki had no plan from the very beginning), Toga never really understood Stain in the first place, and Spinner lost sight of what Stain stood for

[iamonlyhereforthefreefood]

It’s so funny to me when conservative Christians look at very valid reasons for not wanting kids and are like “this is a sign of how selfish this generation is”. My dude why is wanting to not be miserable seen as a bad thing. I understand that you get off on suffering but some of us like to be happy.

[insanechayne]

~ ~ ~

[liloinkoink]

one thing i think people get wrong about Martyn in the life series is he really isn’t loyal

like yeah, we all know him as the Hand, following the Red King as far as their shared grave, but that is… truly the outlier and not the norm with him

i mean, let’s take a brief look at other seasons. i can’t speak to Secret Life, as it came out when i was incredibly busy and i haven’t yet had time to watch it, but what about the others?

he won Limited Life because he’s a chronic traitor! he betrayed Scott, his ally for the whole season, so that he could win, and said he’d been planning it / wanting to do it the whole session. spent a whole season protecting and helping Scott, and laughed in his face to betray as soon as he saw a shot to do so

Double Life was a whole mess of Martyn and weird loyalties. just one example: he spent all of the first session hanging out with Pearl in favor of even looking for either of their soulmates, with no regard for how he’d been putting his soulmate in danger. when their soulmates dumped them due to being ignored all session and stormed off, he dumped Pearl just because. one session in and he’s betrayed both his soulmate and his day one alliance!

Last Life he teamed with the Southlanders and then made the Shadow Alliance in secret, so he was on two teams and never truly committed to either. he tried to kill Grian basically immediately when he got boogeyman, for example, and in the final fight he tried to lure Ren to himself by offering to team and then tried to blow Ren up

of course, i’m simplifying and ignoring a lot. he doesn’t earn the loyal reputation for nothing. he does a lot of things to help his teammates, like giving a life to Ren in Last Life, trying all season to win Cleo over for all of Double Life, or working to protect Scott for all of Limited Life. it’s not like Martyn doesn’t play the part of a loyal friend well, but, well.

the thing about Martyn is that he’s selfish. he’s basically always going to prioritize his own survival over anything else. he’s never going to roll over and die, especially not for another person. he’s good at looking loyal, because having allies will help you survive, and he knows making outright enemies is a bad idea. he knows he can’t make it obvious he’s a traitor, because then he’ll certainly be killed. but, when it comes down to the wire, he will generally bail at the last minute to save his own skin rather than protecting the people around him. when his loyalty is tested, nine times out of ten, he will not only fail, but do so completely without remorse

it doesnt take a lot to become Martyn’s ally, and once you’ve got a foot in the door, he will take his allegiances seriously (at least, to a point). but it takes effort to really earn Martyn’s trust. and, even when it looks like you have, there’s no guarantee he won’t yank the rug out from under you if he decides having you alive is more detrimental to his survival than seeing you dead

and yes, you can especially see all of this in Third Life. Martyn was absolutely not instantly ride or die for Ren—for a lot of the earlier episodes, he won’t say he’s on Ren’s team or that he lives at Ren’s base, and often tells other players he’s simply Ren’s employee rather than teammate and that he’s wandering or homeless. he trusts Ren so little due to Ren’s inability to keep a secret or stand up for himself that even Ren acknowledges in the third session that Martyn is probably going to leave him and find someone else. Martyn’s loyalty had to be earned, and it very nearly wasn’t. if Ren had taken a session more to grow a spine, Martyn probably would have left

but Ren became an ally that Martyn could rely on, who could stand up for himself and keep secrets. it became more beneficial to Martyn’s survival to have Ren around, so he stayed with Ren for the rest of the season, and committed hard to their kingdom. Ren earns Martyn’s trust by becoming a more dependable ally, and because of that, Ren earns Martyn’s loyalty…. probably

(half related, bc i want it in the post and i don’t know where to put it: after the execution, two sessions after Ren officially earns Martyn’s loyalty, Ren admits to being genuinely convinced Martyn was going to take him out of the series as soon as Ren gave him the chance!)

because yes, even here, even after Ren earns his trust and Ren trusts Martyn to execute him and they become King and Hand, Martyn was okay with killing Ren to save himself. Martyn has said he was going to betray Ren in the final session of Third Life. his entire plan was that when he and Ren hit the final 5, he was going to kill Ren. end Red Winter, usher in Red Spring. even the most loyal version of Martyn was a traitor!

now, you can decide for yourself if you believe he could have actually gone through with this—he and Ren were 6th and 7th out of the game, after all. maybe he wouldn’t have been able to steel himself. maybe his loyalty would have, for once, been too strong to kill Ren.

but it’s very possible that even the most loyal version of Martyn—the version of Martyn who has created this “loyal” image of Martyn in fanon—was only loyal because he died too soon to show his true colors

[luna-azzurra]

Writing a Morally gray character

Think about their backstory, what shaped them into who they are? What do they believe in? And, most importantly, what pushes them to get out of bed every morning and keep going? These characters aren’t simple good or bad. They’re caught in the middle, in that murky, complicated space between black and white. That’s where they get interesting because they’re constantly wrestling with themselves, trying to figure out the right choice, or if the “right” choice even exists for them.

You need to show this internal battle. Imagine your character being torn between what they believe is morally right and what they actually want. This is where the real drama comes in, it’s like watching them juggle their principles with their desires in real-time. They’ll mess up, and they’ll make decisions that are sometimes questionable, but that’s what makes them human and relatable. One way to really highlight their complexity is by putting them in situations where there’s no clear answer. You know, those moments in life where everything’s kind of a mess, and you’re stuck trying to figure out what the hell you’re supposed to do? Your character should face situations like that. These gray areas create tension because readers won’t know which direction the character will go, and honestly, your character might not know either.

And don’t forget, growth is a huge part of writing a morally gray character. People aren’t static, they change based on what happens to them, and your character should too. Maybe they start off with a strong sense of morality but, over time, that starts to shift. Or maybe they start with shaky ethics and slowly become a better person as they learn from their mistakes. Growth can also go the other way, they could spiral downward, giving in to darker impulses. Either way, they need to evolve, just like people do in real life. That’s what keeps the story fresh and unpredictable. The last thing you want is a character that stays the same the whole way through.

Also, please, no stereotypes. A morally gray character doesn’t have to be a brooding anti-hero with a tragic past (unless that’s your vibe, but even then, switch it up). Give them quirks that make them unique. Maybe they have unexpected motivations, like they’re doing something shady for a cause they genuinely believe in, or they’ve got a weird sense of humor that throws people off. Whatever it is, make sure they feel like an individual, not just a copy-paste character we’ve all seen a million times.

Even when your character makes decisions that aren’t exactly clean-cut or heroic, the reader still needs to understand why. Show their vulnerabilities, why they doubt themselves, why they hesitate, and why they ultimately make the choices they do. It’s all about making them relatable, even when they’re walking that fine line between right and wrong. People might not always agree with them, but they should at least be able to see where they’re coming from.

And remember, every choice your character makes should have consequences. They don’t exist in a bubble. Their decisions should ripple out and affect not only them but the people around them. Maybe they make a selfish decision, and it ends up hurting someone they care about, or they try to do the right thing, and it blows up in their face. One last thing, just because your character lives in that gray area doesn’t mean they don’t have any sense of right or wrong. They might have their own personal code they follow, even if it doesn’t line up with society’s morals. Maybe they justify their actions in a way that makes sense to them, even if other people wouldn’t agree. It’s all about exploring that space where they’re not totally good, but not totally bad either. That’s where things get really interesting.

Think about where your character is going. Is their journey going to push them to become a better version of themselves? Will they fall back into old patterns and never really change? Or will they stay stuck in that moral gray zone, constantly torn between doing what’s right and doing what feels right for them?

[the-second-hand-unwinds]

1x04: "just kind of an asshole and a bad friend" - this scene, though!!

I don't see this scene discussed all that much, but for me it's a massive turning point, not just in the Lokius friendship but for Loki's own growth as a person who doesn't want to let down the people he respects and cares about. Mobius completely blows Loki's mind here and cuts him down with a graceful, yet blunt skill. He can almost read Loki's mind; no one has ever understood Loki like this before. But more importantly, why Mobius' reply here means so much:

He's not raising his voice. He's not giving Loki the angry and hurtful response that Loki expects and wants right now. That's because if Mobius hurts Loki back, if he retaliates in kind, it will distract Loki from the fact that he was a dick to the first real friend he ever had. It will make it much easier for Loki to lie to himself and excuse his actions, while avoiding any guilty feelings. Mobius is not going to give him that.

Mobius also refuses to play along with Loki's bratty drama, instead speaking to him in an honest way, showing that yeah, Loki did let him down and hurt his feelings. And that Mobius is angry, sure. But it's not a moment for petty, fake drama such as Loki tries to ignite.

Instead, it's his friend saying "I trusted you and put myself on the line for you and you betrayed me. You don't get to make this about anything else." (more below the break)

Owen Wilson's delivery on these lines could not have been more flawless. We get all of Mobius' feelings; he's just a regular guy at the end of the day, and his genuineness, his integrity is not what Loki is used to dealing with. He's knocked the ground out from under Loki, this simply, this easily.

Emotional stakes instead of shallow, selfish ones. Loki is thrown into real shock by this turn of events. This is not how he's used to being dealt with when he's been "bad." The child in Loki never matured past these tantrums, for reasons we can easily guess.

Instead of being enraged or saying a bunch of mean stuff back at him, Mobius calls it like it is, then moves on, as if Loki no longer deserves his attention. That is going to drive Loki so crazy.

Plus, Mobius gets Loki so completely that he already knows how his statement is going to hit him. That's why, when Loki's surprised expression appears, Mobius is expecting it and says, "Yeah, chew on that for a little bit."

In other words, "How do you like being treated like a person who is expected to be decent and considerate, as opposed to being treated like a threat or problem to be destroyed?"

I think the latter was damaging to Loki at first, but then, over time, so much easier for Loki to cope with. Enemies were playing into his hands by repeating back the same insults he's gotten used to, has toughened up to.

Nobody has believed in him and expected - not just demanded - but expected better from Loki, until Mobius.

Knowing that he almost immediately tarnished such a friendship hits completely different and Loki is thrown by it.

Mobius sees Loki 100% for who he is and knows how to get under his skin when necessary, knows how to get past Loki's bravado in a way no one else has done.

But part of that skill is because Mobius really still can't help loving Loki to bits, and as hurt as he is here, he has not completely given up on Loki. It's Mobius' genuine, heartfelt responses to Loki that allow him the empathy to give as good as he gets, but more than that, to care enough, specifically, to try and help Loki learn to be better.

I just love them so much-- 😭💓💞

[normal-thoughts-official]

It's actually insane how brave Wyll is when it comes to Mizora. Not only by not killing Karlach but also all the small ways he defies her - calling her an asshole, saying she's full of shit, even when Mizora is literally choking him he's still telling her that she's a liar. Whenever she shows up it's pretty much guaranteed that she will have to threaten him with lemurehood because he simply refuses to play nice. Even if it accomplishes absolutely nothing and in fact is actively dangerous to sass her

And like. Of course this ties in with how Wyll has pretty much nonexistent self preservation skills and a sense of moral fortitude so strong he can't even pretend to not be hostile towards her. But i also think it ties with Mizora's obsession with him

Because while we all know Mizora is evil and annoying on principle and all that shit, she seems to be particularly interested in tormenting Wyll. I have to assume shit like putting a tracker on him and showing up randomly just to spite him and staying in camp just to be annoying even after the contract is over are Wyll specials, because if she did this to every single one of her warlocks then she would have time for nothing the fuck else. And we know from Karlach that she's generally more worried about sucking Zariel's toes, so

(Also, I've been told that in early access she was like... Straight up jealous if you romanced Wyll, so, again. Obsessed with him in particular)

I always got the impression that she was so evil and annoying to him because she was overcompensating. Mizora is a cambion, which means she's half human, which means that in Hell's hierarchy she is fucking trash. Even the official cambion lore states that they are often rejected in both realms and struggle to earn one of their parents' approval. And it's obvious that in Mizora's case she's aiming to be accepted in the Hells.

I've seen some people claim that Mizora is too cartoonishly evil, and while that is objectively true... I think it works precisely because it's so cartoonish. I'm thinking particularly of how she describes her home in the Hells being all "oh, how I adore it, the delicious agony of it all". It's so over the top it's eyeroll worthy. I don't think Zariel herself would be Like This about it

In other words: Mizora is a tryhard

And Karlach even implies that Mizora resented her because she was Zariel's favorite, which is why I think Mizora's tryhardness was intentional as opposed to just a lazily written villain. She wants to fit in the Hells so bad it makes her look stupid. And she never will, because no matter how over the top she is about being Generically Evil, she is simply not that powerful or important.

So she overcompensates, and then she uses Wyll as her punching bag. If her own superiors will always see her as vermin, then at least she can cope with that by treating others that way as well.

But like I said, she will have no time left to suck Zariel's toes if she spends all her time tormenting every single warlock under her patronage, so the question is: why Wyll?

Obviously his unwavering goodness is the biggest reason. His soul is already damned and yet he refuses to be selfish with the time he has left on the material plane. Mizora can own him, but she can't corrupt him, and that makes her hate him. The fact that even despite her best efforts he is still recognized and beloved as a hero has got to sting too, considering she tries so fucking hard to be the Evilest Cashier In Hell or whatever. And the fact that he still manages to belong in his world (however isolated and lonely he obviously is) despite his connection to hers and she can't belong in her world because of her connection to his... Well, jealousy is to be expected.

But I think his refusal to play nice with her also plays a big role.

There's the obvious "this makes her resent him even more" factor; if Mizora wants to feel superior, it must piss her off to no end that Wyll refuses to bow to her, even if he does her bidding.

But, paradoxically, this also makes her feel more powerful.

