#because they’re so different but so similar

[livwritesstuff]

Today was a bittersweet day – the last day of the three-month parental leave Steve had taken when their daughter Robbie was born before he headed back to his counseling job.

Eddie knows that Steve is feeling torn a few different ways about going back to work.

On the one hand, Steve loves his job, and he’d worked his ass off earning his doctorate so he could be a trauma therapist just like he’d planned. Kids had also been a part of his plan, obviously, but as more of an in addition to type of way, rather than instead of when it came to his career. Eddie knows this, and he knows that Steve is excited to go back, to reconnect with his patients after three months apart.

Eddie also knows that their kids are everything to Steve in a way his job will never be (duh), and Eddie had seen the way Steve refused to ignore the gravity of today – the last day he doesn’t have to share his time with anything other than their daughters.

Steve had been emotional about going back to work in a similar way the first time around with Moe, and he’d called home about eight or nine times during his first day back in the office, asking how things were going and if he’d missed anything. Now, Moe is two-and-a-half (and some change, if they’re being technical), and Robbie just hit the three-month mark a few days ago. This time, Steve had done his best to split his time between their two daughters, and it’s not all that different from their normal day-to-day, honestly, just…something heavier in the air, maybe.

Now, Moe’s all fresh and clean from her bath, her bangs slicked back with the rest of her damp hair (Steve had put on a whole show of planting kisses all over her forehead and saying, “is this where you’ve been hiding your brilliant brain from us?” which always sends Moe into giggling hysterics), and Steve’s got her all bundled up in a big fluffy towel, snuggling her close with one arm as he balances Robbie on his chest with the other, all of them piled into a rocking chair while Eddie sits stretched out on Robbie’s rug.

“I’m probably not gonna be home when you wake up tomorrow morning,” Steve tells Moe, and it’s not the first time he’s brought up this particular subject today, but, y’know…toddlers. Really gotta nail in the point sometimes with toddlers, “‘Cause I’m going back to work, so I have to leave early to drive into Boston.”

“Why do you hafta drive to Boston?” Moe asked.

“Because that’s where my office is. Remember a few weeks ago when we visited my office?”

“Yeah and they met Robbie.”

“That’s right,” Steve nodded, “Everyone I work with met Robbie. I got to take a break from work when Robbie was born, and now it’s time for me to go back.”

Moe’s eyebrows are furrowed.

“But…I don’t want you to go.”

“I know, bug,” he tells her, “I miss you and Robbie and Daddy like crazy when I’m not home with you.”

“So why don’t you take more break?”

“I sorta took all the break I’m allowed to, sweet pea. It’s time for me to go back to work.”

Eddie looks at Moe, sees the cogs turning in her little brain as she tries to figure out a way to convince her dad to stay home with her.

“But what if you just don’t work anymore?”

It’s a good question, Eddie knows, and she’s not the only one asking it.

Not too long after Robbie’s arrival, when Max and El had come to visit and meet the new baby, Max had privately asked Eddie if he thought Steve might throw in the towel on the whole career thing this time around. Again, it’s a fair question for anybody who really knows Steve, anybody who sees how much he loves their kids and how much he loves being a dad, even if Eddie knows the answer is no. Still, it’s a close no.

Steve hums sympathetically, “Maybe someday, but I like my job. I get to help people, and I worked hard in school to be able to do that. Someday you might decide you want to have a job where you do more school and get special degrees.”

“Like what kinds of jobs?”

“Like a doctor or a lawyer, or maybe you want to work in a lab and do research on something. It’s a big world, Moe, and you can do whatever you set your mind to."

"I want to be an astronaut," Moe tells them.

"Well, there you go."

"Or I wanna be a cookie."

"Oh-" Steve's eyebrows furrow as Eddie starts to laugh. "Alright..."

"That's my girl," Eddie says, "Astronaut or pastry. I like it."

[sepublic]

I remember hearing that Dana was inspired by True Crime, amongst other things and people IRL, when writing Belos. And it seems that contrary to the notoriety of True Crime fans, she actually understood the assignment.

Because she opted to demystify the serial killer as this dark, unusual psychology that operates outside of societal borders and rules, disturbed by some secret reason, and instead literally pull off the mask to reveal he’s just some white manchild who hates women and minorities to a violent degree, because he feels threatened by them and their ability to say No in his entitlement. There’s nothing special or unique about his motives.

He’s no exception to the status quo, he is it unmasked of the veneer of civility, he’s the lynch mob and the cop (all of whom inherit the violence of white supremacy and colonialism) and fittingly a lot of serial killers were clocked by women and PoC as dangerous, but cops —largely white men— dismissed their claims because look at this dude, he seems like an upstanding citizen! And that’s really how he got away.

And because his victims were people the system was less likely to believe because they both operated on the same biases, you see why a lot of cops who commit brutality are drawn to an institution where they’re given violent power over brown and/or queer communities who are labeled as ‘suspicious’, because they enjoy easy targets they know the system doesn’t care about, and are enraged by body cams and accountability.

It doesn’t matter if they’re intentionally bigoted, their support of an inherently bigoted institution makes them the same; Internalized biases and “I don’t see race” and all that. You see how Philip wanted to be a witch hunter —the prototypical cop who is not exclusively violent towards women but still has a clear slant— or colonial savior so bad, because his violence could be legitimized by the authority of the state.

He leans into it hardcore when he feels threatened by the presence of an outside girl who challenges the Christian narrative of Gravesfield, to the point of violence; It’s a position that validates killing anyone who doesn’t agree with him in general, hence Caleb and the Grimwalkers, but of course his and society’s biases slant towards women and PoC. And while it ultimately doesn’t matter whether he’s intentionally racist/misogynistic, it’s worth addressing that he very much does have the intention due to his blatant Conservative backdrop.

And seeing how charming Philip is and the portrayal of him as a little kid playing games in his youth, a perception Caleb might’ve still had which led to his death, I can see the direct line to families who find out their sons are school shooters and are in disbelief because he was such a nice kid! While ignoring the obvious Red Flags because white men are allowed to express these without being immediately scrutinized by the community, by having it brushed off. On some level cops don’t suspect him because he’s the same type of guy as them.

Part of that denial comes from the fact that he’s not an “unfeeling sociopath” who’s wired differently. Philip can feel empathy and guilt like anyone else, but he’s still a hateful prick and these aren’t mutually exclusive; Not when people can be perfectly selective about who they extend these feelings towards, or even do things in spite of these feelings, because other ones —anger and pride and hatred— exist and they choose to prioritize those. There’s an assumption that empathy and guilt inherently make you a good person, but they don’t; That ultimately comes from what you do about it, not how you feel.

You could even say Dana and the other writers wrote him too well, because true to life, we have a similar issue but on a micro-scale via the abstraction of fiction regarding a very dedicated fan base who loves to romanticize him and his actions, attributing his issues to some secret trauma in childhood, a young man failed by society! While also scrubbing him of his racism and misogyny and reliance on the status quo, to make him ‘apolitical’ and you can see the same not just with fans but also in society.

Because society doesn’t want to acknowledge serial killers as just the truth behind their white sons and the system that absolved and encourages them, because that would require them to admit their guilt in how they’re structured. Rather, they’ll say these men reflect some dark truth inherent to humanity, and don’t exist within a certain sociopolitical framework.

And so he was a ‘loner’ whose problems can be pathologized via mental illness, his trauma can be traced back to a specific incident in his youth he just couldn’t get over. So you see how school shooters are made into victims, how serial killers are also made apolitical and even alien to distance them from the status quo.

And then you can lean into how unusual they are by writing characters like Dexter or Hannibal Lecter, you can not just defend the system but feed into it via the commodification of their violence as entertainment and consumption, and thus fuel the white supremacy train by letting their violence towards women and minorities be praised as something fascinating and interesting and conveniently clean of bigotry. This is the dichotomy of the hypothetical, romanticized Fantasy Serial Killer, and the banal IRL Serial Killer.

Thus we have the same cycle of white men��s violence being praised and validated by the system, and white men feeling entitled to this fame as a delusional fantasy. Because you’ve never heard of a black serial killer; Because black people are violent, that’s just the way they are, right? But if white men are violent, this is sensationalized as somehow unusual and fascinating and worth dedicating countless books and shows and movies towards. Obviously.

And even going back to witch hunters, sometimes I wonder about the constant consideration of, What if witches did exist? What if they were evil? Things like The VVitch or The Conjuring series, which have some framing of the Salem Witch Trials’ IRL violence towards women as legitimate in another universe, because of Satanism’s genuine predatory threat towards women, and how evil women sacrifice theirs or others’ God-given gift of a child, and now threaten another white Christian family.

And again there’s the the demystifying of the real life witch hunter too when we have a historical reenactment declare verbatim that IRL witch hunters were motivated by economics and other banal factors, not by any genuine belief in the dangers of demons; And even in a setting where the demons were real, they were not the predatory threat IRL witch hunters made them out to be, and so their very real biases and ulterior motives still apply in cumulative insincerity.

