#because they specifically have to be ‘skin’ creatures
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meltedmush · 2 months ago
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With great power comes with great need to make skin creatures
HELL YEAHH
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serpentface · 5 months ago
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The (now extinct) utosai, the last of the great lacetors.
Lacetors are a clade of warmblooded reptiles that fill niches as large grazers. The only genera surviving in the contemporary are relatively small (averaging about the size of cattle), but many older species grew bigger than elephants. Utosai were the last remaining members of this branch, dwindling towards extinction as their once vast grasslands experienced rapid desertification over a period of a mere few millenia, becoming the massive, mostly uninhabitable desert region colloquially known as the Deadlands.
They would historically live in herds consisting of one male, several (sometimes dozens of) females, and their associated young, which would migrate vast distances to follow seasonal rains. Males would fight each other to gain control of their mates or tempt away singular females, with young males roaming in bachelor herds. As reliable grasslands grew sparser, these herds grew much smaller, with the last remaining utosai being found largely as small bands of females and lone, wandering males that would opportunistically mate when they were lucky enough to find each other.
Utosai had very thick scaly skin that folds in plates, in part a vestigial defense mechanism against large predators that had LONG vanished. Like many other lacetor, they had partly bony facial pads that grew large and colorful in males as display features. Their tremendous curving horns served predominantly as additional display features, while the smaller, jutting horns partly figured into intraspecies combat, with males standing side by side and front to back and swinging these horns at each other in ritualized combat behavior.
These horns were clearly of value to the people who once inhabited the same ranges as utosai, as their ivory figured heavily into their craftwork and holy objects and can be found near-ubiquitously in the burials of high ranking people in the east interior Deadlands. These surviving utosai ivory artifacts are of tremendous value, with the mere prospect of obtaining them tempting many graverobbers and other such wealth-seekers into the remains of ancient human settlements (a mostly futile and often deadly task, most accessible tombs have already been plundered and those still left in peace are hidden deeply beneath the sands).
Utosai lasted far longer than many of their counterparts, surviving on (and trapped within) dwindling patches of coastal grassland fed by ocean rains, too isolated within stretches of desert for any chance of migration to grasslands further from the equator. These last fragmentary populations were discovered by traders and treasure seekers sponsored by the early 2nd Burri empire, with many hatchling utosai being taken back overseas hundreds of miles north. It is unknown when the last wild utosai died, but all but the tiniest fragments of their coastal grasslands are gone and the great beasts are nowhere to be found.
The captive animals were bred in Bur and eventually produced a relatively large (and heavily inbred) population, probably maxing out at around 1000 individuals. They were never truly domesticated but could be made tame and well accommodated to handling, which eventually developed into their use as mounts, forming an elite cavalry unit used in warfare. A war utosai was outfitted with a shielded tower upon its back from which archers could fire from height, and would be driven by a rider on its neck. Their use was functionally similar to irl war elephants, being utilized for intimidation, to scatter enemy formations, and to lead (or break) charges. These were the largest animals that most people would have ever seen, and were often reckoned as nigh-invulnerable. The utosai was heavily used in Bur's wars of conquest, and became an esteemed animal emblematic of the second Burri empire's might.
Very few consistently effective counters to the war utosai were discovered during the duration of their use. One very famous, very successful counter was used by the pre-Wardi Ephenni tribe in its war of independence against the second Burri empire (which was already beginning to collapse). The province of Ephennos was of key import to the empire as a breadbasket, being highly fertile lands and providing much of the grain that sustained the empire. A cavalry of ten utosai (a VERY excessive number against a less well-trained, less well-armed group of soldiers) was brought overseas to assist in crushing dissent and were devastating in battle, with only two of the ten being killed in three years of protracted warfare.
In an act of cleverness, desperation, or both, a trio of khait were covered in pitch and set ablaze, and spurred into hurtling towards the bulls in the utosai cavalry. The utosai panicked and fled, trampling many Burri soldiers in the process and utterly destroying their formations, with three of the eight utosai falling onto their sides (weighed down by their towers) and killed by Ephenni soldiers. This allowed for victory in battle, and this victory ultimately turned the tide in favor of the kingdom of Ephennos and its eventual independence. A motif of three khait wreathed in flames is still widely used in this region and as emblematic of Ephenni heritage (who, while broadly assimilated into Wardi nationality, still retain a sense of individual identity, and pride in their city-state being a center of power and birthplace of kings within Imperial Wardin).
The use of utosai in warfare dwindled after the discovery of this fairly effective counter. They were no longer reckoned as nearly invulnerable, and the great cost of transporting and feeding these animals became increasingly inviable. Captive breeding began to dwindle along with their use in warfare. The last utosai were lost, killed, or slowly died off in the Burri wilderness during and after the empire's tumultuous collapse. Some folklore describes hidden populations surviving in some wilder areas- there are several places in Bur where people claim to sometimes see the silhouettes of these great beasts against the horizon, and the rural parts of Ephennos are rumored to have a few of them (perhaps descendants of the surviving war utosai, perhaps their ghosts). Otherwise, they are lost to the world.
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auphelia · 3 months ago
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cats are so good. we don't deserve cats. sweet little creatures
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thegreatyin · 11 months ago
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today i got my special pvp mode kitty cat mount and i will probably never use him outside of said pvp mode but look at him. he's lovely and he's pink and he's a kitty cat :)
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ozzgin · 9 months ago
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Yandere! House Monster x Reader (II)
It’s officially a smutty sitcom: you, the oblivious gamer boyfriend, and the tentacle monster lurking in dark corners.
[First part]
Content: gender neutral reader, monster smut
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Do monsters have a sense of humor? This creature seems to be greatly amused by the little "game" you've devised behind your boyfriend's back. Although you don't have much input in the affair, and most of the time you're merely a witness to the events unfolding before you (or in you).
First, there's the mild, inoffensive annoyances. "Babe, did you see my controller? I swear I left it on the couch". Some pranks are harder to swallow than others, such as the occasional lack of Internet. You know exactly when it happens, because you can hear your boyfriend's enraged shouts and rattles. It's always during important matches. No one knows why it happens. The repairmen who cross your threshold can only scratch their heads in confusion, confessing that nothing is out of the ordinary.
Then, the unfortunate coincidences. "How about we have some fun after my game?", the boyfriend will suggest with an anticipative grin. Alas, moments after he stands up, he is overwhelmed by a nauseous feeling. His stomach twirls and throbs, and he curses under his breath. "Some other time, perhaps", he concludes begrudgingly. You see, the creature is very possessive. The only thing that has saved your beloved partner from being torn to shreds already is his crassly comical obliviousness.
The mischief aimed towards the boyfriend is, however, a secondary source of entertainment. Nothing could ever come close to spending time with you. Yet another irony to this ridiculous situation: you haven't been caught yet, despite the rabid clinginess of the tentacled monster.
It just loves surprising you. For example, when you exhale dramatically at the end of the day, relaxing in the bathtub and enjoying your peace. Just as you hear an impatient knock on the door, you notice a familiar dark tendril slithering its way out of the water. You won't be leaving the bathroom anytime soon. "Did you steam yourself over there? You look like a lobster", the boyfriend will remark with a raised eyebrow upon seeing your panting, feverish face. "Y-yeah, I guess so." You limp outside, struggling to hold the towel around your body. Or more specifically, around the many marks left on your skin by hundreds of suckers.
In fact, its shamelessness reminds you of a poorly written erotic scenario, the likes you'd see on some adult website with a clickbait title. How would you name this current setup? You grip the edge of the table, pursing your lips to prevent any moans escaping your mouth. Your boyfriend is, once again, scrolling on his phone, indifferent to your presence. The water boiling on the stove drowns the wet, slippery sounds of the appendages pumping in and out of you underneath the table. “You might want to give it a stir in a moment, or it’ll overflow”, the boyfriend remarks without lifting his gaze. You mumble in agreement, slapping a hand over your mouth. You’re at your limit.
One may be tempted to ask, is this entity bound to its house? You pondered the same question until your recent IKEA visit. You and your boyfriend had been looking for a new wardrobe. "What do you think of this one?", you asked, closing the door and turning around. Your eyes scanned the empty model-bedroom. The jackass had wandered ahead without you. You sighed and were about to go find him, when a cold grip suddenly tightened around your wrist. You winced and snapped your head back. Thick tendrils had made their way out of the closet, tugging you to join them inside. So it can follow you around, you thought, climbing into the cramped space. Between the silent whines and breathy begging, an idea emerges from your dazed mind. New hypothetical video title: mercilessly molested in the IKEA store by monster partner.
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sonolynn · 7 months ago
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Forbidden Fruit
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summary | Jace didn't want her, but Aemond did.
pairing | Aemond Targaryen x Fem!Reader
tags | 18+ MDNI, Jealously, Aemond yearning, explicit sexual content, mentions of bastards, loss of virginity, unprotected sex, size kink (?), oral f!receiving, Angst if you squint. "Technical" infidelity but is it really if Jace started it? (yes). ooc!Aemond (probably). NOT PROOF READ (its one am, leave me alone).
w.c | 3.8k
note(s) | My first smut fic!! Ah I'm scared...I also think I have a problem with making Aemond want fem!reader when he rightfully can't have her. Also I swear I'm not a Jace hater!! I love Jace, but in this fic specifically I made him long and wish for Baela.
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“Why don’t you marry her then?” 
Aegon’s voice was taunting, as if pushing Aemond to say something. Aemond stared down at the cup in front of him; even with a stoic expression, his mannerisms betrayed him. He tapped his finger against the edge of the cup, he picked at the skin around his nails on the opposite hand-all the tell tale signs of thinking, a mind that cannot be stopped. 
