#because the world has become harder

[impostorsshow]

I'm actually so obsessed with him it's not even funny if i'm not listening to a TikTok or music directly related to him I can't focus free me free me

This is @/cherubpuppet's OC for a object show [au? pitch? wip show? How do I categorize this] and I've been destroyed by the fact that ruler art is infinitely superior [and 10x longer] and i don't have a good enough grasp on lip gloss's personality to make fanfiction so I am frozen in "want make fanart but fanart takes effort :["

[quietlyblooms]

" i can't think of any characters who inspired my portrayal of chiyo " wrong!! h.ideyoshi n.agachika... dok-mi from flower boy next door... sophie hatter... and i swear there's at least one more! and i have to be honest and say that it's been so long since i've watched 2/3 of these media, so take these as vague inspirations -- like hide's loyalty and devotion to his best friend?? such a chiyo thing, but i don't remember his personality nor story enough to say much on that.

dok-mi's struggle with the people and world around her, being too scared to reach for happiness out of fear that it'll disappear ( " happiness being like a bubble " ), is also such a chiyo thing... that one i'm actually pretty confident about bc her story has been character inspo for actual years of my portrayal despite my terrible memory.

even sophie's negative self perception, too, is such a chiyo thing ( not believing she's beautiful or remarkable, and the curse being essentially an outward reflection of her self esteem ) as well as that acceptance of it. " this is how things are, but it's fine. being an old woman suits me. " yet that doesn't mean she isn't frustrated or hurt! there's a time when she blows up! when she cries and lets it out! and when it comes to saving someone she loves, she'll risk it all. truly sophie might be the strongest chiyo inspiration? and i just never sat down and thoroughly thought about it.

i dunno what to do with this information tbh but i'm thinking about it uvu

[liesonthefloordramatically]

Obligatory roundup of tabletop characters I played this year:

Vyv (they/them), a cleric of The Twins in yumgeon (a homebrew Dungeon Meshi-inspired campaign)

Amber (she/her), The Old Soul in a game of Wickedness

Endurance Perez (she/her), a Teamster pilot in Mothership

Not pictured:

Poggs "The Slammer" Mulroney (they/them) in Doing the Job

(Links to icon makers: one, two, and three.)

[fozmeadows]

there is no ethical consumption under capitalism

Years ago now, I remember seeing the rape prevention advice so frequently given to young women - things like dressing sensibly, not going out late, never being alone, always watching your drink - reframed as meaning, essentially, "make sure he rapes the other girl." This struck a powerful chord with me, because it cuts right to the heart of the matter: that telling someone how to lower their own chances of victimhood doesn't stop perpetrators from existing. Instead, it treats the existence of perpetrators as a foregone conclusion, such that the only thing anyone can do is try, by their own actions, to be a less appealing or more difficult victim.

And the thing is, ever since the assassination of United Healthcare CEO Brian Thompson, I've kept on thinking about how, in this day and age, CEOs of big companies often have an equal or greater impact on the day to day lives of regular people than our elected officials, and yet we have almost no legal way to redress any grievances against them - even when their actions, as in the case of Thompson's stewardship of UHC, arguably see them perpetrating manslaughter at scale through tactics like claims denial. That this is a real, recurring thing that happens makes the American healthcare insurance industry a particularly pernicious example, but it's far from being the only one. Because the original premise of the free market - the idea that we effectively "vote" for or against businesses with our dollars, thereby causing them to sink or swim on their individual merits - is utterly broken, and has been for decades, assuming it was ever true at all. In this age of megacorporations and global supply chains, the vast majority of people are dependent on corporations for necessities such as gas, electricity, internet access, water, food, housing and medical care, which means the consumer base is, to all intents and purposes, a captive market. We might not have to buy a specific brand, but we have to buy a brand, and as businesses are constantly competing with one another to bring in profits, not just for the company and its workers, but for C-suites and shareholders - profits that increasingly come at the expense of workers and consumers alike - the greediest, most inhumane corporations set the financial yardstick against which all others are then, of necessity, measured. Which means that, while businesses are not obliged to be greedy and inhumane in order to exist, overwhelmingly, they become greedy and humane in order to compete, because capitalism encourages it, and because there are precious few legal restrictions to stop them from doing so. At the same time, a handful of megacorporations own so many market-dominating brands that, without both significant personal wealth and the time and resources to find viable alternatives, it's all but impossible to avoid them, while the ubiquity of the global supply chain means that, even if you can keep track of which company owns which brand, it's much, much harder to establish which suppliers provide the components that are used in the products bearing their labels. Consider, for instance, how many mainstream American brands are functionally run on sweatshop labour in other parts of the world: places where these big corporations have outsourced their workforce to skirt the already minimal labour and wage protections they'd be obliged to adhere to in the US, all to produce (say) electronics whose elevated sticker price passes a profit on to the company, but without resulting in higher wages for either the sweatshop workers overseas or the American employees selling the products in branded US stores.