Hence, the Titan correcting Luz by explaining Belos as someone who only cares about being the hero in his own delusion; The fascist wet dream of a hidden invader here to corrupt even young white men, an outside monster to vanquish and whose destruction justifies the state, when in reality the monster IS the state, and before he was even presented as a witch (much less the human truth), his system’s destruction was called for.

Ultimately, a lot of True Crime and similar narratives are criticized for focusing more on this apparently inevitable mystique behind the perpetrators, who warrant far more attention than their victims. So when the villain is an example of True Crime, it’s worth noting how the show is so much more focused on the ‘weirdoes’ he targets, on women and/or PoC. The lives of Luz Noceda and her friends, them getting along and their psychologies, are just so much more important, and it really isn’t about that guy, who is informed as much as he needs to be.

But again, the True Crime fans dilemma; People genuinely salty at the show for not focusing on their favorite serial killer and his troubled backstory, his tragic motives and Puritan repression. The framing of his murders and motives isolated through the lens of his violence on undeserving white men, and not on the out-group he is specifically targeting and has committed much more violence on, esp if you look at the narrative’s actual framing of his impact on our protagonists, but also other victims who are witches or demons, and even his own self-professed motives; Hence, ‘Fratricide Georg’ as a joke depoliticized of his colonial violence, a violence that is not just adjacent to but fulfilling racism.

Because he hallucinated only those white men out of guilt, but that’s his biased perspective and priorities; And so you see how this is contrasted with a refusal to empathize with people like the Collector or Luz, who are put into the same situations as his white male victims via shared cinematography, yet are just as rejected. Luz is only put into this situation as convenient to Belos’ narrative, the closest replacement to a white male human he can get, but again if this girl of color says No, he tries to murder her and even does.

Yet again, people take genuine, personal insult at the creator for finding Belos to be her least favorite character to write, while ignoring that she still found him necessary to the story she was trying to tell; She just found the framing and focus should’ve been shifted to his actual victims’ deep and meaningful lives, how they matter. So people hate that S3 cares more about Luz Noceda’s relationship with her parents of color, as well as her female mentor and demonic brother, or her queer relationship with her girlfriend, etc.

And even when they get a bone of white boy Hunter, it’s still not enough; Fans inevitably gather themselves into an almost frenzied state of personal victimization, rallying into harassment of PoC who criticize their portrayal and discussion around their colonial serial killer fave, organizing dedicated trends and months to giving their white men the focus they ‘deserved’, because this is just White fandom in general.

Look at the entitlement campaigns regarding Ben Solo or Billy Hargroves deserving better, these young white men violent to women and minorities. It’s just the same thing but on a micro-scale, at least filtered via fictional characters. But Jesus you see how internalized biases bleed into everything. You’ve never heard of a black serial killer and fandom doesn’t fight for characters of color.

[muffinsin]

Hi! I discovered your page recently and have been in LOVEEE with it ever since. It says your inbox is open, but getting full so i hope requesting something right now is okay! I was just wondering if you could do a dimitrescu sisters × teen sister reader? the reader is human and I think it would be cool to see how the sisters react and treat her (I think they would be really gentle because they're scared of scaring/hurting her) ty so much! <3 (I love your prompts)

Awhhh, this is such a cute, wholesome prompt! And funnily enough, I don’t think I’ve ever written HCs about a teen sister!🙌 I’m happy to hear ya like my prompts, hon :)

Let’s get into it🙌🥳

Masterlists

Bela

Bela is, by now, utterly used to her role as the eldest sister

And while she does consider and call Cassandra and Daniela her “little sisters”, they’re really not all that different as it comes to their ages

A difference of mere hours, really, biologically speaking

When she was a newborn fly spawn, they were newborn fly spawns

When she was a toddler, they were toddlers

When she was a teen, they were teens

When she turned into a (-responsible) adult, they did. Biologically speaking, of course. She’s certain especially Daniela hasn’t made it all the way there, at times

But, all in all, she’s very similar to her sisters as it comes to age, despite being the eldest and their older sister

And then, there’s you…

A new sibling, a new sister

A little sister

But…a real, far younger sister

A teen

A teen, whereas she has lived for centuries

Bela has been fond of you from the start. Sure, she wasn’t originally happy about getting another sister, but the moment she laid eyes on you and got to know you, she started to love you just as she loves and treasures and protects her sisters

At first, it’s very difficult for her to act as a sister, truthfully, rather than a mother

You’re just so…young, compared to her! It’s difficult for her not to get overly maternal, as she sometimes still tends to get with your older sisters

Bela tries to understand you, and your interests

That doesn’t mean she’s good at it, though. She doesn’t care much for things she deems a waste of time, and is hardly a troublemaker. This alone has her stray from anything that could be considered rebellious

She also has difficulty not telling on you to your mother when you do something, or to take matters into her own hands and scolds you

Technically, you know she’s supposed to do this, being the eldest and all

Still, it’s sometimes a little difficult for the two of you to connect

Especially with how unreachable Bela seems at times; so intelligent, such good manners. Loved or respected by nearly everyone despite her nature, purely because of how she presents herself

Mother’s heiress…

She seems so impossibly strong, in her own way. Of course, you partly look up to her. But it’s difficult to see yourself on the same level as her

Sometimes, you’re sure because of all this she must be Mother’s favorite, and it occasionally nabs at you, how you have no chance of getting to where she is

But, she loves you dearly, and you love her

She will always comfort and guide you, even help you grow

She’s your protector, in a way, helping you always

Especially when feelings get the better of you. She reassures you often; it’s okay to feel this and that, and that it’s perfectly normal to feel certain things at your age

She also puts you in your place when you’re in the wrong, though, gently telling you and ensuring you know: she still loves you after

And, actually, you find Bela gives amazing hugs, and while she isn’t the sister to hug without asking what’s wrong, you find comfort in that, too

Out of all of your sisters Bela is best at controlling her strenght

Which, sometimes, is a little unfortunate because she’s also the sister that refuses to wrestle with you for fun. Apparently, she doesn’t “see the point” in that

At least she feels utterly comfortable hugging you, knowing that she won’t hurt you

She would never hurt you

Cassandra

The first time she heard of having a sister, she was thrilled!

And when she met you the first time, the two of you got along instantly

Cassandra feels much less unreachable than her older sister

Much more- approachable

She’s sadistic, has a short temper- much like your mother, at times- and rough

But you love her, and she loves and treasures you

She’s the first to take you out on a hunt to the forest, is the one to teach you to fight and keep yourself safe

While she has a little more difficulty controlling her strength at times and therefore occasionally keeps her distance, she has never hurt you

Cassandra is, in her own way, a role model to you

She’s fierce and powerful

She easily takes down her prey and entertains you with her stories of her hunts and previous victims

She teaches you to be strong, teaches you what it means to be a Dimitrescu. And even when you can’t be strong, she’s strong for you, easily putting others in their place with a mere glance their way

Cassandra and you spend a lot of time together, and she’s genuinely interested in most you have to say

By now you know, she will not care for gossip or anything like that. The wrong sister for that, certainly. And you know, she won’t even bother pretending to listen to that

But, she’ll listen to all you’re genuinely passionate about, perhaps even participate if it’s for her

She encourages you to follow your hobbies and make the most of them

Like with her sisters, after all, Alcina allows you to choose at least one hobby and fully supports it. She will not stand for any of her daughters not pursuing anything, however

When you have difficulty choosing what could be fit for you, Cassandra is eager to help out

She shows you this and that, and is eager to try most new things with you

Cassandra is also the sister to turn to when you want to know what they and your mother were like a few centuries ago

The fun stuff, that is

She’ll tell you every detail she so easily remembers, occasionally also brag about things she did particularly well

Often, she’ll sprinkle in a few details you’re sure aren’t quite that true, but you don’t mind

You find, she also inspires you to be creative like that!

Speaking of little half truths here and there, Cassandra is the first to teach you how to lie and get away with it at the castle

Now, of course you’ve lied plenty times already in your life

But with Alcina, it seems impossible. Like she fully knows when you’re not being entirely honest

Even Bela seems to know, somehow, sometimes!

It’s infuriating, but Cassandra is quick to teach you

In return, she becomes about the only sister you are always truthful to

You never feel the need to lie to her, even when you’re planning on doing something stupid or risky

Often enough she’ll join in, or cover for you at least

When she does tell you not to do something, which is rare, you listen

You know, she means well, and doesn’t underestimate you or whatever you’re about to do

You value her opinion, and when she says not to do something, she tends to be right

Daniela

Daniela finds you utterly adorable, as she calls you

She doesn’t quite remember her “teen” years, really

But that’s okay

She’s every bit as playful and still has a bit of a habit to get herself into trouble, much like you do, occasionally

She likes to join you when you’re about to do something risky, and at times even is the one proposing it and whining to you about joining her

Of course, she will always keep you safe during those times

Though your mother is unhappy to say at the least when she catches you, her youngest, covered in dirt and blood from head to toe after your sister insisted throwing guts like snowballs is a blast!