“Because she is betrothed to Rhaenyra’s bastard.” His voice dripped with malice as he spoke. Aemond hated that Jacerys would inherit the throne enough; What his bastard nephew didn’t need was the girl Aemond had wished for his entire life. Ever since the two of them were children Aemond had a…weird infatuation with her. When he was a boy, he would pick flowers from the garden and he would purposely do good deeds for her, just to have her hug him or smile graciously at him. 
But now, everything was different. She was a woman grown, and him a man grown. She was to be engaged to his bastard nephew, and he would have to sit and watch as they shared a kiss, held hands, smiled and danced as newlyweds. He’d have to hold a straight face as the two of them left to Jacerys’ bed chamber, only knowing the connotations that came with what would happen on their wedding night. 
Ignoring his brother's tedious rants about hells knows what, Aemond stood from his chair, opting for a walk in the gardens.
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Aemond walked, hands clasped behind his back, and his gaze drifted into nothingness as he walked with just his thoughts, and the cool breeze that accompanied the summer evenings. He tried to distract himself from the thoughts of her, for they were all almost too painful to ever truly think about. 
But he couldn’t help himself. He thought of her as a sickness, one that lingered and grew stronger by the day until it fully consumed your every waking moment. He thought of her laugh just as contagious as the plague, her eyes as intoxicating as the finest of wines. He thought her to be a type of sickness, and he so desperately wanted to be affected. 
Aemond was never one to smile-one to truly-smile, his half smirks or half smiles were only ever in a sarcastic sense, but for some reason his smiles were real with her. With her he laughed a little more, with her he walked a little faster. He knew it was stupid, perhaps perpetually idiotic-to ever think, let alone long for such a pure and innocent creature. 
As Aemond walked, he noticed her sitting by one of the fountains in the garden. She looked breathtaking, he thought to himself. Her hair was down and cascaded down her shoulders, her face was just the perfect amount of shaded with the moon's light. And above all, she held that intoxicating smile that she always held. He never knew why she was always smiling, nor did he wish to find out. 
She turned her head, her smile widening at the sight of Aemond. 
“Aemond!” Her voice was cheerful, slowly standing as he walked towards her. 
“Princess,” Aemond smiled-a half smile-at her as he looked around, then slowly back at her. “It’s quite late. Should you not be in your chambers?” 
She always thought the way he cared for her, even if he didn’t show it outright, was extremely enticing. She knew how he was with others, but she knew the differences he had with almost everyone in court-so what made her so different? Why her, the object of the second son's affection. 
“Perhaps I do not wish to sleep. Perhaps…I quite like the quietness of the garden.” She smiled innocently, looking back towards the fountain as she started to walk. Aemond knew her well enough to see that this was a quiet plea for him to join her; Because no matter how much she enjoyed the quietness of the garden, she enjoyed it much more when he was with her. 
Aemond stared at her, as he often did, but this time, it was different. The stare he held was nothing short of primal. He watched the light in her eyes as she smiled up at him and for some reason, now, he wished to watch as the innocent light in her eyes slowly dwindled as he claimed her. 
“Aemond? Is something wrong?” Her voice snapped his thoughts back, if only for a moment. She stopped walking to look up at him and she crossed her arms underneath her chest. His eye trailed down slowly, fixating on the way that her cleavage just slightly out of her dress. He was like a man starved; Clinging to the littlest of details that would make his imagination run wild. 
She seemed to notice the way that his eye raked over her chest like a starving man, and her face flushed with embarrassment. She-though subconsciously-reached up to place her arm over her chest, but to her surprise, Aemond gently took her hand, and when she looked up, his one sapphire eye was locked with hers. 
“You needn’t cover up. Not around me.” He spoke calmly, though his heart was racing and his head spinning. He let out a shaky breath as he lowered her hand and looked into her eyes. 
She watched him carefully, searching his gaze for anything that would betray him. In truth she didn’t know what she was searching for, but she felt as if she should be searching for something. 
Aemond lifted a hand, placing the back of his knuckles against her hot cheek. The gesture was gentle, and slow, something he was not known for. His eye slowly trailed down her face, and his eye caught on her lips, his breath heavy as he reached his hand up and gently placed his thumb over her plush bottom lip. 
Her eyes followed his, big, and full of longing. She stared at him as his thumb pushed against her lip. She didn’t know exactly what to do; She knew that this moment was intimate, far too intimate to be happening between a betrothed woman and a bachelor. But, the way he gazed at her made her feel hot, and the way he trailed his hand over her face and body made her want to see where this could lead. 
His free hand shakily went up to her waist, cupping it firmly as he brought her closer. He leaned forward, just slightly, till his nose was pressed against hers. Her breath hitched, and her eyes instinctively closed. She waited for him to press his lips against hers, to feel his mouth on hers like she had (shamefully) always wished for. But, it never came. 
When she opened her eyes again, she saw Aemond breathing heavily, desperately trying to restrain himself. He pulled away slightly, and he shook his head,
“I shouldn’t take advantage of you…not like this.” Though his words held conviction, it seemed his body betrayed him. His hand stayed on her waist, slowly trailing up and cupping her breast in his hand. She gasped softly at the feeling, and his thumb went to her lip again before he connected his lips to hers. She responded immediately, putting her hands on his arms. 
He kissed her like he was dying, his body subconsciously reacting more to the kiss then he’d wish it to. He pulled her flush against him, his strong hands coming to cup her face, his shoulders shrugging in a futile attempt to have her closer. He opened his mouth, causing her to gasp at the feeling of his tongue against hers. Her mouth moved with his as if it was known to her; As if this was a dance she had practiced for years to perfect, as if the dance of her lips was a song that Aemond had mastered just for her. 
She practically melted in his arms. She had been kissed before; Jace was a good kisser but he was soft, and the kisses were never not chaste. But, kissing Aemond was like walking through fire. Her entire body reacted to the way he clung to her body, how he pulled her impossibly closer. It was like a fire had escaped through his lips and was now coursing through her veins and settling in her abdomen. 
Even though she didn’t know exactly what to do, it seemed her body did. Her hands slid down his arms and slowly made their way to his chest as she moaned softly. 
The moan grounded him, like he had been falling from the heavens and down to earth. He suddenly pulled away, breathless as he stared down at her. Her eyes opened steadily, and she looked up at him with confusion while a frown graced her kiss swollen lips. 
“We shouldn’t have done that.” He spoke breathlessly, his hand still gently stroking her side. 
“Maybe not..but it felt good.” Gods, the way she spoke held him in a chokehold. He wished desperately to dive back into her; To drown in her lips and never come up for air, but.. 
“Not again. You are to be married.” He suddenly pulled away and at the feeling of his hands leaving her body, she frowned deeper. 
“Aemond-” “Goodnight, Princess.” 
And with that, the prince turned and rushed back into the keep. 
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Aemond couldn’t sleep. He tossed and turned in bed, picking at his nails, biting his lip-genuinely anything to help stop the incessant thoughts of her lips. 
The thoughts started off sweet and innocent. The way she looked up at him as he trailed his thumb over her lip, the way her lips pursed just slightly when he leaned forward. 
But then the thoughts got venereal fast. He thought about how he felt to finally kiss her. The way his lips practically burned when they pulled away. He knew that as he gazed at her kiss swollen lips his night would be harbored with thoughts of what they’d look like doing gods knows what else. 
His hand slid down underneath the sheets, firmly grasping at his length as he let out a shuddering breath. He hated doing this; Feeling so pent up and so desperate that he had to resort to using himself. But as of right now he couldn’t care less. 
He imagined her lips around his cock, her innocent eyes gazing up into his. He’d imagine the way she’d gag around him, how her lips would look kissing the head of his cock. 
He groaned at the thought, his head tipping back as he closed his eye and let his thoughts wander more. He’d think about how she’d look with his seed covering her lips and her chin, how she’d moan his name as he devoured her between her legs-
He peaked with a gasp, and a low moan of her name. The minute his orgasm washed over him, and he started to slowly come down, he felt an intense feeling of guilt, shame, but most of all pain. 
Guilt and shame because he hated himself for touching himself to someone who couldn’t be his. 
Pain because she’d never be his. Pain because he knew that no matter what he did, she’d still be betrothed to Jacerys. 
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The next morning, she sat alone at breakfast, supposedly liking it more that way. With her fiance practically ignoring her, and her father too entranced with kissing the king's ass, she learned to enjoy the solitude of just…nothing. 
Plus, she always had her thoughts. Even if they were only occupied with Aemond. 
She played around with the food on her plate as her mind trailed. She remembered the way he kissed her, how he held her. She felt happy, something she so rarely felt with Jacerys. 
She knew how he felt, how he longed for and wished for Baela. She did not blame him, she was beautiful, but she also didn’t feel sad, which, at a point did bother her but, not so much. 
At least, not after last night. 
She smiled to herself as she thought about the kiss, wishing that he would do it again, longing for the way the heat escalated through her body. 
She didn’t register the voice next to her until it spoke her name. 
She looked up, surprised. But, when her eyes met with Aemond’s, her heartbeat quickened, and she smiled. 
“Aemond.”
“You’re not hungry?”
“What?” “You’re not eating.” “Oh,” Her cheeks flushed red for a reason unbeknownst to her, and with a soft huff, she pushed the plate away, “It seems as though I have lost my appetite.” 
Aemond looked concerned at that, and he looked down at her. Despite himself, he found himself worrying yet again for her comfort, her needs. 
“Is something the matter?” She shakes her head, but for some reason, Aemond was persistent. “If this is about what happened last night, then I should apologize-” 
“Apologize?” She interrupted, sitting up straighter at the mention of the word. “Why?” 
