#because you need to actually go out and talk to people in order to form connections and i simply never do that

[tardis--dreams]

Cringe, I know, but fuck it, I want a relationship but am too introverted to put myself out there and tbh, at this point it's just sad

[joycrispy]

One thing I love about Crowley --never stated, but consistently shown-- is that he is, at heart, an engineer.

I have a few different things to say about that. Let's unpack them.

As the Unnamed Angel, we see his designs for the Pillars of Creation are millions of pages long, comprised of cramped text, footnotes, diagrams, schematics, etc. It's very...Renaissance polymath, in the way it implies a particular intersection of artist and inventor.

Also: in the naked romanticism with which he views his stars.

We already knew he made stars, but in s2 we learn that he did NOT sculpt each of them by hand. He designed a nebula ("a star factory," he says) that will form several thousand young stars and proto-planets, and all --aside from getting the 'factory' running-- without him lifting a finger. We also learn that these young stars and proto-planets stand in contrast to those made by other angels, which are going to come 'pre-aged.'

...I'm reminded of Hastur and Ligur's approach to temptations. Damning one human soul at a time, devoting singular attention to it over the course of years or decades, and how that stands in contrast to Crowley's reliance on, quote, 'knock-on effects.'

Ligur: It's not exactly...craftsmanship. Crowley: Head office don't seem to mind. They love me down there.

Hm.

I'm also reminded of the M25.

The M25 may not be as grand as a nebula (sentences you only say in GOmens fandom...), but LIKE his nebula it's an intricate, self-sustaining engine that does Crowley's work for him, many times over. Again.

That's some pretty neat characterization --and so is the indication towards Crowley's disinterest in victimizing anyone tempting individual people. It takes a considerable amount of planning and effort (and creeping about in wellies), but in accordance with his design the M25 generates a constant stream of low-grade evil on a gigantic scale.

Cumulatively gigantic, that is. Individually? Negligible.

But no other demon understands human nature well enough to parse that one million ticked-off motorists are not, in any meaningful way, actually equivalent to one dictator, or one mass-murderer, or even one little influential regressive. That's the trick of it. Crowley gets Hell's approval (which he NEEDS to survive, and to maintain the degree of freedom he's eked out for himself), and at the same time ensures that any actual ~Evil Influence~ is spread nice and thin.

It's some clever machinery. And he knows it, too:

The Unnamed Angel and Crowley are both proud of their ideas.

(musings on professional pride, Leonardo da Vinci, the crank handle, and 'the point to which Crowley loves Aziraphale' under the cut)

In the 1970's Crowley gives a presentation on the M25, projector and all, to a room full of increasingly impatient demons. Maybe the presentation was work-ordered; the 'can I hear a WAHOO?' definitely wasn't.

Before the Beginning, the Unnamed Angel can barely contain his excitement about his nebula. Aziraphale manages a baffled-but-polite, "....That's nice... :)"

11 years ago, Hastur and Ligur want to 'tell the deeds of the day,' and Crowley smiles to himself because (according to the script-book) he knows he has 'the best one.'

(Naturally, his 'deed' has nothing to do with tempting anybody, and everything to do with setting up a human-powered Rube-Goldberg machine of petty annoyance. Oodles of 'Evil' generated; very little harm done.)

Hastur and Ligur don't get it, of course. That's also consistent.

Nobody ever knows what the hell he's talking about.

It didn't make it on-screen, but, in both the novel AND the script-book, Crowley was friends with Leonardo da Vinci. The quintessential Renaissance polymath. That's where he got his drawing of the Mona Lisa --they're getting very drunk together, and Crowley picks up the 'most beautiful' of the preliminary sketches. He wants to buy it. Leonardo agrees almost off-the-cuff, very casual, because they're friends, and because he has bigger fish to fry than haggling over a doodle:

He goes, "Now, explain this helicopter thingie again, will you?" Because he's an engineer, too.

(It is 1519 at the latest, in this scene. Why the FUCK would Crowley know about helicopters, and be able to explain them, comprehensively, to Leonardo da Vinci?

...Well. I choose to believe he got bored one day and worked it out. Look, if you know how to build a nebula, you can probably handle aerodynamics. And anyway, I think it's telling that this is his idea of shooting the shit. 'A drunken mind speaks a sober heart,' and all. He probably babbled about Aziraphale long enough to make poor Leo sick)

Apart from Aziraphale, Leonardo da Vinci is the only person Crowley has any keepsakes or mementos of.

Think about that, though. Aziraphale's bookshop is bursting with letters, paintings, busts, and personalized signatures memorializing all the humans he's known and befriended over 6000 years (indeed: Aziraphale has living human friends up and down Whickber Street. He's part of a community).

Crowley doesn't have any of that. It's just the stone albatross from the Church (for pining), the infamous gay sex statue (for spicy pining), the houseplants (for roleplaying his deepest trauma over and over, as one does), and this one piece of artwork, inscribed, "To my friend Anthony from your friend Leo da V."

To me, at least, that suggests a level of attachment that seems to be rare for Crowley.

...Maybe he liked having someone to talk shop with? Someone who was interested? Someone engaged enough to ask questions when they didn't immediately understand?

...Anyway.

There's also the matter of the crank handle.

This thing:

This is one of the subtler changes from the book. In the book, Crowley knows Satan is coming and, desperate, arms himself with a tire iron. It's the best he can do. He's not Aziraphale; he wasn't made to wield a flaming sword.

The show, IMO, improves on this considerably. Now he, like Aziraphale, gets to face annihilation with what he was made for in his hand. And it's not a weapon, not even an improvised one like the tire iron.

He made stars with it.

[both gifs by @fuckyeahgoodomens]

If you Google 'crank handle,' you'll get variations on this:

Crank handles have been around for centuries. Consisting of a mechanical arm that's connected to a perpendicular rotating shaft, they are designed to convert circular motion into rotary or reciprocating motion.

Which is to say they're one of the 'simple machines,' like a lever or a pulley; the bread and butter of engineering. You'll also get a list of uses for a crank handle, archaic and modern. Among them: cranking up the engine of an old-fashioned car... say, a 1933 Bentley. That's what Crowley has been using his for, lately. But he's had it since he was an angel and he's still, it seems, very capable of it's angelic applications.

Stopping time. For instance.

(This is conjecture on my part, but, I like to imagine that Crowley has the ability to stop time for the same reason I can --and should-- unplug my computer before I perform maintenance on it. Time and Space are a matched set, after all, and in his designs in particular, one feeds into the other.)

I know everyone has already said this, but: I REALLY LIKE that when he needs to channel the heights of his power, he does so not with a weapon but with a tool. Practically with a little handheld metaphor for ingenuity. One from long-lost days when he made beautiful things.

(And he loved it. Still loves it --he incorporated that metaphor into the Bentley, didn't he?)

Let Aziraphale rock up to the apocalypse with a weapon: he has his own compelling thematic reasons to do exactly that. Crowley's story is different, and fighting isn't the only way to express defiance. And if you've been condemned as a demon and assumed to be destructive by your very nature, what better way than this?

He made stars. They didn't manage to take that from him.

Neither Crowley nor Aziraphale are fighters, really --they have no intention of fighting in any war. They'll annoy everyone until there's no war to fight in, for a start. But between the two, if one must be, then that one is Aziraphale. Principality of the Earth, Guardian of the Eastern Gate, Wielder of the Flaming Sword... all that stuff. Even if he'd prefer not to, it's very clear that Aziraphale can rise to the occasion, if he must.

Crowley was never that kind of angel. He wasn't a Principality. He doesn't have a sword.

...And yet.

It's Crowley who protects. He's the one who paces, who stands guard, who circles Aziraphale and glares out at the world, just daring anyone else to come near.

In light of everything else I've said here, I think that's interesting.

Obviously part of it is that Aziraphale enjoys it and, you know, good for him. He's living his best life, no doubt no doubt no doubt. But what about Crowley? What's driving that behavior, really?

Have you heard the phrase, 'loved to the point of invention'? Well, what if 'the point of invention' was where you started? What if where you end up involves glaring out at the world, just daring anyone else to come near? What is that, in relation to the bright-eyed thing you used to be?

What do we name the point to which Crowley loves Aziraphale?

...Thinking about how an excitable angel with three million pages of star design he wants to tell you all about...becomes a guard dog. Is all.

[kedreeva]

Okay so, I don't think I've spoken of the saga here yet but! Gather round. I shall tell you a long story about the bird I just acquired and why she is VERY IMPORTANT.

At the beginning of last fall, I started looking into quail genetics a little more, because I got tired of not being able to sex my Celadon quail by their feathers. Originally I thought I could kill 2 birds (ok maybe more) with 1 stone and order nice jumbo wild type (which MANY places advertised as wild type jumbo) hatching eggs, and this would help me put some size on the Celadons (jumbo) while also making them feather sexable (wild type). Perfect!

But then I come to find out that pretty much all jumbo lines are jumbo BROWNS, as in they all have the sex linked brown (SLB) gene. So, I was a little confused and a LOT annoyed because I wanted to work specifically with the wild type color/pattern. No mutations just straight, plain wild type.

And EVERYWHERE I looked - major production hatcheries, private breeders through websites, Facebook groups, local swaps, craigslist, e v e r y w h e r e -

People ONLY had SLB.

This spring I came across a video showing about the differences between SLB and wild type and I figured if the person who made it can tell, maybe she will have some. So I looked her up (not in a stalker way, her farm name was stamped on the video and took me to the website), and what luck! She was in Michigan! Upper Michigan, so still a hike, but not California, y'know?

So I shot her an email and explained that I was looking for WT and that her site said she bred them and that people could do local pickup. She responded yeah she's totally got a bunch! And I said great, I'm also in Michigan, albeit far away, but I don't mind driving 7+ hours each way, because I really need actual, trusted WT for sure birds for my celadon project, can I come pick them up?

Cue the most frankly bizarre email chain in my short life. As soon as I mentioned that I was going to drive, or perhaps that I had a genetics plan in place, she got super sketchy and started saying how she hadn't really paid as close attention to SLB vs. WT, that it mattered less than she thought it would when she started, that I shouldn't focus on that either, and also that "fawn celadon is practically unheard of" in the hobby and "you should focus on a clean Tibetan because it's hard to find without roux in it) implying that I should concentrate on those things instead. And concluded by telling me if I really want WT, to contact this other person (why happens to be someone I can't stand). It all sounded VERY much like she didn't have wild type males, after all, and had thought I didn't know the difference so it wouldn't actually matter. But, it does. It actually matters a lot to me.

So I messaged back to say, well, I don't want to do any of those things, I specifically want to work with this set of genetics and you said you have them so I shouldn't have to go to anyone else??

And then she went radio silent for a week. I kind of figured I'd called a bluff, and that she was one of dozens of people I'd contacted who'd said they had WT only to find out they had SLB. I get that it's difficult to see the difference, but this particular person was the president of the American Coturnix Breeders Association or whatever (found out it's actually just a club formed by her and her friends a year ago, so not as impressive as it sounds, considering they don't actually DO anything- no putting on shows, no newsletters, no certifications, no public breeder directory, no finished SOP, nada), so I kind of expected she should know what she's talking about, if anyone does.

Eventually, after a week, she responded that she had been judging at a county fair, but she had a few heterozygous males (WT het roux, which is fine) and she could set a hatch for me for more if I wanted to come at the end of the month, but she's in WI now, not MI. I said sure, since where she was in WI was actually closer than where she'd been in the UP, and we arranged date/time.

The day of, my neighbor friend, Jude, comes with me for company/keeping me awake through the 15 hours driving round trip. It's a pleasant enough drive. We arrived at a cutesy little house on the edge of town that looks like anyone's house in a neighborhood, with a spacious lawn. The person meets us and takes me around the side of the house to a 6x6x1.5 or so chicken tractor, where she's got some male coturnix. She pulls the available males for me to look through and... fam, they ALL looked SLB, to me.

Now, she swore to me up and down that they couldn't be anything except WT het for roux, because of the way she is breeding them. But I've put these birds next to my SLB males and if I didn't have my males banded, I would not ever have told the difference between them. I still picked up 4 of them, because I will give it a go- worst case, I can produce plain Roux hens/plain Roux males for use in breeding later, best case they do actually produce WT hens and they just LOOK SLB and I have to figure out what the differences are. I don't want to leave without seeing her hens, which she has told me are all WT (which is why the males HAVE to be het for it), and she takes me back. Now the hens, the hens are easy to see the difference. White bellies first of all, but the chest feathers are also wildly different! The shafts are white, the dot around the shaft is dark, ringed in red, ringed in white. On an SLB, the shafts aren't white, it's just a black dot surrounded in a red feather, and the belly is all red/buff/cream, not white.

This is what an SLB hen looks like:

So I take a nice long look to memorize the color, and thank her for showing me and meeting, and we head back home.

I do fecals when I get home because all of the males are VERY thin, no meat on them at all, and since she said she'd been feeding Purina (garbage for fowl feeds), I figured that was why, but no- HUGE coccidia loads in all of them. So I treated them and got them on a better feed. They immediately began putting on meat, and they're find now.

The rest of this summer, I have spent going to local bird swaps and inspecting all of the quail I could find, hoping to find one (1) actual wild-type phenotype bird. Hundreds and hundreds of birds, I have pawed through them all, being super obnoxious to the owners I'm sure, holding and inspecting males. I found ONE suspected WT male (and this is a HUGE "suspected," he could very well be SLB with low red expression). I compared him when I got home and I'm doubting myself still, so I don't know if I will ever actually pair him with the SLB hens or if I'll just wait til I have a roux set.

Regardless, it's been a dry season for getting what I want. It's been a dry YEAR. Yesterday was another swap and more hundreds of quail and me pawing through all of them.

Until.

My eyes landed upon.... her.

If you've only lived in an area that has american crows and not ravens, you find yourself wondering if crows are ravens. You see a big crow and you think wow! maybe that is a raven! It could be a crow, but it's seems bigger so maybe it's a raven. But, if you take a trip to a place with ravens, and you see one for the first time, you realize that there is no question, when you see a raven. When you see a raven in person, there's no question and not only is there no question, you wonder how you could ever have thought a crow was a raven. It's laughable, while looking at the raven.

That's how finding this bird felt. I'd been picking up every SLB hen and going maybe this is actually WT? It could be SLB but maybe it's WT? But the second I laid eyes on her in the middle of a pack of SLB with some mixed colors, I knew I was looking at WT hen, and I can't imagine how I ever thought maybe an SLB hen was WT.

Here's a better photo of her chest and belly (she's beat UP from her previous home, the back of her head and most of her rump are plucked clean from males). You can see the white shafts and the white belly.

And some other pics of her, showing the grey-brown on her side and back- VERY different than the SLB hens

I can't express how stoked I am about this bird. This is the first time after a LOT of effort and time, that I have felt confident I am holding the bird I want.

She's also the indicator that I have a LOT of work ahead of me.

My end goal is to have birds that look like her, weigh 12-14oz, and lay large, blue eggs. I have birds that lay large, blue eggs, I have birds that weigh 12-14oz live weigh, and now I have at least 1 bird that looks like her, which means I can make more that look like her. The first step is cleaning the color mutations out of the celadon line without losing the celadon eggs. This is going to be a bit of a nightmare, BUT, I have a friend helping me out with getting a few celadons that are either WT or SLB (I'm guessing SLB all things considered) to start the work with. I will work over the winter to get a few more actual WT birds here, and to start crossing out the celadons with the SLB jumbos to clean out the other feather color mutations. Once I'm down to just SLB and celadon for mutations, I can clean the SLB out with the WT and roux lines.

This project will likely take me a good 2 years, maybe 3, to complete and then test breed to ensure I haven't lost the celadon gene and I don't have any hidden recessives lingering about. But just having the fucking materials to do it all on hand now is a huge step forward from where I was when I decided to start the project.

[tobyfier]

Can you do a doppelgänger M!reader? Reader is a doppelgänger who manages to move into the apartment complex and readers original plan was to k!ll everyone the moment he was let in but the moment he’s allowed in he sees Francis just trying to get to his apartment and reader becomes immediately infatuated with him, he then has a change of plans. His new plan is to get Francis’s attention anyway possible.

This can be smut or not doesn’t matter you do whatever you want with this, this just came off the top of my head and I just need more milkman fics 😿😿

I’m inlove with a monster.

;Male reader

Genre: Fluff to smut

Warning: NSFW AT THE END!!! Bottom reader,Handjobs(receiving),creampie,make out session,overstimulation

A/n: Technically this isn’t my first time writing smut..however it has been a while since I wrote one, I’m just hoping it won’t look too cringy; as for the minors..I can’t exactly stop you from reading this, you guys are just growing people who’s going through puberty, I’ve been through that before. Now I will discourage minors who are BELOW 13 years old.

This doorman is taking a bit longer than usual to be honest. They seem to be double checking everything, did they figure it out or something? My heart stopped when I saw them reach for the phone ‘Fuck, I didn’t think of that.’ I didn’t break out of character just yet, there’s a possibility that the real one isn’t home. They waited and waited until they put the phone down. They stared at me for a while, cold sweat started to run down my neck before they smiled and pressed a button

“Alright, looks like you’re good to go!” I sighed from relief and nodded at them before going inside the building, I grinned to how naive the doorman is because of their mistake, they put everyone’s lives at risk, oh I can’t wait-…whoa..

3rd POV

M/n honestly felt like the world stopped moving when he say a guy infront of him struggling to open his door, he didn’t know who that guy or what his name is but all he knows is that he’s pretty charming. Once the man shut his door only then M/n snapped out of his trance, a slight blush covering his face. Trying to figure out what the hell just happened to him, it all felt so new to him and so unfamiliar. But nonetheless he didn’t dislike the feeling, he wanted more in fact..

‘New purpose, I’m gonna try and get as close with that mine and find out what this feeling is.’ M/n thought before going downstairs to ask for a spare key because he doesn’t have a key to his new house

Every single day M/n would try and greet Francis, to try and strike a conversation with him.

“Hey Francis, buddy ol pal, how you doing?” M/n greeted him, trying to act as normal and formal as possible but failing to do so.

“I’m doing fine, how about you mr. Moo juice?” Francis responded smiling a bit at the nickname he gave for M/n.

“It was one time!” M/n’s face burned from embarrassment, as a way to talk to Francis he tried ordering some milk from him when he stumbled on his words, calling milk ‘Moo juice’ by mistake.

“Well I’m sorry but it’s pretty much I possible for me to get that memory out of my head, it’s too funny!” Francis giggled, M/n could listen to him giggle every single day and will not get tired of hearing it

“Well-I still remember the time when you accidentally barged into my apartment thinking it was yours because you were drunk!” Now it was Francis turn to get embarrassed

“Well you can’t exactly blame a drunk man for it, I would barely comprehend what happened then!” Francis laughed before putting on his hat “I’d love to chat with you more but I still have to go to work. I’ll talk to you later, see you!” He greeted him goodbye and went down the hall to the elevator

2nd POV

You sighed, already missing his presence greatly. During the past few months you grew to be comfortable living in the apartments, forming friendship with the other neighbors most especially Francis, obviously. After some time you learned that the original you was actually a writer..a bit boring but you tried writing a few times and slowly you grew to like it.

Sometimes you wondered whether the original you and Francis ever talked to eachother, but from how shy and quiet he was during the first few conversations maybe not as close. Every single conversation,exchange of greetings,waves,or any interaction with him, you cherished every single one of them. With a help of a neighbor whom you call a friend named Mia, told you that it might be a crush or infatuation. And although it’s not really viewed as a good thing to date the same gender in public, you could care less about what other people think. You only cared about Francis view on it, I mean he has an ex wife and literally has a child. It’s impossible for him to like you back..

Atleast that’s what you hoped, you hoped this time you were wrong.

Timeskip

Francis’ POV

I sighed at the tiring day, driving house to house and city to city was really tiring. All I wanted was to go back to my apartment and rest..if not maybe chat with M/n again. He’s a really nice and fun person to be with, his energy was never really overwhelming and he’s the perfect person to talk to whenever I’m tired but also want someone to talk to. His stories are so interesting to listen to, especially the forbidden love ones.

If I had to be honest, I never thought him and I were gonna get close. After the “moo juice” incident, we started talking more. I hope I get to talk to him soon, for now I have to focus on delivering this milk trays. I looked back to see how much I have to deliver and saw that there was still a lot, he sighed “This is gonna take a while..”

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I groaned, finally done delivering the milk and stumbled upon the elevator, pressing the 3rd button and waiting for it to close. I took off my hat and started fanning myself, hoping it will cool me off from the tiring job. I sighed in relief once I heard the elevator ring and walked out of the elevator to M/n’s apartment, knocking a few times before waiting.

M/n’s POV

I yawned tiredly, I just woke up from a nap because someone knocked on the door. Being a different species has it’s perks, one being having heightened hearing. I opened the door not caring if it was a Doppel or not, if it was then I could handle it anyway, I’m one myself..what I didn’t expect was a tired milkman collapsing on me like a drunken man.

“Bloody hell-you scared me!” I wrapped my arm on his torso and carried him to my couch, I tried walking away to get something when he suddenly pulled me into the couch, trapping me below him “Uhm..Francis buddy, let me go. I’m gonna get some pillows for you.”

“No..stay here, I’ll just use you as my pillow..” he mumbled, hugging me tighter. It’s adorable seeing him in such state, it reminded me of the time he got drunk

“You’re Lucky You’re adorable..” i mumbled suddenly, not even thinking of my words, I slapped my hand over my mouth. Francis tensed and looked at me

“You find me adorable?” He asked, he doesn’t sound disgusted nor angry, actually he sounds shock and intrigue

“Uh yeah, I do actually..” What the fuck am I saying, he might think I’m weird now!

“..I’m glad you think of me that way too..” he said before laying his head on my chest..wait what.

“Hold on what-you cant just say that so suddenly!” I said sitting up straight so he won’t fall asleep on me

“Why not? You said it first.” He replied, my face burned from embarrassment

“I mean yeah but I didn’t expect you to think I’m cute..” I said blushing a bit

“Why not? I mean sometimes you act like a dog, obedient and gets excited when it comes to certain things. Especially when you’re talking about your new story. Everything about you is cute.” He said, not minding the effects of what his words did to me, bastard even smirked.

“Stop it, you’re saying things out of the blue!” I yelled, hiding my face from him, but my heart stopped when I heard what he said next

“Not to mention when you’re so tired, you don’t notice the little horns sticking out of your head.” I stopped for a moment and slowly looked at him, does he..I quickly grabbed his wrists and pinned him in the couch

“When did you know about me.” I asked sternly, although I liked him, I didn’t wanna go back to the d.d.d’s. No, i already had a good life and I won’t let it go away.