In many ways, Daniela doesn’t quite feel like an older sister

She’s playful, a little immature, teasing, socially intelligent, and quite handsy with the maidens. She’s a little clingy and delusional, but always has your best interests at heart, the same as your other sisters

She always has some gossip to talk to you about, rambling about this and that she picked up while lounging and swarming about in the castle

She loves to read, and loves to share her favorite books with you

Unlike her sisters, she isn’t overly picky with her interests, either

She isn’t into mathematics or science. Aside from that, she’ll happily learn about all you’re interested in

She’ll participate in your hobbies, or lounge on your bed like a lazy cat while you ramble about your hobbies and fixations

She doesn’t mind at all. She loves to learn about new things, and remembers surprisingly much you tell her despite her short term memory span

Often, she remembers even more of your stories and ramblings than your other sisters do, as she’s genuinely interested in your hobbies, even when she has no clue about them

Daniela, in a way, feels like a best friend rather than a sister

She’s always there for you, will always protect and teach you. She’s silly, playful, will never say no to some good fun and often even convince you to “play” with the maidens or her sisters, seeing how much the two of you can annoy them until they notice

She teaches you to be strong too, yes, but perhaps even more so, Daniela has a way of teaching you how to get along with people

How to blend in with them, how to lure information from others by casually being around them

No, not by using some reverse psychology and what not like Bela. By listening. By being friendly. By making them ramble on their own

She teaches you to make friends, even with the reputation of your family, and how to effortlessly start conversations

And even when you can’t make a friend, she reminds you that you will always have your family

She teaches you, of course, also how to get what you want from Alcina

Generally, Alcina has a hard time saying no to any of her daughters. You’re all so precious to her, and there’s rarely a time she’ll deny a wish coming from one of you

Daniela, having been in the role of the youngest for the longest time and still having her sweet, pouty puppy eyes ready, teaches you how to get just about anything you want from your mother

Whether it’s clothing or toys (often in Daniela’s case those are servants), treats or anything from the outside world, she teaches you to properly ask for it

And yet; she has the hardest time controlling her strenght

She loves physical touch as a means to show her affection. She loves to hug her sisters even when they try to peel her away from them, acting all annoyed when they really aren’t, and she loves to wrap her arms around Alcina’s waist, hugging her whenever she can in exchange for some heat pats and scratches

With you, she must actively hold back

You’re…fragile

You’re human

You’re her little sister

She would never want to hurt you!

But, she can’t help it sometimes, and feels horrible when she hugs you and is just a tad bit too excited, causing her arms around you to be a little too tight

She always takes care of you after, her eyes wide and wet as she blinks away tears, feeling so utterly guilty for hurting you

You always reassure her; it’s not her fault

You still love her

She’s still your older sister

You still admire and look up to her

And it’s all it takes to have her smile widely again

[gaywarcriminals]

On Mouthwashing, Qijiu, cruel characters, and the role of discomfort in blorbo analysis. 

I recently watched a playthrough and some video essays about the indie horror game Mouthwashing (spoilers ahead). For those not familiar, the game follows a man named Jimmy in a crashed spaceship where he reveals himself to be an unreliable narrator and fucked up in a variety of ways as the game progresses. 

Although I’m not immersed in the fandom and thus have a limited sample size, I noticed that people treat him as nearly inhuman. He’s the sole bad actor, a terrible monster destined to hurt everyone. I find this deeply ironic considering the game’s themes of responsibility and accountability: isn’t this kind of dehumanization absolving him of his responsibility to act decently?

It’s also strange to me, because the game goes at lengths to show Jimmy has an enabler. Captain Curly is Jimmy’s friend and boss who is made aware of Jimmy’s erratic and violent behavior multiple times, chooses to do nothing, and ultimately makes possible many deaths through his inaction. Aside from Jimmy’s public outbursts, there are even scenes with a specific member of their crew expressing how unsafe she feels around Jimmy. Despite this, a decent portion of the fandom sees Curly as nothing more than one of Jimmy’s victims, which is curious to me when placed in contrast with Yue Qingyuan and Shen Jiu.

Yeah yeah I’m blorbo-brained, but I think there’s a lot of points for comparison between Qijiu and Jimmy & Curly, at least in terms of their dynamic and social roles. Jimmy and Shen Jiu are both antisocial assholes with an unhealthy fixation on the generally well liked and affable guy just above them on the totem poll. They’re both convinced their superior is looking down on them, and resent the power he has (SJ less so, he has a lot of other reasons to resent YQY). They both use what power they do have to abuse those below them. Curly and YQY, for their parts, are shown to be explicitly aware of most if not all of their friend’s worrying/dangerous behavior, but do nothing meaningful to stop it. 

If they’re so similar, then why in the case of Mouthwashing is Curly often absolved of his complicity in the face of Jimmy’s overwhelmingly awful actions, whereas in the Scum Villain fandom, it’s just as common to see people pin all of SJ’s actions on YQY and vice versa?

Now, there’s a couple obvious reasons for this. For one, Mouthwashing is a horror game and Jimmy very effectively makes himself the antagonist, which lends itself to the interpretation of him as a the monster afflicting the other characters. For another, Jimmy sexually abused a shipmate, which is a particularly despicable crime (although so, I would argue, is child abuse). There’s also the fact that Curly is very physically robbed of agency for most of the game’s runtime, which might make it harder to see his power and agency before that point, but perhaps the most important difference is that to fans, Jimmy is deeply unlikable, and Shen Jiu is not. 

Personally, I think the reason a lot of people make Jimmy out to be a monster and Shen Jiu to be tragically misunderstood is simple: it can be uncomfortable to like a bad person. 

I don’t think there should be any shame in liking characters who are fucked up people that do horrible things, but I think it chafes at some sensibility within many of us, learned or innate, when we feel such deep emotional connection to a character who’s actions we would normally morally condemn. 

I’ve definitely observed that in some parts of the Shen Jiu fandom– it's the kind of sentiment that leads to discounting his canonical actions in favor of fanon. I’ve never found those fanons very compelling because I have never had any discomfort with Shen Jiu’s canonical actions— in fact, him being a despicable if pitiable mess is what drew me to him (I’m typically quite the fucked-up-evil-guy liker). For once, though, I find myself on the other side of this discomfort with Yue Qingyuan. 

I was thinking today about how one of the earliest things YQY says to SY!SQQ— his 9th line in the novel— was telling SQQ that LBH is strung up in the woodshed, where SQQ always leaves him after beating him. It implies not just that YQY knows about this singular punishment, but that this is an extended pattern of behavior. To me, YQY seems uncomfortable with the situation, but he does nothing to stop LBH from being abused aside from telling SQQ to “be less hard on him”, even though he’s the only person in the sect above SQQ, and potentially the only one with the authority to stop him. 

If Yue Qingyuan knew, did Luo Binghe know the sect leader had found out? Did Luo Binghe know he had been abandoned to his fate?

Like Curly, I think that Yue Qingyuan’s most unforgivable fault as a character was enabling Shen Jiu’s abuse of Luo Binghe and potentially other disciples. I think YQY’s motivations made sense, and I understand the choices he made, but when I think about it for too long I can feel a deep pit in my stomach grow. 

Why does YQY’s arguably lesser crime of enabling SJ bother me so much more than SJ’s own direct actions? Perhaps because I still want to see Yue Qingyuan as a good person, whereas Shen Jiu has already declared himself evil. Maybe I’ve been a little bit caught up in our unreliable narrator’s point of view. 

Fascinatingly, despite his adoration for Luo Binghe, Shen Yuan cum Shen Qingqiu never (to my recollection at least), blames Yue Qingyuan for SJ’s actions. Instead, he sees YQY as one of SJ’s victims— someone that SJ as good as killed, even if it was LBH’s orders that loosed the arrows. 

Shen Qingqiu has a tendency to, for lack of a better term, woobify his favs, and although LBH is by far the most frequent recipient of this treatment, I’d argue that YQY actually receives it more consistently. This is partially because he’s relegated to friendly NPC whereas poor Binghe is the Big Scary Protagonist, but the only time in the whole novel I can think of SQQ seeing YQY as a person capable of harm and fucking up is after YQY’s confession where SQQ puts it together with SJ’s flashbacks, but even then, SQQ sees him more as a cautionary tale for him and Binghe than someone who’s hurt others. Given this narrative bias, I’m honestly surprised* that more of the fandom isn’t simping for YQY too.

Ultimately, I think this discomfort is normal and worthwhile– something to lean into rather than away from. I’d even say it's necessary, should we ever hope to be more media literate than Peerless Cucumber.

*well, I’m not, but that’s a whole piece of fandom history better left untouched

[1moreff-creator]

What are some dynamics (in terms of like, foils/parallels) that you enjoy in DRDT?

you’re staring at a forest and asking me for every tree i like. do you want me to write another 28k word post /lh

I jest, of course, but not about the number of interesting foils in this series. It does a fantastic job tying everyone into several key themes in ways that make their dynamics endlessly enriching for my silly little character parallel-loving brain. So, uh, get ready for a long-ish post?