“Yes…apologize. Because we should not have done that-”
“But I wanted it to happen.” 
Aemomd stopped and he slowly looked towards her. His eye pierced into hers as if to read every thought and emotion that crossed her brain. He just simply couldn’t believe her. 
“You shouldn’t say things you do not mean, Princess.”
“You don’t know that I don’t mean it.”
“Princess-”
“Aemond.” She said his name as if to challenge him, and he knew that he truly could never challenge her. He saw it in her eyes, he saw by the way she looked at him and smiled that she wished for him just as he wished for her. But these feelings-these blockages-would only cause unnecessary trouble. 
“Please, do not give me a hope that cannot be upheld.” Her heart broke a little at that, and, as he stood to leave, she instinctively stood with him, taking his wrist in her hand as she pulled on his arm. As if the small gesture would stop him from walking, (it did). 
“Aemond please..You do not know what I wish for.” 
His lip curled down into a small frown as he looked at her. He knew what she felt-at least he thought he did-but even if his suspicions were right, even if she did wish for him like how he longed for her, he couldn’t. He may dislike, perhaps even hate his nephew, but he was better than stealing his fiance. 
Right?
“We cannot. To be with you would disgrace your family and the alliance-” 
“Fuck the alliance!” She swore, her eyes boring into his as she studied his face. “Fuck the alliances Aemond, I wish for you. Desperately, I wish for you. Jace does not see me like how you do. Jace does not make me feel the way that you do-”
“It does not matter if Jace makes you happy or if he makes you feel desired-” “He does not wish for me as you do!”
“Princess-” “You do not understand! We are speaking of breaking it off. Neither of us wish for this.” Aemond went quiet at this and he sighed heavily, turning his full body towards her. He pried his arm away from her, staring at her incredulously, his body language giving no open window to how he was truly feeling. With no words coming from him, she continued. 
“I love you.” At those words Aemond showed his shock. He took a step back from her and he raised an eyebrow. 
“You do not mean-”
“Oh for the love of-Yes! I mean it! I love you, Aemond! I love you as if it is breathing! Instinctively, not thinking about it….I love you.” 
Aemond couldn’t hold it anymore, he walked to her and gripped her face tightly, her cheeks squishing slightly in his grasp as he smashed his lips against hers. She initially was shocked at the sudden kiss, but she kissed him back fiercely, holding his wrists as she leaned up to kiss him deeper. 
He led her back until he pressed her back against the table, holding her thighs as he pushed her onto the table. His body fit perfectly in between her thighs, just like he imagined it would. His hands gripped her thighs, one of his hands traveling up, feeling and savoring the soft skin as he groaned. 
She pulled away from the kiss to leave small kisses along his jaw. He bit his lip at the feeling, the action presumably so innocent and so sweet it almost made him chuckle. 
He pulled back slightly, his gaze intense and lust filled as his hand trailed underneath her breasts. 
“Tell me to stop.” He demanded. His head was spinning with the lust that clouded it. He waited for her to push him away, or to whimper a soft “I do not think myself ready”- But she shook her head, bringing his head back to hers swiftly to connect their lips in another passionate kiss. 
He pulled away from the kiss, groaning to himself as he left hot, open mouthed kisses against her jaw and neck. He looked down, his breath heavy as he stared down into her cleavage. He wished for nothing more than to rip her dress open and kiss every inch of her body, but being in the dining room came with its disadvantages. So, he settled for kissing her cleavage, before trailing his lips down the fabric of her dress till he came to her thighs.
Aemond pushed her dress up as far as he could, staring at her the whole time. He slowly pushed her thighs about, giving her time to stop him but she never did. Gently kissing the inner side of her thigh, he tried to reassure her. He could see the uncertainty in her eyes; The way she looked at him with both anxiety and lust. He stared up at her searching for any sign or signal that would make him stop. 
“Is this okay?” Once he saw the light nod of her head, he disappeared underneath her dress. 
She had never been intimate with a man-courtesy of her father, enforcing the “Women should be pure” melodramatic speech into her head ever since she could stand. She always thought it to be a chore, only having heard stories from unhappy married women who hated their husbands, and much less disliked their children a little less, but this? This was exciting, this felt good. 
She placed a hand on his head, moaning his name under her breath as he ate her like a beast. His hands gripped her thighs as if to ground himself-He had tasted women before but for some reason she was so much sweeter, so much more divine. His eyes practically rolled back just from pushing his tongue into her heat, sucking gently on her flit before he pulled away slightly, focusing his attention on her clit as he dipped a finger inside of her. 
The sudden stretch made her jump, and gasp loudly. She may have pleasured herself before but it really never felt like what Aemond was doing to her. He eased his finger in slowly, dragging it back out, and then slowly pushing it back in. Hearing the moans that graced her lips, he continued the slow thrust of his finger for a moment before he added another one. 
She let out a loud moan, a hand on the back of his head as she pushed his head closer to her heat. She felt him chuckle against her, the vibrations only adding to the pleasure. She moaned loudly, perhaps too loudly for comfort, but Aemond only seemed to want more of those noises to come from her. 
He slowly curled his fingers, his mouth praising her clit. The added pressure with the curl of his fingers, and the sucking of her clit made her eyes squeeze shut. 
“Oh gods Aemond, I’m going to-” Just as her orgasm was going to consume her, it stopped. With her heavy breathing, and slightly shaky legs, she slowly sat up. Aemond smirked up at her, holding her gaze as he nipped at her inner thighs. “You stopped..” 
“Yes. Because if you are going to peak it should be on my cock.” 
Her face flushed at the words, and she stared at him with wide eyes as he pulled his trousers down slightly to free his throbbing cock. As their eyes met, he seemed to notice the slight anxiety in her eyes, because he pressed his forehead against hers and lined himself up with her entrance. 
“Tell me to stop if it hurts too much.” She nodded in response, and she wrapped her arms tightly around his shoulders as he pushed into her. She let out a gasp; The feeling was new, discomfiting but..new. Her face scrunched up at the stretch, and Aemond shushed her quietly as he started to move. After a few thrusts, her body relaxed, and she started to moan his name. 
Hearing his name fall from her lips was like a prayer answered, like a lifelong dream he had been waiting for. He grunted as he started to rock his hips back and forth into her slowly. It took everything inside of him to not pound into her, to fuck her like he had fantized about. He wished that her father could see her now, her maidenhood gone and her body fully submitting to the pleasure he so gracefully gave her. 
“Aemond..Aemond oh gods-” Her voice broke as he went faster, her moans only getting louder. She tried to wrap her mind around the pleasure he was giving her, the way his hips moved slowly yet deeply, the way the tip of his thick cock rubbed against the spot so deliciously. Her eyebrows furrowed, and she held him close to her. 
One of his hands was on her thigh, the other on the table as he thrusted into her, as if holding the edge of the table would stop the creaking sounds, or the way she moaned his name, or how his groans got louder as his climax approached. 
White splattered her vision as her orgasm washed over. She cried out his name in pleasure, holding him close as his legs trapped him inside of her. The feeling of her core pulsating and tightening made Aemond’s head spin, and he grunted out a moan of her name as he came himself, spilling his seed inside of her. 
As the two sat there, basking in the afterglow of being intimate, neither of them would move for what felt like hours. Even though the position that they were in was compromising, they smiled, and laughed softly at the situation itself. 
Once they both got cleaned up-the best they could get cleaned up for just having sex on the dining room table-Aemond took her hand. She smiled softly at Aemond, her heart racing in a new, and exciting way. The two stared at each other for a while, trying to wrap their minds around the fact that now, they could truly be together, or at least, now, they had a hope that they could be together.
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suiana · 7 months ago
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(yandere! demon harem x gn! human reader) (reader is human)
"i think it's working! i see their shape-"
"cursed satan! our blood sweat and tears are finally paying off? we'll finally see a real human?"
"kya kya kya! I'm so excited!"
your ears ring loudly, your hands clutching the sides of your head as you let out a soft whimper. what the hell just happened?! one moment you were in your room lazing around, the next a magic ring formed below you and now you're... in hell?
is this hell? did you die?
you weren't quite sure if it was. it certainly looked dark and eerie with the current setting you wer ein Right now having skulls everywhere. but seeing the horribly demonic creatures in front of you talk in minecraft enchantment table confirmed everything you suspected.
that you were dead. probably.
"u-um... am i dead-"
"huzzah! the human has been summoned! they're so tiny!"
"oh my satan below! look at them..! they look just like an angel..."
"kya! i want to eat them! look at their confused face!"
you stare at the three demons who were surrounding you, blinking slowly before you let out a shaky sigh. were they talking about how many sins you've committed? the amount of times you jerked off to fictional characters? is that what the book in their hands were? a list of all your wrong doings?
you immediately submerged yourself in a depressive state, frowning as you begin to silently regret all your life choices up until now. damn it, you should've jerked off one last time before you died-
meanwhile, the demons were discussing what dinner they should give you.
"kya! do you think that the human will enjoy goat broth with human meat?"
"no no! allow them to eat elven tarts first! those are nice!"
"you fools, we should ask them first."
one of the demons mumble, arms crossed across his toned chest before the other two demons nod excitedly, turning towards you. their grimoire was immediately throw away, hitting a poor skull off the shelf.
oof.
anyway!
"ahem... human, allow us to introduce ourselves... we are-"
"kya! demons!"
"yes! and we're so excited to have you here!"