“The first week after we talked.” How is he so calm about this? I mean a doppelgänger pinning him to the couch, potentially getting eaten? “I already know you won’t hurt nor eat me, you love me too much for you to do that.”

“Well I uh..true..” I replied, loosening my grip on his wrists, in return he slipped his hand out and slowly he sat up

“See, I knew you love me..” he said soothingly while rubbing my head, like a dog..I sighed

“You didn’t even tell me?..” I asked, I’m a bit suprised how he’s handling this situation so calmly

“I always rub your head like this and it just goes away.” He said before pulling his hand back “see? It’s gone.”

“IT WAS THERE AGAIN?!” I yelled, he chuckled

“So uh..what are we now?..” he asked, I tilted my head in confusion

“Are we-I mean can you-do you wanna be together?..” he asked in a low voice, I was silent for a moment before quickly hugging him

“You don’t know how happy I am for you to tell that you actually like me back, even after knowing I’m not even the original M/n..” I hugged him tighter, I felt his arms wrap around my lower back and buried his face on my hair

“If I had to be honest, I prefer you over the original..and don’t think I haven’t noticed you.” He said giggling a bit, I was confused on what he meant by that “I can always see glancing at me from a far,from how your mood drastically changes depending if I’m in the room or not,and don’t get me started with those lovable dork eyes of yours with the mention of my name. And Mia ratted you out.”

“She what?!” I yelled, I groaned loudly and slapped a hand on my face, I means it’s expected..this is Mia we’re talking about, she literally told me all of the gossip when we first talked..

“Can I kiss you?” He asked, I looked at him with wide eyes, is it just me or is he getting bolder? “So is that a no-“

“Yes!” I quickly answered before shutting my mouth, it sounded like I was desperate or something, he seemed to like it by the way he chuckled

Before I knew, our lips smashed with each other, the kiss felt nice..it was comforting and tender, and filled with love. Something I wanted to experience everyday, and I’ll be sure to make that happen. Unfortunately he pulled away, I leaned forward unconsciously and he laughed through his nose.

“It seems you liked it it by how you leaned for more.” He laughed a bit, I could only stare at him with adoration, yeah I could definitely get used to this..

I quickly pulled him into another one to which he reciprocated quickly, the kiss was much more intense than before. I opened my mouth a little to get some air when he suddenly pushed his tongue inside my mouth, to which I choked at the sudden sensation but I welcomed it nonetheless. Looks can be deceiving, he’s the right person to use for it, at first he way seem like a tired and inexperienced person but boy..when I tell you he’s good..

Soon he pulled away so we can catch our breaths, a string of saliva connected our mouths as we planted from the session we had. My face was red considering it was my first time doing that, I was a bit surprised how well and experienced he is actually.

“Do you still wanna go further?” He asked, either way he already knows I’m gonna say yes due to the tent in my pants anyway

“Y-yeah sure.” I stuttered, he seems to be looking at my pants

“Just wanted to ask, since you’re a doppelgänger and you can alternate yourself, I’m just wondering if there’s a possibility you can alternate down there?” He asked, ah so that’s why

“Yeah, why? Do you want me to change it?” I asked but he shook his head as a no

“No, I want something to play with while doing it.” I raised an eyebrow at his statement

“..what?..”

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“O-oh shit-!” I gasped when his pace became faster, currently we were in my bedroom giving me a handjob, he had an iron grip on my leg so I couldn’t crawl away “Hah ah-I shouldn’t..have ah!-asked..” I managed to speak

He just chuckled at my disheveled appearance, my hair was a mess. Sticking to my forehead, some got tangled by how much I turned my head side to side to ignore the feeling. My clothes are long gone, all thrown to the floor thanks to Mr. Milkman. Francis was shirtless and his hat was on my head, saying I looked cuter with it. This guy really likes seeing me like this doesn’t he?

“Please..” I muttered, I’m close and I’m sure he noticed it too by how my dick throb in his hand.

“Please what dearie? I can’t hear you.” He teased, smug bastard.

“Let m-me come mngh..please-I’m clo-HNGK..!” I choked on my spit once he gripped it and speed up the pace much faster than before, I tried to hold it in but the bastard was determined to make me release, and so I did. White streaks shot out from the tip, landing on his chest and to my stomach. I panted like a person who ran a marathon, but it felt great. It was something I’ve never really felt before..

I looked over at him to see him wipe some of the cum of his chest and to his mouth, I blushed at the act and immediately yelled at him

“Spit that out, it’s dirty!” He didn’t listen of course, fucker even snapped his tongue

“It’s sweet and salty..” he seemed a bit surprised, is it because of the salty part or sweet?

“Probably from all the milk you delivered to me..” I finally calmed down from my high but noticed that he was unbuckling his belt.

“H-hold on, you’re not finished I thought-hey!” I was a bit surprised when he listed my other leg and rested it on his shoulder, I grabbed a pillow to hold on to, something tells this one is gonna be different..

“You didn’t think I was finish were you?” His eyes met mine and instantly I felt small “I still haven’t had my problem solved yknow?”

Oh yeah he’s right, it would be a bit unfair to stop this when he hasn’t finished his yet. And so I hug my pillow, preparing for what’s about to happen. I dozed off a bit, obviously this is my first time and I have no experience with this kind of things, I just wondered how it was gonna feel whether it would lean more to pain or-

“Holy sh-mngh..!” I bite into the pillow when I felt my stretched up when he entered, it stinged, not in a way it was painful, it felt good..

He didn’t think so though because he immediately stopped and looked at me with concern “Sh-shit I’m sorry, I should’ve warned you..” he apologized, rubbing circles around my thighs

“It’s fine..it-..it felt good.” I admitted “Keep going..”

He blushed and nodded, slowly he pushed the rest of it in me, I muffled myself using the pillow. Holy shit did that feel nice, never really thought it would feel this good honestly.

“Can I move?” He asked softly, it’s cute how he still needs to ask

“Yes..” I replied

He indeed took that opportunity and pulled away, leaving the tip inside me before thrusting back. I choked out a moan, not expecting the sudden rough movement, not that I was complaining though it was kind of attractive.

The pace was fast and hard, the way he feels inside of me was something I could never explain in words. He was quite literally hitting all of the right place, like he studied my body and memorized all of the sensitive parts. The bed started creaking from how fast he was going but I could careless, all I could think about was him and him only. I was close again, the knot in my stomach was back. And as if he’s reading my thoughts his hand gripped my dick once more and started pumping it. His hand felt so nice against my dick, I could get used to this all day.

“F-fuck!..too ah-!m..much..” I moaned out, I didn’t even notice the tears that were rolling down my face atop the pillows. I could feel his thrust getting uneven “Please..!”

“You can k-keep it in, just a few more..” he panted, chasing his release, he slowed down his hand so I wouldn’t release so soon.

A few thrusts and soon he came inside of me, the feeling of being filled up plus his hand pumping my dick immediately put me to my climax. We both panted, riding out our high from the activity. He exhaled and collapsed his body on mine due to exhaustion.

“Oof bloody hell are you heavy.” I stated, he chuckled tickling my neck

“How was it?..” he asked after moving a little so I can breath, his arms were wrapped around my waist

“It’s scary how you know my body so well despite this being the first time you’re exploring it..” I admitted “You were great.”

“Glad to know..” he muttered, burrying his face onto my neck even more

Silence engulfed the room..

“How am I supposed to explain my neighbors about these bite marks and hickeys littered all around my neck. I swear you did this on purpose didn’t you.” I slapped his head weakly to which he laughed and hugged me tighter

“Yeah yeah, I’m sorry. But it’s not my fault you had a pretty neck, I couldn’t help it!” He stated

“Oh so that’s my fault?!” I laughed

Yeah I’m definitely gonna get used to this now..

[deadghosy]

Okay so I just started reading Hazbin stuff on your blog, but they're AWESOME!! I'd like to request some Catnap!reader headcanons with the Vees if that's possible?

SURE! Thanks for the suggestion anon🦆💗

CATNAP! READER W/ THE VEES FOR A DAY

prompt: one of the Vee’s grabbed you out of now where and brought you to their tower to hang out.

You didn’t know how this flat faced person got your attention…more like grabbed your tail like a untrained child 😭

Vox grabbed your tail dragging you to the Vee’s tower as you sighed, leaving some red gas out of your mouth annoyed.

I feel like somehow you would agree to hang out with the Vee’s as long as you don’t see them in your hellish life forever.

I can imagine a picture of you and the Vee’s taking a selfie, but Velvette is on her phone, Vox is smiling at the camera, and Valentino is trying to blow a kiss at you.

Valentino was trying to cook for the other two Vee’s and you only for the kitchen to burn down as you and Velvette order take out as Vox gets the fire extinguisher. Valentino is trying not to touch the ✨pretty fire✨

I headcannon Valentino finding you attractive because if your tall frame. But also your smile as you just stand there smiling having your hands behind your back.

Imagine Valentino showing off his guns and you’re like. “Who needs guns when I can do this.” You said smiling as poppy gas slides through your teeth and knocks Valentino straight out on the ground when you smirk.

I can see the Vee’s and you going in a shopping spree and you decide to fuck with them and spend almost all their saving worth. Vox knew what you were doing so he stopped you.

I feel like the Vee’s will try to use try to get info on Alastor. But that’s mostly Vox so it would useless as you don’t anything form Alastor other than Alastor hates when you knock him out for bedtime

You literally sat there as Valentino was trying to get you to watch one of his sex tapes…you knocked him out and left the room as you grumbled.

I can imagine if it was sleepover it would chaotic as hell as Vox would be the one to fall asleep first and duct taped to the ceiling as the other snicker

For shits and giggles, Velvette will say you give off Lana Del Rey vibes as you just side eye her saying, “what tf you know about Lana Del Rey?”

You two are the best music buddies of modern genre.

Imagine a cute little headcannon where they all have secret matching bracelets and they let you have one.

Vox brought you on his channel to talk about your weird and cocky appearance. You were just on there to be clowned until you smirked letting poppy gas as the camera man fell breaking the camera.

“WHAT THE FUCK?! You dumbass cat!” “I’m dumb?” You said glancing at the man beside you as you slapped him smoothly with your tail as he had a shocked face touching his cheek.

I can see Valentino trying to get catnap! Reader to wear heels only for catnap! Reader to break them in their hands shaking their head no as they walk away again

I headcannon that the only V that catnap! Reader finds tolerable is Velvette because of her whole personality and not how she tries to bring catnap! Reader down

You definitely have that fun friend troupe with Velvette which is sweet and wholesome.

Velvette and you were hanging out on her side of the tower as she was getting you dressed in [style aesthetic]. You actually liked it as you gave her a thumbs up and grin.

I headcannon Velvette and Vox to try to make you do those dumbass TikTok dance trends with them so they could get #1 on the trending board.

I can imagine catnap! Reader ordering one of tose bug zappers to only electrocute Valentino

Velvette posted you and her doing a fashion walk as Angel was shocked seeing this on her page and shows the staff of the hotel.

The hazbin hotel gang will be like: “why tf is our resident hanging out with them?” As you are just trying to see why people even love the Vee’s.

I can headcannon that Vox forced you into a group chat with them

I can see that every time you hang out with the Vee’s, your phone gets blown up with worried text from the hazbin hotel crew. And then Vox will try to hack or get into your phone to disable your phone.

I imagine you and Vox literally shitting in each other. Like you say “why as you so short.” While he thinks of a comeback to say back to you.

I headcannon that if you and the Vee’s played uno together, you’re rigging it. Cause ain’t no one gonna win today.

At the end of the day, you left their asses as you used your red smoke on them…well idk about Vox cause that bitch has a tv head. You probably gave him a virus to circuit.

BRO WHO TF MADE THAT SMIRK FOR CATNAP?! EHH? Anyways I hope you guys liked this🦆💗

[bloodibambiidoll]

ok so hear me out. rafe and weird!girl get into an argument and rafe calls her weird or says something about her being normal for once and my girl gets all upset as she should.

Nonnie, are you in my walls? I’m very much having a day like this. This is heavily based on the day I had today and writing it made me feel sm better. Slight angst. Fluff. 1.8K words. NO MINORS!! (Note: weird!girl is autistic coded bc I am autistic)

You were extremely overwhelmed. It feels like every single thing is out to get you today. Before you and Rafe left to go on your first grocery shopping trip since you moved in together you got into a bit of a disagreement over the list. You are extremely picky. You have set safe foods that you like to stick to and you don’t like to stray from them. But Rafe on the other hand would eat almost anything. He couldn’t wrap his mind around the fact that you wanted to live off of freezer waffles and chicken nuggets when he hired a professional chef for the two of you.

“Baby, why would I buy you the cheap freezer shit when I can have it made from scratch all fancy n shit?” It wasn’t about the price, you know that. It was just that Rafe wanted you to have the best of everything he could possibly give you and sometimes you just wanted the simpler things. Something that he’s still trying to understand.

“It’s just… I don’t want that. I want the ones from the store. That I always get. The ones I like.” Your lips were formed into a pout as you looked down at your lap and played with the rings on your fingers.

“Aight, Bats, if that’s what you want.” He shrugged and kissed your forehead before leaving you to finish getting ready. It was what you wanted. But you could tell it wasn’t what he wanted so you felt bad. You didn't want to be an inconvenience.

So after that you got in your head that you were too much for him. You spent the entire card ride to the grocery store thinking about how a normal girl wouldn’t want specific foods. A normal girl would be more than happy to have a personal chef make them anything and everything they wanted. A normal girl would be able to go to those fancy restaurants Rafe likes because she’d actually like anything on the menu. He tried to take you once and you spent the entire meal picking at your plate of chicken and veggies, so he never tried again settling to go places that had things you actually liked.

Then at the store you were so in your head that if you hadn’t made a list you probably wouldn’t have gotten a single thing you wanted. You couldn’t stop feeling like you were a burden to him because you needed him to buy you an entirely different grocery list from his own. You kept trying to put things back. Or tell him you didn’t need things that you did, in fact, need. You could tell Rafe was getting frustrated with you and it only made you want to shut down even more.

It didn’t help that the grocery store was easily one of your least favorite places. The lighting was awful. There were always so many people everywhere not looking where they’re going. The freezer section was always so cold that you spent that entire section of the shopping trip practically shaking. It was so goddamn loud. People talking. Kids crying. The squeaking of the old grocery cart wheels. So going there when you were already feeling overwhelmed was a recipe for disaster.

You fully lost it when you were checking out. The cart was extremely disorganized because you were too checked out to keep it in order the entire trip. The store you were at had it so you bagged your own groceries so the fact that the cart was a complete disaster made bagging them incredibly difficult. You were struggling to keep up with the cashier and also bag the groceries efficiently. He kept pushing the conveyor belt button, rolling the groceries that you haven’t bagged yet to pile up on top of each other at the end of it. The cart was full of bags and you weren’t even half done so you had to run and grab another one, only letting the pile grow further.

Rafe bought a case of beer and it the midst of you trying to frantically bag everything in a timely manner the cashier also asked you for your I.D. Which only frustrates you more. You don’t even drink beer. And it made you have to pause bagging again to dig in your purse. The cashier kept looking from the card to you and back again, like he thought it was fake.

“I know I look nothing like that, that was 7 years ago.” You didn’t mean to sound snippy, but you were pretty much at your limit.

“Baby, it’s fine, he’s just lookin’ for the date.” Rafe shot you a look and it only pissed you off more.

“Well he’s looking at it like it’s fake or some shit!” You scoffed as you slammed a full bag into the cart. Which only earned you another look from Rafe.

On the way home he hardly talked to you, instead he decided to blast trap music when you were clearly already overstimulated so you decided to put your headphones on and drown him out.

“Bats, the fuck is going on with you today, huh?” Rafe is towering over you the minute you enter the kitchen, backing you up against the counter.

“I just don’t like the grocery store. And you made me feel bad about the food. And everything was just so loud in there. And I felt like you hardly talked to me the entire time. I’ve felt like an inconvenience to you all day!” You snap at him as you stomp your foot in frustration, glaring up at him.

“All we did was go to the fuckin’ store. You’re seriously that worked up over it?” Rafe scoffs, running a hand through his hair.

“Yes! I am! The grocery store is extremely stressful for me and you’re not being considerate of that!!”

“That’s ridiculous, people go to the grocery store every day. It’s not a big deal. I don’t know why you can’t just be fuckin’ normal sometimes.” Rafe throws his hands up, letting them fall against his thighs with a smack. The minute the words leave his mouth your bottom lip starts to quiver as tears brim your eyes. And he knows he fucked up. Immediately he knows he fucked up.

“You know what? Why don’t you go find a normal girlfriend then!?” You push against his chest, running past him to your shared bedroom. You slam the door behind you, sliding down it as the tears in your eyes begin to spill down your cheeks. You knew it.

“Baby…” Rafe’s voice travels through the thick wood as he lightly taps on it. “ I’m sorry… that was- I shouldn’t have- Bats, can you open the door, please?”

“No. Go away.” You whimper as you curl further into yourself against the door.

“Baby girl, please? Just wanna talk. Lemme see you.” He turns the knob, pushing on the door lightly causing you to shift forward slightly. “C’mon, get away from the door, let me in.”

“Why don’t you go find a normal girl to talk to.” You snap at him before trying to push back against the wood but he’s so much stronger than you that it doesn’t even budge. Rafe shoves his foot into the crack of the door, pushing it until he can slip through. It slams shut behind him from your weight, causing you to yelp. He drops to his knees in front of you, taking your face in his hands. “Baby, look at me.”

“No.” You shake your head, subconsciously nuzzling into his touch. Your lips are quivering so bad your teeth are chattering as tears flow down your cheeks and Rafe kind of wants to kick his own ass.

“Listen I- I shouldn’t have said that, okay? I didn’t - fuck baby, I didn’t mean that shit. I was just frustrated. Doesn’t make it okay though, never wanna make my girl cry.” Rafe runs his thumbs down the apples of your cheeks, wiping away the salty tears that continue to fall. “I think I’ve gotten pretty damn good about knowing how you work. But with us living together now there's gonna be new shit that I’m gonna have to pick up on. I’m so sorry princess.”

“I just - I - just wanna be enough for you. Don’t wanna be a burden.” Your body tries to curl in on itself even more but Rafe doesn’t let it, he grips onto your hips and pulls you into his lap. He wraps his strong arms around you as he starts to rock you back and forth.

“Want you to listen to me baby, aight?” He takes your jaw in his hand, tilting your head towards his to get you to look at him. When you do it nearly cracks his heart. He hates that he made you feel like everyone else always has. “I never should’ve fucking said that shit. I didn’t mean it. Not even a little bit. I wouldn’t change a single thing about you, okay? I fuckin’ love you and all your weird little shit. Your weird little shit just makes me love you more. I’ve never known anyone like you. You’ve taught me so much. I guess I’ve just still got some shit to learn. But I’m trying, Bats. I’ll never stop trying.”

“You really mean it?” You sniffle as you look up at him through your teary eyes and Rafe has never felt more bad than he does at this moment. If he saw anybody else making you cry like this they would be so fucked and here he is, doing it.

“Of course I fuckin’ mean that shit, baby girl. I’m sorry for losing my patience with you today. I never, ever, wanna hurt you. Never wanna make you feel like all these other douchebags on the island do. Kind of want to run them all over, including myself right now.” Rafe lets out a dry chuckle when he sees the corner of your lips tilt up slightly. His large hand runs down the back of your head, smoothing down your hair as he continues to rock the both of you. “You know I love you more than anything, right?”

“It’s okay, Rafey. I know I can be too much sometimes. But I do know that you love me.” And you do. Especially right now. Rafe never opens up to you like this. And you kind of want to blow him right now.

“Hey, you aren’t too much, aight? Don’t ever let anyone make you feel that way. Including me, put my ass in check baby. God knows I need it.” He smiles down at you before leaning to place a gentle kiss on your lips. “Want me to put some nuggets in the air fryer for you and we can watch that movie you’ve been trying to get me to watch?”

“Mhm, that sounds perfect daddy.”

All things Rafe & his weird!girl here

[writers-hes]

tell me you need me (1 of 2) | c. berzatto x reader

It was good when you started but Carmen Berzatto had the ability to make anyone fall in love with him no matter how much you tried not to. (friends with benefits!carmen, smut, mndi!!!, unprotected p in v, smut! smut!, angst!! fluff, maybe some bad words, blood, unedited) MASTER LISTS

TAGLIST

I need you tonight. Want to go?

You sighed at the message that Carmy sent you. “Want to go” was a code for “I want to have sex.” and it’s been working pretty well for these past few months. You both needed some sort of release for the pent-up stress that you both have. Carmy, with the Bear and you, with art. You were a full-time artist; creating art inspired by food using oil paint and other forms of media. You’ve been stressed with your upcoming gallery opening next month. Would they love it? It’s quite hard to meet the expectations after winning the Herb Alpert Award in the Arts last year. It was close to Carmy’s James Beard Foundation award, if not the same. In a way, at the end of the day, you were two people excelling in your jobs except for everything else. You sucked at relationships, friendships, connection…what wasn’t artistic; you sucked at. Carmy was the same. Without thinking, you typed your response, a four letter word. Maybe you’ll see him tonight.

-

Carmy enters your home like he lived in it. He had his own set of keys, it was easier that way. He’s been so stressed with the Bear and the only thing that he needs is to blow off some of that steam before he can be functional again. There was supposed to be a celebrity who was wishing for a whole fucking kitchen tour tomorrow and he had to stay behind to make sure that everything was perfect. 

“Hey,” he greets you when he sees you perched on your couch. He liked your apartment much better; at least you had multiple rooms and your own space. It’s not like his; there was work everywhere while yours felt homey. Except your studio down the hall—damn, how much do artists earn today?

“Hey,” you replied. “Did you have dinner yet? I can heat up some of the Chinese food I ordered earlier.”

“No, no. It’s alright,” he says, removing his shoes in the doorway. You were always so tidy and meticulous. No outside clothes on the bed; he had to learn that the hard way. “Actually, um, can-can I take a shower first? I want to wash the day away and I-I smell like the kitchen.”

“And you took the L,”

“Ubered here, actually.”

“Surge rates?”

“I was in a rush.”

“Oh,” you gulped. “Well, you still have your clothes in my wardrobe and your toiletries in my bathroom.”

“Which one?” he asked. “Which-which bathroom?”

