#because we absolutely would have this in common!!

[thyfleshc0nsumed]

how do you find public spaces to fuck (re:the rooftop + dyke)?

sincerely, horny lez

Good question, I will answer it in this response eventually, but first, you have to sit through me intellectually jerking myself off for a moment because I think it may provide some useful perspective.

Public sex has been part of my life for as long as I've been having physical sex at all. As an adolescent it was mostly out of necessity, but these days it's mostly out of convenience. The vast majority of the sex I've had in the last year or two has been public.

I think it's important to clarify that for me at least, public sex is not an act of exhibitionism. If there's any sort of philosophy behind it besides sheer utility, I'd say it's something like not allowing our society's mores and hangups around sex and privacy dictate the terms on how and where we (especially as gay people) engage with our sexuality.

I think there's this gut impulse many people have--including many gay people--around public sex, and I think it speaks to the reactionary view of human sexuality that is unfortunately the stock standard in these times. For many, the idea of people having sex in public gives them some sort of 'ick' that they can't seem to articulate.

Often discussions around public sex are framed like this: "if I walked in on people having sex, it would make me uncomfortable, I didn't consent to that, so people should not be having sex in public." It would be fairly reasonable to experience discomfort in this imagined scenario--in fact, I think most people probably would--and that discomfort isn't a problem. The problem is that the premise assumes a few crucial points, notably that 1. Walking in on public sex is a common occurrence and/or the desired outcome for those engaging in it 2. Discomfort is a form of harm 3. Exposure to (non-hegemonic) human sexuality is capable of causing some kind of nebulous psychic damage to the witness.

To the first point: in my decade or so of regular public sex, I can only think of one instance where I was actually walked in on. It was an alley off of a major road and probably only at around 1030p. I mention this because we absolutely would have chosen a different, more secluded location/time if we were doing anything other than fully clothed kink and maybe some kissing, because again, the goal for most is not exhibitionism; no one really wants to be walked in on, so we choose locations where it is less likely that we will be.

To the second point, I have little to say besides that it simply isn't. Discomfort is an everyday part of life and is something all people experience regularly without calls to stop every potential source of it. So what is it about this topic that makes people react this way?

This leads us to the third point: non-hegemonic modes of sexuality are treated as degenerative and caustic and therefore must be hidden (or eradicated) entirely from the public sphere. It is the classic double standard; think of things like the "Don't Say Gay" or "DADT" laws or more broadly the attempt to remove even the mention of the existence of gays from curriculum. Most of the people who fight for such measures likely don't take the same issue or action with a 48 foot billboard for the local strip club or with a heterosexual couple kissing on screen.

And while the spot that people place the line may differ greatly, this ire against public sex still draws from the same well of reaction against perceived degeneracy that the fascist draws from. If this is not self evidently a negative thing to you, I have little I can say to convince you.

Some may be thinking 'okay, even if it is not harmful or degenerate, why do public sex?' To me, it is just as strange that so many keep their sex lives confined to the home and I could posit the same question. Neither way of doing things is any more natural or unnatural than the other, one is just the societal default. If it would bring you joy, why not engage in public sex?

The world is large, and if you know where to look, there are countless spaces you can carve out and stake the pervert's claim to. Alleyways, parks, bathrooms, rooftops, and beaches are the first to come to mind for me. To answer your question directly, you find them by making them and taking them.

Time is a large factor here as well. A given spot in a park at 9p may not be suitable, but might be more so by 11p, and even more so by 1a. My experience is that the later it gets, more spots become viable with less heavy precautions.

Another factor is coverage. An open field is riskier than behind a tree. The middle of an alley is riskier than behind a dumpster. You want to limit the amount of vectors through which you could be exposing yourself. I value coverage from sight lines over seclusion.

Something else you want to think about is whether or not you are on private property. If you are, it's possible that there are security personnel sitting in a car somewhere nearby or a resident who notices you. At that point, the issue is not even the sex, it's the fact you're there at all.

Finally, you always have to be ready to dip. Be aware of your surroundings as best you can, listen for cars and people, don't get too caught up in the moment that you're blinded. You gotta be ready to pull your pants up and walk quickly away. I'd rather be safe than sorry. If something's not right, get outta there. If you can't, well, don't have your dick out at least.

Anyway, all that to say go out and have fun. Good luck and enjoy yourself. The world has room for you to fit yourself into.

[scarletdreamers]

Hannibal & Fashion I

How to dress like: Hannibal Lecter (but feminine) > An explanation to the essentials and character of his iconic style.

We all know that Hannibal is nothing short of an absolute fashion icon. His outfits are always perfect, down to the details. He knows how to blend shape, colour and patterns in an old-fashioned yet innovative way like no other. Which is, for many, very refreshing in a world of hoodies and light wash jeans.

For Hannibal's style there are a few key characteristics I had to keep in mind. If I had to describe his style in a few words, I would say it's elegant, sharp, formal, expressive and aristocratic.

All his suits, shirts, trousers, are perfectly tailored. He pays a lot of attention to silhouette and the way his clothes accentuate the lines of his body. His suits have a sharp and intimidating yet smooth and refined shape. The shoulders, trouser-legs and ratio of his ties, waistcoats and lapels are geometric. They are razor-sharp, while around his waist and thighs the suits are much softer. They draw attention to his body. Hannibal is a proud man who isn't afraid to show his good qualities off. His body is one of those and isn't afraid to get his clothes perfectly fitted, so that they reveal everything and nothing at the same time.

Hannibal isn't afraid to incorporate feminine touches into his outfits, so I imagine if it were to be the other way around, there would have to be traditionally masculine touches like suits, overcoats and old school uniform-ish aspects.

Inspo:

So, if you want to copy his silhouette, it's important to work with the ABAB ratio, as I like to call it. Wide at the shoulders, tight at the waist, wide at the hips and slim from legs down. The contrast between a refined waist and a top that's big, pointy or puffy around the shoulders is perfect.

Hannibal's look is all about elegance and generational wealth and standard (he is a count, after all). In his day-to-day outfits we often see him incorporate traditional, royal details in his outfits. He wears all kinds of top quality fabrics (loads of great wool, linen, silk/satin for his ties, velvet and even leather). Texture is very important in his style. And so is detail. At operas, fancy dinner parties and other elite gatherings we often see him wear cufflinks, which are beautiful pieces of jewelry that still have a masculine feel and can be worn even by men who usually don't wear accessories. At one dinner party Hannibal wears an ASCOT TIE! (second picture above) Which is really revolutionary, because even though they were very common with the aristocracy and other high society in the late 19th century, almost no one wears them anymore, let alone styles them right. Hannibal however takes these pieces and makes them WORK.

Inspo:

If you translate this to key aspects for your style, at first looking for high quality fabrics is important. They are more expensive (most of us are not anywhere near Hannibal's budget range), but they are worth it because they make you more conscious of what you buy and will still be good pieces after years. As I mentioned, go looking for wool, silk, linen, etc.

Also, what would a Hannibal Lecter inspired wardrobe be without patterns? My top picks would be: pinstripe, monochrome plaid, subtle houndstooth, and of course classic floral patterns or even paisley like his ties! Anything that looks like a Victorian era wallpaper will work, to be honest. (Our king of classy patterns)

Inspo:

The cufflinks and dramatic ties made me come to the conclusion that a more feminine variant of that would be elegant and noticeable yet fitting jewelry. A statement bracelet or necklace, for example. The same goes for bows and neck scarves. A bow or a neck scarf could be a good solution if you're not a fan of ties. (Neck scarves are amazing, I own multiple in different patterns and they can make the most plain outfits interesting!)

Hannibal wears a lot of very formally appropriate clothing, even in his casual outfits. Despite his style being 'exotic' and noticeable, it still is very neat and modest. He wears suits and nice long sleeve shirts always buttoned to an appropriate point even during summer. You would never catch him in shorts. Some people compare the way S3 Alana dresses to the way they imagine Hannibal would dress if he was a woman, however, I think that Alana dresses too bold for Hannibal. Her colour palette is too bright and she wears a lot of lacey, almost lingerie-ish tops. Hannibal's palette contains more muted colours. A lot of different colours and patterns, yes, but they are always in muted/darker shades. Even the whites and light browns he wears aren't really ''light''. The only thing really vibrant I remember him wearing are his beloved, spotless white shirts.

