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cursecuelebre · 6 months ago

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All About Knot Magic 🪢

Knot Magic is how simple as it sounds. Knot Magic is one of the techniques whilst using the air element, "catching the wind" as it was called. Most of what we know about knot magic comes from folk traditions and lore about fisherman and sailors catching winds for their sails and tying fisherman knots. If they need extra wind in their sail, they will untie the knot letting the wind escape these traditions are still prevalent today. Fisherman knots do not unravel and tighter under stress. There are many different ways of how to go about it, you can use rope, twine, thread, string, cord, anything that can be tied in a knot. Color correspondences can be important as well.

In Witchcraft it's very much part one's craft especially if one needs to be bit more secretive and discreet in their practice. Knot magic is much involved in folk magic and what's nice about folk magic is that it's practical and not much ritual needs to go into it. Here are some ways you can integrate it in your practice:

Needle work

Looming

Weaving

Knitting

Tying a knot around something that needs to be fixed.

A witch's ladder

Poppet Work

Braiding

Rosaries

Binding

Celtic Knots

So How Do You Do It?

Well, it's easy, you want to capture the spell in the knot and there isn't any wrong way of doing it. Say you want to put reserved energy into the knots so in case you're feeling fatigue or just low on energy and need of a boost. One way is that you take the first section of the twine and chant on what is it you're capturing into the knot I will say talking and chanting is required because it needs to be air flowing and whispering is completely fine as well it doesn't need to be long just say, "I place a piece of energy within this knot." as you begin tying the knot when you're about to tighten it blow as you tighten it. It’s optional but double knots can help secure the knot and energy into place as well say if your saying is a bit too long for a singular knot double knots can be really great for this scenario.

You can also chant while knotting the twine The Witches' Ladder is good for this as well as braiding, here is a simple folk charm to use to create a ladder it's mostly for charms of anything that one would like to achieve and gain. I recommend it for beginners so that you can get the idea and play around and see what you can make out of it

Acquirements:

Yarn or Twine

Nine Feathers or anything that can easily be knotted like Hag stones which are rocks with natural formed holes

Make sure the twine/yarn is long enough to hold all nine objects then as you knot the twine chant the following incantation.

'I tie this knot for my need of____.

The next I tie in the Devil's name.

The third to fix it by my will.

The fourth one to hold it fast and firm.

The fifth one to bind it evermore.

The sixth fastens the wish herein.

The seventh brings it nearer still

The eighth makes it almost true

The ninth completes the ladder by which

I climb and reach for____.'

Make sure that you speak slow and clear even when whispering it helps putting, your energy more effectively within the twine or yarn. Imagine as you tighten it that it will never break away like a sailor at sea fasten his sail for the oncoming storm knowing it will never giveaway. You can make just knots with the twine no need of items if you don't wish to I usually don't. You can anoint them in oil or herbal water to bless it. You can write your own incantations and use many other knots.

Use poetry or chanting for me I used the Havamal as Odin speaks that he knows numerous spells I made a belt of said numbered of spells into knots around his glass candle.

I wand dress my wands and staffs, to help preserve and restore energy but also to help grounding and give me a bit more energy in my workings, for this I combining knots and braiding

In regard to braiding, needle work, weaving, though like needle work will have knots at one end and the other it's very few. Whilst doing these activities you can chant, sing, speak, or pushing your energy into each stitch and loom and connector it's mediative and really great for trance work.

Deities Associated with Knot Magic

So this will include UPGS of deity correspondences but within reason and good links that I will describe.

Loki: his name might’ve derive from “knot” and his symbol/sigil is a six looped knot of a snake that is signifies his trickster nature. Now this is my own correlation I don’t know if there is historical evidence of Loki including in Knot magic. However it’s still a good correspondence and working with him. Visualization of knots and finding clever ways to undo them or tie them for mischievous ways. Not to mention he is often associated with spiders who are natural weavers so that can be a great correspondent.

The Norns - Wavers of Fate, they spin the fate of makind. They can help with healing, protection, manifestation, and altering fate.

Frigg- Associated with Weaving as a domesticated art and link to the Norns as she also knows all people’s fates. She is very wise even more so than All father her husband, talk about power couple. She can help protection, Motherhood, healing, wisdom, knowledge, patience.

Athena: Goddess of Craftsmanship especially weaving, one of her famous stories was she cursed a hubris weaver named Archane into a spider who weaves beautiful webs this story is how spiders came to be. Athena is associated with war, wisdom, knowledge, justice, craftsmanship, and strength.

Our Lady of Knots or Mary, the Untier of Knots: This is for people who work in Saint magic or incorporates saints in their practice. Our Lady of Knots is an aspect of Holy Mary. Which she is prayed for resolution of difficult situations in life such as family discord, violence, anger, parents and children conflict like misunderstandings, addictions, lack of peace, martial problems, separation of home or god, and unemployment.

Njord - Norse God of Fisherman, fisherman knots are again a very common occurrence in folklore. Fisherman knots do not unravel and tighter under stress. Praying to Njord to help strengthen such knots and put up as a talismans or offerings for him.

Rán: is a Norse Goddess of the sea who uses a net to capture drowned sailors and live within her hall. Fisherman nets if you ever see one is full of knots again I don’t know there is historical evidence of her within knot magic but she can help with capturing dangers in her net or help soften a blow or change that can be coming without your control.

Britomartis: Goddess of Traps and Nets, often associated with Artemis a huntress and a virgin goddess. Evoke her to help trapping dangers or maybe help you get out of a tricky situation.

Wind gods that can be evoke to let their winds and energy to trap within the knot. Those within the air element.

Odin: He is considered to be the God of Wind, as he was the one to give humans breathe.

Poseidon, Zeus, and Thor as storm gods: Now these gods can cause storms and strong winds especially Poseidon who can create hurricanes. But they can also help with withstand storms (literally and metaphorically).

Hermes: Like Loki he is a trickster god and possibly can help with knot magic as well but he is often associated with the air element.

Hekate: Goddess of Magic but she has elements within air as well, because of being a goddess of magic she can help with any type of intention of use of magic within reason of course.

#witchcraft #folk magic #traditional witchcraft #folk traditions #knot magic #paganism

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grey-sorcery · 9 months ago

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[Title]: Magical Potency: Improving the Efficacy of Magic

Suggested Reading

Finding Balance Threshold Theory Correspondences Conceptualization Vs. Visualization Visualization: Effective Implementation Basics of Energy Work Basics of Spellcasting Spell Logs Intro to Gnosis Bias in Witchcraft The Subtle Body Axioms of Energy Work The Wellsource Energy Work & Spoon Theory Shadow Work: First Steps Intro to Grounding

Introduction

Magical potency refers to the efficacy and strength with which a spell is executed. This encompasses the accuracy with which the ritual is performed, the precision of the elements involved, and the intensity of focus and energy channeled into the endeavor. In simpler terms, it's about increasing the likelihood of a spell's success, assuming all other requisite and advantageous factors are adequately addressed.