CW: One mention of self-harm, self-loathing

Teruko-David: I mean, you gotta start at the center, yeah? David’s the closest thing to a “main antag” we have, and it’s no wonder; the guy’s built like a standard DR protag, obviously he’s gonna have a cool dynamic with the actual protagonist. 

These two could breathe a bit weird and somehow parallel each other doing it, that’s how much this foil permeates both their characters. From their fatalistic outlooks on the world (“my luck will always be terrible, I’ll always be betrayed” vs “people can’t change, the world sucks”), the ways they hide their feelings (Teruko was more distrustful than she first presented herself as, but cares about people more than she shows during most of CH2; while David has an entire different persona up to 2-11 and then pretends to be worse than he actually is), the self-loathing (Teruko refuses to think she could be a good person, David has the whole “inhuman” thing going on), down to the oddball sibling figure (Terubro “I know nothing about you” Tawaki vs Diana “I’m not even sure you exist” Chiem).

There’s their feelings about Xander and Min, too, which are all over the place. Obviously we all saw in 2-12 how much the British twink fucked both of them up severely, with Teruko rejecting any positive or yearning feelings she may have had about Xander (you can’t hide the cactus scene from us girl) while David vehemently defended him from any criticism. On the other side, Min is less of a narrative poltergeist (for now; XF-Ture exists), but she still comes up with them, with David calling her pathetic eleven episodes after Min hugs Teruko and Teruko’s internal monologue gives away how much she cares about the Student. 

And these parallels play into their weird-ass dynamic very well, because their beefing is founded on their similarities and their differences, out of projecting their self-loathing to someone similar at the same time they hate each other because of their disagreements on things like Xander. Crazy stuff.

Xander-Min: Mentioning these two second because they’re also Eternal Parallels. There’s almost not a single thing about these two that isn’t somehow reflected on the other. If you projected them onto each other’s direction, you would get no perpendicular component. Get it, ‘cuz they’re completely parallel- That is, by far, the nerdiest joke I’ve ever made, I apologize.

But come on. Their attitudes towards fate (the Rebel fighting it and Min resigning herself to the XF-Ture thing), the whole “holding on to the past vs wanting to move on from the past” thing, the similarities between how they actually feel about the education system (they have issues with it) contrasted with the things they actually do in respects to that (Min is still the Ultimate Student, but Xander dislikes that), their already mentioned contrasting connections to Teruko and David… Just, absolutely everything about them is a meaningful contrast. And it comes into play a lot, with their eternal beef being born largely out of these parallels. They’re awesome.

Teruko-Ace: Pretty topical for post-CH2. Ace’s entire arc is sort of a reflection of Teruko’s, yet taken to the extreme because of one particular point of contrast; Ace feared death, Teruko doesn’t think she can die. But he still basically serves as a demonstration of all the flaws in Teruko’s all mindset; the feeling of unchangeable fate, the complete lack of trust, all the good stuff. It basically allows an exploration of Teruko’s mindset from an outside perspective, which makes it easier to see the flaws in it.

Ace-Nico: Also topical, these recap foils go kinda insane. Their motives for murder, their contrasting talents (love for animals on Nico's side and fear of horses on Ace's), the way they relate to the rest of the cast, Ace's persecution complex vs Nico actively disliking how much Hu defends them, etc., it’s all very fun to see play out. 

Ace-Levi: The one who doesn’t care but protects others and tries his best to be a good person so he can be accepted in society without having issues, vs the guy that acts like an asshole because he’s scared of caring too much and he thinks the only way he can get out alive is by being the only one to survive. This leads to a fundamental misunderstanding between them that causes some of the most doomed yaoi of all time, which is the whole “Levi getting frustrated at not understanding Ace.” 

Arei-David: You’ve presumably watched 2-13, so I don’t think I need to explain all the awesome stuff that’s come from their shared themes of “good people” and self-betterment and all that. Not to mention, David’s little breakdown over Arei trusting the letter of the only friend she had being presumably born from the way he saw Xander as the only friend he had. Shit goes crazy.

Arei-Eden: Recap foils… Good people… The choice to be kind… Etc… Woah :O

Teruko-Charles: Ah, Teru’s recap foil. This one’s basically opposite of Ace’s, where Charles used to be sort of like Teruko acted in CH2, but later became a bit friendlier, if still somewhat prickly. Basically, if Ace highlights Teruko’s character traits from CH2, Charles post CH1 serves as more or less the “end goal” in a way. It goes beyond that, too, with the whole memory issues (prosopagnosia vs childhood amnesia) and, again, mysterious siblings (Terubro and Elliot what are your deals), so it’s always neat to rotate these two in the brain.

Veronika-Levi: We really don’t know too much about Vero, which always makes it a bit harder when analyzing these dynamics, but they already got some interesting points of contrast. Neither of them are particularly concerned about the deaths of the others, at least post-CH2 (Levi doesn’t grieve and Vero actively laughs at Ace’s death), but it comes from almost opposite ends of perspective. Levi doesn’t understand others because he doesn’t feel much empathy (if any at all), while Vero seems to treat the others not as people, but almost as characters to be analyzed (that’s the impression I get, at least), which makes her come off as very good at reading people but also occasionally causes her to see them as sources of entertainment first and foremost. Not to mention there’s also the fact they’re both very different people than they were in the past (Levi was some form of delinquent and now is a good person, Vero used to be outdoorsy and then no longer was). Wow that’s… more than I thought there was- How am I finding more interesting foils just by writing more???

Hu-Levi: I kinda talked about this in my CH2 PT2 analysis so read that ig.

J-Rose: A pair of recap foils who haven’t had too much yet, but a lot of their themes, in particular about fate and privilege and stuff, are pretty noticeable with them, so this is always a fun dynamic to consider.

Levi-Arturo: More recap foils, this one’s fun because of the dead family member :) Also things like their talents being related to aesthetics and both doing the things they do for a better life.

Veronika-Hu: This one’s kinda more hypothetical, since Vero in particular hasn’t had as much direct focus as other characters yet, but that’s part of what makes them fun. Past history of self-harm (even if brought on by very different feelings) is just the first of many parallels they could have, and it’s fun to see the contrast between Hu defending Nico to the ends of the Earth and Vero talking about how much she likes Arturo because of how awful he is. They’re really silly.

David-Whit: All the recap foils are fun, but I've always struggled to see this one in particular. Partly because I feel like I know less about Whit than I know about Mai :v Still, certain things like Whit ignoring anything that upsets him which connects to David constantly lying about his real feelings for his fans, which is probably what leads to David's outburst at Whit in the second trial.

Teruko-MonoTV: Because fate. Really this is here plainly because it’s just a funny as hell dynamic to even consider lol.

Teruko-Mai: Have they interacted? Has Mai had enough screen time to truly determine that this parallel truly exists? Do we even know a single theme that Mai’s character touches on for certain? No and it doesn’t matter! Because these two are clearly connected somehow and the whole “someone dearly loved - someone dearly unloved” thing makes me ill. Mai is getting mentioned in this post and you're not stopping it.

Mai-Whit: Fuck it! “We tend to idolize the dead” dynamic!!! It's very speculative, but this one’s just fun to ponder even if we have even less idea of what could be going on between the two than with Mai-Teruko.

Anyways ready for a few themes that run through a lot of characters?

David-Levi-Nico-Rose: The “feeling disconnected from the rest of humanity’s experiences” gang!!!

Min-Rose-Hu-Veronika-Arturo: The “wants to move on from the past” gang!!!

Min-Arei-Teruko-Ace: The “trying to fix mistakes” gang!!!

Teruko-David-Eden-Arei-Levi-Xander: The “what makes a good person?” gang!!!

Teruko-David-Xander-Min-J-Whit-Ace-Rose-MonoTV-Probably everyone else: Fate!!!!

And there’s more than I’m probably forgetting because I can’t possibly check every conceivable connection between these guys. At least I hope I covered most of the major ones. Thanks for the ask, these dynamics are always fun to think about!

[shelf-of-knicknacks]

PleSe please tell more abt Troll Billy n Stu I wanna know what their signs look like n their blood color PLEASE

Billy is a Cerulean/Blue and Stu is an olive! Their signs are above their heads, and my friend, Marbles, and I designed them to mimic their masks, which is the normal ghost face mask but with horns! I designed Stu and Billy’s horns to be similar in placement so when they’re in the ghost face costume, they’re very hard to tell apart. I inverted Billy’s horn colors to give that feeling that he’s a little “off”, referencing the line Tatum says about Billy being “too perfect” and bound to have a flaw. Also too, when Stu and Billy stand next to each other, their horn colors fade into each other, like a perfect loop because of their height difference!

I made a troll version for Sidney too, because I just wanted to make a “final girl” troll but it just turned into Sidney- I was planning on drawing Tatum as a troll too, but ended up getting side tracked. Fun fact about Sidney’s sign is that it looks like an upside down tv, but the antennas of the tv is actually a gun! It’s just referencing how she kills Billy and Stu at the end.

