#been making work really really well and i'm very pleased

[abouttocommitarson]

The villan heard the laughter before it abruptly stopped. She glanced up and saw... hero? The villan had never thought she would see hero again. Ok okokokokokokkokokok try not to panic, just act normal the villan told herself. The hero while this was happening had stopped dead in her track and was staring at the villan mouth agape. The rest of the gaggle of 20-somethings around her were glancing at the hero trying to figure out who she was staring at. villan told herself ok um just ignore hero surely she'll think she's seeing things or something, I look a lot different since we last fought. Besides I'm supposed to be dead. One of heros friends shook a hand in front of her face,

"Hello? Hero? Anyone in there?" He said knocking on heros forehead

"Huh? Oh yeah I'm fine," hero said with a nervous laugh, and tried to wrench their gaze away from the woman at the bar she seemed so familiar but hero couldn't place her face "just, y'know"

"Because you're not telling me I really don't know but ok" responded heros friendwith a smirk.

Throughout the night hero kept glancing at villan and her friends kept nudging her and whispering at her villan had noticed. Her plan was to get drunk so she would forget this had happened and then call a cab to get home. She had avoided this for so long! She had faked her own death-quite convincingly she thought, moved to a different city, made a new identity, and cut contact with anyone from her past life and STILL the hero had found her, the villan scolded herself. What comes next? Police banging on her door? Going to court? Prison? She supposed she signed up for this when she chose the life of crime but she had grown since then! She'd changed! She was no longer a bloodthirsty criminal trying to destroy a city she had a nice apartment a working car and a cat life was going well. Well, she laughed to herself good things never last forever.

"What'cha laughing about?" Came a voice from next to her, villan glanced up and had it not been for her already very pale complexion she would have gone white as a ghost. Hero had sat down next to her and was trying to make small talk.

"So uh how's your week been? Whats your name?" Hero was shitty at small talk and she knew it but was she this bad? The woman she sat next to was only a few years older then her at most and was staring at her like she just said that she liked homework, a mix of horror, confusion and fear. "Aaaaaaare you gonna respond or just stare at me like I'm a zoo exhibit?"

"Um sorry I just... do we know eachother?" Villan blurted, she didn't mean to, but she desperately needed to know if hero could recognise her. It sounded quite rude after she said it, but too late now she guessed.

I've lost motivation for this a bit, might come back later. If you guys like it. Please be nice I haven't written any storys since last February. Feedback and ideas welcome! Thanks

Edit: for those who were asking to be tagged in any and all stroys based of this prompt: @axxolotlqueen @lillysys @randomness20117

You, the villain, faked your death and started over years ago. But you never expected the hero to stumble into your new favorite bar, laughing with their friends.

[woozinhos]

HII love your works very very mucchhh!! and congrats on your 600+++ follss 🎉🎉

can i ask about the sub!dino begging for cockwarming while youre busy doing your task? thanks a lot 💗

Thank you so much anon I’m nearly 700 now which is crazyyy hope you enjoy!!

Stop working so hard

Dino kneels in front of you, his eyes pleading as he begs for your attention. "Please," he says, his voice soft and needy. "Please let me cockwarm you while you work." You look up from your task, taking in his desperate expression. You can see the bulge in his pants, a clear indication of how much he wants you.

"I'm a little busy right now, Dino," you say, trying to sound firm. But deep down, you know you can't resist him when he looks at you like that.

Dino pouts, looking up at you with those puppy dog eyes that you can't resist. "Please, baby," he whines. "I need to feel you around me. I need to be close to you."

He shuffles closer, his hands resting on your thighs as he looks up at you with an expression of pure need. "I'll be good," he promises. "I'll be so good for you, I swear." You can feel your resolve weakening as Dino continues to plead with you. The way he looks up at you, so desperate and submissive, is driving you wild.

"Fine," you say, trying to sound stern. "But only for a little while, okay? I really do need to finish this."

Dino's face lights up with excitement, and he immediately begins unzipping his pants. "Thank you, baby," he says, his voice filled with gratitude. "You won't regret this."

Dino quickly sits down in your vacated chair, his eyes never leaving you as you move to straddle him. He groans softly as you settle onto his lap, his hands immediately coming to rest on your hips.

"God, you feel so good," he murmurs, his fingers digging into your skin. "I've been wanting this all day."

As you continue working, Dino nuzzles his face into your neck, his lips brushing against your skin. He's clearly enjoying having you on his lap, and he can't resist the temptation to tease you a little.

"You look so focused," he whispers, his breath hot against your ear. "I love watching you work. It's so sexy."

As you work, Dino can't help but squirm beneath you. The feeling of your body surrounding him is driving him crazy, and he's struggling to keep still.

"Baby," he whines, his voice filled with need. "You're making it hard to behave."

You can feel Dino's cock twitching inside you, and you know he's struggling to hold back. He's doing his best to be good for you, but it's clear that he's on the edge.

"You're doing so well," you say, trying to soothe him. "Just a little longer, okay? I promise I'll make it worth your while later."

Dino nods, taking a deep breath to try and calm himself down. He tightens his grip on your hips, holding you close to him as he forces himself to stay still.

"Okay," he says, his voice strained. "I'll be good. I'll be good for you, I promise."

The minutes tick by slowly, and Dino's self-control is slowly fraying. He's panting softly against your neck, his body trembling with the effort of holding back.

"Please," he whispers, his voice barely audible. "Please let me move. I can't take it anymore."

Dino's hands slide up your back, pulling you closer to him as he slowly starts to move his hips. He's trying to be discreet, but the small, involuntary movements give away his need.

"Baby," he moans softly, his face buried in your neck. "I can't help it. You feel so good."

You can feel Dino's body tensing beneath you, his movements becoming more desperate as he tries to control himself. He's losing the battle, and it's clear that he's aching for more.

"Please," he whispers again, his voice filled with desperation. "Please let me take over. I need to move, I need to feel you."

You finally give in, unable to resist Dino's pleading any longer. You set your work aside and turn your attention to him, a sly smile on your face.

"Okay, Dino," you say, your voice sultry. "You can take over now."

Dino's eyes light up with excitement, and he immediately starts to move beneath you, his hips thrusting upwards as he claims you. Dino stands up, lifting you up with him as he positions you over your desk. He bends you over, his hands on your hips as he presses himself against you from behind.

"God, I've been wanting to do this all day," he growls, his voice filled with desire. "You have no idea how much I need you."

Dino thrusts into you with a desperate, frenzied energy, his need taking over completely. He's lost all control, his hips snapping against yours as he claims you with abandon.

"You feel so good," he groans, his hands digging into your hips. "You're mine. You're all mine."

Dino is a mess, his moans and whines filling the room as he continues to pound into you. He's so loud that you're worried someone might hear, but you can't bring yourself to care.

"Fuck," he pants, his breath hot against your ear. "I'm not gonna last much longer. You feel too good."

Dino is a complete wreck, tears streaming down his face as he continues to thrust into you. He's completely lost in the moment, consumed by the pleasure and the need to be as close to you as possible.

"Please," he sobs, his voice hoarse from moaning. "Please let me come. I need to come so badly."

You reach back to run your fingers through Dino's hair, trying to soothe him as he continues to pound into you.

"Go ahead, baby," you say, your voice gentle but firm. "Come for me. Let go."

Dino's whimpers become more and more desperate, his hips stuttering as he nears his release.

"I'm so close," he gasps, his body trembling with the effort of holding back. "Please, baby, I need to feel you come too."

You reach down to rub your clit, the added stimulation driving you closer to the edge. Dino watches you, his eyes filled with a mix of desperation and awe.

"Yes," he groans, his voice rough. "Just like that. Come for me, baby. I need to feel you come around me."

Dino's whines become even more high-pitched and desperate as he feels you clench around him. He's so close, teetering on the edge of orgasm, but he's holding back, waiting for you to come first.

"Please," he begs, his voice breaking. "Please, I can't hold on much longer. Come for me, baby. Please."

Dino moans loudly as he feels you come, the sensation sending him over the edge as well. He buries himself deep inside you, his hips stuttering as he releases himself with a guttural cry.

