Comparing your work to other people's is a great way to kill your joy for a thing so let me be clear and say this is not that, I am just a human person with human emotions and sometimes that means needing to be the tiniest bit petty and then moving on. You know. For your health or something.
There is a very popular cosplayer who coincidentally keeps doing the same costumes as me, and I am just the tiniest bit annoyed about it, because as is the case with many (...most) very popular cosplayers, they have a very specific, airbrushed, conventionally attractive, perfect makeup, etc aesthetic to all their photos that is. Not what I personally value in cosplay, at least. Which is fine! Different people having different approaches to costumes is part of what makes cosplay such an interesting hobby!
But it does bother me a tiny bit that the work I put into my costumes is not necessarily the kind of work that gets attention, and it does make it a little glaringly obvious when it's The Same Characters.
(Also you all know the kinds of characters I cosplay. I gravitate towards them in part because they have weird energy, not super put together attractive energy. But that's only part of my point.)
Anyways. I do not follow them on Instagram because why would I do that, but nonetheless I saw that they're apparently also doing a Laois cosplay now, which I guarantee will get lots more attention than mine. And for the most part that's fine, I love cosplay and I love doing my weird little thing and I especially love that I do in fact know other people that value the same things as me & that we have fun together. I will have a great time in my fun little costume, dressing up with my friends in their fun little costumes and I am looking forward to it. And I do not actually need likes to validate that I am becoming a pretty damn good cosplayer (whose stuff is better quality than many popular cosplayers' because I care more about craftsmanship than I do getting attention). I am even thinking pretty seriously about having Laois be my first ever competition costume if the armor turns out alright, because I think I'm genuinely getting to that level.
But it would just be kind of neat if being a weird little guy with weird little ideas who is into the hobby because I like sourcing historical patterns and materials and thinking about the worldbuilding that goes into costumes and creating neat little "in-universe" ephemera to hand out to people and all the things I like didn't always mean getting overshadowed by Instagram Perfect Attractive People.
Alas. Okay glad that's out of my system I'm normal again. I'm going to make some more chain mail.
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You can't tell me that this
doesn't have the same energy as this
Nor that this
doesn't have the same energy as this
And similarly this
doesn't have the same energy as this
In that, whatever we think we're being shown in a trailer doesn't necessarily mean what we think it means.
Because surely you remember that this from the BBS ep 12 trailer
became this in the show
I don't for one second believe what we're being shown in the Last Twilight ep 12 trailer...apart from the colours, of course...because as we've seen umpteen times before, the colours don't lie.
And both Night and their mom are wearing Mhok's blue here, alongside Day who has a mixture of Mhok's blue, his own green...and Night's brown.
I haven't had time to properly write about the design of this show (oh there have been so many things I've wanted to mention) but I do think Night is colour-coded brown, as shown brilliantly in ep 10's dinner scene, with Day wearing Mhok's blue in front (because he had plans to go and see him) and Night's brown behind...because as has been shown time and again, Night has always had Day's back.
And with Night in a very vibrant blue at the end of ep 11, I firmly trust that he will have both Day and Mhok's back in ep 12, and that whatever the trailer for ep 12 is trying to make us think will happen will turn out to be another one of Aof's cleverly crafted ruses designed to make us lose our minds for a week.
Must I remind you?
NEVER TRUST A THAI TRAILER
AND CERTAINLY NOT AN AOF NOPPHARNACH EPISODE TRAILER.
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Ok, ok, so incoming ramble about the Glamrocks that I keep thinking about under the readmore!
Disclaimer: I can’t promise too much structure to this since I’m just putting some thoughts down, but hopefully it’s still an enjoyable read or something to think about ghfdkñkjgh
—
SO!
A while ago, when I was first planning my first ever fic for SB (which has been thoroughly planned but not written and I haven’t talked about it here at all but that’s! Beside the point!), I started really wondering how the glitch/virus worked (I will keep referring to it as virus as I think it fits a bit more).
And I was so happy that the DLC seemed to be in line with what I was thinking or at the very least it supports my headcanon in a way!