Inspo:

So, personally I'd go with longer skirts or straight leg/slim trousers. Not too wide. Suit jackets that don't reveal too much and slim and notable but appropriate shirts. Maybe a turtleneck here and there. Nothing Hannibal wears is really ''baggy''. When he is wearing a looser shirt he pairs it with well fitted pants (the cooking scenes). There's always balance.

Don't wear obvious logos! Yes, Hannibal wears loads of luxury brands, but you would never catch him buying a Gucci tie that actually has the Gucci logo on it. Brands can cheapen the look of a product, despite popular beliefs. And plus, with Hannibal it's all about the piece of clothing itself, not about the tag it comes with.

There's a few small and specific things that you should 100 percent incorporate in your wardrobe if you want to dress like him, which are:

A pair of nice leather gloves

A white button-up

Leather shoes (oxfords, loafers, anything with a classic academic and italian feel to it. There's plenty of beautiful loafer heels on the market, I own a vintage italian pair and they're the most comfortable heels to ever walk in)

A good knit sweater for casual wear! Brandless, though Ralph Lauren has some that really fit the vibe

A classy watch with a slight vintage yet modern feel

And a transparent murder suit of course, but I suggest you are a little more careful buying that ;)

Colours are also quite interesting. Go with a lot of deep, jewel-toned colours. Loads of greys, browns and whites, but not too much black. Try to stick to deep greens, royal blues, burgundy & wine. A lighter pop of colour such as light blue, coral or purple are also appreciated, as long as precise thought has been put into the colour palette. Colour theory works in clothes, too!

Before we round it all up, I would like to talk about his truly formal looks, as well. I'm talking opera and such.

It's nothing other than social etiquette for a man to wear a tuxedo to a black/white tie event. Opera and high-class parties often automatically classify as one of those. Hannibal is a man of etiquette, he wears his tux. However, it's the details that make him stand out. When everyone else wears black, he wears deep blue or green velvet. He wears mother-of-pearl cufflinks on french cuffs and patterns on his (bow)ties. His truly formal style is minimal, but still special because of the fabrics and details he choses. He makes sure there's always these little elements that make him stand out from the crowd.

Inspo:

So, if you were to imagine this in the form of dresses, you should go for dresses that are minimal in details, but classy and a little vintage in shape. Maybe a jewel as detail here and there, but it's mainly about the fabric and the shape. About an asymmetrical neckline, an unusual way of draping, gloves, just something extra. Don't go for anything too sexy or revealing. Instead go for chic and sleek, maybe bare shoulders and no straps. This draws attention to the collarbones instead of the breasts. Look for dresses that expose, for example, your neck or your arm. It makes an outfit classy and mysterious.

No matter how good his clothes look on him, Hannibal's style will never not feel a little out of place in modern society. Because honestly, who (except for Parisians and New Yorkers) wear such formal three piece suits to get groceries? Hannibal's style feels a little too vintage, a little too royal, and a little too pretentious to not be noticed on the street, but then again, Hannibal likes standing out. He isn't a trend follower, he's a trend setter. He has his own personal style and what he wears only makes him more charming of a personality. He's a fashion muse, certainly in his circle of highly cultured friends. So, don't be afraid to draw attention! I like to think that Hannibal and Oscar Wilde share the same opinion on overdressing: which is that you can never be too overdressed or overeducated. One of the most important aspects of Hannibal's style is that he doesn't follow the mass. He wears what he feels best in, and his clothes reflect the confidence and power that comes with that.

So, dress stately! Dress elegant, dress like you're a member of the royal family, take that button-up you reserve for special occasions and make it a daily statement! The most important thing when dressing like Hannibal is confidence. Your clothes are a way to show off your style, intellect and originality to the world, because we all know Hannibal is far less intimidating in his prison jumpsuit than his own clothes ;)

Should I make this into a series? Is there any interest in other characters?

Anyway, thank you for reading <3

[iaminlovewithagingermilf]

The Marauders: A One Act Play

PROFESSOR MCGONAGAL: Professor Slughorn tells me that you were behaving inappropriately. What exactly is your side of the story before I fill the blanks in myself? 

JAMES: [James sits up straighter.] Inappropriate? Oh come on we only- [Sirius cuts him off by pushing him by his face back onto the chair.] 

SIRIUS: What exactly was his side of the story? Because we have no idea what you're talking about. [James rubs his nose dejectedly.]

PROFESSOR MCGONAGAL: Really you have no idea? [She looks at them like she doesn’t believe a word out of their mouths.]

SIRIUS: Nope.

REMUS: Nuh-uh.

JAMES: Not a clue.

PETER: Absolutely zero ideas.

PROFESSOR MCGONAGAL: That’s funny, you’d think that you guys would remember filling your teacher’s classroom with fifty chickens! [They all pause for a moment to watch her face turn red.]

REMUS: [Remus taps his finger on his lips, looking thoughtful.] Hmmmm you would think we’d remember doing something like that.

PETER: [Peter mimics his thoughtfulness.] Unless we didn’t do it, in which case there would be no memory to remember.

JAMES: [James points at Mcgonagal importantly.] Oh my God we didn't do it! Honestly I wasn’t expecting that. [He sits back looking very relieved.]

PROFESSOR MCGONAGAL: [Mcgonagal angrily waves her hands around.] He literally saw you do it! He saw you running away, you left a trail of chicken feathers! Peter you have a feather in your hair right now! 

PETER: [Peter plucks the feather out of his hair with a look of new understanding.] Ohhhh you meant that time we filled our teachers classroom with forty nine chickens.

PROFESSOR MCGONAGAL: What do you mean “that time” of course that time! How many other times have you filled up your teachers' class room with fifty chickens!

SIRIUS: Never. We’ve never filled up our teacher's room with fifty chickens. [They all blink in unison.]

PROFESSOR MCGONAGAL: You guys just admitted it, like literally two seconds ago. The professor walked in his class room and found 50 chickens labeled with a number. [She reaches up and rubs her temples looking on the verge of tears.] They still can’t find number 13. 

REMUS: Oh how strange. 

JAMES: Strange indeed. [James stifles a smile, looking away from Remus so he won't laugh.]

PROFESSOR MCGONAGAL: [Mcgonagal signs with an air of resignation.] What on earth possessed you guys to do this?

PETER: The pigs were expensive.

PROFESSOR MCGONAGAL: [Mcgonagal tugs on her hair.] Right of course, I always put chickens in my teacher’s classroom because the pigs are expensive. 

REMUS: I don't see why you are so upset, it’s not like there’s a rule against putting forty nine chickens in your professor’s classroom. We checked.

PROFESSOR MCGONAGAL: You checked to make sure there wasn't a rule against putting fifty chickens in your teacher's classroom.

REMUS: [Remus smiles brightly.] No, but that’s not a rule either.

PROFESSOR MCGONAGAL: what? I- It’s not a rule because we assume our students have common sense! 

SIRIUS: [Sirius waves his hand in a dismissing movement.] Ah well you know what they say about assumptions. 

JAMES: No, what do they say about assumptions?

SIRIUS: [Sirius thinks about it for a second before he shrugs.] I don’t know, they probably cause cancer or something. [James nods like that makes sense.]

PROFESSOR MCGONAGAL: They do not cause canc- He was yelling after you! He told you to stop!

REMUS: Ohhhh that's what he was saying! I thought he was practicing.

PROFESSOR MCGONAGAL: Practicing?!

REMUS: For the opera.

PETER: [Peter nods encouragingly.] He does have a lovely singing voice.

[meglosthegreat]

"It was fun, but it got a little boring by the end" is perhaps the most common review of Veilguard's combat that I've seen. No one seems to have strong opinions about it, overall. As far as things to have beef with this game over, it doesn't even make the shortlist, really. I mean, it was fine.

But hell, I'm not above being petty, especially when it comes to this game. So amidst all the other things wrong with this game, here's my hot take: Bioware doesn't understand RPG combat, and why it's useful in, you know, RPGs, as they ostensibly claim to make.

This didn't start with Veilguard, though Veilguard is obviously the subject of this post. It was apparent since before DAI that they were gravitating towards action combat, and I had a lot of problems with Inquisition's system at the time. But Veilguard took it even further, doubling down on their pivot away from RPG mechanics. And, well, I don't think a proper RPG system could've saved this game. But it could've given the game something it desperately lacks - replayability.