"worry not, you aren't dead. we just summoned you because we wanted to have a human for our experiment."
the three of them suddenly talk in english, eagerly looking down at you with wide grins. you wouldn't have been so thrown off if not for the fact that their teeth were so sharp and they looked like they were about to chop you up for their so called 'experiment'.
you gulp nervously, opening your mouth to ask them what type of experiment. but it looks like they read your mind or something.
"kya! it's a love experiment! don't worry!"
"yes! don't you worry too much cute human! we will never ever hurt you! maybe love you too much though..."
"mn, that's right. we are just conducting an experiment..."
the calmer of the three pauses mid sentence, approaching you as he suddenly bends down to your height, his demonic appearance closing in on your face. your heart races, feeling his hot breath on your skin before you feel your mind go blank at his words.
"where we see how long it takes for a human to fall for three demons. specifically three that are obsessed with said human already."
...
huh?
just... what the hell was going on?!
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fangisms · 1 year ago
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hiii i loved „spring breaks loose”!!🤍 could i request another something for theodore, where the reader is quite bubbly and loves talking and he, the quiet guy he is, just likes to listen? and maybe the reader is worried that she talks too much and it could be annoying to him but he’s just so in love that he’s obsessed with all her rabling😭😭 sorry if thats too specific
darling socialite
A/N: um i love this because if someone let me chat their ear off, i would fall in love. i love a chatter and i love a listener 🩷 gif creds: @perfectlyfuckingcivils
Pairings: Theodore Nott x Fem!Reader
Summary: You are talkative as all hell, and Theo has dubbed himself your devoted listener. 1.3k words
Warnings: i be cursing, fluff, mild self-consciousness, two dummies in LOVE, mattheo being a perv (boy moment), kissing…, pansy being a slight bitch (lovingly)
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Everyday, you look forward to telling Theo anything and everything. Sometimes, you'll get so excited to tell him something that you'll jot it down on the nearest surface. Most of the time, that surface is your hand. Who can blame you; you can't resist the gory details.
Everyday, Theo looks forward to hearing anything and everything from you. You're his favorite news source, his sweetest messenger, his darling socialite, and he is your devoted subscriber. He's worried one day you'll run out of things to tell him, but according to the ink splotches across your skin, there's a slim chance that'll happen.
"Hi, teddy!" you chirp, and he turns to welcome you into the seat beside him. "You will not believe what I saw in the courtyard on my way here: a willow tit!"
Mattheo chokes on a gulp of juice, sputtering in his seat and looking over at you. "Pardon?"
"Don't be crude, Matty. I'm talking about birds."
"Yeah, I got that, I just never realized you’re playing for the other team—"
"Mattheo!" you holler, glaring at him in utter disbelief, "you complete idiot! Birds, as in real birds. As in those things that fly around and chirp and eat berries!"
"Let me get this straight, we're not talking about some bird's tits? Suddenly, I'm uninterested," he says, earning a pointed glare from Theo.
"Anyway," you say, rolling your eyes and facing Theo, "You hardly see them anymore, they're very rare, but I saw one, and it was the cutest creature I've ever seen on campus! It was so round, I could have died. He must've liked all the rain we got over the weekend. I hope he survives the winter and has lots of little tit babies in the spring!"
Theo could not be more head over heels for you while you babble about round tits and babies. He thinks if he ever opens his mouth to respond, he’ll screw it up in an instant. Thank Merlin, he's naturally quiet and content to listen to you all day. And thank Merlin, you never ask for anything more from him.
If only you knew how much he truly adores you and your ramblings. He holds your company in his highest regard and considers every time you choose him a blessing.
You never think too much of Theo's tight-lippedness. You figure if he was completely sick of it, he'd just get up and walk away. Or maybe that's not like him, and maybe you are a bother.
It doesn't help when Pansy skips up to you in the hall and says, "I'm really impressed you're able to hold Theo's attention as long as you do."
"What are you talking about, P?" you say.
"Well... don't you ever worry he's, like... bored with you? I mean, when was the last time he actually contributed to your 'conversations'. I just don't want you to get your hopes up, you know?" —she shrugs it off like it's not an unforgivable curse to the gut—"If I were you, I'd find a more attentive playmate. You can always talk to me!"
"Thanks, Pansy," you say.
"Just looking out for a friend! See ya!"
You nod and wait by the bottom of the stairs as she hops her way up. You didn't think you were getting your hopes up, necessarily. You thought Theo was just a good listener. And sure, he's not super responsive, but he's just shy. That's not his fault.
There's a rapping of knuckles at the door, and Mattheo hurdles his bed and reaches for the knob.
"Why, good evening, dearest birdwatcher"—Theo perks up from where he's rifling through his trunk.
"I could say the same to you, perv," you tease, "Is Theo around? I need—"
"To talk to him? Figures. He's just hiding his softcore stash—"
"Shut up!" Theo hollers, popping up and hurrying to the door, a little flushed to find you looking at him, "he's just joking."
Mattheo chuckles, "No, he's right, Theo would never have so much fun"—he dodges the jab to his side—"Alright, I'll leave you two lovebirds to your tits and whatnot. Try not to make too much noise, we have downstairs neighbors." He winks and makes his way down the boys dormitories stairwell.
And suddenly, Theo can't remember the last time he was truly alone with you. No onlookers or eavesdroppers, no Pansy and no Mattheo. Just the two of you. His sweaty palms and your rapid heartbeat.
"I need to ask you something," you finally blurt. He looked so nervous you thought he might throw up over the railing, so you put him out of his misery before he has the chance.
"Yes, yeah, anything," he huffs.
"Well," you say, "I was thinking—just... ruminating, really, because it was suggested that I bore you with my chattiness"—you cross your arms over your chest and look to the floor—"and not that I'm begging for pity or even a response, I just wanted to know how you feel because I realized maybe I don't ask about you enough. You know, like I'm always worried about me, or something, but I do worry about you, too! I just wasn't sure if that's something—if you maybe wanted to talk about it more. Because I can be a good listener! I'd be happy to hear whatever you have to say!"
Theo leans his shoulder against the doorframe, adjusting the bottom of his sweater as it clings to his hips. How could he let you believe you're too much for him. How could he let you believe yourself to be some kind of social burden to him. All because he'd much rather listen to you than contribute his own two cents.
"See! Merlin, even now, I've just talked your ear off while trying to apologize for constantly talking your ear off! And I haven't even apologized, yet! I'm so sorry, Theo, I know it's a problem, and I didn't mean to take advantage of your politeness."
You scuff your sole on the landing with a whine, and he leans to the side to watch you look over the edge. It's so quiet for a moment, he can hear your soft breathing if he focuses on it.
"It's not a problem," Theo says. You look over, lips parted at the smug look on his face. "And if I was the one who suggested otherwise, I couldn't be more apologetic."
It makes you smile. He's just said two very thoughtful things to you. Out loud. To your face. You could crumble.
"No! No, teddy, it wasn't you, it was... doesn't matter. You really don't mind?"
He shakes his head, a little amused, honestly. How could he mind? You’re the greatest thing since dark chocolate, and he’d still give that up. You’d go just as well with his afternoon tea.
“Well, then,” you huff, warmer under his gaze, determined to get this damned apology across.
“Alright,” Theo says. Apology accepted. Apology not even necessary. But still accepted.
“Okay. But next time you catch me rambling, you better just shut me up! Tell me to ‘shush’ or something! It’s a problem, and I give you full permission to—”
He kisses you. He leans down, smug with his fingers under your chin, and he kisses you! Shuts you right up like you’re still some gullible first year completely wooed by his boyish charms! Oh, but he’s kissing you very sweetly. And when your knees go a tad wobbly, he rushes to cradle your elbow.
“Like that?” he says.
“That’s no way to treat a lady, Theodore. You should be completely ashamed of yourself for ever thinkin—”
He kisses you again. More sure and much quicker. Like a reflex. A knee jerk reaction without the kneeing or the jerking. Just his stupidly soft lips.
“Yeah,” you whisper, “that works… but you can’t just kiss me every time you want to shut me up.”
“No”—he pecks your lips, fingers gentle at your cheek—“I plan on kissing you much more often than that.”
masterlist
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tubbytarchia · 11 months ago
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Etho doodles in which I let my inner dinosaur nerd take over 😔 and also have no idea how to shade
Get it cause he's old and washed up haha... ok but actual raptor Etho hybrid justification below cut
To be honest the main reason was because I really wanted a hybrid in the mix who wasn't some furry creature and a reptile or amphibian or smth instead. Etho still ended up feathered but whatever it's close enough! But for ACTUAL reasoning:
He does feel damn ancient, like an old deity of the mcyt space that no one can dislike. Dinosaurs are the same!! They're old but still thought of with great fascination and fondness, everyone loves dinosaurs...