Because at the end of the day, she does own Wyll's soul, and he does have to do her bidding, even if he doesn't go quietly. And the fact that he hates her so openly makes it all the more satisfying to have him do what she wants anyway. In Wyll's words, "the more bullshit she pulls, the more [he's] forced to swallow". His hatred for her is exactly why she wants him so bad, even though she obviously hates him just as much.

And so this is why she's so desperate to get Wyll's soul back, and why, even if he breaks the pact, she still makes it a point to stay in camp just to fucking spite him. Because Wyll is the only warlock that actually makes her feel appropriately Powerful and Evil, if we assume that her other warlocks are simply not as good aligned as Good Alignment Georg or even just don't want the trouble of spiting her for no reason. She can be obeyed and tolerated and maybe even revered by the other warlocks, but only Wyll can make her feel like an absolute, inescapable power. Because the other warlocks choose to obey her. Wyll makes it clear that he has to, and thus, she feels like she is mighty.

And obviously I know that the whole "person who has it all is obsessed with the one person who doesn't obey them" trope is a well known cliche, but I think Mizora and Wyll's dynamic is unique in that Mizora doesn't actually want to make Wyll bow to her and respect her as an authority; she wants him to fight back so she can feel like she's winning.

(And, of course, because Mizora doesn't actually have it all; she's just a petty errand girl who wants to feel special)

So, yeah. Wyll's incredible bravery in constantly defying her is exactly why she is so eager to keep him

[asidian]

I nattered on about this a while back as an addendum to one of my other posts, but it got a little lost since it was a reblog, and the idea of it's stuck with me, so I wanted to come back to it again and expand on it a little.

One of the major themes of Dead Boy Detectives is that the good you do comes back around.

It surfaces and resurfaces throughout the series. The instances in the final episode are the most spelled out for the viewer, but there's one example that lives at the very heart of the show that isn't quite so obvious on first glance.

When Charles dies, Edwin is newly returned from hell. The show doesn't specify the timeline aside from that he escapes hell in the same year he meets Charles, 1989, but overcoming that much trauma within a year is a big ask any way you slice it. He's spent seventy years in survival mode. He's got to be a wreck, still.

At this point, he hasn't had time to develop any complicated leniency schemes to keep himself out of hell. Certainly their detective agency hasn't been formed yet. It comes later, in 1990.

For the entire rest of the series, Edwin has a least a partial ulterior motive for the good he does. He takes on cases and tries to make an impact for their clients at least in part so that he can build himself up such a shield of decency that if he ever gets dragged back to hell, he can try to plead his case. He's so ashamed of this that he doesn't admit it out loud until he's forced to by magic.

But when he meets Charles, none of that plan is in place yet. Here he hasn't taken the time to sit down and work out a plan at all. Here the agency doesn't even exist.

He sees this boy in the attic, beaten and freezing and huddling in a corner, and he comes to offer the only thing he thinks he can: light.

And when he realizes he can give more than that – when he realizes that Charles can see him, and what that means – he stays and gives more. Comfort, and kindness, and company, in the very darkest hour of all.

He takes one look at how battered Charles is, and he tells him, "I shan't hurt you."

And it is a big deal.

Arguably this one line is the very best thing he could have said to Charles in this situation, and Edwin, who struggles with people, who has spent seventy years in hell, who is still trying to sort through his own trauma, takes one look at this boy who has been beaten soon-to-be to death, and he knows that intuitively.

And to Charles? It must have meant everything. Charles has spent his entire life trying to be good enough. He smiles and struggles to please. He does the best he can for whoever he can, and for his entire life, it has never been enough. He's been hurt, over and over again, for failing to live up to his father's impossible standards or guess at his impossible rules. His so-called friends turned on him and murdered him for trying to keep them from hurting someone else.

He's on the verge of tears, alone in the dark, dying.

And then Edwin steps up carrying the metaphorical and literal light in the darkness, and one of the very first things he ever says is, "I shan't hurt you."

That's the baseline. That offer comes when Charles isn't putting on a show. He's not being brave, or strong, or charming. He's hiding in a corner, quietly freezing to death. But here comes this boy anyway, with a light in the darkness and a promise not to hurt him.

It's a moment of simple, honest kindness – of Edwin doing good because he sees someone and he wants to help.

And to Charles, it makes such an impact that he gives up his afterlife for this boy. He spends the next thirty years stepping in front of things that would do him harm. He keeps the lantern and brings it with him, when he comes to save Edwin from hell.

It's that very first moment of kindness, in the attic, that sets into motion the events that result in Edwin's rescue.

That one moment of genuine good, with no furtive selfish side intentions, comes back around to save him. He only knows Charles at all because he stopped to help. Charles only didn't pass on to his afterlife because Edwin was there for him.

And then, all those years later, Charles sets out like Orpheus down into hell to get his best mate back.

That good has come around again. That light in the darkness, literally and figuratively both, is there for him in his lowest moment because he offered it to someone else when they desperately needed it.

And that's beautiful.

[kismetlotts]

Kinktober 🎃 day six: Period Sex!

cw: period sex, talk of menstrual blood, public sex, use of 'Good girl', degrading talk, mentions of being owned you and Johnny, mentions of submissive and dominant Johnny, use of 'wearing your blood in honour', mentions of fem receiving oral sex during menstruation but no actual oral sex, creampie, mentions of aftercare and hinted aftercare, mentions of noncon and dubcon, mention of you having his kids, mentions of marriage/wedding

Johnny eagerly dragging you to the toilets of this local pub everyone around work was at. The captain and others were hosting a Halloween party, in hopes to get everyone together and chill outside of the stressful work environment you knew well. Decorating the interior with fake blood splats on the wall and luminous tape printed with the words ‘Do not enter.’ It was clear they had put a lot of effort into the little gathering, special Halloween cocktails and drinks being served, music- but none of that mattered as soon as Johnny set his eyes on yours.

The bathroom door slowly closed after being slammed open and Johnnys mouth slowly withdrew from yours. Ripping off the stupid store-bought black vampire cape, which was a poor attempt of making an all black outfit a costume, before dropping to his knees. Your flustered waffling and poor attempts to drag his face away earning nothing but a sick chuckle from his throat. He wasn’t listening to anything you were saying- he didn’t really care because he’d wanted you for so long and now nothing was stopping him.

Your body shuddered at the cold skin of his fingers, watching as they hoisted your white nurse costume up and over your thighs revealing the pretty little padded up underwear you were wearing- making his coy devilish smile grow an inch as he tugged your panties down. Oh, that’s why you were so embarrassed of him touching you, that’s why you were telling him no. It was that time of the month, wasn’t it?

He figured there was a deeper reason than you just not wanting him because he saw it in your eyes. The way your legs crossed at work whenever he’d walk in for a ‘check up’, the way you bit your tongue when he’d compliment you.

Resenting the urges you got to let him fuck on the job, you were a good girl and followed the rules tightly. No sex during work hours or in the work place. Tonight there was no rules, no work, no colleagues, just people getting together for a Halloween party. Johnny and you were both free to do whatever you wanted and Johnny definitely was not wasting anytime. He didn’t give a fuck about the party, he only came because he knew you would.

“Babe-,” He started but truly he didn’t know how to finish, the embarrassed look on your face making his heart melt. He wasn’t scared of blood, working in his department it would be ridiculous for him to be scared of blood and to be honest, it turned him on. Knowing no matter what your pink little pussy would leak it so shamelessly, it was adorable. Knowing you would paint his dick so nicely and let him wear your blood as a symbol of love and honour; honour to finally fuck and perhaps keep you as his gorgeous girl forever. The girl he’d been admiring for months.

He wasn’t scared of your blood, he was more scared of it not feeling good for you but knowing it would be extra warm and extra fucking wet it was getting harder for him to place your pleasure above his own. I mean, did you even deserve it? From the amount of times you’d pushed him away and told him no? Maybe somewhere deep deep down he liked the fact you were bleeding because his brain would trick him into believing he was the reason behind it. Hurting you and your pussy so much you were crying for him to stop. Pouring with blood he’d caused because you were a stupid, selfish little cunt. He had needs too and he was prepared to go to great lengths so they were being met. He’d fuck you through tears and screams, moans and whines- He just needed to fuck you at least once.

He’d kiss up your legs starting from your delicate ankles, kissing up your thighs and up the rest of your unclothed body until he reached your neck, quickly unbuckling his plain black jeans. His dick already so desperate to bury itself inside of you he felt if it took any longer he’d just have to bend you over and ruin you now. Fucking you rough and doggy due to his own impatience.

“Baby, it’s okay. A little blood don’t scare me- in fact please. Please let me inside you. Please let me make you feel good because you deserve it so much baby- oh yes you do bonnie. C’mon, please.” His voice, his whispers, the pure need and desperation of his begging made your eyes close.

“Please. Help me out, I know you want this.” And when that small nod left your head, eyes meeting his rushed, that was all the confirmation he needed to have his fun. Feeling his rough hands digging into the back of your thighs lifting you up against the wall and aligning himself to your hole greedily.

He was such a pathetic, dirty little loser. A dirty sod for letting you bleed all over him- a dirty sod for fucking enjoying it but after all, you were one too. He should be ashamed, should be disgusted at how his eyes stung with tears at how good you felt.

How loose and fuckable you were- sliding in so easily and creating the most erotic wet noises he’d ever heard. Your blood coating his cock, balls, pubes and thighs, the floor a mess with drips he’d obviously clean up later and he was so glad your eyes were shut right now- you would be horrified at the sight. The white rim of your dress caught in the mess and dyed red which feasted to his arousal- to his thirst.

All vampire jokes aside but Johnny was getting dangerously close now. His orgasm slowly building the more he pounded you against the wall, the urge to fall to his knees again and lap his tongue around your clit. Letting your vulnerable pussy coat his chin and face, reminding him that he’s yours- you own him. Nothing would be better than that but he couldnt bring himself to stop or to slow down.

He couldn’t resist his thrusts and mindless praises that were spewing out of his mouth and into your ears, cumming in deep and filling you up with his warm semen. His legs going weak as his body pressed you against the wall. Orgasm so good he almost dropped you. He’d look down at you, a cute panting mess as you covering your face, your little pussy swollen and probably aching. Your feminine tummy all bloated as you finally settled back to your feet, legs a little like jelly from how good he pounded you and an irreplaceable smirk present on his lips.

Thinking to himself about what a fucking woman you are before tidying and wiping you up, slipping his baggy t-shirt over your blood-soaked dress before grabbing your wrist and taking you home. One day you will be having his kids, whether you knew that now or will find out later. You were having his kids and you will be walking down the aisle and into his arms. You were Johnny's now, Johnny was yours- and neither of you were complaining.

[heliads]

Can you do Peter Pan x reader OUAT? Peter goes to the modern world with Emma, Snow, David and them as they are looking for someone. He meets this girl and takes an interest to her. He’s never seen someone with facial piercings, and dyed hair before, they come to realize she is the girl they’ve been looking for.

'magic finds magic' - peter pan

masterlist

Peter Pan is leaving Neverland. Worse, he’s leaving Neverland alongside Snow, Emma, David, and Hook. In terms of traveling partners, this has got to be the lowest of the low. However, the sand in Peter’s immortal hourglass is running out, and his first attempt at prolonging his life with the heart of Henry Mills didn’t exactly go according to plan. It’s this or nothing, even though Peter is starting to wonder if it would be better to just die than put up with these people any longer.

Never in his life did Peter Pan think he’d be working with the good guys. But never in his life did Peter think he’d be dying, either. A few compromises will have to be made in the name of preserving Peter’s everlasting life, and if that means he has to put up with some princesses and pirates for a few days, so be it. In no time at all, his immortal life will be restored, and he can go back to Neverland and put all of this behind him. Hopefully.

Peter was supposed to die back on Neverland. He was running out of time, anyway. He had set up the perfect scheme:  kidnap Henry, disorient the boy’s rescuers on his island long enough to win the Heart of the Truest Believer, and cut the organ out of the boy’s chest if necessary. He’d almost gotten away with it, too, except he was foiled at the last minute. Heartbreaking. So unlike him.

For some reason, though, he hadn’t been left to die in the caverns of Skull Rock. Emma and the others had needed him, for some odd reason, and although none of them trust him in the slightest, they do trust Peter’s single-minded selfishness to keep himself alive. So they claim, at least, and so they had gotten a spell to give Peter one more week of life in exchange for help. If this plan works out, Peter will have a way to continue his immortal life without needing to murder Henry. If it doesn’t, or if he betrays them, he’ll die anyway.

He can feel it now, the pang of his close call with death. There’s a pain in his chest that wasn’t there before, a certain weakness in his lungs. Peter gets tired more easily. He feels– well, he feels like Henry and Emma. He feels mortal. Like he could die at any moment.

Peter has, obviously, thought about double-crossing them, maybe even triple-crossing them, but it’s no use. He feels shakily mortal right now, and Peter does not much enjoy the possibility of his own demise. This is the closest he’s ever come to being beaten, and Peter hates the feeling. He’ll have to play along for now, but after that, he will have his revenge.

First, though, Peter has to do what the others want. They’ve been careful to reveal as few details to him as possible, but the idea is solid. There’s a magical person somewhere in the modern world, in a city far from Storybrooke. This person is like the embodiment of a true love’s kiss spell, designed to renew hope in storybook characters through small acts of power that ultimately drive two needed people together. They’re like a guardian angel of those on the brink of destruction, which is exactly what Peter needs right now.

Peter has plenty of time to mull this over. They’ve forced him into a terrible, small room with awful carpets– an apartment, Emma called it– while they talk out what to do with both him and their missing spell-person. Peter is trying to focus, but he’s getting stared at by Henry Mills again, which is absolutely ruining his mood.

“What do you want?” Peter asks, glaring at the boy.

Henry just goggles back at him. “Don’t you feel bad for trying to kill me?”

Peter snorts. “Why would I do that?”

Henry shrugs. “You pretended you were my friend. I know you like the other Lost Boys on your island, I thought you would have felt bad for killing one of them. I guess not.”