“The one in my bedroom,” you replied. “You know where the fresh towels are. So…”

“Uh, yeah-yeah,” he says. “Thanks.” You only smiled at him. Conversation before your engagements are usually awkward because you both knew what the two of you were there for. It’s more comfortable afterwards; when he talks about the Bear or asks you about your art.

You and Carmy met from a friend of a friend. You were looking for chefs that could serve you inspiration for your paintings when she mentioned Carmen Berzatto. You reached out to him and he replied three months later, telling you that he can show you some of the recipes that he’s been working on. He’s an artist himself—Sistine Chapel art kind of stuff. He explained the components of his dish over dinner in your hotel apartment in New York. You mentioned that you were from Chicago and he mentioned that he’s from Chicago too…you drank too much wine and the rest was history. 

You both stopped communicating when he met Claire but he reached out again, asking if you wanted to meet. He told you all about her and how he fucked up. You drank too much wine again. History has the habit of repeating itself.

You swore to never fall in love with Carmen Berzatto and you didn’t…not until recently. He used to leave immediately once you’re both done. Lately, he’s been staying over. He talks to you about everything. He stays over and wakes you up with coffee and some Michelin Star quality pancakes or French toast. He watches you take your first bite before he takes his, likes to watch your reaction and likes hearing your praise.

You were too lost in your reviere to notice Carmen walking to you, all fresh and clean. He lays a hand on your shoulder and kisses your neck.

“What are you thinking about?” he asks, voice deep and sultry. 

“You,” you replied, reaching up to massage his curls. 

“Good,” he says, removing himself from you and sitting on the opposite side of the couch. “Needed you today…but I want to talk first before…before…”

“That’s fine with me,” you replied, inching closer to him. “What’s wrong?” He puts his hand on your knee, squeezing it lightly. Since when was he so comfortable around you?

“I…I just… Mikey,” The name lingers heavy in the air. Anytime Carmen feels the crushing weight of the pressure, he says Mikey. Whenever he feels inadequate, not enough, never enough—he says Mikey.

“He’ll be proud of you, Carm,” you said, smiling at him. “Like everyone else is.”

“I’m sorry for not inviting you to the opening…Claire was-was there and…”

“I understand,” You put your hand over his to reassure him that everything’s okay. “I understand.”

“You wouldn’t have seen me,” he chuckled. “I was locked inside the walk-in the whole time and well, everything was great. What if I’m not needed?”

Is it too late for me to love you? 

“Carm…” you trailed off, trying to find the words. “Of course, you’re needed. The Bear wouldn’t be The Bear without you, you know? Your family must be so proud of you because I know that-that I am. I’m so proud of you and I-I need you so much,” you told him. “I need you, Carmen. More than you could ever know.”

Is it too late for me to love you? 

Maybe it was the words that you said, maybe it was the long forgotten show on the T.V., maybe it was because the T.V. screen illuminated your face in a way that was so, so beautiful. Maybe it was just him.

“Let’s go to bed,” he rasps, taking your hand and dragging you to the bedroom. Once he closes the door behind him, Carmy presses you against it, taking your chin and kissing you. It was slow and needy; this kiss was needy. You trail your hand underneath the white shirt that hugged his figure. You caress his sides up and down; softly; slowly and Carmen releases a whimper into your mouth. I need you. I need you. I need you. 

“Baby,” he whispers, pulling away from you to remove his shirt. “Baby, baby, baby.”

“I need you, Carmen,” you muster the courage to kiss his neck now, sucking and nipping right under his collarbone. He lets you do it, he lets you mark him like you own him. He tugs on the roots of your hair lightly. You lick the purple bruise, nipping it again just so it could last one more week. Carmen was sighing above you, letting you take him like he wanted to be taken. His hands itch, slipping right under the waistband of your panties to cup your heated cunt. “Carmy,”

“I know, baby. Let’s get you to bed, hm?” he asks, pushing you slightly. “Lay down for me. I missed you so much. Let me show you,”

You obey his commands, opening your legs widely like he likes. He crawls until his face is right in front and removes your underwear, tossing it to the side. He’ll take care of that later.

“You’re so wet,” he groans, when he lets his index finger trail along your slit. You buckle in need; silently begging him to do more. “So, fucking wet,” he repeats, parting your folds until he sees your glistening cunt. 

“Carm…” you whine. He spits on your clit and you whimper. 

“Let me taste you, hm?” you heard him say, his wandering fingers rubbing all sorts of shapes on your folds. You could only nod and he takes that, licking a bold stripe. You press your cunt against his tongue and he just takes it. He licks a few more stripes before sucking your clit softly. 

“Carmy,” you moan. Your hands trail down underneath your shirt, thumbs softly flicking your sensitive nipples. Carmy could just come at the sight of you playing with them but he holds back, sucking your clit harsher before plunging his thick middle finger inside you. “Oh, fuck,” 

He pumps the finger slowly…in, out, in, out while he licks your sensitive bud. 

“Fuck, Carmy,” you whimper. “Fuck me,”

“Later,” was his nonchalant reply; enjoying the sweet nectar that dripped from your sloppy pussy. It was better than any dessert he’s ever had before. If it was um to him, he’d have his head buried in between your legs, eating you out forever. You buckle again, pinching your nipples hard and tugging them. 

“Carm…”

“I know, I know,” he says, sucking your clit harshly for one last time before crawling on top of you. “Taste,” he orders. You obliged, opening your mouth and putting on a show with the way you licked your juices off of his finger. “Fuck,” he groans. He palms himself through his boxers while you sucked on his finger. You released it with one last suck before putting your hand on top of Carmy’s to feel his hardening cock underneath. You push his hand away while you squeeze his member lightly. Just enough for him to rut his hips against your hand. Just enough for him to toss his boxers to the side.

You tried to sit up to see him pump a few strokes, moaning your name while he did. He gets off the bed, looking at the way your body moved while you breathed. 

“Beautiful,” he whispers to himself before dragging your body to the end of the bed. He pries your legs open and puts one of them over his shoulder. He liked it like this, it fills you up in ways you cannot describe. “Need you to play with your tits while I fuck you, hm?”

He taps his cock against your pussy.

“Can you hear how wet you are?” he asked, sliding his cock in between your folds. You could feel the protruding vein run along your nub and you moan, massaging your breasts to show him your obedience. “Fuck,”

“Carmy…” you whimpered. “Please.”

He hums, grabbing his member and teasing your wet entrance with his pink tip. “You’re so…”

With no warning, Carmy plunges deep into you and you both groan. You were waiting for this. He’s been wanting this the whole day. He stays there for a few seconds before he thrusts in and out of you slowly. 

“Fuck,” 

The slopping noises inside your room reverberated in your walls and for a few moments, the sounds of your groans and skin slapping against skin heightens your arousal. Carmy thumbs your clit and he feels your walls clench around him.

“Don’t do that, petal,” he rasps, sweat dripping on his forehead. “I’ll cum fast if you do.”

“Sorry,” you choked out. He only grunts as he adjusts his pace. He was faster now and you could hear he ragged breathing. “Carmy, I need you.”

“Y-you need me,” he repeats to himself. “You need me.”

“I do,” you told him, moaning when he plunges his cock deep inside you. “Need you, need you,” 

“Oh, fuck,” he groans. “Tell me that you need me. Tell me,”

“I need you, Carmy,” you whine. “I need you to cum inside me,” 

Carmy’s eyes widened. You’ve never let him do that before. He always had to pull out or use a condom. 

“Want me to fill you up?” he asks, his voice strained. “I’ll fill you —oh, fuck,” 

“Yes, please,” you sobbed, breath hitching at the feeling of his cock twitch inside of you. “Fuck, Carmy.”

Sex has never felt this good. 

You could feel the breaking point come nearer and he does too. His movements were sloppier, his breathing even more ragged that it was. Your walls were clenching around him but that seemed to arouse him even more. 

“Fuck, fuck,” he grunted. “I’ll fill you up, hm?” 

“Yes, please, Carmy,” you whine. He could only nod, doing his best to keep his orgasm at bay. He wanted to prolong this feeling; this emotion but he couldn’t. “Fuck, Carmy, I’m cumming, I’m cumming. Carm—oh!”

He follows soon after, moaning your name as he shoots ropes of cum inside your pussy. He could feel your walls clench around him and he thrusts in slowly, to ride both of your orgasms away. 

“You-you liked that?” he asked. He doesn’t pull out. Instead he takes your other leg and hangs in on his shoulder. “We have to make sure that not a drop goes to waste.”

You nodded and felt his hands caress your legs slowly. He slowly lays your legs back down on the bed and crawls on top of you, kissing your torso, neck, and your chest while he did. 

“Stay there,” he ordered and you nodded in assent. You just let him cum inside you. He walks over to the carafe on your bedside, filling the glass with water and then, taking a hand towel from your cabinet. He pours a little bit of the liquid onto the towel. You sit up when he wordlessly gives you the glass of water. He watches you finish it and kisses your head when you gave him the glass back. He sets it on the floor carefully before opening your legs so he could clean you up.

“No,” you shook your head and he stops, alert because you told him no. “I’m…I’m still sensitive,”

“Okay, petal,” he nods, taking the glass and the towel away. He picks up the tossed articles of clothing puts it in the laundry basket. He was quiet when he takes a fresh set of pyjamas and underwear from your wardrobe. “Raise your arms,” he says and you do. He puts a new shirt on you. “Lay down.” You followed him. He puts a new pair of panties on you. “Thank you,”

You were so tired now but you were still so aware of Carmy’s actions. He stands up from the bed to wear new clothes and sits down on the bed. He carefully places your head on his lap and plays with your hair.

“Thank you,” he says, bowing down to kiss your forehead. “Why don’t you sleep for me, hm?”

“Will you be here when I wake up?”

“Waffles or pancakes?”

“Waffles with whipped cream.”

-

Why won’t you let me love you?

There were times when you’d fight with Carmen. A disagreement over something so, so, so small. This time, it was big. It was the opening of your gallery and he promised to be there. It was a big night—multiple art collectors and mongers from all over America came to see your latest pieces. They were all inspired by the food you grew up eating in Chicago; a collection of how culture, identities, and personalities affect eating. Your paintings were in vibrant colors—cup ramen with cheese, cannoli, food that you grew up eating whenever your mom was away. There were small details on the significance of the new collection to your life and he wasn’t there. You were on the stage, telling everyone how grateful you were to the audience but you were preoccupied, looking for a familiar mop of curls in the crowd. He didn’t come. He didn’t go. 

You smiled at them half-heartedly before leaving the stage, ready to be whisked away by some art dealer. You were whisked away by multiple guests, asking you for more details on the painting. You all told them everything they needed to know, what they should do if they’d like to make a purchase…

It would have been alright if he texted you…but he promised he’d be there. He promised he’d take you home. He promised.

-

Carmy was sitting alone in his apartment. He left The Bear earlier than usual and went straight home. He did it all, shower, put a nice suit, and fix his hair. He did it all, he even ran to the nearest florist to buy you flowers but he didn’t go. 

Isn’t this what lovers do? 

He wasn’t your lover. He couldn’t let himself be distracted again. He had to focus; he couldn’t fail the people that relied on him. He looked at the bag of groceries he got from the store; he was supposed to cook you something special tonight. Have you eaten yet? Fuck the suit that he paid for dry cleaning; fuck the flowers; fuck him. It must have hurt you—he knows that. Tonight was a big night and you were so excited to show him a painting that you’ve been working on. 

“I won’t sell it,” you told him. “I’ll have it shipped to you first thing in the morning.”

Would you still send it to him?

-

By the end of the night, you were exhausted. Happy, but exhausted. It was normal; talking to everyone and being scintillating the whole night was work but it was worth it. Your paintings all had their new owners, except for the painting that you promised to Carmy. Would he still want it? You were alone in the studio, wrapping the 4 by 3 foot canvas with the best quality glassine. You were giving this to him tomorrow. If he doesn't want to have it, you’ll probably just donate it somewhere else. 

You laid awake in your bed all night long, waiting for his text. It was funny, just last week he was begging you to tell him that you needed him but when you needed him most, he wasn’t there. 

You arrive at The Bear just before it opens, the big canvas tucked under your arm. He was sure to be there and had always told you to use the back door if you weren���t dining. You always obliged, of course, opening the backdoor to reveal everyone. You’ve met Sydney and Richie before but you haven’t met the others yet. You were an alien in an unknown world; Carmy’s employees looking at you, as if wondering who this girl was. 

“Hey,” Sydney greeted, looking at the glassine covered thing that you were carrying. “Didn’t know you were coming in today. Congratulations on your exhbit,”

“Yeah, Congrats. What’s that, sweetheart?” Richie asked. 

“Oh,” you just nodded. Carmy couldn’t even look at you. “I just came here to give this to…uh, Carmy,” you cleared your throat. “Carm…?”

“Uh, yeah-yeah,” he stuttered. “Can we go to the office?” 

“Sure.”

You followed him into the office while Richie tells everyone to go back to what they were doing. Your heart was hammering inside your chest, afraid that this was going to be another one of those petty fights that you’ve had with him. 

You were wrong. So, so wrong. 

“You didn’t come last night,” you told him, shielding yourself from him with the painting. “I…I waited.”

“Sorry,” was his laconic reply. You nodded, chuckling. 

“That’s all?” you asked. “Just…sorry? No explanation, no nothing?” you asked. “I was looking for you the whole night, Carm. You promised you were coming,”

“I don’t know what-what you want me to say,” he says, looking everywhere but at you. “I-I-I’m sorry, okay? I had other plans.”

“You promised months ago that you were coming,” you repeated. “I called Sydney last night because you weren’t answering and she told me that you left early.”

“You’re spying on me now?” he asks, suddenly defensive. “I had things to do that night. I can’t-can’t just put everything on hold for-for you.” He spits his words like venom, voice getting louder with every word.

You frowned, not recognizing who the boy was in front of you. It’s not like you asked him to put his life on hold. Your heart was beating so fast in anger, ears ringing. 

“I see. So you just need me around and you-you just I don’t know, call me because you need to get your dick wet?” you asked, matching his volume. “You just need me around when no one else is there to fuck you? Is that it?” you asked. “What the fuck?” 

Carmy blinks, tries to think of the words he’s about to say but he couldn’t stop himself. He could never seem to stop himself. 

“You’re the only one desperate enough to do so,” he shrugs. It breaks your heart in pieces, really. The nights Carmen spent nuzzling his head in your shoulder before you slept probably meant nothing to him. Your face falls, contorting in hurt at what he just said. Fuck Carmen Berzatto. Fuck him. “I’m not your fucking boyfriend. I don’t know why you expect me to just-just-just do something!”

“Maybe I wanted you there as my friend!” you shouted over. Your voices could be heard from outside but everyone else pretended like they weren’t listening to anything that you both were saying. You were shouting over each other now, the fuse just breaks. “If you didn’t have any fucking plans to actually go, then don’t give me your good for nothing fucking promises!”

“I don’t need a girl leeching on me when I’m opening a fucking restaurant. Do you want me to put everything on you just because you asked me to? I’m not your fucking boyfriend. You know that right? And maybe-maybe I don’t want to be your fucking friend either!”

“Why would I want you to be my boyfriend, Carmy? You’re-you’re fucking unreliable! You have issues that need fixing. You think Claire could fix that? You think I could fix that? You think the girls you get wrapped around your fucking finger can fix your fucked up fucking head? Huh? Is that what you think? You’re so fucking miserable you make everyone around you miserable! Grow up!” He’s hurt. That’s what you thought of him? That he was miserable? Did he make you miserable?

“I don’t need to go to your fucking art exhibition when they’re all fucking shit.”

You closed your mouth before you could protest. The pain of his words felt like a slap on the face. If he regretted it, he didn’t show it. You turned away, nodding. 

“Fuck you, Carmen. Don’t fucking call me. Don’t fucking knock on my door. Don’t…don’t fucking think of me. I’m fucking done with you,”

“Yeah? You’re done with me, huh? Fuck you,” he spits back. He heard the waver in your voice; heard how you tried to steady everything. He wanted to say sorry but you were already leaving. Richie and Sydney couldn’t even ask you what happened because you were rushing out, throwing the painting you worked hard on for days at the back. Fuck Carmen Berzatto. Fuck him. 

-

“Fuck!” his chefs could hear from outside the office. Everyone heard the vile things you both screamed at each other; everyone heard why you were so angry. Everyone fucking heard. Nobody dared to move, they didn’t want to be on the receiving end of Carmy’s anger; not when The Bear was about to open. Continuous loud bangs and sounds of some object being thrown were heard too. Sugar sighed. 

“Carm?” she called from the door. “It’s almost opening,”

“I-I-I know, Sug.” he replied, blinking. “Uh, can-can you guys go ahead? I’ll be there, I just-just need to you know, calm down?”

“Okay, Bear,” she smiles, tapping the door frame before leaving Carmen in his own thoughts. He gets out of the restaurant through the back door, about to light a cigarette, when he sees the canvas wrapped with glassine. 

“Fuck,” was the only thing he could mutter before taking it and sitting where the staff usually stayed at when they wanted a break. He lights up a stick and lets it hang loose on his lips while he opens your gift with shaky hands. He was so immersed in the experience, gently removing the tape and making sure that nothing was ruined that he didn’t notice Sydney. 

The glassine reveals a painting of a plate of cannolis. He remembered that he told you the story about cannolis during Christmas and how he wanted to recreate that—take it for himself. He traces over the precise brushstrokes shakily. 

“That’s a good painting,” Sydney spoke, her hands behind her back. “Would be a waste to just throw it out.”

“I know,” Carmy nods. “I’m sorry you had to uh, hear all of that.”

“It’s…something,” Sydney replied, making Carmy chuckle. 

“I always…always seem to uh, fuck up everything,” he muttered. “I was on the way there, you know? Last night?”

“Yeah. You were so excited,”

“I was,” he coughed. “But I didn’t go because…” Words died down in his mouth. Why didn’t he go? “I’ve said some things and she-she doesn’t want me to call her anymore and I-I understand but like, I don’t know, Syd.”

Don’t know why I could never seem to just let myself enjoy things. I don’t belong anywhere else but in the fucking kitchen. It’s the only thing I was good at.

“I didn’t really want to to, uh, fuck this up.”

-

I want to talk to you.

Come to my apartment after your shift. Or whenever.

Carmen feels his palms sweat when he reads  texts you sent him days ago. He decided to go today, finally—he was never good at confronting things; always so explosive, so defensive. He didn’t know what he’d feel like today. He knocks on your door and hears the shuffling from the other side. He just got out of The Bear; he was tired but he forced himself to go. He had to go. 

“Hey,” you smiled tightly when you opened the door. “Come in.”

He nods, wordlessly entering your apartment like how henused to. Bag and shoes on the side. Somehow, this made him more nervous than usual. This was a prelude to something else entirely; he believed that.

“How are you? he asked, voice small and looking down. 

“I’m…good,” you replied, looking away. “You?”

“Busy,” he replied. The air felt heavy and his palms were sweating. “I’m…I’m sorry for not being there when I promised you that I would,”

“Why weren’t you there, Carm?” you asked and he could hear the sadness in your voice. He knew that your exhibit meant a lot to you. “You…you told me you will and well, you were…the-the person I want to be there the most.”

“I didn’t know that. I’m- I’m sorry,” he shrugged. “But why? I mean, I-I don’t know art. I like my shit but I-I’m not cool or understand—“

“Because I like you, Carmy.” you told him, looking at him now and trying to go nearer. He stepped back and you stopped your tracks.

“You—what?” he asked, shaking his head furiously; like your confession offended him. “You…like me.”

“I do,” you nodded. “But…it doesn’t matter.”

“Fuck. How many times do we have to go back to this very same place for you to understand?” he asked, running a hand through his hair. He told you before that he didn’t want to date. You told him you understood. You told him he was being egotistic when he told you not to get attached. He wanted to leave. He didn’t expect this to happen—he didn’t want this to happen. “I don’t—I don’t—“

“Carmy,” you cautioned him, trying to ease your beating heart. “Can you listen to me? I-I-I like you, okay and I’ve been thinking about it too. I’m—you’re always staying behind after sex and well, I just maybe thought that you liked me too.” You replied, swallowing his rejection for now.

“I don’t,” he snaps, tone sharp. “We’ll both be miserable in a relationship. I’ll never make-make you happy. You’re right, you know? I’m unreliable and-and-and issues that I need to fix…and I’m not the one you’re looking for,”

“I’m sorry for saying that. It wasn’t my place to do so,” was your meek reply. How does he feel so far away when he feels so, so, so close?

“No, uh,” Carmen blinks, shaking his head. “It’s fine. I-I-I needed to hear those things, you know? I’m sorry too…for everything.”

“Thank you.”

“That’s it then?” he asked. He was distressed. How could he fuck this up after telling Sydney that he didn’t want to fuck things up with you? “I…I had fun,” You were the only one who kept me afloat when everything else turned to shit. I missed you when we stopped talking. I should have fought harder. What else could I have done?

“Fun,” you chuckled bitterly. “Fun…that’s the only thing you’re going to say to me?”

Carmy frowned. 

“What else did you want me to say?”

“I don’t know, Carmy!” you exclaimed, pacing back and forth but never towards him. “God! Tell me that I’m important to you. Tell me that I’ll still be your friend…tell me that you—that you—that I mean more than a fuck!”

Silence. Carmy couldn’t find the words to tell you what you truly meant to him…that he wanted what you wanted too but he was too scared to fuck it all up again like he did with Claire.

You nodded, looking away. You breathed in deeply, as if trying to relieve yourself of the hurt. That’s all you’ve ever meant to him. 

“You lead me along and it’s fine. I know that it’s my fault for wanting other things but at least…at least tell me that I’ll still be your friend; that I still matter to you even if I dug myself a hole by feeling things. Tell me that you still need me to put everything on hold for you because I’ve been waiting you to call me all day…”

“I don’t want you to do that. I don’t want you putting your life on hold for me,” he rasps. “I don’t…”

“But what if I wanted to?” you asked, face slightly contorted because you didn’t want to be so vulnerable in front of him. Not when he hasn’t told you what you wanted yet. Carmy was just looking at you, tapping his foot on the floor. It was a nervous habit that he developed. Fuck, he needed a cigarette.

“Can you, uh, leave?” you asked, voice low. “I…” 

“No, no, no,” he begs, rushing towards you. He grabs a hold of your elbows to remind you that he was there. Would it mean anything? Would his touch convey all of the words he wanted to say? 

“Carm…” your voice breaks. “Carm…”

“No, no. You’re not just that to me,” he reassures “But you have to understand that-that I can’t love you like that.”