Dinosaurs are ever so mysterious, as many advancements as we make there's still so much we don't know. Just as we know jackshit about mister Kakashi skin man. Also, there are so many incomplete skeletons out there. I didn't have a particular species in mind for Etho, because where's the mystery in that? He can be one of those 5% skeleton 95% speculation dinosaurs like this guy!! Missing jaw and all
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"I'm a runner, not a protector" - so, a raptor, or more specifically the Dromaeosauridae family, which literally has "running/runner" in its name
But! I'm always a fan of stuff going against its nature, especially in this case! Etho states he's not a runner yet protects his allies rather fiercely even in total silence. Eg refusing to kill Cleo in SL or to give away Tango's location during the LimL manhunt, same for Grian in SL. He was a bit flaky in 3L I think? And he only started to have genuine care for allies in LL with Bdubs? Though he is still very much a runner in many cases like during the LL Wither fight. Research also strongly suggests that most if not all raptors were solitary hunters, and the way I see Etho (through my shamefully limited watchtime of his POVs...) he feels a lot like someone who ultimately only trusts himself at the start even if he's pleasant and allying with others, and doesn't seem to think he can carry his weight in groups though he doesn't voice this a lot. That's just how Etho is, very composed, but it feels like there's an insecurity there, showcased especially in SL but again I haven't seen almost any of his POVs in full so maybe I'm talking out of my ass!! Sorry ethogirls I'm only a sidegig ethogirl myself... But yeah tldr to me he gives off the vibe of an otherwise solitary animal struggling to find 100% sure footing in a pack. In whichever ways he does go against his nature, its not usually made a show of
At the mention of a raptor, a lot of people will probably think of the glamourized Jurassic Park Velociraptors. But those awesome guys from the movies are actually the size of chickens. In general though, dinosaurs tend to be a bit.. exaggerated in media, despite how inherently fascinating they already are. And I think it fits Etho because we all know how the Lifers seem to fear and mancrush on him when he's just some dork with perfect capability to become pathetic at a moment's notice. Still, he's a clearly skilled player and still respected without question Etho's not some killer machine like some people make dinosaurs out to be. He's just a fellow creature fulfilling his role in the ecosystem 👍
dinosaurs are cool
The hook-like sickle claws on the feet... something something fishing rod
I swear I'm not turning all my Lifers into hybrids I'm not!! Still plenty normal humans in the mix I swear....... But Etho is such a radical dude, I really wanted to do something more for him. The whole Kitsune thing that I often see associated with him is really cool. I don't actually know the reasoning for it but I assume something something naruto, but also, him being this ancient mythical cryptid who people know so little about, you know? It makes SO much sense. So anyway I turned him into a dinosaur instead rawr
As a herbivore advocate I also considered stuff like the triceratops (known for how they protect themselves and their own) but nah the raptor symbolism...
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lovegrahams · 4 months ago
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we don’t talk about naka-choko enough. and yes, i mean that scene specifically. i’ve had a few people say to me they didn’t understand why the stagman was there, and of course i just have to yap about it on the internet too because i don’t shut up. what i love about the stagman is that not only is it a representation of hannibal, but it is a creature that looks like it fits right beneath hannibal’s skin. it amplifies bedelia’s “tailored person suit” comment, suggesting there is something underneath. the stagman is hannibal’s rawest form. his most powerful, but also his most vulnerable. that is why only will sees it. it’s why will imagining the stagman rather than hannibal himself is so special. he got off to hannibal in his rawest, most true and natural form. so yes, that is the importance of the stagman in the infamous naka-choko doink scene.
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felassan · 7 months ago
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Cliff notes on the new info on Dragon Age: The Veilguard in today’s issue of Game Informer (magazine hub link):
Edit/update: I tidied up this post. ^^
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In CC you can customize things like shoulder width, chest size, glute size, hip width, how bloodshot your eyes are, nose crookedness, and more
There are hundreds of sliders for body proportions
CC detail: “Features like skin hue, tone, melanin”
There is nudity in DA:TV, “which I learned firsthand while customizing my Rook” in CC
Rook’s backstory also affects “reputation standing”, along with the other previously-known things like in-game dialogue etc
Lords of Fortune are pirate-themed, “piratic”
Rook ascends because of competency, not because of a magical McGuffin, contrasting with the 'destiny-has-chosen you’ angle DA:I has for the Inquisitor
Rook is here because they chose to be, “and that speaks to the kind of character that we’ve built. Someone needs to stop this, and Rook says, ‘I guess that’s me'”
The 4 voices we can choose for Rook each have a pitch shifter in CC
The game starts inside the bar (as previously detailed in other coverage)
In some dialogue wheels there is a “romantically inclined ‘emotional’ response” option. These are the replies that will build relationships with characters, romantic and platonic alike, but you can ignore them if you want to. Giving a companion the cold shoulder might nudge them into another companion’s embrace however
Bellara’s surname is Lutara
In the streets of Minrathous (in the opening segment of the game), there is a wide, winding pathway with a pub which has a dozen NPCs in it (is this The Swan tavern?)
The devs used the DA:TV CC to make each in-world NPC, except for specific characters like companions
There is smart use of verticality, scaling and wayfinding in the gameplay
If you play as e.g. a qunari Rook, the camera adjusts to ensure larger characters like them loom over those below. The camera also adjusts appropriately for dwarves to demonstrate their smaller stature
Neve Gallus is described as being capable
The Venatori Cultists we fight in the opening segment of the game are seizing the chaos caused by the demons unleashed by Solas’ ritual to try and take the opportunity to take over the city
As you traverse deeper and deeper into Solas’ hideout, more of his murals appear on the walls, and things 'get more elven'. Rhodes says “this is because you’re symbolically going back in time, as Minrathous is a city built by mages on the bones of what was originally the home of the elves”
At the heart of Solas’ hideout is his personal eluvian
Demons are fully redesigned in this game, on their original premise as creatures of feeling that live and die off the emotions around them. “As such, they are just a floating nervous system, pushed into this world from the Fade, rapidly assembled into bodies out of whatever scraps they find”
In the opening, we stop Solas’ ritual and save the world. “For now” anyways. Rook passes out moments later and wakes up in a dream-like landscape to the voice of Solas. He explains that a few drops of Rook’s blood interacted with the ritual, connecting them to the Fade forever. (I guess this is why they said in the Discord Q&A on June 14th that Rook has good reasons to want to avoid blood magic)
He also says that he was attempting to move Elgar’nan and Ghilan’nain (confirming who the two Evil Gods are) to a new prison, because the one he had previously constructed was failing. Unfortunately, Solas is trapped in the Fade by our doing, and the two gods are now free. “It’s up to Rook to stop them”, thus setting the stage for our adventure
Rook wakes up after this with Harding and Neve “in the lair of the Dread Wolf himself”, a special magical realm in the Fade called The Lighthouse. It’s a towering structure centered amongst various floating islands. This is where the team bonds, grows, and prepares for its adventures. It becomes more functional and homier as you do. “Already, though, it’s a beautifully distraught headquarters for the Veilguard, although they aren’t quite referring to themselves as that just yet”.
Because it was Solas’ home base, it's gaudy, with his fresco murals adorning various walls, greenery hanging from above, and hues of purple and touches of gold everywhere. Since it’s in the Fade, which is a realm of dreams that responds to your world state and emotion, the Lighthouse “reflects the chaos and disrepair of the Thedas you were in moments ago”
Clock symbols over dialogue icons signal optional dialogue options
At this point you can head over to Neve, engage in dialogue, and try and flirt with her
There is a dining hall in the Lighthouse. A plate, cutlery and a drinking chalice are at the end of a massive table. Matt Rhodes says that this is a funny and sad look at Solas’ isolated existence, and an example of the detail BioWare’s art team has put into DA:TV. “It’s like when you go to a friend’s house and see their bedroom for the first time; you get to learn more about them”
There is also a library, which is the central area of the The Lighthouse. It’s here that the party will often regroup and prepare for what’s next
The team decides that it must reach the ritual site back in Arlathan Forest. Corinne Busche said that the writer was "missing unique dialogue options here because I’m qunari; an elf would have more to say about the Fade due to their connection to it. The same goes for my backstory earlier in Minrathous. If I had picked the Shadow Dragons background, Neve would have recognized me immediately, with unique dialogue”
The team decide their next move. They go to Solas’ eluvian and back through to the ritual site in Arlathan Forest. However, it’s not fully functional without Solas, and while it returns them to the Forest, it’s not exactly where they want to go. Then a demon-infested suit of mechanized armor known as a Sentinel attacks them, and two NPCs appear to save you: the Veil Jumpers Strife and Irelin. Harding recognizes them, which you would expect if you read the comic Dragon Age: The Missing. They are experts in ancient elven magic. A cutscene ensues and we learn that Strife and Irelin need help finding Bellara Lutara. This cutscene is long and has multiple dialogue options.
“There’s a heavy emphasis on storytelling and dialogue, and it feels deep and meaty, like a good fantasy novel. BioWare doesn’t shy away from minutes-long cutscenes”
For Rook, this story is about what does it mean to be a leader? We define their leadership style with our choices. “From the sound of it, my team will react to my chosen leadership style in how my relationships play out.” This is demonstrated within the game’s dialogue and a special relationship meter on each character’s companion screen
Bellara is deep within Arlathan Forest, and following the events of the prologue, something is up here. Three rings of massive rocks fly through the air, protecting what appears to be a central fortress. Demon Sentinels plague the surrounding lands.