(And oh gosh this is gonna take setting the scene a bit at first so bear with me)
So, I’d like to make a note first of all, that I’m not entirely convinced Glitchtrap is gone, because the end to the princess quest 3 minigame means Vanessa gets freed from possession (via opening the door). There is not a fight with him as a boss that seems to deactivate or get rid of him once and for all, at least. But what happened to him is entirely guesswork on my part. Also, while the DLC implies very strongly that all the other endings are not canon and more stories Gregory drew himself, there are still elements from those endings that I feel cannot be discarded, and they help understand the story. (The blob does exist after all and that is only discovered in the Burntrap ending, and it is my belief that the friend that has the schematics for the underground mentioned by Gregory must be Vanessa, because Freddy seems to have only vague recollections of the place when Vanessa had him clear the way for her before, and also he is not capable of accessing all areas of even the main pizzaplex)
(Also, I squint a little wondering if they changed their minds on which ending was the true ending because the Burntrap ending is the one that has animated cutscenes and a cgi ending image. I actually like that Princess Quest is the canon ending now, since Vanessa gets to be free, but it does come with some inconsistencies. But anyways!!!)
So taking all of that into account! To me, the way the virus works, and considering that there must be a supernatural element to it due to the existence of Glitchtrap, has to do a lot with it locking away the “consciousness” of the animatronics. Much like in the way Vanessa’s true self was locked away actually! In past games, the animatronics only seemed to act outside of their programming due to possession of some kind, but these specific ones seem to actually have self-awareness. I have no doubt that the way they were programmed influences their personality, but the DLC has really emphasized that they are not actually just limited to their functions.
They have true intelligence! Not a surprise, since Freddy was clearly self-aware since SB, but I like that it seems to be a confirmation of it being the case in general and not just an exception. And I believe this because there are animatronics that are able to snap out of it after Cassie interacts with them. They do seem to think things are normal like any day in the pizzaplex, at first (Eclipse and Roxy) and it would seem like this means they are not truly sentient, but considering that Sun was aware all this time that things were very wrong, and that Moon would attack Cassie if not rebooted, and that Roxy later awakens, realizes the danger and goes to rescue Cassie from the Mimic, makes it clear to me that their self-awareness is the real deal.
So not only would the virus have to infiltrate the robot’s systems, but it also would have to fight against the “consciousness” of the animatronics to gain control. While we know the Burntrap ending didn’t happen, I think when we see Burntrap trying to take over Freddy is a good visual representation of what might have happened over a long span to the other animatronics.
Ok, ok so! With all that said (again gfkjh)! I’m getting to the main point of this post, which is that I cannot stop thinking about the little backstory we got for Monty and what might have happened with Bonnie!
The damaged model of Bonnie we find in Ruin makes it clear to me that yes, it must have been Monty the one who destroyed him. The scratch grooves that join with the hole in his chest do match with the marks we have seen on other spots, (I thiiink Monty’s room has them), and we know the claws are the characteristic associated with Monty.
(And here I make a sidenote acknowledging some buts, because I went back to read the SB messages, and according to those, Monty only received the upgraded claws to play the bass, which means Bonnie was already gone by then. One of the messages states clearly that Monty received modifications only after being moved to the position of bassist, when Bonnie was out of commission, so either Monty already had really strong claws or it's a bit of an oversight there, but I digress!)
But! Even with that clear evidence, and here it’s where I admit it’s more speculation on my part, I find it a bit hard to believe Monty, the real Monty, at least, would destroy Bonnie just like that. Which makes me think Monty must have been one of the first, if not THE first of the band being infected with the virus. I think it’s a generally accepted headcanon that the virus alters the glamrocks personalities in a way that some of their main character traits are twisted in a destructive way.
Now, Monty already clearly existed back when Bonnie was in the band. He had his own (large!) area even though he wasn’t part of the main band. The DJ is large and has his own section too, but he seems confined to it and was bought from outside the plex. And Monty seems to have been able to roam around anyways, so I think that probably means the higher ups were counting on Monty being a main animatronic in the future. (I have to wonder if the whole one man band thing from the backstory was something he did do for a brief time at the start, but admittedly that could have been added just in the cardboards).
With all this in mind, Monty was probably the newest addition, a newcomer in a place that already had the four main animatronics. Almost known by no one in the public and without an established personality in a franchise he’s never been part of before. One of the messages says Monty could be more popular than Bonnie, after Bonnie’s disappearance, which makes me think he was mostly a side attraction, and nowhere near as known as the main glamrocks. Why mention that he could be more popular if the audience was as aware of him as the band right?