“I don’t feel bad about killing someone so I would live,” Peter says, then wonders why he’s arguing with a child. “Go preach your morals to someone who wants to listen.”

“The others are busy,” Henry pouts.

Peter eyes him unhappily. “And what, I’m your best option for polite conversation? You really are desperate, aren’t you?”

Henry rolls his eyes. “I’d say you’re desperate. You’re the one who’s still talking to me.”

Peter can’t really argue with that, so he deftly changes the topic of conversation before Henry starts looking proud of himself again. “Tell me about our target again. You said you saw them before?”

“Only in a dream,” Henry admits, “but it was a clear dream, I swear. I saw a girl who looked about your age. She seemed like any other teenager, but there was something about her that was different. The way she spoke, maybe, or the glint in her eyes. She was magical, I’m sure of it. She can save Storybrooke.”

“And save me,” Peter reminds him. “That’s the important part.”

Henry rolls his eyes again. If he keeps that up, they’re going to get stuck like that forever. “Yes, I know, you’re only interested in keeping yourself alive. So long as it helps us find this girl, though, I don’t care.”

Peter leans forward. “What’s your plan for finding this girl, then? A little scouting party? This city is big. You’ll never find her.”

Henry shakes his head. “Magic has a way of finding magic. Somehow, our paths will cross.”

“That’s a terrible strategy,” Peter grouses. Why is he entrusting his life to this boy again? He remembers something about having no other options, but it doesn’t seem as good an excuse right now.

“Ask the adults, then,” Henry tells him, and gestures towards the miniscule apartment kitchen, where Emma, Snow, Hook, and David are currently huddled around a table, talking in hushed voices about what to do.

Not wanting to mess with the kid anymore, Peter pulls himself to his feet and heads over. “Tell me you have a plan,” he says.

The adults look up at him. “Find the girl,” Hook says shortly. “That’s our plan.”

Peter scoffs. “You could search this city for months and not find her. What if she doesn’t want to be found? If this girl has any brains at all, she’ll know that people will want her magic and she’ll hide. It’s what I would do.”

Emma sighs. “We don’t even know if this girl knows that she has magic. She’s probably just living an ordinary life, and we’re about to drag her out of it with all of our trouble.”

“Don’t tell me you feel bad for her,” Peter scolds her. “You want this, don’t you? So go get it, or I will.”

Snow tries to tell him to calm down, but David, so quick to anger when it comes to Peter, surges out of his chair. “How about you do something helpful and think with us instead of just insulting us?”

“I will do something helpful,” Peter informs him. “I’ll find her first.”

With that, he lunges for the apartment door, and is out of the tiny room and down the hall before they can stop him. Peter hears the thunder of footsteps after him, but he hurries down the stairs and out of the building. He has the advantage of being quick on his feet; if Neverland taught him anything, it’s how to run when you don’t want to be found.

Peter emerges into the bright sunshine of the city and stops dead in his tracks. He’s not used to the modern world, how the knives of its buildings slash up into the sky, how loud it is with those cars and signs and people. Peter swears he can even see metal things in the sky, soaring along predestined paths. It’s all so much compared to the world he used to know. No wonder some of the others had a hard time adjusting. His mortal heart lets out a pang of sympathy.

The door of the apartment building flies open, revealing Emma and the others hot on his trail. Peter curses under his breath and takes off in one direction, hurtling around pedestrians and shooting down the sidewalk. He heads for smaller streets, hoping to lose them in a swarm of alleyways. The others, more used to the terrain of the modern city, are gaining on him, and Peter is just starting to think that he’ll never be able to shake them when someone grabs him and pulls him into a nearby building.

Peter’s first instinct is to defend himself, but when he isn’t attacked, he realizes that the stranger is only trying to help him. There’s a window just to his left, and Peter watches Emma and the others appear seconds after him. They didn’t see him enter the shop, and keep sprinting down the road in the direction they thought he’d gone. Peter waits a few more intense moments, then decides that he’s lost them for good and turns back around to see who’s gone to the trouble of rescuing him.

He’s greeted with the sight of a girl about his age. She’s eyeing him cautiously, although the corners of her lips begin to prick up with a wicked grin. “Sorry for the rough introduction, but you looked like you needed some help,” she tells him.

Peter lets out a short laugh. “I’m glad to be rid of them, that’s for sure.”

The girl arches a brow. “What, did they catch you shoplifting? I’ve never seen people run that fast unless they were getting chased by the cops.”

Peter narrows his eyes, trying to figure out how on earth he would lift a shop, then decides it’s probably some slang term he doesn’t know. “Something like that,” he says evasively.

He studies the girl’s face to see if he’d answered correctly, and, judging by her impressed grin, he had. “Nice,” she says. “I’m Y/N, by the way.”

“Peter,” he replies. He gets the urge to introduce himself as he usually would– Peter, Peter Pan– then remembers at the last second that Emma had warned him about telling people who he was. Apparently, telling people he was a fictional character in their world wouldn’t go over too well.

“Peter,” the girl repeats. “Nice to meet you.”

“Nice to meet you, too,” Peter says, and realizes belatedly that he means it. He feels like how he had at the start of it all, when the Lost Boys had first started appearing on this island, but this feeling is far stronger. He wants to get to know this girl. He certainly doesn’t want her to leave.

“I’m new to the city,” he says abruptly. “Any chance you could show me around?”

Y/N laughs, surprised. “You’re new and you’re already in trouble? You’ll fit right in, Peter.”

He grins, in on the joke a half beat late. “I like to have fun, that’s all.”

“Well,” Y/N says, starting to lead him back towards the door of the shop, “I like fun, too. Maybe we should stick together.”

“I’d like that,” Peter says, then wonders why he’s being so honest all of a sudden. When he sees Y/N’s smile– real this time, not sarcastic or joking, but genuinely because of him– he thinks he knows why.

The two of them step back out into the light. “Where to first?” Peter asks.

“I was going to ask you that,” Y/N replies. “What do you want to do? Sightseeing, maybe? We can get some food, or just talk.”

“Anything,” he says. He’d follow her anywhere. The feeling in him right now is like nothing he’s ever felt before. The pain in his chest, Peter realizes with some surprise, is gone. He feels immortal. Like living in this one moment could last forever.

They end up spending the next few hours together. Y/N shows him around the city, taking Peter to her favorite spots. Peter stares at the vast cityscape and finally starts to understand why someone might choose the modern world over the natural one. He’ll always pick Neverland first, of course, but seeing the world through Y/N’s eyes, it makes sense.

The two of them get along like a house on fire. Y/N’s got this rebellious streak to her that fits in perfectly with Peter’s, well, Peter-ness. No joke is too dark, no sarcastic comment too caustic. They feel the same. Peter doesn’t think he’s ever met someone who thinks so much like him.

As the sun starts to set in the sky, Peter feels his spirits sinking. He doesn’t want to let go of this day, not when he knows it can never happen again. He’s supposed to be finding Henry’s spell-girl, but all Peter wants to do is spend more time with Y/N.

His mood is especially ruined when they turn a corner and find Henry Mills walking towards them. Peter’s eyes widen and he tries to steer Y/N back in the direction they’d come, but it’s too late. Henry lets out an audible gasp and starts hurrying towards them.

“Peter,” Henry calls out when he’s close enough to talk, “We’ve been looking for you all over! Where have you been?”

Y/N glances at Henry dubiously. “Who’s this?”

“My little brother,” Peter blurts out.

At the same time, Henry chimes in, “My friend from school.”

Peter shoots the younger boy a quick glare, then turns back to Y/N. “Both, actually. He’s my step-brother. Recent marriage. We’re still getting acclimated. Our family is a little chaotic.”

“You can say that again,” Henry mumbles. Peter fights the urge to butcher him.

While Peter silently advises himself on why murder would be bad at a time like this, Henry stares openly at Y/N. All of a sudden, the boy’s mouth hangs open. “Oh my gosh, it’s you.”

Y/N’s brow furrows. “Excuse me?”

All of a sudden, Peter feels a sick sensation in his stomach. It couldn’t be. It couldn’t.

“You’re the girl from my dream,” Henry announces. “We’ve been looking for you.”

Y/N looks back at Peter. “What’s he talking about?”

The open, carefree expression, which had been on her face all day, is starting to be replaced with deep, unsettled fear. Peter hates to see it directed at him. “There’s something I need to tell you,” he begins. “Something about yourself.”

“You’re sounding a little creepy right now,” Y/N warns him. “Get to the point.”

“Alright,” Peter says. “You’re magical. So am I. We need your help to break a curse and save my life. How about that?”

Y/N shakes her head quickly. “This is crazy. Magic isn’t real.”

Peter can’t lose her, not like this, so he leans forward and holds out his hand. A ball of light appears inside his cupped fingers, glowing and bright. It’s a simple charm, one of the first he learned, but it has the desired effect. 

Y/N stares at it, transfixed, and when she speaks again, her voice is hushed. “That’s impossible.”

“Nothing is impossible,” Peter says. “Not magic. Not even the fact that you would find me in this city by accident. Magic is drawn to magic.”

Y/N’s eyes slowly raise to meet his. “This is real, then. I have magic.”

“You have magic,” Peter confirms. “Come with us, we can show you. They’re good people, Y/N. You can trust them.”

It’s the closest he’s ever come to honesty. For once, Peter isn’t playing a game. He isn’t trying to trick Y/N over to his side. He just wants her to be safe, and he knows that isn’t through lies.

Y/N smiles at him. “I trust you, Peter. That’s enough for me.”

She reaches over and takes his hand. Now that he’s focusing on it, Peter can feel the slow loop of her magic when they touch. It feels like power, but more than that, it feels like life. A life with her, maybe. A life for both of them.

ouat tag list: @loveanimals0000, @eclliipsed, @w1shes43, @lost-ender

all tags list: @wordsarelife

[blackmoonoracle]

BLACKMOONORACLE PRESENTS ...

PICK A CARD • OCTOBER PREDICTIONS

P I L E O N E

Soooo, you’ve definitely got a pretty decent release coming in during the month of october. I specifically heard the releasing of a karmic contract, so, I truly love that for you. You could be making a decision about a connection, it definitely feels like a past energy though. Some sort of cycle you’ve experienced with a particular soul over and over again. You put a stop to this though, I feel like you called it like it was. I’m channeling Vultures by Earl Sweatshirt and the beginning of the song literally goes. “I’ve been on the run, that’s why I go harder than you go. Plus I call em how I see em, maybe that’s why I’m all alone.” Season of the Witch is currently playing and it’s the part that goes “you’ve got to pick up every stitch” it feels like an energy of uprooting. I do feel like this pile has a tendency to hold onto people that don’t serve them in any way shape or form. Channeling Serve the Servants by Nirvana, in specific this part stands out:

“I just want you to know that I don't hate you anymore There is nothing I could say that I haven't thought before”

There feels like a specific intention in this pile to remove themselves from relationships that are dragging them down.

Something may be occurring that is causing you to let go of this connection, like something is going to make you realize you’re wasting your time. It’s not like usual either, it’s like this undismissable feeling of disgust and realization.

The mask is being ripped off, and in a very ugly way LOL.

I feel like whatever information you’re going to learn from this situation is actually going to help you develop better self esteem and turn a new leaf. It feels like a sigh of relief, this person possibly made you feel like you weren’t good enough, or were a bad person. I heard “I’m always the problem” and you’re going to realize that you aren’t and never were the problem.

I literally heard “reactive abuse”.

If you’d like to book a personal reading you can always dm me on here or instagram.

P I L E T W O

You guys are making social waves the month of october by setting harsh boundaries and restrictions in place with others. I heard “Look but don’t touch” I feel like there may be some kind of drama going on in october. I did hear workplace, so for some of you this could be career/reputation/workplace related drama and bs bubbling over. I see you taking things into your own hands and very critically thinking about the situation so you can make a solid decision that is balanced and fair. I also heard “in your favor” I feel like whoever this person you have issues with is doesn’t have a very good reputation. It’s almost like this person speaking so negatively of you constantly is really aggravating other people. Especially because you don’t really talk about them at all. You’ve pretty much moved on from whatever this is.

I heard “bitter ex friend” and I also heard “bite the bullet” and I heard something about a poison apple? Someone could have tried to use an apple in some sort of hex or spellwork towards you. It could be also that someone has poisonous intentions of trying to gain access to you and that you are putting that shit to a stop.

I heard scorpio, so this person could be a scorpio. I see you essentially making a judgment on this person socially which is going to cause other people to really see them in a different light. You could also be bringing context or clarity to some kind of situation, you hold missing information or you are a missing link in some way. I also heard complexity, so this situation could be very complex.

This new judgment will teach you to be more selfish with your time and resources so that you can create a genuine balance in your life.

Too much gratitude I heard, which is lowkey crazy? I think that what that means is that essentially sometimes you put shit on a pedestal. There’s a self worth wound being worked out in this situation tbh.

If you’d like to book a personal reading you can always dm me on here or instagram.

P I L E T H R E E

I see a new financial opportunity becoming available in the month of october for you, something unexpected. It could be in something with creation of some kind, doing and creating content possibly even? I see you handling business matters and phone calls of some kind? I heard admin, so some sort of administrative position? I also heard dream job, so for some of you this could be a once in a lifetime opportunity or for others this could be a really solid offer. I also heard high caliber, but I’m also hearing don’t work yourself to death. This group feels very capricorn type of energy, addicted to working, you love making money. I see where you’ve fought long and hard to get into whatever position is being given to you. I see where you’ve lost so much, in search of stability and I feel like you will need to face your shadow of lack and insecurity while in this job position or offer. It almost feels like some of you may try to eject yourself out of the situation because you’re scared or because it feels too good to be true? I feel like this is a good opportunity, but don’t get wrapped up in social liaison I heard. I feel like you have to learn to be comfortable with not fitting in or being like neck deep in a community. You’re meant to be a bit of an outlier at this current point in time because you are learning something new. You’ve already developed the social skills, this is about developing a deeper personal skillset that you can really utilize to drive you to your success.