Extra fun fact- Sidney’s belt is Tatum’s blood color

[codenameregnar]

So maybe this is all just cope and the real answer really is just homophobia, but I think the whole Garak/Ziyal thing actually makes so much sense.

When Ziyal first came to the station, Garak was especially lonely, this is around the time him and Julian had started growing apart, and there was finally someone on the station who was at least partially Cardassian. Someone who could remind him of home, even just a little. I think he genuinely set out to just be a friend and a bit of a father figure to her, especially since her actual father sucks so bad. But Ziyal is young and impressionable and shes never really had anyone just be nice to her with no ulterior motive (other than Kira, different hc tho lol) so when you combine that with her weird and mixed up feelings about Dukat, of course she ended up wanting to be more than friends with Garak. And initially I think he’s kinda creeped out by it (I mean he’s 30 years older than her after all) if flattered. Not only does he sincerely believe that he’s not deserving of any sort of intimacy, but shes so young that surely she has no idea what shes signing herself up for. But christ, he is so utterly lonely. And one thing about Garak is he is absolutely incapable of not devouring every scrap of softness and comfort that he’s given, even if he hates himself for it. And he also realizes that she needs that comfort just as much as he does. That shes in a very similar position to his. They both have no one. And in that way she makes him feel so much less alone. The cherry on top of all of this being that he now has a new way to piss Dukat off. So he allows a relationship to form between them. Because he genuinely cares about her, and he needs her.

Idk, I just think they work really well together actually. They’re just two people cast adrift in the middle of the ocean, holding on to each other so as not to drown. And I think they did love each other if only for that shared experience of loneliness and the respite from it that they provided for one another. Whenever I see posts about how he only ever viewed their relationship as a familial one, I can’t help but think that thats not the whole picture.

[tomorrowxtogether]

TAEHYUN: “I wish happiness for the people who made me feel happy”

TOMORROW X TOGETHER The Star Chapter: SANCTUARY comeback interview

2024.11.14

TAEHYUN never speaks in a roundabout way. The idol doesn’t mince words, and there’s something tender about that.

You spent some alone time at the Hangang River a little while back. What do you do when you go there? TAEHYUN: I buy my choice of drink, a caramel macchiato, and go in search of serenity while I sip it to get the taste of sweetness on my tongue and take in the peaceful scenery with my eyes. It doesn’t really inspire me so much as it just sort of feels restorative. I just feel good when I do that.

You’re probably so busy that you only get little bits of time here and there, but what would you want to do if you could carve some free time out of your busy schedule? TAEHYUN: I’d have some of that serenity I just mentioned, and work out, too. I’d probably just do the same things I do in tiny bursts now but be more relaxed about it. Right now I exercise when I have little breaks, like when I’m done for the day.

It seems like working out’s pretty much a part of your routine. TAEHYUN: It’s so routine for me now that sometimes I don’t even know why I’m doing it. It’s like how gym rats work out with no end goal. (laughs) It’s helpful for my posture since I start hunching over if I haven’t worked out in a while, and anyway, if I go straight home after work, I feel like I haven’t done enough. (laughs) I like how it keeps me ready to go and makes me feel productive.

You even keep it up when you’re on tour, running to stay in shape or working on your abs for “Tinnitus (Wanna be a rock).” TAEHYUN: We did around 30 shows and I showed off my abs every time. (laughs) I showed them once on tour in Seoul and then I thought people might feel left out if I skipped it anywhere else. I started getting more into food somewhere down the road so they’re slowly disappearing, but I’m trying to keep them around one way or another. (laughs) It hasn’t been easy. I make myself run until I’m out of breath when we’re on tour because it challenges me in the exact same way as performing. I don’t know if it really helps since I’ve never not done it and therefore don’t have data on it, but I believe it does.

Boxing, on the other hand, seems like something you’ve kept up a long time not for keeping in shape but just for fun. TAEHYUN: Boxing isn’t something where you can slow down when you get tired. If your opponent ups their pace, you have to, too—but you’re just as much an obstacle to them. If you’re not fighting for a title or to make it into a competition, then there’s no risk of getting hurt, so it’s a great way to break a sweat and get in some cardio. You hear sports like these called chess played with the body. Even if you’re not as good as your opponent in some ways, you’ve still got a shot at winning. What makes it so enticing is how you have to hone your skills in order to be powerful.

What does it mean to you to be powerful? TAEHYUN: It means a lot of different things. There’s some boxers who are strong for their weight class, and some who can shut out the crowd when they’re on their opponent’s home turf and win. I think it’s partially mental like that. There’s people who make a plan and work toward their goal, avoiding any obstacles standing in their way—people who don’t fall apart.

It feels like that’s your approach to your work in some regards. TAEHYUN: I’d say so too. Those are the kinds of people who get up in front of tons of people at the pro level. We’re similar in that we get up onstage and show everybody what we’ve got after working at it for a while.

How do you find touring after working at it for a while? It’s been about two years since you resumed in-person touring. TAEHYUN: It feels really overwhelming at first. When you find out how many shows there are, where you’re going, and get the set list, it’s seriously … (laughs) I mean, obviously there’s fun parts, but you’re running in an unflattering way to get through the walkways underneath, and sometimes you just feel like, Let’s get it done, or, Time to go change—I will survive. Then there’s parts where time flies, especially when you first get a mic in your hand. It’s all about jumping around and having fun together. Going around and getting hyped with the audience happens spontaneously. That’s when it gets exciting.

I found what you said about your first online fanlive event on weverse LIVE really memorable: “When the camera’s not on me, there’s nowhere to see me. It was crushing.” TAEHYUN: That was a really weird period, since now there was no way for people to know what I was up to when the camera wasn’t on me. But there’s always somebody looking right at me when we do shows in person. In those cases, I have to be capturing the mood of the songs at all times, and I can’t tuck my clothes in right away if I need to or rub my eye if something gets in there. There’s a lot more I have to pay attention to, but they’re all minor things. I’m always going to feel grateful as long as people are watching me.

You also put a lot of effort in for the tour in regard to your vocals, right? You seem to keep challenging yourself and experimenting in your own unique way. TAEHYUN: Yeah, totally. (laughs) I make minute adjustments, like, How can I make this easier? How can I increase my chances of success? How can I minimize damage to my throat? I try to feel how my body changes every time I do. Even for the sound, I’m in direct communication with them to try and get things right during rehearsals. When you’re recording vocals, you can do it over and over to get it right, but you’ve got people watching you at a concert, so you have to be confident you can keep your vocals steady 10 out of 10 times. I asked our producer Slow Rabbit once if we could bring the key down so it wouldn’t be so hard to sing so hard live (laughs) but eventually it worked out anyway. There’s nothing you can’t do if you just practice. If I can’t do it, it means I didn’t try hard enough. Anything is possible.

You sing several ad libs in The Star Chapter: SANCTUARY that give a real sense of your vocal style. Do you feel like you’ve developed your own style while recording vocals now? TAEHYUN: Recording feels more familiar to me now, and the producer and I can practically read each other’s thoughts now, so it's a completely stress-free experience. But there’s one thing that’s always on my mind. I love so many different genres. I love knowing their histories, singing them, and listening to them. But choosing what suits me is a huge challenge. I’m confident I could handle anything they throw at me to 70 or 80% quality, but there’s nothing I feel confident I could do at 100%. I don’t really know if I’m doing a good job of finding my own style, but knowing people can pick out your voice is something that makes any singer happy and appreciative. It’s a really good sign.

I personally felt like only you could pull of the “Forty One Winks” intro. TAEHYUN: We recorded that in Japan during the tour, and before the parts were assigned, I heard the song and asked the producer if I could do the first verse. I said I’d crush it. (laughs) So he said okay and I got to do it, and on the first day of recording, I immediately nailed it. I felt confident about that part: This is how it should go.

You’ve also been writing lyrics for a while now. How’d it go with this new album? TAEHYUN: I have a lot I want to write whenever I think of something that would be really fun for TOMORROW X TOGETHER to sing. The idea behind “Danger” is sort of cliché, but we hadn’t done something like that before so that actually made it fun. What was unusual this time was that we were out of the country so I couldn’t take my preferred approach of opening up a bunch of windows on the monitor in the studio and writing on my phone. It was a new experience for me to not settle down in one place and write. I wrote “Danger” on a plane, “Resist (Not Gonna Run Away)” in a car. I have a tendency to drag things out when I’m in the studio sometimes, but when I’m on the go, I end up writing faster sometimes because I feel like I have to get it all down before arriving—like the ETA’s now the deadline. (laughs)

The lead single “Over The Moon” has a more straightforward message than previous songs. How did you capture your interpretation of the song? You strike me as someone who really needs to understand what they’re singing. TAEHYUN: It’s way more straightforward, but there’s still one line I’d like to hear MOA’s interpretations of: “Let’s make an ancient future.” I need their help because I’m curious how listeners feel about it. (laughs) I guess “Over The Moon” is first and foremost about feeling good. Visually, the sense of freedom is important. I also hope anyone who sees it feels like we’re steady and talented—so much that it’s like, Huh? They’re so eye-catching—I can’t stop thinking about them! If people feel like, These guys are so uplifting—who are they?, at the end of our performance, I’d say it’s a big success. We have to bring out the subtle allure to achieve that. The vocals need to be so good they sound fluid and flexible, and the choreo flawless.

