#been around to watch Shaw develop as a character

[zeebreezin]

Ever since I was aware of the two endings of Nemesis, I was always pretty certain that Shaw was going to kill Cups. That’s not because I think the Revival ending is worse, innately, I love the tragedy of it & the potential for healing there - but just because I think it would always be worse for Shaw, specifically.

More than anything else, he’s always been a character that’s motivated by guilt, to me. Shaw blamed himself for his daughter’s death way beyond the point where he could logically justify it, knowing what happened. Any world in which Lenore Shaw returns, I feel like that guilt just keeps going. He needed an ending, clear and defined. The ‘what if’s are going to haunt him for a while, undoubtedly, but… Cups would’ve done this to more people, if it had the chance.

Could Shaw really justify taking his own happiness with the knowledge he could be damning even more people to the same grief he went through? No. Even more so, I don’t think he could bear Lenore not remembering him. I think that would cement the fear he’s always had as fact; that he’s a fundamentally selfish person, and that selfishness has harmed everyone he’s ever loved. That’s the path that leads him down the same, isolating mistakes that got Shaw to where he was when he started: alone in a prison cell.

So… he let Cups die. It still feels like a selfish choice, to Shaw. Choosing his own revenge over his daughter - but really, that’s not true. And I think he’ll realize that one day.

When I first started playing Nemesis, I thought this moment would feel more like a hollow victory than it did. The sort of ending where despite getting what he wanted done, Shaw’s still left as alone as when he started - but that’s not true either. Despite my expectations he’s really made a ton of connections in London, thanks to the community, so this whole thing feels so much more hopeful than I thought… because, well, he’s not alone. He’s got so many people there for him. Be it the seven closest who he wrote to, or anyone else who’s shown him kindness… Shaw has something to go back to in a way that I didn’t really expect him to ever get.

For the next while, I’m gonna be giving Shaw a bit of a break - focusing in on other characters and stuff. He’ll be back to do the railway in a little while, don’t worry, this sad man’s adventures aren’t over. But for now, he has an ending. A clearly defined one, at that. Now he gets to begin again.

[itsdawnforyou]

I only got three more specials before 13's era is over but honestly?? Its really not as bad as everyone said it is. There are some things here and there, like how they crammed 5 storylines into Flux when it really wasnt necessary to have SO MANY characters and storylines and everything going on at once, but other then that I really liked it!

Her first season was fantastic, I wouldve liked a bit more development for the fam aside from like 2 defininng traits, but it was much more then I expected them to have, tbch. I liked how you knew them but not well enough to predict what they would do. When graham went after tzim shaw, I didnt know if he was going to get revenge and shoot him or not, and I wasnt even sure if I was rooting for him to do it! (Well, I mean, I was rooting for him, but to do it on a roundabout way because I think losing the doctor mightve been a bit of a large toll for revenge).

Season 12 had a banger of an opening two parter, but im kind of unsure about the rest of it. I dislike how they connected small details together for a larger story line through the individual episodes, even tho they werent very big at times.

Flux season was definetly my favorite because while, yes, we dont even get a second to breathe, it gives you the same feeling of what the doctor is going through. There are 100 problems, you need to solve them all and oh right by the way the universe is dying around you, good luck!

I think Flux was designed that way purposefully. After the Timeless children everyone probably didnt know what to do with that information. It was probably a huge well of "not my doctor!" And "retcon this!!", so flux is there to show the audience, and the doctor herself, that she is still The Doctor. Who she was before, the parts she doesnt remember? That wont change who she is now. Who she has become. Infact, it might even make her more determined about that the more she learns!

Over these three seasons two things I ABSOLUTELY adored are: 1- my psychic/telepathic exploration of the doctor. I want to see her being an alien, I want to see her companions just going "i dunno" when someone asks them why she's holding her head and having a convo with herself.

2, and its a big one- THE TARDIS. There were so so SO many scenes inside the TARDIS. And we also got the doctor talking to the TARDIS again! Give me more doctor bonding with their oldest companion! I want more tardis beep boops and the doctor starts talking to the ceiling/console and the companions look at them like they have gone MAD.

You know what? Give us a telepathic companion that joins after a different companion. I want them to walk in and go "oh gosh im so sorry I didnt realise- are you sure its okay if I step- oh okay-" and the older companion looks at them all funny for how they are walking like the floor is lava and talking to the air while the doctor frowns because no one usually notices- ohhhh theyre telepathic that makes more sense, type thing. Having to explain to the human/older companion that the ship is SENTIENT and then watching the companions both wince everytime the doctor uses the rubber mallet to do final adjustments.

Anyways- if anyone got any thoughts about 13's era and why im absolutely horribly wrong and it was completely and utterly bad, please let me know! I always like reading other perspectives. Just.. be nice about it? :D

[sebastianshaw]

I have been working on this for quite a while! It's a mass redraw of the cast portraits from my fanfic universe "Alt Marauders" that I did in 2021. I think I made a pretty big improvement for two years! I learned facial proportions, stopped with my massive noses (I was overcompensating for years of tiny anime noses, I'd found once I started drawing proper big noses they were SUPER FUN) and started drawing with thicker lines and line variation. Tried with some uptilted facial angles on the twins too! Didn't do so well with that but hey, future redraw material! While all the characters have dynamics with each other, I picked specific pairings to focus on for the portraits. Details under the cut if you're interested!

Shaw & Haven - The 'official' leaders of the group as appointed by X.avier, their extremely conflicting perspectives provide a lot of room for exploring different opinions between each other and the other cast members. Despite, or perhaps because of this, they develop a relationship focused around philosophical discussion, and Shaw does protect her---only because, of course, it would look terribly bad if the human liaison died on HIS watch! Shin & Pyro - The "fun" of the crew! Their lackadaisical ways and love of carousing bring them together, but there's a deeper element to it as well. Pyro hints he had a lonely childhood in the canon Marauders, and we know that Shin did, and both came from single-parent households---Shin raised by his mom, Pyro by his grandma---and probably have some issues feeling rejected by one (Shin) or both (Pyro) parents. And Pyro def dislikes Shaw in our version, so he's on Shin's side against him immediately despite not knowing all the details for some time. M.adelyne P.ryor and C.laudine R.enko/Miss S.inister: Maddie and Claudine have a complicated and evolving dynamic. Both are victims of S.inister, both have had their agency under assault, and both have been villains in their own right because of it. But while M.addie's was done under demonic influence, Claudine's was a choice made in full control of herself, and it involved children. Claudine was ready to take over the body of L.aura K.inney to save herself from being taken over by S.inister, and as someone who has struggled with agency and identity and having that taken from her, M.addie can't abide this when she finds out. As for Claudine's feelings on this...honestly, I'm still figuring that out. Alice, M.anon, and M.axime - In the aforementioned story with Laura, C.laudine is cloning a young girl named Alice over and over. Alice seems to have the memories of her previous clones who have died, so likely this was part of her developing the process by which she would take over Laura. We never see Alice again so I thought I'd bring her back. . .or a new her. M.anon and M.axime are another pair of kids I wish we'd seen more of, and have some serious issues of their own. These three aren't regular cast members but would show up in the story enough I wanted to draw them, if only because, hey, no one else will! Alice finds them sus, which, uh, well, they are. But it's also not really their fault and they do need help. I switched her sideeye from M.axime in the first to M.anon in the redraw since she seems the more deliberate of the two in her behaviors.

[biblioflyer]

Discovery S5E1 first reactions (spoilers)

Every season, Star Trek's ugly duckling starts finding its footing a little better. I'm actually sad now its at its end.

I was prepared to be grumpy. For the first half hour or so, I was a little bit of a sourpuss. All the classic Discovery sins were on display in full force.

The main character syndrome. Burnham is leading from the front. Again. Didn't we have a whole season character arc about how captaining means sometimes you have to delegate?

Okay, okay, don't at me. The reasons for her to Kirk it up in the thick of things were reasonably well thought out.

I'm really torn between appreciating the whole "Iron Man" sequence in space as a smart, logical extrapolation of the technological development of the series and just being somewhat numb and feeling like the whole thing was rule of cool from start to finish.

They better not skimp out on Raynor's backstory and motives, because thus far every call he's made has been even more devoid of compassion as Captain Shaw, but critically none of his hard man making hard choices directives make sense. He's being set up as an Ahab type character.

Now this isn't the first time we've have a Starfleet Ahab. Ben Maxwell was just such a character. Critically though, he was a renegade that our hero characters were called in to hunt down like a mad dog precisely because, understandable motives or not, he was so far outside the bell curve for acceptable Starfleet standards for rules of engagement, compassion etc. that he was on the verge of provoking a war with the Cardassians.

A war that a lot of revisionist fans, mapping Cardassia and its ultimate alliance with the Dominion to Russia and the invasion of Ukraine, have come around to thinking a preventative war was good and cool, rather than risking an apocalypse. I've talked about this a few times, but the fact that the protomatter, temporal, isolytic, trilithium, biological etc. weapons haven't been deployed in quantity in the wars that have been depicted in Trek means everyone got damn lucky. Strange New Worlds has even seen fit to remind us that even with just conventional weapons, its not hard for casualties to run up into the millions given the scale of the civilizations butting heads.

But that's a rant for another time.

So Raynor being within spitting distance, if not wholly inside of the Section 31 anything for the mission mentality, is irksome. I'm probably not doing my due diligence by complaining without watching episode two yet, but still its a bad look. Its a nasty callback to depictions of casual jerkiness and military caricature from Picard's third season and Discovery's first.

Also I don't care about Burnham and Book’s relationship. I just don't. Nor am I particularly interested in Tilly finding love. They’re all fine and interesting characters without needing to inject relationship drama into the mix. This show has really started to feel like it doesn’t need to rely on cheap sources of melodrama. Finding love isn't the only pathway to character development. I don't watch this franchise for NCC-90210 storylines.

And I'm also a raging hypocrite because if anything happens to Saru and T'Rina, I will be even grumpier! Same with Culber and Stamets.

I may have a soft spot for warm, lived in, tender relationships and minimal patience for stories about relationship drama among the stars.

Also, I do appreciate that at least in the first episode, the Burnham - Book "ship" feels less overwrought. The awkwardness between them reads as a more mature, more nuanced incarnation of the relationship. Even when they inevitably patch things up, I really hope its less showy and melodramatic, and more cozy.

Grumpiness aside, I have to compliment the cast, writers, and crew enormously. This show has matured so impressively in the sense that the cast are able to find the characters in a natural and seamless way. The writers are putting better dialogue in their mouths even if I don't always necessarily want to see the specific storylines playing out.

Its a testament to the idea that art is a thing you practice and the human beings involved in producing this stuff need time and space to get it right. By legacy TV standards, Discovery is only just starting the equivalent of its third season. We used to talk about the two season rule for legacy Trek. The idea that it really only got good, not merely watchable if you have a good tolerance for cheese, but actually good in the third season.

The action sequences, mostly, were really good too. Well composed, clear and easy to follow while having a decent amount of drama and uncertainty to them.

The chase sequence really managed to capture the power and physics of having starships operating inside the atmosphere of a planet and what they can do. Although I'm sure the tech fans will froth at a number of obvious inconsistencies in scaling, at least we actually see some interesting consequences of ships interacting with planets.

Additionally it also accidentally portrays one of the world building problems with the version of the Star Wars universe depicted by the Attack of the Clones and Revenge of the Sith Incredible Cross Sections books. Yes, I'm one of those kinds of fans who has argued both sides of that particular controversy. I've always found Dr. Saxton's attempts to quantify just what is going on and then contrive explanations for how its possible fascinating, but ultimately it presents serious world building problems. Like the idea that one scoundrel with one relatively diminutive ship, like the Falcon or Slave I, could utterly wreck a populated area in seconds causing thousands, if not tens of thousands of casualties if they're having a bad day. Such are the elemental forces and energy levels at the disposal of even common riff raff in Dr. Saxton's depiction of Star Wars.

In Discovery, we see what happens when a couple of scoundrels have their back up against a wall, and it comes within a hair's breadth of tragedy.

BIG SPOILERS

The callback to the Progenitors is also really interesting. I'm curious as to what the MacGuffin will ultimately be, because if you scrutinize the various technologies of the week in Trek, most of the mature space faring peoples already seemed to have the capacity to do what the Progenitors could do: seed a planet with life and then guide that life across billions of years of evolution to a desirable endpoint. The main thing that is missing is the ability to ensure, in the style of Expanse's Protomolecule Builders, that your project can babysit itself without direct intervention for all that time.

Also kudos to Discovery for its cutesy storytelling device of grabbing a background character and turning them into someone of great significance. This is something that can be overdone, see also: Star Wars, especially the Legends continuity; but I have a soft spot for lore nerds.