RPGs are long games, are driven by the premise that most players will not follow the exact same path towards the end, and above all, are designed to be played in as many ways as possible. This is why character classes exist; why there are multiple weapons to choose from, and why there are more party members to pick from than can fit in your party at once. This works when you consider the other hallmarks of RPGs: different story paths, dialogue choices, and romance options. Variation outside of combat compliments variation within it, and this makes a good RPG something you can play several times and have a completely different experience each time.

And more than that, the mechanics of an RPG compliment a game that could take anywhere from 80-100 hours to complete. You NEED that level of choice within the game mechanics to get you through that long a game, and Veilguard's problem is that it has the length of an RPG, but the combat system of your average 30-40 hour action game.

Of course, there are excellent action games out there that are also up in the 100-hour range, but what these games do that Veilguard did not, is put the majority of focus on their combat systems. Elden Ring is probably the best example of this, but of course we wouldn't want a Dragon Age that's like Elden Ring, really - Dragon Age needs to have more going for it than just combat. And if you can't build your whole game around its combat system, then you need something that has the longevity to sustain a 100-hour runtime.

Everyone bemoaning the lack of direct companion control is absolutely correct - their lack of damage output and usefulness compared to the player renders them basically meaningless in combat. But what this also does is make any kind of customization of their abilities or their gear next to pointless. Even if you could replay this game and build them differently - which you can't, let's be clear - doing so would not make a single iota of difference in combat.

And Rook themselves - well, consensus is that the game starts to get boring about 40 hours in. That's roughly the place where you've gotten enough skill points to specialize in one thing, and though, sure, you could theoretically refund all your points and try something else, by that time you've gotten enough points to acquire all the skills in the general tree anyway. It doesn't help that the gear system is such that whichever items you happen to get early will probably be the ones you end up sticking with. It definitely doesn't help that the enemies in this game severely lack variation, and once you've fought one dragon, you've fought them all.

You know what would have helped? Giving people multiple ways to approach combat. Giving us enemies that require a different approach. Giving us companions that you can build out in interesting ways. Giving us, in short, a reason to play this game again. Because if you're going to create an 80-100 hour game that has very little else going on mechanically, then the very least you can do is make sure your combat is actually fun for the full 100 hours.

[lurkingshan]

The other day in a conversation about I'll Turn Back This Time, @troubled-mind asked me about my favorite dramas that show the same couple falling in love multiple times, in different iterations.

So of course, I am now here with a list! Takes on the fantasy trope that ITBTT uses--an alternate universe and/or time travel mechanism that sets up the protagonist to fall in love with the same person, or different versions of the same person, more than once--is actually not super common in dramas, but there are a handful of shows that do something like this:

Triage 

If you ask me what is the best QL with this trope, I don't even need to think about it: Triage is the answer. I love this show, and alongside its masterful suspense plot you get to watch these two try (and fail) to get the other to fall for them over and over again. It's a great time.

Someday or One Day 

If you ask me what is the best drama with this trope, period, I have to hand it to Someday or One Day, a Taiwanese drama that is probably my favorite time travel alternate universe romance of all time. In this one you get multiple versions of the same characters falling in love with each other and traversing time and space to find each other. It's so good that a Korean production attempted to replicate its magic. An absolute must watch for people who love this trope!

Every You Every Me

Now we're getting into some with asterisks. In this show you get to watch the same two actors play multiple different pairs who fall in love with each other in different universes--kind of. I can't say more or I will spoil it for those who haven't seen it yet! It's not a perfect show by any means, but it's a lot of fun.

4 Minutes 

This show is not a great example of this trope IMO, but it sort of gets at the experience, as you see a few different versions of the lead characters and their relationship through various narrative turns. I'm keeping it vague because saying much more would be spoilerific!

The Legend of the Blue Sea

A mermaid meets a conman, has a whirlwind romance, and then deletes his memory. But oops! They were already lovers in a previous life, her mermaid powers are not working quite as planned, and she can't stop herself from finding him again anyway. It's all a bit more complicated than that, but the point is you get to watch these two find each other and fall in love several times in multiple lifetimes. And damn did I love it every time.

Until We Meet Again 

In this drama, the story is about two souls who meet again in another life after a tragic end in their first. So it kinda fits here, but their reincarnated souls go into new characters played by different actors, so the experience of watching it is a bit different. This one is less about time travel and choice as it is heavy on the red string of fate.

Extraordinary You 

In this fantasy drama, our mains are side characters in a manwha who gain sentience and start trying to change their story together while an omnipotent writer keeps shuffling them back to where they think they belong and deleting their memories of each other. It's definitely a unique twist on this trope, and you get to watch them fight to remember and fall for each other and find a way to take control of their destiny over and over again.

In addition to narratives with a fantasy construct that resets or produces multiple iterations of the core relationship, I also thought about second chance romances where you get to see both the original and the second chance love story in full, giving you the experience of watching the same two people fall in love twice. Some noteworthy dramas in this category:

Lighter and Princess

This drama centers on two tech genius types who originally fell in love in college and started a company together before something went very wrong, resulting in his incarceration. The story picks up when he gets out of prison and sets out to reclaim his legacy, and you get to live both their first and second love stories in detail. One of my absolute favorites and permanently in the rewatch rotation.

We Best Love 

This story is told in two parts, with the first focused on their original enemies to lovers romance in college, and the second their reunion after a confusing and closure-less break up. It's honestly kind of a mess but I love it so much anyway, in no small part due to the actors.

The End of the World With You 

And now for something a little darker! This one is heavy on the toxic psychosexual vibe, and all the more fascinating for it. Two former lovers meet again at the end of the world, and we see what went wrong for them in college and watch them sort through the wreckage as adults and try to make something of the time they have left.

First Love: Hatsukoi

Two high school sweethearts get separated by life circumstances, and meet again twenty years later to realize they are still not over it. I was charmed by the teen love story in this one especially.

Let Free the Curse of Taekwondo

Let me end on a note of excellence and take this opportunity to again implore everyone to watch this beautiful show. Both iterations of this relationship are compelling and complicated and full of deep feeling; it's one of the most satisfying second chance romances I have seen, and after everything they've been through, it's so rewarding to see these two get the chance to fall in love again.

[iamthezip]

Who is Edwin without Charles

So I got this NGL and it took me a while to answer. I mean, I had the answer almost immediately, but it quickly became a 3000 word ramble and sparked a few side rambles as well. So I tried to pare it down a bit. It kinda worked. So, here goes...

Fair warning, lots of rambling ahead but I tried!

Who is Edwin without Charles. I have TOO many thoughts about this. Firstly, hypotheticals are hard, especially with people, because there are too many variables! And in the case of Edwin, limited data. We see Edwin in the show after 30+ years of being with Charles. We have his flashback with limited shots showing him being different and ostracized by his peers then sacrificed. We know he spent 70 years in Hell. But this flashback doesn't tell us much about him as a person, just more about his peers response and treatment of him. So his actions in the attic scene and Edwin's own descriptions of himself are what we mostly have to go off of for who he is prior to spending 30+ years with Charles.

A few things we know and can assume about Edwin. Edwin is intelligent, studious, and values information and logic. Edwin is fairly straightforward. Edwin is kind (he may not be nice, but he is kind! I'll die on that hill like Charles died in that attic). He believes he is not good with people. He may have believed at some point that he deserved Hell. He does display some ptsd related symptoms and heightened fear response to certain triggers related to Hell. I mean, 30+ years later, he's still very hypervigilant about the potential of Hell finding him. Also, he has a drive and purpose with his detective work.

As for Charles, there are four things I think Charles provides Edwin that significantly impact the Edwin we see 30+ years down the road - I don't think these four things are the only things, but they're what I'm considering heavily in this portion of my analysis. Charles provides acceptance without change (accepting who Edwin is as he is and not expecting or forcing change or masking), a connection to others and the world, SAFETY (in words and actions, Charles not only claims he'll protect Edwin but repeatedly does), and absolution (this will take some explanation, later in the analysis). I think it might be argued that Charles helps Edwin find purpose in detective work, but I think this would always happen, just maybe not as quickly or easily. Reading detective stories to Charles may have made it fresh in Edwin's mind, but I think Edwin would always seek out some self-appointed task or purpose. Plus, he does reveal an ulterior motive of building a case for leniency, so the detective work purpose would eventually come about even without Charles. But, lets remove Charles from the equation.