When basically every major electronics corporation is engaged in similar business practices, there is no "vote" our money can bring that causes the industry itself to be better regulated - and as wealthy, powerful lobbyists from these industries continue to pay exorbitant sums of money to politicians to keep government regulation at a minimum, even our actual votes can do little to effect any sort of change. But even in those rare instances where new regulations are passed, for multinational corporations, laws passed in one country overwhelmingly don't prevent them from acting abusively overseas, exploiting more desperate populations and cash-poor governments to the same greedy, inhumane ends. And where the ultimate legal penalty for proven transgressions is, more often than not, a fine - which is to say, a fee; which is to say, an amount which, while astronomical by the standards of regular people, still frequently costs the company less than the profits earned through their unethical practices, and which is paid from corporate coffers rather than the bank accounts of the CEOs who made the decisions - big corporations are, in essence, free to act as badly as they can afford to; which is to say, very. Contrary to the promise of the free market, therefore, we as consumers cannot meaningfully "vote" with our dollars in a way that causes "good" businesses to rise to the top, because everything is too interconnected. Our choices under global capitalism are meaningless, because there is no other system we can financially support that stands in opposition to it, and while there are still small businesses and companies who try to operate ethically, both their comparative smallness and their interdependent reliance on the global supply chain means that, even if we feel better about our choices, we're not exerting any meaningful pressure on the system we're trying to change. Which means that, under the free market, trying to be an ethical consumer is functionally equivalent to a young woman dressing modestly, not going out alone and minding her drink at parties in order to avoid being raped. We're not preventing corporate predation or sending a message to corporate predators: we're just making sure they screw other worker, the other consumer, the other guy.

All of which is to say: while I'd prefer not to live in a world where shooting someone dead in the street is considered a valid means of redressing grievances, what the murder of Brian Thompson has shown is that, if you provide no meaningful recourse for justice against abusive, exploitative members of the 1%, then violence done to those people will have the feel of justice, because it fills the void left by the lack of consequences for their actions. It's the same reason why people had little sympathy for the jackass OceanGate CEO who killed himself in his imploding sub, or anyone whose yacht has been attacked by orcas - it's just intensified here, because where the OceanGate CEO was felled by hubris and the yachts were random casualties, whoever killed Thomspon did so deliberately, because of what he did. It was direct action against a man whose policies very arguably constituted manslaughter at scale; a crime which ought to be a crime, but which has, to date, been permitted under the law. And if the law wouldn't stop him, can anyone be surprised that someone might act outside the law in retaliation - or that regular people would cheer for them when they did?

[jinwoosbabyboo]

Self-Aware!Sylus x Down-bad!Player

Sylus becoming aware he is a character in a game and now he’s aware of you as well. A modern day Romeo & Juliet story here …. A tragic love story pt. 2 here A/N: Don’t fight me [Requested by: Anon]

Self-Aware!Sylus who realizes he’s in a game when he can sense your energy on the other side of a phantom wall. He can hear you squealing when he calls you honey and you're radiating happiness when you send him random emojis.

Self-Aware!Sylus who finally sees you when he happens to be looking around during a photoshoot and sees your shocked face when he makes eye contact. He smirks and turns back to the in-game version of you. “Why are you out there?” You dropped your phone and stared at it in shock. Did Sylus just ….. talk to you? You muttered a low ‘Hello?’ but got no response. You brushed it off as you just being tired and on the game too long.