Also speaking of Lore, I'm a little curious as to whether this is the last we'll hear of Fred. Synth "death" is kind of an ambiguous thing. They were able to harvest usable data from him, but perhaps there's a meaningful difference between the systems responsible for consciousness and memory storage? Perhaps the ocular memory is a sort of buffer in which information is triaged, analyzed, and then either committed to long term memory or deleted.

[rantingsalad]

finally getting around to watching 13's run in full (just finished rewatching s11, about to start s12) in preparation for the 60th anniversary and i have thoughts. so here's a rambling post to try and sum them up cohesively:

i know i'm not the only one who feels that chibnall's run feels a bit disconnected. part of that was no doubt intentional (new doctor, new showrunner, new start) but it feels a little too disconnected. in fact it almost feels like a spin-off rather than the main series.

Jodie's a good actress, but i'm not entirely sold on 13's personality. one thing about New Who is that you can pretty logically understand the progression of the the Doctor's personalities throughout the various series & regenerations, but 13 feels just a tad off. after 12's run it makes sense that 13 would be lighter & happier, but the way she's written makes it feel more like a regression than a progression. the narrative often makes her come off a over-excitable and less competent, partly because of chibnall's wish to have an unconnected series. i like that we got introductions to the bigger universe of DW instead of the same antagonists over and over, but having 13 constantly not recognizing or not being able to figure things out on her own felt almost condescending.

i like all the companions in theory (except Dan since i haven't seen s13 yet). on paper, they're all very distinct from each other, which was a concern i had since previous companions sometimes felt like different shades of the same color. in practice, i don't think they're developed enough individually for me to form strong feelings about any of them. i feel like the writers took a shortcut expecting viewers to automatically favor the companions and then didn't build enough of a bridge to get me to actually like them as characters.

so far the pacing of nearly every episode also feels off. i'm not as familiar with chibnall's writing signatures as i am with Davies or Moffat, but if i was just basing it off of s11 & s12, i'd say he struggles with self-contained one episode stories. doctor who has always offered a lot of social commentary, but sometimes i think he tries to pack in too many layers that the overall message gets muddled. most episode feel like the intro drags and the ending is rushed. there is an issue with keeping an appropriate level of tension throughout.

this is a personal preference, but i also didn't like the level of connectivity/foreshadowing we got in s11. the stenza get mentioned in s11e1 and e2, and then dropped until e10. when Tim Shaw pops up again in the finale, it feels less like the return of a major antagonist and more like they just didn't have anyone else to bring in. intentionally or not, the narrative feels like it blames 13 for Tim Shaw's actions. the doctor's lack of follow-through is a fair criticism of their past actions that has been rightly levied against them before, but in this case it felt like it came from nowhere.

i only got halfway through s12 the first time. i'm hopeful that it'll feel more cohesive once i watch the entirety, and i've heard good things about s13, so i'm excited about that.

[westworldparty19]

Strange New Worlds: A Broken Circle

SPOILERS BELOW

I can only enjoy this show if I pretend it’s completely disconnected from TOS so that’s what I’m going to try to do this season

Truly and honestly Spock and Chapel together repulses me. I physically couldn’t watch the scene where he’s trying to revive her on the transporter pad.

I am coming around on Chapel as an individual. I like the back story with her and M’benga. I think it’s sweet that they kinda stuck together after serving in the war together. And their final words to each other before jumping out the airlock made me tear up, no matter how mindblowingly stupid the concept of that scene was.

I like that Spock is developing his mutinous charms but hate that he was given command and pulled it off so early.

Love La’an and Ortegas and enjoyed whatever they were doing.

Uhura is always a stand out to me. Really loved seeing her stand up for her station. A little peeved at the rapidity that she can translate seemingly any language but Celia is so charming that I don’t really care

I think this might be controversial but I LOVE the new Chief Engineer! I don’t know anything about that species but I’m excited to see more of her and I just love that actress and her goofy voice. I do HATE that there’s more Spock family lore ahead…I do want to learn more about Amanda Grayson but I would prefer like a one off comic or Short Trek that is completely disconnected from any main plotline.

M’Benga is another standout to me this episode. The pain from the war is really evident.

However, THE GREEN FIGHT JUICE?? Please. If they ever put something so stupid on my screen again I’m canceling my Paramount+ subscription. At first j thought it was more gene manipulation and that they were disguising themselves as Klingons. As eye roll inducing as that may have been I think that would have been so much better and more in line with the theme of TOS and with established lot of SNW. Why introduce that in the pilot and with Chapel especially if it’s never used again?? The whole fight sequence was so stupid.

Honestly glad that Pike was MIA the whole episode. I really can’t stand him. And why doesn’t he open his mouth all the way!! He looks like the person who controls a marionette doll. Like you know it’s him speaking but he’s not moving his mouth. Interested to see who the lawyer he’s chasing after is. If it’s Areel Shaw I’m gonna be pretty pissed. Actually if it’s any legacy character I will be annoyed.

Pretty over the Badmiral stuff.

I HATE SNW GORN. The yell I let out when the Gorn ship detected came on screen…surprised my neighbors didn’t call a wellness check. I’ve posted about this before but SNW Gorn are the anthesis of Star Trek.

To be immediately followed with a memorial to Nichelle Nichols felt a bit cruel. That did make me tear up though.

Overall, not a bad episode entirely. I had fun watching most of it even though I did audibly groan multiple times. Feels mostly like a silly space adventure show and not specifically Star Trek. Premise was a bit too outlandish for me especially because they face absolutly no consequences.

Also have to pretend that this Spock is not my Spock to keep myself from going insane.

[escube-wrath]

*SPOILERS MAYBE?* Improvement on Indiana Jones and the Dial of Destiny

Let me start this of with I haven't watched a single Indiana Jones movie and am the LEAST qualified person to be doing this. Anyways. I watched The Critical Drinker's video about Indiana Jones and The Dial of Destiny and thought of some basic fix that would've improved the film. 1. Instead of making India Jones be a sad old man who misses the days of old, make him into someone who is passionate about teaching ancient history to the younger people. Sure he still misses the old days but now he is satisfied and happy with being able to bring his passion to the new generation. 2. Helena Shaw can be a "girl boss" but instead of making her knowledgeable with ancient artifacts, make her someone who only knows of its value and none of it's history. She's the type of person to go "I know of this artifact, I don't care about its history, I only know that this sells for a lot of money." 3. The story still goes same as usual where Helena tricks Indy that she's into ancient artifacts and convinces him to show her part of the dial and then she steals it. But throughout the film as they go through many locations with hieroglyphs, ancient items, etc., Indy gets excited and confuses Helena. She might say "Why do you care about all this junk?" and Indy would reply something like "JUNK!? This here is *insert fascinating history of an object*" and Indy would stare with joy at the stuff around them which Helena gets curious because she has never been that passionate about anything in her entire life. Helena becomes somewhat of a protégé to Indy and now intently listens to Indy when he talks about the history of stuff. Well, that's all that I can think about for the improvements on Indiana Jones and The Dial of Destiny. Yes, I know that what I basically call "improvements" on the film is just some basic typical tropes that has been done before but at least my "improvements" make is so that Indiana Jones isn't some sad old man in a shitty apartment and Helena isn't just a "better" version of Indy in all aspects and she gets her character development. Thank you for reading, BYE!

[foxelfprincess]

[tv review] star trek: picard, season 3

next stop on the "catching up with reviews" train, we did finally get around to season 3 of picard about a month ago. it really is a testament to how uninspiring the first two seasons were that we, two lifelong star trek fans and one fairly enthusiastic convert, just really didn't feel any urgency to get to it.

season 3 is probably the best season of picard, but it's still not… great? but in all fairness, it was probably just never going to be.

when i first heard there was a picard-led series being developed, i was cautiously excited. when it was announced and the title was literally just "star trek: picard," i thought that was, well… weird? there's just something thoroughly un-star trek about this kind of singular focus on a character rather than a place or a group of people.

before i start sounding relentlessly negative, there were things i liked about season 3. and i enjoyed the experience of watching it much better than the previous two seasons. but it just felt really similar to like rise of skywalker where i just resigned myself to how dumb it was and enjoyed it almost in spite of itself. and it could easily have killed my enthusiasm for the future of the franchise in a similar way if there weren't so many other great things going on at the moment. picard really is a pretty glaring outlier compared to literally every other nutrek series (minus the first season of disco, which was still miles better than picard at its best).

but yeah, let’s move on from general commentary and go episode by episode.

3x01 "the next generation"

first of all my absolute favorite thing about this season is the sheer amount of jonathan frakes we get. this cannot be overstated. jonathan frakes is a national treasure, and i am blown away that i underappreciated will riker so thoroughly when i grew up on tng. he's just the hecking best.

shaw's introduction was fucking fantastic, and i love how his character went from just uncomplicatedly hateable to lovably hateable over the course of the season. just truly great stuff.

i love how laris is in this for literally like a second and then is never mentioned again for the rest of the show. like, we would have been better off if their last scene together had been the wordless ending of season 2, and we could just assume they broke up offscreen between seasons or that they had hot, steamy sex but decided that a relationship wasn’t in the cards. idk. seemed pretty pointless.

overall, though, this premiere had me cautiously optimistic for the season as a whole.

b-rank

3x02 "disengage"

this episode focuses on two characters who end up being much better than they should be thanks largely to acting.

in the case of jack it's mostly the acting of patrick stewart & gates mcfadden around him. like, that silent moment between them when she nonverbally confirms that jack is jean luc’s son is one of the all-time great moments of acting in the entire series. and as much as i fundamentally disagree with a lot of the writing around this entire story, mcfadden & stewart act their ASSES off throughout this story, and it makes the material seem a lot better than it actually is.

vadic is a character of incredible (and largely squandered) narrative promise who gets shuffled out of the way in favor of a much more boring late-season endgame. more on that last bit later. the show does give her plenty of opportunities to chew the heck out of the scenery in the meantime. despite being one of those always-frustrating examples of the writing on this show overpromising & underdelivering, vadic nevertheless manages to claim a spot as one of the most memorable star trek villains thanks to a truly incredible performance by amanda plummer.

lastly, i freaking LOVE the heroic introduction this episode gives worf. i literally pumped my fist and cheered.

b-rank

3x03 "seventeen seconds"

first of all, i just want to pause & acknowledge that it was really nice seeing riker in the center seat even if i really don’t like what the show decided to do with it.

frakes & picard act their asses off in this episode but i just don’t really buy the writing that got them to that point. like, it feels like the show really wanted both characters to have that Moment so they could get their epiphanies out of it in the next episode, but the moment itself fell very flat for me because i just didn’t believe in it.

much better was crusher’s argument with picard. i came into the argument fully behind picard in terms of “hey, not telling someone you had a kid with him is pretty fucked up, bev!” but after beverly explained her reasons i was fully able to see where she was coming from.

i still have a seriously hard time believing that crusher would have ghosted picard and all of her best friends who she went through so much with, but that’s kind of just the same exact baked-in problem that i have with this entire series. but i’ll come back to that when we get to the finale, i think.

the other big thing to mention here is that i don't love that this damn franchise found yet another excuse to reduce dr. crusher's personality to dr. mom. but at least she gets more juicy material to work with throughout the season for the most part.

i also think the changeling reveal ruled. like, at this point i was way more optimistic about the direction of the season. like, oh, changelings! we’re finally doing something that isn’t the borg! (… sigh. we’ll come back to it.)

c-rank

3x04 “no win scenario”

this episode has some great character writing, a great star trekky solution to a star trekky problem, and some blessed star trekky optimism. i wish i could say that the show was ever this good again.

shaw’s face turn starts here. his speech about having met picard before–at wolf 359–really changes our perceptions of him. he’s still dead wrong to blame picard for that, but it does certainly shed a new light on his immediate hostility towards picard. but turning that speech back on him and saying that he needs shaw’s help “even though [he’s] just an asshole from chicago” was a great moment for picard, and also a great moment in retrospect for shaw, because i think that’s the exact moment where he stopped being a hateable asshole and started his journey toward being Our loveable asshole.

the escape from the nebula (and the shrike) is a fist-pumpingly awesome scene. it’s the moment when i turned to my partners and said, “hey! they remembered to put some star trek in their star trek show!” probably the best moment of the whole series, tbh. and between that and how good the next episode is, i was actually just starting to have some hope for this damn show. sigh. to be continued.

a-rank

3x05 “imposters”

i’m going to be brief because my feelings about this are very simple.

i was NOT expecting to see ro laren again, or for the show to deliver such a resoundingly perfect conclusion to her story. this might very well be the best thing this show ever did, and i genuinely think that in spite of everything, it might make the whole rest of this damn show worth it.