The significance of magical potency cannot be overstated. For practitioners, the objective is not merely to perform rituals but to execute them in a way that yields measurable results. In the same manner that a scientist would aim for exactness and reliability in an experiment, a magical practitioner should aim for a high degree of potency in their workings. Achieving this standard is more than a matter of personal pride or skill; it is about the responsible wielding of one's abilities to bring about change. When potency is elevated, the outcomes are more predictable, thereby enhancing the reliability of the magical practice as a whole. Moreover, it minimizes the risk of unintended consequences, which can range from inconsequential to potentially hazardous.

The Magical Potency of a Vast Majority of Publications, From Tumblr to Books

Candle Magic

Candle magic serves as an excellent entry point for neophytes in magical practice. Its allure lies in its straightforward design and uncomplicated mechanics, making it accessible for beginners. However, the simplicity that makes it attractive also serves as its Achilles heel. A plethora of publications, ranging from social media posts to books, frequently omit crucial details that are indispensable for ensuring the spell's effectiveness. For instance, many resources neglect to delve into the nuances of "intent," often misconstrued as mere desire, even though it is actually one's personal truth. Furthermore, these publications have a tendency to reduce the complexity of the practice to mere lists of correspondences, thereby overlooking the intricate mechanics that govern how a spell functions. This dearth of comprehensive information is a disservice to newcomers who seek a robust understanding of the practice, and it impedes their ability to enhance the efficacy of their spells.

Candles & Twine "Cord Cutting"

Another practice that has gained considerable attention is the use of candles and twine for what is commonly referred to as "cord cutting." On the surface, this practice provides valuable insights into personal relationships. However, a closer examination reveals significant shortcomings. Most notably, the ritual fails to fulfill its purported function of severing emotional or psychic connections—what is commonly referred to as "cord cutting." Instead, it remains an exercise in symbolic action that lacks the mechanics necessary to bring about real change. The information provided in popular publications often restricts itself to symbolic associations, failing to offer a comprehensive guide to the mechanics or other vital elements that could make the practice genuinely effective. Consequently, any results are likely psychological in nature, rather than stemming from genuine magical activity, unless utilized as a tool for divination.

Sigil Magic

Sigil magic enjoys widespread popularity due to its accessibility and the relatively common understanding of its mechanics—albeit mainly within the framework of the psychological model. Its versatility is another strong suit, capable of serving as a supplementary element in various other magical practices. However, it's crucial to scrutinize the limitations of this method. The preponderance of popular sigil crafting techniques derives from, or modifies, the Spare method, which operates solely within the psychological model. In essence, this approach amounts to subconscious suggestion rather than authentic magical action. As a result, practitioners may find themselves constrained by a limited scope of magical efficacy. Furthermore, the lack of accessible information on alternative methodologies exacerbates the problem, leaving practitioners with a narrow, and sometimes misleading, understanding of what sigil magic can achieve. The ubiquity of this practice also means that misinformation and misinterpretation are rife, further muddying the waters for those seeking to deepen their understanding and improve their skills.

Increasing the Magical Potency of Common Practices

Candle Magic

To augment the efficacy of candle magic, a considerate approach is essential. First, it's crucial to identify the traditional symbolic associations of various elements involved in the spell and consider whether your own personal correspondences might be more effective. Next, identifying a central point of focus, or state of gnosis, can serve to concentrate your energy more efficiently. This focus should align with your own deeply-held beliefs or personal truths to maximize the spell's efficacy.

Another vital step involves contemplating the specific means by which the spell will manifest its effects. This doesn't merely involve wishing for a particular outcome, but rather planning out the logical steps and mechanisms that will make it happen. This also involves doing conscious energy work that goes beyond mere mental imagery. Instead, one should focus on manipulating energy via the subtle body and energetic senses, perhaps using breath work, gestures, and/or vocalizations as aids.

Identifying the emotional state that will best serve the spell is another significant aspect. This emotional state should be in harmony with your personal truths and can serve to fuel the spell's energy. Additionally, writing out the specific mechanics of how the spell will function can provide clarity and enhance focus during the actual performance. Memorizing all actions or incantations can also prevent disruptions that might break your concentration during the ritual.

Cord Cutting

For those looking to enhance the efficacy of cord-cutting rituals, a complete overhaul is likely required.

Before the working, contemplate the means through which the spell will manifest its effects as to avoid any negative or harmful outcomes. Utilizing twine and a knife—or scissors, for those concerned about safety—can create a strong symbolic action that aids the spell. It's also beneficial to use correspondences, either mental or physical, that are directly connected to the target individuals. This requires either a strong personal knowledge of the individuals involved or a potent taglock to symbolize them.

Conscious energy work is again advisable, and this should be done without relying solely on mental imagery. Maintaining a state of focus, or gnosis, throughout the entire working is essential. To deepen your understanding and improve the potency of the ritual, you might also study various philosophies or religious teachings concerning the concept of fate or destiny.

Identifying an emotional state that aligns with your personal truth can also serve to fuel the energy of the ritual. Once the primary cord-cutting action has been performed, the common chords and candles approach can be employed as a form of divination to gauge the likely effectiveness and manifestation of the spell.

Sigil Magic

For those looking to venture beyond the well-trodden path of the psychological model in sigil magic, a multitude of avenues are worth exploring. To start, one should consider researching or contemplating how sigils could function within different paradigms or frameworks. This might involve developing an entirely new method of sigil crafting that deviates from the commonly used Spare method.

Contemplating the mechanics of how a non-psychological sigil could function is equally important. This might involve studying different cultural practices or philosophies to gain new perspectives. Researching various methods of charging and activating a sigil can also yield valuable insights. Different modalities might be more effective depending on the specific nature of the application in which the sigil will be used.

When incorporating a sigil into another spell, it's crucial to think critically about how the two will interact and complement each other. Drawing the sigil while in a state of deep focus, or gnosis, can enhance its accuracy, If this state is backed by strong emotional energy that aligns with your personal truths, its momentum will increase. The precision of a sigil can also be highly increased by performing energy work consciously while drawing the sigil. Finally, selecting a method of charging and activation that complements both your own capabilities and the specific nature of the working can serve to greatly enhance the overall potency of the spell.

General Practices and Methods to Improve Magical Potency

Research, Study, Experimentation, and Recording

The cornerstone of enhancing magical potency lies in a rigorous approach that involves research, study, experimentation, and detailed recording. When conducting research, it's imperative to look beyond sources that merely resonate with you on a personal level; instead, aim for a diverse array of reputable sources to avoid cognitive bias. Subsequently, study these materials assiduously, revisiting them often to consider ways you might expand or refine the practices described.

The use of experimentation, formulating and documenting predictions about how a spell will manifest is invaluable. These predictions should be dated and revisited to assess the spell's effectiveness. Sharing these predictions with other practitioners can serve as a check against confirmation bias. Conducting low-stakes spells can also serve as a useful methodological testbed, helping you refine your approach based on outcomes.

Maintaining a log of your spells is an essential practice. This archival process will facilitate a retrospective analysis, enabling you to discern which variables contributed to or hindered a spell's effectiveness.

Being Critical

Critical thinking should permeate your magical practice, although it's best applied either before or after a working, not during, so as not to disrupt your focus. Discernment in planning a working can preemptively address potential issues. After the spell's completion, seek feedback from anyone aware of the working but not of its projected outcomes. In your analysis, consider mundane factors that could have influenced the result, recognizing that magical outcomes often manifest through seemingly ordinary means. Keep a record of both successes and failures, and understand that setbacks are educational opportunities, not indicators of personal inadequacy.