In gameplay/combat, players complete every swing in real time. Special care was taken in development for animation swing-through and cancelling. We can dash, parry, charge moves, and a completely revamped healing system that allows us to use potions at our discretion by hitting right on the d-pad. You can combo attacks and even ‘bookmark’ combos with a quick dash, which means that you can pause a combo’s status with a dash to safety and continue the rest of the combo afterward
Abilities can be used to customize your kit. They can be used on the fly as long as you account for cooldowns
When you pause and pull up the ability Wheel, it highlights you and your companions’ skills. There you can choose abilities, queue them, target specific enemies, and strategize with synergies and combos
Each character plays the same in that you execute light and heavy attacks with the same buttons, use abilities with the same buttons, and interact with the combo wheel in the same way, regardless of which class you select
Sword and shield warriors can hip-fire or aim their shield and throw it like Captain America
Warriors can parry incoming attacks which can stagger enemies. Rogues have a larger parry window. The mage the writer played couldn’t parry at all. Instead they throw up a shield that blocks incoming attacks automatically, so long as you have the mana to maintain it
On the start/pause screen: it has the map, journal, character sheets, skill tree, and a library for lore information. You can use it to cross-compare equipment and equip new gear for Rook and their companions, build weapon loadouts for quick change-ups mid-combat, and customize you and your party’s abilities and builds via an easy-to-understand skill tree. There aren’t in-depth minutiae, just "real numbers". For example, an unlocked trait might increase damage by 25 percent against armor, but that’s as in-depth as the numbers get. Passive abilities unlock jump attacks and guarantee critical hit opportunities, while abilities add moves like a Wall of Fire to your arsenal if you’re a mage. As you spec out this skill tree, which is 100 percent bespoke to each class, you’ll work closer to unlocking a spec, complete with a unique ultimate ability
“Sentinels and legions of darkspawn”
Combat is flashy and quick, with different types of health bars. Greenish-blue represents a barrier, which is taken down most effectively with ranged attacks
The game is gorgeous, with sprinkles, droplets, and splashes of magic in each attack a mage unleashes
The game looks amazing on consoles both in fidelity and performance modes
The mission to find Bellara is called “In Entropy’s Grasp”. You find her. She is the first companion you recruit (as Neve auto-joins). If your background is Veil Jumper, you get unique dialogue here with Bellara. She explains that everyone there is all trapped in a Veil Bubble, and there’s no way out once you pass through it. Despite the dire situation, she is bubbly, witty, and charming. She is spunky and effervescent
Companions are the faces of their factions, and in this case with Bellara, their entire area of the world. She is our window into Arlathan Forest. She is described as a sweetheart and a nerd for ancient elven artifacts, which is why she’s dressed more like an academic than a combatant. Her special arm gauntlet is useful both for tinkering with her environment and taking down enemies. While Neve uses ice magic and can slow time with a special ability, Bellara specializes in electricity, and she can also use magic to heal you. Her electric magic is effective against Sentinels. “However, without Bellara, we could also equip a rune that converts my ice magic, for a brief duration, into electricity to counter the Sentinels”
If you don’t direct your companions in combat, they are fully independent and will attack on their own
You progress at this point through the Forest, encountering more and more darkspawn. Bellara says that they have never been this far before because the underground Deep Roads, which they usually escape from, aren’t nearby. However, with “blighted” (BLIGHTED!) elven gods roaming the world, and thanks to the Blight’s radiation-like spread, it’s a much bigger threat in DA:TV than any prior DA game
The Forest has elven ruins, dense greenery and disgusting Blight tentacles and pustules
The style of the game is more high fantasy than anything in the series thus far and almost reminiscent of the whimsy of Fable. Matt Rhodes says that this is the result of the game’s newfound dose of magic: “The use of magic has been an evolution as the series has gone on. It’s something we’ve been planning for a while because Solas has been planning all this for a while. In the past, you could hint at cooler magical things in the corner because you couldn’t actually go there, but now we actually can, and it’s fun to showcase that.” The Forest’s whimsy will starkly contrast to the game’s other areas. The devs promise some grim locations and even grimmer story moments because, without that contrast, everything falls flat. Corinne says it’s like a “thread of optimism” pulled through otherworldly chaos ravaging Thedas. At this point in the game, Bellara’s personality is that thread
We can advance our bonds with our companions on their own personal quests and by including them in our party on main quests. Every Relationship Level you rank up, shown on their character sheet, nets you a skill point to spend on them. “The choices you make, what you say to companions, how you help them, and more all matter to their development as characters and party members”. Each companion has access to 5 abilities.
Each companion has issues, problems, and personal quests to complete. “Bellara has her own story arc that runs parallel to and informs the story path you’re on” (They’ve said that all of the companions have this too in previous promo material)
You progress deeper into the forest and Bellara spots a floating fortress and thinks that the artifact needed to destroy the Veil Bubble is in there. To reach it, we must remove the floating rock rings, and Bellara’s unique ability, Tinker, can do just that by interacting with a piece of ancient elven technology nearby. Rook can acquire abilities like Tinker later to complete such tasks in instances where Bellara, for example, isn’t in the party
Bellara has to activate three of these in the Forest to reach the castle. Each one you activate brings forth a bunch of Sentinels, demons, and darkspawn to defeat
You can create Arcane Bombs on enemies. It does high damage after being hit by a heavy attack
It sounds like mage characters can charge heavy attacks on their magical staffs. “then switch to magical daggers in a second loadout accessed with a quick tap of down on the d-pad to unleash some quick attacks”
Some enemies are “Frenzied”, meaning that they hit harder, move faster, and have more health
After a few more combat sections, including against a Frenzied sentinel, we reach the center of the temple. In there is an artifact called the Nadas Dirthalen. Bellara knows that this means “the inevitability of knowledge”. Before we can progress, a darkspawn ogre boss attacks, hitting hard with unblockable, red-coded attacks and a massive shield that you need to take down first. It is weak to fire
After defeating it (it’s a climactic arena fight), Bellara uses a special crystal to power the artifact and remove it from the pedestal, which destroys the Veil Bubble. Then, the Nadas Dirthalen comes alive as an Archive Spirit, but because the crystal used to power it breaks, we learn little about this spirit before it disappears. Bellara thinks that she can fix it (fixing broken stuff is her thing), so the group heads back to the Veil Jumper camp. The writer’s demo then ended.
The design of the game is not open world. The devs describe it as a “hub-and-spoke” design where the needs of the story are served by the level design. A version of DA:I’s Crossroads return (the network of teleporting eluvians) and this is how players will traverse across northern Thedas. “Instead of a connected open world, players will travel from eluvian to eluvian to different stretches of this part of the continent”. e.g. Minrathous, tropical beaches, Arlathan Forest, “to grim and gothic areas and elsewhere”. Some of these areas are large and full of secrets and treasures. Others are smaller and more focused on linear storytelling. Arlathan Forest is an example of this, but it still has optional paths and offshoots to explore for loot, healing potion refreshes, and other things.
Each location has a minimap, though linear levels like In Entropy’s Grasp won’t have the 'fog of war' that disappears as you explore like in some of the game’s bigger locations
The game has the largest number of diverse biomes in DA history
The Thedas of DA:TV “lives in the uncertainty”. “the mystery of its narrative”, “the implications of its lore”
The writer is surprised by BioWare’s command over the notoriously difficult Frostbite engine, and by how much narrative thought the dev team poured into these characters, even for BioWare.
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[source: the Game Informer pages from Issue 367 - the cover story from June 18th (link), two]
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tackykachowch · 21 days ago
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Silco was set up to be Fishbones from the start
Disclaimer: I won't take season 2 into account At All, because it can't work with setups and payoffs even if its life depends on it.
Alrighty. As we've seen Season 1 paid a lot of attention to set up canon things from LoL into the show as naturally and logically as possible, and at least from my point of view, it handled the job with flying colors. Jayce's hammer, Vi's gauntlets, Vander/Warwick etc, nothing felt out of place. But how does Silco fit into this at all? Let's get down to business to defeat the huns
First of all, what even is Fishbones? In the canon of LoL, it's one of if not the most iconic weapon Jinx has. And it is not only a weapon to her, but a loyal and "beloved" companion, as it's described in one of her skins. She constantly talks to it, and in contrast to her chaotic and impulsive nature, Fishbones is very pragmatic and calm. Sounds like a certain someone, doesn't it? But let's not get ahead of ourselves.
But how does Silco go from being Jinx's father to one of her weapons? There are a lot of points that support that actually, I was surprised myself ngl.
- Silco is the only character in the entire series who is directly and tightly connected to water and underwater creatures. Silco was "reborn" in the water when Vander tried to kill him, the first office he had was placed under the water, with a huge observational window. Silco is also fond of underwater creatures, and while other people call and see them as monsters, Silco pays no attention to it, as he thinks that there's "a monster inside all of us". And here's Fishbones, who is designed after a shark, arguably the most famous "underwater monster". But what is more interesting is that it debuted is the finale of season 1, which is titled "The monster you created". Quite a throughline there.
- Silco was the reason behind Fishbones' creation in the first place. While it does seem that it all started with Jinx, who stole the hex gemstone on the Progress Day, we also need to remember WHY she did it. She did it to impress Silco specifically, to make him to be proud of her. This want was triggered by her screwing up the smuggling mission earlier that day, and while Silco didn't scold her for it much and only advised her to rest for a bit, she saw this as him thinking that she's weak. So, after all of this Silco asks Jinx to make a weapon with the use of gemstone. Not necessarily to use it against Piltover, but to have it as a wild card if his plans go wrong. Jinx agrees and attempts to reverse engineer it, but it triggers her memories when she killed Mylo and Claggor with her bomb, so she tells Silco that she can't do it. He then goes to the river he was nearly killed in with her, and "baptises" her to help her let go of her fear of pain. This seemed to have worked, at least for a little while, because she managed to finish the weapon. So, in conclusion: Fishbones' creation was triggered by Jinx's want to impress Silco, and he helped her with its creation on every step of the way.
- this point is somewhat meta, but I'll use it anyway. In previously mentioned episode 9 Silco tells Jinx that everybody around them betrays them, and they have only each other to love and lean on. He says, quote: "Everyone betrays us, Jinx. Vander, her. It's only us". At the same time, in LoL Jinx says this line to Fishbones: "It's just you and me, Fishbones!". Well.....it's certainly a callback if I've seen one. Like- it's not even funny. They couldn't have written this line on accident.
- now onto the most interesting part for me personally. We all now that there are no accidents in animation, like. At all. Even if there are this is extremely rare, as every frame is created intentionally. Now, we do now that there are quite. A few discrepancies between writers and animators of arcane, but I don't think this applies in this particular case. Now onto the actual point. So, in the finale of season 1 Jinx kills Silco, and it's shown to us like this.