So, I think the main trait programmed for Monty’s personality is ambition. The backstory in his ride seems to hint at that. A young Monty with his own little music business, looking in amazement at the Glamrocks and dreaming of one day reaching their level. It would make sense to have one of the robots have this as their main trait, since kids would relate to the big dreams. And it seems to fit with other main traits from the other Glamrocks: Roxy seems to have been made with self-confidence in mind (winning races and having a beauty salon) which might be for encouraging kids, Chica is obviously all for being chipper and energetic and enjoying food (useful in an entertainment establishment that wants kids to indulge and get their parents to spend their money when they’re having a good time), and Freddy is meant to be nice and fatherly and the approachable gentle main face of the franchise.
(Though I am a bit sad Chica gets pushed aside a bit in regards to explicitly showing what she’s really like)
(As a small parenthesis from all this, I want to say that the Pizzaplexes troubles with the virus (or at least the more worrying behavior of the animatronics) are likely relatively recent before Gregory’s arrival. Could be months or a couple of years, don’t know how much exactly, but the fact that there are old messages all around, how some of those help give Gregory hints to where he can find stuff that is still there, how Bonnie’s Bowling Alley has not been rethemed to get rid of the evidence of his existence, Freddy’s hurt over Bonnie being gone sounding (at least to me) still fresh rather than from that long ago, and the message about the disappearances makes me think it can’t have started a decade ago or something like that)
Anyways!
The Monty “rise to fame” story from the ride establishes that Bonnie “gave” his bass to Monty in order to have him join the band, though that Bonnie cutout is obscured. If they really wanted to make it seem like Monty had retired, why not make a cutout with the most important part of the story clear? They made one with Roxanne styling Monty’s hair! So maybe the plan had been to establish that (in the “in universe” narrative for the animatronics) Bonnie would be the Glamrock that took Monty under his wing and teach him the ropes of being a star? Though probably not with the plans of having him be a Glamrock at all, but maybe appearances with a Glamrock would increase the chances of the new gator attraction succeeding (again, speculation on my part, I know).
Coming back around Monty likely being the newest addition, him still not being established as a popular character would maybe mean that he was an easy target to spread the virus. Way more attention would be paid to the main stars, I think, so I think the probability of him being infected from almost the start is high. And with his main trait being ambition, and Bonnie maybe having been planned to be a sort of pathway to him being more known, it wouldn’t surprise me that by the time the incident happens, the virus has already twisted Monty’s ambition into jealousy and aggression and so he ended up destroying Bonnie that one day. Was Bonnie summoned by Monty? Did Bonnie go to Monty out of his own will because he noticed something was wrong? (which ouch if that was the case. It could very well be even that Vanny noticed that Bonnie noticed something was off and had Monty dispose of Bonnie in order to not have any secrets exposed) Who knows! But this is mostly what I think happened.
And why am I so convinced Monty would not have done this without the virus’ influence? Well… Mostly because of Roxy.
In the main game, Roxy is such a bully. Many of the phrases she says are outright cruel, and at a point where Gregory has done nothing to her yet. But in the DLC we see Roxy as she was meant to be. Encouraging. Lifting a child’s spirits up. Assuring them that they are fantastic how they are.
We know that Cassie is a lonely child. A bit of an outcast who probably spent a lot of time in the plex while her dad worked. We know that her friends did not show up to her birthday and she treasures Gregory as a friend for being there when she was down. Cassie, seems to me, is the kind of child that would be an easy target for bullying. Insecurities and loneliness seem to be main struggles for her, which is why, if Roxanne was already a bully without the virus, why would she be Cassie’s favorite? Why would she be so nice to this kid that obviously needs the confidence boost Roxanne was made to provide? One of Roxanne’s literal lines in SB towards Gregory is “I bet you don’t even have friends!” Knowing that Roxanne knows this is an issue for Cassie, it seems even more brutal that if she’s in her right mind she would use that as an insult when chasing after Gregory. The Roxanne we see in Ruin is so kind. She is a source of comfort for Cassie, soft spoken, and making sure she feels like number one, instead of being self-obsessed (even if it’s born out of extreme anxiety over her own image).
So if there is such an extreme change from a virus riddled Roxy, why would Monty’s extremes not be the same? We know not even Freddy is exempt from this sort of change though this one is more evidence from the books (slight not too consequential book spoiler and can’t quote from which book exactly it was, but I remember there was an off handed mention of Glamrock Freddy fighting over a plushie with a kid and then feeling dejected when people got angry at him, so it seems if Freddy was ever truly infected, his change of personality would entail being a spoiled main star?).