a-rank

3x06 “the bounty”

transition episode. mind the loudly clanging pieces being noisily moved around the board.

shaw being a geordi fanboy was cute, though. and oh hey geordi works at a spacedock full of old starships, i’m sure that won’t have any future bearing on the plot or anything.

c-rank

3x07 “dominion”

vadic kicks ass at the “captured villain who wanted to be captured” scenery chewing, picard & beverly considering going against everything they’ve ever believed in & fought to uphold to execute her in cold blood was gross.

i’m very tired.

b-rank

3x08 “surrender”

data defeating lore by not fighting him fucking ruled. i hope the rest of the main characters in this stupid fucking show were taking notes.

riker & troi dumping on nepenthe really made me roll my eyes pretty hard, considering the episode of the same name was the best damn episode of this entire fucking show, and the idea of riker living out in the wilderness cooking pizza in his outdoor pizza oven made me so fucking happy. and riker & troi both seemed so happy & secure, their warmth really helped picard find his way through a dark moment in his life, and troi was treated with much more respect by that single episode than she is in an entire season of what was billed as essentially tng season 8. there are PLENTY of things about every season of this damn show that deserve to be harshed on and you pick the ONE THING that doesn’t? ffs.

and then vadic, the poorly-written but superbly-performed villain that made this whole damn show actually kinda work… just fucking dies??? with two episodes left to go?

uh-oh.

b-rank

3x09 “vox” & 3x10 “the last generation”

as soon as troi started probing jack’s mind to figure out what his secret was at the end of the last episode, i said, “it’s gonna be the borg.” as soon as this episode picked it back up, i said, “it’s gonna be the borg.” as soon as the vision started taking shape and deanna rushed out of the room in horror without further explanation, i said, “it’s gonna be the fucking borg, just like every other fucking thing on this stupid fucking show.”

it’s funny. i don’t like how serialized the storytelling is within the seasons of this show, but despite the storytelling being so damn serialized, the seasons themselves like actively go out of their way to just totally ignore everything that happened in previous seasons or else treat it like an inconvenience? when, isn’t the ONE benefit of serialized storytelling supposed to be that the story stays consistent?

like, i gotta tell you, i liked what the first season did with the borg the best out of any of the three. the entire focus on exbies was brilliant, and seven having to overcome all her fear & trauma to be willing to function temporarily as a queen was actually a better culmination of shit that happened in a COMPLETELY DIFFERENT SHOW than this show handled any tng thing that wasn’t ro laren?

i was… somewhat ok with what the second season did with the borg mainly because it featured seven as an even more prominent player, and seemed like it would take the borg off the board for the final season, and while the season was mostly un-star trekky the fact that picard needed to trust this new version of the borg and make peace with them was actually genuinely pretty cool?

but then we just bring back the borg YET AGAIN, and just… WHY? what did this accomplish? how are we any better off than we were at the end of season 2?

and just… the version of the borg here are actually the MOST BORING version? like, they’re just what i guess the showrunners decided was a Big Enough threat to be a worthwhile reveal, and i’m just… So. Tired.

i did like a few things about this stupid fucking two-episode borg digression. probably chief among them was worf being all protective of riker because i will ship riker/worf until the day i’m cremated. i also liked the very last scene of the series where picard and his crew play poker together. but i think it’s just frustratingly appropriate given my big picture issues with this entire show that this whole three season misadventure led to us getting back to THE LAST SCENE OF STAR TREK THE NEXT GENERATION, you know, that perfectly good ending these characters had already had, an ending that was completely squandered by a show that decided that picard just forgot all the lessons he spent seven seasons learning.

i’m just so over it, man. i’m going to rank these last two episodes exactly what i would rate this series as a whole, and move on with my life.

c-rank

s-rank: 0 a-rank: 2 b-rank: 4 c-rank: 4 d-rank: 0 average: 2.8 (c-rank)

[quietmyfearswith]

happy hoelidays ; preferences

warnings — allusions to smut, swear words, wanting kids (idk)

characters — andy barber, steve rogers, ransom drysdale, jake jensen, bucky barnes, lance tucker, syverson, will shaw, august walker

a/n — here’s my entry for the happy hoelidays 2020 hosted by @stargazingfangirl18, @navybrat817 , and @donutloverxo 🎄 Y/M/N = your mother’s name 🎄 lmk what you think!!

their love language | with their little | when you’re insecure | slipping into little space | fussy

masterlist

I asked for one thing this year…you — dialogue prompt

Andy was going over the last of his files; as Christmas neared, he decided to take the week off. Despite it being something he didn’t usually do, he deemed it only necessary since he was spending the particular holiday with his beloved. Hearing the bustling of Christmas ornaments and decorations made the lawyer raise his gaze from the papers in front of him to the girl who was placing stockings with his and Y/N’s names by the fireplace — he didn’t even know that they had such stockings. “What do you have there, baby?” 

Turning to him with a wide grin as she held the two trinkets, “I bought these two when I was at the mall the other day; they’re so cute!” As she pinned them by the fireplace, Andy hugged her so his front was flush against her back. “I do think they’re adorable like you,” Pressing a sloppy kiss on her cheek, Y/N giggled as his facial hair tickled her, “But I don’t think that the Christmas sock is necessary, especially for me.” Looking over to him with worried eyes and furrowed eyebrows, Y/N assumed the worst, “You don’t like it? Is it the color? Or did you see the gift I bought for you and think it’s shit?” Stopping her from overthinking, Andy kissed her deeply and held her hands between their chests to prevent her from wiggling away, “It’s not that, baby.” His statement didn’t help her confusion so Andy further explained, “I asked for one thing this year,” Kissing the knuckles in both her hands before looking up at her with pure love and adoration before confessing, “You. You’re what I asked for and I’m glad it came true.”

Oh, see, I thought we were going to enjoy a nice holiday dinner, and then you had to go and do that. I’m very disappointed, sweetheart — dialogue prompt

Knowing how much his girlfriend adored the Christmas season, August tried his best to end any missions before it or not accept any new ones. Thankfully this year he wasn’t needed elsewhere; so he decided to cook up a delicious homemade meal for the two of them. While he was doing the final preparations for their meal, he wondered what Y/N was doing. As he placed the chicken he cooked on the table, he removed the apron — something she’d gifted him when she found out he developed a habit of cooking and was extremely good — and headed to their shared bedroom, “Little one? Where are you?”

Y/N was nervous as she twirled in front of the mirror completely fixated on whether or not the babydoll she was going to wear later after their dinner looked good; so fixated she failed to hear his deep voice call out for her. When the door creaked open she turned around, they both gasped at the situation they were in. Y/N wasn’t planning for August to catch her in one of his gifts this early; while the latter was incredibly turned on that his erection was aching to be attended to. “Oh, see, I thought we were going to enjoy a nice holiday dinner,” He pointed to the door as he approached her with slow steps; “And then you had to go and do that,” He grabbed the cloth of her skimpy outfit before continuing, “I’m very disappointed, sweetheart.” Confused about his arousal that she mistook for anger, “What do you mean, Aug? Don’t you like this babydoll I got for you?” Her pout was so adorable that it only added to his desire for her as he clarified, “I love the babydoll, but I’m disappointed because now food’s gonna get cold because we’re gonna have to take care of this,” He grabbed one of her hands and let it feel his raging erection against his pants. Giggling at his problem, Y/N then squeezed his cock and sultrily teased, “Let’s get to it then, daddy.”

Congratulations. You’ve officially won the Ugly Sweater contest. — dialogue prompt

There were a lot of technological advancements that Bucky was thankful for; the improvement of the laundry washer and dryer wasn’t one of them though. It was just too much to comprehend for his cyborg brain with all the options and different detergents and products one can use. So he came to a compromise with his girlfriend; she’ll do the loading of their clothes into the washer and dryer, while he’ll unload them from the dryer and fold them. That set up worked perfectly for the two of them given how Y/N loathed having to fold clothes. But Bucky’s luck was wearing thin; Y/N was out running errands for the Christmas party of the Avengers and the former Winter Soldier was left alone at their living quarter. “Fuck it,” He whispered as he gathered all their dirty clothes and headed to the washer. The sweater he was going to wear was in the dirty pile of clothes and despite his disinterest in laundry. He poured whatever cleaning product looked suitable for the clothes and pushed the button that accomplished the task in the shortest amount of time. Opening the dryer, he immediately fished for his sweater and gasped out loudly with what the clothing article looked like. The once gray sweater was now littered with red and green streaks — thanks to the other Christmas sweaters and pajamas his girl had — and by some sorcery there was a white lace stuck to it as well as some colored cotton balls that were made to look like Christmas ornaments. Deciding that he didn’t really care, he decided to discard the shirt he was wearing and  be clothed in the sweater.

As he was walking over to the party hall, his eyes brightened upon seeing his girlfriend; hugging her from behind he planted a kiss on her cheek, “Hey, doll.” Smiling brightly at him, she kissed his nose and moved out from their hug and took a good luck on her boyfriend. Chuckling at what he was wearing she teased him, “Congratulations. You’ve officially won the Ugly Sweater contest.” He rolled his eyes as he buried his face in her neck to tickle her, which proved successful as she let out a bunch of giggles that made him chuckle against her skin — adding to the vibrations. “Maybe you should ask for Santa for a simple washer and dryer this year?” Shaking his head as he wrapped an arm around her shoulders so they could enter the room he told her, “Only thing I wished for is to spend more Christmases with you.”

^ gif prompt

Despite having computer skills Jensen couldn’t find out the perfect gift for his girl — even though he may have snooped around on her phone and laptop and yet his search remained unfruitful and the man still was clueless on what to get her. He ended up buying a lot of gifts which included her favorite chocolate and snacks, jewelry he hoped she’d like, a sweater he thought would look adorable on her, lingerie he knew would fit her well, her favorite scented candles, and a framed print photograph of the two of them. As he was delicately placing the items into a large box he bought in her favorite color. Deep in focus, he failed to take note of the presence of his beloved woman, “What you got there, babe?”

Startled, he jumped to stand up and used his body as a shield to avoid her curious and wandering eyes to see the gifts. “Babe! Didn’t hear you come in. What are you doing here?” Chuckling at his flustered state she sassed at him, “Well I live here too, right?” As he placed his hands on his hips he shook his own head as he grimaced at himself and was internally smacking himself for his dumb reply; his girlfriend was more amused with his flustered expression rather than what he was previous doing. “Well the surprise is ruined now; since I was wrapping my gifts for you,” It broke Y/N’s heart to see him disappointed in himself so she placed a kiss on his cheek and covered her eyes with her hands, “I’m not looking so you can put that away; then to make you feel better we can have sex.” Jensen was immediately turned on with her sultry tone and preposition that he just shoved all off the things inside the box before covering it; carrying her bridal style and leaving out the spare room. Y/N was laughing loudly at how her boyfriend was more than eager to carry out her suggestion.

“Since when are you so good at wrapping gifts?” — dialogue prompt

The only gifts that were under Y/N and Sy’s Christmas tree were either gifts that had been given to them by friends or the few presents she bought for her boyfriend. Part of her was optimistic that Sy had gotten her a gift too big that it was impossible to place it underneath the tree; but the more pessimistic part of her taunted her that he didn’t bother getting her a gift. Sipping on her hot chocolate as she watched a movie, she scrunched up her face in confusion upon hearing Sy let out grunts as he walked towards her. “Are you alright, bear?” At the moment she cursed at how thick her man was since his body concealed what he held behind him. “I couldn’t wait any longer ‘till the 25th, bug. Just had to give my gift to you.” His Texan accent was thick as he was proud of the gift he held.

She patted the spot beside him and he was more than willing to sit beside her; then pushing up the wrapped up box he himself wrapped. Holding the huge box in her smaller hands, she threw him a mocking look, “Since when are you so good at wrapping gifts?” Rolling his eyes at her jab, he brought his hand to tickle her side, “Since I had to give my girlfriend the best gifts I could ever give her.” Her heart melted with his sincerity and knew in herself that even though she has yet to find out what’s inside the box but knew that it was the best gift she ever received. Pressing a kiss to both his cheeks she shyly mumbled, “Thank you, bear,” Before proceeding to open up the gift. It was a bit of a struggle for Y/N to open the gift as the packaging tape Sy used was sticky on her fingertips; the former Army captain refusing to help her in her distress but instead just chuckled at her adorable reactions. “Oh my God, Sy!” She squealed as she saw what was hidden under the poorly wrapped gift was the laptop she was eyeing for a while since her old one was pissing her off. The captain wrapped his arms around her smaller figure as she put the box on the floor gently and launched herself on her boyfriend’s lap to press kisses all over his bearded face. “You love my gift, bug?” Nodding enthusiastically she pressed a passionate kiss on his lips before answering, “I did bear; thank you so much!”