Helpful Practices

Regular meditation can serve as a foundational practice for enhancing focus and understanding your inner landscape. Additionally, action flow states can be achieved through rhythmic, lyric-free music coupled with physical activities in sync with the beat. This can facilitate a trance-like state beneficial for magical work. Shadow work, while in no way is necessary, can help you uncover deeply rooted personal truths, while the development of personal symbolic associations can facilitate more potent states of focused awareness.

Energy Work

Contrary to popular misconceptions, energy work is neither a form of mental imagery nor a misapplied concept often referred to as "intent." It involves a nuanced understanding of one's subtle body and its energy centers. Identifying your Wellsource—the origin point of your energy—can further deepen your practice. Mastering the art of manipulating this energy effectively can be a powerful tool in improving magical potency.

Appropriation and Decolonization

It's crucial to recognize the importance of decolonizing one's magical practice. This entails a conscious effort to eschew cultural appropriation and to respect the origins and contexts of various magical systems. While learning from diverse traditions can enrich your practice, it should never involve taking elements out of their cultural context for personal use without proper understanding and initiation. Decolonizing your magical practice is a significant endeavor that requires sustained commitment, self-awareness, and active engagement. Here are some steps to help you in this important journey:

Educate Yourself: The first step in decolonizing your practice is to become knowledgeable about the histories, cultures, and traditions from which various magical practices originate. This will help you understand the contexts in which these practices were developed and how they have been affected by colonization.

Acknowledge Origins: Always give credit to the cultures, traditions, and communities from which certain practices and tools originate. This is not only a matter of respect but also a way to counteract the erasure that often occurs when practices are appropriated.

Assess Your Sources: Evaluate the materials you are using to learn about magical practices. Are they written or produced by individuals from within the tradition? Do they provide historical and cultural context? Are they respectful and do they avoid exoticizing or commodifying the practices they describe?

Reflect on Motivations and Entitlement: Examine your reasons for incorporating specific practices or tools into your own practice. Are you doing it because it's "trendy" or because you feel entitled to pick and choose from other cultures? Such motivations can be indicative of a colonizer mindset.

Avoid Cultural Cherry-Picking: Engaging deeply with another culture's practice means more than just adopting its magical or spiritual elements. It involves an understanding and respect for the culture as a whole, including its history, struggles, and contributions.

Engage in Dialogue: If you are interested in a practice that originates from a culture different from your own, try to engage in a respectful dialogue with individuals who belong to that culture. Seek their perspectives and listen to their experiences, and ask for their insights into ethical engagement with their traditions.

Prioritize Marginalized Voices: Elevate the voices and teachings of individuals from marginalized communities who are sharing their own traditions. Their perspectives are often sidelined but are crucial for a genuine understanding of these practices.

Financial Support: Whenever possible, support practitioners from the culture of interest by paying for their services, buying their products, or donating to causes they recommend. Economic empowerment is a form of reparative justice.

Revise and Reassess Continually: Decolonization is not a one-time action but an ongoing process. Keep updating your practices as you gain more knowledge and understanding. This may mean abandoning practices or tools that you now recognize as inappropriate for you to use.

Be Accountable: If you make a mistake—and most people do when they are learning—own it. Apologize, learn from it, and make amends if possible. Then take steps to ensure you do not repeat the same mistake.

Advocate and Educate: Use your platform, however big or small, to educate others about the importance of decolonizing magical practices. Share resources, engage in conversations, and challenge instances of appropriation you encounter.

Practice Humility: Recognize that the process of decolonization involves continual learning and that you won't have all the answers. Be open to criticism and willing to change your viewpoints and practices accordingly.

How Appropriation Negatively Affects Magical Potency

The act of appropriation in magical practices not only raises ethical concerns but also has deleterious effects on the potency of the rituals involved. One of the most glaring issues arises from the isolation of a practice from its original cultural context. Traditions, rites, and spells often have deeply ingrained cultural meanings and histories. When extracted from their native milieu, these practices lose the richness and nuance that contribute to their efficacy. The symbols, words, and actions employed in a ritual are often deeply tied to the specific geography, language, and folklore of its origin. Stripping away this context can dilute the ritual's power, rendering it a mere simulacrum of its original form.

Another significant concern pertains to the connections with spirits and ancestors that are inherent in many magical systems. These relationships are often built over generations and are rooted in specific cultural narratives, myths, and practices. When one appropriates these systems without a genuine link to the cultural lineage, the connection to these spirits and ancestors becomes tenuous at best. In some cases, this could even be seen as a form of spiritual trespassing, which not only questions the ethical standing of the practitioner but also diminishes the effectiveness of the ritual. These ancestral and spiritual links act as conduits for magical energy, and without them, the practice becomes hollow.

Lastly, the issue of alignment with one's personal truth cannot be ignored. Each individual has a unique set of beliefs, experiences, and perspectives that inform their magical practice. When one adopts practices from another culture without proper understanding or respect, there is a high likelihood that these borrowed elements will not align well with one's personal truths. This dissonance can create an internal discord, which in turn weakens the potency of the magical working. A harmonious alignment with one's core beliefs and experiences often serves as the bedrock upon which effective magical practice is built.

Implementation of the Concepts Discussed

The efficacy of magical practices can be significantly bolstered by adeptly incorporating cognitive techniques related to memory and repetition. One such method involves capitalizing on short-term memory. After assimilating beneficial information, executing a straightforward magical working immediately afterward can aid in embedding the newly acquired knowledge. This rapid recall and application essentially serve as the anchoring of the information more firmly by immediate utilization. This technique leverages the brain's natural propensity for retaining recently processed information and puts it to practical use, thus enhancing the likelihood of a successful magical outcome.

Subconscious memory plays a similarly pivotal role in the refinement of magical practices. The consistent and repeated consumption of relevant information can precipitate a subconscious framework that thereafter influences your methodologies. Over time, this reservoir of deeply ingrained knowledge becomes an almost instinctive guide during magical workings. The more frequently you engage with this material, the more it seeps into your subconscious, ultimately serving as an internal compass that steers your practices toward greater potency. Hence, the diligent study of reputable materials can lay the groundwork for a more effective and nuanced magical practice.

Repetition, both cognitive and practical, stands as another invaluable tool in solidifying one's magical practices. Repetitive engagement with the material, whether it's through written summaries, vocal articulation, or mental rehearsal, can fortify the neural pathways associated with that specific information. Furthermore, the regular enactment of magical workings that incorporate these concepts can engender a form of habituation. These practices, through repetition, become ingrained behaviors, thereby increasing the ease and fluidity with which they can be executed. This habitual nature, in turn, contributes to an overall enhancement of magical potency.

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#witchcraft #beginner witch #energy work #baby witch #witchcraft resources #witchcraft 101 #gspell #informational post

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heartfullofleeches · 1 year ago

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angel darling whos a bit disconnected from modern terms walking up to c.c and saying "yas girl slay. so cunty girlypop" with not contexr because they saw it online and thought it was a normal compliment

Yan Incubus + Angel Darling blurb

The human world is such a fun and interesting place.