I see this group really coming to terms with the past, and releasing either the fear of being seen for who you are. I’m also hearing “of being heard” a fear of being perceived for who you really are. You are healing your relationship to yourself, i heard “grotesque” you might be really mean to yourself a lot of the time. Like highkey you are very impatient and cruel to yourself at times and it lowkey sucks for you. I also heard don’t lose sight of what you have, this new opportunity is here for you to milk it for what it has to offer and then dip when things begin to culminate on a deeper scale for you. Some of you could really go through a deep spiritual awakening and learn what happiness truly means to you as a result of this.

If you’d like to book a personal reading you can always dm me on here or instagram

[iz-star]

About Zayne's loneliness.

Sometimes I wonder what an angry Zayne looks like? I mean, NOT angry at MC/you but maybe angry at Astra and/or his fate for putting him in such difficult and unfair situations.

Zayne loves MC deeply, with his whole being, but loving her makes him be 'selfish', to want something for himself, to seek his own happiness alongside MC when it seems that his fate was always to serve others before looking after himself.

It's like he himself said in Master of Fate's Myth: "When emotions and desires are involved, selfishness is bound to exist".

In Master of Fate, he's deemed as a Siming which in Chinese mythology, is a kind of deity in charge to allocate humans' life spans, and according to Wikipedia:

"Siming's special concern (and power) is the balancing of yin and yang (Hawkes 2011 (1985), 109). Of particular relevance here is the relation between yin and yang balance and human health, and the importance to individual human health of such balance, as articulated in traditional Chinese medicine. Siming has the power to balance or unbalance yin and yang, and thus to lengthen or shorten human lifespans, or to provide health or prolong illness".

Siming could decide to provide health to a person or to prolong illness, in that way, having an important role into deciding people's life spans. It's interesting cause Dr Zayne and Dawnbreaker pretty much do the same.

Dr Zayne does his best to cure and take care of people, thus stretching out their life span, while Dawnbreaker gives them a merciful death to avoid them to live as walking corpses, thus shortening their life span.

Unlike Master of Fate or Foreseer, at first glance it could look like Dr Zayne and Dawnbreaker have no God-like power, thus have no control over destiny or fate, yet they still do.

It's actually Foreseer the one who lacks some kind of jurisdiction about people's lifes and fates; he could still glimpse at their destiny, being aware of what awaits people but wasn't allowed to intervene in any sense and most of all, he wasn't allowed to glimpse at his own fate.

In any case, until now, all Zayne's lifes have always been about taking care of other's destiny but what about him? When describing gods, Zayne is actually quite humble, saying that gods maybe are just like humans, except that they had the chance to do a bit more.

Zayne is quite selfless. He's not the kind of man who would blame his destiny for all the things that have happened to him and yet... They're still unfair.

Foreseer once said: "My destiny is to disappear from the annals of history... For someone who wants to remember me, it certainly feels wonderful".

At some point, Zayne's duty isolated him in every life time. He lived alone and caged in a Tower in Foreseer's Myth, he lived alone in the Mountains as Master of Fate, and he lived totally alone as Dawnbreaker. His only companions were Jas/Bai but no other human being.

Dr Zayne is actually the only one whose duty has brought him some kind of recognition, admiration and appreciation (and well deserved, of course), and hasn't isolated him from society, but funnily enough, he has this condition with his evol that sometimes turns him into a treath, which makes him keep others at arms length, especially MC. As for Master of Fate? Foreseer? Dawnbreaker? They all have to move the threads behind backstage in a lonely duty, being Foreseer the most severe case. It doesn't help that in the Foreseer timeline, Zayne is even explictly prohibited to be with MC.

Zayne's fate was always to look after other people's fate but like I've said before, MC was always the exception of every rule in his book because she was the one who made him yearn for human warmth and closeness with someone else and because of that, he'd break the rules to ensure she lives a long happy and safe life, even if is not at his side... Unironically.

In Foreseer's Myth, it is said that Astra prohibited him of being with MC in this and his other lifes because Zayne was a tool. At first, Astra's severity at punishing Zayne looked more like a senseless tantrum of a prepotent god and while that might be true, it seems that Zayne not being able to be with MC in every life time is simply because she would never allow him to fullfil 'his destiny' and to make matters worse, she's a "variant" (We don't know exactly what this entails, we just know that is something threatening, I have some assumptions about it but let's keep it like this for now) . That's why, unlike Rafayel and the other LIs, it seems that he doesn't keep memories of his previous lifes or previous experiences with MC, yet he said once that if souls truly existed, then he was sure that his soul recognized MC before his memory did. MC is this person that always reminds him that he's not just a "tool", a means to an end, but an individual being that is also deserving of something better.

Zayne's love for MC often reminds me of that Córtazar quote: "You were always my mirror, what I'm trying to say is that, in order to see me, I had to see you"

I wonder if there's one life time where Zayne will be allowed to have happiness and company without having to pay a high price for it.

[art]

Creator Spotlight: @jijidraws

Jiji Knight is a latina pinup illustrator. Her work is overall geared toward thick ladies and dedicated to fat positivity out of a purely selfish need to create art she wished she had seen growing up. She often features sexy and soft macabre themes on vibrant or sweet colours and takes great joy in making folx feel good about themselves with her work. She holds a Bachelor of Fine Arts in Illustration and operates out of her very sunny hometown of Las Vegas.

Check out our interview with Jiji below!

Have you ever had an art block? If so, how did you overcome it?

Oh my gosh… I have art blocks all the time. My favorite way of overcoming it is by making fanart. Funnily enough, that’s something I don’t do in my own work anymore. But there are still IPs I return to that still bring joy to my heart. I love returning to drawing Sailor Moon like when I was in first grade. Or I’ll even look up the last fashion week and start drawing the fashion week outfits from the Paris or New York show. Stuff like that is what gets my creative juices flowing.

What medium have you always been intrigued by but would never use yourself?

Resin. Resin art is so stunning. People make the most amazing and beautiful sculptures using resin, and I don’t think I could ever bring myself to play with something so complicated. There are a lot of ways to cure it, and sometimes, it doesn’t cure properly…I already work with enough chaos as it is! I respect resin artists, but I don’t think I would ever touch it. I’ve admired it from a distance. There is an artist I follow who does these resin layer paintings. So they’ll paint a layer of resin, then cure it, and paint on top of the cured layer. They build up these amazing paintings using resin…I could never. Maybe one day!

What is one interaction you had with a fan of yours that has stuck with you over the years?

I still remember…It was my first and only Flame Con in New York. I had a fan come up to my booth. They didn’t say hello or that it was nice to meet me. They started to cry! They cried, and the first words out of their mouth were, “I’ve never seen myself in artwork before.” So, of course, I started to cry! So we were just crying across the table at each other. It was just one of the sweetest interactions, and it really sticks with me still to this day.

What is a recent creative project that you are proud of?

My latest collaboration with the artist Missupacey. We’ve been collaborating for two years now, and our last collaboration was for Midsummer Scream. It was two very cute clown girls, and I designed our T-shirt. It was one of the most fun projects we’ve done in a long time. We love doing collaborative work because it keeps working in the art industry fresh—being able to bounce ideas back and forth. So we do it where someone picks the color palette, and someone picks a theme. We’ll get references together, put them on a big board, and send each other sketches. It’s really nice to work with somebody else.

How has technology changed the way you approach your work?

Honestly, it changed everything. I mean, I used to draw for myself a lot. And while I still do that, I now predominantly draw for my Patrons. For a while, I was drawing for the internet. So I was drawing stuff people wanted to see in terms of plus-sized versions of characters—a plus-sized Poison Ivy or a plus-sized Sailor Moon. My Patrons have allowed me to start drawing for myself again. But technology, for a while, essentially dominated what direction I was taking with my art, so I’m grateful to take some of that power back.

If there is one thing that you want art enthusiasts to remember you by, what would it be?

Body positivity. I would love for them to remember that there is an artist making work that is making people feel good about themselves and about the way they look at themselves.

Top tips on setting up an Artist Alley booth?

Have a method of taking money, have a method of displaying your work, and have a way to take a break. I have a plastic picnic cover that costs like a dollar at any store. All I have to do is clip it to my display grates, and it covers up my entire display. I feel secure enough to take time for myself in a 10-hour workday to eat something, go to the restroom, or even take a moment to breathe and reorganize my inventory. So it’s so funny that this one-dollar piece of plastic is like the most life-saving item in my display of items.

Who on Tumblr inspires you and why?

@mayakern comes to mind. She is another body-positive artist who expanded into making body-positive clothing. She’s amazing, and just to see someone else out there promoting body positivity. Maya’s been doing it longer than I have, I believe. It feels good to know that I’m not alone. Her work is always stunning, and I love her body-positive DnD characters and the fact that she’s still plowing through the clothing industry. For example, she’s expanded from skirts to button-downs and even custom-wrap shirts. I love to see what she’s doing, and it inspires me to pursue different avenues with my own work.

Thank you so much for stopping by and sharing, Jiji! Be sure to check out their Tumblr blog over at @jijidraws.

[eemamminy-art]

I was talking about this in a server but I wanted to put the thoughts here too

I think Zenos being the way he is stems so much from Emet-selch's beliefs that sundered people are lesser. Like it's the generational trauma that made Zenos that way in the sense of Solus' cruelty to Varis led to Varis' cruelty toward Zenos, but I also think that the loss of the ancient world and the contempt Emet-selch holds for humanity is also something he instilled in both Zenos and Varis. The notion that humanity is just inherently corrupt and evil, and that people will always resort to violence and harm toward one another because he's seen so many conflicts and nations that rose and fell over the millennia.

So in his kin, that sentiment is passed on. In Varis' case, he is aware of his grandfather being an ascian and is very much like, "I will be the exception to the rule, I will be the example of mankind standing above the ancients." Except, of course, Varis uses this mentality to justify some of the most horrific atrocities a person could commit, such as mass genocide through black rose, or killing his own family members in the civil war that followed Solus' death. Varis has this notion that he's an example of a "good" human, despite doing all of the terrible things that Emet-selch ascribes to humanity as a whole.

In Zenos' case, he was groomed to be a living weapon and has come out the other side of it with this bleak outlook. If humans are inherently cruel and evil and corrupt, why does anything matter? It made his baseline assume the worst in everyone, including himself, so his apathy is all-encompassing. There is no right or wrong, everyone kills everyone and it's all fucked up, so why bother trying to be "right"? What even are "right" and "wrong" anyway? It allows him to be someone who does horrific things, while searching for some kind of purpose or meaning. I wish we had gotten to see more of Fandaniel and Zenos interacting, because I think they are so similar in the sense of wanting for meaning and purpose but being so disillusioned with the world and with the cruelty of others that they themselves became cruel.

I think long before the "would you be happier had I a good reason?" speech and Alisaie's rebuttal to it, Zenos had this curious little seed embedded in him by his encounters with the warrior of light. It's not unlike how Lyse spends much of 4.0 both hating Fordola, and also being fiercely curious as to why she is the way she is and seeking to understand her. With Lyse though, she is guided by her strong sense of empathy and the notion that all of her people deserve their homeland returned to them regardless of their actions, while Zenos lacks empathy completely and up until now didn't really think about anyone, not even himself. But that curiosity is there, deep down, and I think it is a major driving force in keeping him going forward.

You could argue that Zenos' motivations are selfish: he does say himself that he is chasing the high of battle with a worthy opponent, and I think on some level that is true. But there is something deeper to it, something that really makes him question all he's known: "In that transcendent moment, what was it that I sought in you? And what was it that you sought in me?" He's seeking purpose, he's seeking the reason for what motivates people like the warrior of light to do good, and what "good" even is. It's so contrary to everything he's known, but it grabs hold of him until it becomes an obsession.

I think it's further elaborated on with some of Zero's story arc where she's learning about empathy, although her reasons for being that way are somewhat different from Zenos, I think they are similar on some level in that they can't really understand empathy or inherent goodness. She does eventually learn it, of course, and I'd like to think if given the chance to survive beyond the battle with the Endsinger, that Zenos could have gone on a similar journey too. That's what I envision anyway.

[pparacxosm]

dearly beloved

(tashi duncan x fem!childhood best friend!reader x patrick zweig; artashi wedding; nonlinear narrative; tw infidelity but then wrong fandom; tw obsessive dysfunctional relationships but then wrong fandom; tw patheticism but then wrong blog; oakland!tashi truthers i’m sorry; florida!tashi truthers ((if there be any)) you’re welcome ! ; uno mentioned twice for some reason; unromantic romance; callow sapphic pining; tw nascent menstruation; y2k teenage girlhood; it’s always patrick zweig at the scene of the crime; ((the crime is unrequited devotion)); tw a little bit of body shaming kind of; but then general tw for excessively derogatory banter; sorrow shared is sorrow doubled; cake shared is just good cake; tw atlanta™)

‘Love is awful. It’s awful. It’s painful. It’s frightening. It makes you doubt yourself, judge yourself, distance yourself from the other people in your life. It makes you selfish. It makes you creepy, makes you obsessed with your hair, makes you cruel, makes you say and do things you never thought you would do. It’s all any of us want, and it’s hell when we get there.

So no wonder it’s something we don’t want to do on our own.

I was taught if we’re born with love then life is about choosing the right place to put it. People talk about that a lot, feeling right, when it feels right it’s easy. But I’m not sure that’s true. It takes strength to know what’s right. And love isn’t something that weak people do. Being a romantic takes a hell of a lot of hope. I think what they mean is, when you find somebody that you love, it feels like hope.’

The Priest, ‘Fleabag’ (2016—2019) Episode 2.6

It strikes you that Tashi Duncan has always had a strange way of talking about her own wedding, as if the whole event is a starstrewn chrysalis. Something transformative, that will make of her an airborne creature, carried off by the lightness of her being.

She looks fucking beautiful, of course.

Sleek and exacting, draped in silk crêpe de Chine, like a white bullet. Tashi Duncan, the bride. Heavenborne starshine, all wrapped in tender clouds, just as she should be.