"Fuck," he gasps, collapsing on top of you as he rides out the waves of his orgasm. "That was...incredible."

[nostalgebraist]

Thanks for this thoughtful review!

(BTW, for others – this is probably obvious but there are spoilers below the readmore, don't click unless you've read the book)

I'm going to use this as an opportunity to talk about one specific thing that bugs me about some reader reactions to my stuff. Therefore, most of what I say below will be negative (about your review), but I want to emphasize first that that's not a reflection of what I thought of it overall.

----

What I'm here now to talk about is this kind of thing:

There are parts of all his books, where I really think that the explanation for why they are the way they are is that they are "bad on purpose", and all the bullshit [note: in context "bullshit" seems to be meant as a neutral term for non-realist elements -nost] is a way of turning these shortcomings into strengths. The self-effacing voice which whispers that the characters aren't sufficiently well-drawn, are too cartoonish—well, what if that was the point? What if there was a reason for that, in the story?

And like... okay, there is sort of a sense in which this is true, sometimes, kinda. There is a grain of truth to this; it is getting at something real.

But it pains me to say that, because I don't want to encourage this kind of reading. Interpretations like this are occasionally correct but IMO they're much more common than they should be. IMO the right intuition is that this is a galaxy-brained, contrarian sort of take, a last resort you land on when you've ruled out everything else.

And not just with my work, with everything – I'm simply more aware of the problem when it comes to my work, because I wrote it and I'm aware of why I actually did things the way I did.

I've said this before, but watching the way that people react to my own fiction has been an eye-opening experience, one that has taught me things about reader (and viewer, etc.) reactions in general. Specifically, what I've learned was:

People's tastes are way more diverse than I had realized (before I started writing and sharing fiction). And they are diverse in a very fine-grained way; even if two readers have the same preferences about 90% of stuff, or 95%, they'll still diverge on some things. While it's not literally true that "every reader is a unique snowflake with a preference set that no one else shares," that is a very good first approximation of how things are.

Readers (including me!) have been trained by a lifetime of reading book/movie/etc. reviews to frame their preferences/reactions in a pseudo-objective "this is just how it is" way, like their own tastes have some special viewpoint-independent priority, a quality of "reality" or "accuracy" lacking in everyone else's tastes (which are all different, cf. 1). And this is not just a stylistic quirk of the way people write about fiction, it actually (IMO) feeds back into the underlying opinions behind the written commentary. It degrades people's ability to understand what it is they're looking at and their ability to make accurate inferences about the process of its creation.

----

Here's a sort of cartoonish schematic of the type of experience that led me to draw these conclusions. (And I suspect this is not just a thing that happens to me, I imagine it happens with any sort of work that "contains a lot of different types of stuff" the way mine does.)

Writer makes something that has X and Y and Z in it. Writer thinks X/Y/Z are "great tastes that taste great together." Writer is very pleased with the result.

Reader 1 has similar tastes to writer, says something brief about how they loved the book and it's a new favorite for them.

Reader 2 loves X, is OK with Y, hates Z. They write a lengthy review saying that the book was a mixed bag and could have been great if the writer had stuck to X and not messed things up by doing so much Z.

Reader 3 is the reverse of their predecessor: they hate X, are OK with Y, love Z. They write a lengthy review saying that the book was a mixed bag and could have been great if the writer had stuck to Z and not messed things up by doing so much X.

Reader 4 loves X and Z – but they hate Y. They write a lengthy… you can fill in the rest. Imagine a whole bunch of these guys (readers 5, 6, etc).

Reader 17 has the same tastes as Reader 2: loves X, is OK with Y, hates Z. But their lengthy review takes a different, in some sense "more charitable" angle, speculating that the inclusion of Z was a load-bearing pillar in the overall structure, a thing that unfortunately had to be included to "unlock" all that sweet sweet X.

Reader 18 has the same tastes as Reader 3: hates X, is OK with Y, loves Z. But, they explain, X was a load-bearing pillar in the overall structure, a thing that unfortunately had to be included to "unlock" all that sweet sweet Z.

Writer reads all these reviews and feels strange, dizzy. The "nicer" reviews like 17 and 18 are actually more uncomfortable to read than the "meaner" ones like 2 and 3.

"I don't know how to convince you guys," Writer thinks, "but I... I just liked all of it? I thought it was good? That was why I wrote it? (Why else would I have written it?)"

----

Or, as I wrote in that previously linked post from 2021, w/r/t TNC specifically (and making a slightly different but closely related point):

Some people say X was the worst part of TNC, some people say X was the best part. The story was a celebration of Y; the story was about how Y is laughably futile. It’s a letdown that we were never told more about Z; the reason TNC is good is that it leaves stuff like Z to the imagination. It was obvious we were meant to believe P; it is obvious we were meant to believe not-P; the ambiguity about whether P is tiresome literary masturbation; at least the story didn’t jump the shark by spelling out whether P! The reason people like TNC is, of course, that it has A, although nostalgebraist insisted on putting B in there too because he hasn’t fully perfected his formula yet / he somehow thinks B is good even though it isn’t / he thinks it’s funny how bad B is (but the joke tires). …and then someone else has same take, but with A and B flipped.

This exact sort of thing is of course happening again before our eyes with reactions to TAoHS.

I've encountered multiple readers who disliked most of the story but felt the ending (sort of) "redeemed it," and I've also encountered multiple readers who liked the story up until the ending but disliked the ending (or at least thought it was worse than the rest) – to say nothing of the many readers who liked (or disliked) the whole thing all the way through.

And this ending-related stuff is just one particularly obvious facet of a broader diversity in the overall reader response.

By now I know not to be surprised by this stuff, and even to find it kind of fun to watch... but I have to admit, it is still a dizzying and uncomfortable experience.

----

Now, as I said, it is sometimes true that things really are "bad on purpose."

But I think the interpreter's default hypothesis – which should be maintained by default unless convincing evidence against it can be brought forth – should be:

The writer thinks that the thing they wrote is good. They think the ideas are good and they think they executed them well. And they think this more-or-less homogeneously for everything in the work – there are no "bad but unfortunately necessary" parts from the writer's POV.

(At least, this should be the default with works that aren't making the writer much/any money. Obviously things are different with lucrative commercial fiction; there are plenty of well-paid hacks who know they're hacks and do it for the money, etc.)

Why should this be the default? Multiple reasons.

First: it takes a lot of effort to produce any sort of creative work. The writer thought that effort was worthwhile, for some reason – why?

The most straightforward explanation (and a very common one IMO) is that the writer simply believed in the thing that they were making. They believed the effort was worthwhile because it would yield a good product.

Second: as a writer you have an immense amount of freedom. It's difficult to overstate the extent of it. You are playing God, you decide the way that literally everything will be.

Obviously there are some constraints, cases where one part of a story will imply the existence of another or whatever.

But it's very rare that you actually get forced into "doing a thing you know you are bad at, badly." After all: why do that? No one's forcing you! Just do something else! You're God, you control everything!

(Note that this applies also to the very act of writing anything. No one is forcing you to write at all. If you can't come up with good ideas, nothing prevents you from just not writing your bad ones.)

Third: at least in my experience, "playing God" in this way requires a certain state of mind, a certain boldness and self-assurance, which is incompatible with thinking "yeah this is gonna suck but I have to do it" – but is very compatible with thinking "I am making something excellent and every part of it is excellent, hell yes."

Fourth: because of the previously noted diversity of reader preferences, it should not be surprising to any given reader that they find some parts of the work much better than others, even if the writer thought it was all excellent.

This outcome is predictable from the X/Y/Z stuff I talked about above. No clever interpretive work is required to explain it; it arrives pre-explained; it's simply what happens by default.

And finally: because, as I noted above, I think all of us are infected with "reviewer brainworms" and we need to be mindful of this fact.

(Just to be clear, I am not accusing OP of being more infected with said brainworms than anyone else; I'm still on my soapbox, giving a generic rant about a general issue, with OP as merely a jumping-off point.)

We've grown accustomed to the casual conflation between our own tastes and some (usually hazily imagined and under-theorized) sort of "objective, ideal artistic standards."