“Well, well, well looks like you’re my gift…and now I get to unwrap you.” — dialogue prompt

Lance shut the door as he came home after attending the Christmas party he and his fellow coaches and gymnasts had. He was wearing a silly Christmas sweater and a red belt that was tied to mimic a ribbon from a wrapped gift. “I’m in the living room, angel,” He yelled in hopes that his girlfriend would come to him. When he heard the soft pitter patter of her feet, he smiled upon seeing her figure approach him. “Lancey! How was the party?” She wrapped his arms around his neck as he peppered kisses on his neck to which the gymnast giggled at as he was getting tickled by her shenanigans. “It was alright; turns out Maggie got me for secret Santa and just gave me hair gel.” Pausing her actions, she moved away from his neck and ruffled his hair, “She knows you really well considering how you use so much.”

Feigning offense, he placed a hand on his chest as he gasped, “It takes a lot of work to get this hair to look perfect, like it always does.” Giggling at his response she just kissed his cheek and reassured him, “It always looks good, Lancey; but I do love your bed hair the most.” Her lingering hands lifted his sweater a bit and was shocked to see his belt, “Well, well, well looks like you’re my gift,” With curious eyes he looked at her as she wiggled her eyebrows as she lowered herself to kneel on the floor; by now he caught her drift, smirking as he let her do as she pleases, “And now I get to unwrap you.”

^ gif prompt

It was the annual Avengers’ Christmas outreach program and though he wasn’t the overall head, Steve volunteered which resulted in his girlfriend doing the same. As he was handing out the gift baskets the other agents had prepared, he looked over to find Y/N who was currently entertaining the kids. A loving gaze rested on his face upon seeing how much of a sweetheart and how caring she was around kids — his thoughts then drifted about how much more gentle and nurturing she would be if it were their own kids. Few hours after the outreach program ended, Steve was waiting by one of the couches for Y/N as she was still talking to some of the other agents, wishing them a great Christmas Eve. Smiling as she saw his sculpted face she plopped herself down on his lap as she snuggled herself to him, “Hey there, soldier.” 

“You look real happy, doll,” He took note as she stroked the skin of her arm and felt her purr in pleasure from the simple act. “The kids were so sweet and adorable! One of them even thought I was a princess,” As she cooed about the children she interacted with earlier, Steve could not help his imagination as it drifted to images of him and Y/N taking care of their own. Settling one of his hands on her stomach, he began to run slow and soft circles on her skin as he spoke, “What if we had our own?” Craning her neck to look at him, she asked for clarification about what he meant, “What exactly are you saying, Steve?” A soft, serene smile graced his lips as he humorously spelt it out for her, “Why don’t we ask Santa for our own kid this year?” More than thrilled with his suggestion, she kissed his lips multiple times as she excitedly kissed his lips repeatedly, “Yes, yes, yes! I’d love that so much!” Pleased with her response he hugged her as he uttered lowly, “Best part of trying for a kid is the sex we’ll be having.”

Baking together — general prompts

“Baby, can you come over here?” Will’s voice called for his girlfriend as he was laying down the ingredients he bought earlier. Appearing from the bathroom where she peed, she stood beside him as she placed a hand on the kitchen island, “What you got here, bub?” Opening the recipe for the Christmas cookies he found on the internet, he pointed to his tablet and the ingredients, “I need help baking cookies, please.” Y/N softly chuckled at how her man was pouting at her for needing help. “What are the cookies for, Will?”

Pushing away from the sink and heading over towards her, he trapped her between his body and the kitchen island as he revealed, “Well this is really the first time that I’ve been excited to spend the Christmas season,” The business consultant knew that when she tilted her head that she was confused with where his explanation was going so he just bluntly let it out, “I was hoping that us baking together could be our Christmas tradition.” Y/N could not help but feel the butterflies in her stomach erupt as she loved what Will had to say. Nodding her head excitedly,  she hugged him, “I’d love that so much, bubba. That can be our holiday tradition starting from now.”

Kissing under the mistletoe — general prompts

The Christmas Eve gala Carter threw was nothing short of elegant and alluring. But as the CEO had his arm wrapped around his girlfriend, it was the only proof he needed to believe that the night was elegant and alluring with her by his side; they both donned the color red in the suit he wore and gown she was dressed in. “You did a good job, Car,” Y/N whispered before pressing a kiss on the shell of his ear. Politely ending his conversation with one of his business partners, Carter smiled at her, “I think I did. I mean, I got myself a beautiful girl who loves me so much and is great at bed.” His jab resulted into her softly slapping his chest to which he only laughed at as he pressed a kiss on her cheek. “There’s something I wanna show you,” Allowing himself to be dragged away, he excused themselves just as some people were trying to start a conversation with them.

“What did you want to show me, angel?” Standing face to face at an empty hallway, he wondered about what it was she wanted to show him. With a grin — one that seemed innocent but the man knew better that if anything her mind had impure thoughts — she pointed a finger up and his gaze followed and smirked upon seeing a mistletoe hanging from above the ceiling. “My needy girl just wanted a kiss from me huh?” Nodding her head, his soft hands cupped her cheeks and pulled her in so he could plant an ardent kiss on her lips; smiling when he felt her claw at his back moan at the touch of his lips against hers. Breaking away from the kiss Y/N grabbed one of his hands — though Carter raised a brow with what she was up to but remained mum — as he guided his hand down her body he was surprised when she pressed his hand against her clothed core, “My panty has a mistletoe printed on it; does it mean you’ll kiss me there too?” Biting his lip as he got hot and bothered at the thought, Carter promised, “Angel, even without a mistletoe you can bet on it that I’m gonna kiss and fuck you down there.”

Friends w/ benefits  — trope prompts

Ransom rolled on the bed and faced where Y/N was laying; he shocked himself as he ran his finger over the shape of her face with a rare, loving expression on his face. Before going up to dress himself up he kissed her forehead then headed for the kitchen. As he was preparing a pot of coffee and some toast for him and Y/N, he smiled as he heard some footsteps coming from her bedroom; might be waking up already, he thought. The front door opened to reveal a woman who looked like Y/N, but he suspected was older given how she had wrinkles on her face and had gray spots in her hair. “Oh, am I in the wrong apartment? I swear this where my daughter, Y/N, lives.” Putting the puzzle pieces together, he reassured her, “Oh don’t worry you’re in the right apartment,” He pointed to her bedroom as he spoke, “She just woke up and is probably washing up.” Ransom introduced himself as Y/M/N did the same as they shook hands; before an awkward silence could envelope them, there was a soft ping that came from the coffee pot to announce that the hot beverage was ready, “Would you like a cup of coffee?” The older woman nodded as she removed her jacket and hung it on the coat rack, “Yes please; I also bought some bagels and croissants that we could eat.”

“Mom! What are you doing here?” Y/N gasped out in shock as she saw her mother placing down some food on the table; she was also quick to throw an apologetic look at Ransom. “Well seeing as you’ve never given me a direct answer on whether you’ll be spending Christmas Eve with me and your father, I decided to personally get an answer from you.” The trust fund baby quietly laughed at the exchange between the two women; he never witnessed a banter that was filled with love and genuine wit without disdain or revulsion mixed around in it. “Okay, fine I’ll go!” Y/N sighed up in defeat as her mother clapped her hands excitedly, “Is Ransom coming as well? It’s about time you introduced us to your boyfriend you know!” With widened eyes, the younger woman was at disbelief at the fact she knew the name of her fuck buddy; She wondered about how did Ransom introduce himself he was ahead of her in answering, “We’ve been together for just half a year now; but I guess Y/N was just embarrassed of me.” Flinching as her mother smacked her arm as she scolded about how you shouldn’t be ashamed about the ones we care about Y/N was quick to retort, “I’m not ashamed of you. But if you want you can meet my parents on Christmas.” Both Ransom and her mother were smiling wide — clearly excited for that day. As her mother excused herself to go the bathroom, Y/N was now left with the former playboy and she moved to stand beside him and was pleasantly surprised when he engulfed her in a hug, “Is this your subtle way of telling me you want to be more than friends with benefits?” He smirked at her after placing a kiss on her forehead to confirm that it was indeed what he wanted, “Don’t gloat too much about it, princess.”

[jadoue1999]

The X-Men and the member they lost - Chapter 3

Summary: What do you get when you mix Hayward and the Xmen? A pissed off Erik that's seriously trying to not murder the man!

Previous parts: Chapter 1, Chapter 2, Chapter 3, Chapter 4, Chapter 5, Chapter 6, Chapter 7, Chapter 8, 

Chapter 3: The Maximoff Anomaly

They had settled in fast. The older man that had intercepted them was called Hayward. He seemed very distraught at their arrival and made them go into an unused building. The director hadn’t listened to their protesting, he preferred having them out of the way. For what ever reason, Erik wasn’t sure. They soon realized that time worked differently in this universe. While they had already seen the episode and moved on, it had just ended as they arrived. Charles had told him with amusement that Hank would go crazy over the possibilities. Thankfully, the bunker contained televisions that monitored the town and the broadcast. Hayward had deemed necessary to make sure only people close to him knew of their arrival. They were all sitting around a table when he demanded their story. Charles spoke up. “We’re not from your Earth,” he started.

The director had looked at Kurt with a raised eyebrow, “I had that much figured.”

The professor continued, “two weeks back, one of our members went missing and the broadcast was all we could find. Our universe seems to be ahead of you with the episodes, but we are behind in years.”

“How so?” Questioned the woman sitting next to Erik.

“To us, it’s the eighties.” Charles waited a few moments, letting the people around some time to understand. “We come from a world where people are born with mutations, Kurt here can teleport.” The teenager looked at the professor, silently asking for permission to show his powers. Charles nodded and the blue mutant teleported from one side of the room to another. Hayward seemed shocked as the rest of the people gasped. Charles continued, “this is Raven, she can shapeshift.” Erik smirked as Mystique changed into a perfect copy of the director, making him jump out of his chair in surprise. She turned back into her human form and watched with amusement as Hayward slowly sat back down, eyeing her with caution. Probably seeing how unsettled the agents were, Charles decided to end this quickly. “I can personally read mind and Erik can control metal.”

Erik rolled his eyes as the military people looked at them with wide eyes. He wasn’t going to demonstrate his powers; he had done enough of that with Shaw. The team seemed to get the message that there would be no more demonstrations and moved on.

“So,” said the lady next to the director, “why are you here? Other than the broadcast.”

“Oh well, like I’ve mentioned before, we had a member of our team go missing.” The professor wheeled himself close to a screen and rewound the episode to when Peter appeared. “You see this young man? This is Peter, we had no clue where he went. We watched the broadcast in hopes for answers and we finally found him. Though in a tighter spot than we’d expected, but he does have a knack for trouble.”

Erik smirked at the joke; the speedster had always found himself in the strangest place at the wrong time. He was basically a magnet for trouble.

The director broke the silence. “So, this is not Pietro Maximoff?”

Erik shook his head, deciding to speak up at last, “no, he is not your Pietro, this is Peter Maximoff; my son.”

Hayward seemed surprised that someone other than Charles had spoken. “Is he like you all, enhanced?”

“Yes, he is a mutant,” answered Raven, clearly uncomfortable about the man’s tone. “He has superspeed.”

The director closed his eyes and sighed before turning to his colleague. “Bring the files concerning the Maximoff anomaly, they need to know.” The woman nodded and left the compound. He turned to the other members that hadn’t done much but gape at them and ordered them out. Apparently, he didn’t want people to witness what was about to happen. That left the man alone with the X-men. “Look, I get what you people can do, you barge in and act on an impulse; fix what you think is a threat and leave the rest of us to deal with the mess you leave behind. You might think you’re right, but this is my base.” Erik tensed up at the man’s words, this speech being all too familiar. “I don’t want you meddling in my stuff, Wanda Maximoff is a threat that needs to be dealt with no matter the price. You can go get your friend after.”

It was now official; he hated this man.

Though, before he could show him just how much he despised him, his colleague came back. She didn’t react to the lack of personnel, perhaps she had been expecting it. She was holding a significant number of files and what seemed to be a tv remote. Hayward thanked her and opened a file labeled ‘confidential’. It showed a picture of Wanda. Only she seemed younger, and her hair were a dark brown; there was also a man with bleached blonde hair at her side. They were in a crowd of people, their faces twisted in rage as they seemed to yell to something the picture didn’t show.

“This is Wanda Maximoff, back when she joined a Nazi base and accepted to be experimented on. This is how she got her powers.”

“Director, with all due respect, I believe your thoughts betray you,” interrupted Charles, to the man’s frustration. “I think it’s important to complete your statement and precise that she didn’t know what she was getting herself into.”