But then you’ve always thought so.

When she rehearses her aisle walk, golden gazelle legs glissading her across the hotel room carpet, she speaks of herself as if she were a rare and fragile insect.

She says, “I feel my bones changing,” her hands on either arm of the makeup chair you’re in.

You sniff, eyes flicking over every part of her. She is so close, bent over you, but she’s blurred at her edges on account of your gushing tears. You’re weeping. “Your bones?” you all but wail, face twisting in sorrow as the tears sluice harder.

Your left eyelash dangles wetly halfway off your eyelid.

You’re melting like a fucking witch, because her dress reveal came before the setting spray, and now your palms are soused in foundation. You keep wiping your face to keep from bemiring the butteryellow satin of your bridesmaids gown.

You weep more than Pam, as Tashi floats around the room.

She is radiant as sunlight on water.

Tre and Tevin holler, spirited, scattering around the room in all directions, like a great empire has collapsed. Okay, Tashi! they whistle, We see you!

And you weep and weep.

And now, her amber knee, faint scar, peeks from the slit in her silken, sweeping skirt and knocks against yours.

Her arms are lithe and lustrous and they bracket you within the amalgamated cloud of her meticulously curated Big Day fragrance. She floods your body.

She’s nodding softly. She is haloed by bloodwarm morninglight. You feel too pathetic to even be looking at her. You feel worse, even, when her delicate fingers coast poetic down your arms, and she takes your hands into hers.

“Hey,” she says softly. Squeezes your fingers. The flesh of her soft and fragrant as rosepetals. Her smile unfurls like a star going nova. “You’re crying so much,” she laughs.

“Of course, I’m crying,” you choke out, a watery gasp wafting her gorgeous face. “Pauline hates me.”

Tashi spares a glance over your shoulder, where her makeup artist is leaning against an ornate dresser, chewing the edge of her thumb and seeming generally engrossed with her phone.

“Oh, honey,” Tashi’s manicured thumbs caress tender circles over your knuckles. Then clicking her teeth softly, “You are making her do her job twice.”

“Oh God,” you sob, your head dropping heavily onto the crushed velvet cushion of the chairback. “Don’t get married.”

Tashi's smile turns soft and commiserating.

“Babe.”

“T.”

Tashi places your hands gently in your lap. She swivels your chair so you’re facing the vanity mirror.

The sight of yourself festers your misery like rotting flesh. You look like a smeared oil painting. Your lashes clump like eldritch spiders. Your face is smeared and swollen and gleaming wet. Your lower lip trembles.

Tashi glows behind you in a tragic pastiche of a solar eclipse.

“I can’t do this,” you blather past the clot in your throat. Mucus bubbles from your nostrils and trickles to your mouth. You swipe at it. You sniff again. “I’m gonna mess up your wedding.”

Tashi’s warm, slender fingers trace your collarbones. In college, you used to give each other lymphatic drainage massages.

“You’re gonna make my wedding.”

This makes you tear up again, in earnest.

The tissue of your nose is raw and sore. You moan a broken lament. Her thumbs drift in gentle ellipses along the slope of your shoulders. Her warmth seeps into you.

“Do you remember what you said to me,” Tashi asks, “When I got engaged?”

You swallow, coughing around a flower of phlegm. She leans down, resting her cheek against the top of your head. Her hair spills over your shoulders in velvet sunbeams.

You blink at her reflection. Her eyes wash you in tender flame.

“‘Dear God, please, no’?”

It is staggering, at thirteen, to stand over a limp, bloodstrewn body.

You are traipsing through the halls, summoned by weeping, and, when you peek into the loo, the dense miasma of sweat and antiseptic is pervaded with something stannic and fetid.

Tashi Duncan, splayed across the tile of the corner stall, clutches her tummy with death’s desperation. The athletic uniform of Blue Vista High garbs these young girls in floaty skirts of daisy white, which Tashi now thinks is fascinatingly deplorable.

Unfamiliar and unprepared, her eyes gleam with tears. Her heart pummels in her chest to the same faraway thunk, thunk rhythm of the tennis balls striking the clay courts outside.

The world seems to have turned against her. Her clothes are drenched red, and her body is betraying her. Tashi, twentyone months your senior, is a late bloomer. Here is her inaugural encounter with the inevitability of womanhood.

So, you encounter this horror film tableau. Tashi Duncan, bloodstrewn and splayed. You don’t feel nausea or concern or anything. You’re thirteen. You’re mildly reproachful, if anything.

“Um,” you say, a bit too loudly, “I have a tampon. If you want?”

“I want to play tennis.” She writhes. “My match is in twenty minutes.”

You swing your backpack off your shoulder, clutching it in front of you and digging clumsily into the front pocket. “Well, you need a tampon.”

“I’ve never…” She seems halfcoherent. You don’t have great faith in her ability to sweep across a court. But she catches the tampon with an easy agility when you toss it over.

There’s an odd, blithe immediacy to girlhood. You drop to your knees and play gynae. You introduce yourselves somewhere there. Your hair’s pretty; Where did you get those pins on your bag?; Do you think Mr Cleven’s kind of cute? Yeah, no, me neither; Is it in yet?

“Aw, what?” you whine at her insistence you disrobe and give her your clothes, “For how long?”

“Like,” she gestures frenetically with her hand, “Twenty minutes.”

You hum, ambivalent, but doff your skirt. And they get anal about you guys jumbling formal uniforms with athletic uniforms, so she takes your shirt, too, and you wear hers, the navy nylon collared tee with the Blue Vista crest stitched to the breast.

You sit pantless on the toilet seat, reading her Princess Diaries paperback.

She wins her game, apparently.

Her mom drives you home. She brings a fleecy pair of Tashi’s Powerpuff Girls pyjama bottoms, which fall past your ankles. Says, call me Pam, honey, when you say, thank you, Mrs Duncan.

You keep her shirt, and her pants, and you still smell her womb.

She hits you up on AIM that night.

Mr Cleven is cute, she sends. He looks like Dawson Leery.

Then, But he’s THE WORST !!!!!!

And then, TLC or Destiny’s Child?

And things go from there.

When Christine McVie starts crooning for mercy, you think you’ve officially had your fill.

You have taken bridesmaid, like you took best friend before that, like you will one day take doting aunty to their gilded brood.

At times, it feels like there is no limit to what you can take.

But the very concept of a First Dance feels like a vaudeville satire portending a dire omen. You refuse to dance into hell—you just can’t do it. And you can’t watch them squeeze your heart to bloodpulp between their flush, swaying bodies.

Though you suppose that may be symbolic. Beginning as the end.

Hot red spilled upon her white regalia. Will she still let you splay and clothe her? Or does such proprietary now fall within the purview of his husbandly duties? All set to ‘Say You Love Me’.

You take it all. On the chin, lying down. You take it. You take four consecutive champagne flutes to the gut. You take deep breaths. You take yourself out of the girdling throng of devoted onlookers as the music starts. You take no prisoners. You take your leave.

You are weeping again.

You try to catch your tears as they fall. You think you owe Pauline that much.

The veranda is lit by scattered amber lanterns and the weeping moon. Each stone pillar stands sentinel to the maelstrom of revelry within. Things are hushed, here, but so much colder. You miss her warm fingertips against your skin. You miss everything. Shadows stretch across the tiled floor in languorous arcs.

You smell the sea.

You find a dark corner and sink into it, bracing yourself on the balustrade as you crouch to your haunches. Your body aches with the force of your suppressed sobs. Your shoulders tremble and your heart mewls with anguish.

You miss the sound of footsteps, so the voice does surprise you.

“One wedding that’s a funeral.”

You laugh, sort of. Damp and congested. You try to daub the tears away. “Ha,” you sniff, “Yeah, no, I—“

You stop.

It doesn’t seem the least bit real.

Let’s leave aside the fact that he’s The Ex Boyfriend. He shouldn’t even exist in this fucking stratosphere anymore. And that’s why he seems elusive, ghostly, even now. Emerging from the shadows like a demonic apparition.

You know Art and Tashi don’t really talk about it. They have a peace to protect. You cannot say the same of yourself.

Because in the unbroken silence of your dreams, there is a whistle. A sharp, clear necklace of sound, tightening around your throat, tugging forward. And even earlier, at the ceremony. A malevolent spirit in the room seemed to say, I won’t be ignored. And here he fucking is.

A horrid little laugh builds up in your throat, until you can’t keep it down any longer.

You laugh. It comes out like a savage chortle. Patrick stills, five feet away from you. His eyes are sad, a little surprised, and, yes, repelled.

Repelled by you and your laugh.

Suddenly, all you feel is helpless anger. You’re angrier than you’ve ever been, angrier than when they were together, angrier than when Art swooped in to take his stillwarm seat, angrier than all those times you had to be quiet and eat humble pie. You’re furious that the woman you love has jettisoned her last name, like a shorn chrysalis. And you’re livid that you have to deal with this asshole, this piece of shit pretty boy you’d thought you’d seen the last of, who is standing in front of you, on this moonlit veranda, trying to share in your mourning. He’s fucking insane.

So you say it, out loud, but not too loud, because you don’t want to make a scene. You certainly don’t want Tashi to see him.

“You’re insane,” you scoff, gaze vast and glossy with shock, “You’re fuckin’ insane, I knew it! I knew you were fuckin’ insane! I told her you were fuckin’ insane.”

You’re surprised at the viciousness in your voice. The blue in his eyes has become washedout, almost white. You can see tiny red capillaries blooming around the iris in the dark.

To his credit, Patrick has never left you hanging in your ferocity.

His brows are hoisted in defense. He gestures wildly into the reception hall, “I’m fuckin’ insane? He’s fuckin’ insane! And he’s marrying her!”

He’s all big words and movements like this is fucking Seinfeld.

You upheave yourself to a tremulous stand. “You’re both fucking insane,” you say darkly, though, at the moment, you feel a bit deranged.

Your vehemence startles him a little. Something imperceptible changes in his mien. Like he’s standing straighter. His eyes shine like glass. You’re bizarrely reminded of those National Geographic documentaries where lions size each other up before a fight.

But then his shoulders slump, and he nods, and you are almost incredulous at his patheticism. “Okay,” he breathes. He seems tiny. “You look nice.”

You blink, shifting.

You clear your throat. “Thank you. You don’t.”

And he doesn’t. He’s wearing a T-shirt and athletic shorts. And he looks vaguely showered for once, but there’s still something faintly noxious in the air he emanates.

“Yeah, well,” he shrugs, “I wasn’t gonna dress up for a wedding I wasn’t invited to.” A pause. “That’d be weird.”

For a moment, you are sure you tripped on a rock out here, and cracked your skull open on a pillar, and all of this is a stage play happening in the most masochistic corner of your mind. You have never been so disbelieving of his inanity.

“Oh, yeah, that’d be weird!” you say, eyes still wide and marginally manic. “That’d be crazy, for sure. If you dressed up for the wedding you weren’t invited to.”

He fills in the blank there—always could, for his part—that he’s shown up to the wedding. He gives a feeble chuckle. He looks awkward, really, which is… fucking something.

“When are they gonna cut the cake?” His voice is small and tentative like a child’s.

“You’re not getting any, you cow.”

He looks sincerely wounded at that, his eyes casting downward, and it borders on pitiful. But the sympathy stirred feels like a small lashing, like punishment for your lack of decorum. There is something contemptuous in that pitifulness.

You know an athlete’s body is his wound.

But you can’t bring yourself to say sorry.

You just lower your hackles with a visible exhale, which he seems to recognise as safe treadspace.

“Why are you crying?” he asks.

You snort. “Why are you here?”

He connects those dots, too, the perceptive bastard.

He clears his throat, hands in his pockets, rolls back and forth on his feet.

He stares at the ground. “You gotta say a speech?”

“Yeah, but I probably won’t.”

The ocean rushes. Luther Vandross thumps faintly from beyond. First dance is over, apparently.

Patrick peers up at you, like he’s debating saying what he’ll say next.

“Wanna go get a drink?”

Tashi jumps on the balls of her feet. Her waifishness is often a screen hiding an impressive amount of energy. PE is competition in its purest form. Every time she manages to wrest the ball from the opposing team she feels invincible. She is invincible. She dribbles the ball quickly, ponytail swishing in the air as she runs towards the goalpost.

From the corner of her eye she registers movement. She’s always hyperaware of her surroundings. That’s why she notices you sitting down in the stands, two other little girls (in the way that a year—which is all the time sundering you two—can feel like a decade when you’re fourteen) on either side of you.

One of your friends doles out UNO cards, and it is clear it is the other who had suggested this place of loitering, because she has her gaze trained conspicuously on a boy in Tashi’s class.

Tashi pivots. Makes a pointed throw. The ball goes past the goalkeeper into the net. Her team cheers. She checks to see if you have borne witness, but you are too busy stewing over your dealt cards.

She runs over to you. You look up when you hear her barrelling up the steps of the bleachers with a haste that makes them shudder.

She slides in between you and Vidya, who is unperturbed on account of her intently watching Anshu Morya pretend two basketballs are his tits and siring great gales of laughter from his audience of other fourteen year old boys.

Tashi slips a lanky arm around your shoulder.

“Hey, you,” she says, “Why didn’t you come say hi?”

You feel weird and diminutive and caught in a weird way, because Essence is looking upon her from your other side as though she is a seraph who has descended and deigned to grace you with her presence.

(Essence is in under13’s tennis, where it is wildly regarded that the girls who do under14’s tennis are the coolest people ever).

“Uh,” you drawl dumbly.

“You’re my friend now,” she squeezes your arm, pulling you closer to her side, “You have to say hi.”

Tashi seems to preen beneath the attention of these little girls, with a poise remarkably incongruous for fourteen. It feels a stark juxtaposition to the girl you’d seen, wailing, wet, and splayed in her own nascent womanhood.

You’ll come to think this a lot. Tashi Duncan, the impenetrable infanta. She tries not to show any inkling of vulnerability, if she can help it.