And it makes sense! Because Freddy considers all the Glamrocks his friends! We know Chica cares for him, because in the intro to SB she takes a step towards him when he malfunctions. And in the base SB game it looks like Freddy is just in denial about his friends (with the arcade minigolf game even having the famous Freddy in a trashbin course to hint at Monty’s jealousy, which you know could very well a real danger with what happened to Bonnie) (and now that I’m writing that it makes me squint a little at that arcade, since it’s very heavily implied the arcade in Sun and Moon’s room infected them so hmmmmmmm, but I digress), but honestly, seeing Roxy acting how it seems she’s supposed to act right before Cassie turns her off as the final node, really makes me think that the true selves of the animatronics are pushed back by the virus to replace them with a caricature of themselves that will obey Vanny’s commands. I mean, the Glamrock Freddy body is completely headless, and doesn’t even appear in the AR world! I don’t know whether it “attacks” because it’s what it would do if infected, or if it is simply leftover code from the way Freddy hid Gregory in his chest, but there sure as heck isn’t anything resembling a consciousness in there. Besides, we know Vanny was invisible to Freddy.
And if consciousness really is pushed aside by the virus, then it would explain why Monty is like that right now. (At least if my speculation of him being the longest with the virus is true) He would know nothing but anger and at this point he is acting like all he knows how to do is attack. Monty’s mind seems to truly be absolutely gone by now. :(
But aaaah this is getting way too long now fkjdghkjf
I guess I just want to talk about Bonnie a bit more, because we don’t have that much more about him that I can form any conclusions about. I do love the poster in his room! The fact that he really was this close to Freddy! They saw each other everyday and Freddy still decided to write a heartfelt message for Bonnie, that Bonnie decided to hang where he would see it clearly everyday! It really seems that Bonnie cared for Freddy just as much and that makes me so happy! It makes it all the sadder to know how heartbroken Freddy is over Bonnie’s disappearance…
Also I am incredibly confused by the whole wetfloor bot stuff! I don’t know if it’s implied that Bonnie’s “consciousness” somehow managed to transfer to the small bots (or why children screams can be heard from them), and if he managed to stay present through them after all. The little bots never really try to harm or sound alarms on Gregory unless shot at I think, so there’s that to think about! Or maybe Glamrock Bonnie was able to connect himself to them but not transfer? Kind of as long as there are any functional he too would be able to hang on? (Or did someone did that for him and it wasn’t himself who did?) Because deactivating the ones where we find Bonnie makes Bonnie’s eyes go dark. But why?? This I really have no idea about!
There’s also that one floorbot that remains beside a pile of Monty’s merch! And if Bonnie is looking or controlling the wetfloor bots that could mean a lot of things!! If Bonnie is in control, is the bot gathering the merch? Is it a negative thing? A sort of attempt to just collect the merch so it can’t be found ever again like Bonnie himself was? Or maybe, if Bonnie did have the most contact with Monty, did he get to know the real not-virus-infected Monty, and saw the merch as a way to remember someone that was briefly a good friend before things went terribly wrong? Hmmmmmm…
Well, I think that’s all I have! Just wanted to get my thoughts out there! It’s not very organized but if you made it all the way to here, thank you for reading!
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BNHA Ch. 429
So, I guess Toga is dead, and people are losing it.
I get why people liked her--she was actually queer, being pan/bisexual. She was representation for them and that's rare in shonen manga.
But here's the thing--she was bad representation at best and insulting at worst. Nor do I think she was made queer because Hori really wanted to represent a queer girl. Himiko was always the author's poorly hidden fetish--she just was. She liked girls as much as boys because Hori wanted to draw a girl touching sexually on another girl. You can see this in how he draws her and Ochako in solo pics together.
I mean, people seem to understand this when it comes to Momo and her outfit being overly sexual or that both Himiko and Hagakure's Quirks either leave them naked or they have to be naked to use them. These are excuses to draw girls in a sexual manner. Himiko being into other girls is the same thing and that's the kindest interpretation.
Given how Himiko acts and her Quirk being heavily coded sexual desire, and therefore her use of it against someone unwilling being sexual assault, it could just being playing into harmful stereotypes of predatory gays.
