#been thinking about her So Much recently

[carnivalcarriondiscarded]

i couldn't decide which version i like best

[trauma-bot]

sin eater

[yippee-optimistically]

mods r asleep post humanized 4x

finished catching up on tpot it was peakkkkkk but i am so scared of one. also working on little clay and felt dolls of 4 x and 2

[onathinker]

carve your name into my bedpost

“Anything you like in particular?” Suddenly quiet, Ona shrugged with her bottom lip caught between her teeth. Lucy realized it would take some coaxing and gave her an easy grin, smoothing over the skin of her abdomen tenderly. “Where do you like to be kissed?” or; one lazy afternoon, lucy and ona have a chat

rating: mature word count: 1.3k tags: foreplay, dirty talk, implied/referenced sex, communication is sexy

read on ao3 (chapter 2)

[head---ache]

can you tell what's been in my mind lately/hj

[mars-ax]

Fret not dear heart, let not them hear the muttering of all your fears, the fluttering of all your wings

[steakout-05]

not sure if this has been done before but

[extravalgant]

i looove azteca from like. a narrative stand point

because we have this hero and thats you. were practically the stuff of legends by arc 2 just because of what kind of experience we have under our belt. we've never lost a fight, and it's assumed that we never will. that's how powerful the wizard is—everyone expects them to win, expects light to triumph shadow

and when we fail.... well. it shocks everyone doesnt it? people get angry. people get disappointed. to the wizard, who has never known failure or disappointment, it must feel like an entirely new thing. this culture was here for thousands and thousands of years—a culture and a people you never knew about until you were brought into the spiral.

and now because of you its gone. because you failed to save it and stop morganthe, its gone. and i think merle's passiveness about this situation hits a little differently this way—i read it more as disappointment, anyways. and to someone who has never known defeat, not to this capacity, with this many casualities and victims, the disappointment feels a little more crushing, doesn't it? the wizard is supposed to be a hero summoned from the legends, from a place not beyond a spiral where they had not heard of magic, and it feels like they let everyone down.

this imo is where morganthe truly establishes herself as a villain. i mean she already was a villain before imo BUT bringing a grieving man back from the dead to puppet around AND destroying a world is just straight up evil (and i love that). people like to complain about the malistaire bit which is valid in some cases but i think it really does sell the frivolity in which she chooses to go about things. like hey heres a man you killed with your own hands. probably when you were young. i brought him back from the dead to use as my pawn and now you have to fight him again btw. using a dead grieving man for my own goals. and then the fact that we cant beat him at the end, to 'send him back', is just another way she gets a leg up on us. she leaves us with unfinished business and xibalba destroying azteca is just icing on the already fucked up cake she's given us.

shes TAUNTING us. and this is important because it does come back to us in khrysalis—no doubt the wizard is still haunted by the sins of their past; their failure to save azteca. they have to get through this bit, to learn to let it go, before they can learn shadow magic. after all this, it's still stuck with us—our failure, one that she spearheaded.

dont even get me started on the wizard learning shadow magic maaaaaan because now they share one thing in common—they know shadow magic. they wield shadow magic. and shadow magic is so reviled that it's forbidden. no one else but her can really understand the isolation that comes with learning shadow magic, and it parallels the wizard and her even more because neither of them had a choice! the shadow magi turned morganthe into the shadow queen she is today, and we are subsequently forced to learn shadow magic and do the same if they ever have a chance at defeating her. i love it. i LOVE it. i love azteca... i love khrysalis....

[avornalino]

lizbeth lovell :: leader and main vocalist of Starstruck, the newest biggest girl group in town 🎤🌟

what she wore in their newest mv; what she wore on stage at simapalooza; what she wears to dance practices

[headkiss]

amy march was so real when she said i want to be great or nothing

[moe-broey]

Back to what I do best (bare minimum Putting My Guys In Situations shitposts) 😌

Inspo under cut!!!

[harvestmoth]

steven got them for her

[cuubism]

hello friends. despite my 9 million existing dreamling wips i'm feeling the need to branch out a bit for the sake of my mental variety. what pairing other than dreamling should i write a little something for? could be romantic or platonic

other way of phrasing i guess: any pairings you really want to see more fics for in the fandom?

[ferronickel]

Thinking bout the time someone yelled at me because they didn't understand butches.

[dailykugisaki]

Day 303 | id in alt

Something a lil lazy fr. I just wanted to doodle her face again bc it's fun

[wonder-worker]

“Studies of Elizabeth Woodville […] have been hampered by the continuing fascination with her brother-in-law, Richard III. The Ricardian [and Yorkist] apologetic is now largely dependent upon the argument that the Woodville family posed such a threat to Richard of Gloucester, and the kingdom as a whole, that Gloucester had little option but to take the throne from his Woodville-dominated nephew. Although this argument has [irregularly] been contested, a reassessment of the queen's role in 1483 has not yet been attempted. Michael Bennett, in his 1987 account [...] still dismissed her as `an inveterate intriguer, capable in her vanity and fecklessness of some remarkable shifts and turns'. But more often she is scarcely mentioned in general histories of the period.”

-J.L. Laynesmith, “English Queenship 1445-1503” (thesis for the degree of DPhil in Medieval Studies, University of York, Centre for Medieval Studies, April 1999)