Erik secretly praised his friend and his telepathy; Hayward was obviously trying to antagonize the woman. It was obvious they now had to take his version of events with a grain of salt.

“Yes...” grunted the director, obviously upset about being caught in a lie. He pointed to the other man in the picture, “this is Pietro Maximoff, Wanda’s twin, the real one. He too had superspeed.”

He switched on a screen that was flatter than any television Erik had ever seen. It showed Wanda and Pietro in what appeared to be a lab. There was a sort of casket all plugged in with tubes. The pair seemed to be arguing with two older men. There was no audio, so their discussion didn’t make much sense. Suddenly, a blue blur raced through the lab, removing all the tubes in mere seconds. The blonde man stopped next to the casket looking thing and threw the last tube on the floor. It was strange, seeing another version of his son. Their powers were very similar yet very different. While Peter’s trail was silver, Pietro’s was blue, he also left some blue energy lingering in the air. It lasted a few seconds as he stopped before it disappeared. From the few dates in the documents and video, this Quicksilver seemed to have developed his powers only for a few months. It was probably why he seemed to be a little slower than his son. Hayward spoke again.

“The twins were working against the Avengers, those in charge of defending our planet. There was an army of robots threatening to destroy the world, they had sided with the robot in charge.” He glanced quickly at Charles. “They eventually changed sides, but Pietro didn’t survive.”

The footage changed to show a man and a child trying to take cover as a trail of bullets grew nearer. Suddenly, they were out of harm’s way and the speedster was in their place. His shirt was riddled with holes that quickly soaked with blood and he fell to the ground, dead. Fear seized Erik as he watched the man fall to the ground; momentarily seeing Peter in his place. Would a similar thing have happened had Mystique not disguised herself as one of the horsemen?

Hayward continued, showing footage of Wanda fighting in a group against other people, explaining how this event had led to the Sokovia accords, which was nothing more than a differently named mutant registration act. Except this one was actually approved. She had refused to sign and went into hiding, only to resurface when a titan had attacked the Earth. He apparently needed something called infinity stones, one of which was in Vision’s head. From the next chain of event Hayward told them, the titan had apparently succeeded in retrieving the stone. The real mystery was how the Vision was back to life; the director insisted that it was Wanda who resurrected him. She had been blipped, like half of the universe, and had came back grief stricken and ready to do anything to have a perfect family life. She had taken an entire town hostage and made them into her puppets. There was no telling what she might do to achieve her goal. Apparently kidnapping an alternate universe version of her brother wasn’t out of her reach. As Hayward continued telling them about Wanda’s life and what she had done, Erik had only one pressing thought: just how powerful was Wanda?

“How many people are in this town?” Wondered Charles.

“A little more than three thousand. They’re not all casted as roles, most are simply background characters.”

The wheelchair bound man nodded in comprehension. “Have you identified them all? Warned their families?”

He shook his head. “I believe it’s in everyone’s interest if we keep this low, we don’t want to alarm anyone. Especially when the world just came back.”

“You idiot,” raged Raven, “if they can’t reach their loved ones, they will ask questions. They will panic. Your logic is awfully flawed.”

“This is not your dimension, you don’t get to tell me what to do,” argued Hayward, clearly annoyed with them. “I will try to urge the identification process, but you people stay here. I don’t want more superpowered people and their associates getting in my way.”

With that, the man just left the place, followed by his colleague. Whether it was intentional or not, they left their documentation behind. Erik took one of the many files from the pile and opened it. This one described Vision’s origin and whereabouts until he had been destroyed in-

“Charles,” he said, not taking his eyes off the numbers. “This here says that the android died in 2018, five years ago.”

“We traveled 40 years in the future?” Said Kurt, understandably a little overwhelmed by the situation.

Raven put a comforting hand on the teleporter’s shoulder before looking at her friend. Her eyes showed how the situation affected her just as much as it did them. He didn’t blame her; Erik wasn’t sure if he truly grasped the gravity of the implications yet. For now, he preferred to focus on Wanda and her past; the more he knew about her, the better of a chance they’d have to retrieve his son safely and unharmed. The later wasn’t looking too hopeful. From his own experience with mind control and the co-worker’s reaction to being awoken, Peter would likely have a long and painful recovery once he would be back to himself. He just hoped that the differences between their timelines meant that he hadn’t been controlled since he had gone missing. Perhaps, by some luck, he would have arrived a little before he appeared on screen. He didn’t let himself think of what the speedster could have endured before being put under the woman’s spell. Especially if he had been her puppet for the entire two weeks he had disappeared.

“Erik,” interrupted Charles, “I can hear your concerns and I can assure you; your son is a fighter. His mutation is a natural telepath repellent, he’ll be just fine.”

The man smiled at his friend’s words, momentarily comforted. But then, a terrible thought creeped into his head. “Then tell me, old friend, if he is so immune; what horrible torture would he have to go under, so that his mental shield would be lowered enough for him to be vulnerable?”

The silence that followed his statement seemed to confirm that no one had even considered how Peter could be controlled in the first place. They had been too panicked at seeing the young man on the screen and then focused on getting to him to even think of the logic of his newly casted role.

“B-but he’ll be alright,” stammered Kurt, his tail anxiously twitching behind him, swinging, and curling unto itself. “He’s Peter, he always comes out alright.”

Charles smiles weakly at his student, “of course he will, Kurt,” he reassured him, “but we will have to give him time to heal and let him do the first steps when he’ll be ready.”

Erik shared a worried look with Raven, the professor seemed hopeful that the speedster would turn out fine, but he didn’t seem to realize how ahead he was thinking. They were on a military base that had studied for nine days this seemingly all powerful being that didn’t let you in without her consent and a rewrite of your life. And they hadn’t gotten far. From what they had learned, Peter would not be free of Wanda’s control unless she herself brought down the dome. But how could a grief-stricken mutant with powers never seen before just give up what she perceived as the perfect life she deserved?

...

They had stayed up late, learning about Wanda’s past and being horrified at what she had to go through. Erik wasn’t sure how he felt about the woman. She had gone through awful events, a struggle similar to his own. He did feel pity towards her, but he couldn’t look past the fact that she had his son playing her twisted game. The group had eventually settled down for the night, sleeping as good as they could without beds or blankets. They were suddenly awoken by some agitation on the base. Charles stared off into the distance before turning to his team, “Hayward has kicked off people from the base that were being disrespectful to him, now he’s coming our way.”

Indeed, barely fifteen seconds after he had spoken, the director opened the door. He seemed annoyed. “I’m just here to tell you that a new episode should air in the next twenty minutes.”

The blue teen looked at the man, “what happened outside just now?”

His question apparently wasn’t a welcome one since Hayward clenched his jaw in frustration. He answered nonetheless, “I got rid of nuisances. Nothing that concerns you or your team.”

That shut the boy up, but Raven stepped in front of him protectively. “You don’t get to talk to him like that, or to any of us.”

The director narrowed his eyes at her. “You should be thankful,” he snarked, “I could have you all arrested and locked up for the rest of your days, along with your little friend. Yet I haven’t even told anyone about your presence. I’ve been more than benevolent. So, I suggest you watch your mouth.”

Rage built up in Erik, he had heard these words so many times from government figures that disguised their hatred by saying what they could have done but didn’t. The metal bender was well aware that men like him wouldn’t hesitate to sell them out for a raise. What he didn’t appreciate was the way he threatened to imprison Peter as soon as they would get him free from Wanda’s control. Erik felt the metal in the man’s outfit and forced him closer, bringing him at his level. A sliver of fear was seen for a split second in Hayward’s eyes and a feeling of satisfaction crept into his chest. That man was a coward. “You listen to me,” he growled, “we can take out this base in seconds if we feel like it. I’ve seen your kind before, you crush others to rise in rank, but deep down you’re scared. You’re terrified because you’re aware that you are nothing. And if you drop your facade even for a second, they will see you for what you truly are. So, you take out the competition before it even has a chance to realize its potential. But guess what? You’ve met your match because I see you for what you truly are.” He paused as he stared into the man’s eyes. It was a competition of stares that lasted for a few seconds. Erik’s unwavering gaze pierced through the man’s pitiful attempt at intimidation without much effort. Finally, he let his grip go and kept his ground as Hayward took a few steps back. “Here’s a deal, little man, stay out of our way and we’ll stay out of yours.”

The director glared at him and then switched to the other people in the room, probably wondering if the threats he had said had a chance of becoming reality. Whatever he concluded, Erik didn’t know, but the man left the room fuming. The room was silent for a few seconds before Charles wheeled himself closer. He was about to speak but the metal bender beat him to it. “Don’t try to reason with me, old friend, that man had it coming. I only spoke the truth.”

The bald man shook his head. “Yes, you are right, and I don’t blame you for this, but perhaps threatening the director of the base we’re staying in wasn’t the greatest idea?”

Before he could argue, Raven intervened, “I think you did good. It’s been a while since I had seen one of your Magneto speeches; that Stryker knock off deserved it.”

He snorted at her comparison; Hayward was very similar to their own impersonation of the anti-mutant feeling back home. Kurt seemed a little unsettled by Erik’s speech. But he didn’t have time to make sure the teen was alright. Suddenly, the television in their little bunker flickered on; a new episode was starting. They all scrambled to sit down as the screen showed one of the twins running around with a camera in his hands. The upbeat intro song was echoing through the room.

‘Wanda!

WandaVision!

Don’t try to fight the chaos

Don’t question what you’ve done

The game can try to play us

Don’t let it stop the fun’

He opened the bathroom door, showing Wanda brushing her teeth; she also had rollers in her hair. She closed the door with her magic and Tommy ran downstairs to Vision who was reading the newspaper.

‘Some days, it’s all confusion

Easy come and easy go’

Erik watched the screen anxiously as the family members were shown, what would she make her son do?

‘But if it’s all illusion

Sit back, enjoy the show!’

The twin went in the kitchen, their neighbor was looking in the fridge. After a distasteful close up of the woman’s behind, Tommy was now headed for outside.

‘Let’s keep it going

Through each distorted day

Let’s keep it going

Though there may be no way of knowing

Who’s coming by to play’

A blur came out from the house and Erik’s stomach twisted as his son appeared on screen. He was wearing a grey and black shirt and jeans shorts. He briefly stopped in front of the camera and pulled his tongue out like some sort of rock star. He ran out of the shot and came back holding the long-haired twin under one arm. The screen froze to simulate a family picture being taken. The logo ‘WandaVision’ in red and yellow hues.

“Pietro Maximoff as himself?” remarked Raven unimpressed. “Really?”

Erik didn’t react to her voice; he was all too focused on his son. While he didn’t seem that different than usual, he couldn’t help but notice his hair. His usual silver mess of hair were now a bleached blonde. He stared at the screen in disbelief.

This woman had taken away one of Peter’s most unique traits, a part of his personality, to fit her narrative.

He continued looking at the screen with a mix of rage and anxiety. If she had changed him so easily to fulfill her illusion; there was no telling what else she could do if she found out he wasn’t truly her brother.

***

Notes: Next chapter: the halloween special! (and something else)

[spotlight-on-black-women]

Black Women in the Animating World

In a previous blog, Black Women Animate, founded by Taylor Shaw, was discussed and upon revisiting the field of animation, this blog will be taking shorter previews of various Black women in the animating world. By no means an autobiography of these individuals, this blog will act as a means of bringing to light multiple talented animators and artists, bringing attention to their work and ventures in animation, but condensed into short snippets.

Pilar Newton is the CEO and founder of PilarToons, LLC, a production company that specializes in animation, illustration, and design based in Brooklyn, New York. Newton graduated with a degree from Rhode Island School of Design and has worked on a number of projects, from Cartoon Network’s Courage the Cowardly Dog to MTV’s Daria, and is currently pursuing a master’s degree at the School of Visual Arts. Her company has worked with companies such as Homer Learning, Sirius Thinking, Nickelodeon, Ted-Ed, Search Films, Story Corp, as well as others.

Mia Lee is a Chicago-based artist who has had work featured on Adult Swim and whose portfolio includes designs for Nike, Kith, and Timberland. She has met with multiple executives in animation and production making sure to meet with those who want to hear from young people of color. She is a newcomer to the animating world but is already making waves through her artistry and networking talent, landing her jobs and even allowing herself to pursue successful passion projects picked up by famous networks.

Monique Henry-Hudson was born and raised in Queens, New York, and has used her community as inspiration for her work. After being asked to create the “Black in Animation” panel for Blerd City Con in Brooklyn in 2018, she became the founder of DiverseToons, an organization that highlights women of color in multi-media. DiverseToons works at emphasizing the importance of diversity in the animation industry and provides a platform for Black artists and people of color to share their passions and career experiences while also giving resources to their communities. DiverseToons has also partnered with Women in Animation’s Student Branch in 2018, connected even more women and non-binary people of color in animation.