Outside of a few edge-case eccentrics who can be ignored for my present purposes, we do not do this because we've become intellectually convinced that

(a) such objective standards make sense and really "exist" or at least really matter and

(b) they just so happen to match our own preferences.

Rather, we've fallen into this habit because it's what the pros do: there's a standard style that professional critics and reviewers write in these days, and that style implies these stances. And if one writes (and thinks, in one's inner monologue) in this style, one can easily fall over backwards into uncritically believing (a) and (b) for no better reason than "I seem to already be talking as though I believe these things, hence it would be simple and convenient if I really did believe them."

But – even if we bracket the philosophical questions of whether (a) is in fact true, and (if it is) whose tastes in particular ought to be elevated in the way (b) presumes – even if we table all that for another day, still we ought to keep in mind how weird and audacious a move this is, this simultaneous assertion-without-explanation of the (a)+(b) pair.

We've gotten used to it by exposure, because "the pros" have normalized it. But in actual fact it is a pretty wild thing to just go and assume, given the X/Y/Z/etc. diversity of actual opinion!

If (b) is true for you (general "you" not OP), then it can't be true for me, because we're both unique snowflakes to a first approximation; indeed if (b) is true for you then (to a first approx.) it is only true for you. No one else's tastes have this magical relation to reality, just yours.

Holding the belief (b) about a given reviewer is conceivable-but-wild if we're only considering them in isolation. But once we bring a 2nd reviewer (with non-identical tastes) into the picture, who also believes (b), it's literally impossible to maintain that both of these people are fully right.

And then of course in real life there are not 2 but many, many readers out there, all of them unique snowflakes. And, while it is socially normal in our social context for each one of them to write like they're the chosen one blessed with that special (b)-magic, if you read enough such writing and actually think about what you're reading, it can't help but feel like a sort of game, like playing make-believe. As with most games, it can be very entertaining (for all parties involved), but we shouldn't confuse its amusing conceits for properties of the real world.

In the real world, the writer has their tastes, and you have yours. These tastes are probably not identical. The writer may be aware of the diversity of readerly tastes, and may thus be aware that tastes like yours are out there, but they have no special reason to consider you in particular, elevating you above all the other readers who are non-identical with them (and with you). The writer is dimly and abstractly aware of you, at best, as just another one of the people who will come along later, dislike some of their choices, assume that these choices were wrong in some "objective" way the writer knew about at the time, and then speculate as to why the writer would do something they know is wrong. For every choice, and every way of making every choice, one can imagine a reviewer who responds to it in this way, and quite often these reviewers actually materialize once the work is available for consumption. If you try to reason about these guys in advance, as a writer, it'll stop you in your tracks (if nothing else because there are 2+ of them whose takes are mutually incompatible). You've gotta have some other standard of value to rely on.

So, as a reviewer, if you ask "why would someone ever make a choice I don't like?" and try to pick at this question, you are quite likely heading toward a dead end. The writer wasn't thinking about you (or people like you). They were applying their own, distinct standard of value.

Better to ask: "suppose there was a person who actually liked all of this. What would they be like? How would they be similar to me / different from me? And what, if anything, can I conclude from that?"

The Apocalypse of Herschel Schoen

My fourth novel, The Apocalypse of Herschel Schoen, is now available in full.

Merry Christmas to all, and to all a good night!

[scariusaquarius]

rehab. 5.

Avenger! Bucky Barnes x Winter Soldier! Fem! Reader

Summary: While on a mission to find any more possible super soldiers that were a part of the Winter Soldier program, Steve and Bucky make a discovery in an abandoned HYDRA base that was cleared out a few years prior to their mission. They discover the Reader, a long-forgotten soldier that was still asleep within a functioning cryostasis pod; still awaiting orders. While Bucky isn't happy about it, he is put up to the challenge of helping to rehabilitate the soldier in Wakanda where she may be able to become a person again.

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A/n: This chapter is going to contain some very dark and graphic scenes. Please read carefully. I'm really happy that you guys are enjoying the story! The comments are feeding me and motivating me so much, I really do appreciate the support. Also, you can read it here on my archive account as well!

This is an au where Bucky joined the avengers but still rehabilitated in Wakanda (sometime before Infinity War [canon divergent cause NOPE]). I am NOT fluent in Russian, so I did use google translate cause I couldn't find a good translator that I trusted. If anything is wrong, PLEASE let me know!! Also, I tried to list as many warnings as possible so you know what the story will contain as chapters are posted. Stay safe!

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Genre: Slowburn, Enemies to Lovers/Friends to Lovers, Angst, Hurt/Comfort, Fluff, Humor, Drama, Dark Content Rated: Explicit Warning: Angst, Dark Content: Graphic Depictions of Sexual Assault, Blood and Gore, Mentions of Manipulation, Kidnapping, Canon-Typical Violence, Body Horror, Nonconsensual Body Modification/Scarring, Emotional and Physical Abuse, Mentions of Murder, Mentions of Suicidal Thoughts/Ideation, Graphic Depictions of Human Remains, Mentions of Sexual Coercion/Manipulation, Death, Misuse of Drugs/Forced Drugging, Self-Harm (Graphic Depictions and Mentions), Nightmares

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Author: ScariusAquarius

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rehab masterlist. chapter 1 / chapter 2 / chapter 3 / chapter 4

All through the night, Shuri had worked on dissecting the Winter Soldier's brain. When Bucky had swung by the lab in the morning, it seemed as though Shuri hadn't slept at all. Her space buns were now down, the freely-hanging braids swinging wildly as she walked around the cryostasis pod with quick paces.

Her brows were furrowed with annoyance, the princess cursing to herself in Xhosa as Okoye stood by, raising a brow at the profanities Shuri was listing off. Bucky was concerned, greeting her with a tilt of his head and holding out a cup of coffee for her.

"Good morning. Did you get any sleep at all?"

"Good morning, Sergeant Barnes. I admittedly lost track of time, but the programming is proving to be difficult. Every time I seem to get past the encryption, another layer pops up and tries to activate her. However, since she's in cryostasis, the activation is failing."

Bucky nodded, humming thoughtfully as he stared at the woman within the pod.

"Seems like they updated their programming to avoid another...well, me."

Shuri nodded, huffing as she glanced back at him.

"Exactly. I knew that she was going to be complex, but I didn't think to realize that they would install safeguards in such a way. I can do it, it's just frustrating."

Okoye hummed, quirking her brow slightly before snorting in amusement when Shuri glared back at her.

"She has been yelling profanities for the last two hours."

Shuri waved her off, not even gracing Okoye with a response. Instead, she gestured Bucky over, expanding the hologram of the woman's mind. Throughout her mind, Bucky could see pulses of...something...happening, and he glanced at Shuri when the woman asked.

"What do you see?"

"Um, it looks like there's a lightning storm flashing through her mind."

Shuri smiled, nodding.

"Precisely. The synapses of her brain are firing rapidly despite her being in cryostasis. Do you understand what this means?"

Bucky was quiet, shrugging slightly, and Shuri rolled her eyes before saying.

"She is dreaming, White Wolf."

Bucky was surprised, asking Shuri as she began to poke around the hologram, pulling up a couple sections.

"Wait, she is?"

"Yes, and with my technology, I've been able to see into these dreams."

Her expression became grim, eyes darting away from Bucky, and Bucky understood what her expression was saying. Whatever Shuri was able to see hadn't been pleasant in the slightest, which in a morbid way, Bucky wasn't even surprised. Almost wordlessly, she pulled up a particular image, explaining.

"I was only able to get glimpses and small portions of dreams due to HYDRA's programming kicking me out repeatedly, but from what I saw...it was truly horrific. The things that HYDRA did...the things it seems that she is remembering, or perhaps never forgot, are...they are horrific, Sergeant Barnes."

Bucky frowned deeply as looked at the images that Shuri was showing him. Some were of a familiar cell wall, some were of blurred faces that were familiar yet unknown at the same time, and there was one that made his stomach churn.

Blood. There was so much blood covering her naked thighs and pooled beneath her. Shuri had taken the time to carefully blur the soldier's vagina from view, but Bucky didn't even need to see it to know what they had done.

You're a super soldier, they would say. You can take it.