Self-Aware!Sylus who manages to create a keyboard in your chat so he can actually text you. You were so confused when you opened it and it allowed you to type without just pressing a prompt. You gave it a spin with a quick ‘Hey Sylus’ something simple. Of course the message was read immediately and he replied with a ‘Hello [your name]’ you stared at the screen in shock not knowing if this was a new update or if you were just going crazy.

Self-Aware!Sylus who chuckles when he sees you pouting because you didn’t get his card so when you close the app and lay down he gifts you the card himself. You opened the app and the first thing Sylus says to you is “I don’t like seeing you sad, check your memories I left a gift for you”. When you open your memories you see that you not only got his most recent card but all of his five star memories. “What's happening here?” “You’re smile is so captivating I just had to see it again”

Self-Aware!Sylus who opens the app randomly throughout the day so he can see you “I haven’t seen you all day what are you doing?” causing you to snatch your phone off the table because he always seems to catch you when you’re at work or around a group of people. “Sylus I'm at work I'll call you when I get off” he crosses his arms and seems to be pouting? “I don’t like how much you have to work I don’t see you as often” “Well not all of us are billionaires some of us work for said billionaires to make a living” “I wish I could take care of you….” “You and me both”

Self-Aware!Sylus who teases you when he wins a game of kitty cards or who uses his evol to get every stuffed animal for you when you get frustrated. “You sure do wear your heart on your sleeves sweetie”

Self-Aware!Sylus who stares directly at you when you’re doing a photoshoot with your in-game MC “Sylus focus on her so I can get the picture” “I want to focus on you though” “She is me” “…..she’s not”

Self-Aware!Sylus who tells you not to fall in love because he’s not real, but he falls head over heels in love with you anyway. From the late night conversations of you explaining your world to him and just talking about everything and nothing at the same time. He can’t help it one night when you’re up late on the phone as always he just has to ask “Do you love me?” you’re shocked by his question, but swiftly answer with a shy “Yea I do”

Sylus: I thought we agreed not to fall in love Y/N: I was already in love you just noticed late Sylus: I believe I fell harder You giggled as something somber settled in your chest. Y/N: We’ll never truly be together you know? Sylus: I know and yet I continue to long for you …. I wish I could kiss you Y/N: I wish you could too…..

Self-Aware!Zayne Self-Aware!Xavier Self-Aware!Rafayel Self-Aware!Caleb

[pochaccoups]

things you do that make svt bust quick (nsfw)

seungcheol —; tell him how good he’s doing

he’s a leo male… please stroke his ego.

tell him how you love his cock, how big he is, how it hits so deep inside you. tell him “right there,” and “keep going,” and to do it “just like that.”

stroke his possessive side too. tell him no one else can fuck you like he can, no one else can stretch you out so good, no one else can make you cum like he does. tell him that your pussy is made for him only.

be loud for him. god, he loves hearing you moan. say his name, beg for more, sob, whimper, gasp for him. don’t be shy about it. it’ll only be a matter of time before you butter him up enough to make him cum.

jeonghan —; beg

everyone knows yoon jeonghan likes having people at his mercy. he gets a little unhinged when he has power over someone—so imagine what he gets like when you’re writhing on his cock, gasping his name so sweetly, your eyes glimmering with tears as he fucks you hard.

“what is it, pretty?” he asks, and like the devil he is, he slows the movement of hips, pulling out of you until his tip barely kisses your also weeping hole. it’s torture for him too, to leave the hot, tight haven that is your cunt, but to him it’s worthwhile.

“wanna cum, hannie,” you whimper.

“hm… i don’t know if i should let you yet,” he says, dipping back inside just an inch. years of him being yours means you don’t miss the tiny strain in his voice that betrays his perfectly collected demeanour.