Doesn’t trying to have that kind of allure make it that much harder? TAEHYUN: It’s way harder. (laughs) We reduced the amount of group dancing and filled that time with individual choreo instead, which took a lot of work. All group choreo takes is good stamina and a lot of rehearsal time—this approach takes exploration and gut feeling into what makes it look cool. I think we’ve reached that point in our career now. It’s something people who perform 30 shows at a time can do. (laughs)

You’ve always been the type to practice as hard as you can and just as confidently say so. Is that the case for this album, too? TAEHYUN: Yes.

You sound very sure of yourself! (laughs) TAEHYUN: I put in everything I’ve got within the time available. That’s something I feel I should do. It’s just one of those obvious things. I feel a huge weight off focusing like that. Doing my best means putting my heart and soul into it until I feel that nothing will change no matter what might happen. That’s what doing my best means, I think.

That’s something only someone who has poured everything they have into their work can say. What’s there waiting at the end of all that hard work? TAEHYUN: I chose this path because I love being onstage and love singing, and now I’ve achieved that, but there are times when it becomes necessary to have goals. I want to set loftier goals—I want to do and reach for lots of things under the name TOMORROW X TOGETHER—the five of us and MOA together. There’s a lot I need to uphold for the fans, like sharing feelings and promises. We didn’t pinky promise, but still. (laughs) I want to keep going with our group for a long time, and in order for that to happen, people need to keep checking us out, which gives me a sense of certainty. Having some goals and achieving them lets us feel like we’re really doing a good job and heading in the right direction.

You’ve been with the other members for eight years now, which is over a third of your life. TAEHYUN: That’s true. And I’ve known YEONJUN for nine years. Now, even when we’re working out how to move, we don’t need to say much—like, “Two? Three?” That’s how we ask whether to stand at the second or third marker on the stage. We’ve reached a point where we can talk entirely in nouns.

I could sense how close you are in episode 144 of TO DO X TXT, “Abandoned Stars,” when the older members were being protective of you even though they were equally scared. (laughs) TAEHYUN: I felt there was still kindness in the world in that moment. (laughs) SOOBIN saying, “He can’t do it alone,” and YEONJUN said, “Don’t send him in by himself.” (laughs) We know each other so well that we don’t hide anything. Working with people who you get along with that well is an absolute blessing. It’s a good thing, too, since we spend more time with each other than our own families. It wasn’t easy to get there, though. (laughs) I don’t mean to be blunt, but we first came together to work together, meaning there were conflicts, and it took some time to figure out what didn’t work. Sometimes I even felt it’d be easier to go alone, but now doing it alone is challenging.

You even brought YEONJUN a lunch you made for him when he went to do a pre-recording to promote “GGUM.” TAEHYUN: I know one thing for sure: I think I’m extremely attentive toward the other members, and I’m always monitoring their performances. Maybe if it were one of the other members, I would’ve expressed how much I care in a different way, but for YEONJUN, I thought it would be best if I went there in person. He finds that kind of thing touching. (laughs) I was worried because he loves to eat and yet he probably couldn’t eat properly and would just be eating fast food from the store. I just happened to be free, so I dropped by, gave it to him, and came back to get some sleep. (laughs) Only love can make that possible.

You’re really good about showing the people around you how much you care. TAEHYUN: I’m actually not close with that many people. There’s people I care for, or see all the time, or do stuff with, and I feel like, even if I put in the time and effort, it still requires a lot of opening up and communication. That’s what the people in my life mean to me. With the group, I feel like it has to be that way to end up with better results and build trust. That means that sometimes when we’re talking together, we’re not just saying nice things. If all you’re looking to do is keep things roughly as they are, you could get away with saying nice things exclusively, but sometimes you just have to say or hear unpleasant things.

That could honestly be hard to handle, but it’s love that keeps you going, isn’t it? TAEHYUN: It’s important how I express things, but I think it’s also important what the other members think of me. If they’re working with the knowledge that I’m saying those things out of love, they wouldn’t think it’s absurd. It’d just be nagging otherwise. (laughs) It takes a lot of effort from everyone involved.

But you have nothing but love when it comes to MOA. I randomly saw how one time while YEONJUN was doing pre-recording, you talked about how  MOA’s wait times need to be shortened. TAEHYUN: I hope our fans can have the best fan experience possible. I felt like it’d be better if we came back out a little sooner in the space between songs to talk. Spending a little extra time on fixing ourselves up doesn’t really make us look that much better, I mean. (laughs) I told our staff, “We should hurry out there,” and I guess they listened. (laughs)

You also left a comment on weverse saying, “Wishing other people happiness is one of the ways I’ve found happiness myself.” I’m guessing you had an experience that led you to feel that way. TAEHYUN: When I meet fans, sometimes they say things like, “You saved my life.” Honestly, all I could do was do my best with singing, put out some albums, and get up onstage. I think maybe the reason they say it that way is because getting to know TOMORROW X TOGETHER and seeing us brings out positive feelings for them. I thought that wishing happiness for the same people who made me feel happy and wishing the best for them would send more positive vibes back their way again. I think that moment really hit me.

[quillkiller]

do u think if regulus somehow survived the cave and, once free, barty learned of his betrayal to voldemort would barty stick with regulus despite feeling himself betrayed or would they end up fighting eachother every chance they get. a bit like sirius and reg who end up on different sides of the war and seek eachother out in every duel just to see eachother. Like they still can’t stay away from eachother but now they hate eachother so everything is more complicated. tbh i think that’d be pretty one sided because regulus does not see how betraying voldemort could hurt barty at all, i think he’d be kind of compassionate.. would even pity him for what he went through

me & and kara had a meeting over this ask and here’s out conclusion…

we don’t really know what happens with bartylus if reg somehow survived the cave… we don’t necessarily think he’s with voldy out of some kind of loyalty, but for a lot of other complex reasons mostly to do with barty sr and his upbringing. barty is revenge personified. to me however there could ever be hatred or spite between bartylus no matter the betrayal. they always always always regress to their adolescent teenage selves when they’re together, it can’t be helped.

we also don’t see regulus on the field ?? i have a hard time picturing regulus like out on all the raids…. i think his role as a death eater is something completely different. and, if they were in the field, i think regulus and sirius would always avoid each other, knowing that neglect and silence cuts deeper. and because they don’t actually want to hurt each other. if anyone wants to hurt anyone its reg wanting to hurt sirius, and sirius defending himself. i don’t see them seeking each other out though. sirius would seek bella out on the battlefield, but never regulus. sirius can and does stay away from regulus and he proved that when he left home. even if it hurts ! the sacrifices we make to save our own lives and what not :/ i dont see either of them trying to reach out in any sort of way, both too proud and stubborn, and knowing that silence will hurt more

we also don’t think that regulus’ betrayal with the locket is an indicator that he’s now a good person / or that he would join the order. similar in how i dont think narcissas act of betrayal isn’t an indicator that she’s good either. it was personal for both of them. a way to (hopefully) save their loved ones (draco & sirius) and a defiance against voldemort. fighting against voldemort doesn’t equal being on the good side. and if that’s the case i can see barty choosing regulus over voldy. he’ll find other ways to get his revenge / the reason (to me) that he was so devoted to voldemort in the end is because all his friends died and he had nothing left BUT revenge. now he has regulus, and where regulus goes barty follows.

not to go on and on about dil’s masterpiece bartylus microfic but it really changed my life forever when barty runs away w reg and reg says ’you’re hardly the first one to ask’ and barty says ’i didn’t ask’ <- HE DIDNT ASK. i dont think he’d question regs betrayal, wouldn’t take it personal, wouldn’t pity him for it. reg survives and decides to leave / maybe try to find the other horcruxes and barty is like ’cool, guess that’s what we’re doing then’ and invites himself. and regulus would never, could never, tell him no. they’re childhood best friends and their carnal weird fucking need for each other will always outweigh anything else between them. they’re not strategic or calculating in their relationship, aren’t capable of it <- and they’re both strategic and calculating people, barty especially. it’s like that post ’when you’ve known someone for too long you’re doomed to always see them as a person.”

so if regulus survives and decides to continue to fight against voldemort, i think the natural transgression for barty is to leave with him <- lap dog tendencies. i don’t think either of them do it out of the goodness of their hearts or join the order.

[jadetheblueartist]

So I started out with Frida’s markings being pretty distinct from the boys’ because I wanted to not just do the same as them. But now, as she’s grown as a character, her markings have changed and now (since she’s become a twin) she just has Leo’s markings 😭

And because of reasons her stripey arm marking things don’t fit so I wanna change them so what kinda arm marks should she have?? I want them to be different than Leo’s but they’re twins so it would still be similar

Idk I need to probably figure that out but like if you got good ideas… >:D

[highkey-lowkey-as-hell]

thinking about the fact that eris and jenny look exactly alike

[steddiealltheway]

Steve can see it in Max. That same loneliness and ache that he finds in himself. For him, it’s result of his parents leaving with no intent to return to him unless absolutely necessary.