Bucky bit his tongue while his back stiffened considerably, and Shuri brought up a clip that began to play automatically. It seemed to be of a previous killing, the man on the ground looking up at the soldier fearfully as a bloody hand came into view.

He seemed to be begging, crying hard as the body of a child whose head was crushed and gushing with blood and destroyed brain matter laid within his lap. The soldier was holding a gun, and when the gun was fired, the clip ended.

"Were you able to do this with me as well?"

Bucky's tone was quiet, his words almost a whisper as he looked away from the clip, his breathing starting to accelerate slightly as Shuri swiped the clip away quickly.

"Definitely, but not to this extent. However, our work together helped to shape my technology into this."

Shuri gestured to the hologram with her hand before she glanced back at Bucky, pursing her lips as she grabbed another image and maximized it, showing the image of a blurry paper-crochet butterfly and small hands that were in the process of decorating the art project.

"There are a few memories that I was able to get to, though they are slightly miniscule; almost useless to us in figuring out who she is."

Another video came up, a short 10 second clip that showed the soldier in what looked to be a graduation or awards ceremony. There was an elderly-looking hand that was lifting a medal before pinning it to her chest, and Bucky's eyes widened.

"Wait a minute...that looks familiar. Can you clear up the image a bit?"

Shuri looked smug before winking as the image cleared, showing a medal that had an inscription engraved onto it. Bucky shook his head in surprise, saying as he uncrossed his arms in surprise.

"No wonder she's a ghost. She worked for the CIA."

The medal that the soldier had been given was for Career Intelligence, a reward that came from exceptional achievements and, if Bucky remembered right, the length of service. Shuri hummed, stating as she crossed her arms and glanced at the woman.

"Not all ghosts are completely untraceable. If I can get deeper into her mind and get more parts of her memories unlocked, I can attempt to figure out who she is a lot easier and faster."

Shuri then shook her head, huffing with frustration.

"The risk that comes with doing so, however, is that once she awakens and her mind is able to be more active, these memories have a chance of coming to her all at once. It will be an overwhelming and horrifying experience for her."

Bucky sighed heavily. If that happened, there was a risk that it could reactivate HYDRA's programming and she would become an active threat, and nobody wanted that.

Hell, his temple was still throbbing.

Bucky then glanced over at Shuri again when Shuri pointed to a hologram of a document with the CIA's official seal, maximizing the image and swiping a few of the scanned documents away.

"Because we know our soldier was a part of the CIA, I scanned through their database to see if I could find anything akin to the Winter Soldier program. While the CIA is involved in a super soldier project, I haven't found anything of use yet. And don't worry, I erased my tracks as soon as I made them."

Shuri smirked with a haughty glint within her eyes, and Bucky chuckled at her. He hummed after mulling through his thoughts for a moment.

"It's nice to know that we're getting closer to knowing who she is, but if you can't get past the firewalls of the algorithm...how would we reactivate her without wiping her?"

"I can put a temporary lock upon her most recent memories from the time she was awakened until now. That lock will slowly deteriorate over time, almost like a dissolvable suture, so it won't be permanent."

That was nice to know, at least. T'Challa's voice made Shuri and Bucky jump from the surprise, the two of them looking back at him as he walked inside of the lab.

"If our Isithunzi worked for the CIA before she became a Winter Soldier and was awarded for her work, then perhaps the next step would be to look at every single employee that was in service within the last 50 years that received recognition from the agency."

He was holding the black book within his hands, and T'Challa placed it down on a table beside one of the original Black Panther suits, the king regarding the two of them with a tired look. Shuri scoffed, waving him off before doing the Wakandan salute.

"Please, you always think so lowly of me. When I discovered this particular memory, I downloaded as much information as I could without tripping the CIA's cyber security systems. There's at least 75 years worth of information here. If we filter out employees that hadn't specifically received a Career Intelligence reward, we lower the number to at least five to 10 years."

Bucky was impressed, and he joked gently.

"You ever thought of becoming a spy?"

T'Challa pursed his lips in annoyance when Shuri laughed loudly.

"Not in your life, White Wolf. I like being my own boss."

"Unless the king says no."

Shuri didn't even grace T'Challa with a response, making the man roll his eyes and shake his head. T'Challa regarded Bucky with a hard gaze, asking him.

"Have you gotten in touch with the Captain to see if Tony or Natasha have found anything as well?"

"Not yet. I was kind of waiting on them to get in touch with me."

T'Challa nodded, and he suggested.

'You should tell the Captain what you have found. I am sure that he is eager to know what we have uncovered."

Bucky nodded despite the cryptic feeling that was twinging T'Challa's words, and he walked out of the lab into a deserted hallway, a couple of the Dora Milaje standing guard. Awkwardly nodding to them in greeting as he walked down the hallway, Bucky slipped out the phone within his pocket and frowned.

Despite the fact that he'd had the thing for a while, Bucky still couldn't quite grasp the fact that touch-screen was a thing. Hell, the last time Bucky had ever used a phone before HYDRA, it was to call his little sister, Rebecca, before he went to Europe with the 107th.

He could still remember the number for the Shelbyville operator, the specific number for Rebecca's telephone, and how calls were logged and billed for at the end of the month. Now, it took just dialing a number directly. Bucky's mind was still having a bit of trouble wrapping around the idea of call operators not really being a thing anymore.

Shaking his head slightly, Bucky called Steve, a quiet part of his mind wondering if Steve had felt this way before as well. The meaningless thought was squandered when Steve answered, sounding a bit out of breath as he spoke.

"Hey, Buck. Any progress yet on the woman?"

Bucky hummed, leaning against the wall as he glanced in the direction of the lab, replying.

"We got a bit of good information. Shuri's technology was able to get through to some parts of the woman's brain and reveal some memories of her. Apparently, she was a part of the CIA before she became a Winter Soldier."

Steve made a noise of surprise, stating.

"That makes things a bit easier. Tony wasn't really able to find a lot, and Natasha hasn't even combed the surface of the databanks we acquired."

"She's a complete ghost, so I don't know if it'll help. There's something else, though..."

Bucky's voice trailed off for a moment, his surprise hitting him again before he informed Steve.

"...the woman's dreaming. Shuri had a live hologram of the woman's brain up, and she said that the synapses of her brain were firing in a way that was common with dreaming."

"Which means the woman might be remembering things...that's good, right?"

The image of the woman's bloodied legs came to Bucky's mind, and he tightened his grip on his phone, muttering.

"I don't...I don't know. Some of the images that Shuri was able to capture of the woman's dreams and memories...they weren't pleasant."

Steve was quiet for a moment, and he replied with a stern tone of voice.

"We'll get this figured out and we'll find out who she is. If not...then we can help her become a new person...a completely clean slate."

Bucky didn't comment on the way that Steve said 'we' and instead rubbed a hand over his face, muttering.

"The CIA seems to have a super soldier project, but it's not confirmed that the CIA had any volunteers that we know of...it's mainly rumors and ideas."

Bucky added as he watched T'Challa and Shuri leave down the opposite hall, their steps quick and purposeful.

"It's possible there were HYDRA agents within that stole information on the serum, or the serum itself, that the CIA was concocting and grabbed some random woman off of the side of the street. They, as well as HYDRA, have the ability to scrub a person completely off of the radar, and nobody is gonna be looking for a nobody."

Steve was firm, and Bucky knew the man had to be shaking his head at him as Steve slightly scolded him.

"That's not true. There's always going to be someone...we just don't know if that someone is alive or dead. According to that book we found, she's been an active soldier for HYDRA since 1985, and who knows how long she was there before she was created. 30 years is a long time."

"Yeah? Try 70."

Steve was quiet, and Bucky apologized quietly, revealing gently.

"Sorry...I'm sorry...it's just...it's a lot."

Steve's voice was gentle with patience, making Bucky furrow his brows as he ran a hand through his hair.

"I know, Bucky, but I'm with you till the end of the line. You know you can call me at any time and talk to me."

"I know. I'm with you till the end of the line, too, pal."

Steve then groaned gently when the sound of an explosion went through the phone, and he was quick to inform Bucky.

"Hey, I gotta go. Queens just crashed in. Literally. Call me if you get any updates, and I'll call you if I get one first."