Everywhere you look, you learn something new. Things have changed so much since the last time you interacted with the mortal realm, but with the help of the kind demon you met during your travels you've had an easier time at processing everything at a beginner's pace. Your superiors always warned you to steer clear of his kind, but he hardly seemed like a threat. Not only had he given you bed and board, but as an added gift for staying away from humans as he instructed the demon had given you a cellular device to use while he was away.

There was a lengthy list of restrictions on the device, his number was the only one you could call under these boundaries, but that hardly put a damper on your fascination with it. You haven't seen one of these since they were just buttons and dials attached to a cord on the wall. It's amazing how much human technology has advanced in such a short time. Regardless of setbacks you're learning new facts about the modern world left and right, and you owe it all to your new companion.

You felt as if you owed him for his kindness, despite him insisting your company was payment enough. If that truly was the case, what better way to thank him than with gentle adulation using words you've picked up during late night binges scouring the internet. He always teases you for your "grandma speech" when you've complimented him in the past, despite the flush of his cheeks reaching his ears everytime. You wonder what his reaction will be when you call him by terms more fitting to the times.

C.C poses in front of his mirror - balancing on his toes as he bends to get a better look at the curve of his skirt over his rear. "So what do you think, babe? Am I cute enough for your first night out on the town?"

It's about the sixth time he's changed his skirt alone, but you think he's looked lovely in all of them. Nevertheless- it's your time to shine. Clearing your throat, you straighten your back as your eyes meet his from the mirror.

"Slay, Queen - you are serving so much cunt, girlypop."

C.C blinks - expression drain from his face. "What?"

"I said - Sla-"

"No, I heard what you said. Where did you pick up that kind of language?"

"Aside from you, online, I suppose."

C.C rounds the side of the bed, extending his hand with a few dramatic gestures forward. "Gimme your phone."

"Huh?"

He huffs and leans in close. "Now, Y/n."

"Have I don't something to upset you?"

Eyes flashing red, C.C grips your shoulders - hissing through his teeth as he speaks. "You aren't supposed to say things like that. You're supposed to call me beautiful or "a grace among man" or any of that other cute dorky shit you normal call me."

"Oh.... my apologies. I didn't mean to offend."

C.C sighs, throwing his arms around you in a tight hug. "No.. it's alright, I just really like what you use now. It's cheesy, but it's you and you are the most adorable your God ever had a hand in creating." He kisses your cheek, lips curled into that mischievous grin he's known for as they draw up to your ear. "But - I'll gladly be your Queen any day so I don't mind if we keep that one.... I'm still blocking the sites you picked the rest of those words off of."

#yandere #yandere x you #yandere headcanons #yandere x reader #yandere blurb #yandere insert #yandere imagines #yandere oc #yandere scenarios #male yandere #yandere incubus #C.C my oc

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joy-of-jamming · 7 months ago

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Lesson 29 - Play 15 - Open Chords - G add 5 and C add 9 - Learn How to P...

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awingedllama · 11 months ago

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replies

updated the folder with some cabinets! also, i lightened the black swatch because it was a bit voidish before

a separate object! you can dl them here

hi! that bassinet is outdated, but i fixed the link for the deco version (to use with the invisible bassinet mod). you can also download my updated one if you like

i'm open to making a thermostat! ATS4 has a bunch that are perfect for older homes though. if you don't like any of those you can always shoot me a reference pic

the ones i posted most recently are here

they're live edit objects, so you need the cheat. you can find them in sculptures. also make sure to download the 10mb one, that's the one that the others texture reference

recoloring objects to match is the bane of my existence (photoshop actions never work for me???), but i will put it on the list <3 they need more colours anyhow, i keep getting frustrated that they don't match

making cc is super intimidating when you first get into it, for sure. i broke a sweat doing my first recolor lol

i've got a post about good resources for beginners here

fortunately, with so many people in the community sharing their knowledge, it's a lot easier to get into modding/cc making than it used to be. and when you get stuck, the Sims 4 Studio forums are your friend!

also, i'm always happy to answer questions via DM if it's something you can't figure out

i will make some! i found the perfect CC for what you want, but of course it was behind an ad paywall *sigh*

edit: got past the paywall hehe

this is the cc, if you're interested ^^^ and here's a nice sensible SFS link

also, speaking of wires, here are the telephone poles for you @luvlyysimmer. batuu wires + edited telephone poles from snowy escape (added rust, changed wood texture). they're live edit objects, in sculptures category: dl folder

hi! it's CC - a custom background replacing one of the base game mattes. some of them are city living mattes recolored to be warmer, and others i found on google and edited to be transparent

you lose the magic when you zoom out though lol

my parents had the one on the left but i like the one on the right better bc it's more versatile. both make me itchy and i love them

i have a dining set like this on the list. also i promised someone awhile ago banquette seating, so i'm doing that too

i want the TS3 trim so bad in ts4 but i don't know how to make half-wall trim. i got it in S4 Studio but she's a mess in game

i know it's possible to do, as syboulette has custom trims, but i'm stuck rn. will keep you posted if i figure it out!!

#replies #asks

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fafnir19 · 11 months ago

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Cocky Rowing

It all began when I stumbled upon a beginner's rowing course at my university. Initially, I thought it would be a casual form of exercise, a delightful change from the mundane routine of studying and lectures. Once a week, I'd take to the water, finding myself captivated by the rhythm of the oars and the gentle lull of the waves. On this particular day, however, my routine was about to take an unexpected turn. I found myself in the changing room of the rowing club, amidst the hustle and bustle of the competitive sports team getting ready for their training session. As I fumbled with my rowing gear, they approached me, a sense of urgency in their voices.

"Hey, are you a rower too?" one of them asked, eyeing me curiously. "Well, I've been taking a beginner's course. I'm not really at your level," I admitted, feeling a bit out of place among these seasoned athletes. "We're short one rower for the eights. Would you like to join us? You seem pretty fit," another athlete offered, waving me over to their group. I hesitated for a moment, feeling uncertain about joining them. "I'm not sure if I can keep up with you guys," I confessed, feeling a bit intimidated. "Don't worry, all you need to do is swing a bit. You'll manage just fine," they reassured me, their friendly smiles putting me at ease. Encouraged by their confidence in me, I finally agreed and followed them to the boat. As we rowed, I found my rhythm and felt a surge of exhilaration coursing through my veins. This was a whole new level of rowing, and I was loving every moment of it.

However, as the training session went on, I started feeling the strain on my muscles. I wasn't used to this level of exertion. "Come on, Leon, you've got this!" the coach hollered, pushing us to give it our all. "Exhaustion is all in the mind. Straighten your upper body immediately after each stroke. Envision yourselves as magnificent, erect cockes, proud and strong!" I couldn't help but find the coach's choice of words quite peculiar and frankly suggestive, but I tried to focus on the rowing, putting the strange words out of my mind. The training proved to be incredibly challenging, leaving me barely able to form coherent thoughts. The coach kept repeating the same mantra, urging us to think of ourselves as proud, erect cockes. It was becoming increasingly bizarre, but I pushed through the exhaustion, determined to prove myself. Finally, the grueling training concluded, and the athletes thanked me, commending my performance and expressing gratitude for stepping in as the missing rower was ill. It was then that they asked me if I could fill in for the upcoming weeks, not wanting to let the university team down. Without giving it much thought, I agreed. Now training nine times a week, any worries I had vanished the moment I set foot in the boat. My only thought was that of being a proud, erect cock, just as the coach had drilled into us.