He knows he was an accident. Or rather a mistake as his father used to call him when he was particularly angry. But it made sense to him. Steve's the reason his father had to marry his mother. He left him "trapped." And maybe no one says it out loud, but he can tell his mother feels the same way too.

But they must keep up appearances, right?

Which is what Max has been trying to do since Billy died, El moved away, and it's been just her and her mom. But she's been going about it through a different route - pushing people away all while pretending things are fine. But Steve sees the way she picks up the broken pieces of her mom and tries to put them back together - Steve's had to do the same thing before.

So, he starts sticking around a little longer. Offering her more rides to the arcade and around town to pick up groceries when she needs to. Sometimes he'll tell her about a new recipe he's been trying for a casserole and pick up the ingredients, pretending like the milk and butter he bought will spoil by the time he drives home from her trailer.

Of course, they both know it's a lie, but Max humors him and plays along. She'll let him cook dinner while she picks up the bottles her mom left on the floor, dumps out the overflowing ashtray, and feeds the dog. Usually, Steve will ask her what she's learning in school and linger a little longer than usual in hopes that she'll say more than the usual, "I don't know. A bunch of boring stuff."

But lingering has gotten a lot of things out of Max such as her love for Kate Bush, a story about El and how much she misses her, and short quips about Lucas before she gets a sad smile on her face. Steve doesn't really know what to say most of the time, but he hopes that just being there will help.

Unfortunately, lingering and just being there has led him to his current predicament of none other than Eddie "The Freak" Munson sitting on the hood of his car glaring at him as he walks out of Max's place. Steve jumps a little, startled by the figure on his car and becoming more hostile as he sees the expression on his face. He shoves his hands in his pockets and slows his pace. "Is there a problem?"

Eddie snorts humorlessly. "Christ. You're really going to pretend like there's nothing wrong with what's happening?"

Steve's brows furrow, entirely missing whatever point he's trying to make.

Eddie stands up and stalks toward him. "I see you, you know. Always lurking around when her mom isn't home. Coming out of her trailer late at night."

Steve laughs, finally understanding the absurd conclusion he's come to. "Jesus, man. You're delusional."

Steve doesn't expect it, but Eddie sharply shoves his chest and grits, "I don't fucking lie to me, Harrington."

Steve holds his hands up. "I'm not," he firmly states. "Nothing like that is happening here. I'm glad you're looking out for her, but it isn't like that."

"Do you expect me to believe that? Maybe this is why you're always hanging around Henderson and the other kids."

Steve crosses his arms and his jaw tenses. "I'm not a fucking pervert or a pedophile if that's what you're trying to say. I'm just looking after them."

"Why?" Eddie asks, dramatically opening his arms, "Why would King Steve adopt a group of misfits to take under his wing? See, the math isn't adding up."

Usually, Steve would just brush it off and tell the person to fuck off and mind their own business. But his parents have just left town again without leaving a note and Max had snapped when Steve tried to help her clean the place because it looked worse than usual, and he was just generally feeling like shit and angry at his parents and Max's parents for not being there. So he broke, "Because I don't want Max to end up like me! I don't want any of those kids to grow up without a role model. And god forbid if any of those other kids' parents fuck up, and they’re left with only me. I need them to know that I'm there for them! Because sometimes it feels like whenever the world goes to shit, I'm the only one who is there, and I plan to stay there, okay?!"

He finishes his rant breathing a little heavier than usual and noticing that a few of the lights in the trailers have turned on around them. He looks around and awkwardly nods to the people glaring out their windows. God, he needs to get a grip.

When he turns back to Eddie, he notices the conflicted expression, jaw dropped, eyebrows knitted together, eyes searching him as if he's still wondering if he's lying.

A door creaks open behind them and Steve curses under his breath as he hears Max say, "Eddie, leave him alone. Do you really think I would hook up with my damn babysitter? Jeez."

"Language," Steve quietly lectures as the door swings shut. He runs his hands over his face and takes a deep breath. It's been a long fucking day.

A hand lands on his arm and tugs him away from Max's trailer. Steve glances up at Eddie, leading him across the way. "Where are we going?"

"My place," Eddie says.

"Why?"

"So we can talk."

God, the last thing he wants to do is talk to Eddie of all people, the guy he's been actively avoiding since Dustin started worshipping the ground - or rather tables - he walks on. But he lets himself be pulled away in the trailer and practically deposited on the couch in the living room.

He glances up and comments, "That's a lot of mugs."

"My uncle's, but that's not what I wanted to... Christ," Eddie says, pacing in front of Steve and tugging his hair in front of his face. The anxious display makes Steve feel even more tired, but he lets him pace. God, what is he even doing here?

"I'm sorry," Eddie blurts out. "I'm just..." he trails off and rushes over to grab a stool a few feet away before dragging it in front of the couch. He sits on it but his leg still holds that nervous energy as it rapidly bounces up and down. "I jumped to conclusions, and it was really shitty of me, man. I just... didn't believe what Henderson was saying about you and thought 'Oh, this makes way more sense than Steve Harrington being a good dude.' And I'm sorry to accuse you of that. And I... I didn't know about your... parents and stuff. Like I knew they were away a lot because of your parties but... I just never connected the dots. And I'm sorry. No one deserves that shit, man."

Steve doesn't know what to do this whole interaction, especially with it coming from Eddie Munson who he doesn't think he's ever talked to before this moment, but... he needs to hear it. God, he needs to hear it.

Of course, he can't let him know this, so he does what he's best at and brushes it off. "It's fine. You were just looking out for the kids. And really just ignore what I said back there, it isn't that big of a deal."

Eddie worries his bottom lip before he blurts out, "I know what it's like." He pauses and takes a deep breath. "I mean, I know what it's like to have... absent parents. But in my case, eventually, my uncle Wayne took me in, and I can only imagine if he didn't." He gives him a pointed look and lowers his voice, "Do you have someone like that?"

A big part of Steve wants to leave right now, and he knows there's nothing stopping him. But a bigger part of him needs to stay. Needs to talk about the emptiness in his house that he can never truly escape at the end of the day that he can’t talk to anyone about. Because he's not supposed to be weak. He's supposed to take care of the others. So he admits, "No, I don't have... anyone like that. Except Robin but..."

"That's different," Eddie finishes the thought for him.

Steve nods. He loves Robin, but he loves her as a platonic soulmate and not as a parent figure in his life. "You know, I once had this basketball coach in middle school - Mr. Weston. And I remember looking up to him so much. I wanted to be just like him, and I would go to his office during lunch and ask him for advice or talk about dumb shit that my father would never talk about. But he never shamed me for my questions. And sometimes he even packed an extra dessert for me." Steve smiles at the memories and runs a hand through his hair, remembering the day he got the news. "But one time, when I went to his office, he had this look on his face. And I just knew it was bad news. And really, it wasn't bad news to him because his wife was pregnant. But she wanted to move a few states away to raise the kid closer to her family. And it wasn't his fault, you know? It wasn't like he purposely chose to move away from me, but I felt like I was abandoned again."

Steve wipes a tear from his eye and puts his head in his hands. "God, I don't know why I'm even telling you this story. Sorry."

"Don't apologize," Eddie says quickly. He pauses and shifts on the stool, his gaze being far away. "I remember him. He was one of the only gym teachers that defended me against all the shitty middle school bullies. He was a good person.”

Steve nods. God, he was a good person.

Eddie continues, “I'm sorry that he left. And I bet he still regrets leaving you behind."

Steve leans back against the couch and looks away, shaking his head. "I bet he forgot about me."

"You're kind of hard to forget."

Steve looks at Eddie and sees a slight blush on his cheeks as he shakes his head and waves his hands as if trying to make the comment go away. "What I mean is that there's no way he's forgotten about you. Someone who you used to have lunch with all the time to the point of giving you free food... Nah, man. He remembers you. I think you may have been as important to him as he was to you."

The thought breaks away at a wall Steve had built up long ago. "Thanks," he practically whispers.

Eddie just smiles at him, small dimples appearing on his cheeks.

"You didn't deserve it either, you know," Steve says. "The absent parent stuff. Even with Wayne, they should've been here too."

Eddie's smile falters a bit as he swallows and looks at the ground. "Thanks," he mumbles. He looks up at Steve and comments, "Getting sappy with Steve Harrington. Who knew."

"Yeah, getting sappy with Eddie Munson," Steve echoes back at him.

Eddie laughs, "I'm surprised you even know my name."

"You're kind of hard to forget," Steve says easily.

That same blush comes back to Eddie who shifts in his chair a bit as if he needs to process the information with his whole body.

They sit in the moment for a bit before Eddie gets a somewhat serious look on his face and offers, "You know, I'm definitely not a parent figure or anything, but I'm always here and around to talk about that whole thing if you need to."