Before Bucky could respond, the line went dead, and Bucky shook his head and slipped his phone back into his pocket. Walking back into the lab, Bucky came to stand in front of the cryostasis pod.

Hands within his pockets, he stared at the woman, gazing at the scars that covered her lower jaw and neck, and he watched as the live feed of her brain began to become active again.

An alert showed up along with a video, and Bucky was astounded to realize that it was a live feed of the dream the woman was currently having. It was a bit jarring to watch, bits and pieces becoming jumbled and blurry, and then it began to become clear.

The woman was standing before a man that Bucky knew very well, his face crystal clear to him and sparking rage deep within his chest. Bucky watched as Rollins spoke to her, and though there was no audio to be able to hear what he was saying, Bucky knew it wasn't pleasant.

Rollins seemed angry, walking back and forth in front of her before striking her down with a baton, the view shifting to the floor as the soldier fell and blood splattered onto the ground as if the woman had coughed.

From there, it only got worse, and Bucky had to turn away the second the soldier began to unbuckle the man's belt with bloodied hands, his anger becoming too much. Anger, regret, recognition, it was too much for Bucky to handle.

He could feel his chest restricting, could feel the oxygen becoming harder to breathe, and a tingling sensation began to grow within his toes and fingers.

Flashes began to appear within his own mind, images of the Enforcer's hosing his naked body with ice-cold water before they began to touch him; reaching for places he didn't want to be touched.

He could feel their teeth in his flesh, could hear the echoes of their taunts as they laughed menacingly, and Bucky squeezed his eyes shut as he began to tremble and feel disgusted by his own body. A voice within his head began to speak to him gently; familiar and comforting as it guided him.

Breathe, Bucky.

In and out. Slowly. You are not their tool anymore. They can't hurt you. You're free.

Bucky repeated the words in his head over and over, as many times as he could.

I'm free. I'm free. I'm free. I am James Buchanan Barnes. I am Bucky.

Swallowing thickly, it took a little while for his heartrate to settle, and he stood upright, rubbing his chest slightly. Closing his eyes, Bucky could feel the tears starting to well up within his eyes, and he took a few more deep breaths.

Turning back to the screen, he was thankful that the image was gone. Instead, the woman seemed to be dreaming of a wooded area, the point-of-view looking down at a plaque that was placed within stone In the peripheral vision, there was a little kid's hand that was grabbing at one of the flowers that was surrounding the plaque.

It was so peculiar to Bucky to the point that he was completely jarred out of his panic. Squinting, he began to realize that this plaque was familiar, especially when the name on the plaque became clear.

Meltzer Woods.

He knew that name and place. In fact, Bucky could recall the trails like the back of his hand, could still smell the wildflowers, and if Bucky really thought hard enough, he could still hear the way his mother scolded him as Rebecca became upset by Bucky teasing her.

"Come, now, James. Leave your little sister alone."

He could still remember the way Rebecca had squealed, though time had taken away what exactly she had panicked over. He recalled that his mother had placed her hands on her hips, giving him a stern gaze when Bucky had talked back to her; exasperated as Rebecca began to cry.

"But Ma, we're in the woods! Of course there's going to be bugs!"

"Now, don't you give me that lip. You don't want your father to hear, do you?"

The memory slowly faded, but Bucky was too floored to care.

What had the soldier been doing in Shelbyville, Indiana? Did she know the place like he did? Was this from a time before she had been with HYDRA?

"You look as though you have seen a ghost!"

Shuri was back, giving him an odd look as Bucky stared at the woman in the cryostasis pod, and all Bucky could respond with was-

"I think I did."

-

STORY NOTES: Shuri has been working endlessly to get past HYDRA's programming. She is verbally and visibly frustrated, which Bucky becomes concerned about as he greets her. Shuri reveals that she had lost track of time because of HYDRA's programming continuously throwing up more firewalls that try to activate the soldier every time she managed to break through another.

Bucky comments that HYDRA seems to have updated their algorithms since his departure. Shuri then shows Bucky a live feed of the digital rendition of the soldier's brain, telling Bucky to list off what he observes. Bucky observes that the activity within the brain looks like a lightning storm, which Shuri agrees and elaborates.

It is revealed that the soldier is currently dreaming despite being in cryostasis, and Shuri reveals that she has developed a technology that allows her to be able to show what a person is dreaming about. Using this technology on the soldier, however, reveals the gruesome treatment HYDRA inflicted and the brutality of the Winter Soldier.

Shuri's technology is able to access and project dreams in the same way, and she shows Bucky a memory the soldier had about receiving a medal. Bucky recognizes the medal, and it's revealed that the Winter Soldier had been involved with the CIA at some point on a professional level.

T'Challa makes a recommendation to Bucky to get in touch with Steve, and Bucky agrees. He reflects on the advancements of communications technology and how he had to speak to an operator to call his sister when he was still int he ARMY. Bucky then tells Steve about what Shuri had found, and he also reveals that the woman is dreaming.

After his phone call, Bucky goes back to the lab and is angry when he is shown a memory that the soldier is currently remembering of her Handler, which Bucky recognizes as Jack Rollins. Bucky begins to experience a PTSD episode where he begins to remember when Enforcers sexually assaulted him during a hose-down.

Once he calms down, Bucky recognizes a place that the soldier is now dreaming of: Meltzer Woods. He recalls a memory of him, his parents, and his little sister going to the trails all of the time since Meltzer Woods is located in his hometown of Shelbyville, Indiana, and when Shuri comes in and comments about how Bucky looks as though he's seen a 'ghost', he comments that he might have. End Scene.

TRANSLATIONS:

Isithunzi - Xhosa for [the] shadow/shade

TAGLIST: @mgchaser @tilldeathripsusapart @vicmc624 @aash3

[shininglightmentalhealthevent]

Welcome to the Shining Light Writing Event!

Schedule and other details / explanation below (Note: This is not for any specific fandom, but writing about a fandom is allowed (hence tags))

!! Warning: This event / blog talks about, references, and deals with many sensitive mental health topics, which may be triggering to some people. Interact at your own risk. Any issues that arise from this point on are on you !!

What is this event? This is an online writing event focused on different types of mental health issues/illnesses/conditions, and how styles of writing can be used to help improve & bring awareness to them!

Who can sign up, & what are you looking for? There will not be applications, instead there are open sign ups that will close once an undecided number of people have filled it out. Anyone who is 16 or older and who writes in any style is welcome to join! Poetry, short story, anything. The word range for a typical style writing piece is 300 to 3,000 words. You can focus on an original character, fandom character, or real person in your life.

When are things happening? The Discord server will open at the end of February, and a PDF of the compiled works will be released Mid-May. See the schedule graphic above for more dates, and the schedule channel in the Discord has even more specific info.

Where is it being held? There is a Discord server, the link to which will be shared in an email.

Who is running it? @th3-dark-abyss is the head mod and organizer of this event! There is a team of five other mods helping, who will be credited as well.

Why is this event a thing anyway? Abyss (that's me) is working on their Girl Scout Gold Award! It's the highest award that a scout their age can earn; it requires 80+ service hours towards a project of their choosing that has a lasting, positive impact on a community. There have been a few hurdles, but I'm pushing through and I'd really love if you applied and/or shared the posts wherever you can!

Some Rules / Guidelines ~ We will be dealing with many sensitive topics that are very real issues. Please be kind and considerate. ~ Participating in this event is for over 16 years old only. If you are younger than 16, your sign up will be deleted immediately. (Under 16s feel free to reblog and interact though, at your own risk.) ~ Discrimination or hate of any kind will not be tolerated. ~ The point of this is to spread awareness through writing, to show how creative writing can help improve mental health and well-being, and to convey different people's unique experiences. It is not to stereotype, villainize, or put issues in boxes. ~ Do not make assumptions or state things as facts when they are not. ~ Do not discount others and their experiences just because you aren't familiar. ~ The askbox is open if you have any other questions or comments!

---

If you are having a mental health crisis and need help, contact 988 (National Mental Health Hotline). Here is a website with some help hotlines if you need to reach out for help. (I am in the US, so this is likely for my area. If this doesn't have one, let me know and I will help you find a line for your area.)