However, things took an unexpected turn when the coach decided that I should row a double scull with Trevor, a handsome and accomplished rower who exuded an air of arrogance and smugness that I couldn't stand. "Great, now I have to deal with Trevor," I grumbled inwardly as we prepared for our first session together. True to my expectations, Trevor lived up to his reputation, making snide remarks and acting as if he was doing me a favor by rowing with me. "Alright, Leon, just focus on mimicking my movements. I'll do the thinking for both of us," Trevor declared, his overbearing demeanor grating on my nerves.

Despite our best efforts, our rowing didn't quite mesh. The trainer took it upon himself to explain gently: “Leon, imitate Trevor’s movements. He is the stroke and he decides what happens in the boat. Remember: you're just a cock made of muscles and sperm cords that can't think." I was taken aback by the coach's comparison, but I bit my tongue and tried to focus on improving our synchronization.

Over time, things improved between Trevor and me, and I found myself becoming incredibly athletic from the frequent training. As much as I disliked Trevor, I couldn't deny the positive impact the rigorous sessions had on my physique and stamina. After a particularly grueling practice, as we docked the boat, the coach posed a question to me: "Leon, what are you?" Without hesitation, I responded, "I am a cock composed of muscles and seminal cords," parroting the coach's words without a second thought. Later, as we grabbed ice cream, the vendor asked me what flavors I wanted, and suddenly, I found myself at a loss, glancing at Trevor for guidance. "He'll have strawberry and vanilla," Trevor decided, taking charge of the situation as if it were the most natural thing in the world. As we continued our intense training regimen, Trevor suggested that I would show off my muscles better if I shaved off my body hair, stating that cockes didn't have hair. I saw the logic in his words and proceeded to rid myself of any visible body hair. Before I knew it, Trevor's influence extended beyond rowing sessions. He began making decisions for me, from my workout routines to my diet and even my wardrobe. I was slowly but surely being molded into his image.

"Leon, what's our training goal?" the coach asked one day, directing the question to me. My mind immediately turned to Trevor, waiting for his prompt before responding, "Trevor should answer that." "Our aim is the Olympics," Trevor stated confidently, leaving no room for argument. The coach smiled contentedly, remarking that his methods had evidently been successful, and this time, Trevor's training partner wouldn't be bailing on them. Unbeknownst to me, I had become Trevor's perfect and obedient training partner, my thoughts consumed by the singular focus of growing muscles, obeying Trevor, fulfilling our shared ambition and to fuck.

As the days passed, I found myself drifting further under Trevor's influence, and my own desires and motivations became secondary to his commands. It was after a training session under the showers that Trevor made it abundantly clear just how deeply entrenched his hold over me had become. "You are mine, Leon. Mine to shape and mold as I see fit," he whispered, his words sending shivers down my spine. I couldn't deny the thrum of excitement that coursed through me, knowing that I was completely under his control, giving myself over to his every whim and fancy. With each passing day, I became more like an extension of Trevor, my every action and thought aligned with his desires. Finally, at the peak of our training, as we stood on the brink of our Olympic aspirations, Trevor's words echoed in my mind: "You are mine, Leon. Mine to shape and mold as I see fit." And as the final race approached, my only thought was to grow muscles, to obey Trevor, and to soar to glory together as a proud, erect cock devoted to my master.

In my mind I had become Trevor's virile cock, ready to conquer the world at his command. And so, I rowed on, driven by an unwavering devotion to my master, blissfully unaware of the depths of my submission.

#mind control #hypnosis #nerd to jock #athlete tf #rower tf #rower #rowing

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aidenlydia · 11 months ago

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Got a few similar messages like this, so I think it’s time to make a little resource list about everything transgender related:

Basics:

Legal status of Transgender people - list of countries and their various transgender rights

Queer and Trans Spectrum Definitions - basic reference guide to common words

Non-surgery options:

Gender Affirming Gear and Clothing Brands - definitions, methods without surgery and brand suggestions

Voice training:

Masculinize your voice - Transmasculine voice - FtM voice Training (all for pre-T)

E-girl voice tutorial - Girl voice tutorial - How to do a girl voice - How to do the druew voice

Tips & Tricks:

How to hide a large chest - FtM passing tips - FtM make up - coping with being pre-T

Boy to Girl make up tutorial (beginner) - Boy to Girl Transformation tutorial - The Transfemme Field Guide

HRT:

Masculinizing Hormone Therapy - taking testosterone, how it works and what to expect

Feminizing Hormone Therapy - taking estrogen, how it works and what to expect

FtM Surgery Options & Details:

Top Surgery - removal of breasts

Facial masculinization - facial surgery

The Difference Between a Metoidioplasty and a Phalloplasty - masculinizing bottom surgery

Deciding between phalloplasty and metoidioplasty PDF - masculinizing bottom surgery

MtF Surgery Options & Details:

Breast Augmentation - breast implants

Voice feminization - vocal cord surgery

Facial feminization - facial surgery

Vaginoplasty - feminizing bottom surgery (with vaginal canal)

Vulvoplasty - feminizing bottom surgery alternative (without vaginal canal)

Note: there are no explicit images, however some sites offer additional links to stores that sell realistic looking private parts or links to surgeon galleries where one can view post-op results (which come with proper warnings)

#trans resources #stayed up far too late putting this all together #hopefully didn’t miss anything important #hair removal perhaps #anyway #now off to bed go I #ftm #mtf

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celestial-sphere-press · 3 months ago

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That National Geographic leather binding for Yellowstone is fucking Gorgeous!!! (Pardon my Language)

How long have you been binding, and what would you recommend to someone who wants to try it for themselves?

hello and thank you so much!! I worked really hard on that one (and no pardon needed haha)!

I started binding in February of 2021, which means in a few months I'll have reached 4 years. It's been an awesome journey!!

If you'd like to try it for yourself, I'd recommenda few things!

1) You can 100% try out the basics with near free or cheap materials. People typeset in Word or Google Docs or Pages. You can print on printer paper & use regular sewing thread & scavenge board from old books or notebook backs or do a limp leather binding & use no boards at all. You can make paper pamphlets. Any comments I make following this are about my preferences for best results. The most expensive part that cannot be avoided is printing. On the other hand expenses can wildly escalate if you're committing to it; once you are doing leather it becomes somewhat unavoidably expensive.

2) Check out some tutorials from SeaLemon or DAS Bookbinding on YouTube for the physical construction. SeaLemon is really clear for a beginner starting out, but then I'd move to DAS for better technique (DAS also has a beginner series though). I watched DAS Bookbinding videos for three weeks straight before I was able to start, & while that doesn't maybe work out for everyone I do think it gave me a pretty strong basis of understanding for structural techniques. DAS is *really* good at explaining why he thinks you should do something. The structure of the NatGeo bind is basically DAS's video on a rounded & backed bradel binding (but with leather & sewn on recessed cords). There is some good stuff on Tiktok/IG, but watch short-form videos/reels with caution. They move a little fast and I've seen a couple give instructions that can result in structural flaws (not that this is unique to the form, cross-referencing on instructions from any source is a good practice). They are good for if you're looking for a specific technique (particularly modern decorative ones, like cricut use, edge gilding, HTV application). There are also published books you can buy or maybe request through your library, such as Hollander's Introduction to Bookbinding. Renegade Bookbinding Guild runs a whole bunch of technique-specific in-house zoom classes annually.