First, Edwin will always be kind. 70+ years in Hell after being sacrificed by his peers, he still takes the time to comfort and care for an injured and dying boy, putting himself at risk at the same time. He knew Death would come when Charles passed, he explained the light to Charles, but he waits. He waits until Charles passes and even until the light appears. Edwin maintains his inherent kindness through 70+ years of the worst place and the worst people. So I think Edwin will still be kind.

Second, I disagree that Edwin is "bad with people" but he believes he is. This is ingrained from the treatment of his peers (and possibly family) and further exacerbated by being out of touch with the times, being displaced a 100 years out of time. He asks if the women in Niko's family are prone to bouts of hysteria. This would've been common medical thinking in his time. A couple episodes later, he stops himself from using the word hysteria. This implies part of his "bad with people" is lack of knowledge. That all being said, Charles is largely his source of updated information and also a connection to others, smoothing out things when Edwin says something wrong and being a major support for Edwin being himself. Without Charles as a point of connection, Edwin may never learn he isn't "bad with people" and would become a self-fulfilling prophecy. He might withdraw more and, with no one to help talk to clients and smooth out any bumps and missteps, any error would be amplified. So Edwin becomes what he believes he is, "bad with people", withdrawn, and isolated more. He already reduces a lot of interactions to their necessary functions and would just do this to more extreme.

Third, Edwin's PTSD symptoms would probably be worse including increased hypervigilance, heightened flight-freeze response, and anxiety or possible even panic attacks. All of these would be internalized as well as something being wrong with him. Charles offers safety and acceptance of Edwin - he accepts Edwin's reactions without faulting him, ridiculing him, or shaming him. He accepts Edwin sharing as much about Hell as he does (we don't know the extent and clearly he left out details, but he did tell Charles "loads of stories about Hell"). Talking through traumatic experiences and emotions is a huge part of overcoming them and moving past them. Charles offers that to Edwin. Charles also offers safety - stepping between Edwin and a threat at every opportunity, protecting Edwin from physical pain but also coming to his defense in other ways - protecting him from the concept of Hell, the risk of going back, the idea he even belongs there. Charles shows again and again that he'll protect Edwin. Edwin feels safe! And we see this with his clothes. There are only four times we see Edwin without his armor. Twice are unwilling - pain and fear in Hell and on Esther's table. Twice are willing - Ep 6 in his sweater when he plans to confess to Charles and Ep 1 in the office when its just the two of them. Edwin feels safe with Charles and takes his armor off, even when he's about to do the very frightening thing of confessing his feelings. He feels safe. But if Edwin doesn't have that acceptance and safety, I imagine he doesn't progress as much in relation to his trauma. His PTSD symptoms may worsen or at least he stays in survival mode for so much longer.

Which brings me to point four - survival mode and Edwin finding his purpose - detective work. Again, still think he'd be a detective. I just think it'd be delayed. I think Edwin would spend a lot more time in initial survival more than we can assume he did in the show. Without a sense of safety and acceptance offered by Charles, I think Edwin spends longer in survival mode, a constant state of flight. How long would he stay in survival mode, flight mode for? Would he ever feel safe or would it worsen? You do not run from trauma. You do not hide from fear. Without something to help him feel safe, would Edwin have been as trapped in his own fear and trauma as he had been previously trapped in Hell? Charles is not the only reason Edwin moves out of flight/survival mode. Edwin has to do that work himself, and maybe 30 years later he does or has. But Charles would offer a huge support in this that now isn't there. 

Finally, Edwin doesn't deserve to be in Hell, but maybe he believed he did. Maybe, without Charles, he still does. Edwin, when meeting Simon again, says "when you punish yourself, everywhere becomes Hell." Edwin spent the season learning about himself, exploring parts of himself he didn't before. I don't think these word were always something he believed, nor was that self-punishment something he could let go of. Every time Charles or Edwin talk about Edwin being in Hell (except when Edwin is using is as a "you know nothing of suffering" comeback), they point out that it was on a technicality. The only other exception is the attic, when Edwin reveals to Charles who only just escaped Hell. We know he wouldn't have talked about Hell previously in the attic scene, cause of how Charles reacts "chuffed you got out of Hell mate. Sounds hard" and because Edwin hadn't even told Charles he was dying so as not to scare him. A hell-condemned ghost would scare most people. But, in the attic, Edwin also doesn't clarify that he was there on a technicality. 30 years later, that technicality is always mentioned, mostly by Charles. It is very clear that in their 30 years together, Charles has been openly adamant that Edwin doesn't belong in Hell. But Edwin's first time mentioning he'd been in Hell, he doesn't mention the technicality, even as a means to not frighten Charles. Possibly, Edwin wasn't so sure at that point. Possibly, Edwin believed that he belonged there, even if it was only a technicality that got him there. Maybe he believed he was destined for the red light. So, without that defender to not just his soul but his honor and goodness, would Edwin believe he doesn't deserve to be in Hell. 

Edwin without Charles is still kind, still finds purpose, but I think struggles with finding safety and with resulting PTSD, self-acceptance, and absolution, even if its just absolution from his own self-perceived sins.

[maxdibert]

Yah so how the fuck did Remus manage to "forgive" Sirius? And why does everyone in the fandom always take The Prank as an opportunity to make Wolfstar angst... Like...no?

I'm sick of seeing posts that are like "Sirius going back to his house and having a breakdown" "Remus not talking to Sirius to Sirius sends him a letter about how sad and depressed he is because none of their friends are talking to him". Oh my gosh. ENOUGH OF THAT 😮‍💨

Oh no, the consequences to my own fucking actions--- No SHIT, Remus doesn't want to speak with you. WHY WOULD HE??? And people just completely shove Severus into the corner as if he wasn't also going through something. This fandom man...

Honestly, I’ve never been interested in Wolfstar, and not because I dislike the characters but because it doesn’t make sense to me. I mean, if I had to choose a pairing for Sirius among his friends, for me, it would clearly be James, because Sirius was literally obsessed with him. He wasn’t just his best friend; Sirius’ entire life revolved around James, and even 12 years after his death, he couldn’t move on, to the point of projecting James onto Harry and getting upset when he realized they were two different people. Look, Molly Weasley gives me the creeps, but she was absolutely right when she called him out, saying that sometimes it seemed like he wasn’t seeing Harry but James—because that’s exactly what was happening.

But beyond that, Sirius shows absolutely zero interest in Remus or at least zero empathy. It’s clear that if there was any glue holding the group together, it was James. James had more sense than the two ringleaders combined, or at least more common sense to know where the limits were. He was also the one who took care of Remus when he had nowhere to go after finishing school. My theory is basically that Sirius hung out with Remus and Peter because James tolerated them, and because having a werewolf friend gave him an excuse to act recklessly. If we look at SWM, Sirius remarks that he wishes it were a full moon because he’s bored. He couldn’t care less that for Remus it’s a traumatic moment each month, because for Sirius, it means going out, living dangerously, and messing around with his friends. What’s a trauma for Remus is an opportunity for fun for Sirius. He doesn’t consider what it represents for his friend; he doesn’t show that his reason for becoming an animagus is to provide moral support. Instead, he’s WISHING for the moment his supposed friend dreads most because, for him, it’s an exciting event. That’s not appreciating someone—it’s seeing them as a means to an end, a tool. That’s pure utilitarianism, not friendship.

Now, let’s move on to the facts. In “The Prank,” Sirius doesn’t care about the consequences. He thinks it’s funny and is totally thoughtless because that’s just who he is—someone who was never taught about morals or ethics and who basically chose a different “side” than his family’s just to spite them. He’s a rebellious and chaotic spirit who despises snobbery, and that’s about it. There’s no deeper philosophy, no deconstruction. Deep down, he behaves like any other Black, believing he has the right to control others—whether it’s ending someone’s life if they’re “stupid enough to fall for the trap” (Severus, in this case), which he justifies by saying they deserved it, or using others for his malicious ends (Remus). It’s James who has a modicum of conscience and who thinks about the consequences, stopping Severus because James was taught values and understands that certain lines shouldn’t be crossed. But also, I think James genuinely cared about Remus and probably understood what it might mean for him to end someone’s life.