That’s why you always remember. You’re always recalling that blood.

And so part of you that is purely little girl thinks, I saw her first.

Even though Adidas singled her out as showing great promise. Even if Patrick Zweig won her number, and Art Donaldson, in some primevally spurning way, will have her as his bride. It was you who saw her, truly saw her, for the first time. Weeping in her own carmine deluge in a girl’s bathroom stall at Blue Vista High.

And, if you saw her first, shouldn’t you get to keep her?

You cannot bear to see her be wed.

What you’d really said, when she told you she was engaged, was a frayed and hollowed: Congratulations.

Dear God, please, no came later. It came clawing rotten from your throat like the undead, while you curled in on yourself yourself like a woman wounded, in the dark, beneath your covers.

“Dear God, please, no,” you’d whispered, lachrymose.

Your first dream, as it were, takes place on the shore of Virginia Key Beach, twenty minutes south of your neighbourhood in Allapattah.

It doesn’t look real, though.

It’s more like a film set.

That could be due to the fact that you haven’t been home in a year or due to the fact that Tashi is there, and she hasn’t been home in longer.

But you know it’s Florida because the air’s so thin and friable in California. Like the sun hasn’t fully seeped through. You know it’s summer because there’s crickets chirping in the trees behind you.

It’s dark, but the moon is bright, and, without looking, you know Tashi is just behind you, sitting on a rock halfsubmerged in the water. You’re sitting in the water right by her. You can feel her presence on your arm as you lean back. You guys are stripped to your bras and panties, like you always were. Her hair is curly.

There might have been more happening; you have a vague impression that there was talking at some point in this dream, but the details fade in the minutes after waking up. What you do retain is distressing. 

You are saying something when you are suddenly supine, and you see that Tashi is atop you, straddling you, though you cannot necessarily feel any weight of her. She doesn’t even feel warm. Her skin against you isn’t a temperature, it’s a sensation. Buzzing, like the vague shock of an electric socket.

“Hi,” she says, her voice low. 

And you’re about to say something, and then you are silenced. You wake up soon after your lips meet.

The dream haunts you for a week, until you go to a party and find a boy and kiss him instead.

The dream is not a revelation, not by a long shot, but you had thought they were a thing of girlhood. And, too, you thought Tashi was impenetrable to such things as your little desires. You’d thought, for a wretched moment, that you could be normal about a beautiful girl.

And you’re usually better at controlling yourself.

You usually can go about your day without suddenly remembering the image of Tashi leaning in.

When you do find a boy that Saturday—a short, slight, facetious glasseswearer named Noel, who prides himself on being a silent, occasionally witty observer the same way you do—you talk with him and laugh with him and kiss him and feel the world right itself. Nothing has changed, and nothing will change, if you can just get a fucking grip.

You go another few weeks without incident, until there’s another dream.

A few others.

Tashi chalks up your odd behavior to anything from exam season to homesickness. You let her.

No one knows about these dreams, with one exception.

Patrick Zweig figures you out embarrassingly quick.

All it takes is one night on the town, the three of you. A couple hours watching you replenish and rotate her moscow mules and vodka sodas and ace pineapples with a surgeon’s precision. Like forecasting weather. And he feels sure enough in his conclusions to corner you as you’re emerging from the putrid bathroom of the dive bar and say, “You got it bad for Tashi, don’t you, kid?”

You are on the drunk side of tipsy, at this point, and you blink a few times before you remember to zip your fly and respond.

All you come up with, for your part, is a weak, “Sorry?”

Patrick smiles. It doesn’t seem particularly mean, but you don’t presume to know him well enough to bet on it.

“I’m just saying,” Patrick says slowly. “Seems like you like her an awful lot. Kid.”

Your gaze goes bonehard. You don’t like him. You don’t like that you can smell his nausea-siring wintry cologne. You cannot conceptualise the scent, but it can’t be natural. He is so pretentious, he probably has it shipped from Marseille or somewhere.

He’s cracked open your ribs and plucked a raw nerve, just to watch you writhe. And there’s that obnoxious little smile, only half his mouth. Though not outright hostile, it’s not friendly.

You open your mouth. But you are so furious, you’re unable to speak. What’s more infuriating, Patrick patiently waits for you to find your words.

“Well,” you say, steadying your feet like you’re prepared to brawl this guy, “What are you gonna do about it?”

“Not a goddamn thing.”

And you must look surprised, because Patrick laughs.

“May these be the worst of our days.”

The pub is a dive, just a short stumble from the wedding venue. The air is dense with the acerbic musk of piss and spirits, danker than the worst of times. It’s a visceral contrast to the beauty of the union, and it’s one of which you both feel deserving.

You sit on a slightly cracked stool at the mucky wooden bar. You nurse a beer, and a broken heart, and Pat is on his third scotch in as many minutes. The bartender keeps giving him these nervous glances.

He gurgles out a pfft as he tips his glass to you, “Yeah, and the best of theirs.”

You regard the middle distance with a sort of weary disgust. A miserable guilt. You know what he’s portending. It’s all downhill from here. But you cannot deny that these are not unkind heights from which to fall. Garlanded by intricate golden sconces casting pristine white marble awash with warmth and love. You two cannot wish them ill in a way that even means anything.

“Fuck, they’re so happy,” you moan, “We suck.”

You feel your lungs grow achy. You are drowning in selfpity and selfpity’s lesser endearing cousin, envy. Patrick seems to bear it better. He releases a noise. A laugh maybe; a bitter, bloodaddled thing.

“Hey, I think the one of us wearing the bridesmaids dress places significantly lower on the Ultimately Fucked Over scale.”

He spins his glass around on the sticky tabletop. The scraping sound makes you envision ground bonematter.

“This colour wouldn’t suit you,” you mumble, swinging your beer idly by its neck.

Patrick’s brows seem to knit at this.

“Yes it would,” he grumbles.

“I always hated you.”

He quirks a brow, looking at you askance.

“I don’t think that’s true.”

You make a face. “It is.” Your eyes close for a moment, as though envisaging which set of words would spurn him best. “And he’s better for her than you.”

Patrick’s mouth parts into a slackened smirk. He laughs again. “And you think you’re better for her than both of us.”

“Yes, I do.”

“Always the bridesmaid…” he singsongs.

You feel your skin heat with something sore and cloying.

“Oh fuck you.” Your eyes roll as well as they are able without you getting vertigo. “I fucked her last.”

His smile grows like a burgeoning parasite. His head is still hung between his shoulders, but he peers up at you through the dark veil of his lashes.

He tongues the inside of his cheek like he’s suppressing laughter, like he now thinks it wouldn’t be kind. “No kidding.”

You frown at this, at his amusement.

“What, you don’t think I fucked her?”

Patrick shrugs. Hums vaguely.

“Wow.”

“Not in, like, a homophobic way, or—“

“Wow.”

He snorts.

“I’m sorry.”

You shake your head. “You’re not.” You swig a mouthful of beer, relishing faintly in the acrid aftertaste. “And I’m not either. Fucked her after you broke up, licked you clean out her pussy, you’re nothing.” You stand up and close the distance between you, stumbling into him, your forehead thunking against his as you draw the word out childishly. Nothingggg-uh.

He chuckles noiselessly. “Oh yeah?”

You straighten clumsily, leaning back, but you’re still stood between his open legs, and you brace your hand against his thigh. “Yeah,” you say.

Patrick narrows his eyes at you. He inhales a breath with an air of the long since victorious.

He gives it a moment before he says it. You’re lifting your bottle to the seam of your lips.

“I fucked her two months ago.”

You slam the green glass against the bartop, eyes wide as canyons as you turn to look at him, your forgone sip dribbling down your chin. “What?” you enunciate sharply.

He leans back in his chair, raising his hands as if shirking blame. But something wicked gleams in his eyes.

You scoff. “Bull. Shit.”

He tilts his head to the side, resting an elbow against the bar, his gaze flickering between your face and the beer trickling down your neck.

He shrugs. Hums.

Your eyes search his face frenetically. Your fingers claw into the flesh of his thigh. “He doesn’t know?”

Now, something like guilt manages to sniff him out. He glances off obliquely, his throat working around a swallow. His expression is hard to discern. Swimming between guilt and a strange sort of defiance.

“Wow,” you drawl protractedly. You’re almost impressed. “You’re an ass. You said that because you wanted to make me feel bad, you wanted to one up me, like you get points for fucking her—“

“A game that you started, by the way.”

“Hey.” You lean into his space again, finding his eyes with a sniper’s determination. “Hey. You’re a piece of shit.”

His jaw works against his skin.

“Uh-huh.”

“No, you are. You are, and you know it.” Your nails embed themselves in his thigh, your other hand coming to place a finger in the hollow of his chest. “Because no matter what,” your voice is low and gravelly now, “You’re done. You’re out. I’m in.”

You lean back to look him over, as though admiring your work, but he only wears a plaintive, resigned sort of smile.

“You think that’s better?”

His voice is so soft as to seep like smoke down your spine. Your nails unearth themselves from his skin. You have not drawn blood, but morning bruises would not startle him.

A long few moments pass.

“This is what you do now, you’re all profound?” you murmur.

He shrugs, a rueful simper on his mouth. “Eh,” he hums dismissively.

You sigh. Remove your hands from him and stumble back onto your stool.

“You’d look like shit in this dress,” you say, at length.

“Maybe.”

You tip your beer into your mouth, even though it has run dry.

There’s a bit of a moue on your face. You trace the sticky outlines on the tabletop, focusing intently on the grooves. “I look amazing in this dress.”

“You’d look amazing out of it.”

Your brows furrow. You look up at him. “Dude, what?”

Patrick blinks. He seems genuinely surprised.

“Aren’t we gonna…?”

“No, what? Why would you—?”

“Oh, I just—“

“What?” Your face is skewed confusedly.

“Because we—“

Your phone trembles against the bar.

“Hold on,” you say, and then, grin growing, “Darling Ms Duncan,” you croon melodically as you hoist the device to your cheek.

Her verdant meadow laughter on the other end. “Donaldson,” she chuckles. You can hear the vague commotion of the festivities ensconcing her.

You frown.

“Don’t hurt me, Starshine.”

“You missed your speech.”

You gasp, your voice going all light and airy the way it does when you’re feigning guilt. “What?” you drawl, “No…”

Tashi cottons on, and you can hear her teasing smile as she indulges you, “Oh,” she hums in fauxsympathy, “Oh, yeah, uh-huh.”

“No way,” you grouse softly, “I’m so sorry.”

“Come back before we cut the cake,” says Tashi, “Where are you, by the way?”

“Oh, I’m in a bar, you won’t believe who I ran into.”

“Who?”

Patrick steels to alertness in front of you, shaking his head in abject alarm.

You smile.

“Patrick Zweig. I think we’re gonna have sex tonight probably. Compound our sadness. It’ll be really pathetic.”

Patrick looks at you like you’ve walloped his puppy.

Tashi is silent on the other end. You know well the firm, seraphic way her face has set in anger.

“That’s not funny,” she says, and it occurs to you that, if what Patrick’s told you is true, then it really isn’t funny.

You bite your lip. “Oh.”

“That’s—“ she takes a breath; you can picture the heat wash off of her. She can be very purposeful with her emotions. “Hey, listen,” her voice has softened, “Please come back.”

“Okay, Ms Duncan.”

“Come back and eat the cake, you chose the cake.”

A simper slithers over your lips. “We chose the cake.” Your husband was somewhere sticking his prick in a green juice, you don’t add. “It’s kind of our cake, in a way.”

“Well,” Tashi hums, unconvinced, but you can hear her smile.

“Yeah, I’m coming, worry not, my dear. Save me a dance.”

You drop the phone.

Patrick is still looking at you like the apocalypse has been announced.

You roll your eyes.

“Put your dick down, she didn’t believe me,” you say. “Because you showing up to her wedding would be crazy.”

He chuckles dryly, but you do not miss the relief in his bones.

He cocks his head wryly, “Not really, considering…”

You stand up again, elbow leaning on the bar, your temple against your knuckles as you gape at him, sort of mystified. “You’re not bullshitting me,” you say, the corner of your open mouth quirking up incredulously, “Like actually.”

Patrick shrugs. “Yeah.”

“Where?”

“Atlanta.”

“Fuck!” You smack your hand down on the table, looking around as though to share in your disbelief with a makebelieve audience. “And since then, have you…? With anyone?”

“Dude, that was two months ago,” he says, like you’re a bit slow, or perhaps like he’s offended by the notion, “Yes.”

You click your tongue. “Ah, shit. You should’ve said no. Would’ve sucked you off, seen if I could taste her.”

Your hip ghosts absently against his spread open knee.

“You can still try,” he offers.

You shake your head, stifling a smile. “Nah.”

“God, we’re the worst.”

“You’re the worst.” You let your smile divulge itself.

“We should get married.”

“Fuck no.”

Patrick lets himself look putout by this, eyes going downcast. You’ve always thought his smile—really his whole face—looks vulnerable, like soft bread. He looks like the perfect sad boy, the victim rather than the perpetrator.  

“Oh,” says Patrick.

You hit him in the arm. “Don’t do that. You know it’d suck.”

“I don’t think so, actually,” he muses.

“What do we have in common? Like, sincerely. Besides her. You can’t build a marriage around a person who isn’t in the marriage.”

He makes a face as though to say this is an evidently incorrect statement. He gestures vaguely in the direction of Art and Tashi’s wedding venue.

That gets a laugh out of you.

“Oh, you pathetic asshole.” You steady yourself on his thigh again, this time with your fist. “No one has mentioned your name once today.”

You know it’s a low blow.

He returns your smile, though his is sad and weird again. They’ve all forgotten about me, it seems to say, Maybe you’ve forgotten about me, too.

Ugh, you think. Fucking Patrick who can’t stop being fucking neglected by everyone.

You clear your throat softly. “See? You don’t wanna marry me.”

Patrick lets out a depleted sigh, like he, too, is not so thrilled with the notion. And you’ve heard better proposal stories. He looks like a Labrador who’s figured out he has to go to the vet. He kicks the edge of the barstool with his sneaker.