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He's turned with right side ("human") of his face to the camera, while the left side ("monster") side is hidden.
As Jinx fires Fishbones at the council
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It's positioned with its right side to the camera, which alignes with Silco's "monster eye". Also, Fishbone's eye has a black scar pattern around its eye, which again, resembles Silco's damadged eye. That could mean that Silco is once again "reborn", and now continues to live on in the monster Jinx created.
And here comes the most awesome part in all of this. When Silco adopts Powder, he hugs her and tells her
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Do you see how the frame is positioned? Exactly. It is exactly the same framing scene with Jinx and Fishbones has. And, most importantly, when Jinx pulls the trigger, we hear the exactly same line on the background: "We will show them all". It simultaneously shows: that Jinx's attack on the council is her way of dealing with grief of killing Silco; her way of honoring Silco's fight against Piltover; and a direct transition of Silco into Fishbones. Although he's dead in body, but Jinx's memories of him and his voice now continue to live in Fishbones, her new eternal companion.
I am at awe with the fundamental work that's been done with this setup, and although s2 never followed up on this, I still can get enjoyment from the clear intent creators put here originally.
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nebulaafterdark · 6 months ago
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An Aegon II suggestion because I've seen you're open to them, if you don't mind. ❤️
Perhaps you could do a part 2 of the Dracarys series? I genuinely love that specific kind of trope especially with Aegon because I rarely see it with him and because the specific way in which you wrote it has something addictive to it 😭. You decide if there's smut or not or how Velaryon!(Strong)reader fares.
Thanks if you'll read it.❤️
This is super short, but thank you so much for the ask! There’s just something about this Aegon. I hope you enjoy! 🩷
Dracarys (Part 2)
Aegon ii x Velaryon(Strong)!Reader
18+ ONLY MDNI
Targcest, major character death, angst, no smut but it’s dark.
Part 1
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“What did you feel before you felt nothing?” Aegon wonders, stroking a possessive hand over her dark locks.
“Fear, grief.”
“What did you feel for me?” He wonders.
“I suppose, for a moment, I was happy to see you.” She admits, because it does not matter anymore.
“And what do you feel for me now?”
If she tells him the truth of it, he may yet kill her. But is this truly living? “I hate you. I loathe you. I despise you.” How many ways can she say it? “I am sick at the sight of you.”
Aegon cackles, like a mad man, “why then, have you not killed me in my sleep? Take the crown, take it all?”
“Who says I haven’t tried?” She breathes, feeling his arms tighten around her. “Or that I won’t.”
“You are a cunning creature. An enchantress. A spider, created to trap me in your web.” He moves his lips to her ear, “if you wanted to kill me, you would have done it by now.”
Tears prickle at the backs of her eyes.
“Same as I cannot bring myself to harm you.” Aegon whispers, “I think about it.”
Y/N wills herself to remain still as his hungry eyes rake over the whole of her.
“Then somehow I never do.”
“Why do you think that is?” Y/N searches his eyes.
“Something in you is tethered to something in me. Tied together, in love and in hate. I have no way of knowing what my life will become if I cut this cord between us.” Aegon admits. “I have no desire to know.”
“I do not want to be tied together.”
“Yet here you are,” Aegon muses, “though you are not held in chains.”
“Because you are holding the only remaining member of my family under lock and key.” Y/N reminds him.
“Take your brother and go.”
“Surely another one of your traps.”
“Not a trap, but an offer. One that will not be made again.”
“Why?” Y/N demands, “why after all this would you let me leave?”
“Because you won’t. Even if you did, you would return. You have nothing left, save for me. I killed your mother, after our families killed each other and my sister killed herself; over a chair.” Aegon sneers.
Y/N’s hands ball into fists, “I hate you.”
“I know, my dearest love.” Aegon taunts, “just as our mothers before us, like Aemond and Lucerys. Even Jacaerys and sweet Helaena could not escape it. You and I were fated to dance.”
Part 3
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dogtoling · 1 year ago
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"Short Post" on something that spawned in my brain this week while pondering ink tanks, and the concept that Inklings fill their weapons directly from their hand to the weapon handles.
Also based on that one sunken scroll that shows the Inkling's internal ink sac anatomy and a tube from the sac going to... their shoulder. (This is stupid and pointless and I've decided it either goes into the arm or the mouth or both and I think the arm makes sense)
The only weapon this really falls apart with are the dualies, which use both hands, but the dualies also have very small ink tanks so their requirements for ink might be met by just the natural increased ink flow on the skin (which I think would generally be stronger on the limbs).
Note that this could work totally well with both arms working like this; I just kept it to one arm only to mirror human handedness, the way Inklings seem to favor one hand in the game, the sunken scroll showing the ink sac tube primarily going to one side, and cephalopods really only having a siphon on one side (despite people often thinking they have two! They can move it; octopuses, specifically.)
Sources for this: - Specials, notably Splashdown and Booyah Bomb emitting ink from the palm of the hand as the main gimmick - NO tube between ink tank and weapons - like a 5-hour discord DM with @rassicas about how ink tanks make zero sense while i was also supposed to be paying attention at the mall - Like every ink-using creature in Splatoon EXCEPT INKLINGS fires ink from their mouth - Most weapons are held in the Inkling's right hand (shooters, largely) - Both Splashdown and Booyah Bomb use the right hand as well - my 1 brain cell - the sunken scroll showing the ink sac anatomy of the inkling pretending it goes to the arm instead of stopping at the shoulder
Also don't like and subscribe because i dont have youtube.
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ozzgin · 1 year ago
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Does the asylum spider have a name by any chance and will his story have any romance in it?
The first part was very much intended as a budding romance, but I always seem to get caught up in the story and leave out a lot of interaction. Sorry about that 😭
I initially wanted to keep this ask for some extra, longer headcanons, but as I started writing today I realized a lot of the details would be covered in part 2. So instead I’ll just tell you a little bit about spider boy. I guess it still counts as headcanons, but less ample.
Yandere! Asylum Spider Character Info
Get to know the strange creature you found in the sewers.
[Main Story]
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He does not have a name, and even if he did, it’s been too long for him to remember. He will gladly take any name you give him, so please do consider it. He hasn’t been spoken to in many, many years, so the idea of being called again - with a name you picked for him specifically - is enough to get him to drool in excitement.
Speaking of, the drooling is sadly unavoidable. He is very much aware it’s improper, but his muscles have atrophied enough that it is now out of his control. Additionally, the teeth curve outwards and so he can’t close his mouth fully. Hopefully you don’t find him disgusting.
The blindfold can be removed and he’s not entirely blind as you expected, but his eyes are no longer used to intense light. The pale orbs are quickly overstimulated if he tries to gaze outside. Therefore, he will keep it on most of the time. The darkness also makes him feel more secure. The only thing he does enjoy glancing at every now and then is, well, you. He was suspecting you’d be pretty and he certainly wasn’t wrong, so he is indeed very grateful to have been able to take in your face.
You can also loosen up the straight jacket and, with a little bit of exercise, he will be able to move his arms. It’s probably the thing he’s most enthusiastic about, because he can finally touch you. It will start terribly clumsy; you have to understand, he’s been deprived of most senses for an eternity. His bony fingers might accidentally pull too hard or suddenly twitch into your skin, but he’s doing his best to refine his motor skills. He can also return any hug you offer him, and you should expect him to demand it extremely often. He’s now addicted to the warmth of your body.
Unfortunately the legs can’t be saved. They always drag along, crooked and weak. He relies entirely on his spider appendages. (I know there’s some of you out there probably wondering about it and no, the lower body is not completely paralyzed. You know very well why it matters.)
Lastly, as you will see, he can practice his speech and will eventually be able to use words and short sentences. Saves you a lot of time, especially upstairs where his knowledge is vital for survival. On the other hand, he doesn’t have much to say. He doesn’t remember much from his past, and what he does remember he’d rather forget. So he prefers to listen to you and loves it when you tell him stories from your life.
While he is terrified of the upstairs, he will do his best to protect you and he definitely has the means to do so. He has a gland that allows his saliva to turn acidic, his bite is venomous and he can regurgitate a thick thread of web.
You might be able to tell, he is terribly clingy. To think someone would have pulled him out of his misery. He is forever indebted to you and will never, ever leave your side again.
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treedaddymcpuffpuff · 10 months ago
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ACITHYCS.
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“a crack in the heart you call stone” (john wick/fem reader)
Running away from John Wick is never a good idea. TW: nsfw, noncon, dead dove, abuse, violence, power dynamics except the reader doesn’t have any power, smacking, spanking, choking, rough, awful shit. Your assassin sweetheart is not sweet in this. He’s fucked in the head, but I mean it is your fault.
It was a really, really, really.
Really. 
Bad fucking idea. 
Bad fucking idea to turn cottontail and run away in the night. 
Run from him.
But you did, didn’t you? Maybe because you didn’t realize what a stupid decision you were making, maybe because you were too scared to stay, maybe because you didn’t know what else to do. 
Maybe because running away from monsters is the standard of sane and you needed to prove that you were not crazy. 
“That’s bullshit,” you know he’d say, “your decisions are your own and you will deal with their consequences.”
And, oh fuck, you haven’t heard his voice in so long - that sweet honey heroin aphrodisiac infused growl - but somehow little drops of it still sit sticky inside your ears. 
Your cotton panties feel uncomfortable and clingy, and you have to squirm several times in your seat to pull fabric from damp folds. 
That’s the worst part, the one that makes you want to put a 9 mm barrel in your mouth because surely - guaranteed - you’re sick in the head for almost - ha, who are you kidding - for definitely - wanting him to find you. 