3) Look to other fanbinders for tutorials on how to format the text (this is because most pro bookbinders do not do both text design & book creation! it's a pretty unique feature of fanbinding). @renegadeguild has some publically provided resources on our website here and more typesetting tutorials for a whole host of softwares (Affinity Publisher is my choice - one time purchase, fuck you very much Adobe InDesign) located in the discord server. Anyone 18+ can join the Discord. The NatGeo inspired book (text & dust jacket) was created in Affinity Publisher.

4) Join a community of fanbinders! It's really lovely. The space has exploded & there are tons of people to be friends with, trade tips, & cheer each other on. I'm part of @renegadeguild and we do a whole bunch of events throughout the year, and we have an in-person retreat every other year. I've met with over 20 different renegaders so far, in three different countries, and it's been such a blast. Definitely the community helps keep up the motivation. Renegade isn't the only community out there though! There's groups more rooted in IG/tiktok circles that have their own discords, plus a number of FB groups. I do think most people who are comfortable on tumblr enjoy Renegade's vibe.

5) While I learned most of what I do online, some things really benefit from in-person learning. If you want to do leather binding I would really recommend trying to take an in-person class. I did two attempts at a leather binding on my own before I decided to hold off until I'd had at least one in-person class. Leather binding can be extremely frustrating, especially when you can easily end up with a book that looks worse than a cloth binding at your same skill level but for double the cost. Imo this is mostly because the leather specific skills like paring, warp management, and assessing a random piece of leather for bookbinding suitability are all pretty tactile experiences, all of which are difficult to assess through a screen and can result in an unpleasantly bulky/stiff/shapeless book if ignored. For example- while this book of mine is a pretty popular post, I don't enjoy holding it and reading it, especially in contrast to the NatGeo bind. Part of this was the material I chose; part was not being able to adhere to the instructions quite well enough; part was just not knowing enough about what I was doing; part is they're different constructions. This might just be a me thing though; I'm sure others have had success with online only tutorials for leather.

6) I'm not going to get into specific tools bc that could be a whole post, but some things are necessary (printer access), some things are necessary depending on style, some things are "makes life easier but only drop the money if it's stopping you from making books out of frustration", some things are just technique-specific tools. Examples - sewing frames are often brought up but are never necessary unless sewing on cords; cricuts & cutting machines are commonly used in fanbinding circles but I don't have one (& don't intend to atm).

7) Don't be shy to offer the author a copy!! Like other fan activities, fanbinding is part of our fandom community ecosystem. Your fanbinding is in communication with the author's story. Giving a bind to the author is a great way of keeping the ecosystem going. I tend to think of binds as a combo of comment, fic rec, and fan art inspired by the fic.

8) Paper grain sounds stupid but it IS IMPORTANT! My personal hierarchy of give-a-fuck for grain: Board grain, spine card grain, endpaper grain, cover paper grain, text block grain, book cloth grain. The only thing I personally sometimes ignore is book cloth grain; but many people will not worry too much about text block paper grain.

Gonna stop there for now. If you've got specific questions or want elaboration, feel free to ask. As with all things, YMMV, this is my own opinions/experience and may not apply in all cases. There's a whole lot of different techniques out there, and it's hard to ever say something is wrong, per se - but I think it's important to understand if a method has an outcome you may want to avoid. Prioritize your goals & adapt for them - what's your goal? Longevity, readability, aesthetics? You might make different choices depending on them. My choices influence the techniques I chose to focus on, the tools I buy, and thus the final aesthetic of my binds.

#fanbinding #bookbinding #celestial sphere press #in progress review #ask des #ficbinding

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esamastation · 2 months ago

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Gamer girl gets transmigrated into a farm boy Chapter 6 [<<Prologue | <Chapter 5 || Chapter 7>>] Ao3 link

Tutorial in Age of Tales goes like this:

The main character is woken up by Janelle, who calls him a sleepy head and tells him to get the cart ready, because her daddy wants to go to town. The game teaches the player how to move, climb, jump, and interact with objects there.

The main character drives the cart to Westbrook in a cutscene and gets a chance to explore the town for a moment before Mr. Gylcross concludes his business. It's implied that it's a rare visit for the main character, and he's still new to town. He's given only enough money to buy a few health items maybe, just enough to learn how to interact with shops.

The main character returns to the farm with Mr. Gylcross and there's a time skip to the next day where, after they're done with their various farm-related duties, Josel approaches the main character and says…

"Hey, Van - there's some rabbits in the field again. Do you think you could take care of them?"

Which then teaches the main character the very basics of combat, specifically long ranged combat, seeing as the beginner weapon for the main character of Age of Tales is a sling. In the game, there's auto aim you can turn on, which helps with long ranged weapons, but they were never a particularly well designed part of the game.

In this sort of real live version of the game…

"How the hell are you supposed to use this damn thing," Van mutters, trying to fit a pebble in the sling and figure out how to spin it in a way that didn't send the rock flying off prematurely.

Unfortunately it's not one of those slingshots with a y-shaped piece of wood and elastic band, no, this is the much older kind with a woven cord and a small pouch in the middle where you put the rock and then spin it around before releasing. Which is, it turns out, pretty tricky to master.

Katie had kind of loved the sling thing, though. It was very historical, she felt. Traditional weapon of commoners. Very cool that they included it in the game. You could even do some real damage with magical ammunition, though it was never as good as just specialising in magic, or even being a ranger. Still, with auto aim it was a cool beginner weapon for ranged combat, and considering that the early fights were all about running away…

It never made much sense for the main character to have it, though, because Van wasn't actually a commoner.

Van tries to spin the sling, and the stone slips out of the nest, landing in front of him with a thud. He grunts, frustrated. "System can't you help me out here? There's the automated chore thing - why isn't this automated? I should know how to do this, right?"

The System opens up his character window, which is not very helpful.

[Farmboy] [Van] [Lvl. 3 Commoner]

[Status:] [Constitution: 10] [Strength: 10] [Dexterity: 1] [Intelligence: 1] [Wisdom: 10] [Charisma: 1] [Luck: 1] [You have 4 unused Stat Points.] [You have 2 unused Skill Point]

"That's not very helpful - wait," Van says and peers at the list of stats. Intelligence is highlighted. "Huh - I need intelligence to figure out how to use a sling? Wait, wait, wait," he pauses, coiling up the sling. "Say I wanted to become a… rogue. I want to sneak around and assassinate my enemies. What would I…?"

The status screen shifts, and it's dexterity that gets highlighted this time. "Huh," Van says again. "Okay, that's actually really good to know." It's nothing he didn't already know - he had played as a rogue before, but still. It's neat that the System is giving him this kind of info. "I didn't need intelligence to use a sling in the game, though. Also, why are chores automated but this isn't? It makes way more sense for me to know how to fight, doesn't it?"

System just highlights intelligence again.