“I do. I still do. That was fucked, but I still would.” He looks angry and lonely and resigned, and a little happy too, weirdly. “We should have one of those, ‘by the time we’re thirty—’”

“Thirty?”

“Fifty.”

You like how quickly he bends, in that moment. It has you picturing flower arrangements. But you narrow your eyes, a wry gleam to your smile.

“I think I’ll still have a shot, at fifty.”

“I won’t,” he says, with the smile of the recently condemned.

“I think you will, actually.” You regard him sort of pensively. And maybe it’s a bit clinical. “I think age is gonna humble you. And then you’ll be fifty and grey and, like, penitent. Plus fifty’s still virile, generally. And I’ve heard good things about your situation down there. Just—“

You push off the bar, your fist leaning down more heavily on his thigh as your other hand comes up to his forehead, as though checking his temperature, before sweeping upwards and pushing his hair back. You’re on your toes—further on your toes, considering the heels—assessing his hairline closely, your nose grazing his forehead and your hips certainly slotted between his.

Patrick makes an insincere attempt to push you off. “Hey, what—“

“Did your maternal grandfather have hair?”

He hesitates, “What, my mom’s dad?”

“Mhm.”

He feels that breath against his brow.

“To this day,” he shrugs, “But he’s an asshole.”

“That’s good news.” You lean back.

“That my gramps is an asshole?”

“No, the—“ You gesture to his hair again, “That’s how you know, I think. If you’ll bald. Is your maternal grandfather.”

“You think? Didn’t you do health science?”

“Didn’t you do fuck all and doesn’t everyone hate you?”

He seems unharmed, if enchanted, by this persistent claim.

He points again in the general direction of the wedding beyond the brick wall of the bar.

“They may hate me. You don’t hate me.”

You follow his finger like everything between you and that marble dance floor will collapse, and you will be given a clear view of that proprietary, knowing way Art Donaldson holds her as they dance.

You look back at him. “You really seem to believe that. It makes me concerned.”

“For me?”

“No, for myself. I don’t like that I’m putting out such false vibes.”

He is charmed by this verbiage.

He laughs, like he’s still unconvinced. “Okay.”

He holds it against you, of course.

He doesn’t do a goddamn thing, as promised, but he holds it against you.

Patrick doesn’t like the college parties, but he manages. He doesn’t like feeling like an interloper, really. Doesn’t like that Art and Tashi have this fully functional ecosphere in which he cannot take root—like he’s some sort of invasive strain of alien vegetation.

As soon as he can, Patrick excuses himself from the purgatory of social interaction with whichever set of strangers Tashi calls her friends. He extricates his arm from around her waist and catches your eye as he goes to stand, mimes taking a drink, and watches with relief as you narrow your eyes but push out of your chair and head toward the bar. You order four shots of something.

“You’re lasting longer than I thought,” he says as soon as he’s close enough to you. He takes one shot—vodka, he thinks as it slides down his throat—then another from the bar top. “You were making that face, though.”

You scowl up at him. You know exactly what he’s talking about. “I was not.”

Patrick snorts. “If that helps you sleep at night. I know I won’t be sleeping.”

He bites his lip and does a crude mimicry of delivering backshots with his pelvis, his hands holding an imaginary set of hips, and you suddenly feel beset with a strange nausea. You defeatedly slide toward him another one of those shots.

“What’s the point of her having you as a friend if you aren’t going to support us?”

“I bought you three fucking shots,” you say. You quickly throw the last one back before he can get at it, because, by now, you at least know Patrick well enough to know he’s nearly about to make a grab for it. 

He grins. “Kid, if Art had won that game, I’d make my pass at you ten times over.”

That’s enough to turn the nausea into chunder, and you quickly push past him and book it to the bathroom as it blooms up your throat.

You see your tendons as racketstrings, as you crouch over the toilet.

Taut and crossed over one another inextricably.

He’ll always have that over you, the tennis. You never had the tenacity for it. But it means he has a whole other way to upset her, too.

You take comfort in the fact that Tashi is quick to stand and take you into her arms when you reappear, halftorn, wrung out. She’s happy to take you back to your room, and nurse you for the night.

Patrick doesn’t begrudge. He’s fine to let you have your little pleasures. She’s still his, is the thing.

You’re confused about the Art Donaldson of it all.

He has a warmth in his eyes. And a mischief and a validation. He’s like Patrick, in that he watches—he watches very closely. But where Patrick has always seemed content, in this strange, visceral way, to take what he can get, Art feels like he’s waiting for… something. He’s sort of always fighting with Patrick, but they’re taking care of one another, strangely. He has this weird, symbiotic desire to know more about Tashi and Patrick’s relationship, which—well—you’d be canting to pass judgement.

Grey, grey skies out the windows of Tashi’s dorm room. It’s the most neutral space for you all. Bundled in jackets and hats on beer runs. Fingers freezing as you sit on the floor and play UNO, bumming and trading all of Patrick’s cigarettes because it’s all you can think to do. It rains all day. Patrick tucks his fingers under Tashi’s thigh, kisses the corner of her mouth.

Art has a cold, passes it on to Patrick, and now you’re all incubating it in this cloistered space that soon becomes littered with used tissues and cough drops and tornopen packets of TheraFlu.

Patrick is glad to help no one feel left out. He announces as much—I don’t want you guys to feel left out—with this quizzical simper, as Tashi places down a wild drawfour and declares blue. And maybe she’s doing something foul and saccharine like looking right into Pat’s eyes when she says that.

“I don’t think you have any blues,” says Art, sliding four cards from the deck, wearing his own quizzical simper. “I think you just want us to think you have blues, I think you’re playing smart.”

You can tell by the way Patrick grips his beer bottle that he thinks Art is flirting with her.

There seems to be an odd, prophetic thought you two share.

If the two of them—Tashi and Art—were to get married, they would have golden brown babies like Renaissance cherubs while you and he sat in the dark with the rest of the godless degenerate art.

So, in some way, perhaps, you’d seen it all coming.

When Patrick picks up the phone, shoves it between shoulder and ear, and takes the sorelyneeded, sweetyolkdripping, heavily hotsauced bagel sandwich out of his mouth so he can mumble, “Yeah?” he does not expect the first words across the receiver to be,

“Hey, you fuck. I have your shit.”

Patrick rolls his eyes and takes a large bite, craning over his open palm to keep egg and cheese off his Puma shirt. This is a time when brands like Puma still want Patrick Zweig wearing their shirts.

“Uh-huh,” he says.

“You know, this feels like Christmas. Do you know that? This feels like Christmas day for me. You think you’re this special boy who can have whatever he wants. You’re bullshit. The bell tolls for thee. Your ex, I should note, has bent over and spread her cheeks for me.”

And you feel a way, about the coarseness of your words, the fissures in your mouth. But this isn’t about demeaning Tashi. It’s about flaying him.

“Dude.”

“Her beautiful, soft, floralscented cheeks.”

Patrick hangs up on you, which feels like how you imagine the President feels after election day.

You wait for him to call back.

It’s less than a minute before your phone shudders. He puts you on speaker.

“Are you done?” he says.

“Dude,” you say, “Never ever. Never ever ever.”

“How much for shipping?”

“Fuck you, coward, you’re still in town.”

There’s a revolting, wet sort of noise as he chews. And it is between these chews that he says, “You want to see me, then? Make sure I’m miserable?”

“I don’t need to see you to make sure you’re miserable, your whole life is miserable,” you say.

Patrick chuckles, the sound garbled by his food. It’s not the noise that makes you recoil from the receiver. You are more disgusted at the prospect of him being fed. Okay, sure—you, in your sadism, have been picturing him gaunt and desolate on the floor. And perhaps you are unmoored by how coherent and gutful he sounds now.

It’s harder to hide sorrow in your eyes. Maybe you do just want to see his eyes, and make sure.

“You’re real classy, kid, I think I’ll miss you most of all,” he swallows. “Where d’you want to meet?”

When you return to the reception hall, the cake is still unsevered and the music has gone slow. Otis Redding, ‘These Arms of Mine’.

Tevin keeps a clammy hand on your midback, the other slackly holding your fingers up.

You’re blinking brine from your eyes and sniffing shallowly. Tev’s giving you a chary sort of look, slightly frowning. He clears his throat.

“If things don’t work out with Lainey, I could marry you.”

But he doesn’t sound too keen on the idea. Which you think is a bit comical, because you've smelled his room, and you've seen him in braces, so, ostensible case for grooming aside, even you're not so desperate.

Still, you squeeze his shoulder lightly through his blazer. You clear your throat, roll your eyes. You let this child sway you side to side, and think of yourself at seventeen, varnishing Tashi’s toenails and daubing them clean with mephitic acetone. Over and over. Trying every colour. One time, you forgot to open a window, and the fumes had you two flaked out on the carpet.

“That’s nice, Tevvy, how’s that promposal coming along?”

In the bar a dozen minutes off campus, you slide the sloppily taped Amazon box across the table.

A microcosm of his pathos condensed into 18 x 12 inches. Each item in isolation meaningless, but altogether painting an intimate lithograph of a man discarded. All tender and immiscible.

Jacket. Toothbrush. Edgefrayed leather wristband. An old iPod with cracked plastic. A pack of cigarettes, crushed and reformed. A small bottle of aftershave. A few crumpled receipts. Unbranded notebook. Expensive fountain pen he probably stole from the bank. A plastic cardholder and a wallet, both empty. A pack of gum.

It feels a bit stupid that Patrick should come all this way for a couple knickknacks. You could have just let him Venmo you for the shipping, and it may have hurt his pride all the same. But you take pleasure in knowing that he was hoping you wouldn’t be the one to meet him here.

“How’s Tashi?” he asks.

You give a small, malicious laugh.

The predictability dissolves none of the abject carnal rapture there.

Of course it’s why he came. He wants to know all about your (singular) dear Ms Duncan. He still has a glimmer of faith that she will change her mind. Even though you both know the girl well enough to know that’s not a thing she does too often.

If you hated him, you would tell him that Tashi is thriving. Healing like a child of God. She’s a new woman, never better, can’t wipe the smile off her face.

But maybe you don’t hate him that much after all.

“She’s a fucking wreck. Moping, crying in the lecture halls, shouting your name in the rain. It’s pathetic.”

A twinge of a smile crosses Patrick’s face, the petty bitch.

“You know I meant her knee,” he says, then takes a sip of his beer.

You cross your arms on the table, then retract them with a wince once you feel how sticky the wood is.

“I don’t know,” you say while rubbing some gunk off your elbow. “I don’t know that, Patrick. You know I think you’re a raging assface.”

Patrick raises his eyebrows. “Have you guys ever fucked?”

His faith, glimmer as it may, is not without its fractures. He has a needling, bonechewing suspicion that this may be the last time you two ever see one another, that you occupy the same orbit. So he thinks he’s allowed to ask.

You just glare at him in cold annoyance. Probably fantasising about smashing his beer bottle over his head. Patrick is familiar with the expression.

“Patrick, please don’t talk to me that way.” There’s violence in your voice that’s probably not just aggrieved feminism.

He knows you’re a woman mutilated about Tashi. He considers saying something even shittier, but what’s the point? You’re not a threat to him anymore. He’s out of the running.

“Fine. Have you guys ever made love?”

Before you can bite his head off, he raises his hands in defense.

“Not trying to be disrespectful, or suggest you have casual pussy and not committed long term lesbian relationship pussy. It’s just… if I figured it out.”

There’s a moment of quiet.

“And, y’know, if she’s single and clearly in a bad place, maybe it’s worth… taking advantage.”

You are at once shocked and maybe even appreciative of his forthright shittiness. It gives you slight confidence, despite yourself.

Call him oldfashioned—or, well, remarkably progressive—but he’s rooting for you kids.

You’re both the perfect combination of hot and insufferable. Stupid and insane.

He knows you weren’t lying; Tashi probably is a wreck. It sometimes makes his tongue go metallic, the thought of her rendered so still and helpless. Maybe it’s better he only got a glimpse of that anguish.

So he’s been ousted, that’s fine. That doesn’t mean you need to dump the baby out with the bathwater. He knows she needs someone.

You sigh. “I’m getting a drink.”

You stand and walk toward the bar. You return with the same beer he’s drinking. He wonders if you got it just because it’s the cheapest, or if you actually like it.

“We never did anything,” you say, picking at the moist label with your thumbnail. “Well. We did everything. But not that.”

Patrick nods. “There’s time.”

“She’s hurt.”

“She’d be lying down.”

She is lying down.

The sky goes gold in Allapattah.

You’re by her desk, looking over her colourcoded portfolios and notebooks and Stanford paraphernalia and assorted photos and inspirational posters. You smile amusedly as you trace your finger over a WINNER cheer banner and a Never Give up, Give 100% Instead! placard.

“Mom says stay over for dinner,” Tashi mumbles, rifling through a Teen People. “Should I ask for ‘Writing’s On The Wall’ or ‘Fanmail’ for my birthday?”

“Mmm...”

You pick up her Girl Scout badges, look them over.

“Put them back in the same order!” Tashi warns, unable to help herself. But she’s spent a lot of time sorting them.

You look up. You give her a blithe, nervous smile.

You shuffle to the bed and knee onto the mattress, collapsing into her. The two of you an interwreathed coalescence of tepid girlskin.

“I have ‘Fanmail’,” you mumble into the skin of her neck.

You hear Tev and Tre roughhousing like dogs in the living room.

She gets you alone in a small, ornate sidehall before the ceremony.

She slides her arms around your shoulders and hugs you tightly. Her skin is soft, balmy and fragrant as summertime honey. The flowery milk aroma of her hair imbues you.

“You remember Ozymandias?” she says, withdrawing and placing her palms upon your shoulders. There is a conspiratorial twinkle of glee in her eye.

“… The poem?” Your brows draw in with a vague scepticism.