“Carmen, please…” you beg, tears brimming in your eyes. “Please…just, just leave,”

You’ve never asked him to leave before but it seemed like it was what you really wanted—like it was what you really needed. He nods, kissing your head softly before detaching himself from you. 

“I’m sorry,” Carmy said. “For-for not saying the right, uh, things.”

“Yeah,” you nod, hiding yourself from him. He hated that you had to do that when you’ve cried on his shoulders multiple times. He never liked seeing you cry; he just didn’t know that one day, he’ll be on the receiving end of your sadness. He watches you rub your forehead, biting your lip to stop yourself from crying. If you started crying, would he stay?

-

It’s been months since Carmy left. He’s been in his best form in the kitchen. He was making things easier for his staff; he was working twenty four hours a day. Going to The Bear early to help with prep; staying late to help them clean after a long shift of cooking and cooking and kitchen tours. He’s been getting acclaim—more acclaim, really. There was a waiting list on his restaurant and positive reviews from left and right flooded in. The Bear was dubbed as “The Restaurant of the Year” in Chicago despite being less than a year old. 

He’s been doing good—perfect. 

It was like he was a hamster in a fucking wheel with no other way to escape. He likes putting himself in gear, like driving fast because it makes him believe that nothing really hurts him. He didn’t like being at home; it reminded him too much of you. It reminded him of when you’d lean on the kitchen counter, a small smile on your lips while you watched him cook you something. He didn’t like sitting on the couch because it reminded him of when he slept with his head on your lap. He didn’t like it in his bedroom because he’s reminded of that night when you pulled him closer in your sleep. He didn’t like The Bear because the painting that you gave him hung so proudly by the dining area. It was marvellous—they said. How was he able to get a painting that you did when your art was so valuable and in demand? 

He was moving so fast so you wouldn’t cross his mind but it seemed like no matter what he did, he'd end up thinking about you anyway. 

It didn’t matter, how come a fall like that made him feel like flying? Maybe he’s waiting for it to hit him but he was feeling alright. 

He was alright. 

“Chef!” Sydney called, looking at Carmen who was chopping the vegetables like a madman. “Carmen!”

“Fuck, what, Sydney?!” he asked, slamming his knife on the counter. 

“You’re bleeding,” Marcus told him and Carmen looked down, blood was all over the chopping board. “You’ve been bleeding for a few seconds now…we’ve all been calling your name, Chef.” 

“Fuck, I-I-I’m…” Carmen was a blubbering mess, just watching his hand bleed like it didn’t matter. “I’m-I’m,”

“Take a break, Carm,” Sydney says but her partner just shakes his head. “Carm—“

“Sydney, don’t—don’t make me take a fucking break, please.”

“You’ll need to clean up and make sure there’s no more blood,” Sydney told him. “I’m not fucking around,”

“Yeah,” he nods, putting his fist over his heart and drawing circles. Sydney nods and Carmy fixes his station. 

He couldn’t stop shaking, though. Even Tina saw how his hand trembled. What the fuck?

“Carmen,” 

“Yeah…just…just give me a second, please.” he nods, picking his knife again and doing everything perfectly. Like clockwork. He’s back. He’s back. He’s fine. I’m fine. I’m fine. I’m alright. 

PART 2

AN: Thank you for the love! This is going to be a two-part fic because I love how everything is right now… Don’t forget to comment / reblog if you like it! I read every single little thing you guys type…even the hashtags.

TAGLIST: @kpopgirlbtssvt @morgthemagpie @hal3ynicol3 @1800-queen-trash

[hai7ani]

familiar / haitani rindou

Haitani Rindou turns 32, gets married, and he silently wonders why people are so nice to him now.

the old retired ladies promoting milk powders and selling fresh fruits in the grocery store rushes up to him at any chance they get. one time when browsing for milk formulas one of them had tapped him on the shoulder, pointed at a brand she was not promoting for but thought was amazing when her own grandchild had tried it, and then placed a bunch of other stuff in his cart that she thinks his wife would need. an example would be containers of freshly cut mixed fruits that her colleague had just prepared. you remember him telling you that her tone was a lot more different than the average grocery store promoter trying to sell you a product ー it was almost as if she was talking to her own son.

when shopping for flowers just like he does every Sunday suddenly the part-timer who is usually silent, does her job and only responds to customers' needs had stepped up to him and pointed out a few selections that she believes are lovely for expecting parents. she was even smiling when doing so. and you remember he came home to you that day with two bouquets of fresh flowers ー chrysanthemum and baby's breath ー one in each hand.

today when taking you out for dinner in the local family-owned restaurant the daughter had served you a warm bowl of beef bone soup. neither of you had ordered it for yourselves, and you were about to tell her that, but her mother speaks before you can. "drink it, love. the soup is good for you." she yells a little from where she sits at the cashier with a grin. when Rindou stands to pay after finishing up her husband then refuses to take your bill for the night. "it's okay, son. dinner's on the house this time." he pats his shoulder and pushes you both out the door. "take care, you two. the next time you come i'll cook tofu for you, alright?" it was directed to you and you'd laughed, a little embarrassed but feeling warm and fuzzy nonetheless.

and now you are listening to your own husband ramble on and on about his new mysteries while he massages your feet on the couch.

"i seriously don't get it. i've been going to these places for years now and they were never this nice to us. i mean, they are nice, but never this nice, you know? it's the first time we've ever gotten a free meal from Kobayashi's."

we. us.

you brush his hair back, admiring the light wrinkles that have started to form on his skin. "that's exactly it, don't you think?" you bring it up and he hums in confusion.

"perhaps the reason why they've been so nice lately is exactly because you've been going to these places for years now. they know you."

"huh?"

"if you think about it, they've watched you go from an ordinary man to a husband, then a father. watched you bring a girl they've never seen before to these places more often and suddenly we go together all the time, you have a ring on your finger and i am pregnant. perhaps it is why. a sense of familiarity, maybe?"

Rindou looks at you as if you are love and warmth and everything pink and red and blue and purple and-

you are right, actually. you'd went from a girl he met at a bar to becoming the love of his life, the woman who is now carrying the love you both share. and the ladies at the grocery store, the Kobayashi's, the part timer who's been around even after graduating university years ago? they've all watched him grow.

when Rindou was 17 and had gotten ambushed by a rival gang alone, it was madam Kobayashi who'd ushered him into their store way past the last call and offered to cook him a nice meal, had her medical student son patch him up, her husband to chase away the remaining guys who were waiting for Rindou to come back out. her daughter had been about Rindou's age then, hiding behind the cashier and watching as he ate in silence with a cut to his lip, another on his eyebrow. (to this day still no one except for you, her, and him, knows that the reason he'd gotten ambushed that day was because he'd stood up for miss Kobayashi when she was getting bullied by one of the delinquents. she still thanks him for what he'd done whenever you both finish up your meal and get ready to leave.) Rindou was 17 when he'd first discovered what it was like to care for people; to be a human before anything else.

the two ladies from the grocery store wasn't yet retired and working this job back then. the promoter lady used to be the janitor who was working in the office building of his first job. she'd watched him gone through periods of unknowing, confusion, stress, to become a solid man of status today. the lady who is selling fruits used to work as a professional tutor and had been the one to tutor Rindou and his brother on Mathematics. although she is mute and can't respond in words when her students have confusing questions to ask, the brothers still thought of her as a good teacher because of the way she taught, which is why they'd stuck around and refused to switch teachers despite their parents' disapproval. because she is mute, she can only count on her colleague to dump containers of freshly cut fruits into his cart while motioning for her to tell him things that she actually wants to say to him whenever he visits the store.

the part timer at the florist is a lot younger than he is, but she have been working there for a very long time. watched him when he was still an inexperienced bachelor pacing around the store wondering which flower would be good on a first date to buying the same flowers every Sunday because you'd liked the lilies that she recommended.

it'd be heartwarming for anyone to see the boy you watch grow around love, into love, finding love, to marrying her and becoming a father.

"...yeah. maybe."

[soaringwide]

PAC: What should I focus on to achieve success in my chosen field? - Career tarot reading

Pile: 1 > 2 > 3

Today's reading is a career reading about "What should I focus on to achieve success in my chosen field?"

The reading is going to be kept open regardless of your chosen professional field to be applicable to various situations. I will focus on two aspects: 1) an analysis of your current situation so that you can asses and work on yourself; but also 2) the steps you can take in the world to better the situation.

It is important to have a chosen field in mind when picking the pile/picture as it is not meant to tell you what you should do, but rather help you move forward on your desired path, whether you're currently working in this field, or thinking of doing so in the future.

PILE 1

Cards: Wheel of Fortune rx; Justice; Death rx; 9 of Wands + Queen of Wands; Page of Pentacles rx + The Moon rx + Page of Wands; Knight of Swords rx + 5 of Wands + 10 of Pentacles; the Chariot

Let's start with where you're currently in your career to see if it resonates with you and if you got the right pile. For some of you, it seems you've recently experienced a pretty harsh turn of events in your career that was sudden and unexpected. Perhaps you got laid of or something you were hoping would work didn't. For others, it could also be that you're still waiting for luck to turn in your favor, you may be looking for the job or opportunity of your dreams and feeling quite frustrated by the constant struggle. In both case things are not exactly going well so we'll see what you can do to turn things around.

If we're talking about success, we need to define what success is like for you in your chosen field. With Justice upright, being successful for you would mean a sense of authority in your field, as in, people come to you for advice and look up to the quality of your work but also your work ethic. They would see you as someone very knowledgeable and with a form of wisdom regarding their field. Someone who's able to take hard decision where others would fail to be up to the challenge and face the dilemma. They would respect you and your position.

For the strengths you can count on in order to achieve success, with Death reversed, I definitely think you're not someone to give up easily. Regardless of the setbacks you face, you're able to stay on track and keep your eyes on the price. There is an element of stubbornness but in this position it's actually quite positive since it's what's allowing you to keep pushing where others would have given up. This determination, even in the hardest moment where all hope seems lost, is key to your future success.

Now for what's hindering you, it's quite interesting because it seems to contradict your strengths but I think it's only here to show that these weaknesses have the potential to be turned into strengths, and also bring some nuance to the reading.

What I see is that despite not giving up as we previously saw, you're also prone to feel like the underdog, doomed to be alone against everyone having to constantly fight against people richer and stronger than you for what belongs to you. You have the potential to be a leader and be fully confident in your capacities, but right now it's appearing as a weakness, showing that you haven't embraced your leader-potential just yet. You might be hesitant to take risks due to the uncertainty and you're merely reacting to events rather than taking them as an opportunity to climb higher. You need to learn to take initiatives if you want to step into your power.

3 cards popped out for you mental or emotional blockages. I definitely think that you have this ingrained belief that you're not worth the qualities I described in the previous paragraph. You feel too young, too inexperienced and perhaps not strong or passionate enough to embrace them. But it's a mental blockage and not something rooted in truth. You also have some type of trauma regarding financial abundance, as in, part of you is stuck thinking you will always lack what you need to be at ease, or that you will always miss the opportunities that arise in front of you. I would definitely work on dismantling these beliefs because they are hindering your growth. Everything is learned either from childhood or from later in life, and there is no reason for history to repeat itself unless you let it dictate the way you think and act.

As for what steps to take in order to move forward towards success in your chosen field, you need to resist the temptation to rush and be hasty in your progress. With all the setbacks you're experiencing, it can seem like a good idea to go full force but it's not what's needed in your case. Rather, you should plan ahead and take deliberate steps and building your foundations with a directed focus instead of splashing around. You also need to be mindful of your words and how you come across and keep the idea of collaboration in mind, be it through working directly with people or through networking I'm getting. With that said, you still need to be your own spokesperson so be assertive and don't let competition trample you over. Perhaps your field is very competitive so you'll have to learn to find that stimulating and bloom in that instead of feeling crushed and diminished. There is also the idea that you will be able to achieve success through the help of people around you. It can either be family, friends or work connections you networked with. Perhaps you need to team up with someone and start to make your own path. Regardless, don't look at everyone like they are a potential threat but see the opportunities that can arise when you join forces.

Finally, you need to believe in your own success and abundance. Yes things aren't so great right now but it doesn't mean it will always be the case. You need to learn to believe you're the one in control of your life and lean into that power.

PILE 2

Cards: Ace of Pentacles rx; Knight of Wands + Queen of Cups; 5 of Cups + 7 of Swords; 8 of Pentacles; 7 of Wands; King of Swords + Queen of Pentacles; the World

First of all, we need to start with where you're currently at in your journey to see if it resonates as the right pile for you. I definitely feel like you're quite early in your journey, perhaps even at the ''planting the seed'' phase. You got the Ace of Pentacles reversed in this position which to me means that the seed of your journey just hasn't landed in the soil yet. All this potential and energy is currently still in the realm of your mind.

It's underlined by the bottom of the deck being the world which signifies a world of opportunities waiting to happen in reality. You're definitely at a crossroad so we'll see what can be done about that.

I felt like it was a good idea to define what success looks like to you before looking at what to do to achieve it. So I think for you being successful entails being passionate about what you do, having the motivation to wake up every day without feeling like you're wasting your life. You want to feel in control of your life and that means spending most of your time doing something meaningful to you. I also feel like doing something that's emotionally fulfilling is important, and for some of you that might include something creative or artistic. In both cases, the financial abundance is important but it's a byproduct of doing what you feel fulfilled by.

As to what are your strengths, I think you're someone who's not afraid to take twisted path to achieve your goals. You might be ''street smart'' in the sense that you learn things on the go and in unusual ways and are able to see shortcuts where others only see the main road. I also get the sense that you're able to take a loss because you know that not everything is ever going to waste and that there's always something to learn from every defeat.

For your weakness, I definitely see a lack of experience and skills, which is good because it only take time and energy to remediate. However you need to be set on putting in the work in the long run in order to actually kick of your career otherwise it's remain nothing but a dream. I'm also getting that some of you might struggle with procrastination and feeling overwhelmed by tasks easily.

As for your blockages, and it is in line with my warning of the last paragraph, you might have a tendency to get discouraged easily and give up, where, again, success is all about being determined and working in the long run. Do not let setbacks or obstacles waver your motivation and ambition. It would be a good idea to reflect on what situation triggers such reactions and where it is rooted from.

Finally, for the steps to take toward your success, you definitely need to learn to be disciplined and structure your thoughts, and I'm getting, learning journey. Be clear with what you want to achieve, set down goals and work earnestly towards them. You also need to be practical about your goals and nurture yourself like you would a garden. You're not gonna shout at the plants because they don't grow fast enough. Instead, you research how to better care for them and you provide. Stay flexible in your mind and actions in order to react to events with grace, build onto your strengths to sharpen them, and stay focused on your goal. I'm getting drawn to the idea that the task you're trying to tackle requires many different elements of things to learn or acquire, so really focus all your attention toward one at a time, make it stable and fully integrated, and move onto the next stage of your progress.

PILE 3

Cards: Ace of Swords; Ace of Pentacles; 10 of Swords + the Fool; 5 of Wands; 3 of Wands; 5 of Swords + Ace of Cups rx + Temperance + 4 of Wands rx + the Moon rx

Let's start with where you're currently right now, so that we can make sure it resonates and that it's the right pile for you.

Right now, with the Ace of Wands, you seem to be at the very start of this venture, whether it's a new career path or your very first idea. More precisely, you're in the planning stage, using your mind to figure out what's the best course of action to take in the future, weighting the pros and cons and drawing out a path for the future. I see you gathering information and knowledge about your chosen field so that you can make your entry in the best condition possible.

As to what success looks like to you, with the Ace of Pentacles, I think it's simply pointing at when you'll be able to make money from it. Not that you don't want to aim for something more, it's almost like a symbol of making your first coin, that will lead to many more. With the Ace there's always the idea of potential to come, so I definitely see that at the moment success for you will be to get your foot in the door so to speak, in order to build on it later on. It's also possible that this venture for you is a new chapter of you life and putting the gear into motion is what success is to you.

As for the strengths you can count on in order to achieve success, I definitely feel like you've been through a lot and that it's taken it's toll on you, but that it actually became a strength for you since it's paired with the Fool. I was trying to express this idea when I thought about a qhote from Nitzsche which I think expresses it perfectly:

"One returns regenerated from such abysses, from such a severe self-consumption of grave suspicion, having shed one's old skin, more ticklish, more wicked, with a finer taste for joy, with a more delicate tongue for all good things, with more joyful senses, with a second and more dangerous innocence in joy, at once more childlike and a hundred times more refined than ever before." - Nietzsche - the Gay Science

So yeah, I think you are now rejuvenated and you heart is strong and you're full of desire to take on life and make something glorious and beautiful out of it.

For your weaknesses regarding your career, I think you lack a competitive mindset and that you compare yourself too much to others, thinking you're somewhat lacking in various departments. You're overthinking what others think about what you do and you overheat yourself instead of directing this energy towards your goal. Definitely something you can work on if you find the roots of this lack of self-esteem.

For what mental or emotional blockage you hold, I think you're blocked in the thinking stage of you project and you fear taking the first step. It's like, you know it's not going to be easy so you navigating the waters because you feel safer on the shore even if nothing happen. Perhaps you just need more time but really nothing is ever going to happen if you don't take the plunge so be careful with that. Putting your project into action is not going to be easy, but it will be even harder if you never leave the harbor.

For advice on how to move forward, a whooping four cards came out.

You need to recollect your strengths and prepare for the next battle. Take stock at what you've learned in the past, what has been lost vs won, and how you can build on it in order to propel yourself forward and get out of your current situation.

There is also the need to feed your own emotional fulfillment and not think about money and practical aspects only, which might be a reaction to our current capitalistic world but is not going to feed your soul. Whatever you chose to do next, make sure it aligns with your heart's desire and not just what will bring you a quick buck.

[vidavalor]

Crowley and Plosives

@kimberleyjean asked in my recent post on rings and apostrophes why it is that I think Crowley pops the consonants of words at times, as in "BooK. shoP", and if there is a technical term for what he is doing. There is.

Let's talk about Crowley's exaggerated plosive sounds--as well as his little "mmm" thing-- and what this all probably has to do with his hiss.

In order to talk about why it likely is that Crowley pops specific consonants when he speaks-- with it being more pronounced at certain times than at other times-- we first actually have to talk about his hiss.

Crowley's hiss is less of a separate sound and more of a slur of what's known as a sibilant sound in phonology-- it's the sound of the letter s or the letters sh. If you say the word "sash" aloud, you're using sibilant sounds twice over-- once at the start and once at the end of the word. While Crowley could probably just hiss like a snake when he's in human form, we never actually hear him do that. We hear a hissing sound manifest in his sibilant sound when he is speaking-- which is to say when he's being a human over a snake. The same is true of Lord Beezlebub, whose fly buzz sound affects their speech. In their case, their sibilant sounds turn into the letter z to mimic a fly (as in, "It izzzzz written" on the tarmac in Tadfield in S1).

Sibilant sounds are part of a group of sounds known as fricatives, which are all softer in sound. They are grouped together based on how your mouth and throat move in forming the sounds and how much air is needed to move through them and in what way to say them. The letters k, p, t-- and sometimes d, b and g, depending on the word and the position of the letter in the word-- are "hard" sounds and are known as plosives. These are the sounds that Crowley tends to pop or to which he gives exaggerated emphasis in his speech. My theory as to why is basically that David Tennant decided that Crowley would feel the hiss is weak and react to it by popping his plosives to seem more intimidating, which really does go along with Crowley's psychology well.

Crowley's hiss is a feature of what of him is a snake and, as a result, will show up in the times that a snake would hiss. That means the slurred sibilant sounds show up primarily in situations in which he feels a sense of vulnerability. Snakes hiss when they're stressed or under duress and they hiss if you try to interact with them while they are digesting a big meal. In demon snake terms lol, it means Crowley is most likely to hiss in exactly the moment he does not want to (when he's anxious or afraid, which is usually when around other demons or angels). He probably cares a bit less about slurring sibilant sounds around Aziraphale after a big meal--or a "big meal"-- and Aziraphale actually probably likes it a bit as it's his life goal to keep that snake blissssssed out but the hissing around other people thing?

Crowley hates it. He haaaaaaates it. There is evidence of Crowley hating the slurred sibilants in a few scenes.

One is that when he shapeshifts into a monstrous snake to scare the guy at Tadfield Manor in S1, Crowley doesn't hiss at him-- he roars. Like a lion. (Lions are also on the arms and legs of his reason-for-therapy-alone throne chair in S1.) And this is his reaction when he makes the guy faint from fright:

He loves it. Ah, control...

Because Crowley is a lot of things, really-- he's a snake, yeah, but he's a big cat, he's a crow, he's a nightingale, he's a black swan, he's a horse... we could go on. To control the hiss when he wants to is to feel in control of himself.

We all know how much Crowley seeks as maximum control over how he's perceived by others as he's capable of generating. It's a normal response to all the trauma he's suffered. It's probably worth considering as well that Satan's attacks on Crowley render him incapable of controlling his own mind and body for the duration of the assault. He doesn't have the option to speak or, if he does, the words aren't his own. These are bodily autonomy violation issues and the result is that Crowley hates anything that makes him feel weak and the fact that he has in the hiss what amounts to a nervous tic that is a symptom of his anxiety disorder makes him feel out of control of himself.

Another example of him hating the hiss is when he intentionally slurs the sibilant s sound while mocking Heaven:

Crowley is not just talking about composers in this scene in general but using first-class composers as innuendo for sexual partners and mocking Aziraphale's potential choices if he gets stuck in Heaven for all of eternity. He does so by combining soft fricatives and his slurred sibilant hiss, showing how he equates the hiss with a sense of what he considers weak and unattractive.

The other scene that suggests this-- and shows how Crowley pops his plosives as a counter to the hiss-- is actually the end of the apology dance, when Crowley pops a t so hard, it's almost its own word: "You were righTTTTTT."

The apology dance scene and its hard T as the final note of the mock-submissive dance also makes it clear that, unsurprisingly, Aziraphale knows what the popped plosives are all about. Plosives are, well, explosive. They have harder, louder, more dramatic sounds. It seems like Crowley pops them both as a measure to counter his hiss and as a measure to try to control it. He's taught himself to respond verbally with intensive plosive popping instead of hissing, which is also why we don't actually hear him hiss all that often.

One of the only times is almost immediately after this:

Because saints and demons preserve us, it's Master Crowley, right? But then Satanic Nun!Nina interrupts them and Crowley starts slurring his sibilant sounds in sarcastic response to Aziraphale telling him that he didn't need to put the woman in a trance.