Van really doesn't want to spend any stat points yet, not before he decides what class he's going for - also, who knows what will happen in Westbrook. He might need a sudden burst of charisma to persuade the bad guys not to kill him, or dexterity to avoid being skewered, or any number of things. Intelligence is only good for Wizards, and Katie did not enjoy Wizard build all that much. It was too slow, and the combat didn't quite have the oomph of getting up close and personal with a big sword.

Shaking his head, Van closes the System window and continues working on the sling. He does figure out how to get the stone to stay in the sling, but trying to get it to fly even to the right cardinal direction…

Hm. Maybe he could put one point in intelligence? Just to see what it would do?

… No, he will not be tempted. He'll save the points until he needs them.

At any rate, the rabbits have been dealt with - he might've not hit any of them, but he definitely made enough of a racket to scare them off. Shaking his head, Van puts the sling away, his ammunition pouch five pebbles lighter. Whatever. He's got more important things to figure out right now, anyway.

Like how to make a spear.

The tutorial goes on to then try and deepen the main character's relationship with Josel and Janelle - giving the player a chance to eavesdrop on them during a cute moment. Van gets that opportunity too.

While he's doing a little bit of gathering in a copse of trees, figuring out how to get a Wooden Pole as opposed to mere Branches he's been finding, Van happens to spot Josel, picking up flowers out in the meadow just beyond the forest's edge. And then Janelle just so happens to come across Josel, greeting him cheerfully with, "Hey there, Josel - what are you up to?"

"Well, uh, I just, um," Josel stammers, looking between her and the sorry bunch of flowers he's holding. Then he tries to, comically, hide them behind himself, as though they haven't been fully on display already. "It's - it's nothing!"

"Oh?" Janelle asks, instantly mischievous, and skips forward. "It's nothing, is it? What's that behind your back, Josel, what have you got there? Hmm?"

Josel squirms and backs away while she tries to sneak a peek past him and it's very cute until he finally gives up. "It's stupid, I didn't -" he says and then holds the flowers to her. "For you, Miss."

"Oh, for me? Why, thank you, Josel!" Janelle says cheerfully, accepting the flowers with a little bow. "You are most kind, sir. You didn't have to."

"I thought it would - that it would brighten your day," Josel says, flushed bright red all the way down his neck and wringing his hands with embarrassment. "It's nothing, just a bunch of flowers."

"Well, I think it's very sweet," Janelle answers warmly, hugging the flowers and then grinning. "Say, have you ever made a flower crown?"

It's almost unbearably saccharine, the whole thing, but Van can't help but watch, leaning onto a tree trunk and grinning fondly as Janelle gently bullies Josel into learning how to weave flower crowns, before plopping the one she made on Josel's head. The whole thing is so blatantly wholesome that the first time Katie saw the scene, she'd shouted out loud, "Oh, they're definitely going to die!"

Van is half impressed that the developers refrained from including promises about the future and how they'd make flower crowns for each other until the end of their days. Or reminisce about their past as childhood friends, or something. Honestly, Janelle and Josel didn't really have much of a background beyond their roles as cannon fodder for the plot.

Still, it is pretty cute.

Janelle finishes the flower crown Josel can't figure out how to tie properly and puts it on her head, smiling. "There, now we match," she says with satisfaction, making herself comfortable amidst the flowers. "It's been ages since I did something like this."

"You're very good at it," Josel says earnestly.

Janelle laughs, hugging her knees. "Thanks! I used to make wreaths for the Flower Festival, you know - I won the first Prize and everything!" she says and then her smile fades. "We haven't really gone since Momma died. I thought maybe next spring would be different. With you and Van here, Daddy is in much better spirits these days."

"I'm glad we've been able to help," Josel says, adjusting his crown. "If there's anything else I can do to help out, you just let me know."

"Thanks," Janelle says with a chuckle and then looks at him. "Van's not going to stay until the Flower Festival, though, is he? I don't think he's even going to stay over winter."

In the shadows of the trees, Van folds his arms, interested.

"What makes you think that?" Josel asks. "Did he say something?"

"Not really. He's just acting a bit weird, isn't he? Like he's waiting for something," Janelle says and sighs. "I think he's remembering stuff from before."

"He hasn't said anything to me," Josel says, frowning.

"Me neither, but he's all… I don't know," Janelle sighs and looks away. "I just think he's getting ready to leave. It's funny, he's not even been here for that long, but I was kind of hoping he'd stay longer. Daddy's been a lot more active since he appeared, you know? Like with more people around, he has a purpose again."

"Yeah. Mr. Gylcross has seemed more energetic."

"Yeah," Janelle says with a sigh.

Josel looks at her like he's not sure what to do or say. For a moment it looks like he might put an arm around her, before awkwardly refraining. "Well, I'm not going anywhere," the farmhand promises earnestly. "Even if Van leaves, I'll always be here, ready to help you out."

Janelle laughs. "I know I can count on you, Josel," she says and rocks back and forth before rolling up to her feet. "Come on, let's head back - you can help me catch a chicken for dinner."

Van watches them leave, leaning his head against the tree trunk and frowning. He still doesn't feel any particular attachment to these people - it's hard to, really, after Katie had watched them die over and over again in the exact same way. Even the most sympathetic NPCs stop looking like people when you can see their strings being pulled. Even so…

It would be nice if he could save them this time.

Glancing up at the sky, Van tries to gauge how long he has until sundown. Then, shaking his head, he heads back into the forest, to find poles for his spearheads.

He got maybe three hours until the Rift would open and no proper weapon yet.

He really needs to get a move on.

And then, the Rift.

In the tutorial, it's not expected of the main character to have a proper weapon when the Rift opens. That's why the farm is littered with low grade farming tools - though they barely had any attack power, they could be used as weapons in a pinch, usually to comedic effect. The whole point of the Rift is to mess up the farm, kill everyone there - except the main character - and send the main character running to town.

Most of that happens in cutscenes, of course. There was no way to stop the Rift from appearing, or close it once it had, and there wasn't meant to be a way to stop the demons coming through, either. You could kill a few of them, maybe, but they kept coming and coming in an endless, steady flood. The whole thing was meant to be a hopeless fight.

Of course, no good set piece survives contact with players, and it took less than a day after Age of Tales launched for people to turn the traumatic Rift event into a mob farm.

For a Gylcross Mob Farm you need at minimum two things, plus a weapon to kill the mobs with. You need one of the carts, parked in a specific location before the Rift opened, and a barrel, set down just a little to the right of it. Because the rift opens right next to the barn, the demons coming through can move only in three directions, and the cart and barrel block two of those, creating a bottleneck. If you do it right, the arrangement cuts down the number of enemies you have to fight to a single one at a time.

And the Rift never stops spewing enemies at you. So, in effect, you can just stand there, for hours, for days, killing imp after imp after imp, just collecting exp. Add to this some better gear and those sweet, sweet Draughts of Memory… and it takes you approximately eight hours and fifty four minutes to boost the player character up to level 100.

Van might not have those potions - but he still intends to take advantage of the Rift's mechanics as much as he can. Without the Draughts it would take literal days to reach the same effect - but right now, he'll settle for ten, twenty levels at least. Just something to get him started properly.

Assuming, of course, that the Rift worked the way it did in the game. If not, well, it still wouldn't hurt to prepare.