Then there’s the post-Hogwarts relationship. Remus is always portrayed as being very close to the group when canonically, Peter was the one who was always trailing James and Sirius like a cheerleader. Ultimately, they chose Peter over Remus to be the Secret Keeper. This happened because CANONICALLY, Remus had distanced himself from the group, and CANONICALLY, it was Sirius who suggested Peter because he didn’t trust Remus—thinking he might have joined the dark side. This wasn’t something that came from Lily or James; it came from Sirius. Sirius was the one who considered that Remus might have betrayed them. Is that really what a true friend would think? How can people even consider there’s chemistry or a sexual subtext between them when canonically, Sirius repeatedly demonstrates that he doesn’t care about Remus at all? He only starts paying attention to him years later, after escaping Azkaban and realizing his best friend is dead, and his personal cheerleader turned out to be a traitor who ruined his life. Then, when only the two of them are left standing, Sirius starts giving him attention—but only because he’s the last one left. That’s it. Even Rowling herself described Remus ages ago as “the third wheel in a two-person relationship,” referring to Sirius and James. Seriously.

And let’s not forget that Remus never doubted that Sirius could be a traitor either—he always believed him guilty. It’s funny when they’re portrayed as missing each other, but missing each other from what? Remus thought Sirius was scum the whole time! And how could he not? He’d seen Sirius be cruel, even sadistic, and show zero remorse. It’s no wonder it fit for him to think Sirius had lost his mind.

As for how Remus handled all this, it’s no mystery: Remus is very similar to Severus in terms of his position. He was a vulnerable kid clinging to any lifeline to keep a low profile and feel safe. Sirius and James provided that safety—they made him feel protected and accepted. He never raised his voice or questioned their decisions because the mere thought of being rejected terrified him. Even as an adult, he keeps justifying their crap because he’s clearly incapable of going against those who gave him a place when he needed it. Remus is also a terribly cowardly man—he doesn’t have the guts to confront things. He has a super avoidant personality, which is crystal clear when he leaves a 13-years-younger pregnant woman because he can’t handle the pressure. A 17-year-old kid has to make him come back—is there anything more pathetic than that? At 38? Sirius clearly hurt him, but Remus knew that confronting Sirius meant confronting James, and if James had to choose between the two, he would always choose Sirius. So it wasn’t in Remus’ interest to speak up or express how he really felt because the idea of losing the protection that came with being their friend was far worse than feeling like crap over what Sirius did. That’s it, plain and simple.

Honestly, it’s such a shame and a total waste that everything gets reduced to couples and absurd adolescent dramas when the dynamics among those four “friends” are fascinating because they’re built on pure power relations and are deeply dysfunctional. But instead of exploring that, which I find genuinely interesting, it all gets thrown away, their personalities are rewritten, and it’s all turned into cheap teen soap operas. But whatever.

[larkral]

Happy WIPsday! I have been wanting to post for approximately 2 weeks, but it's been chaosville at my house, so I haven't done it. I'm not seeing any tags, so I'm going to start us off this week!

So.... in the past two weeks I've written almost 2,000 words on Simon's Two Mums AU and about 4k words on Firstprince Soulmate BS. This is a lot for me! I'm excited about both of them! Soulmate BS is marinating after having had a very important scene written, so finally (already, always) got some overdue attention, and I'm really enjoying where it's going.

Simon's two mums:

Then, mum says, "Is it standard practice to cast spells on students without their agreement or parental assent?"  "I'm sorry?" [omitted for spoilers] says.  "Mum," I hiss at her.  "I'm sorry, Simon, but I'd be very curious to know if this is a common experience for students here, or if it's something that's happening particularly often to my son." Her voice is hard and angry. Her lawyer voice, the one that knows she's going to win, and doesn't mind letting you know as well.  "It's…" [spoiler again] sits back down. "It is, actually, quite common, but it is also very likely that it's happening particularly often with Simon."  Mum seems surprised at how easily he goes along with her. "I'd appreciate if you would draft a policy document that provides students and their parents with more explicit knowledge of circumstances in which they may be subject to magical correction or intervention."  "Of course, yes," [this person's name would spoil you] says. "Absolutely." He moves to stand again, and then sits back down. "Is there anything else before Simon returns to class?"  "No," Mum says. "Unless you have anything you'd like to talk about, Simon?" Mummy asks, and I could cry. I almost do.

Soulmate BS and tags below the cut because I know what y'all here for.

BRILLIANT SHIT I say. Welcome to some soulmate lore knowledge.

"Mmm, yeah," Henry says, then with a little more clarity. "Sorry, what are we having a hard time believing? It's been quite the night in that regard."  [quip removed for spoilers] Alex says. Henry hardly gets in his demure Indeed before Alex says, "I don't think it's that hard to believe that I'm a better dancer than you.” "No," Henry says, and then he presses his thumb into his phone and turns the screen towards Alex.  You're Linked! the Heartlink banner reads, overlaying an illustration of red, pink and brown confetti. "Oh, shit." Alex says.  Congratulations! Your bandmatch was calculated at a 97.82% level of synchronization. That's well above the threshold at which we recommend a parallel re-sync. Your concierge, Alana, will be in touch within 24 hours to facilitate contact with your soulmate.  "Quite," Henry says. Alex can feel his heartbeat in his stomach, suddenly. It's a little bit nauseating, like he might throw up.

Thanks to @talentpiper11 for the name inspiration for the soulmate matching app. Which obviously every soulmate universe must have.

Tags and hugs to all my fandom friends. I hope you're making it through this week, lovelies.

@stitchyqueer @confused-bi-queer @facewithoutheart @whogaveyoupermission @cutestkilla

@hushed-chorus @you-remind-me-of-the-babe @ileadacharmedlife @bookish-bogwitch @artsyunderstudy

@captain-aralias @petedavidsonscock @artsyunderstudy @martsonmars @nausikaaa

@chen-chen-chen-again-chen @that-disabled-princess @shrekgogurt  @palimpsessed @fatalfangirl

@blackberrysummerblog​ @valeffelees @youarenevertooold @emeryhall @run-for-chamo-miles

@talentpiper11 @orange-peony @thewholelemon @wellbelesbian @mooncello

@aristocratic-otter @roomwithanopenfire @monbons @kiwiana-writes

[utarinho-bonjour]

my tsats 2 expectations!

Nico looking healthier: At the end of tsats1 we see him thinking "how could i not eat when it gives so much pleasure?" or smt like that. I can see him improving significantly his eating habits and at least gaining a bit of muscular mass (is that how we put it?), which will make him more powerful, since normally eating a grape a day might reduce your necromancy powers.

Nico being cute: we can absolutely expect that he will be insufferable next to will in this book. Like, he was already being the cringiest nerd ever at the first book, where he still had a LOT of emotional limitations, he wouldnt let go of will, always touching him and showing absurd amounts of affection through his touch. We can expect him being a little shit even more now that he seems to be getting more and more comfortable with wills touch.

TEENAGER COCOA PUFFS: (god i love this one). I think it could be something like: the more nico grows comfortable with aspects of his trauma, the more the cocoa puffs grow. The more he accepts and deals with shame, the more the little ball of darkness grows until it actually evolves as something with a physical form. I remember seeing something about the cocoapuffs taking animal forms as they grow and i LOVE this concept. Imagine some monster or deity trying to taunt nico with shame or envy and this teenager sized bear shows up from the darkness. God, i cant, nico is the coolest character EVER.

COCOA PUFFS: i like the concept of them also growing independet, as much as the idea of some little balls of darkness following nico is very dear to me, i also like the idea of them exploring the world or evolving as creatures too. They would be independent creatures but as an extention of nico, they have their own personalities, connected with their respective trauma but you can see the action part being similar to nicos.

COCOA PERSONALITIES: Shame being shy but when cornered they get angry and defensive. Envy being full of pride and "comunicative" but when triggered they get quiet and cold.