"Oh, oh, 'xcccussse me, ma'am, we're two supernatural entities looking for the notorioussss SSSSSon of SSSSSatan. Wonder if you might help us with our inquiries?'" How he controls the sentence, though, is really interesting. The extra-exaggerated sarcasm of the last sentence helps him regain control enough that the final 's' in 'inquiries' isn't hissed and he's back in control of it. He's also almost amping up the sibilant sounds he does slur sarcastically as well. Part of why it comes out here is that he allows himself to be less guarded with his speech in front of Aziraphale.

We've actually only heard him hiss his sibilant sounds about three times, if memory serves me correctly, and two of them are related to Heaven and Hell-- the two moments I mentioned above. They're examples of him trying to control-- and then sarcastically wield-- the hiss. (Particularly "celestial harmonies", which he did entirely intentionally.)

There's also one more positive instance of a sibilant slur though and that's this: "Yessssss, the 'Reign of Terror.'"

The long hiss of a "yesssss" in this scene is not one that bothers him because drawing out a sibilant sound during a sexy conversation with Aziraphale is a very different situation than one about or involving Heaven or Hell.

If you look back on the series, there are probably no more popped plosives than in Crowley trying to ascertain just wtf Gabriel is doing in the bookshop wearing nothing but their tartan bedsheet.

"WHaT. Arrre. You. DO. ING. In. THis. BooK. ShhhOP?" 😂

Crowley was literally terrified (and also losing it internally because he just jumped and basically screamed at the sight of Gabriel) and there's a very brief "shhhh" in "bookshop" that starts to slur and has him practically shouting the "OP" to finish the word without full-on hissing. It's a scene built around the plosives, really.

Gabriel probably understands Crowley's manner of speaking more than "Jim" did in this moment as Gabriel has his own affected way of speaking. His defensive speech has the same need for a sense of maintaining an appearance of control and dominance but is usually less about emphasizing plosives and more about conveying a sense of power through a perceived sense of "manliness" in a smug, corporate sort of way. The way he says "but as The Almighty likes to say: 'Climb Every Mountain'" in that 'CEO saying the bullshit company slogan to a junior employee at the company retreat' sort of way.

Gabriel usually uses intimidation through lower, more frighteningly measured tones that carry the sense that if you pissed him off, he would explode and it would not be pretty for you. It's what makes the moment when he does actually a bit shocking and that's when you hear the force come out in his speech a bit.

He pops plosives in the curse and owns the 'fucking' in that sentence as a result. That is top shelf use of a curse word, in that it's selective enough and pronounced in such a way as to give it real power. You know he's going to lose this round because he can't win it but you're still kind of afraid of him-- maybe for the first time.

But Jim? Jim has none of this.

Jim is a guileless lovebug who doesn't understand why Crowley would feel the need to speak-shout at him and pause dramatically so his "I. AM. DUSTING." response is priceless. Jim over-emphasizes all of the sounds because he doesn't know why Crowley only emphasizes the plosives and he pauses dramatically between the words more out of confused repetition of Crowley's speech pattern to try to relate to Crowley than out of understanding that it was meant to intimidate him. He uses the same sense of theatre that Crowley uses without any context as to why Crowley feels like he has to and, as a result, it guts Crowley's whole attempt to intimidate him to compensate for his own feelings of vulnerability.

Crowley and Aziraphale both are fascinated by words and the evolution of language and they speak every language in the world. This means that they both have the ability, in theory, to correctly speak in any accent in the world, which is necessary to be able to pronounce the words in every language. Between that and his self-conscious, trauma-adjacent, plosive/fricative issues, as well as just being interested in how things like pronunciation informs the evolution of language, Crowley is more aware than most of how he sounds when he speaks.

But there's also that his unique way of speaking-- when combined with his low, rumbly voice-- can be very sexy and he's aware of it, namely because it's clear that Aziraphale thinks his sounds-- all his sounds, along the full spectrum of them-- are hot. As a result, we also have scenes in the series wherein Crowley will sometimes heavily emphasize plosives-- and fricatives-- around Aziraphale just for fun because to do so has become a part of how he speaks and because the angel likes it. An example: the "lotsss of GooD DeeDsssss" bit of this:

That Aziraphale likes the full range of Crowley sounds is symbolic of the fact that Aziraphale likes the full range of Crowley, full stop. As a result, Crowley plays around with how he enunciates words, often drawing out parts of them in ways he knows Aziraphale will enjoy. His "oo" and "ou" sounds are often elongated into an "oooh"; he softens fricatives to a breath at times when speaking more gently. At other times, he amps up his RP accent and emphasizes certain words in a sentence with pauses and heavier enunciation ("canopy", "astonish") to maximize their appeal and to draw Aziraphale's attention to them, usually also for wordplay-related reasons ("did you smite them with your wrath?" in Lockdown, for example.)

Then, there is that part of their language thing also appears to be an interest in onomatopoeia, which are words that have derived in language not from a connection to other, previously-existing words but from the sounds of Earth. Crowley, in particular, loves onomatopoeia, and likes to weave words that are that into his conversation-- "frou frou", "whoop", etc.. The word "hiss" is onomatopoeia. Unlike other etymology posts I have written or will write, there is no "derived from the Old French x" or "from the Latin x" or the like for the history of "hiss"-- it's just literally that people heard a snake hissing and said that sounds like "hssss" and so we're going to call it a "hiss."

While Crowley has issues with his anxious snake hiss, though, he actively likes to make the pleasurable sound the humans (and angels and demons) can make-- the ultimate in onomatopoeia. The word that is actually more his anti-hiss than his popped plosives:

"Mmm."

"Mmm" is derived from nothing more than the human sound of contentment. It's an often almost involuntarily hum of pleasure-- the human sound of satiation. There is no other history to the word but that and there has not been since beings began to exist.

Crowley makes the sound unconsciously but he also makes it consciously at times when speaking with Aziraphale because he knows Aziraphale likes the sound of it. Case in point: the very obviously intentional "mmm" in the Edinburgh phone call (and the heavy, exaggerated plosives emphasis on what followed it):

"Mmm" is also something of an etymology joke as well because, at last count, I think I had at least twenty-five instances in a note file here about intentional wordplay between Crowley and Aziraphale that focuses on frequently confused words and phrases (to founder vs. to flounder; whoop vs. whoomp; wittering vs. withering; to get a wriggle on vs. to get a wiggle on, etc..) which I bring up mainly because, especially when written, "mmm" is frequently confused with "hmm", and the etymology of "hmm" is pretty funny from a Good Omens perspective.

While "mmm" is a sound of pleasure, "hmm" is a sound made of consideration, a kind of pause in a sentence to acknowledge something that was spoken and to either suggest you're giving it thought or to show hesitation over what was said-- or, possibly, both. While "mmm" is a contented sound derived from the human body, "hmm" is onomatopoeia because it is imitative of a different, very specific sound in nature...

...it comes from the droning sound of buzzing bees.

To Crowley and Aziraphale, "hmm"-- the sound of hesitation and reflective contemplation-- is a sound of the insects that are symbolically the angels and that's amusing to them since the humans frequently swap it out with their signature sound of pleasure while Crowley and Aziraphale do not find much about Heaven very arousing.

Crowley's new favorite hobby in S2 is making dirty jokes that are going over Muriel's head-- some of which, like his handcuff innuendo while getting Muriel to take him to (literal) Heaven, are a bit on the surface. Others, though, like the frequently confused words wordplay of using "mmm" in protest of Heaven instead of "hmm" in the "mmm, bees" moment after successfully getting one over on the angels-- are examples of just wordplay jokes that Aziraphale would have found funny that Crowley was amusing himself with in the moment.

Crowley is definitely not the only one of the two of them amping up those mmms though. The only bee who has his attention is playing right back...

...and the mmm thing is not exactly new, either...

...like for him to mmm his way through an entire barbecued ox five minutes after this...

Original post that prompted this response:

[cinamintyy]

Hello! I was wondering if you could do a small request? I was thinking of Capitano with an s/o who’s a dragon? Like just a normal dragon that can turn into a human(like Nuvulett<don’t remember how to spell my hydro dragons name) and there the last of there kind?(By that I mean born a dragon and went into hiding because of over hunting also By dragon form look at the dragons from House of the dragon for some inspo) how do you think he’d react to seeing his s/o’s dragon form for the first time and having a flight? Lest not forget to deep snoring…if not that’s alright I just wanted to put this out there.

Capitano has me in a chokehold I swear

Capitano x Dragon reader:

A/N:Sry this is late, but I love this idea sm. I'm just clearing out my inbox for these next days.

CW: Dragon reader, hybrid reader, minor character death.

It was cruel how all of those you knew were taken from you, simply for sport. Killed and taken apart for wings or horns as trophies. You saw all this happening and decided this would not happen to you, so you hid, amongst the humans. You hid any feature that would identify to those hunters you were a dragon, something the rest of your kind couldn't or refused to do. You wouldn't end up hanging on the wall, so you abandoned who you used to be. You didn't have a home, but you eventually decided to settle in Natlan. The pilgrimage wasn't an interest of yours it never was, either way, you weren't from Natlan so you couldn't join. For the stories you told and how wise you were, I mean, you did live a few hundred years. The smaller children especially enjoyed your "made-up" stories of dragons and flying through the sky at extremely high altitudes and speeds. To be fair, your life was going pretty peaceful.

One day, you were at a bar just to get a quick drink when this larger-than-average man who was fully covered in armour sat next to you and ordered a drink. He piqued your curiosity, so you started small talk, but it's safe to say he was a brick wall. You continued to have determination and persisted in talking to him. Capitano was honestly impressed at your persistence and decided to humor you. You both met at the same bar every day to talk. He loved the wise energy you emanated. To be honest, he became smitten, he loved seeking you for advice. But one thing that ate at you was the fact Capitano didn't know the actual you. The fact you were a dragon, the closer you both, the bigger the urge you had to tell him was. You need stress relief and what better way to relieve yourself than to take flight? Just the way you used to, at the very same heights and altitudes. What you didn't know was Capitano knew something was wrong, to him you acted 'odd' and kinda standoffish. He was about to visit you so he could what was up with you when he saw you headed somewhere else. Which just so you know this was at night so it was quite odd, he decided that instead of asking you where you were heading he would just follow you. Secretive? He knew, but what if someone was harming you and you were keeping it secret from him? If it was harmless he would leave knowing you were fine. You decided to take a quick fly around the outskirts of Natlan at night, if any people saw you they would just be seen as having a screw loose. C'mon, this was Natlan, the only place where someone would most likely just see a dragon flying around was Mondstadt. Unbeknownst to you, Capitano saw the whole thing, from you transforming, to you flying, and to you landing back down. You had only realized he saw you afterward. "I apologize, I feel as though I've intruded on you, you've been acting quite odd as of late, and I thought I should follow you to make sure no one was hurting you. I truly apologize I was too forward in my actions." He said to you bowing slightly to show how apologetic he was. You cursed yourself for being so careless silently before replying. "It's alright you had good intentions, either way, you were going to find out one way or another. I am, as you can see, a dragon." Capitano stared in silence before finding his words "A beautiful one I might add, I quite enjoyed seeing you soar through the air." You blushed at the words, "So you're not angry that I've kept such a secret from you?" You asked. "Goodness no, it's understandable why one would keep such a thing, but I'm glad I now know." You let out a sigh of relief at his words. "Perhaps one day you should take me out flying, I think I'd enjoy it." He said proposing an idea for a next date.

Perhaps you would take him outside flying, you think you would enjoy it as well.

[miaoua3]

ovulating thinking abt jihoon rn can u make his version of the sfw and nsfw headcanons pretty pleaseee😓😓i love your writing i feel like it matches them so well

honestly you’re so real for thinking about jihoonie while ovulating, he gets me going like that too😭 thank you for saying that, i always try to think so hard about how the boys would be/act, trying to stay as close as possible to the true portrayal of them❤️

Jihoon Boyfriend Headcanons:

•(sfw! hcs):

i already said this but i will repeat it for the people in the back: JIHOON IS A ROMANTIC THROUGH AND THROUGH!!! just because he isn’t overly touchy and calling you “honey boo boo bear” like mingyu and dokyeom do doesn’t make him any less of a romantic, he simply shows his love through actions- writing songs for and inspired by you, always ordering your favourite food when he knows you haven’t had the time to eat, buying all the small and somewhat stupid things that he knows will make you happy etc. when jihoon loves he loves strongly and also gently at the same time

he definitely let you reorganise and decorate his studio because he got bored with all the boring decor he had (plus you spend almost just as much time in there as the rest of the boys and almost every evening with him so he wants you to be as comfortable as possible, and if it means buying a lilac couch that is fluffy and totally not his style, then so be it)

believe it or not, behind the closed doors jihoon is actually very cuddly, he loves to snuggle into you, his face hidden in your neck as you sit on his lap while he’s sitting in his chair in front of a computer, one hand gently running up and down your back while he’s clicking around the screen-it always makes him feel calmer, being in your arms, feeling your breath brush against his neck and tips of his hair. plus if you fall asleep like that? jihoon will literally have to physically grab his chest where his heart is from how cute he finds it

although he’s a cuddly bear behind the doors, in front of them he’s still a grumpy little cat that he always portrays himself as, a little tsundere if you will. but he still wants you to know that he loves you without saying it out loud in front of everyone, so he will proceed to do such silly things like thrusting a cup of coffee he bought for you, his face turned away from you (the tips of his ears red however), mumbling out something along the lines of “for you”, he’s just so dkanosbaoabs i want to squish his cheeks and kiss his little chubby cheeks AAAAAH I LOVE HIM SM

loves hiding your voice in his songs, just a little giggle he recorded secretly, or you saying something cute and/or inspiring, he just loves making you part of his art, especially because he considers you his muse. and this way you get to live forever, in a form of his song and i just think that’s so romantic, like being loved by an artist is such a beautiful thing to experience like hoonie pls let me be your muse😭

you actually didn’t know this until you started spending more time in his studio but he gets really bad headaches due to staring at the screen the whole day, paired up with barely eating and not drinking enough water you get a jihoon that can barely hold his eyes opened due to how bad the headaches are. that’s why you started carrying ibuprofen everywhere with you in case he might need it. but what helps him even more than any medication is when you make him lay down on his couch with his head in your lap and when you gently massage his head while talking to him softly about something. he relaxes so fast any time you do this that it has become sort of a daily routine for you to do this, this makes him feel so loved that he often has to close his eyes in order to hide the tears that are brimming his eyes (you would never tell him this but you still see the tears every time he does this)

going on tour is always the hardest time for jihoon because he has to be away from you for so long. he just gets so used to having you around him every day, to your wide smiles while you call him “hoonie” or “jagi” that he feels like he loses a part of his identity when the fans start referring to him only as “uji” :( and don’t get him wrong, his fans are not the one in fault here, neither are you, it’s just a tricky situation that doesn’t really have a good solution other than bringing you with him while he’s touring for months (which you can’t afford to do) or sucking it up for a few months for a bit until he gets to come home to you :(

•(nsfw! hcs):

“oH hE wOuLd fUcK yOu iN HiS sTuDiO” yeah yeah we all established that BUT WHAT ABOUT YOU COCKWARMING HIM IN HIS STUDIO??? just imagine- he’s sitting on his chair, pants pulled down just enough for his thick cock to be freed, your wet pussy clenching around it in need, your soft whines and moans and begging hitting his ears while he tries so hard to focus on the task in front of him so he can finish faster and fuck you into oblivion right there on his desk i- i fear i need him

another member of the “pussy drunk” club. he uses eating you out as a form of winding down after a hard day, he sometimes won’t even greet you after coming home, he will just pull you to the couch, yank your pants down before letting himself fall onto the couch, picking you up and basically drag you up until your core is hovering above his juicy and hungry mouth. he won’t stop until you’re shaking and crying, begging him to either stop or to finally fuck you until you lose all of your senses

what he even likes more than you cockwarming him in his studio is when you suck him off under the table. just the sheer effort that he has to put into concentrating on his task while your tongue is swirling around his head, the rest of his dick being pumped with one of your hands while the other massages his balls, halfway through he just gives up on trying to focus on the computer in front of him and just fists your hair in his hands, fucking your mouth with his eyes closed and mouth opened, moans spilling out of his mouth without his permission

has a thing for strength, like just seeing the difference in your strength, how easily he can manhandle you into positions he wants you in and being able to pick you up with ease before throwing you on the bed with even less effort- it just makes his brain cloud with desire and need that he goes crazy whenever he hears you either gasp or moan when he picks you up or harshly pushes you against the wall

speaking of, he loves to fuck you against any wall there is, like imagine- you two come home from his studio after you spent hours just sitting on his pretty and girthy cock, you don’t even have the chance to close the door fully before he’s picking you up and fucking you right there against the wall by the entrance door, going at the speed of light, your moans and slapping of skin against skin the only sound being heard in the mostly dark apartment i- i need lee jihoon so badly istg

has a thing for bathtub sex- there’s nothing better than when they get some free time and he gets to relax and spend more time with you, doing all sorts of things together, like taking a bath together, two glasses of champagne prepared for you two to enjoy while doing so. the fact that the glasses end up getting spilled in the bathtub while you ride him, water splashing everywhere due to excessive movements he makes you make with his tight hold on your hips is an entirely different matter

surprise surprise- he has a breeding kink. you can’t tell me he doesn’t, like just the sight of you beneath him, begging with tears in your eyes to cum inside of you, to make you full of his cum and breed you is enough to push him over the edge, spilling his load inside of you to the point it starts leaking even while his dick is still inside of you. he won’t stop until he’s sure that he has succeeded in breeding you, and until he sees that dazed and satisfied look in your eyes, his grip tightening on your hips as he pushes himself inside of you to the hilt, refusing to pull out for the nectar several minutes- I NEED HIM SOOOO BADDD PLS JIHOON I PROMISE I CAN TREAT YOU SO WELL DJDJAKXJAIA PLS GOD SEND THIS MAN MY WAY

[weird-is-life]

Sorry, i'm late

Pairing: Spencer Reid x fem!reader

Summary: You are late to your first date with Spencer and he misunderstands it as you standing him up

Warnings: language, angst, fluff, mentions of food, use of y/n and pet names

Words: 1k Masterlist

A/N: English is not my first language, so please excuse any grammar/spelling mistakes

It was your first date with Spencer, the cute, a little shy neighbour. You didn't know him long, only since you'd bumped into him one late night.

You were dragging a huge pot for your new plant to your also new apartment and Spencer just came from a case. Somehow, you started a small talk and it went from there.

One day, he gathered enough courage to ask you out and when you didn't immediately respond, he was ready to apologise and run away. But you said yes with a big grin, you liked Spencer a lot, so of course you said yes.

But the date didn't start the way, you thought it would have, like at all. You were late and you felt like crying because of it.

Your car decided not to work just when you went to leave. Then you went to call a taxi, but your phone was fucking dead.

You couldn't drive there, you couldn't call a taxi and most importantly you couldn't even call Spencer to let him know, that you were running late.

You literally ran to the closest bus stop and got on the first bus, which's stop was the nearest to the restaurant, you were supposed to meet at.

You looked worriedly at your watch, you didn't know if you were thankful or not for at least it working, 'cause it showed, that you were 20 minutes late.

Your leg was bouncing as you impatiently waited for the bus to stop. As soon as the door opened, you bolted out of there and sprinted to the restaurant. By the time you got there, your lungs were burning and your side hurt.

You wasted no time to go inside and look for him, but you couldn't find him.

"Umm miss, can i help you with something?" a waiter asked you.

"Yes, my friend made a reservation here? Reid, Spencer Reid?" you questioned, hoping he'd still be there.

"I'll look..." he looked at some paper and you nervously bit your lip,"Ah yes, table six. But i think your friend has already left."

Your face fell, god you felt so stupid for accidently standing him up, " y-you wouldn't happen to know when he left, would you?"

"I think it was around 5 minutes ago."

"Thank you so much..." you stumbled with a frown out of there, mad at yourself. Spencer probably thought you just said yes to make fun of him.

And indeed, he really thought that. Spencer anxious waited for you. The first ten minutes, he still thought you were coming, it was normal for people to be late. But when 10 minutes turned into 25, he gave up.

He really thought, you would come and worse he thought, you actually liked him. A big mistake as it appeared.

He payed for the water, he ordered and went home. The embarrasment was nowhere near as big as the dissapointment, he felt. Swallowing hard, he drove home and slumped on his couch, running his hands through his hair in frustration.

You on the other hand were running (speed walking, 'cause your stamina was gone) through the city again. You couldn't let Spencer think you stood him up, there was no way you'd let that happen.

And to your 'luck' it even started raining. You felt like the biggest fucking joke. You got to your apartment complex in record time. You were soaked to the bone and gasping for air, but still very determined to explain everything to Spencer.

You quickly knocked on his door. You stood there, a water puddle formed under you, while you waited for him to open. He didn't.

You could hear the sounds coming from the inside and you saw his car parked outside, so you knew, he was home.

You tried again, this time calling his name out, too.

You heard a shuffle of stuff and then the door swung open, " Yes?" He asked, avoiding looking at you.

"I'm so-"

"We don't need to do this. I get it, you didn't want to go out, it's okay" he went to close the door, but you put your hand on the door.

"Please y/n, j-just leave" he pleaded quietly. It wasn't the first time, someone played a cruel prank on him.

"B-but i did want to go out with you, i really did," you sighed and he looked at you for the first time, surprised to see you all wet and he clearly didn't believe you.

"I mean it. I was ready to leave, but my car wouldn't start. So I wanted to call you, let you know i was going to be late and then call taxi, but my phone was dead, well still is," you pulled it out of your pocket, finding it also drowned now, " So then i got on the first bus and ran to the restaurant. You weren't there a-and i asked the waiter, he said you left around 5 minutes ago. So I quickly ran here, hoping to explain, "

You didn't even notice, that Spencer started smiling halfway through your explanation as you rambled, looking everywhere but Spencer.

"I was really looking forward to the date, Spencer. I would never stand you up like that "you paced anxiously from one foot to the other, eyes fixed on the floor.

"You ran to the restaurant?" Spencer  asked, astonished and amused.

"Well yeah," you sheepishly admited, "as i said, i was excited about the dinner."

Spencer couldn't stop smiling, he was so relieved to find out, it was just a misuderstanding, " W-would you like to come inside for a pizza?"

"What?" you looked at up in confusion at Spencer and found him softly smiling at you.

"I'm not mad at you, i believe you" he said.

"Really?"

"Yes, so would you like to come over for pizza?"

"Definitely," you said, maybe too quickly, but you didn't really care,"just give me a second. I have to change out of these" you gestured at your soaked clothes.