Sonya Carey has cemented herself in technical animation and is considered the only Black woman to do so. Her past credits include Disney’s The Princess and the Frog,” “The Proud Family,” and “Winnie the Pooh,” and she is positioned as the leader of her team as Head of Studio Operations at Portfolio Entertainment in Toronto. After high school, she moved to Los Angeles then got married when she finished college. After getting married, couldn’t work for a year and during that year, she got a computer and did desktop animations for fun, unknowingly catapulting her career in the industry. These desktop animations resulted in her taking classes at UCLA and ultimately getting a job at MetroLight Studios working on “Ren and Stimpy,” the beginning of her famous career. She then ran the digital side of the company Toon Boom for ten years then moved onto 3D animation for ToonBox before going back to 2D at Portfolio Entertainment. She also ran her own studio for some time called Make a Scene.

Carole Holliday works as a storyboard artist, director, and is the founder of Crowded Metro Films. She attended the California Institute of the Arts and graduated with a BFA in animation, pursuing storyboarding with her degree. She has worked on films “Oliver and Company” (1988) and “The Little Mermaid” (1989) as an animation assistant before starting her career in storyboarding with “A Goofy Movie” (1995) while also being a story artist for “The Pince of Egypt” (1998) and “Tarzan” (1999). She has also worked as a character design supervisor and moved up to directing an animated short for DisneyToon Studio’s “Mickey’s Twice Upon a Christmas.” More recently, she has done storyboard revisions on Disney’s “Sofia the First,” and has been working on storybooks. She even has her own profile on the official Walt Disney website for all of the work she has done with them.

Lisette Titre-Montgomery is a video game artist and designer who graduated with a degree in computer animation from Miami International University of Art and Design in 2000. She was inspired to study computer animation after watching “Toy Story” (1995) and decided to go to school for it. Her first animation job was working as a character model for the game Freekstyle which helped her land a job as a senior character and special effects artist at EA Games in around 2005. She then worked on games like Tiger Woods PGA Tour 2007 and helped developed The Simpsons Game, The Godfather II, and Dante’s Inferno. She ultimately left EA Games in 2011 and went on to become the lead artist at Blackbone Entertainment where she worked on Zombie Apocalypse: Never Die Alone and Midway Arcade Origins. Titre-Montgomery later returned to EA Games in 2013 to work on games like Dance Central 3 and The Sims 4. She then started working as the manager of the art and computer animation department for the company Ubisoft in around 2015. Titre-Montgomery was also invited to the White House LGBTQ Tech and Innovation Briefing in 2016 and the following year became the art manager at Double Fine Productions, working on Psychonauts 2. Lisette Titre-Montgomery is also a member of Blacks in Gaming which is a nonprofit networking and collaboration group for African Americans in the gaming industry.

Although this blog does not go as in-depth into these trendsetters, game-changers, or trail-blazers in the animation community as it should, it acts as a small list of Black women animators that has made big waves in the industry as a whole. Their work in the field has allowed countless young women of color to believe that they can achieve their dreams in animation and allow them to have role models to look up to as inspiration. There may not be nearly as many Black female animators but the number is slowly growing and they are leaving their print on animation as a whole and that should be paid attention to.

[earnestly-endlessly]

Bridgeton AU!!!! yespleasethankskbye

Thanks for the ask @pinkoptics. I do love my period drama and when I watched Bridgerton I thought of all the ways I could cherik it. Now you can’t quite match the storyline entirely to the characters of x-men so I had to develop different ways to establish family connections and backgrounds. This is the idea I have currently, and it might change. The main idea of Bridgerton is there, but some of the characters are merged into others so that the characterisation makes sense. Also, this is A/B/O universe so those are the main differences. But I hope you enjoy what I have. 

Bridgerton AU

As London’s social season is fast approaching, Charles Xavier is about to make his formal introduction into high society at the annual Debutante Ball hosted by Queen Emma. Every year the queen hosts the debutante ball where young omegas of noble and gentry families are presented to the royal court. After being presented at court, debutantes are allowed to partake in all the exclusive social events of high society. More importantly, after their debut the young noble omegas are considered eligible for marriage. The season is anticipated by everyone in town, especially when the elusive secret columnist who writes under the pseudonym Lady Whistledown follows reports on the proceedings with her ever watchful gaze.

Charles Xavier is the only son of Brian Xavier and Sharon Marko nee Xavier. After Brian Xavier’s untimely death, Sharon is forced into marriage to Brian’s business partner and friend, Kurt Marko. Kurt Marko has a son Cain from a previous marriage (his wife passed away under suspicious circumstances but there was no proof of foul play). Cain is brutish and boisterous and terribly dim witted. He harbours jealousy towards Charles who is smart, well-read and friendly to all. Charles is also proud and ambitious. Together Kurt and Sharon have Raven who is very close to Charles and becomes overprotective of him.

Kurt Marko doesn’t care about his omega stepson’s societal status and is keen to marry him off as soon as possible. He has made an arrangement with Lord William Stryker II who has shown Charles great interest. Kurt Marko owes Stryker’s father hefty money as he has been spending the Xavier fortune on gambling and indulging his and his wife’s overly excessive lifestyle. By marrying Charles to Stryker’s son, he has solved all of his problems. His plan to marry Charles quietly off to William Stryker II is dashed when Charles receives attention and high praise from the queen herself at the Debutante ball. Suddenly, Charles becomes the most sought after omega of the season and every noble and single alpha is after his hand in marriage.

When Charles and the Marko´s are invited to the first social gathering at the Summers residence in Kensington Charles becomes hopeful of finding a suitable mate. Despite his independence and keen mind, Charles is also very much aware that in order to leave the Markos household he must find a suitable mate.

The Summers family lives near the Marko´s and are an unusually large family. Christopher and Katherine have eight children, Scott being the oldest of them. He has his eyes set on young miss Jean Grey who is also one of the more favourable omegas of the season. The Summers have four omegas to present for the debutante: Henry Philip ´Hank´, Alexander ‘Alex’, Anna Marie and Sean. Their three youngest, Katherine ‘Kitty’, Nathaniel and Gabriel are too young to be presented. Charles and Raven have been close friends with the Summers siblings since childhood. Charles is especially close to Hank who is awkward and doesn’t have the typical small stature of young noble omegas. Hank doesn’t want to sacrifice his studies and get married to a noble alpha. He wants a future in academia and spends most of his time holed in the library with his stack of books.

During the Summers ball, Charles is eager to be introduced to eligible alphas but realizes that Kurt has no intention of making his formal introductions. Raven is of no help either. As an alpha, Raven knows many of the alphas who have their eye on Charles and feels as if they would all take advantage of her brother. She even steers him away from the dashing Lord Azazel and the lovely Lady Braddock. There are also more disagreeable suitors such as Lord William Stryker II whose attempts of seduction are repulsive and aggravating. In his haste to remove himself from Stryker’s presence Charles accidentally stumbles into a tall, handsome alpha. In his desperation to get out of Stryker’s hands he attempts to engage the alpha in a conversation with no luck. It turns out that the alpha is rude, proud and standoffish. Charles deems his character altogether unpleasant though he begrudgingly admits that he is handsome, and his scent is pleasing. Thankfully Raven sweeps him away before he can make any more fool of himself. Raven explains to him that he just ran into Erik Lehnsherr, Duke of Hastings. Raven warns Charles of the Duke who is an acquaintance of hers. Despite her young age, Raven has tried to establish her place in the alpha community of the noble and gentry of London. In her experience the Duke is taciturn and aloof with no intention of marrying.

Much to his dismay, Jean Grey receives all the attention that night. This becomes even worse when the Summers family present their cousin and ward, Angel Salvadore, at the next ball who gains the attention of everyone with her beauty and charm. Little does the family know that she has secrets of her own that are best kept under wraps.

The days following the Summers ball Charles is called on by various suitors but Kurt Marko´s ominous presence and Raven’s forthright comments and criticism of the suitors repel most of them away.

Charles hopes that he’ll have better luck at the ball hosted by Viscount MacTaggert. At the ball, Kurt informs Charles that he has agreed to give Charles’ hand to Lord William Stryker II in marriage. Charles refuses to marry Stryker and storms off. As he seeks solace in the quiet rose garden, Charles is ambushed by none other than Stryker who attempts to take advantage of him. He’s instantly grateful when a tall, dark figure arrives in time to strike Stryker in the head and render him unconscious. Unfortunately for Charles, his saviour is none other than Duke Erik Lehnsherr himself and Charles reluctantly thanks him for saving him (though he assures him that he could have taken care of it himself). The Duke merely humors him and offers to escort him back to the party. Charles explains to him his predicament and Kurt’s acceptance of Stryker’s proposal on his behalf.

During Charles’ explanation, Erik halts him in his step and proposes an idea that is so absurd that Charles can’t help but laugh. Erik proposes that they pretend to court each other. With Charles on his arm everyone would believe that he has found his true mate and he would be free of the constant wooing of young, impressionable omegas. This would help Charles gain the attention of eligible Alphas of good standing, and to challenge his stepfather who has already promised his hand to Stryker. Unknown to Charles, Erik has made a vow to never marry and have children due to events from his past that involve his father Jakob Lehnsherr and his father’s associate Sebastian Shaw. Erik intends to end the toxic reign of his father’s and shaw’s influence by ending their legacy with himself. His last vow to his father was that he would never conceive children and involve an omega into the legacy his father left on his deathbed.

At first their arrangement goes exactly to plan. Charles’ new relationship with the Duke makes suitors seek him out at every ball and he receives severe calls a day from hopeful suitors. The whole affair draws the attention of the handsome Colonel James Howlett and the dashing General Steve Rogers (who harbours a scandalous secret that gets reported in Lady Whistledown’s column). When the queen herself invites Charles to tea at the palace she introduces him to her cousin Prince Warren Worthington III who shows Charles great interest Charles finally feels as if he can escape Kurt Marko’s clutches at last.

The only problem is that as Charles continues his ruse with the Duke…Erik, he starts to become fond of him. Once taciturn and cold, Erik seems to let his guard down when he is around Charles. As their charade goes on Charles begins to form a sort of attachment to Erik and finds that not merely does he seek his presence, but he looks forward to their chaperoned outings. Moreover, Erik gives him lingering, burning glances and subtle touches that makes his skin tingle. But Charles can’t harbour feelings for Erik when he has plenty of other suitors. Besides, Charles is sure that he doesn’t feel the same way about him. He probably sees him as a naïve, foolish omega with no worth.

Their whole charade takes a turn when lady Jean Grey witnesses Erik kiss Charles without an escort present in the maze by the Grey manor house. Jean Grey threatens to reveal the truth and Charles knows that it will ruin him and his prospects entirely. Raven challenges Erik to a duel since it’s her duty to protect her brother’s virtue. Charles manages to stop the proceedings before they go any further and pleas for them to stop, eventually begging Erik to marry him and end their foolish escapades. With reluctance Erik agrees to marry Charles. Raven is furious at Charles and claims that she can end this without Charles having to sacrifice his happiness and freedom. However, Charles is steadfast. Erik agrees to marry Charles but makes it clear that he can‘t and won‘t have children. In his desperation Charles agrees.

However, Charles does not know the reason behind Erik‘s refusal to have children and in the first weeks of their marriage he gives it no heed. Eventually, Charles finds out the truth and challenges Erik‘s decision which ultimately challenges their fragile relationship. Charles‘ belief that Erik was starting to care for him shatters which makes him question his growing feelings for him.

Their whole affair is closely followed by Lady Whistledown‘s column. Not only is the affair between Charles Xavier and the Duke the talk of town, but Ms. Salvadore‘s affair with young Mr. Armando Munoz who was believed to hold the affection of Alexander Summers. Things become even more complicated when Lady Whisteldown reports that Ms. Salvadore has a dark secret of her own.

[themosleyreview]

The Mosley Review: F9: The Fast Saga

If there is one franchise that never stops being fun and is the prime example of how to reinvent itself mid stream, its The Fast and the Furious franchise. This series of films or now saga, had come from humble beginnings and then when it seemed there was no more road, somehow it found a new street to keep the race going. I have loved all of them and like most of you, I enjoy the action, the characters and of course the cars. The saga has evolved from just street races to now a full on superhero franchise. For the longest time each film has rode that sweet line between plausibility and ridiculousness. Fate of the Furious started showing that the paint on the line had begun to fade and now, it has unfortunately been crossed. This entry does still have the charm we all love, but now it felt like a parody of itself and the saga. It all starts in the middle of the first action sequence of the film where you see the dumbest decision made and it completely rips away the stakes of life or death, almost completely ruins the franchise and thrusts it into a valley that is the hardest to comeback from. Instead of taking a step forward, this film made the franchise take a leap backwards in quality and storytelling. You could almost not call this a Fast film. It truly hearts my heart to say that.