NICO GETTING HADES' BLESSING: i think one of the things most of the nico stans have in common is an absurd love for his demonstrations of power 🙂‍↕️. The thing with hades' blessing is: we dont know what it is, up to this point we havent seen anyone get it and deal with it yet, which is very cool because we can overpower it on our heads 🤭! I THINK, the hades blessing would act to counter the biggest weakness of most (ig) children of hades, it would waste way less energy. Of course it would seem sick, like making nico actually look and perform as a creature of the underworld, him getting horns, maybe? nico getting black eyes? his skin turning grey? his hair turning white? nico having less form? being completelly engulfed by shadows? God i loooove fanservice, lets go rick and mark yall have one job, and it is to make nico look like a dragon ball transformation, so we can look at it and think "sick". I like to think that his fighting style at this state merges with his powers, going for a kick at his oponents head then suddenly apearing behind them? sick. stealing the life of his oponents? killing them while healing himself from it? sick. getting shadows with venon around him? absolutely sick.

NICO BEING GOOD AT GAMES: i love gamer nico. It matches his personality soo well. That is like the best remedy to insomnia, right? Im not really a gamer myself aside from competitive online games, and i cant really imagine nico playing league (ew), but i could see him ending resident evil 7 in a night. Playing tomb raider? yes! I could see him playing most adventure, suspense and horror games, and the thing is: bitch can play the most gut wrenching games with the scariest jump scares EVER, and he wouldnt even flinch. on the other side, him getting easily scared by anything on this games would also be super funny. Bitch screaming like a prey runing from a lion while playing dbd. He went to tartarus and is dissolving by a jumpscare? funniest concept ever.

NICO LOOKING HANDSOME: and way more intimidating. With some sun, actually being happy for once, better eating habits and accepting himself i think he would look quite good. I see him now with very black hair and very black doe eyes, a full mouth and a very straight and a bit too big nose, a bony face shape and a little bit of eyebags. I like to think he still has these features but his face is really symetrical and his skin makes him look like a doll, his lips and beautifull but his eyes, even though they look beautiful, the look is haunting, and make you need to look away. He looks like he's reading your mind, but he also looks so handsome you want to keep looking. I think he has long lashes too, and his scar only makes him more intimidating, it is the only not symetrical thing on his face and it makes him stand out. He has a cold look in his eyes, you never know what he is thinking (aside from will that reads him like a book), and the fact that he is constantly getting healthier and more handsome is very haunting.

NICO ACCEPTING HIS GOOD PARTS AND WILL ACCEPTING HIS BAD PARTS: I think this one is my favorite so far, Nico being able to sustain himself in a fight, stealing life from oponents (i loooove this one), or simply learning how to heal because he understands that death and life are the same thing. While Will understands that not all lives are meant to be saved, and to save more lives it might take some difficult choices like not saving others. It might make him get the hability of necrosing things just like nico, or (like canon) giving diseases just like he heals.

thats it for now! english is not my first language! be kind.

[oopsiedaisiesbaby]

If you're up for it, I would actually love to prompt you a fic based off of the "Steve and Billy are element teachers" idea.

I'm thinking, what if you did a fic about them falling for each other but only set in the teachers lounge? Like one of those 5 +1 style fics?

Ask and ye shall receive (sometimes) 😄 Terribly unedited and sloppy but here you go 😘

Five

“Harrington!”

Steve fought the urge to faceplant against the table. Dropping his sandwich back into its bag, Steve tensed in preparation for whatever Hargrove decided to light him up about that day.

Robin didn’t bother to look sympathetic and Jason looked positively gleeful. He needed new friends.

“What?” Steve sighed, turning around in his seat to watch Billy stomp to the middle of the teacher’s lounge and blanched.

It should be a criminal offense to wear shorts that short. There were children in the building. Hargrove taught said children. In those shorts?

“Your class has been late to PE all three days this week,” Hargrove stated, arms crossed over his chest, brow furrowed in fury.

There was a long awkward pause as Steve waited for him to get to the point. Steve flushed when he realized that was the point. He fish mouthed when Munson cleared his throat, interrupting the oppressive silence.

“And?” Steve hedged, unsure of where this was going.

His class had been late to specials every day that week. Munson and Robin hadn’t complained though. Just Hargrove.

“And? Do I return your little gremlins to you late?” Steve opened his mouth to answer but Hargrove barreled on. “No! Because I have the common decency to respect people’s time.”

Steve cringed in his seat, words failing him as he pressed back against the edge of the table to get away from the absolute aggravation radiating off of Hargrove. He wasn’t doing it on purpose. He had made up a new game for the kids to help them memorize dates and they loved it so much it was easy to lose track of time.

“Don’t let it happen again,” Hargrove snapped before storming back out.

“Phew,” Robin exhaled before going back to her own lunch. “He really needs to unclench.”

Holloway’s snicker across the room did not help Steve’s guilt one bit.

Four

“Harrington!”

Steve clenched his jaw resolutely, turning in his chair and facing Hargrove head on this time. Steve had been caught off guard last time. Not today.

“Hargrove,” Steve replied coolly.

Hargrove paused his march into the teachers lounge, frowning. He narrowed his eyes before continuing his war path.

He was in those stupid little shorts again.

“I thought we established you were going to respect my time last week,” Hargrove told him, arching an eyebrow at Steve’s pinched expression.

“I didn’t agree to anything,” Steve shrugged, arching an eyebrow right back at Hargrove. “They were only late two out of three days this week anyways.”

Hargrove’s nostrils flared like an angry bull, “that’s two days too many.”

“Maybe make your subject more interesting and they won’t want to stay extra learning history facts,” Steve said, inflecting his tone with as much derision as possible.

He always told the kids to ignore bullies but Steve wasn’t one to back down from a fight.

Hargrove scoffed but a corner of his lips quirked in the hint of a smirk.

“Don’t let it happen again, Harrington,” Hargrove warned him, pointing a finger in his direction.

Steve rolled his eye and watched Hargrove turn on his heel before stomping off.

“He wants to fuck you so bad he’s about to catch a public indeceny charge in those shorts,” Jason remarked casually, smiling small and pleased to himself when Munson choked on his lunch across the room.

Steve might just catch a public indecency charge because of those shorts too.

Three

“Harrington.”

Hargrove didn’t so much as snap it that time as sighed it like a disappointed parent.

“I know, I know,” Steve groaned, already rolling his eyes. “They were late today, can we get the yelling over with in less than 5 minutes today? I’ve got a headache.”

Hargrove stopped short, mouth open as he frowned down at Steve. His hands were by his sides rather than crossed over his chest and it framed his awful little shorts way too well for Steve’s sanity.

“Well?” Steve prompted when Hargrove didn’t immediately tear into him.

“One day out of three’s an improvement, but I still expect better next week,” Hargrove told him, tone entirely too serious for an elementary school teacher’s lounge. And those stupid shorts.

“Whatever,” Steve scoffed, too tired and head pounding to truly engage with Hargrove’s bull shit that day.

The silence dragged on while everyone shifted awkwardly in their seats.

“Eat a cookie, your blood sugar’s probably low,” Hargrove told him, eyes roving over Steve’s face before he nodded to himself and stalked out of the room.

When Steve got back to his classroom after lunch, there was a homemade chocolate chip cookie on his desk. It was the best cookie he had ever eaten in his entire life.

He was grateful Claudia wasn’t there to see him be such a traitor as he nearly swooned biting into it.

Two

“Harrington?”

“What?” Steve drawled, slumping in his seat and fighting the itch of annoyance creeping up his spine. “The kids were on time every day this week, even to art and music.”

“Thank you for that,” Billy replied, shockingly earnest. “But your favorite little gremlin complained the whole time that you cut jeopardy short to do it.”

Steve sighed, raising his eyebrows expectantly at Billy, “you think I can control what comes out of Dustin’s mouth?”

Munson snickered from his newest seat next to Jason.

“No,” Billy admitted with a wry smirk. “That would take an act of congress, maybe not even then, but I do expect you to have a conversation with him about taking me seriously. Seems the lack of respect is a family trait.”

Steve and Dustin weren’t even actually related.

He rolled his eyes and gave Billy an assessing look, “you expect him to respect you in those shorts?”

Billy grinned, wide and sharklike, “I expect him standing at attention and saluting next week.”

With that, Billy departed with a resolute nod.

“Oh my god, save all of us the pain and just suck his dick already,” Holloway muttered across the room.