"Great, i'll leave the door open, yeah? So you can just walk inside" he beamed at you. Spencer was glad, that you said yes to this back up plan.

"Okay, i'll be right back" you sprinted to the elevator with a big smile, making Spencer chuckle at you.

Maybe the date didn't start the way you imagined it would, but the rest of it was better than your expectations.

...

...

...

Hey guys, thank you for reading. Feedback is always appreciated. Please let me know what you think. Also, i'm thinking about taking some requests, sooo if you have any feel free to send them in.

Have a great day and stay safe everybody. Peace out ☀️

[seospicybin]

DON'T THEY KNOW IT'S THE END OF THE WORLD?

PART I

Lee know x reader. (s,a)

Chapters: Part II

Synopsis: Making a contact with an ancient object, you meet a demon who takes form of the man you desired and forces you to commit terrible acts to stop the world from ending. (14k words)

Author's note: I indulge myself with a spooky fic and demon Minho in it. Read with cautions and enjoy x

Based on an episode of Black Mirror. Content warnings: Violence, gore, mentions of abuse, assaults and graphic imagery. Reader's discretion is advised!

"Carving is easy. You just go down to the skin and stop." - Michelangelo

-

Oh, no! You're doing it again.

When you think you're talking in your head, you're actually talking loud enough for everyone in the room to hear. It's even worse that your voice is echoing in the big chamber of the empty gallery.

They seem to not care about it or pretend to because Kim has just walked in to check everyone's work. She's your friend from art school turns an art dealer and she has a way to control everyone around her.

"I told you to let us do it for you," she says, clicking her tongue at you and crossing her arms in front of her chest.

The gallery is having some of your pieces of art displayed for the exhibition tonight and you want to make sure that they're presented the way you envisioned it.

You carefully step down the ladder and stand next to Kim, looking at the sculpture you made of a man holding an arrow with an apple stuck at the end of the arrow.

You hear Kim dreamily sigh then look at you, "You're going to sell..." She pauses to emphasize the word she's going to say next, "Big!"

Money isn't the reason why you create these sculptures but you need it in order to keep being able to do this. You have no idea how expensive a block of stone is!

The reason why you made these sculptures is because this is what you love doing: envision your imagination onto a block of stone and you carve it to bring it to life.

Why did you choose stone as the medium? Because they're durable, stubborn yet resilient. It takes time to create one sculpture but once you've seen the result, you forget about the hard work behind it.

Kim puts her hand on your shoulder and snaps you out of your reverie, "Stop worrying about your sculptures," she says.

She turns you around to force you to face her and puts her other hand on your shoulder, "Go home. Get dressed. Put some color on those cheeks. Have a pre-party with a glass of wine or two."

Dressing up sounds like a lot of work, you'd rather stay in your dungarees and striped top, "Can I just wear these?"

It's like she has just heard someone dies, Kim's hand flies to her temple and screws her eyes shut for a second, "Trust me when I say that the people coming tonight wouldn't expect the artist behind these magnificent sculptures to look like Chucky," she says with a sneering smile.

She squeezes your shoulder and tilts her head to the side, "And that's me putting it the nicest way possible because you're my friend."

It's still a mystery how you ended up friends with someone like Kim, she's the opposite of what you are, an extrovert, a tolerable narcissist, she likes attention and is forthright to the point it's borderline insolent. You're so used to her audacious way of treating you and the blunt words that come out of her red-lipped mouth.

She's been like this even before you met her and you are the friend who likes to suffer in silence, you think that's why you became friends. Nevertheless, Kim treats you better than she treats anyone else for that matter.

That explains why the gallery staff are so afraid of her. It's always best to get out of her way unless she wants you to be there. You pick up your bag from the floor along with your jacket.

"I'll go then," you meekly say.

She grabs your elbow before leaving, "Go home," she says with a glare.

"Home. Not your studio," she says again, making it clear to you.

She knows you well enough to know that you like spending your days in your studio instead of your apartment. You sling the strap of your bag on one shoulder, "Go home. Get dressed. Come to the exhibition late," you repeat the things she wanted you to do.

Kim smiles and gently cups your cheek, "Good girl. Now go!"

Once you get home though, you spend hours just sitting in the emptiness that lingers in your apartment that is too big for one person to live in it.

This is why you prefer to stay in your studio, you like to keep your head occupied rather than being alone with your thoughts like this.

And your thoughts, they're mostly of unkind things and...

Your phone rings from inside your bag and steers your mind back to your head. Without having to look at it, you can tell who it is. There are no other people who call you daily except, well, if it's an emergency call.

"Are you getting ready yet?" Kim goes straight to the point.

"Uh... yeah, I just showered, I—" you jolt awake from lying down on the sofa.

"I'm having problems picking what to wear," you add a laugh in the hope of sounding convincing.

There's a wave of laughter from her end of the phone call before Kim talks to the phone, "Stop joking. Do you like it?"

You get completely confused because she suddenly compliments herself out of the blue, "Huh? What?"

You can hear her dramatic, low sigh and you can imagine her subtle eye roll as she's doing it, "The dress. The one I hung in your closet," she tells you.

You quietly trudge your way to the closet and open it to find the said dress.

"Yes, it's beautiful!" You hurriedly say, not wanting to let her get suspicious as she waits for a response.

"Aren't you lucky to have me as your friend?" she exclaims, sounding so confident with her words.

"I am the luckiest," you tell her as you observe the dress and already regretting hastily approving the dress as you notice it has a plunging neckline.

"I know," she brags and her smirk flashes through your head.

In the background, you hear something is calling her and Kim answers with a shout, "I'm coming."

She dramatically sighs before talking to you, "Work is calling. I'll see you tonight, okay?"

"Yeah, sure, see you tonight!" You're more than relieved to end the phone call with her.

It's too early to celebrate as she hasn't ended the call yet and she always ends the call first. You have an inkling that she'll call your name.

Indeed, she is.

"Hey, don't forget to take your meds, okay?" She says.

That's probably the only yet the most endearing thing she does to you and what makes her your friend.

"Yeah, don't worry about it," you tell her.

It's time to fully assess the dress and you're in awe of how much skin you'll show if you're wearing this. Of course, you have the option not to wear but it all comes down to wearing the dress or facing Kim's wrath.

The former seems to be the safer choice and also because you're not a confrontational person, you like to avoid conflict.

Not wearing the dress means you're going straight into conflict and you don't want that.

With a defeated spirit, you put the dress on even though you have no idea how to move in such a tight dress. You summon up your below-average make-up skill for tonight and put some colors on you.

Not forgetting Kim's words, you take your medicine and wash it down with a long gulp of water. You give yourself a few minutes as you wait for the medicine to work while you sit on the couch holding a glass of water in both hands, staring out at the view from your apartment.

Kim insisted you take this apartment when you're okay with living in the studio. Not only that it's too expensive of a place to live on your own but a big place only makes you inexplicably lonely.

However, after seeing the view from up here, you feel like you're not part of this world in the most humbling way. Seeing the city and the buildings look like pieces of block makes you realize that they don't matter that much. They're all just... material things.

You sigh as you get hit by a wave of melancholia and you take it that the medicine is working.

-

Uncomfortable walking out of your apartment in your dress, you put on a coat as you leave the apartment with the sounds of your heels clicking against the floor.

The owner of the building passed away yesterday, there are so many guests visiting the penthouse where he lived. The first elevator that arrives on your floor is crowded so you skip on getting on that one. You patiently wait for the next one to arrive while clutching your purse in front of you.

A minute later, the other elevator arrives and the doors slide open, you see there's someone else inside. You believe he's been from the penthouse from how he dressed in all black.

You look down to avoid eye contact and step inside, standing at the back of the limited space while trying not to look at the man's face on the reflection from the mirror that walled the elevator.

Arrived in the main lobby, the elevator dings open and the man doesn't waste time but walks out with hands shoved inside his coat pocket.

You fix your coat before stepping out and you feel your feet kicking on something, it's clattering across the floor. You bend down to pick it up, something that you guess is a pocket watch.

Your first thought is that it belongs to the man and you look around to see if he's still around to give it to him, but he's nowhere. It's as if he's gone with the wind.

"Miss, your driver has been waiting outside!" The concierge informs you from behind his desk the second he sees you.

"Yes. I'm coming!" You hurriedly shove the pocket watch inside your purse.

As Kim instructed, you come late to the exhibition and it's already filled with people dressed so impeccably for the occasion. You take a deep breath before entering the scene that is the least you wanted to be.

You take your coat off and hand it to the girl handling the coat check, along with your purse. You feel naked even though you're not, but it's not just the dress, being in the crowd is not your forte.

The first thing to do in a situation like this is to find Kim. You avoid making contact with everyone you're walking past as you look for her in the crowd. It's not hard to spot her when she's always the center of attention anywhere she is.

"There she is!" She gasps the moment she sees you're coming her way.

She puts away her champagne flute and walks up to you, embracing you like the trophy you are, "My rising star!"

Kim puts her hand on the small of your back and smiles brightly while discreetly judging your look.

"Isn't she amazing?" She brags you off to the group of people she's talking to.

You can only sheepishly smile next to her and avoid everyone's eyes.

"She is the artist behind those magnificent sculptures," she adds with that saccharine smile of hers.

They're starting to throw praises at you and you can hear all of them talking at once, making you more uncomfortable staying in there.

You take a step back but Kim's hand does not allow you to escape, she glances at you and takes the cue.

"Excuse us," Kim says to everyone, "Enjoy the exhibition!"

Kim steers you away and pulls you aside, before you can comment on her choice of dress, she snatches the chance from you.

"You could've picked nicker shoes," she whispers through her gritted teeth at you.

You automatically look down to see your heeled shoes which you think match the dress you're wearing.

"I–I think it's—"

She cuts through your words, not giving you a chance to explain. She grabs you by the elbow, "We have no time to change it," she says, then steers you somewhere.

As Kim continues to brag you around like you're the art piece instead of the artist, you start to get that feeling that she's using you.

As a matter of fact, she used you to propel her career as an art dealer. Ever since you agreed to let her sell your art for you, her career took off.

You're more than happy to be of help but she does everything extra and she's been taking you to meet a lot of people that their faces started to blur and it's getting overwhelming that you need to get out of it.

"I'll just—" You barely finish your sentence when you walk away and find somewhere to gain some composure.

You keep walking until you find the restroom and push yourself inside, lock yourself in one of the stalls just sit on the toilet, and just breathe.

You hear the ruckus outside the stall and someone probably needs to use the toilet, you reluctantly get up to start heading outside.

The plan to leave unnoticed comes to a failure when Kim is already there right outside the restroom, "Where have you been?"

You take a deep breath to calm yourself and try to explain, "Kim, I don't think I can do this anymore. I—"

Then again, she never let you finish your sentence, "One more. I need you to meet your new potential buyer."

You grip the side of your dress and you feel like tearing it apart, "No, Kim. You know how I do with people, I don't— I just want to go home," you desperately tell her just to let you go when you're an adult and can do whatever you want.

Kim lets out an exaggerated huff and sends her fringe flying off her forehead, crossing her arms in front of her and you know what's coming for you.

"You think I'm doing this for me?" She asks.

Actually, yes. The initial plan is to sell your art but in the end, she makes it all about her.

"I'm doing it for you!" She says, turning it all on to you. She always finds a way to turn it all on to you, making you feel guilty and defeated.

Talking back to her means that you're saying yes to war and you don't want to fight a losing fight. You fist the fabric of your dress trying to suppress the anger brewing inside you.

"Just one more person," you meekly say.

Her face softens at the sign that you're once again giving her the power, "That's right. Just one more and I'll let you go."

You finally let go of your dress and you wipe your sweaty palm down the back of your dress as she guides you back to the gallery.

"All you have to do is stand next to me, smiling and explaining your art to people," Kim instructed like that wasn't what you've been doing all night.

Except that she forgot that you need to fake all of that.

Kim takes you to one of your sculpture displays and three people in suits have been waiting, talking with drinks in their hands.

"Hello, gentlemen," Kim says with an extra polite voice that makes you shudder at how fake she sounded.

"Heard you're looking for the amazing artist behind these beautiful sculptures?" She continues, presenting you like you're the one who's about to get sold, not the sculpture.

One of the three seems to be the one in charge with a stance that oozes confidence and power, a smirk that only someone who grew up with a silver spoon stuck to his mouth can master. He looks years older than you but his face shows no fine lines but that's just because he never had to frown in his life.

"I adore your art so much," he praises with a teeth-baring smile.

Kim turns at you and introduces him, "This is Nicholas de Ville from the de Ville family."

The way she enunciated his last name only means that this person holds importance and she expects you to impress him.

He holds his hand out next with an expensive, shining wristwatch decorated his wrist, "I'm Nicholas de Ville. You can call me Nick."

He may seem nice and polite because all privileged people learn manners but they only apply that lesson in real life occasionally.

You take his hand or else Kim will force you to do it. You shake his hand for a while and accidentally meet his gaze as you try to take your hand back.

"It's a pleasure to meet you, Mr. de Ville!" You say as politely as you can.

"Nick, please!" He insists with a smile.

"And the pleasure is all mine." He adds with a smile that says so many things and they send a chill down your spine.

Kim lets go of her hand and lightly touches you on your arm, "Mr. de Ville wants to know more about your sculptures so..." she quietly pushes you his way.

Nick courteously laughs and says, "Would you be kind enough to give me the tour?"

You consider it for a moment but seeing Kim's glare, you know you have no option.

"Yes, sure, I would love to," you answer with a strained smile.

"Great! Please, lead the way!" Nick says.

When you think the other two are coming with you, it's just you and Nick, walking through your sculptures and you explain each one without trying to bore him like Kim has taught you a few times.

"... it's inspired by the Greek mythology. The apple in the arrow means that when it comes to love, we know no rules, we follow our desires—"

Nick is too busy looking at you instead of looking at the sculpture you're tirelessly explaining to him. Guessing that he isn't interested, you stop talking altogether.

"I'm sorry if I'm rambling," you sheepishly say to him and keep looking at the sculpture.

"No, no, that's okay," Nick says with a smile and takes a stand close to you, also looking at the sculpture.

"Your art is as beautiful as you," he says.

You're getting uncomfortable at how close he is with his elbow brushing yours. You nervously swallow air and lowly mutter, "Thank you."

Nick takes it the wrong way. He takes it that you're replying to his flirtation when you thought he was earnestly complimenting you, he starts to place his hand on your shoulder.

You reflexively shrug his hand away but that only sends his hand down to your back where he can touch your exposed skin. As his fingers make contact with your skin, you take a step back until his hand drops.

"I'm sorry," you regret apologizing for something that you didn't do wrong.

He looks at you as if he didn't just do something wrong or touch you without your consent. You feel repulsed by yourself and take another step back, "I'm sorry, I just need to—"

You keep walking away, away and never looking back.

-

The musty smell and dust that hang in the air welcome you to the studio.

You take your dress off the first thing you do when you get there and put on any clothes you can find in the dresser, a black T-shirt and worn-out jeans.

You put your earrings inside your purse and the pocket watch you collected earlier spills out of it, falling onto the couch.

You're intrigued to see inside the locket to get a hint on who the owner is, you're trying so hard to open it with the strength you have but it won't budge.

Exhausted from trying to open the antique-looking object, you give up and walk over to the sculpture you're working on. You put the pocket watch down on the table next to your carving tools, then pick up a chisel and a hammer.

For every hit of the hammer, you feel like unleashing something that makes you feel lighter and lighter and makes you hit the chisel harder and harder.

You eventually get exhausted and take a step back, leaning against the table while looking at the unshapen block of stone in front of you.

You grope around for a bottle of water and take a sip, putting it down as you wipe your mouth after. Your fingers nudge something as you place your hand on the table, it's the pocket watch blinking under the fluorescent light.

It seems to be calling for you, inviting you to try and uncover the mystery inside.

Looking at the small chisel next to it, you decide to give it another try by prying it open with the chisel. You slip the sharp end in the crack and use your strength to push it open only for the chisel to slide to the slide, cutting the side of your finger.

You drop the pocket watch as blood drops from the wound onto the table. It's not the first time you injured yourself, you know what to do. You go to the bathroom, wash your finger under the running water then grab your first aid kit from the drawer.

After tending to your small injury, you decide to not continue working when you're angry. You take another sip of water and lie down on the couch.

With the quiet that hangs in the room, you slowly drift into sleep.

-

SEVEN DAYS TO THE END OF THE WORLD.

The darkness greets you even though you have opened your eyes.

Pretty sure you kept one of the lights on when you went to sleep but it's all dark now in the room, you can't see anything but lights that shine through the cracks of the blinds.

You slowly get up from the couch to turn the light on, carefully walking to where the switch is, and once you flip it, lights flood the room.

The first thing you see is the pocket watch that is now open, you walk over to the table and pick it up to see inside that it's just a normal watch but it doesn't have numbers on it like all watches have.

You close it and see that your blood tainted the lid, this time, you can easily open it without a hassle.

"Hello!" A voice says.

Surprised to hear a voice coming from it, you drop it back onto the table. A moment later, you laugh it off, thinking that you misheard it considering that you just woke up from sleep.

With hesitancy, you pick the pocket watch again and look at it. Your thumb wipes the glass cover of the watch.

"Hi, Hello, I'm Minho. I'm a demon. You anointed this talisman with your blood so now we're bound together and—"

It speaks again and in response, you hurl it across the room until it hits the wall and drops onto the floor. You stand there, frozen on your feet, and wonder...

"Look, I've got a whole introductory speech here," the voice says again, coming from the part of the room where the pocket watch is.

For protection, you stand behind the open bathroom door and look at the pocket watch talking like a lunatic you are.

"We got to work together," it says.

You whimper hearing the voice again and you know that it's real, you're not making this up.

"Can you pick me up? Just pick me up. Come on, pick me up! Please?" It demands.

You take cautious steps to get to where the pocket watch lies on the floor.

"That's it, come on. Come on. I won't bite, I promise. Come on," it says as if it could see that you're coming to pick it up.

You swallow air and slowly bend down to pick it up from the floor, holding the pocket watch in your hand.

"As I was saying, you anointed the talisman and the rules are you've got to carry out three human sacrifices over the next seven days or else the world is going to end," it speaks again.

That's a lot of information to take in, not to mention that you're already having a hard time wrapping your head around the fact that the pocket watch is talking to you.

"W-what?" You breathlessly say.

"If you want me to help you, you need to permit me entry."

Entry? That sounds like a bad idea. You just stand there and look at the pocket watch.

"Do you permit me entry? Yes or no?" It asks.

You shake your head and convince yourself that maybe it is not real.

"You have to say yes. Just say the word yes."

This is not real, you tell yourself out loud.

"Or let's do this, if you say yes, I'll... I'll stop, okay? I'll go away. You'll never hear from me again like this didn't happen." It persuades.

This is not real, this is not real, you chant in your head.

"Just say yes. Say it! Say it. Say it. Say it," it chants louder and it starts to fill your head, endlessly echoing.

You want it to stop so you impulsively say, "Yes."

The chants stop and the light flickers off, filling the room with darkness again. You whimper in fear as the pocket watch starts ticking in your hand.

You hear something deeply breathing a few feet from behind you. Curious, you spin around on your feet to see what it is, but you can't see it as it's lurking in the dark

However, you feel good about not being able to see it as fear creeping up inside you. You walk backward until you hit the wall behind you.

"Hey, come on, what's the matter?" The thing says as he takes a step forward, revealing his form to you.

The first thing you can make out the shape of that thing is two long horns on his head and two red eyes.

"All right. I lied about going away," he says in a deep, growling voice.

"My regular appearance is a bit too much for this realm."

He takes a step back and disappears in the dark. After a while, he takes another step to the front and has already taken a different shape. He looks normal now, as in looking like a human and not just any human, he looks like...

"I peered into your soul and apparently, this is a physical look you find appealing so..." he says with his arms spread out and a proud grin on his face.

"I don't know. Let me have a look!" He walks over to the mirror hung on the wall next to you.

He looks just like the sculpture you made, he has a sharp nose, chiseled jaws, and a hair color as intense as red roses go. You feel a mix of fear, awe, and confusion inside and it's getting overwhelming.

He leans close to the mirror and fixes his hair, "Wow!"

He seems impressed by how he looks, "Okay, isn't it what you want?" He turns to you.

Not getting an answer from you, he smiles, then says, "Uh... I mean, I can work with this."

You can only whimper with your mouth parted open, having a hard time wrapping your head around this situation. If it's happening or not, is he real or not, did you take your meds or not?

"You have to calm down so we can talk. Just talk to me!" Minho says, noticing that you're in a state of panic.

For a split second, you see his eyes flash like those belonging to feline creatures, gleaming like two marbles in the dark. You can feel cold sweat on your back as you slump down against the wall until you're sitting down on the floor.

He squats down in front of you and reaches for your head but you're quick to dodge away from it.

"You know, we have got to work together," he assures you.

It's not fair that he has a face that came from your imagination, it gives you a sense of familiarity that lures you to give in. However, you're not sure if you should be giving in to him.

You bang the back of your head to the wall, close your eyes, and repeatedly chant like it's a mantra, "You're not real. You're not real. You're not real."

But that is not enough to expel him. You open your eyes and still find him there. hand and a grin.

"Like I said, we have got to work together," he tells you again.

To give you the space to gather your thoughts, he walks around the studio while talking, "You marked the talisman. I don't make the rules."

With the lights turning back on, your eyes can easily follow his figure going around the room and looking at the sculpture you're working on.

His fingers slowly graze the rough surface of the carved stone and then he turns his head at you.

"Basically, we need to deliver three human sacrifices by next Friday or else it's..." he informs you again as if you haven't heard him the first time, "burning skies time."

You can feel anxiety rising inside you and your throat is closing up, making it harder for you to breathe.

"I sense you need convincing. Uh..." Minho walks up to you again and offers his hands to you.

You look at his hands for a moment before letting him help you to get up from the floor. You imagine your hands reaching for fragments of your imagination but instead of that, you feel his warm skin and firm grip as he hoists you up until you're standing on your feet.

If he's not real then how can you hold him?

He looks at you for a second to make sure you're okay then nods, "Let me show you how this will play out, alright? What will happen if we don't succeed," he says.

He walks to stand behind you and puts a hand in front of your eyes, "You ready?" He asks, his hot breath fans your neck as he speaks.

You're not sure what he's asking you to get ready for. You're not even sure if you're living the reality right now.

"Ready?" He asks again and once again his breath tickles your ear.

"3, 2, 1!"

As if you're being transported to another time and place, you open your eyes to see fire. It's the studio but it is on fire.