"Uh, Van - what are you doing?" Josel asks, watching Van push the cart into place.

"I'm going to clean up the barn. Getting the place set up for the harvest, you know," Van answers, huffing while turning the cart around, aiming to get it just below the window. "Just… getting this… out of the way."

Josel looks at him, at the cart, at the barn, and then scratches at his cheek. "… Okay, you need a hand with that?"

"Sure - grab that barrel in the back, will you?" Van says and then thinks better of it. It wouldn't hurt to over prepare. The game mechanics haven't exactly been on his side so far. "Actually, let's move the other cart first."

In the game once you're done with fighting the Rift, however long you take, the player character escapes in one of the carts that's, mysteriously, ready to go with Bell strapped in and everything. It's very dramatic and convenient, and Katie could even forgive the plothole there - here… here Van doesn't think he can trust the plot holes to be on his side.

Better get the cart in place for easy access.

Josel gives him a weird look at the very precise way Van wants to position the cart once outside, conveniently close to the stables and nowhere near the barricade. The other farmhand says nothing, though, confusedly helping him situate the cart just so that Bell could be easily strapped on in a hurry. Van makes sure all the necessary straps and such go in the cart as well.

The barrels and boxes and other things from inside go to and around the first cart, with Van carefully situating them around to box in the spot where the Rift would be, enclosing the space as much as he can.

By the barn doors, Josel pauses. "Did you make these?" he asks, taking one of the spears Van has lined up against the wall.

The shafts Van had made for them are pretty rough - they're basically just trunks of young oak trees, which had been the only things to register as Wooden Poles to the System. Cleaning them and attaching the spearheads to them had taken some effort, and Van can't say he's particularly confident about his woodcraft skills - but after he'd sharpened the spearheads, the System had approved his craftsmanship by re-designating them as Rough Spear, lvl. 2s, each with 15 Attack power, so Van's satisfied with them. The enemies he's about to face are only lvl. 1, and with his strength stat lvl. 2 weapons would be more than enough to handle them.

"Yeah - just leave them there," Van says, hauling another barrel in place and testing its stability. Yeah, that wouldn't go anywhere. "I'll deal with them."

Josel gives him a rather concerned look but leaves the spear where it is. He goes to pick up the barrel lids sitting in a stack beside the spears instead, but Van tells him to leave them, too.

"I'll need them for something later," Van says, inspecting his Rift barricade, trying to fill in the gaps

"... Okay," Josel says slowly and then shakes his head. "I guess I'll get a broom and start sweeping then…"

Van lets him do it and finishes up his barricade, leaving just the one opening for the imps to get through - the one he'd be covering with a spear. With his mob farm ready, Van brushes his hands together and then heads inside to join Josel in "cleaning".

Another hour or so until sundown, and his preparations are just about ready. Now he just needs to wait.

"Van? Van, my boy, are you in here?"

Van, who's sitting on the hayloft just in case he needs to be in a specific position to trigger the Rift, peers down. It's his boss, peeking into the empty barn. "Yes, Mr. Gylcross?"

The farmer looks around the empty barn and then outside at the Rift barricade. "Would you like to explain what's going on here?" he asks, baffled.

Van goes down the ladder. "I just thought of doing a bit of cleaning," he says. "Before the harvest, I mean. I, uh," what would be a good explanation, "I heard some mice or something the other night, and I thought we should close up all the holes before bringing the harvest in. I'll put everything back tomorrow, I promise." Nailed it.

"Mice, hmm? I see," the farmer says, anxiously twiddling with his moustache. "And the - the spears?" he asks worriedly. "What's that about?"

Van looks at the spears and the various barrel and pot lids he'd gathered to serve as shields. "Uh," he says. "A new hobby?"

The farmer looks at him, looking very concerned indeed. "My boy, is everything alright?"

"Yeah, everything's fine," Van assures him. "I'm just trying new things, that's all."

"I know about your visit to the tailor - Ms. Arbury sought me out," Mr. Gylcross says slowly. "As I understand you ordered something quite expensive, and she was a tad concerned. Where did you get all that silver from, Van?"

"Uh," Van says. Well that explains how and why Mr. Gylcross knew about the gambeson. "From the inn?"

"Van, surely you didn't just… take it?" Mr. Gylcross says, anxious.

"No, no, nothing like it - I gambled," Van says quickly. "And taught a gambler a trick about how to play Echo better - she paid fifty silver for it."

Mr. Gylcross doesn't look quite convinced, eyeing him with grave concern before turning to look at the spears again. "And - and then spears?" he asks. "What do you need spears and a gambeson for?"

Having no better explanation to give, Van tells him what he told Janelle. "It just… feels like I need them?" he says awkwardly. Hooray for amnesia as a convenient excuse for weird behaviour. "I can't really explain. It's just a… feeling."

That doesn't seem to quite soothe the farmer's mind, though his look of worry turns into something more serious. "You know you can always come to me if you have concerns, right?" the man says earnestly. "If you remember something, if you have issues. I know waking up here the way you did was quite traumatic."

"Um, yeah," Van says, awkward. "Thank you, Mr, Gylcross. I'm grateful that you, um, took me in," he adds, which feels like something the character would say, had this conversation been in the game.

"You looked quite rough, when Janelle found you - like you'd been in a fight," Mr. Gylcross says sadly, shaking his head. "Have you remembered what happened?"

No, though Van knows about it from the game. The player character had been hit over the head with a hammer while trying to escape assassins. Very creative of the developers. "No, I haven't. Sorry, Mr. Gylcross."

"That's quite alright," the farmer says and looks at the spears. "I didn't really expect you to remember much, not after all this time - though it looks like something's getting through anyway," he mutters, considering the weapons. "I'm not sure I'm comfortable with having weapons on my homestead, Van."

"Oh. Um. I'll put them away tomorrow, then," Van offers. If Mr. Gylcross still objected to their presence by the morning, he'd be pretty surprised. "You won't have to deal with them, I promise."

"… Very well," Mr. Gylcross says and then gives him a look. "You'll still stay for the harvest, though, won't you? I planted a lot more than I would've without you here - we'll need all the hands we can get, to get the fields harvested in time."

"I won't go anywhere just yet, Mr. Gylcross," Van assures the man, and smiles. "I'll see my job here to the end."

"Good, good," Mr. Gylcross says and clears his throat, looking at the makeshift barricade before peering up at the sky. "Well, at least it doesn't look like it will rain tonight… I suppose it's fine, this once," he then says, moving to leave. "And you'll put the spears away?"

"I will," Van says - as soon as they wouldn't have any more use, he would. "Have a good night, Mr. Gylcross."

"You too, my boy - sleep well."

Van smiles at the sentiment, nods and then watches as the farmer heads back to the house, making sure the man is inside before going to double check the barricade, just in case. Everything is where he put it, nothing has been moved. Good.

There's maybe another half an hour until the Rift opens.

No one would be sleeping in Gylcross Farm that night.

Proofread by @nimadge [<<Prologue | <Chapter 5 || Chapter 7>>]

Cue suspenseful background music...

Gotta say guys, not really seeing point in posting this on tumblr anymore. Might just post on ao3 after this.

#original fiction #isekai #transmigration

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