You are not alone ❤️

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Keep your eyes out for the sign-up form, and please enjoy!!

[respectthepetty]

Hi, I read your post about Joong/Est & Dunk beef and I wanted to give you more information as I felt like you were missing some-- and bc I got to know them just 2 months and followed them on twitter and the things have been really insane? wild? and I just need to share.

So after Joong posted the tweet about him & Dunk not being on good terms right now, New(!) posted a reply to it "Is this okay?" (I assume he means is it okay to post such a thing?"). And after that Joong's tweet, I saw many fans who were unaware things have been weird btn JD finding out the two weren't getting along well. I'm not against actors sharing their feelings, but it really felt like a bad PR to me that hurts their branding. I was honestly wondering why GMMTV does not give their artists PR training when Joong suddenly posted a selfie of him & Dunk smiling with moustache filter and Dunk also posted a pic with him & Joong & P'tha who is CEO of GMMTV. AND Joong also deleted his tweet about the beef.

Now my unconfirmed theory is that after Joong posted that tweet, things got a bit out of hand and reached the ears of P'Tha and he made them sort of make up or at least ordered them to act more like usual, and for Joong to delete the tweet. In the event they had the next day, they were doing some fanservice too. It was very jarring to see the whole thing unfold tbh, especially Joong's emotional subtweets and retweets of shady quotes that lasted for weeks made me a little worried if he is mentally okay. I'm not sure JD are even on good terms right now (I don't think they are) - I don't know about Joong but Dunk seems to be trying to reach out like wishing him safe flight... but I sure do hope they can keep their working friendship or recover from whatever they are going through right now bc it would be really sad to see it end.

For Est/Joong, there seems to no visible movement for that side as far as I know except for both of their fans fighting each other like twice a week. They got into fight again today bc Joong doesn't even acknowledge or promote ThamePo even though he guest starred in it. The fan communities have been so toxic and weird and I just honestly feel so bad for the actors.

Anon, I turned off reblogs to this post except for the people mentioned within it because I just learned I could (look at this old dog learning new tricks!) and I hope this encourages you to come back to my inbox, anonymously, and offer more discussion without it getting muddled with others' thoughts.

Because I have a question.

But first I want to solidify one key point - I am invested in whatever happened between Joong and Est and, by extension, Joong and everyone else including Dunk. I just want to make that clear, so you don't think I'm trying to claim some level of emotional superiority with my following question because I'm not. I'm interested in everything you wrote because I'm nosy for no good reason, so I want to know what happened and all the details simply because I want to, and I want to make that clear before I continue.

Now, my question:

Why do you perceive Joong's behavior for the past few months as mentally unstable?

It was very jarring to see the whole thing unfold tbh, especially Joong's emotional subtweets and retweets of shady quotes that lasted for weeks made me a little worried if he is mentally okay.

You are not the first to write this. I have seen this sentiment in various spaces raised here with @waitmyturtles and @simysaru43, and on Reddit, so based on your comment, why do you think his behavior equates to him not being mentally okay? Regardless if he is or isn't, I want to know why YOU think that? And please know that I am genuinely asking anyone who has expressed this thought because I truly want to know others' perspective since I think his behavior is a suitable response to what is happening, whatever it might be (which, once again, I want to know what *that* is because I am soooo very nosy).

Joong is no longer friends (friendly?) with Est, yet they work at the same company; therefore, they must be around each other in a professional capacity. He doesn't seem to be friends (friendly?) with Daou anymore either. Yet Dunk, his work partner, hung out with them outside of work, so why can't he be bothered by that? People have stated it seems immature that he would dictate someone else's behavior, but I think we are underestimating the demands of their jobs and the unstated obligations they must abide by within their working relationships. Joong is an actor in a genre that is known for its (toxic) fans, so I am also surprised that GMMTV doesn't have a stronger grasp on any of its actors' social media presences, but Joong is also human, so having emotions, even public ones, is part of that.

So is the worrisome part of his posts that they focus on his emotions? Does it worry you that his posts are rooted in him publicly revealing his feelings? I'm not in the practice of defending men or their behavior, but I don't like the implication that a man feeling is cause for concern. That's why I'm asking why you are worried about him because I don't want to assume this is where you are coming from. I'm not asking for you to defend yourself or your comments because this is not a battle. I'm kindly asking for your perspective because my background (Mexican, Black, American) tells me this is messy behavior from a man, but my ideologies (feminist, anarchist, lover) tell me to be proud that he is allowing himself to display his feelings on a public forum.

But I might be missing something, culturally, generationally, or a third item I haven't thought about. Which is why I'm asking why his behavior is unsettling to you? I truly hope you respond, and if you want, I won't share your response.

Either way, let's discuss this further.

[theyrealllesbians]

Regulus heard a light knocking on his door, which was weird because he wasn't expecting anyone. He took his headphones off and got up from his desk where he was supposed to be studying. He was actually just watching random youtube videos, so he really didn't mind an excuse to get up from his desk.

He walked his way over to his door, opening it and expecting to see Evan or Barty, maybe even Sirius.

"James?" Regulus really did not expect it to be James at his door. "What're you doing here? Is everything alright?"

"Well, I promised myself I wouldn't do this," he began pacing up and down in Regulus's room, "but I've been going insane and I actually cannot concentrate on anything anymore." He stopped pacing and looked Regulus dead in the eyes, his stare a little intimidating. "What is going on between us?" James sighed, seeming to deflate a little as he said it.

Regulus shut his door, deciding that his whole floor didn't need to hear whatever this was about to be. He turned and faced James, brows creased and squinting slightly, "what the hell are you on about?"

This seemed to be the wrong question to ask, because James huffed out a laugh and scrubbed his palms over his face. "What am I on about?" He turned and took a step closer to Regulus. "We nearly fuck, you completely ghost me, we don't speak to each other for 4 months and now I'm invited to your birthday? So you care to explain any of that logic to me?" James was sounding mildly hysterical at this point, his voice getting more and more strained as he spoke. His eyes had a desperate, slightly insane, look in them that Regulus just could not ignore.

"I got busy. I don't know what else to say." Regulus shrugged nonchalantly, sitting down on his bed and nodding his head to urge James to do the same. He did not.

"And I'm supposed to believe that? What could have possibly happened that would make it so you couldn't even give me an hour? Couldn't even text me?" James seemed to be getting more and more frazzled as he spoke, looking very close to ripping his own hair out.

"I've had school, I don't know what else you want me to say. I'm busy." Regulus curled his knees up into his chest and tried to convince himself that he was telling the truth.

"I think you forget that we have the same schedule." James started to walk from the middle of the room towards Regulus. "We both do 6 classes, quidditch, prefect duties and have a social life. So please tell me what it is that is taking up all your free time that means we can't just hang out." He sighed and finally sat on the bed, his back to the wall and legs stretched out in front of him, feet dangling over the edge.

"There's a lot of school work, James. It's my first year of N.E.W.T.S, so it's a lot." Regulus began picking at the skin on the side of his thumb. He really wasn't lying that he was busy, but he was maybe, just slightly, over-stating just how busy he actually was. The truth was that whatever him and James had scared him. So he ran. He stopped asking if James could come over and started telling James he was busy whenever he asked.

"Hey, stop that." James slid his hand in Regulus's to stop him from pulling at a loose hangnail he'd found. "And I told you, I'm more than happy to just sit and work together. Beats trying to revise with your brother any day." James smiled, heartbreakingly sincere. "Besides that doesn't explain why you invited me to your birthday. That's the bit I've been going a little bit insane over."

That was fair. In truth, Regulus didn't know why he had invited James either. It was just a spur of the moment thing and before he could properly think it through, he'd already sent the invite. He could choose the lame excuse and just say that he had invited Sirius, so he had to invite the rest of them. But that wasn't true, he didn't have to invite Sirius. He didn't even have to have a party, but he missed James and Barty said it was the easiest excuse to see him again. Clearly he didn't account for whatever the hell this was.

So he decided to be truthful, "I wanted to see you." Regulus refused to look anywhere close to James's direction, instead he chose to stare at his bedsheets and count the amount of stars he could see.

James was quiet for a while, Regulus didn't want to know what he was thinking.