Robin cackled like the traitor she was.

Steve would be doing none of that.

He couldn’t fight the grin when he got back to his classroom and saw a homemade peanut butter cookie on his desk.

One

“Steve.”

Steve couldn’t stop the wild grin that tore across his face as he turned and watched Billy hesitantly enter the teacher’s lounge. His face was pinched with utter confusion.

“I almost sent your gremlin to the office today,” he told Steve, voice halting like he wasn’t sure of his reality just yet.

“For what?” Steve prodded, clicking his tongue on the “t” and doing nothing to hide how giddy he felt.

“Well,” Billy drawled, arching an eyebrow. “For calling me a fascist pig when I told him he had to play dodgeball or get an F for the day.”

Steve’s grin dampened a little bit at the words. He had definitely not told Dustin to call Billy that. That was so far beyond ‘butt head’ it surpassed comical into terrifying. He was seven.

“I am actually so sorry,” Steve whispered, grimacing as Billy’s face grew stormy. “I told him to call you a butt head not a - a -”

“Fascist pig?” Jason supplied way too gleefully.

“That,” Steve conceded, sending his most pleading look up at Billy.

Billy sucked on his teeth frowning at Steve for a moment before deflating with a sigh, “I believe you. Kid’s too smart for his own good.”

Steve exhaled deeply in relief at Billy not blaming him. In his relaxation he let his eyes drift down to the stupid little shorts Billy was sporting yet again. They were a nice dark green that day.

When his eyes drifted back up to Billy’s face, he was absolutely leering at Steve. Steve flushed and bit back a grin, peeking up at Billy through his lashes. He wondered what type of cookie would be on his desk that day when he got back to his classroom.

“Later, Steve,” Billy drawled, voice smooth and sticky like honey.

Steve’s flush spread down his neck.

“I don’t even like dick and I think I just got pregnant, those shorts are a crime,” Robin hissed.

Steve was pretty sure he just got pregnant too. The white chocolate chip macadamia nut cookie on his desk solidified exactly what he knew he needed to do.

Plus One

“Billy.”

Billy’s head whipped up, eyes wide as he took in Steve standing in his office doorway.

“Am I dreaming or is that you Harrington?” Billy asked, a lewd grin stretching across his face as he sat back in his chair spreading his legs.

His stupid little shorts pulled obscenely against his thighs.

“Yeah it’s me,” Steve vollied back, biting his lip, fingers tightening around a Tupperware container of Claudia’s famous homemade sugar cookies. “Don’t cream your pants.”

“I just might,” Billy quipped back easily, tongue coming out to lave at his bottom lip.

“There’s children in this building,” Steve warned him, zero bite to his voice.

“Not that I can see,” Billy replied, quirking an eyebrow.

Steve cleared his throat and set the container of cookies on Billy’s desk.

“We have dinner reservations at Enzo’s at 8:00,” Steve told him. “Wear something nice.”

Billy nodded, opening the container and pulling a cookie out. Steve’s knees nearly gave out as Billy took a bite in the most disturbingly sensual way as possible.

“I’ll bring the shorts for afterwards.”

If Steve choked on his next breath, it was okay. No one was around to see it and Billy definitely wasn’t judging.

Dustin cried when they told him they were engaged three months later.

[dramaticallytotal]

I want to hear the roasts that NIH makes about Alejandro!

Greece's Pieces:

Benoit_Yes-Blanc_No: Did you gentlemen see the new episode today?

Always_In_DeNile: Of course.

ItsEzraCheers: Yes

Tama-Daichi: Yes

Tall-iver: Yup

McLeaning_Tower: I am contractually obligated to watch, so yeah.

Tall-iver: I don't even want to know if ur joking dude. Knowing ur uncle ur not.

McLeaning_Tower: who knows 😌

Always_In_DeNile: 🏛

Benoit_Yes-Blanc_No: Thank you, Chigaru. Back on topic men! Greece.

ItsEzraCheers: Noah looked absolutely stunning in the tiebreaker outfit 😍

Tama-Daichi: As much as I agree with you, Ezra, this is not the channel for gushing about Noah's looks. That would be the 😍🙏😭 channel.

Always_In_DeNile: ....Oh no...Theo why? Why the channel name change?

McLeaning_Tower: I think it fits! Plus, it's funny, and as the owner of the server and one of the top mods, I have an insane amount of power. 😈

Benoit_Yes-Blanc_No: ... moving on. We can gush about how handsome our darling boy is later, but did you see Monsieur Not-So-Slick?

Tall-iver: ugh. Unfortunately ye

McLeaning_Tower:

Tama-Daichi: ....how did you make that that fast?

Always_In_DeNile: Ha! I love it as usual, Theo. That hemar was so overconfident!

ItsEzraCheers: AND THEN HE ATW SHIT IT WAS BRILL

Benoit_Yes-Blanc_No: I made the moment into a gif, and it is located in the Fav Dead Ass Moments channel

Tall-iver: 🙏

McLeaning_Tower: 🙏

Tama-Daichi: 🙏

__________

Small little convo drabble lol but basically, they make memes and call him names.

Most common is Al because they are petty and know he hates it, Eel because I thought the nickname deserved to be birthed in this au a different way, and it's from the harem XD, Dead Ass because Theo found out the meaning of Alejandro's last name and thought it was funny, Discount Fabio because Oliver compared Alejandro to the man on his mother's romance novels the man himself, Fabio. There's so many more, but these are just some!

Also, idk if many caught it, but yes, Theo is Chris's nephew because I thought it would be hilarious if a family member of Chris's fell for Noah.

Usernames:

Benoit_Yes-Blanc_No: is Benoît Heroux from France

Always_In_DeNile: is Chigaru Hassan from Egypt

ItsEzraCheers: is Ezra from London

Tama-Daichi: is Takahashi Daichi from Tokyo

Tall-iver: is Oliver Lee from New York

McLeaning_Tower: is Theo McLean from Newfoundland

They all lose their shit when Sebastian King from Australia joins. He goes by: SebFromDownUnder

They are all jealous that he kissed Noah on the cheek, but soon he becomes another friend to gush about Noah, too.

[little-annie]

Chapter 2 of my @steddieexchange fic for @inflomora-art is finally up! Here's one of my favourite excerpts from the chapter!!

❄️❄️❄️

Horrified by the sight before him, stopping dead in his tracks in the doorway between the ensuite and bedroom, Steve nearly yells in shock, when he sees Eddie with his purple toothbrush brushing his teeth. “What are you doing?”

“Brushing my teeth?” Eddie looks at Steve like he's the insane one, raising a brow and cocking a hip while his words garble around the plastic and foam in his mouth. With every word, more mint toothpaste drips from his lips and onto his black—and for some reason—cropped t-shirt.

Steve decidedly does not take an extra second to let his eyes sweep over Eddie's exposed midriff.

“Yeah, with my toothbrush. Have you been using that one since we got here?” 

Eddie shrugs.

Raising his shoulders and letting them fall, Steve mirrors Eddie's actions. “What's this mean?” Steve shrugs again. “Eddie?”

“It means—sassy balls—” Eddie shrugs, spits in the sink and shrugs again. “I dunno.”

“You don't know?”

“I dunno.”

“What do you mean, you don't know?”

“Now, Stevie, that's a hard one, usually—and I do believe it's common knowledge between the masses—but typically I dunno means I—” he taps Steve's nose with the damp end of the toothbrush, “don't,” another tap, “know,” and another. 

Feeling a smudge of either water, spit or toothpaste on the tip of his nose, Steve tries his hardest to not snatch his toothbrush from Eddie's hand and smack the man with it.

Sure, he's lending Eddie underwear until they get into town, but—big whoop—they're clean and have been going straight into the hamper when Eddie's done with them, but a toothbrush? There's no telling where Eddie's mouth has been. Robin would have an absolute cow if she knew. She'd probably demand some type of genetic testing from both of them just to be sure Steve didn't catch anything.

Like her most feared rabies.

He doesn't even know what to say, Eddie's obviously not one to be reasoned with and it's not like Steve wants his toothbrush back. Eddie can keep it for all he cares. 

But it's the principle of it.

And it's fucking disgusting.

Steve can't even begin to fathom why Eddie thinks it's not unusual to use just any old toothbrush he finds laying around.