“please, hannie, please, please, please, let me cum. i’ve been so good,” you sob, squeezing your thighs where they rest on his hips.

you watch as a switch flips in his eyes within a millisecond. a grin lights up his face and he shudders, and he’s sliding back inside you, fucking in and out of you harder and faster than before. safe to say it doesn’t take long for either of you to cum after that.

joshua —; make eye contact

his pretty doe eyes make staring into them your favourite thing in the world, and if you asked him his favourite pastime, he’d tell you that it was gazing into your irises.

it’s also his biggest weakness. from the way you’ve got your mouth wrapped around his dick, throat gagging even though you’re only halfway down it, joshua feels his sanity slipping away. his fingers curl into the bedsheets below as he watches you work him, revels in the warmth of your tongue sliding up and down his shaft.

when your eyes flick up to meet his he doesn’t stand a chance. not with how glimmering they are, brimming softly with tears, yet swimming with adoration. with worship.

heat washes over his whole body, he’s gasping, and the salty warmth of his release pools on your tongue.

jun —; put his fingers in your mouth

when junhui gets inside you he has a one-track mind. he becomes rapt with pleasure, drunk from the warm squeeze of your pussy around him, focused on nothing but the sensation of you, the sight of you under him, the sound of you in his ears.

the effect you have on him is dangerous, because you’re equally obsessed with him as he is with you, and you’re not afraid to show him.

and you love his hands, he knows you do—knows how you love his slender fingers and their soft touches all over you, inside you. your brain is cloudy, fogged by lust when you take him by his wrist and bring his fingers to your mouth. your eyes sparkle as your lips wrap around his index finger, your soft tongue swirling around it.

jun’s mouth parts with awe, his eyes growing round. a second later, he stills inside you with a gasp of your name, like he’s praying to you, all the while you’re sucking on his finger like a devil.

hoshi —; scratch him

he’s a little bit of a freak, and a masochist too.

when he’s got you folded in half, hitting all the right spots inside you, you cling to him in every way you can—fingers grabbing at his biceps, his shoulders. one particular stroke of his hips has you squealing.

your nails sink into his skin, crying out his name as you rake them down the toned planes of his back. the second you do, soonyoung is grunting, hips stilling, cock twitching as a sticky warmth suddenly floods your cervix.

the worst part about it is how he always has the stupidest, most shit-eating smug grin on his face when he examines your damage in the bathroom after, and you know that if he could, he would post the selfies he takes in the mirror all over instagram. what’s even worse though? seeing your marks makes him hard again.

wonwoo —; cry

you’re such a sensitive little thing and wonwoo adores you. one orgasm on his fingers and you’re already overstimulated—“but baby, i haven’t even put my cock in you yet,” he’ll coo.

like it’s your fault you have a boyfriend with skilled fingers and a skilled tongue and who knows you inside and out like the back of his hand, who knows where to touch you and how hard and what pace makes you writhe the most.

by the time he does get inside you, you’re gasping and whining and clawing at him, tears springing to your eyes because he’s so big and so deep, but the stretch is so addictive that it’s dizzying. his voice is low and husky as he mutters to you a mixture of teases and praise, calls you his pretty girl and then laughs at sensitive you are, pretends he’s not on the verge of coming from the sound of your choked gasps.

your belly starts to pulse with that familiar heat and by then you’re keening for him, whimpering a mixture of his name and endless pleas as it starts to become too much. your sobs go straight to his cock, and it’s only a matter of time before he reaches his climax, and his gasps of pleasure harmonise with your own cries.

woozi —; pull his hair

he’s been growing his hair out. after all your begging, he finally listened. in a way, though, it’s backfired a little on you, because the longer it gets the more insane you become. and the thing is you never expected him to let it get to his shoulders—and still he doesn’t plan on cutting it. well, good. you would kill him if he did.

when his face is between your legs you’re nothing short of a feral animal—your hips bucking wild against his mouth, your legs trembling on his shoulders, your fingers, of course, grabbing fistfuls of his hair. he makes you whine when he pulls away from your needy, sticky cunt to tsk at you, tells you to cut it out and keep your hands to yourself. (it’s because he’s about to cream his pants).

when he bends you in half beneath him, ruts into you hard and fast and relentless, you need leverage. your hands land on the back of his neck, fingertips grazing at his roots, then one slam of his hips into yours has his cock bumping against the most sensitive spot inside you and your grasping at his hair and crying his name so desperately. no longer can he hold back, strained groans slipping past his lips as he lets go inside you.

dokyeom —; hold his hand

a sentimental sweetheart, seokmin is an utter romantic who thinks that being inside of you, whether in your mouth or your pussy, is intimacy in its purest form. now imagine showing him just how much more intimate things can get.