Steve's heart beats a little faster at the sheer genuineness. "Same here," he can't help but offer in return. He glances down at his watch and sighs, "It's getting late, so I better..."

"Right," Eddie says, standing up and leading him to the door. "Do you need water for the road or anything?"

Steve smiles and pats him on the back without thinking too hard about it. "I'm good, man. But thank you. For everything really."

"Sorry for being an asshole," Eddie apologizes again.

"Usually that's my line," Steve accidentally voices before cringing a bit, wondering further why Eddie's been so kind to him.

But as he opens the door, Eddie comments, "I don't know. It seems like Dustin was right about the whole reformed jock thing. Maybe your crown really has fallen - which is a good thing by the way."

Steve slightly smiles at him before he turns to leave. But he can't help but say, "I wonder what the neighbors will think about me leaving your trailer so late."

Eddie groans then laughs. "Sorry to ruin your image."

"I wouldn't mind," Steve replies, honestly unsure what he means by that. "Goodnight, Eddie."

"Goodnight, Steve," Eddie says, that same blush on his cheeks, only this time Steve isn't sure if it's something he said or a result of the cold night air.

In bed that night, Steve feels a slight weight lifted from him and can't help but feel like he’s a little less alone.

[fantasykiri5]

A pair of birds of prey for days 15 and 16 of @hermitadaymay !!! Definitely not a day and a half (?) late

[it-came-autumnally]

These two are so funny. Women's wrongs standoff

[skyloftian-nutcase]

Ok Wild Angsters, you wanted a continuation, so here you go :)

Four already knew what he would be walking into. His phone had been blowing up for hours. He’d come in to work early. Whether he was assigned to take care of Wild or not was another matter - Vaati loved to try and take all the admissions, convinced he was the best nurse on the unit. If Four could just keep Vaati out of Wild’s room, he’d consider it a success.

When the charge nurse told him he would be admitting the trauma alert, he knew who he was getting.

Pre-admission jitters always made Four anxious, but this was an entirely other level of fear. He almost wanted to request a different assignment, but it was too late now. What if he couldn’t take caer of him because he was his friend? What if that impair his decision making? What if he just wasn’t skilled enough to handle it? He knew Ezlo wouldn’t give him an assignment he couldn’t handle, wouldn’t be there to support him, but still…

Four went over the supplies in his room once more. Safety checks were fine—they had suction, they had a bag valve mask, the code card was nearby—and he had all the supplies he needed. It was just a waiting game.

Four paced the unit at least three times before he looked at the OR status board again. Wild was still in surgery. He poked in his chart, glancing at injuries, looking at vital signs and anesthesia notes. The last update he saw was that Wild had gotten another unit of blood. Estimated blood loss so far was around 2200mL.

2200mL. That… wasn’t too terrible, Four supposed. He’d… seen worse.

Please don’t get worse.

Four knew for certain that Wild had been mass transfused in the ED. Warriors, his primary nurse when he was there, had told him as much. Between that and the multiple blood products he’d gotten in surgery, as well all the crystalloids he was likely getting as well…

Four took a breath. Then another. He grabbed his phone, texting Warriors. You doing ok?

Wars didn’t reply.

Four wasn’t entirely sure where everyone was at this point. Hyrule had stayed at the hospital, lingering in the emergency department and then the operating room waiting area, but Four hadn’t seen him since he’d clocked in. Warriors and Legend should be getting off shift now, but whether they were going to stay up was another matter. Time was obviously in the OR (Wild’s wreck had been around 10pm, he’d arrived in the ED around 10:45, and he’d been stabilized for surgery and gone to the OR by around midnight - it was 7am now… he wasn’t sure how long this was going to take, but it couldn’t be much longer). Malon should be getting on shift now as well - she had come in last night when everything had gone down, alongside Twilight. Wind had been cautiously left out of the loop until Wild had gone to surgery, simply because nobody had really had much information at the time, so no one wanted to worry the kid until they could figure things out. Everyone had their hands full as it was. But by now, Four knew Wind was either in the OR waiting room, harassing every respiratory therapist he knew, or in the hospital library pacing anxiously. As for Sky, the last Four heard he was bouncing between different people, checking in on everyone.

He clicked through more anesthesia notes, looked at flow sheets for blood products. There wasn’t much to go on, as charting was sparse. What Four did know was that Wild had been obtunded, got mass transfused, had gotten a chest tube, had been intubated, blood was evident in his abdomen, and he had an open femur fracture. He’s been taken to Time’s OR for a ex-lap. Head CT had shown a bleed, and they were monitoring it. That was all the information Legend had told the group when he’d had a moment to spare.

Four’s vocera activated, telling him he had a call from the charge nurse. When he answered, he was told Malon had called and said they’d be finishing up in about thirty minutes and were likely to come up open.

Why was he coming up with his abdomen open? When had they gone from exploratory laparotomy to a full on open abdomen?

Ten minutes later, Malon called back to give report. When Four answered, the first thing he asked was, “How’s he doing? Is he okay? Are you okay?”

“I’m fine,” Malon said, even though she sounded exhausted. “And he’s… hanging in there. I’ve seen worse, I’ll say that. I’ll give you the full rundown, okay?”

Four listened as Malon gave report, feeling his heart settled into his stomach, which was tying itself in knots. Multiple spots of bleeding, possible compartment syndrome in his abdomen, a likely kidney injury due to compression from the bleeding on some major vessels, a small hematoma in his brain… they’d had to call neurosurgery to do an emergency craniotomy out of overt concern of swelling, given that Wild had apparently had previous head trauma, based on what they saw in the OR.

Open abdomen, craniotomy, ICP monitoring, bleeding, one chest tube… this was a disaster. Four swallowed as he wrote, feeling his hand shake a little as his heart raced. He was not qualified enough to be admitting this. He was not.

But the turnaround on his unit was pretty insane, and he was the most experienced nurse on the unit today. At least Ezlo was charge; he knew he’d be well supported.

This was a nightmare. But Four had dealt with nightmares, and he would deal with this. He wasn’t going to screw up taking care of any patient, but especially his friend.

Sighing, he hung up the phone after thanking Malon, pushing worries for her and Time aside, trying to focus on what he would need, who he should grab to help him, and how he should prep his room.

It was time to get to work.

When everyone arrived from the OR, Four made brief eye contact with Time. He couldn’t read much from the man, who was stone faced, aside from the exhaustion evident in the dark circles under his eyes. Four got to work quickly, assessing Wild from head to toe as he looked to see what IV medications he was on. A coworker wrote the note while Ezlo helped detangle his lines (the OR always brought up a mess, after all). Time gave an overview of the surgery, and Four listened along as he checked pupils, as he zeroed the arterial line and the ICP monitor, as he listened to lung and heart sounds, as he checked the chest tube and stripped it with his fingers to ensure patency, as he checked peripheral pulses, as he looked at the abdominal dressing to get a baseline in case there was swelling from bleeding later. One of the techs connected the chest tube to wall suction, and Four looked over his drips. Only having levophed at 2 wasn’t terrible, and he was getting a unit of red blood cells, which was in a transfusion set that was y’d to some lactated ringers fluid. He was on propofol for sedation. Another nurse grabbed a blood gas from his arterial line and sent off labs. His foley he had was temp sensing, and Four quickly ascertained that Wild was cold, so he set up the blanket warmer and covered his friend up.

His friend. His friend.

Four shook his head. He had to focus.

As Time left the room, he put a hand on Four’s shoulder, making him freeze. The surgeon didn’t speak, just locking eyes with him. Four wasn’t entirely sure if it was for his own benefit or not. But he had no more time to let his emotions make any decisions for him. He nodded to the doctor, who nodded in return, and then the two went their separate ways.

This was going to be a long day.

[ghostofreach117]

“What happened?”

How it feels to ignore your own kaeya headcannons and draw him however he materializes in your mind:

Guess who’s yapping again??? It’s me!!!

Diluc went to Snezhnaya both underprepared and alone. He faced the consequences. He had nothing but a thick head of curly hair and a torn leather coat to keep him warm. As such, he lost his ring finger to frostbite early on. Within 3 months he piqued the Doctor’s interest, and was subsequently sedated and taken to #### ######. Diluc is reported to have escaped after # months. He was supposedly fitted with multiple artificial #############.

Kayea has yet to pry this information from him, though he is suspicious of the two jagged scars marking his face. It’s clear they were inflamed somehow during the healing process.

“A lot of me is artificial now, for one reason or another. Is that a good enough answer for you, Kaeya?”

Kaeya knows little of his Khaenri'ahn heritage, but he’s smart enough to know that his eye is something different. For what purpose exactly, he has little idea, though he knows it may have something to do with his birth mother and in turn the Hexenzirkle and in turn Diluc’s mother and in turn Diluc. Kaeya is unsure if Diluc is aware of his witchhood. A critical piece of missing information. He has been stabbed in the neck by an abyss mage for a misunderstanding regarding that though. Interesting.

“No. Things happened in Snezhnaya. Tell me.”

I NEED MORE KAEYA LORE GIVE IT TO ME