As a queer person myself I just found Toga insulting. She was designed to be overly sexual and give the male author a female character that he could draw being suggestive with his other female characters. When he did flesh out her character, her backstory was eventually the trope/fear of straight people, that gay people will be so overcome with their lust that they end up sexually assaulting them.
In the end Ochako accepts this part of Toga and says she'll giver her blood forever, but as much as a lot of readers took that that as some deep lesbian confession, for me it really fell flat. Hori never really gave any of the main kids time to actually learn about their villain or show how that changed their minds toward them. Shoto only works because Touya is his brother (even though he admits he barely remembers him). But Ochako goes from not thinking of Toga at all pre-first war, to one thought about her during her speech, to suddenly caring about her so much she--given how Toga's quirk is coded, is willing to essentially fulfill Toga's kink for the rest of their lives.
It's weird and it comes out of nowhere. It's made even stranger because Toga doesn't actually change or show remorse for anything she did, which included personally hunting and murdering people before she joined the LOV. None of the death and destruction she is also partially responsible for is brought up either, something that Ochako was rightfully upset about during the first war when less people and property had been destroyed. Ochako just accepts everything about her suddenly and her past serious crimes are forgotten so they can cuddle and cry.
Am I shocked Toga died--a little. I didn't think Hori would have the guts to kill off a young girl character, especially one that he clearly got a lot of joy drawing in sexy poses. But at the same time, once he killed off Shigaraki and ended Touya's story with his slow death, I'm not surprised he went the same route with Toga.
This isn't Naruto--Hori isn't really kind to characters that do something wrong, especially if they don't try and change. Enji, Bakugo, Hawks, and Aoyama all sort of got punished for what they did. Enji is the worst off, being permanently crippled, missing an arm and burned everywhere. Bakugo's hand is damaged, his heart weaker, plus he feels bad that Izuku lost his Quirk so they can't compete the same way he wanted them to. Aoyama, despite doing way less wrong and even helping his class during the forest raid, still leaves school because he doesn't feel he earned being there yet. Hawks lost his Quirk and even though him running the HPSC could be seen as good for him, Hawks always wanted a break, but now he has one of the most time consuming and stressful jobs out there.
So, if this is what characters who actively did good things and even changed and fought to be better get, what would characters who never changed and never did anything positive for anyone but their friends/themselves get?
Before the last Arc started, when so many people said the LoV were 100% going to be redeemed I had doubts and always thought it wouldn't make sense with how the story presented redemption or treated other non-LoV villains in the past. That if the main LoV did get some happy ending where they were bffs with the main cast it would clash with how other characters had been treated.
That doesn't mean that I think how Shigaraki, Toga, and Touya ended up in the manga was well done. I think their endings fit far better then a last minute redemption would have, but at the same time you can feel how rushed everything has been since the end of the first war arc. Hori was done with this story months if not years ago, yet he was contractually obligated to finish it. Because of that I think he left out as much as possible. As much as I think he's written some pretty obsessive stuff, particularly towards women, I can't really fully blame him cutting corners or the story being shit at the end.
We know Manga authors, particularly those that work with Jump are treated like shit. That they suffer incredibly long hours at times not even getting to go home for days. We've gotten messages for Hori saying he's sick quite a few times. On top of that, weekly story telling is not a great way to tell a cohesive narrative. Ideas probably change week to week or at least month to month and you can't go back and change the last chapter no matter how much you need or want to. Then you remember he also gave a lot of ideas to the people who made the movies, which would also change his plans for how he wanted the main story to go.
The story is bad--it has been for a while, but I think a lot of people put their hopes on their favorite characters getting a happy ending, even when there were signs that probably wasn't going to be the case. I know how much it sucks when a character you love gets a shitty ending (Stain was my fav, but he got an absolute dogshit ending) but at least, knowing what I know about the industry I can't really blame Hori the way I see some other people doing. Criticize it, sure, but saying Hori hates his readers or is horrible writer isn't true. BNHA was popular for a reason--he's great with characters and the beginning of the story had some great pacing. We'll never know, but I wouldn't be surprised if BNHA could have been amazing if Hori had been treated better and the story hadn't needed a chapter every week.
If anything BNHA has taught me how much a story suffers when authors/artists are treated like crap and forced to work past burnout.
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