"You wanted to see me?" He quietly asked, forcing Regulus to look at him. Regulus was a little surprised to see how serious he looked. Suddenly all of the busy energy around him died. "You could see me at any time though? You know that." James was leaning closer and was now holding Regulus's hand with both of his.

Maybe everything wasn't as complicated as Regulus previously thought.

[miwiheroes]

Hey! Miwiheroes

I saw you succesfully converting a mileven into a byler, and can you do the same to me plz? I don't like mileven community, they often are really close minded and I don't wanna be a part of it anymore. I open the debate and please try to justify this things that make me believe in mileven endgame:

1- Mike has insecurities since s1 about feeling needed and having somebody to lean on, I do believe Mike's family lacks love and is cold, and maybe that is why he has those insecurities. Where am I going with this? Well, when El disappeared, Mike got super upset and, in my opinion, he overprotected Will so he could FEEL like somebody needed him, I think Finn and the Duffers mention it in an interview a while ago. So maybe that is the cause he couldn't say "I love you" to Eleven, he even says it, he believes she will leave him eventually, like everybody does. That is probs the cause he is obsessed with El in s3, because he really loves her and is too scared of losing her.

I just can't see why byler is supposed to be the endgame. I think in s5 Mike will motivate El to fight and they eventually will come together at the end, having their happy ending.

+ Maybe he was sad in the snowball because he thought El would just leave him there

Those insecurities are not healthy for a relationship, but they show he really loves her

I would love to see this things from a byler perspective if you can

Tyyy

Hiya!! Glad you came to me it's such an honour tbh

Yes, Mike definitely has insecurities surrounding being needed. The thing is: character arcs being set up in season 4 suggest that El no longer needs him/ should no longer need love from a man who treats her badly, makes her feel insecure. The change from the beginning of season 4 to the end clearly shows this:

El thinks she needs Mike's love to know that she is not a monster.

El goes to the lab and figures out by herself without Mike's love that she is not a monster.

Mike says 'I love you' to her. He calls her a 'superhero'. It does not work and does not save Hawkins because she no longer needs that.

They are not on the best terms afterwards because El has a very different perspective on things.

So now we've established that it's pretty clear that she no longer needs him. I think she's realised by the end, that their relationship won't work. This is why they won't be endgame for me, it makes no sense for her storyline in S5 to be Mike 'motivating her'.

She does not need a man to motivate her, cmon. Come on now. A point in season 4's lab storyline is that she can do all this shit by herself, drawing on her mother's love. She was able to gain back her powers through love, but at that point she had no clue Mike loved her or not. And yet she still got them back. She did not need Papa either, and he was constantly paralleled to MIKE in season 4.

Okay back to the beginning of your ask.

Mike's always been protective of Will, and we can see how their relationship is very different compared to their other friends throughout season one. An example of him being protective is when he does stuff like:

"I'm the only one acting normal here. I'm the only one that cares about Will."

"So this is all Will's fault?!"

*Literally pushes his bully over onto the ground and is willing to fight him after he says homophobic things about him*

*Constantly urges Lucas that Will is alive when the rest of them don't think so*

Like, bro literally instigates all his friends to go out looking for him in the rain, because he believes that would be what Will would do for them ("he put himself in danger to help the party").

So in your point of view, Mike projected his protective feelings about someone needing him onto Will because he's upset about El being gone. Couldn't the EXACT same thing be said but the opposite way around then? Mike likes to be needed. And it just happens to be that these two people need him in that moment. However, THE DIFFERENCE is this:

When Will goes missing? Mike never gives up. He constantly urges his friends to do whatever it takes to find Will. The reason he keeps El around (before he makes friends with her) is because bad people are after her and because she recognises Will in a photo. He says that El is a weapon and that "we can't find Will if we're dead". Even when they all believe him to be dead, he says that Will isn't because of something he heard on the radio, just like how Joyce heard him on the phone.

When El goes missing? Mike gives up. To be honest, it's been a year. Maybe if Will went missing for a year, he would have given up then too. But, we can see in a flashback scene from the VERY DAY that El goes missing, Mike literally sees her and doesn't go after her. The government does, but he just squints at her and doesn't do anything. Mike calls her on the walkie, and on halloween, he stops, prioritising Will and later figuring out that meeting him was the best thing he's ever done, and it seems conclusive. He has no hope of her being alive because he says to Max, "But she's gone, just like Bob." (Bobs literally just died so hes saying shes dead). Mike never uses Will as a vessel to find El, even though he easily could, being that he's connected to the upside down.

So where am I going with this? No. Mike does not project his feelings onto Will from his feelings about El. The behaviours he exhibits are continuous from his feelings before El went missing, and he doesn't treat him in the same way.

Some other points you brought up were:

Mike is afraid to lose El and that is why he can't say I love you. Of course he is afraid to lose her. He cares about her, he's said that truthfully. He's afraid to lose Dustin, he's afraid to lose Will, he's afraid to lose Lucas, he's afraid to lose anyone. He feels that survivors' guilt from season one especially though, which is all the more upsetting about why he says I love you in the end. Will tells Mike that El needs him and always will. Mike gets the belief that El needs him to say I love you to her, and gets reminded by Will before he says it. AND SO that is why he says it to her in the end. In reality of course, it is Will that needs him. SOOOO the thing that makes him 'love' El is that fact that she needs him, but he's going to get a real shock when he realises he loved the version of El that's really Will and what he feels.

Mike lives in a loveless and cold family. No he's not in a completely loveless family. Karen loves both her kids and expresses it regularly, and we even see this in season 4 when Karen hugs Mike at the reunion scene. I guess what you might be talking about is Ted and Karen. Here's the fucking thing. Mike knows his parents are not in love. He thinks that's what relationships are supposed to look LIKE. He internalises his family's issues. So, he gets into a relationship like his parents', a loveless one. In season 3 we see him trying to act on logic not emotion, seeing that getting into a relationship like this is just the logical course of action and just part of growing up. That's exactly what NANCY DOES WITH STEVE and yet I don't see people going 'oH shE lOveS hiM sHe jUst nEvEr sEen hEr pAreNts sAy iT!!!!'. We can all agree that she just tried to emulate her parents, but she doesn't actually love him. (SHE EVEN SAID I LOVE YOU OUT LOUD but still can't mean it truthfully). But how about we break this cycle? Breaking cycles of loveless relationships is one of the themes in stranger things so it makes sense for this to happen again.

Maybe he's sad in the Snowball scene because he thinks maybe El will leave him there. He only seemed upset when Will went with someone else and the camera shots literally makes it clear? I have a whole post on this if you want to read it: Snowball Scene Analysis. When El comes in, he doesn't say anything like 'Oh I had no idea you'd be here'. I believe that he knew she was coming, and sitting on that chair, he was conflicted given everything that went on with him that season, the promises he's made to El vs. the way he feels about Will now. The one shot of him looking at her also doesn't make him seem happy, but yeah, take that scene and do what you want with it tbh.

OOF okay thankyou so much for your ask!! This was quite the challenge but it really actually gave me a whole new perspective on things and I really love these asks because it gives me a chance to better understand the show itself <3 Let me know if you're swayed or smth haha or if you have a counterpoint :)

Also thanks for not being toxic. If anyone wants to come and debate with me, do it in this way, because there is no space for negativity and toxicity on my page thankyou very much.

[osakanone]

I've been getting into gunpla and i'd like a rec since you know mecha. Are there any gunpla you recommend? I'd appreciate one that doesn't look like a dude as much as possible.

The closest i've gotten to that idea so far is a guarda/rever nova build from the 30 minute missions line because of the two scorpian arms.

May I suggest the Wodom Pod?

Its fairly simple to build, very cheap and readily available.

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If you want to straddle the "a guy thing" in your mentality and challenge it a little, also good is the Aegis specifically its transformation mode as its primary mode (like all humanoid MS) is intended for generalized combat and front-line logistical work (hence the hands).

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If not, Hildolfr is a fun one. He bridges the space between early mobilesuits in minovsky signals displacement warfare and was used by a starship cannon pilot, requiring a lot of manual skill to aim well!