"This is what we're dealing with!" Minho says but you can't see him anywhere.

Fire is everywhere and you can feel the heat of it burning your skin and thick smoke filling your lungs that you start coughing, retching for air.

"Scorching wall of flame. It's agonizing death for all and so on," he continues.

You're flailing around to get air, walking to the window to open it only to find it hot to touch and you see that the whole city burns with you. You hear people screaming and sirens blaring everywhere but anywhere you look, it's just blazing fire.

You get away from the window until your back hits the table behind you and snaps you back to reality. Your head turns to the side and see Minho there, leaning against the table next to you.

"See, burning people they smell like... a burnt slice of meat on a griddle. It's better if you dissociate from it," he coyly says.

The images are so vivid that you feel the need to escape it, run away from here and so you do. You make a run to the door and he's already standing there next to it.

"If we're being honest, I don't want the apocalypse to come about any more than you do," he says.

You turn the knob and open it, running through the hall that leads to the exit door. Yet Minho is already there too.

"So let's stop it happening, you and me, mmh?" He says to you.

"All we have to do is deliver three sacrifices in seven days," he pops at the end of the hall.

You yank the door open and find him standing outside the door.

"It's only three killings," he says with a malicious laugh.

You rush to climb down the steps trying to escape what you know is like trying to get out of your head, it's inescapable.

"Animals don't count. You have to do humans," Minho informs at the base of the stairs.

You hurriedly unlock the iron gate and pull it open, running into the street in the middle of the night but of course, he's already there too.

"We can do like one kill a day but I'm good with one kill in two days and—"

You decide to go the other way from where Minho is standing and just aimlessly walking to avoid him. You know the neighborhood but not as good as when it's at night.

You walk down the stairs that lead to the riverbank, feeling more afraid of Minho instead of being mugged at night.

"That is fewer people than die falling off ladders in the same time period," Minho magically appears on the stairs, leaning against the railing.

"You'd be less lethal than a ladder," he adds with a sly smirk.

Your eyes are watery either from the cold wind or the anxiety taking over you. You sniffle before talking to him, "If I talk to you, you're real so I'm not going—"

You walk away before you can finish your sentence and walk along the riverbank, hugging yourself.

"Well, we started conversing already so that ship has sailed."

You can't believe that he's still following you when he knows exactly why you are trying to get away.

"No, it hasn't," you persist when you know he's right.

"Oh, oh yes it has," he talks back with a mocking tone.

You stop on your track and grunt in frustration, bending down to pick whatever is close to you.

Minho stops walking as well and says, "Don't worry. We're a team. I'm on your side, you know?"

He takes a step forward and keeps talking, ignoring that he's the reason why you're so frustrated.

"Let's just get kill number one under your belt, mmh?" He says in a softer tone.

You turn at him, your finger pointing right at his sharp nose and sternly tell him, "You can stop it because I am not killing anyone!"

You take a deep breath to calm yourself down and try to face him again, "You're not real so I don't why you keep talking to me," you snarl.

Minho coyly smiles at you and calmly responds, "That's what I'm here for. Moral support!"

He takes even a closer step to you and lowers his voice, "So, just hold on to that rock and hit someone with it!"

You get confused by what he said, "What rock?"

He eyes your hand on your side, "The one in your hand, love!" He answers.

You don't even realize you've been holding it until he pointed it out. The moment you know, you can feel its weight in your hand.

You gasp in surprise and glare at Minho, "I'm not doing what you say."

You hear footsteps coming from under the bridge and turn around to see a middle-aged man, "Are you alright, Miss?"

But Minho sees it as an opportunity, he stands and looms behind you, whispering evil things into your head.

"Mmmh... yeah," he hums in victory.

"He's perfect. No witnesses. Talk about beginner's luck," he whispers to you so close that it feels like he's living inside your head.

You feel his hand resting on your shoulder as he further persuades you, "Just one quick pop to the head and you're done."

For a second, you wanted to do what he said just so he could stop bothering you. However, the conscience in you is talking you out of it.

You walk toward the man and try to seek help from him, "Please, make him stop!" You say, gesturing to Minho who's standing right next to you.

The man looks confused by what you said and asks, "Make who stop?"

Disoriented by what's real or not, you keep looking back at Minho, then at the man, getting pushed to where you hit your limit.

The man walks up to you, feeling more concerned for you that he asks again, "Is everything alright?"

The relentless demon he is, Minho stands close next to you and whispers, "Would it help if I told you I can see into this man's soul and he absolutely deserves to die?"

This time you know it's his way to get what he wants, to get you to do the deed. You look away and hastily shout, "Shut up!"

Yet Minho keeps talking about the man as he's giving you a stare, one that you're way too familiar with, and convinces you that he thinks you're crazy.

"He has a wife and a daughter, you want to know what he does to them?" Minho's words hold intense hatred in them like you can feel the bitterness of it on your tongue.

You look at him to see if he's just tricking you to kill the man, "Don't trust me? Well, get a load of this!"

Minho covers your eyes with his hand again and this time, images of the man abusing his wife and daughter over and over again that you can't bear to watch anymore.

He snaps you back to reality again and says, "You'll save them both from years of pain, shame, and guilt."

Fueled by the rage from what you've seen through Minho's vision, you launch yourself at the man and hit him hard on the head, sending him tumbling to the side and into the river.

You stand there watching his body sinking into the water until the air stops bubbling to the surface of water and that's when you're certain that he's dead.

The man is dead.

Despite the shock, you manage to walk away while still carrying the rock in your hand, and once you realize you've been holding to it long enough. You throw it into the river then break into a run back to the studio.

You vomit everything into the toilet bowl once you're back in the studio, retching nothing but saliva and air.

Minho is standing at the doorway of the bathroom as he says, "It takes some used to but a couple more of that and I'll be out of your hair," he says.

You flush the toilet and sit on the bathroom floor, looking at him with teary eyes and the shock that hasn't left your body yet.

He pulls out the pocket watch and shows you that the Roman number written inside has gone one line, "See? One line has gone which means one sacrifice registered. Two to go."

You get up from the floor and drag yourself to the couch, feeling so drained by whatever has driven you to do unimaginable things, one that you thought you'd never done in your life.

-

Morning has passed but you can't find the energy to live for the day.

You're lying down on the couch watching the sky turn brighter with every hour passed. It hasn't sunk in yet what you did last night. It feels like a dream but at the same time, you can still feel the weight of the rock in your hand.

Minho has been quiet but you know he's lurking in the room and he decides to interfere by standing in front of you.

He tips his head to the side and asks, "How long are you going to stay like this?"

He then sits on the other end of the couch and says, "Well, you have to, at least, do whatever it is you do as a sculptor. You can't have people getting suspicious."

How come he takes it lightly? How did he get so calm after telling you to kill a man and watch you doing it?

"Fucking shut up!" You shout at him.

Talking to him makes everything unbearably real and it makes you recollect what happened last night. The guilt, the disgust you feel for yourself, the blood on your hands, you can see everything now under the daylight.

"I killed a man," you croak, saying it hurts that tears start to crawl out of you.

"I've killed someone," you meekly say with a tear rolling down from the corner of your eyes.

"Yeah, but that was hours ago," Minho nonchalantly says.

"I keep feeling the crack of his skull on the rock," you pause to sniffle and turn to look at Minho, "I did that."

But he wouldn't get what you feel because he's not a human in the first place. Minho is a demon.

"It's your fault. You're not even—" You stop talking because it's no use to talk to an entity that knows no compassion.

You brush your hair to the back and deeply sigh. Turning your head at Minho again to ask, "Why is this happening to me?"

You use the heel of your hand to press on your eye to stop crying, "I'm not a bad person."

"No, no, no," Minho quickly denies.

He moves to stand behind the couch and leans close to you, "It wouldn't work if you were. It has to be someone corruptible," he explains.

Your forehead wrinkles and forms a questioning look on your face, trying to make sense of what he said.

"If you think about it, what's happening here, it reflects really well on your character," he says with a smile.

What he said only assures you that you are a bad person. What you did is the reflection of what you truly are, a bad person.

You nod and wipe your wet cheek with the back of your hand. You get up to sit on the couch and grab your purse, rummaging inside to pull out your phone.

"What are you doing?" Minho asks with a panicked voice.

You dial the police line on your phone and show it to him, "Calling the police."

He jolts on his feet and sits next to you on the couch as you hit the call button.

"But why?" He asks.

You can hear the dialing tone ringing so close to your ear, "So they'll arrest me," you simply answer.

Minho nervously chuckles, "Then you won't be able to do the other sacrifices," he reminds you to rethink your choices.

"Good!" You shortly respond, trying to stay in your right mind this time.

"Then the Apocalypse will happen and billions will die. I know, I know, I get it. You don't want blood on your hand but if it saves billions..." He's babbling, desperately trying to stop you from turning yourself in.

The way he puts it that way, he makes you choose the lesser between the two evils. 

"Hello, police department, may I help you?" The operator speaks on the phone.

Kill three people who deserve it or save billions of innocent people?

You find yourself hanging up the call and putting your phone away, once again failing to do the right thing.

"See? You're a good person!" Minho says as he exhales in relief.

To be honest, you don't know what's good or bad, right or wrong anymore. It's one big blur to you.

You feel frustrated once again, you feel like a failure but on the bigger picture, you're trying to stop the world from ending.

But can you really save everyone?

-

You can't wait to dwell on everything in the comfort of your apartment. Before you can do all that, you need to set boundaries with him. You face him and look him right in the eyes, "I have six days to kill two more so please, give me a break for now."

Minho gets quiet for a moment before nodding in agreement, "That's fair."

Feeling the need to wash yourself from whatever it is clinging to your body, you get a shower and take your meds to help you decompress while sitting on the end of your bed in your bathrobe.

"I don't know why you take those pills," Minho says as he enters your room.

You quietly sigh at him and say, "Can you at least give me a few minutes until it's working?"

"Want to wash it down with wine?" He offers, showing the bottle of red in his hand.

You shake your head, "I can't drink alcohol after taking antidepressants," you answer, not sure why bother answering him.

"That sucks!" He says and puts the wine bottle down on top of your dresser, "I was thinking we could celebrate our first kill."

You feel a little faint at the mention of the word kill and celebrate being put in one sentence. You climb onto the bed and pull your duvet, "I need to rest."

Minho appears at the end of your bed, looking down at you with his dark, wide eyes, "That's right. We have a lot to do tomorrow."

"Can you turn the lights out for me?"

"Certainly."

The room turns dark but you get a newfound comfort in it.

"Goodnight," Minho's voice caresses your ears like a spring breeze.

You don't want to get used to this but you feel inexplicably at ease that there's someone else with you in this vast emptiness.

"Goodnight, Minho."

-

SIX DAYS TO THE END OF THE WORLD

You jolt awake to the sounds of your phone ringing on your bedside table and you know who it is without having to look at the contact name. Your fingers are tapping the phone screen as you squint your eyes to make sure you hit the accept call button.

"Yeah?" You ask as you put the phone on the side of your face while you're lying on your side with your eyes closed.

"You're still sleeping?" Kim asks, noticing the sleep in your voice.

"Mm-mmh," you hum in answer.

"You know what time it is?"

"I don't know. Nine or ten?" You wildly guess by how badly you want to go back to sleep.

You hear her sighing from the other line of the call, "It's almost 2 in the afternoon," she says.

You force your eyes to open to check the time yourself and see that it is indeed two in the afternoon.

"Oh?" You innocently gasp.

Realizing that may piss her off, you hurried to shift the conversation elsewhere, "Yeah, uh... why are you calling again?"

You fear that she's going to be mad about you abruptly leaving the exhibition or worse if she knew about Nick. You hold your breath, anticipating her answer.

"Oh, yes, I have good news," she says with a smile that you can feel from your end of the line.

"You sold four sculptures, darling!" She squeals.

That's exciting news but you don't have it in you to participate in that excitement, yet you feel relieved you can properly breathe at ease.

"That's... That's great!" You meekly say while raking your hair to the back with your fingers.

"I've been calling you since yesterday, you know that?"

"Oh? I, uhm..." You take a moment to think of an answer.

Summoned a demon? Found out that you have seven days to the end of the world? Killed someone to stop it?

"I needed—"

"Never mind!" She rudely cuts you off, "Guessing from how tired you sounded, you must be going straight back to work, huh?"

The sculpture is still a chunk of unshapen stone but yeah, you worked on it just a bit. Well, a work is a work.

"Yeah, I-I did," you sputter your answer yet thankful that all of her guesses are off the mark.

"I'll come with the paperwork tomorrow. For now, you can rest now or work some more, knock yourself out," she says, couldn't care less about what you're doing now that you've made money and she got to feed on a few percent of it.

"Thanks, Kim!" You say, because it's better to always be on her good side.

"Oh, come on! We both working hard," she kindly refuses but you know she feels entitled to this.

"Let's have a dinner to celebrate," she suggests.

"Yeah, yeah," you half-heartedly answer.

"Talk to you later, okay?"

"Okay."

"Bye!"

You don't even bother to say it back knowing that she'll hang up right after she said her bye. Since you've woken up already, you sit up on the bed and pull your knees up, hugging your feet as you gather your thoughts.

In your peripheral vision, you see a flash of red from the doorway of your room. You turn to look and see Minho standing with the side of his body leaning against the doorframe.

The all-black outfit he's wearing makes his honey skin glow and his hair look like a blazing fire under the sunlight. He smiles once he notices your eyes are on him.

"Morning, sunshine!" He sweetly greets you with a smile that is a little unsettling but a whole lot attractive.

He crosses his arms in front of him, exposing the veins coiling his forearms, "Oh, wait, it's way past noon," he says with a grin.

Looking at him only reminds you of the responsibility you're carrying on your shoulders: saving billions of people from being incinerated.

"Are you always like this or...?" Minho asks, breaking the silence that hung in the room as you think of the dire situation you're in.

Minho approaches you and stands at the end of the bed, "You can't stay in all day. We only have five and a half days left," he reminds you of the time-sensitive quest you're in.

The only way to save those billions is by killing three people. That's the only thing on the pro list, there are just too many cons, mainly on the killing part. The only good thing that comes out of it so far is that you only need to do two more killings.

God! What have you become?

"What should I do?" You hopelessly ask him even though it's a bad idea to ask a demon such a question.

"Just carry on as usual so the people around you don't get spooked," he answers.

It's you and him, him and you, there's no one else you can seek help from.

Minho is right. You can't just sit here and watch the day goes by or else the thing you've done would come to a waste.

You slowly scoot over to sit on the edge of the bed and rub the sleep of your eyes, not ready to face the day when you know you only have six days left to stop the end of the world.

"And while we're going on about the day we can decide who to kill next," Minho adds.

The devilish grin looks beautiful on his sculpted face but everything he says sending a chill down your spine.

-

"Oh, an old lady!" Minho exclaims as an elderly lady enters the elevator.

You silently watch as he scoots closer to her and smells her head, "She smells like... oh! She's sweet."

You silently groan in the corner watching what he's doing.

He places his hand on the lady's shoulder and says, "She can't stop thinking about the end though. She can't wait for it to come."

He looks at you with that wild grin plastered on his face, "You'd be doing her a favor."

You lightly shake your head at him to make him stop playing around the poor lady but he doesn't get the clues.

"She dreams of death. Even now—"

"Shut up!" You say through your gritted teeth.

The old lady turns to look at you, "What is it, my dear?"

You quickly put on a smile for her, "Oh, nothing," you politely say.

Minho walks up to stand next to you again and whispers in your ear, "Just do it. No one will miss her."

"Shut up!" You whisper back while throwing daggers with your eyes at him.

"She's nearly dead already!"

Thankfully, the elevator dings open and shoots his idea down as you step out of the elevator.

"We need to start to pick someone!" He persists as he follows you walking in the lobby.

Minho is such a nuisance.

It's hard to ignore him when he keeps talking, making remarks about everyone he sees, and constantly around you the whole time.

It's when you're working on your sculpture that you get to immerse yourself in your work and disassociate from reality.

All you hear is the slamming sound of your hammer on the chisel and pieces of stone falling onto the floor. Looking down at the mess you made, you spot one particular piece of stone lying close to your feet. You stare at it for too long you get the recollection of that night.

The weight of the rock in your hand, how you bashed someone's head with it, and the splashing sound of the man falling into the water, all of that vividly playing in the back of your head.

You stagger backward and drop your chisel onto the floor, the clattering sound echoing in the spacious studio.

"I've been meaning to tell you this," Minho appears from behind the sculpture, startling you.

"We should order food," he suggests.

You put away your hammer and take off your mask, walking to the mini fridge to get a bottle of water.

"You're a demon. You feed on..." You think for a moment to finish your sentence as you unscrew the cap of the bottle.

He snatches the flyer stuck to the fridge door and asks, "Pizza?"

You close the fridge and walk over to the couch, plopping yourself down before chugging some water into your system.

"You need to eat so you can—"

"Kill?" You finish his sentence.

Minho scrunches his nose and sits on the armrest of the couch next to you, "I was about to say think but yeah, that too," he says.

You untie your pinafore and throw it aside, he isn't wrong to say that you need to eat. What's the point of saving the world if you're going to die of starvation?

You let out a sigh and grab the flyer from his hand, typing the numbers on your phone screen.

"Cheese pizza, please? With a lot of pepperoni!"

How can you believe that he's a demon when his choice of pizza topping is like a toddler's?

-

"Good evening, Miss!" The concierge greets you as he sees you enter the door.

"Hi," you greet back, impatiently wanting to get back to your apartment to dwell on your fate again.

"Miss Kim came by and dropped something for you," he informs, taking out a big envelope from your mailing box.

There's a faint sound coming from the small TV tuned to a news broadcast when you come to the desk to collect it.

"Here it is, Miss," he slides the big brown envelope across the shiny surface of the desk. There's a note on top of it which you immediately recognize as Kim's.

You open to do a quick check on what's inside when you hear a glimpse of the news from the TV.

"...man found dead in the river has been identified as Ben Watson, a financial officer of a bank company, leaving a wife and a seven-year-old daughter who has been notified about his tragic death..."

You glance at the small screen and see the photograph of the man you killed that night. You can't possibly be wrong about this when you remember the horror on his face as you lifted the rock before swinging it hard to his head.

"Is there anything wrong, Miss?" The concierge asks.

You snap yourself out of your daze and put the envelope close to your chest as if someone about to steal it from you.

"No, no," your voice is quivering in panic at the sight of the man you killed.

"Thank you," you abruptly the conversation with gratitude and walking fast to the elevator.

The warm water doesn't work to calm you down when you're tainted inside. You feel filthy, inside and out. You feel sick seeing your reflection in the mirror.

You've been holding your medicine in your hand but you need something stronger, you ditch the pill and run to the kitchen.

You pull out the wine you have in the kitchen cabinet and drink it straight from the bottle, chugging it like it's water. You gasp when you stop drinking, taking the bottle with you as you sit on the sofa while you're still in your bathrobe.

"This is how you're going to end the day?" Minho asks, taking the bottle of wine from you to take a sip.

"Can you stop talking about killing for just—" You choke on air as anger bubbles up inside you.

Minho holds his hands up in defeat and leans back on the sofa next to you, "I'm just saying..." he meekly says.

The silence only resides for a minute until he speaks again, "Look, the earlier you get it done—" he stops talking when you shoot him a glare.

You take the bottle of wine from him and take a long gulp, a drop of wine escapes the corner of your mouth, dripping down your chin.

You aggressively wipe it with the sleeve of your bathrobe and recline on the sofa, looking out at the city lights that look like pinpricks in the dark of the night.

"I'm crazy..." you sadly remark.

Those words remind you of a sobering fact that what people think of you: crazy.

Ever since you were still an art student, people often found you talking to yourself in class, always in your little world with your imaginary friend. That leads you to this solitary life because normal people avoid crazy.

"People are right about me. I'm crazy," you state again, and saying it out loud makes your heart aches.

Minho turns his head and looks at you with his dark eyes that weirdly provide you warmth, "You're not crazy."

But why would a normal person kill a person because a demon told him to? You don't even know if he's real and not a product of your imagination.

"I'm a murderer..." you say with a heavy sigh and an even heavier heart.

He scoots closer until he sits close next to you, his shoulder bumps with yours on the big sofa that could fit five people. He looks at you and gently says, "Yeah, but not a crazy one."

Minho has a way of looking at bad things positively. You chuckle at the irony of his words. You can't tell if you should be happy that you're not crazy or sad that you're indeed a murderer.

He slumps down on the sofa to be on the same level as you, also turning his head to look at the view, "Want to know something?"

Instead of answering, you take a sip of the wine. You know he'll keep talking even if you refuse him.

"This is actually my first assignment," he shares.

He drops his hand on the space on the sofa, merely inches away from yours, "It's more of an initiation, sort of earning my wings."

You look at him and get a little taken aback by the proximity you can see yourself in his eyes. You almost forget what you were trying to say to him, "What are you trying to say?"

You look away because he looks exactly like the one you envisioned on your sculpture, divinely beautiful that it's hard to comprehend.

"I'm saying that I'm new to this too," he answers.

Again, you can't tell if you should be happy or sad to know that. Strangely though, you find comfort in his words.

You look at his hand splayed so close to yours and it evokes the curiosity in you that needs to be fed. You gently flip over his hand and gently slip your fingers on the spaces between his fingers, you can feel the warmth and the roughness of his finger pads on each finger.

Minho is real, he's real, you perpetually assure yourself.

You glance at him and he's looking at you, your eyes meet in a tender gaze.

"Are you real, Minho?"

You're aware of how much that question weighs. If the answer is no, you know the insurmountable pain you brought onto yourself.

He slowly blinks and you can see his dark lashes fanning out so beautifully. His crimson-red lips open and says, "I'm as real as you want me to be."

Words aren't enough to convince you. With the despair filling your heart, you lean in and innocently put your lips on his. It's a kiss that feels more than just a physical act, one that you didn't know you needed.

After getting the reassurance that you need, you pull away. However, the hand lingering on your jaw tells otherwise. He touches your face with just his fingertips yet it's enough to send a tingle inside.

Slowly, he leans in to kiss your closed eyelids ever so softly and before you know it, he brings your face closer to place a tender kiss on your lips. 

And for the first time in your life, you feel the warmth no one has ever given you.

-

FIVE DAYS TO THE END OF THE WORLD

"You wake up early!" Minho says as you dress up to get ready for the day.

You ignore his words, continue collecting your things around the room, and put them into your bag.

"Are you trying to match your clothes with me?" He says, looking at your all-black outfit while sitting on the headrest of the sofa.