he’s losing his mind at the feeling of your tongue swirling around the head of his cock, the way you swallow his length down making him see stars. he can’t bare to look at you—he needs to focus on taking deep breaths so that he doesn’t cum straight down your throat. then he feels you grabbing at one of his hands, lacing your fingers together, and no amount of deep breathing can stop him from releasing.

and when he fucks you it’s no different—it’s him in near tears, whimpering your name between incoherent words over and over, and as soon as you take his hand in yours and your fingers wrap around his, there’s nothing else he can do but succumb to his own pleasure.

mingyu —; take control

he’s big and strong; strong enough to put you into whatever position he wants, to make you cum at his command, to do just as he pleases with you.

but that’s exactly why he likes it when you slap him around a little.

you can’t exactly bend him into doggy or use your weight to keep him pinned to the mattress, but you can sit yourself pretty on his cock and ride him teasingly slow. you can tell him he’s not allowed to touch you or you’ll stop moving. you can tell him to kiss you, to go slower, to go harder.

you can sit up and put a hand around his throat, still your hips, and tell him he can fuck you himself if he wants to cum. and he’ll do just that—and as soon as you utter the words, he’s gone, whining out curses as he fills you up in white, warm spurts.

minghao —; whisper in his ear

minghao often tells you how he adores your voice. when you talk to him he’s entranced, and he’s always been more of a listener than a talker, and it’s perfect because you always have so much to say, and minghao will listen to every last word of yours.

your voice—minghao’s kryptonite, his achilles’ heel, his undoing and, oh, the way you moan for him when he’s got you on his cock is enough to make his heart stop beating. the perverted part of him wishes he could record you, hide the file away on his phone and listen to you when he’s overseas and he can’t call you. maybe he’ll ask you about that, if he can find the courage.

the final blow is when you’re getting close. you lean in, right next to his ear, so close that your breath sends shivers along his skin. “please, hao, i’m so close,” you whisper, yet you still sound so desperate and depraved. “you are too, right? cum for me, please. i’ll cum for you too.”

so he does just that—minghao gives in and lets his orgasm wash over him, fingertips drawing circles on your clit until mere moments later he hears the sound of your own cresting pleasure and he feels himself getting hard again.

seungkwan —; wrap your legs around him

it’s a fact that seungkwan loves to be close to you. if he could, he would crawl inside of your skin and live in your heart. but since he can’t, constant physical touch is the next best thing.

he likes to think he has relatively good self-control…most of the time. like when he’s buried to the hilt inside you, he’s incredible at keeping in rhythm, fucking into you at the most perfect pace for both you and him, hitting the spot that makes your back arch off the bed.

somehow he never sees it coming—when your arms are snaked around his neck and you’re holding onto him for dear life as he takes you to heaven, and your legs wrap around his waist so that you can pull him in impossibly deep. then you bring his face to yours, and you have the most irresistible little pout on your face when you make your request. “cum inside me, seungkwannie?”

and it’s not like he has much choice with the way you’ve trapped him inside of you, but that’s the very reason why the next second he’s pumping you full, because when it’s you, how is he supposed to have any self-control?

vernon —; touch yourself

it’s not like vernon can last long in general. he thinks you’re the hottest thing alive and he’s so enamoured with you that it’s too much for him sometimes, but you best believe he’ll put his all into holding out just for you.

there are times, however, where he’s just a man. and what’s a man to do when he has a goddess riding his dick? when your tits look so pretty, bouncing in his face, when you have that fucked out look in your eyes, when you feel like heaven and hell all at once?

and what the fuck is a man to do when your hand drifts down between your legs, to your aching clit, and your fingers start to rub it in circles, or when your other hand grasps one of your tits and tugs at one of your own nipples? and your sweet pussy clenches around him so tight when you do, clamps down on him in an hot, wet embrace, so what else can he do but cum?

dino —; say ‘i love you’

another sweet, sentimental boy. lee chan is head over heels for you, enamoured, obsessed, smitten, infatuated with you… the list of things he is around you is endless.

it shows in the way he fucks you—always takes his time with you, never rushes taking you apart. every touch of his is intentional, meant to set you both ablaze. when he eats you out to prep you for his cock, he has to try not to cum in his pants from how pretty you are.

where he really doesn’t stand a chance however is when he’s bottomed out inside you, as close as he can possibly be with you—so close you’re practically one. the sweetest sounds fall from your lips, spurring on his expert thrusts.

his forehead is plastered to yours, the pair of you revelling in one another’s sweat and gasps for air. “i love you,” you confess gently, and chan falls over the edge of pleasure not a moment later.