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The Xamel is also really good though only provided you've got skills to bring the best out of the kit with scribing and painting. He's a heavy launch platform hovercraft designed for opening vollies with a high powered mortar grenade system via coordinates coming from other units, with legs designed for hit and run skirmishes so he can make his get-away after providing the opening strikes and fire-support during the mop-up phase of an attack.

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Not gunpla, and a bit more advanced is Variable Infinity's Armored Core Aaliyah. You're probably gonna need some glue for this as smaller parts fall off. Its extremely detailed, and very "not a guy" despite being humanoid.

It uses a spherical particle field of highly radioactive and toxicparticles to protect and cool itself, and is capable of absurd mobility.

Quite a pain in the ass to work with, the design itself is utterly sublime and a spectacle to look at and I fell in love with it circa 2007 with Armored Core 4. Sadly, it isn't anywhere near as posable as most Gunpla due to how "un-guy-like" its body design is. These are the concessions we make cool appearances like this.

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A substantially easier build (and much closer to Gunpla) is bandai's 30 minute mission 30MM Armored CORE Ⅵ Fires of Rubicon - BALAM Industries BD-011 MELANDER Liger Tail

I'm a huge sucker for 4-legged mecha since they're about as far from "an guy" as you can get. They're also super affordable right now if you can find a stockist who isn't a scalper.

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Also while not Gunpla, if you have advanced skills, Gunhed is also very good though it requires a lot of extra work since the plastic provided with this kit is more of a raw material you need to do work to, to achieve the look and hide the seams akin to more traditional model kits. Gunhed's role is to invade gigantic sprawling synthetic superstructures and wipe out unmanned weapons.

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Though likely not to your tastes, my own personal favourite of the year has actually been the Lfrith Ur. I don't usually go for chunkier designs but it has that delightful "chubby girl in a swimsuit" energy despite being a very intense and scary weapon that scratches some strange itch in my brain that I find deeply pleasing.

It is likewise, also very cheap -- and if you get two of them, its very easy to mod them together into a single 4-legged machine with double loadout (very cool, and probably bringing it more in like with your preference -- I wish I still had photos: I'm currently out of the country and my "big database of cool research files" is at home and wouldn't search well from two continents away)

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Also Zowort heavy from the same line if you do the same quad-leg/tetrapod adaption looks amazing. I have a huge soft-spot for unusual legs, if its not clear.

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I hope this provides some food for thought. If you have a clearer idea of the kind of kit you want, or what your needs are, let me know and I can provide more suggestions if you'd like.

Happy modelling!!

[numberonetacostan]

I went through an overthinking train and realized more tacomic stuff (please share you thoughts I am insane rn)

and she finishes with a ''not neccessarily teamwork prevails.'' she picked up mic was probably seeking out for reassurance but she didn't understood what she wanted reassurance on, like she definitely looked at her like that because she picked up mic was being oddly...'pushy' about getting her to promise her this. And I assume with her understanding of mic she comprehended she needed reassurance even if she didn't know for what

this part especially kills me because THIS is the moment of realization she has that mic is seeking out for some reassurance, maybe she interpreted as ''she is scared or at least nervous for what will happen, but its okay we are together she doesn't have to be''

I think that's why she said ''teamwork prevails'' I feel she may have interpreted it as mic maybe also being scared? or perhaps nervous about going into the ship in the first place or what could happen if taco used violence but taco reassures her and it feels like a way to say its okay I'm here nothing bad will happen to us (lets remember they thought this was cobs.) she probably understood this as mic being afraid of what could happen if taco uses violence against him and so that's why she doesn't promise anything like nah its okay we can take him together teamwork prevails above all. She was basically telling her she'll protect her. And hey maybe I am overthinking but it makes the line ''teamwork prevails'' make a lot more of sense, she wasn't saying it because, she was saying it because she misunderstood what mic wanted. She thought mic was perhaps nervous or scared and so she reassured her for another thing, tacomic fallout really is just a bunch of misunderstandings mixed with miscommunication that didn't end up well.

Hi Kiara!!!^^ Welcome back, and thank you for sending in some analysis!!!! :) I just watched the episode back, so let's get analysing!!

It's important to also factor the events of the scene prior to their conversation in which they finish the rocket and Test Tube takes off!! All the remaining contestants worked together to make it, and it feels good!! Mic feels happy after they've finished working, and even gives it a little "huh", because that's not really how she feels after working on one of Taco's plans. She feels bad about hurting other people when she works with Taco for her own benefit, but here she worked with everyone to help someone else. With the doubts Knife already planted in her head about Taco's intentions, Mic really does desperately want reassurance from Taco! That she's not being strung along, that Taco won't make her do things she's not willing to do, that she can work with Taco and get that same sense of belonging and accomplishment.

Taco does seem to pick up on Mic being unusually firm with her about not being violent, a precursor to Mic cutting things off, and she does put her gun away in this moment, even if she rolls her eyes about doing so. But Taco isn't picking up on why Mic is being firm. She doesn't realize that Knife has gotten in Mic's head, nor does she realize how her plans and their partnership as a whole have been weighing on Mic. Taco thinks they're on the same page, and that what Mic wants is to win. And she tries to give Mic that!! She tries to give Mic victory, and recognition in the same way she had wanted, but in doing so she proved in Mic's eyes that she was just using her and didn't actually care about what Mic wanted at all.

"Teamwork prevails" is so very much because it's Taco's way of saying, in a way, that they're partners. That she's not going to abandon Mic, that she sees her as an equal, because they're a team. But the thing is, Taco is more focused on the prevailing part of that, while Mic is focused (and wants Taco to be focused on) the teamwork part. Tacomic fallout really is so based on misunderstandings and miscommunication. I don't think we will, but in whatever ii content they're making next I hope we get to see the following conversations that Mic and Taco are going to have about this incident, in which they can really clear things up because they understand each other's intent. Taco didn't get to give Mic a longer apology due to the... events of that day, but I think she'll end up giving a longer one after one of these talks. Maybe pull a feelings letter out of her shell to give to Mic to help her explain her thoughts and feelings without need to be verbalizing them in the moment? (<- projecting)

[And no worries abt the small text!!^^]

[doomed-era]

dude this is so funny

[dawdlecentric]

Man, this doujin isn't fucking around

Meanwhile, Seikuri in the background...

Doujin: Flashbackers by Totobe

[suffercerebral]

me having gone to bed at 6 am every day for the past week and generally spiraling mentally while rotting in bed waking up this morning: a 4 mile hike in the heat is a really good idea right now, and while we're at it let's start like 3 art projects

[medicinemane]

Sometimes I feel like I'm going crazy

You have... very very very very very very very very smart people you know, and they're say something that not only isn't true, but literally is as opposite of the truth as it's possible to be... and you'll... gently inform them "hey, it's actually a bit more like this" and then they just kinda... go on saying literally the exact same thing

I'm not sure if it's just that... I often feel like I must be very bad at communicating, or people must just not notice/ignore a lot of what I say, but... I don't know

Like dearest friend, you've said something as absurd as... I don't know, it's hard to say without saying it, but honest to god about as absurd as saying the United States was a part of the USSR, that level of completely getting it backwards

...and it just doesn't seem to matter when I try to explain it... I legit don't even know if you read what I said

Really end up feeling like I'm going nuts sometimes

[sp1resong]

now that i'm done having an identity crisis i've gotta say i'm kind of amused by how many times it just entirely lost the plot. like. i went from 'okay but like what is my personality. who am i just as a person' to 'genuinely how would i know if i'm plural i dont think i am but How Would I Know' to 'WHAT IS THE FUNDAMENTAL NATURE OF THE (alter)HUMAN SOUL. &WHAT IS MINE'. like. girl

[thats-a-lot-of-cortisol]

My mom just sent a message to the family group chat suggesting that my siblings download the 'For the Strength of Youth' magazine on their Gospel Library app and talked about how much the youth magazines helped her testimony growing up and like, cool. Fine. Don't know why the 'sending random spiritual thoughts in the gc' thing started out of nowhere when it hadn't been a thing for a decade but this is just another one of those, and you're ofc allowed to talk about things that are significant in your life.

I don't think sending the 'What I Did When Someone Close to Me Challenged My Faith' article right afterwards was strictly necessary though 🙃