Insane after all, even through the trouble to prove otherwise. 
You shouldn’t get out of the cab, you shouldn’t walk upstairs to your apartment, you shouldn’t open the already unlocked door, you shouldn’t start curling your toes and burning when you see him casually sitting at your dining table, drinking a cold beer and eating leftover pizza. Like he just belongs here, in the life you picked specifically void of him.
He ignores you, favoring the newspaper clutched in his fist, munching and relaxing and as handsome as any husband should strive to be.
You take the chair opposite from him and press your thighs together in anticipation of that involuntary, awful clench of your cunt when his broody eyes meet yours. You try to rest your hands on the table, but pull them back into your lap when you notice they are visibly shaking. 
“John.” You’re surprised you can talk through the saliva filling your mouth. 
“Hello, honey,” he says, then kicks the table out of the way and muffles your scream with the loud crash into the kitchen counter. No barrier between the two of you now - really, you’re a fucking idiot to think anything could keep this beautiful, horrifying human wrecking ball away from you - and he fists the loose fabric dress over your tummy and tugs you forward. 
“You know what happens now?” He asks, terrifying you with a smile. 
You blink owlishly up at him, tears globbing on your bottom lashes, body shaking violently, and ask: “wh-what?” 
Instead of answering, he grabs your throat, takes you off your feet and slams you - not gently - against the wall. Picture frames smash to the ground, scatter glass over the linoleum. One minute you’re breathing, and the next you’re wondering what delicious air even tastes like.
You claw at his hands, face swelling up and turning a shade of beautiful blue that grabs his cocks attention - the length of him fattens up against your tummy and he grinds into your soft, plump skin, hard and unforgiving. 
There’s black hellfire in his eyes, a dark promise to make you sorry for your miserable little John-free existence, and, for a second, you resign to the notion that he is going to keep his iron grip around your suffocating throat until you pass out. Your vision is already blurring and darkening, claws scratching pitifully at his arms. A little woodland creature in a big bear trap. 
But, he lets you go, dropping you right on the hard floor, and you land on your ass, gasping for air, face soaked from tears, dress ripped down the middle. He jams his pointy shoe in between your legs, pressing the tip into your cunt, hurting you. 
“John, please,” you whimper through grit teeth, trying to push his leg away and only getting a big black dress shoe crushing your pussy as reward. 
Your head flips back, neck craning just enough to put agonizing tension on your scalp and spine. His fist nets what feels like every tearing hair on your head, and you can’t help but screech in pain. 
“Please,” he repeats, voice eerily calm even as he’s shoving his fingers down your throat and making you choke. He pulls out and leaves thick white spit dripping onto your pouty lips and chin. He smears the excess on your cheek and smiles down at you - almost lovingly - “you’re begging already? Fucking pathetic.” His foot digs deeper into you and you let out a cry, proving his point. You are pathetic. 
“Oh, I missed this tight little cunt,” he sighs and closes his eyes as if talking to himself. “Thought about her every fucking day.” 
“John, I’m sorry, I-“ 
“Shut up.” He slaps you on the cheek, hard enough to leave a big red welt, then lugs you up by your hair. He doesn’t bother to move his leg, so your bare skin scrapes raw on the rough fabric of his pants. “The only thing that’s gonna come out of that pretty mouth from now on is ‘yes, John.’”
He spins you around, manhandles you onto the counter, presses his cock into the cotton of your panties and slaps your ass harder than he had done to your face. He watches your plump jiggle and retract, wets his lips, grunts. “Did you hear me, babydoll?” He slaps the same spot, and you yelp and claw at the counter. 
“Yes, John.” The phone is right beside your head, you see the screen light up with worried texts from your friends, asking if you’re home yet. You could try and pick it up, call someone, dial 911, but this is John, and you know there’s not a chance in hell you could touch that phone without him crushing it in one grip. 
“Oh?” He sees where your eyes are, of course he does. He’s a fucking lethal predator, and you’re just a stupid girl. “You wanna call somebody to come save you? Do it. Call them. But you’re gonna watch attentively while I kill them all, I can promise you that, honey.”
Fat wet tears run down your cheeks and puddle on the counter. You can’t help but feel partially responsible for the crazed, lightless black fire in his eyes. The way he’s completely gone and fucked in the head. No, not partially. This is all your fault. You drove him to madness, left him with a broken heart that turned black and rotten over time, and now you’re gonna deal with the repercussions. 
He grinds up against your cunt and ass, so smashed in that you feel his plump cock head chafing your clit. He tugs on your hair to bring your face off the counter. “My little cry baby’s gonna be sobbing a lot more often, now.” He tsks as if disappointed. 
He slaps your ass for a good bit, alternating each cheek, using the tips of his fingers to make the sting unbearable. You almost move your hands to cover the raw red skin, but he tugs your head back harshly in warning. 
You whimper and put your hands back on the cool counter, wishing it was your ass instead - the tissue is on fire, a new level of burning every time his hand meets your flesh. 
His palm is worse than his fingertips. It’s a throbbing pain that shoots over your back, legs, and tummy, and he gets you screaming with a big, ruthless swing. Screaming and crying and kicking your feet and biting your lip hard enough to taste pennies. 
Sharp slaps on your plump little cunt turn you into a sobbing, begging wreck of a human. Then, he pulls your panties to the side and pinches your burning labia, tugging and stretching, making it snap and swell. 
“She missed my cock, huh? How many times did you try and fail to fill her up?” 
He unzips himself and pushes his pants and boxers down, then jams his massive cock into your unprepared hole and you wail into the counter. 
“How could you fucking do this to this to her?” he laments with a snarl, thrusting into you with shattering, slow slams. 
You try and nudge yourself onto the counter to get his raging tip away from your cervix, but he pulls you farther down on him instead and starts taking what he wants, hard and unforgiving, hair fisted in his hand so that your back arches for his cock to pound deeper into you.
“John. Please. I can- can’t. Fuck. Too much. It hurts.”
He smacks your ass with palm again, only this time latching to your skin, fisting a pound of flesh and fat. That familiar flop flop flop of your body accommodating his intrusion tells you that you’re soaking his dick and making it easier for him to fuck you harder. Traitorous fucking whore. 
“What did I say?” He asks you, that poised voice cracking into growls and grunts and groans, slick with impending orgasm. 
You don’t answer soon enough, and he digs further into your ass with blunt nails. You feel like he’s going to rip the meat right off your body. 
“Yes, John.” But he doesn’t let go. He doesn’t let up. He gets meaner, lifting your feet up off the ground and your head impossibly higher in the air, making so the only thing holding you up is his brutal cock. You feel fucking impaled. 
You’re helpless, trapped, humiliated, and all you can do is take the rough slap of his pelvis against your abused skin. When he reaches down and pushes his fingers into your swollen lips to find your clit, you can’t help but hate yourself for enjoying this - this consuming fire spreading, overtaking, the choice to orgasm from this brutality ripped away from you as he rubs and fucks you toward blinding, white hot release. 
He leans over you, puts one foot on the counter beside your ass to give him an impossibly deeper angle that reads like his cock is in your womb. 
With all senses overwhelmed by excruciating pleasure - an impending orgasm that’s going that’s going to wreck you - the only thing you can really do is cry and take it until he decides to baste your burning cervix in cum. 
It’s immediately spurting from you, coating your thighs, his legs, dripping pearly rivulets onto the floor. He replaces his dick with two fingers, wrenching away any hope of release, gathers some fluid and brings it up to the only unstained place - your asshole. He costs the outer tissue, pushes two fingers in and curls them down, rubs at your delicate insides harshly. 
“Think you can handle my cock in your ass, Mrs. Wick?” He leaves two fingers inside your anus and pushes his thumb into your snapping, gaping, runny cunt. You push back onto his finger, trying to fuck the almost orgasm free from your aching hole. 
John snorts as if to laugh at this whorish attempt. 
“Tell you what, I’ll give you two choices: I shove my dick into your ass and fuck it as hard as I want til’ I cum again. Or. I spend a few hours prepping you to take my cock. What do you think?”
“Need a break,” you mumble, fresh tears rolling down your cheeks in shiny rivulets. 
He smacks your thigh. “That wasn’t an option, honey.”
“Okay… okay.” Your frantic, hissing tone makes him smile for the first time in a long while… For the first time since you ran away from him and left a sobbing, drunk, blood hungry mess of a man on the kitchen floor; surrounded by glass and blood and splintered wood, screaming, smashing everything in the house to tiny pieces. You don’t know how many people have died terrible deaths for the absence of this spongey, tight, beautiful pussy - Christ, he even dabbled in torture just to see if it would get him off like you could. 
But he’s going to spend the rest of your life reminding you - reminding you that if you ever fucking leave again he’ll kill everyone until you have no one left but him. 
“Ten seconds and then I’m picking for you,” he murmurs, kissing behind your ear. 
He has to press his weight into your hips to keep them from rocking down onto his fingers - the ones he’s got shoved up to the hilt of his hand inside you, teasing your front wall with languid little rubs. 
The resigned, pathetic defeat in your tone warms his heart. “Second option.”
“Which one was that again?” 
“Prep me.” 
He nips your cartilage with his teeth, wrenching a little beaten whine from deep in your throat, the loss of his bully fingers making you clench and spasm and writhe. 
He picks you up, cradles you to his warm heartbeat, kisses your head. You can’t help it, you fold into his embrace, cling to the John you once knew, hands clutching at the lapels of his suit in some desperate attempt to find comfort. 
“I’m sorry, John.” You choke on whimpers, smothering your tears into his collar. 
“Oh, babydoll,” he coos, smoothing your sore scalp. “No you’re not. But you will be.” 
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