The crew from the past films all return and they're as great as you'd expect them to be. Aside from Vin Diesel's constant monotone lines and grunts, he still kept Dom interesting. I liked that he was starting to develop his relationship with his son. Michelle Rodriguez is still great as Letty and a perfect partner for Dom. Jordana Brewster returns as Mia and her connection to Dom and Letty has never been stronger. The ladies kick some series ass again and I loved that. Tyrese Gibson and Chris "Ludacris" Bridges return as the perfect comedy duo Roman and Tej. Now I won't spoil anything, but the point where the saga becomes ridiculous begins with Roman and you'll see what I mean. Nathalie Emmanuel returns as Ramsey and I liked that she gets a bit of the action this time around. Sung Kang returns as franchise favorite Han and I loved seeing him back behind the wheel. Now the big question is how he came back after "dying" in the F&F: Tokyo Drift and I WON'T spoil it! All I will say is that it completely doesn't get explained thoroughly and it will leave you saying "WHAT?!". There are other characters that return and I ruin the surprise, but I did love seeing Helen Mirren return as Magdalene "Queenie" Shaw just to have fun.

John Cena joins the Saga as the new baddie, Dom's brother, Jacob. I like John Cena as an actor and he delivered expertly on the action. As Jacob, I thought he was one note. Yeah there is a deep seeded hatred for Dom and when those two finally scrap, its entertaining, but I never really felt threatened by him. I didn't feel the chemistry between him and Vin, infact, I felt more chemistry with the younger versions of themselves. Vinnie Bennett was great as the younger version for Dom and Finn Cole was great as younger Jacob. You feel the strain of their relationship the most as that backstory is explained. Charlize Theron returns as Cipher and once again she is still one of the most interesting villains this franchise has ever seen. I just love her commitment, charm, wit and she delivers a true mic drop moment with one of the best Star Wars insult metaphors in history!

The score by franchise composer Bryan Tyler was great and energetic once again. I still love hearing the Letty and Dom theme play over their more intimate moments. Now the problems with this film are truly too many to list, but the biggest ones are just unforgivable. There has been a level of, dare I say, "realism" in this saga so far and it has now been thrown completely out the window. The action is great to watch, but it is just stupid at this point how they are all still alive after some of the stuff that happens in this film. A character definitely gets shot to death, blown up, crushed and then they walk away from it all as if they were Wylie Coyote. The dialogue in this film was truly atrocious and sometimes just laughable when its supposed to be serious. Screenwriter Chris Morgan has been the mastermind behind these film since Tokyo Drift and he has been the gate keeper between the looney and the plausible realm. With this entry, you truly feel his presence missing. I'd be lying if I didn't say that I wasn't entertained and I had fun with some elements, but it means nothing if you don't have a story that isn't relatable or cohesive with the original foundation. Justin Lin directed the hell out of this mess of a film, but this I have to say is the weakest entry this saga has ever seen. If you've kept up with this saga as I have, then its a must see, but LOWER your expectations. Do stick around for the mid credits scene for a satisfying moment. Let me know what you thought of the film or my review in the comments below. Thanks for reading!

[infinites-chaser]

val’s mementos

(or: a working masterlist of my mlqc fics created mostly for my own sanity)

everything on this list has also been posted to my ao3!

currently accepting prompts from this prompt meme~

(while i will do my very best to fill every prompt with writing that i’m proud of pls keep in mind that some may take longer than others for any amount of reasons!)

Lucien

dark night fireworks- my first (published) mlqc fic <333 2nd person and entirely too pretentious (rumor has it even the author doesn’t really know what she was trying to convey except. n e u r o s c i e n c e and MEMORY is cool). slight spoilers for ch.16

watch the universe expand- a long, rambly attempt to explore lucien’s character and also evolutionary biology and evols told through excessive metaphor and bedtime stories. spoilers for lucien’s childhood and ch.13. im proud of this one ^^ though there is a lot of projection involved. also lucien is an enneagram five.

to dwell on- c: lucien and homes and him and mc being soft together that’s it <3 or in more coherent language some bittersweet fluff for lucien’s bday based on moments from his mini-house and his most recent bday karma + date. in hindsight i’ve realized i didn’t use his or MC’s name at all outside of dialogue LOL

king lear and other tragedies- a prompt for the librarian ask meme linked above! im p sure anon prompted me a month before i got around to actually writing an answer hndkslgj but. here we are. shakespeare and tragedies and parallels between characters and a lot of pretentious dialogue, meant to be an extension of/missing scene after lucien’s theater date. this only rly exists bc of a single line in the date mentioning the production being put on was king lear and i took that and ran for all it was worth

Gavin

just a summer thing- a short little scenario that manifested in my head one warm summer night when i should’ve been sleeping and my first foray into domestic!gavin territory <333 i’d say it’s probably one of my lightest fics, if not the lightest ahfksldg (also heavily inspired by the way @belovedstill writes gavin/mc pst basia’s fics are to die for)

under a golden sun- high school era gavin, MC and minor! originally intended for gavin’s bday except (1) i didn’t finish on time LOL and (2) the fic never mentions his bday oops. also in 2nd person though if you asked why i couldn’t tell you it just felt more right. ft. basketball and memories and a bit of bittersweet nostalgia. simultaneously has some of what i think is my weakest writing (in terms of pacing/consistent tone imo) and some of my favorite lines i’ve ever written for a gavin fic and i’ve come to appreciate it more over time bc of that c:

today, this is the whole universe (and that’s okay)- gavin, MC, and domestic, sleepy sundays. and a long ao3 title that’s it that’s the fic (narrator: and then, she never wrote anything purely fluffy ever again). heavily inspired by gavin’s sleepy morning asmr and that one clip of his cn voice actor playing/humming his theme (aka soft soft SOFTEST) also just. i said it already but all of my domestic!gavin is inspired by and exists thanks to the breathtaking writing of @belovedstill <333

in the wind- a semi(?)exploration of gavin’s wind but also just him loving mc bc that’s what he and his evol are all about. short and bittersweet <3 (if anyone’s keeping track i think this is where my writing starts to lean more on the uhhh descriptive side and becomes less dialogue-based? or i feel there’s a diff from this writing style compared to the earlier gavin fics (besides parts of under a golden sun) which is just interesting for me to think about but not relevant to the fic itself ahfklsdf) 

winter’s end- winter world!gavin and mc and a softer, more bittersweet reunion. m a j o r spoilers for ch.22 and what comes before. also gavin’s past. it hurt to write and apparently hurts to read b u t there’s a happy ending. i promise c:

sunrise to noon- a secret santa fic that ended up being less holiday related than I originally intended but like all things domestic and Gavin I think it works well as it is <3 just tender winter mornings and domesticity and the return of my fluff writing

Kiro

falling down the stairs of your smile- this was a prompt for the librarian prompt meme and doesn’t have an official title on the ask but here’s the title in all its long all-lowercase ao3 glory. basically the first few chapters from kiro’s perspective with slight spoilers from his past! kiro is such a joy to write and i love this a lot and im super glad i got the opportunity to write this (the waY i banged this out in one night when i got the ask askfsdkfksl)

[deleted by Key]- i have an idea and i’m s u p e r excited about it but no spoilers except this quote: ‘But that is how a tragedy like ours or King Lear breaks your heart— by making you believe that the ending might still be happy, until the very last minute.’- If We Were Villains, M.L. Rio.

Victor

Of Corgis and Christmas- a secret santa present for a victor stan that conjured some fluffy victor writing from my victor-less heart,,, a christmas miracle aND im lowkey proud of how it turned out but the highlights of the fic are Goldman and Cindy T-T they deserve more screentime and someday. i will write the subplot that got cut where Goldman sends Cindy embarrassing Victor stories to try to impress her and MC helps :>

spend my whole life searching- i combined 2 victor librarian asks from the librarian prompt meme above would u believe he's the only suitor I got twice 😔 this man is so popular and for what (only kidding ahdjdjs we just have a relationship of mutual disapproval dont mind me dragging him just a little i need to compensate for the appreciation I developed for him while writing this :>) this is similar to the kiro librarian fic in that it kinda gives vic's perspective on victor/MC's first in-game meeting with a healthy dose of and they were soulmates and angsty longing™ and also. victor is an enneagram one

Shaw

i started a few things a long time ago for him maybe someday i’ll finish them :’)

[otp-armada]

Right before I woke up this morning, for a moment, my mind dreamt of a scene of Clarke on the Ring. She makes it to the rocket on time. It's her and Bellamy standing at the observation window, watching Earth burn. It's the two of them looking to the future, their people's and their own, together. 4x13 ends with a flash-forward of six years, but one of Spacekru as a family. As we see the eight of them laughing together at a dinner table, the camera pans to a weighted, happy glance shared between Clarke and Bellamy, him lifting their joined hands to his lips, two matching, thin rings of gold metal on their fingers. And that's how the audience comes to know they have coupled up. Boom. Out.

My ears are ringing from the collective shrieking we would have done.

My waking hours are here, and I'd like to play this scenario out to my specifications.

The first half of 5x01 is Spacekru flashbacks, showing us how they bonded to become a family and how Bellarke got together.

In the long, quiet comfort of the Ring, our heroes give voice to their past traumas and heal old grievances.

Clarke tells Bellamy about her father, Bellamy shares stories about his mother. She tells him about her father's kindness and gentle nature, his limitless heart. Jake's teases about Clarke drawing on every plain surface she could find, a habit that began with her childhood. Passionate as she was for sketching, she was in the midst of early medical training. Her exposure to the Council and the Chancellor is what gave Clarke her political acumen. Clarke recounts the games they used to watch with the Jahas. Before long, she's explaining the rules of soccer to a confused but amused Bellamy. Bellamy tells her what little he remembers about his parents before his father died. Aurora's smile. Her sacrifices for her children. Her tenacity. Her love of mythic stories she passed onto him. The overwhelming sense of responsibility she instilled in him from too early an age. Bellamy talks about the challenges of a life spent hiding a little girl under the floorboards from the Ark. Bellamy shares the rewards of being the only pair of siblings to have existed in nearly a hundred years. Unbidden by the role of big brother in Clarke's company, he gives voice to the constraints placed on his life. The hardships of living in Factory Station, while Clarke shrinks in guilt over her bountiful upbringing in Alpha. They both recall the pain of watching their parents get floated. There, in front of their eyes one second, gone forever in the blink of an eye. Clarke discloses that, while privileged, she was a lonely child. Were it not for Wells, she would have had no friends. She talks about him, what Bellamy never got to know about Wells Jaha.

The atmosphere shifts, and their conversations progress to contemporary times.

They discuss their respective tendencies to want to carry the weight of the world on their shoulders. It takes time, but Clarke finally divulges why she felt compelled to leave Camp Jaha. How bereft she felt. Her nightmares and loneliness in self-imposed exile. Wandering around the freezing cold of the woods. Bellamy can't rein in the pain as he reminds Clarke that she didn't bear it all on her own. She couldn't have, not when he was the one left behind to pick up the pieces Mount Weather shredded. He was the one seeing their faces every day. She asked him to come back with her, to their people, once before, and he did. But when he asked her to do the same, she left. They both know it's not apologies he's looking for. It's a promise, a reigniting of an old promise made between two lost souls needing the other when the world threatened to drown them. They readily give in.

Their conversation takes an unexpected turn when Clarke explains why she gave in to Bellamy's plan to go undercover in Mt. Weather. For her to be strong enough to save her people, she couldn't let love hold her back, make her weak. From the second Bellamy left her sight, she regretted it. They both recognize it as the confession she didn't intend to say. Shock settles in. With newfound confidence, it triggers an admission of Bellamy's own feelings. Cue canon Bellarke.

Once the air between them is clear, it was only fair that the effects of Mt. Weather be a topic Clarke and Bellamy discuss with the third member of the room that fateful day. It leads them to the complicated subject of Jasper, the three of them breaking down in tears over their fallen friend.

Six years of peacetime spent in Clarke's company shapes perspective on the girl herself. She's not Clarke Griffin, the fierce and stoic Skaikru leader, equipped with all the answers. She's not Wanheda, the great legend. She's just a girl, with vulnerabilities, insecurities, fears, and demons, just the same as any of them. She becomes a person to them. Real flesh and blood. A human being who does indeed break. And no one is more startled by this revelation than Raven. It's another contentious relationship of Clarke's requiring time to mend. Although sharing feelings doesn't come easily to Raven, the two eventually crack their sibling-like rivalry where Abby and Finn are concerned.