Your throat is still fleshtender with the sobbing. Your eyes moist and caustic. But your makeup, for Pauline’s part, looks great. You’re determined to maintain your ramshackle semblance of civility for as long as possible.

Tashi kneads your skin. “Look on my works, ye Mighty, and despair!”

She clasps your shoulders and spins you around so your back is against her, and you stumble shakily to keep your strappy gold stilettos off her satiny white train. Her arms slink back around you, her thumb caressing the faint protrusion of your collarbone. You feel the sly grin on her lips as she creeps her fingers beneath your hair, sweeping it away and pressing her mouth softly against the gossamertender skin beneath your ear.

“That’s what I’m going for,” she whispers, making a flourishing sort of gesture with her hands in front of you, as if mapping the splay of a billboard. “A grand, glorious, eternal, and yet ultimately doomed endeavour. Something that stands tall and proud, resplendent and beautiful, but, in time, all turns to dust and fades into nothing but a vague memory.”

You shudder with laughter, the bare skin of her chest heated against that of your shoulderblade.

“What?” Tashi giggles softly against the shell of your ear.

“Nothing,” you grin, shaking your head.

You like, in fact, the tender morbidity of her words. That there is a melancholy in her hope. This union, like any, may well be ephemeral. Tashi Duncan, your romantic realist. You hope those are her vows. Wouldn't that throw the kid for a loop.

At the altar, you set your gaze heavenward, determined not to weep once more. This way, the sorrow has nowhere to fall but back within you. And so you do not even see her, as she flows down the aisle and embarks upon her ethereal odyssey.

You don’t think you’d have even been able to take it, anyway.

To bear witness to her metamorphosis under hallowed eaves.

But you feel it. The transience of power. Nothing beside remains.

Pam drives you two to Virginia Key Beach every Sunday after service at the COGIC. You are dithering, at first, about shucking off your clothing. The sea is such a vast, living thing. Nothing like a poky stall in the school bathroom. But, by week three, your Sunday best is sandstrewn, and you and Tashi are giggling things of cotton panties and training bras and seawater.

The waves feel giant and warm.

It fills your mouth and nostrils. The ocean envelops you. The water lifts you up. She mounts your back and drags you under. You laugh so hard you choke a bit, coughing up salt. She laughs even harder as she slaps your back unhelpfully. Her head is bent over yours, ducking to check that you’re okay, but she’s still simpering impishly. The next wave pulls you under and your lips brush against her lips, almost by accident.

You hear her small, hiccupy gasp.

You can feel the way her fingers scrabble against your shoulders. She sinks her little nails in. That Thursday, you had painted them blue.

You lie in a nest of towels afterwards, exhausted and depleted, like children after a bath.

You reach out with your hand and take a few of her wet curls between your fingers.

“When I’m tennis famous, I’m gonna marry Justin Timberlake,” she murmurs, resting her head on her arm, still panting.

“Can I be your flower girl?” you say, running your fingers through her hair.

You were a flower girl at your aunt’s wedding last Summer. You found the job so enchanting. All the doting gazes, the petals between your fingers. It doesn’t occur to you to want for more, at this time.

“You can be…” she mumbles, peeking at you over her arm. “Everything.”

It’s a strange, untenable idea, a thing not named. There are things you cannot be.

But you understand completely. “You too.”

“I wanna be a butterfly,” she hums to herself. “And fly away.”

Your lips twitch. “With Justin?”

Tashi’s face glows a little. “With you.”

Like all Floridian nights, the one of the wedding is humid. You can picture the way the feathery curls along Tashi’s hairline will start to rouse. You can picture, too, the way Art Donaldson’s stupid nose will caress that soft hair, how he will breathe her in. You don’t much want to picture anything beyond that.

There is so much moonlight to see by. It spills across Patrick’s skin in soft luminous beams.

The sand is damp between your bare toes, the satin of your dress growing wet beneath your bum. You are ensconced by a warm, saline squall.

The sea laves the shore like a hungry tongue.

The cake is a pistachio sponge, bedaubed with rosesuffused cream, the layers laden with a tart raspberry treacle, and the frangible ivory of white chocolate. You filch two slices, wrap them in monogrammed serviettes. A&T. Awful and tragic, he had joked bleakly as you clumsily took off your shoes on the foreshore. Agonising and traumatic, you’d offered. You went back and forth like this for a bit.

Patrick’s cigarette gilds his face in a copper glow. His eyes are trained pensively on swathes of sea foam.

Your phone garbles between your feet. Hums—bleary, melancholic—with Amy Winehouse.

And now, the final frame. Love is a losing game.

The cake is good. The cake is fucking amazing. You’d said that, at the tasting. Fuck, this is amazing, had been your honeyed moan. It was enough for Tashi to make the decision. You feel bad, now, lapping frosting off your fingers in her absence, your sugarcoated teeth.

Patrick blows the smoke away from you, disperses the acrid cloud with a fan of his hand. The wind will waft, though; sweep some of that fetor back to you. And all you do is breathe.

Selfprofessed, profound…

Patrick spares you a glance. Then does gawping a doubletake.

“Fuck, you’re not crying.” He sniffs deeply, his hand swiping roughly the wet skin of his cheek.

Your eyes widen.

“Oh, shit, did we start?”

He breathes a dilapidated, spitladen laugh, scrubbing harsh his cheeks with his fingers.

The heavy rivulets keep cascading. Washing his skin.

“Yeah!” he scoffs wetly, sweeping his wrist beneath his nose, sniffing again.

You stifle a rueful simper, wiping your fingers off on the napkin. “Ah, fuck, sorry.”

He gives another watery laugh.

“You’re a dick,” he grins.

And then you’re grinning too, though your brows quaver with concern, “No, oh my God, sorry! I cried a lot earlier.”

He’s shaking his head, freshets of tears still trickling down. “You’re an ass, I can’t believe—“

“I’ve never seen you cry,” you smile, something like wonder misting your eyes.

He chuckles, his cig singeing down, the smoke pirouetting upwards.

“No one has.”

You beam, but your shoulders tense with guilt. “Fuck!” you giggle, rumpling the serviette and resting it in the sand, shifting where you sit, and straightening as if centring yourself. “I’m sorry, I’ll do it now.”

“No, you won’t. You’re laughing.”

You laugh loudly, dropping your forehead to your hoisted knees.

“That’s closer than you think!” you say.

Patrick takes a deep, terminal drag of his cigarette—the ember coruscating violently—before extinguishing it in the sand beside him.

“Fuck,” he whispers, dipping his face into his shirt collar and using the fabric to swipe at his nostrils, snivelling more.

Then his shoulders fall. Elbows resting on his knees, hands falling slack between them.

The song starts up again.

For you I was aflame…

The ocean whispers soft susurrations against the beachfront.

You are struck, suddenly, by his silverveiled visage. Your gaze strokes the slope of his nose, the arch of his cheekbone. You are so enthralled by this wet gleam of his milky skin. There’s something about that; about his unencumbered tearflood and the faraway joy of the party.

Before you can stop yourself, you move in.

Your noses bump. There’s a moment where your teeth clack together and Patrick makes an annoyed noise, but it’s quickly replaced by something that sounds more like pleasure as he turns to fit his mouth against yours more easily.

You taste his tears and mouth and tongue. His hand comes to cradle the back of your neck. Your blotchy eyes flutter closed. You dig your fingers into the sand and close your fists around it. You taste the smoke and the cake and the oceanfront. It’s all a bit warm and desperate.

You think of the seaspray, the burgeoning goosebumps on your arms. You think of your mouth, mollified against his own, his hot spit on your gums, his tongue, hotter still, stroking yours. How he tips your head back so your jaw can fall further, so there is more of you available. You think of mouths. Of course, you think of Tashi’s mouth. Her smile in the mirror.

There’s a poignant tremor to Amy’s voice, as she sings,

Memories mar my mind.

And you are struck by this phrasing. And this is, perhaps, why and when the tears find you. And the sobs come soon after.

Patrick pulls away with a damp little noise.

“Oh my God.”

You’re weeping. Your shoulders start to tremble with spasmodic sobs, and you are bawling. Your face swims hot with a mire of tears and snot. He is not overtly repulsed. Well, you would not know for sure, because you cannot see him. But you feel him shift a little closer, and put a hand on your bare shoulder, his palm flushed and calloused. He gives you a few resigned pats.

“This is not what I wanted, for the record,” he says, unbothered by your head falling against his chest. “Because now I’m gonna feel like shit. Thinking, wow, was the kiss so shit that it made her cry like a baby?”

You lift your hands and cover your face, sobbing harder.

“Which,” Patrick continues, thumb caressing idly the sweat-tacky skin of your shoulder now, “I know that’s not it.”

A beat.

“Do you wanna tell me that’s not it?”

“That’s not it,” you blubber, smearing mucus off your lips.

You pull away from him dragging your hands down your face. When you look at him, you’re sure you look a sorry sight. Tender with despair, all messy, smeared, and febrile. You sniff shallowly.

“You were right,” you say weakly, “It’s not better.”

“What’s not better?” His voice, you note somewhere in the miasma of your sorrow, is uncharacteristically kind.

Your lip quivers, “I’ll have to be there when he puts a baby in her.” Your face has twisted in anguish and you are wailing once more, sobbing loud and earnest.

Patrick blinks at you, “Jesus.”

But he pulls you closer again. Turns your body, in fact, so you are leaning back into his raised lap and he is halfway cradling you like a baby. You weep into his shirt, painting it wet and viscid, and the scent of his awful cologne only makes you sadder.

“Oh my God,” Patrick says again, rubbing up and down your arm, and he sounds a bit amused, which is a little fair. “He might not,” he offers.

You snivel loudly and pull back, swallowing your sobs and casting him a disappointed glower.

“Yeah, ok. He probably will.”

You fall hard against his soaked front again, whimpering feebly. Patrick looks down at you.

“Hey, we can do that, too,” he offers now, in a pick-yourself-up sort of tone that juxtaposes so fiercely with the proposition he’s actually making, you nearly laugh. “We time it right, they can be the same age. Then we’ll put ours in the same school as theirs, and teach ours to just fuckin’ decimate the shit.”

And now you are laughing. You’re still teary and frail so it hurts all the same as a sob, but he can see you’re smiling, so he continues,

“Just everything. Fuckin’ grades, boom. Sports, boom. Instruments, boom. Our one’s gonna play two cellos, a piano, a guitar, and an oboe, all at the same time. He’ll use his fingers, toes, and dick,” says Patrick, and he sounds utterly sincere and emphatic, even as he’s sort of smirking now, because you’re laughing even harder. “And we’ll tell him to bully theirs, too. Every day just ‘oh you’re a piece of shit, you’re ugly, your parents’ marriage was doomed from the beginning’, and their fucker’ll be like ‘no I’m not’ and ‘fuck you’—”

You’re tickled, too, by the voice he puts on to imitate these fictitious children. How he talks all low and churlish like he’s instead caricaturing a worldweary pensioner.

“—and ‘I wish you weren’t so much cooler and better than me, and didn’t fuck my girlfriend, and my mom’.”

You make a face.

“Don’t make it weird.”

“Alright, fine. He won’t fuck her,” Patrick concedes, “That’d be fucking legendary if he did, though. But he won’t.”

You are, again, charmed by this, by how easily he yields. It makes you think of a nursery and fresh, boneless toes.

You rest your face on the wet of your weeping on his chest, and you feel a bit humiliated. But this isn’t so bad, as far as humiliations go.

“What if it’s a girl?” you croak, your words halfway muffled by where your cheek is squashed against him.

“Even better.”

“Where would we live? I don’t wanna go to New York, I don’t have the fortitude.”

The worst of your sobbing has waned to stillness, but he’s still rubbing your arm.

“We can shack up in the Midwest. Somewhere chill.” His leg starts shifting beneath you, and you think he wants another cigarette, but he doesn’t move. Instead, “Omaha?”

You shrug. You hated not being in Florida, but still. You shrug. “Sure. And what’ll you do? Coach? Or become like a blue collar fuckin’…” you trail off vaguely. “I can’t even picture it.”

“I always wanted to be a fireman.”

“That’s sexy.”

His laugh, when it sounds, echoes through his chest like there’s a cavern where his heart should be. Which you don’t think is such an unthinkable idea.

“Oh yeah?”

“Yeah,” you nod. You clear your throat. “Especially because you could die at any moment. So if we end up hating each other, I can just wait for you to die in a fire, and, that way, I don’t have to murder you. Then our kid doesn’t lose both parents at once.”

He pauses as if considering this. His leg shifts again. “Fuck,” he murmurs after a while.

“Sorry.”

“No, don’t ruin it.”

You clear your throat again. “And a dog,” you say.

“Fuck, yeah, a dog,” he says in his most New Yorkian fashion. Like a traveling salesman who needs you to look at this vacuum and do it quickly. It’s pretty funny. “It can eat theirs.”

You make a reproachful sort of noise. “Not everything has to be—“

“Okay, fine, yeah, just a dog,” he cedes again. The nursery, in your mind, is astralthemed. “Just a dog for the two of us. And our Nobel Prize winning child. I’ve always wanted one named Bagel.”

You think he can somehow hear your mildly scathing New York musings.

“A kid or a dog?”

“A dog.”

“We can name the dog Bagel,” you shrug, as though agreeing to dinner plans, and the tender pulse of a postweep migraine begins to encroach upon you, like the waxing sea. “Can we name the kid Bagel?”

“No.”

The song is still on loop.

Five story fire as you came…

You think of Patrick in sootscuffed bunker gear and a fireman’s helmet.

“Bagel Zweig,” you mumble wryly, your skull beginning to thump with the ache of your patheticism.

Patrick laughs. Lifts you off his knees, unceremoniously but not unkindly, and begins to rifle in his pockets for his Camel pack.

A sudden bout of cheering sounds from the reception, flashing taunting beams in purple hues. You wonder what the fuck they have to be so happy about. You sigh. Perhaps, too, did people cheer, at the mortal fall of Ozymandias. You think about that. That loss of power. That loss.