This morning, you woke up on the sofa still in your bathrobe and a blanket covered your body. The first thing you remember is you kissed him last night and somehow, it convinces you to keep going with the quest.

However, you still feel conflicted with what you do. You need to make sure of one thing.

"How about this handsome fucker?" Minho asks, pointing to the other person riding the elevator with you.

The man looks indeed handsome, he dressed so impeccably when it's only ten in the morning. He catches you looking and smiles at you.

You politely smile back and look away only to face Minho who's standing on the other corner of the elevator.

"He'll be losing his hair at the age of 32 and spends the next 29 years taking it out on his wife," he whispers even though no one can hear him but you.

The taxi ride to the hospital only takes fifteen minutes and you know where to go right away from the array of flower arrangements outside the separate building from the main hospital.

"Please tell me you're not doing what I'm thinking?" Minho asks in a concerned voice.

You wish to be able to shut him up for a few minutes until you can find what you're looking for. The hall is packed with people in black attire to what you can safely assume are the guests of the mourning family on the two funeral services being held by two different families.

You read the sign that leads to the Watson family yet pretend to be the one visiting the other family. Before you can sneak into their funeral service, you see someone taking the daughter outside.

"This is a bad idea!" Minho panickly says.

It's kind of alarming to hear because it's the first time he sounded genuinely concerned. You follow where the little girl is being taken and turns out, she's being taken to the park outside, probably to avoid her feeling overwhelmed.

"You're not a relative. People will get suspicious of you!" Minho nervously whispers.

You come over to the two men chatting and kindly ask for a cigarette even though you don't smoke. You stand at the other side of the door and take a drag of the smoke to be seen convincing.

"I know you're worried..." Minho sighs.

He stands next to you with his head hovering close to your ear. He takes a breath before talking, "She's not in mourning. She's not not mourning," he says as you both quietly watch the girl sitting on the bench and drinking a juice box.

"Happy that it's finished but sad that he's dead. But it has finished!" He emphasizes the last word.

You take another drag and accidentally do it excessively, sending you into a coughing fit.

"You spared her another five years of it. A lifetime of therapy," Minho explains, "a lifetime!"

You look at him to see if he meant what he said. He's a demon after all, the vision he forced you to see could be misleading, a trick to make you do what he says.

He looks back at you and smiles, "She's a mom at 29. A nan at 57," he shares.

See? He knows how to comfort you even though you don't ask for it. You give up on pretending to smoke and stab the cigarette butts onto the big ashtray. You shove your hands into the pocket of your jacket and start walking away to the parking lot.

"Why are you telling me this?" You curiously ask.

He nonchalantly shrugs as he walks next to you, "I just thought you'd like to know."

-

"Did you see that?" Minho shouts as he leisurely watches TV with his feet up on the couch.

You pretend not to hear him and continue sculpting, hitting the hammer harder, louder to drown out his voice. As if he read your mind, he appears behind you and places both of his hands on your shoulders.

"You should see this!" He insists, steering your body and making you watch the TV.

It's a broadcast of night news about climate change and he magically changes the channel to show news about nuclear testing.

"It's manifesting. Do you understand?"

Minho keeps switching the channel to show you every bad there is happening in the world, everything that shows the sign that the world is close to ending.

You lightly shrug him off and say, "We got this kind of news a few years ago but—"

Minho holds you by the shoulders and shakes you awake, "This is real. We don't have much time and you're the only one who can stop it!" He reminds you of the harsh truth.

Somehow that only makes you question why you have to be the one to bear such responsibility. Billions of people on earth and they chose you?

"I'm not ready yet. I'm—"

"Don't you want to see that little girl live her peaceful future?" Minho asks.

This is where you know he's being the demon he is, using your weakness to his advantage and making you give in to the temptation.

It's not so much a temptation when you have no other options, it's killing or being engulfed in flames on Friday. You muster up your courage and think of something to do.

The first killing was what Minho said it was: a beginner's luck, the man happened to be there and an abusive bastard, even in his grave, he shall not rest in peace.

This time, you plan to do it meticulously and without mistakes. You walk to the kitchen and pull open the drawer, taking out a knife you occasionally use to cut your sandwiches.

Minho shakes his head in disapproval of your choice of weapon, "You're not a knife person," he concludes.

You look at him, demanding an explanation behind that haste conclusion.

"It's messy. You could hurt yourself," he explains.

That sounds right. You put the knife back into the drawer and look around the studio to find potential killing weapons.

Minho leans into your side and whispers, "Let's choose something that is more you!"

You look at him and see that he's eyeing the table full of your sculpting tools.

You pick up the medium chisel and show it to him to seek his approval. You meet another disapproval as he strongly shakes his head.

"It's too specific. They'll know it's you. You're the only sculptor living in the area," he gives you an insight into how the devil's mind works.

You must admit that he just saved you from making a mistake. You pick another weapon that you're familiar with but also gives you the upper hand to do the killing. You pick up the hammer and turn around to show him.

A smile rises on his face as he nods in approval, "That's you! You're a basher!"

You bring the hammer close and observe it, it feels good around your hand since it's a tool that you work with most of your life.

"You've had the practice now. It'll be easier this time," Minho says with a sinister smile.

You want to believe his words so much but the nerves get to you. Your breathing becomes erratic once you realize what you're going to do with the hammer.

Minho puts his hand on the small of your back and holds you steady, "Liquor courage! That's what you need! Booze!" He suggests.

"I don't keep any alcohol in the studio," you meekly say.

Considering that sculpting involves a lot of sharp objects, it's wise to not keep anything that would dull your focus.

"Also, I just took an antidepressant an hour ago," you inform him.

"Oh, shit!" He curses and leans his body to the back, against the table.

Minho crosses his arms in front of him, then rubs his chin as he thinks of something. He then leers at you with a smirk dancing on his face, "Well, do you want a drink?"

-

There's a bar a few blocks away from your studio.

You got here in need of liquid courage and there's plenty of them here. You plan to only consume enough alcohol just to calm the nerves but not too much to lose your focus.

It gets you anxious to step into a new environment. You decide to go straight to order drinks.

"Whiskey, please?" You say to the bartender with a handlebar mustache.

Bartenders tend to remember the faces they have seen and yours must not have registered into his memory bank. He puts away the cloth he's holding.

"You want ice with it?" He asks.

"I'll have it dry," you answer since you came here for the alcohol, not for refreshment.

"Easy, love. We have work to do," Minho reminds as he props a hand against the countertop.

Knowing that one drink wouldn't be enough and you don't want to bother the bartender again for a drink, you decide to double.

"Make that two, please!" You hurriedly say before the bartender starts making your order.

"You don't have to get one for me," Minho grins at you.

The bartender takes another glass with him to finally fill them with your choice of potion.

"I didn't," you whisper back at him.

You immediately pay for it and bring your drinks with you to the empty spot in the corner of the bar, hidden behind the pool table.

You slowly sip your drink and feel it running through your system, stripping a layer of senses off of you, making you less aware of your surroundings.

"Okay, you see anyone tasty?" Minho asks as he sits next to you.

He cranes his neck looking for the next human sacrifice among the people who are enjoying their concoctions. His finger points to the guy with a beanie and drinking a pint of beer.

"Oh, that one perfect!" He exclaims.

He stacks his hands on top of the table and leans forward as he further speaks, "Burglaries. Mostly target the elderly. What do you reckon?" He turns to you for opinions.

The alcohol is not quite there yet so you take a longer sip. You feel the alcohol burns your throat and you wince from the bitter aftertaste.

"No?" He asks as he looks at you.

You know he's asking about the human sacrifice, not the alcohol but the answer is the same, "No."

Minho moves on. His eyes are pacing around the room to study people and check their backgrounds with his evil power.

He taps your shoulder as he finds his next candidate, "See that girl with the pints?"

You can easily spot the girl with curly hair, carrying two pints of beer in her hands.

Minho leans in close to your ear to give his intel, "She went on holiday when she was 12 years old and saw her sister drown in a swimming pool."

He suddenly lowers his voice as he tells you the rest of the story, "She could have pulled her out but she just stood there and watched."

Maybe it's true that people are the scariest.

They may look ordinary and good and all yet inside, lies this darkness that they buried deep inside them. If Minho hadn't told you, you would have taken her as a pretty girl with a nice smile and nothing more.

Minho pulls at the sleeve of your shirt and points to another guy, talking to his friend by the pool table. You're about to wave him off again until the guy turns his head and you know who it is.

"How about him? He likes to secretly film girls by drug them and once he—"

"Sent a girl into overdose," you finish his sentence.

Everyone knows who Tim Shaw other than a student in our faculty and more importantly, people know what he likes to do to innocent girls yet no one dares to make him take responsibility for what he did.

Until one night, he drugged a girl and left her on the cold floor of a club, unconscious. There's no evidence that he drugged her or it was he drugged, ended up with him getting dropped off of all charges.

You have one more drink to finish and you gulp it in one go, wanting to use this opportunity to get back for what he did to that poor, innocent girl.

Minho triumphantly smiles, knowing that you have set a target on Tim's head.

"I think we have a contender," he concludes.

-

Tim is exiting the bar and you take it as an advantage.

You don't need to lure him out, you wait a minute before you follow him outside to not seem conspicuous. Once you're outside, you look side to side to see where Tim is going.

"Perfect location. No witnesses," Minho answers as you both find him turning to the back of the bar.

Tim seems to hear your rushed footsteps and turns around to see you. He seems to be taken aback and you doubt that he'll recognize you. Being crazy has its advantages, you're off the asshole's radar.

You nervously laugh as he looks at you. You quickly think of something to say, "Oh, my God! It's really you, Tim!" You say with fake enthusiasm.

"I'm sorry but who..." he gets all defensive.

"I'm—" You don't know how to explain yourself other than 'the insane one from art school'.

"Oh, wait, you're that girl, the sculptor, the... uh," he brakes before he can say the infamous title of yours.

"The freaky one?" You playfully say.

He bursts into laughter and nods, "Hey, don't get me wrong. I like freaky," he says.

Minho points to the carts of empty bottles and gestures for you to use them instead of the hammer inside your bag that weighs your shoulder the longer you're carrying it.

"I was just getting a drink but it doesn't feel good drinking alone," you lie even though that's how you prefer to enjoy your poison.

"Yeah, I bet," he says with a grin that showcases his whitened teeth and malicious intent.

"How about drinking at my place?" He offers.

"Home turf. Even better," Minho comments, appearing behind you.

You don't want to seem desperate to be with Tim because honestly, you're just stalling to find the perfect opportunity to kill him. It's time to put what you learned from Kim into practice.

"I, uhm..." you rub the back of your neck and shyly smile at him, "I don't think that's..."

As you pretend to consider his offer, he's secretly checking you out. His eyes travel up and down your body, you bet he thinks of lewd things even though you're dressed like a bible salesman with the same outfit you wore to the funeral service.

He takes a step forward and smiles at you, "I live not far from here. You can easily crawl back here if you think I'm a bad drinking partner," he seduces.

Tim must have thought you were as gullible as the other. Oh, he has no idea the surprise you have for him!

"If you don't mind, yeah," you say with a low giggle.

"Okay," he says with a triumphant smile.

His house is indeed only two blocks away from the bar and he keeps boasting about how he owns a house from his inheritance and the rising price of property these days.

"Please, come in!" He lets you into his house.

You step on a crumpled beer can as you enter the living room and are horrified at the amount of trash littering the place.

"A few friends and I watched a football match last night," he concisely explains.

He takes off his jacket and hangs it on the coat rack, "How about we drink in my room?"

You uneasily glance at Minho and he nods. You look back at Tim then put on a fake smile for him, "Yes."

He leads the way up the stairs and you follow him, climbing the steps with the hammer getting heavier and heavier inside your bag.

Tim turns around and sees you being hesitant, "There's no need to be shy now," he says with a lopsided grin.

You respond with a smile, keeping your head tilted up, and continue climbing up the stairs.

"Now!" Minho orders.

"Hit him with the hammer now!" He says again so close to your ear.

Your head snaps in his direction and hisses through your gritted teeth, "Shut the fuck up!"

Tim catches you talking and looks over his shoulder, "What's that?"

"Can't wait to see the bedroom!" You lie and add a giggle to sound convincing.

He smirks at you before pushing the door to his bedroom, "Come on in!"

His room is less messy than his living room in which he helplessly tries to make it seem tidy by flattening the pile of his duvet.

"You can sit down here," he says, patting the space next to him on the bed.

"You're not really going to have sex with him, are you?" Minho asks as he quietly watches you from across the bed.

A deadly glare is enough to answer him and he immediately refrains from pressuring you.

"I was just checking," he adds.

It's when you're in his bedroom that you start to fear Tim, not when you know what he is capable of. But at the same time, it fuels your hate fire, it reminds you of the reason why you need to eliminate scum like him.

"You keep your alcohol in your room?" You ask.

It's obvious that he took you here for different intention. He's taking you here for the sole reason that is to ruin your life.

"Oh, yeah, the drinks," he smacks his lips together and awkwardly paces in the room.

He reaches for the portable speaker on top of his dresser and turns it on, "You can wait for the drinks while listening to music," he says.

You nod, "That sounds nice!"

He gets out of his bedroom and heads back downstairs. While he's doing what you believe is spiking your drink with substance, you think of a plan on how you're going to kill him.

First, you take the hammer out of your bag and practice your swing. You get panicked with each second passed and haven't found a way to catch him off guard.

The footsteps on the stairs signal you that he's on his way here. You decide to do the classic way by hiding in the back of the door, planning to strike him from behind.

You see his figure entering the room, carrying two glasses of drinks in his hands, "It's your lucky day because I found a bottle of—"

Without thinking, you swing your hammer hard and hit him right on the side of the head. It's a weak blow and you can see that from how he's staggering backward, still conscious.

There's no turning back now that you have done it. You come charging at him, attacking him while he's still disoriented from the first blow.

He collapses onto the bed and not giving him time to recover, you keep hitting his head with the hammer with blood splattering the bed and wall with every swing of the hammer going onto his head.

You whimper as blood gets on your face and see that Tim is lying cold on the bed, dead. However, you land another blow just to make sure you've done it and leave no room for mistakes.

"You're good, you're good," Minho says from across the room.

That's when you stop and take a step back. It feels like your soul has left your body, you suddenly feel drained and the hammer drops onto the floor.

You look at the mess you made, the bloody mess and dead body, your life that is once far from all of it. Your throat suddenly closes up and you find it hard to breathe.

After a moment, Minho gets to your side to say, "You can't have that lying around," he's eyeing the bloody hammer lying on the floor.

With your mouth gaping for air, you bend down to pick it up and shove it back into your bag.

"Cleans anything you touched," Minho instructed.

You take a handkerchief from inside your jacket and use it to wipe surfaces you probably made contact with even though you're sure there aren't any.

You leave the bedroom after wiping the handle of the door and make a turn to the stairs when you hear the front door creak open.

You peek from the top of the stairs and someone is turning the lights in the kitchen.

"Get out before he sees you," Minho whispers.

It's bad when he needs to whisper like that even though no one can hear or see him, but you. The adrenaline is still pumping and you make the most of it by bracing yourself to make a run down the stairs and to the front door that is only a few meters away.

You take a deep breath before quietly descending the stairs without making any noise. You can feel your heart beating in your ear yet you keep going as the door is only a reach away.

You successfully land on the base of the stairs when your bag accidentally hits a flower pot, sending it breaking into pieces on the floor.

"Tim?" The man calls.

He looks at you with confusion drawn on his face, "Who are you?"

It's too late for you to break into a run as he sees your face and officially makes him an eyewitness. You can't leave an eyewitness, at least, not until you've done all three human sacrifices.

Is it necessary to kill him though?

You can think and consider as much as you want but it all comes down to the one question: kill or end the world?

-

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[sainamoonshine]

Okay so I finally watched Good Omens season 2 and have tons of thoughts about it, especially how the minisodes and side-plots do so much work, thematically.

*slaps flashback segment on the roof* this bad boy contains so much subtext!!

And here’s my analysis about some of it:

The side plots are about at least three main themes that I can spot.

1. They are all, in some way, about resurrection. The children of Job. The Nazi Zombies. The resurrectionist. Miracles being rated on a scale of how many people they can bring back from the dead. Even Gabriel, in some way, arriving naked and without his memories and innocent as a babe, then finding himself again was a form of resurrection.

This, of course, has to do with foreshadowing season two, the one where the main plot point is going to be the second coming.

2. They were all about how much it’s a bad idea to mess with humans. All flashback minisodes either had someone die directly because Aziraphale and Crowley were around (Wee Morag, the guy at the magic shop), or almost die because Heaven and Hell said so (Job’s childrens). In present-day time, Aziraphale’s messing about with people during the ball is explicitely called out as creepy and wrong and Nina & Maggie have a talk with Crowley about it.

This leads to my theory that this is also going to be a major theme in the third season. We know that in the book, Adam explicitly tells heaven and hell to stop interfering. We also know that in the show, Aziraphale and to a smaller extend Crowley need to learn this lesson.

I also think that the resolution of the next season is probably going to involve Earth being marked definitely off limits to angels/demons, possibly via the same mechanism that makes the shop into a safe heaven you need to be invited in (and the same thing became true of the Bentley once Aziraphale claimed it! As pointed out here , Shax had to hitchhike to get in, instead of appearing inside as she did before). Earth needs to be claimed. I think that this will happen either by a combined miracle of incredible proportions from both Crowley and Aziraphale after they reunite, or (and this is my pet theory) by a combined miracle of incredible proportions by Adam and whoever is the new Jesus (I am a greasy Johnson truther lol). This would make Earth a place that you need to be invited in order to go there, and therefore safe haven for angels and demons who promise not to cause trouble.

3. All of the side plots and minisodes are about misdirection. Sleight of hand. Smoke and mirrors. Magic tricks. Showing one thing while something else is true.

This is shown obviously in the Job part and also in London 1941, with the party who is getting tricked being heaven and hell, respectively. Meanwhile, Gabriel and Beelzebub are trying to trick everyone. But who is tricked by the plot lines of Nina/Maggie, and Elspeth/Wee Morag?

We are. The audience is.

It has been pointed out here and here that Nina is meant to make us think she’s a parallel to Crowley when she is actually more of an Aziraphale thematically, and vice-versa.

But what about Elspeth and Wee Morag? We have one that robs graveyards, and one who tells her that is wrong and is worried about her eternal soul. That seems straightforward enough as a mirror to Crowley and Aziraphale, no? Well, let’s just look at what they’re doing and saying to each other, shall we?

“Don’t do this incredibly wrong and dangerous thing. It will have repercussions that you can’t even begin to understand right now.”

“I’m doing this for you! You deserve better than this life!”

“I don’t want the better life you’re offering. I would rather huddle with you here, homeless and poor but knowing you’re safe and that we’re together, than to know you alone out there doing horrible things you’ve convinced yourself you need to do.”

“I do need to do it. Trust me! This is going to fix everything! And if you don’t want me to be alone, then come with me. There! Problem solved!”

(Problem very much not solved.)

Doesn’t this sound, a tiny little bit, like a certain season finale to you guys? Elspeth was, in fact, Aziraphale all along. She thought she knew what was best, and she barrelled along without listening to anyone else, and then it went horribly wrong.

There is a reason why both times this season that we see Aziraphale fucking up someone else’s plan (the corpse to sell, Crowley’s contraband whiskey) because he initially reads it as a bad thing and thinks he’s doing good by destroying it, without having the full context, it backfires on him and then the situation has to be fixed. He needs to stop and understand things properly before taking actions. He needs, in short, to ask questions.

We see that the one time he did ask questions before acting was during the whole Job thing, and it worked out the best out of all the sub plots this season, right? … except that Aziraphale was convinced that he would Fall for his actions there. The way Crowley had fallen for asking questions.

And if the only person whose assessment of the situation matches Aziraphale’s is a demon, if the only one who is doing what he personally thinks is the Right Thing is a demon, then gosh… either that means that Aziraphale himself should therefore also be a demon, OR it means that Crowley shouldn’t be one, and this was all just one big misunderstanding, and maybe if I just speak to the manager…?

[triptychgardener]

i saw you mentioned that transfem!calliope was practically canon, could you maybe elaborate on that? (im not dissing your hcs btw im just confused on where its suggested in canon)

Hey so it took me a while to get to this just because I wanted to solidify some thoughts about it! Won't go into as much detail wrt my other posts, but we can at the very least start with her handle: uranianUmbra

Uranian is an old-fashioned term, generally used for gay men, though also used in different ways to describe other-gendered people or ways of being, occasionally used as a catch-all similar to how Queer is used today. Its history is complicated and occasionally uncomfortable, as a lot of queer history can be, but notably, one potential root of this idea came from Urning

Now obviously conceptions of gender and sexuality were a lot different then, and I don't want to simplify this, but in Homestuck, it's pretty undeniable that Calliope is a woman stuck in a man's body, and this is likely why Hussie used that very specific word in the first place: to foreshadow the eventual Cherubian Twist.

And not that framing: a woman trapped in a man's body. Cherubs (at least as we are told) have two equal halves who can predominate. But the framing of their entire dynamic makes it very clear that this is Caliborn's body, not Calliope.

Callie's ideal self, in Callie Ohpeee, her Trollsona, is positioned as something to be taken off to reveal her true self. She feels that she needs to conform her exterior to match her interior self, something Caliborn never has to do.

Hell, even as she goes to sleep for the last time, she removes her jacket to reveal Caliborn's shirt underneath. It's his body, not hers.

Not only that, but throughout the story, we see that Callie experiences something close to either dysphoria or body dysmorphia. She hates the way she looks, and affects an especially sweet demeanor in order to not scare people away. She sees herself as a monster because her body becomes the most hideous masculine monster the story has ever known! Literally Lord English.

And shockingly, even though it (in my opinion) handles it poorly, the Epilogues do give us a brief insight into cherub gender, where it basically illuminates that Aranea was kind of talking out of her ass about cherub reproduction, and that Cherubs have no actual biological sex or gender. Meaning that somewhere along the way, Caliborn and Calliope CHOSE their genders, likely influenced by the human and troll internet they were permitted. Callie perhaps forming her own gender in opposition to her brother. This also probably created the ouroboros through which gender became a thing in the first place but thats besides the point. Point is, Callie was likely not a woman until she chose to be a woman. I.e. transgender.

Now the epilogues took it in what I find to be a kind of boring direction, i.e. "well cherubs have no real biological sex so that means I have to be nonbinary now" which is just such a lukewarm take on the imposition of gender but whatever. Point is that Callie is transgender end of story goodnight!!!!!