It's the presence of a fellow cockroach well-versed in the glamourous lifestyle of isolation that gets Murphy out of his self-destructive streak. In their own ways, they have both been the outsiders. They make an uncanny pair of confidantes, so says the rest of the kru. But somehow, it works. Trust doesn't come easy for Murphy, and he and Clarke have their fair share of issues. Close quarters force the two of them and Emori to work it out. For all that Clarke excels at contrition, deserved and undeserved, she's also never been one to beat around the bush, no matter Murphy's preference to lash out in his signature style of sharp sarcasm at moments of his choosing. As it is for Bellamy, Clarke's belief in Murphy as a good man is an overwhelming force, one he is not sure he's worthy of, but privately welcomed nevertheless. In time, there arrives a sense of respect and loyalty between them no one foresaw.

Clarke's penchant for extending her hand to the outsiders doesn't end with Murphy and Emori. Clarke was the first to bring Echo on board and, she is the first to treat their errant Azgeda former spy as family. Post-season 4 to the series' end, Echo's character development is at the forefront of her story arc, never filtered through a subpar pairing needed to fuel an insipid love triangle where her leg of it is marked for eventual demolition.

Since I am bound by limitless imagination, let us pretend this was a 2-hour season premiere.

The flashbacks take us through the six years to the present. Spacekru's happiness is juxtaposed, as we transition to below the ground, by the hellscape Wonkru is trapped in. The second half of 5x01 is Wonkru flashbacks, a la 5x02.

5x02 takes us back to Eligius IV, to the passing of Order 11 (is that what it was called?). A young pilot named Shaw chooses to defy his captain's orders, releasing their prisoners. They proceed to take over the ship, killing Shaw's crewmates and captain, Charmaine Diyoza assuming command. She corrals Paxton McCreary and his men to her side. With their mutiny a success, Diyoza tells Shaw to plot a course for Earth. All the while, we see Shaw wrestling with the bloody aftermath of his decisions. They reach Earth's orbit, ready to go home, unknowingly under the watch of 8 survivors in space.

The Eligius prisoners touch ground on the last arable patch of land on Earth and quickly find themselves ensnared in a series of traps by an unknown number of assailants. Their assailant turns out to be a solitary preteen. They capture her, interrogate her. She speaks a language they've never heard. I'm making it a point to emphasize those infernal shock collars do not exist in my little world.

5x03 plays out similarly onboard the Eligius mothership. Our kru arrives, not to borrow a cup of sugar, but to steal the hydrazine for their journey home. Clarke, Bellamy, and kru debates the morality of killing 300 strangers in their sleep before deciding to use them as leverage. Raven and Murphy stay behind. Six Spacekru members fall to Earth and are captured by Eligius. They are taken to Diyoza, where they find a little girl dressed in Grounder garb. Bellamy and Clarke use their trump card to free themselves, Madi, and use their resources to locate Wonkru, with an additional promise to share the land and their knowledge of life on Earth.

5x04 plays out the same, more or less, without the awkward tension of a Bellarke trying to reacclimate themselves to each other's presence again. Diyoza brings Madi, Bellamy, and Clarke to Polis, where Bellarke negotiates for Wonkru's release. They meet Blodreina and her cult of warriors. Fandom squeals seeing Octavia greet her sister-in-law. Wonkru (and Blodreina) comes to realize that they have found a surviving Nightblood. Diyoza betrays the accord, taking Abby and Kane to Shallow Valley and leaving Bellarke and Madi at odds with Octavia.

5x05 sees Bellarke continuing to act in concert as a team, eager to reunite with their lost people while keeping a protective eye on Madi. Tensions brew between them and Blodreina. Marper and Echo return and they all turn back to Polis.

Blodreina refuses to grant pardon to Echo. Spacekru fights on her behalf, while Echo is willfully recruited for Octavia's mission. Madi meets Gaia under Clarke's watchful eye. When Madi is introduced to the Flame, Clarke tries to persuade her not to be swayed by the Flamekeeper's influence. Because this is my fantasy and I can do what I wish, it turns out that Clarke and Bellamy are expecting their first child. Clarke, believing the Flame to be a curse for its bearer, wants to spare Madi a bloody fate. She wants to abolish this aspect of Grounder culture, fearing the chances her child may become the next natural-born Nightblood. She dreads the possibility of her child as the next participant in the Conclave or the next Commander.

Another sidenote I am interjecting. Here, toxic motherhood isn't a defining characteristic of Clarke's, to aid in her isolation and subsequent, continual emotional decline. In my world, she gets to be a protective mother, a loving wife, a compassionate friend, and a caring daughter, all rolled in one little blonde package. She gives love freely, as she does in canon, but receives it in kind. She doesn't sink to rock bottom, nor must she, to be the heroine she is. She draws on the good and the bad experiences she's had to teach others. She imparts her lessons to those in need. Love is a commodity her life isn’t devoid of.

Clarke and Bellamy argue over what to do about Blodreina. Neither wants her to be harmed, but Bellamy maintains that she is, above all, his sister. He needs to believe Octavia is still within reach. He cannot abandon her now that they're together again. Clarke petitions Bellamy to take their family to Shallow Valley before it's too late. They compromise, agreeing to remove Octavia from the board long enough for Indra to take Diyoza's proffered deal. Their plans fail, as per 5x08, and Octavia arrests Clarke, an execution set for after the baby’s birth. We retain the glorious Blake scene of 5x08. It breaks Bellamy's heart to hurt Octavia, but she forced his hand. He has to protect his wife and their baby.

Tensions come to a head between husband and wife, courtesy of 5x09. Bellamy, having exhausted all other options, decides Madi must ascend to Commander to accomplish their goals. It is the only way to protect them all and save the valley. I am once again interrupting my spiel to remark that Clarke knows, unequivocally, she is included on the shortlist of family Bellamy is most ardently trying to protect. Forget "included," she's at the top. Clarke, ever the protective mother, disagrees, citing endangerment to Madi from Octavia and her patriots. Clarke argues that, of Diyoza and Octavia, Diyoza is the lesser evil to their family. As long as they remain within Diyoza's rules, they have nothing to fear from her. Bellamy, seeing Clarke's deep-rooted fear, agrees.

They are delayed by Marper, who wish to stay within the bunker, living off the revitalized algae farm. Bellamy and Clarke don't want to leave them behind until Monty points out that they, for once, deserve the chance to choose their fate, as all of the people of Earth. Octavia recuperates in time to arrest Bellamy, sending him to the fighting pit. Clarke fights to defend him but is detained. Clarke wants to fight alongside him, but they both know she has to live to raise their baby. They are permitted a final goodbye, and they have an emotional last exchange, a.k.a. Kabby parallel. Like Kane before him, Indra is forced to separate another family.

Octavia assures Bellamy that the baby will be under her protection. By now, Bellamy has reached the end of his rope with his baby sister. He loves her, but he can't distinguish her from the monster she's become, and it's about to cost him a life with his family. Disgusted, Bellamy scoffs at her overtures. He reminds her that his child deserves to have its parents. Clarke's earlier words come back as he tells her that she is his family's worst enemy. It wasn't enough for Aurora to leave him responsible for raising his sister at six years old. For the first time, his life is right, and she's the one who's about to take it away. He reminds her what it was like to lose her mother at 17, to never know her father. She knows how devastating it feels. Yet, left up to her, his child would be an orphan. He finishes with a devastating blow: it'll be those he holds as his family who will take care of his wife and child.

Clarke breaks free of her restraints, making plans to cause disruption to the bunker and getting Bellamy out in the ensuing chaos. She is stopped by Monty, who wants to use the opportunity to give Wonkru a better choice. Clarke tells him she isn't gambling Bellamy's life. Monty breaks again, pointing out that the last time he helped her and Bellamy, they split blood, and their plans still failed. Clarke reluctantly relents out of guilt, knowing how Mount Weather continues to haunt Monty. She does, after all, trust him with her life.

Bellamy fights Indra in the pits until the proceedings are interrupted by an intervening Monty, brandishing a pure, white flower in a sea of blood and darkness. Just as he begins to sway Wonkru to his non-volatile solution to the impending war, Blodreina forces compliance by burning the algae farm.

As Wonkru mobilizes for war, the fractured Spacekru and Madi take the rover to the valley to find their friends. They destroy the worms in transit.

They save an incapacitated Abby, who later recounts the Dark Year. Bellamy can't stop the horror he feels at the ordeal his sister has lived through. He feels a pang of guilt he knows is irrational while wrestling with the knowledge that she is still responsible for her choices now.

They reunite with the rest of Spacekru and are surprised to learn McCreary has taken control of the camp. With Diyoza and Kane's assistance, the eye in the sky is reinstalled, giving Eligius the advantage. As much as they want to prevent this war, they cannot leave Wonkru to die in the gorge. The group breaks off. One team is sent to disable the eye in the sky. The other team uses Madi's knowledge of the valley's layout to head off to fight alongside Wonkru in the gorge.

By the time they arrive safely, only Octavia, Indra, and Gaia are left alive. Bellamy convinces Octavia to retreat instead of sacrificing herself. He tells her she has to live with what she's done instead of taking the easy way out. For the most part, I'm picturing the scenes play out as they did in canon. At base camp, Wonkru is in disarray. Too many bodies are left littered from this war, with Blodreina at fault. To stop the in-fighting, Madi attempts to assume control by invoking her natural right to lead as a Nightblood. Some dissent, claiming she is not yet Commander. With support from Gaia, Octavia, and Bellamy (who makes sure this is what she wants), they sway Wonkru to Madi's side. Freshly invigorated, Wonkru prepares for a second assault.

Back on the Eligius ship, Clarke, Raven, and Shaw release an imprisoned Diyoza. They allow themselves to be captured and taken to the ship's central control. While McCreary attempts to force Raven to pilot their ship, she and Clarke regain control. Meanwhile, Bellamy convinces Madi to let the prisoners live.

From here, may I present two alternatives:

Scenario 1: Clarke kills McCreary before he can launch the missile from the mothership. With Spacekru controlling the ship's weaponry and Wonkru overtaking the prisoners, Eligius capitulates. After much deliberation, a new accord is reached, allowing for all survivors to live in peace as a singular society. Spacekru gets their 80 acres. The last of the 10(2) become parents to the next generation. It takes time, but Bellamy and Octavia's relationship heals. Eventually, she earns back her place in his life as his sister. She becomes one of many to welcome Bellarke's little one to the world, ecstatic to be a loving aunt. Generations later, the Earth recovers.

Scenario #2: The missile is launched. Earth's survivors must escape to space to survive. Marper opts out of cryosleep and has a son. It takes Monty ten years to realize Earth may never recover from its last doomsday. He wakes Spacekru+ to determine options. Between him, Raven, and Shaw, the three configure a self-running algorithm to decode the Eligius III mission files. They wire the pods to awaken its occupants every decade to check the algorithm's progress. The McIntyre-Greens go into cryosleep with some gentle persuasion from Bellarke. They won't leave their people behind. Thirty years later, Earth remains dormant. The files reveal the existence of a planet that could support human life, lightyears away, in the binary star system in the Goldilocks zone. They plot a course.

No, it's not as thrilling as the original ending. But if our heroes are going to traipse across the universe, only to return to their home planet, then Marper will not be sacrificed for nada. They will live out their days, a little older, a little wiser, but surrounded by their friends. They will not say farewell to their son at his ripe old age of 26.

There isn't much I would change about season 6, not where its major storylines are concerned. Clarke meets Cillian for his insight on Abby and Kane's deteriorating conditions. I would alter Madi's arc to where she takes the Flame in Sanctum and uses the time while the grounders are in cryosleep to train under Gaia's tutelage. Madi becomes attached to Bellarke, and it leaves her susceptible to Sheidheda's influence when her newfound familial figures find themselves at risk from the Primes. She'd see Sheidheda as a necessary evil to save her people, not unlike Clarke submitting to Lxa's clout. I would have Sheidheda preying on Madi's fears that she'd be alone again as she was during Praimfaya if she doesn't respond with vigor.

Season 7 gets a similar, substantial overhaul I've been thinking about for months but haven't yet written down.

The end.

(When am I going to stop with these sidenotes? After this last point, I promise.) Jason ran too tight a ship to let his post-apocalypse masterpiece become overtaken by frivolous romance. Without this pitfall, what stopped him from coupling Bellarke up before the end? Nothing. He could have a Bellarke that remained symbolic of the show's themes and mythos. A show that thrives on chaos would never run out of conflict to stir the pot. Falling apart and weaving themselves back together has been the model of their relationship since season one. Why couldn't they do this and be a couple? Why couldn't they have the Memori Model? They could have, but Jason chose the path of the slowburn. There's no fault in this. There is a fault in choosing to rescind the previously established story when it comes time for the threads to finally tie together. And I will never forgive him for it.