For Christmas sake, maybe it was the one Steve's mom used to clean the grout next to the toilet, or to—he doesnt know—do something else fucking disgusting.

Hell, maybe Nan used it to clean out her denchers the last time she was here.

It's not like Eddie has any knowledge of where the thing could have been in its lifetime.

But no, that thought doesn't seem to have crossed the man's mind at all, because even while Steve continues to spiral, Eddie continues to brush his teeth without a care in the world.

Huffing and grumbling to himself, Steve more or less shoulders Eddie out of the way to get to the drawer that contains—wouldn't you know it—new fucking toothbrushes.

When he finds a yellow one that he likes, Steve nonso-gently rips it from its plastic and cardboard prison to slap it onto the vanity in front of Eddie.

“Keep it. This one's mine now.”

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read chapter 2 on Ao3

[dogsandfrogsandhogs]

You make a lot of good points

1. Fair point, jerky would be one of the best things for them to find. But still, the writers choose for her to pick beef for a reason. It was a food she genuinely enjoyed, for various reasons, and the trauma from the island ruined it for her.

Like, imagine being stranded for almost a year with scarce food, and when you finally get back home you start to find you can’t even stomach your favorite meals because they remind you of the horrors you witnessed. So now your options are to trigger yourself by either eating the food or by depriving yourself of food that you desperately want but can’t bring yourself to eat.

^ This is why I think her being a meat-lover is important, definitely not a core part of her character, but it is, or was, a part of her and it shows how traumatized she is. She’s the only one of the group, so far, who changed their entire diet as a result of their trauma because she literally can’t bring herself to eat it anymore.

2. Now that I’m remembering Sammy saying the campgrounds were almost as big as her family’s ranch, it’s definitely a feedlot if they supply that much beef on that amount of land.

They could have other farms, but that seems to go against canon. She never mentions her fmaily owning any other place than the ranch, and the ranch is the only plot of land Daniel mentions buying from them. If they have any other farms or businesses it’s most likely on that land, and if they don’t and have more farms on different properties, then it kind of lowers the stakes for her family. It’s still horrible but they aren’t losing everything they have like the show implied. At least before the park goes down, they still have a lot to fall back on.

And the borrowing money part is why I’m not sure about the idea that her family’s wealthy. They’re super wealthy but they don’t have enough in their savings account to cover unexpected costs? They don’t have good insurance in case something breaks down or is damaged? They couldn’t get a loan from a bank and had to turn to shady lenders instead?

Granted, we never learned why, or how much(?), they had to borrow in the first place, which is kind of odd. Seven seasons of the show and we’ve gotten no insight on that when it a major plot point (but hopefully season 3 of CT brings it up).

3. Masrani has absolutely no interest in the well being of livestock, he does not care about them. If he did the park wouldn’t use live prey, which may or may not have included cattle, to feed the dinosaurs, he would’ve opted for toys and other things to keep them engaged like regular zoos do, and on top of that the staff would never have been given the okay to use baby animals to draw out the velociraptors. (Seriously, the piglet scene was horrible.)

If the the Gutierrez’s ranch is that humane it has nothing to do with him and everything to do with the them.

Also, the reason we were given for why they refused wasn’t because they were loyal to Masrani. They’ve might’ve been on good terms with him since he invited her in the first place, but Sammy said that they refused because they weren’t going use her like that. And as far as ethics go, not putting your child at risk is the bare minimum for parents.

(Tags)

[#but also she probably didn't get to see a lot of the hand-on stuff and darker sides of the industry] - I don’t know, she was 14 at the start of CC, possibly the oldest child, and was raised on a family owned farm in rural Texas. I feel like she would’ve seen the hands-on stuff and darker sides of farming at least a few times, considering she knew how to calmly and properly handle a large, frightened animal on her own at 14 and, while revealed at 21(ish), knew how to help egg-bound chickens*, and also just since they had chickens. (Idk what it is with people and chickens, but people are a lot more comfortable having kids, even little kids, be present for their slaughter more than other animals.)(*Also, egg binding is more common in younger hens and can kill them/lead to them having to be put down. For chickens it’s an actual medical emergency, and it’s one that she has hands on experience. She doesn’t have chickens on her ranch, so they would’ve have to be her family’s chickens.)

[so yeah no thank you for her that's the trauma] - I wasn’t trying to say what happened wasn’t the trauma that lead to her going vegetarian, because it is. What I’m saying is that witnessing animal suffering and death in of itself wasn’t what caused her to go vegetarian, it was witnessing the suffering and deaths of specific animals (possibly including humans?) that lead her to the point.

It sounds nitpicky, but the the difference matters when going through how her trauma affected her and led her to becoming vegetarian.

Sammy going vegetarian isn’t as simple as seeing/hearing/being around a lot of animal suffering and death, because she’s always been exposed to it, whether directly or indirectly.

The realization of “wait, it’s wrong to do this livestock” didn’t come because she saw the suffering and deaths of animals, she had seen enough of it surrounding livestock already, it came because she saw the suffering and deaths of animals that she wasn’t raised to be okay with. It was a species specific revelation.

If she hadn’t witnessed the suffering of non-livestock she’d probably still be eating meat regardless of how many frightened cattle she calmed or chickens she helped with, or even loss due to, being egg-bound.

It’s like the difference between tagging a cattle’s ear and tagging a dog and/or cat’s ear. The pain the three of them would experience from it is the same, but it’s only considered cruel to do to two of them. And that’s what would cause some people to start thinking about the cattle, not because the cattle suffered, but because a different animal, “the wrong animal”, did.

Eating meat was never a core part of Sammy's character? She wasn't walking around talking about how she only likes hamburgers, or she would kill for a steak, or cracking beef related puns, or anything that would indicate "I like eating meat" is a core personality trait the same way running is to Yaz or dino facts are to Darius. The core personality trait is her devotion to her family on the ranch, where yes they process cattle for food, but that doesn't make eating meat an ingrained part of your DNA lol.

Sammy saw a lot of animal suffering and death on Nublar and beyond, its understandable why she would maybe want to become a vegetarian. I'm not even a vegetarian, I think you're just wanting to see something that's not there.

What about the time Sammy said "I love nothing more than steak and Yasmina, and I'm all out of steak" and then proceeded to suplex a Scorpius Rex

[parasolladyansy]

So uh.

GUYS.

I LOVE COOKING ISEKAI / FANTASY.

Like “Delicious in Dungeon”, “Campfire Cooking in Another World with My Absurd Skill” (isekai-ed me would’ve liked that skill lol), “Isekai Izakaya Nobu”, etc. I LOVE THEM ALL.

ALSO LIKE. So much of the food in BotW / TotK look SO GOOD. I’ve made & tried some of it as I’ve mentioned. But things like the “Crab Omelet with Rice” (which I’m 99.9% sure is a dish called “tenshinhan” in our world) is something I’d love to try!

(For comparison — second image is from Just One Cookbook, one of my go-to’s for Japanese home cooking. Might have to try her tenshinhan someday! I can’t wait to make her oyakodon tonight - it’s one of our favorites!)

I swear. Food in anime & games. Like all the recipes in BotW / TotK, PKMN Sword / Shield’s curries (playing that game makes me crave curry rice so bad!), Legends Arceus’ potato mochi (still gotta make that!), & so much more!

If I ever make that cozy witchy RPG someday (aka when I take that leap & also recruit people who know how to do all the technical stuff lol), I SWEAR: I am putting all the delicious-looking, cozy foods that’d make anyone want to run to their kitchens to make them, too!

AHHHH!

Okay. Just wanted to geek. Thanks for letting me geek 🤣

Basically, isekai-ed me is gonna be okay in Hyrule lol (even with the monsters & stuff). Good company (I mean, Link & Ingo, c’mon), cool magic rods, & all these wonderful dishes to cook. & ride out these next few years lol 🩵

[egophiliac]

everyone out of the way, this is the only thing I'm going to be thinking about from now on.

(okay, there is one more thing)

[blimbo-buddy]

Sorry to put you all through my diseased ramblings of this listerine game but I also want to add that I think if you make Jimmy look all dirty and scary and greasy you gotta make the other crew member's designs follow in the same aesthetic pattern. To help Jimmy blend in more