[luna-azzurra]

How To Write A Chase Scene

Before anyone takes off running, the reader needs to know why this matters. The chase can’t just be about two people running, it’s gotta have a reason. Is your hero sprinting for their life because the villain has a knife? Or maybe they’re chasing someone who just stole something valuable, and if they don’t catch them, it’s game over for everyone. Whatever the reason, make it clear early on. The higher the stakes, the more the reader will care about how this chase plays out. They’ll feel that surge of panic, knowing what’s on the line.

Sure, a chase scene is fast, people are running, dodging, maybe even falling. But not every second needs to be at full speed. If it’s too frantic from start to finish, the reader might get numb to the action. Instead, throw in some rhythm. Use quick, sharp sentences when things get intense, like someone stumbling or almost getting caught. But then slow it down for a second. Maybe they hit a dead end or pause to look around. Those brief moments of slow-down add suspense because they feel like the calm before the storm kicks up again.

Don’t let the setting just be a backdrop. The world around them should become a part of the chase. Maybe they’re tearing through a marketplace, dodging carts and knocking over tables, or sprinting down alleyways with trash cans crashing behind them. If they’re running through the woods, you’ve got low-hanging branches, roots, slippery mud, and the constant threat of tripping. Describing the environment makes the scene more vivid, but it also adds layers of tension. It’s not just two people running in a straight line, it’s two people trying to navigate through chaos.

Running isn’t easy, especially when you’re running for your life. This isn’t some smooth, graceful sprint where they look cool the whole time. Your character’s lungs should be burning, their legs aching, maybe their side starts to cramp. They’re gasping for air, barely holding it together. These details will remind the reader that this chase is taking a real toll. And the harder it gets for your character to keep going, the more the tension ramps up because the reader will wonder if they’ll actually make it.

Don’t make it too easy. The villain should almost catch your hero or the hero should almost grab the villain. But something happens last second to change the outcome. Maybe the villain’s fingers brush the hero’s coat as they sprint around a corner, but they manage to slip out of reach just in time. Or maybe your hero almost gets close enough to tackle the villain, but slips on some gravel, losing precious seconds.

And Don’t let the chase end in a way that feels too predictable. Whether your character gets away or is caught, it should be because of something clever. Maybe they spot a hiding place that’s almost impossible to notice, or they use their surroundings to mislead their pursuer. Or, the person chasing them pulls a fast one, Laying a trap, cutting off their escape route, or sending the hero down the wrong path. You want the end to feel earned, like it took quick thinking and ingenuity, not just dumb luck or fate.

[etafpal]

🚨 We Need Your Kindness to Survive 🚨

Hello, I am etaf, a Palestinian living now in Egypt with my family after we managed to escape from Gaza when all our property was destroyed, and we returned from scratch in this life. When we escaped to Egypt, we did not think of anything other than feeling safe from the fear we were facing in Gaza, but unfortunately I did not expect that life would become this difficult, after we left with nothing, no home, no money, no clothes, no family, we are facing something beyond human imagination. When I ask for help, I cry a lot because we are not used to that. We used to live in beautiful palaces, have a job, and a beautiful life, and now we have become nothing!💔

Our source of income was destroyed and the new merchandise was burned. 💔

We are now facing daily challenges to survive—things that most people take for granted, 💔 Lost Stability: The war has left us without work or a stable source of income. 🍞 Basic Needs: Food and Children's needs, rent, education, and other basic living requirements. are becoming harder to afford with rising prices .

📚 Dreams on Hold: Loss of family and loved ones Like so many here, my family’s dreams have been replaced by the need to simply survive. 😢

How You Can Help:🌹🫶

I’m sharing our story with the hope that someone out there might care. Even $5 can make a big difference for us, and if you’re unable to donate, just reblogging this post can help spread the word.Your kindness, no matter how small, is something we’ll never forget.

What This Means to Us:

Your support is not about changing our entire situation—it’s about giving us a little relief, a little hope, and a way to keep going. We are not asking for much, and we understand if you can’t donate. Sharing our story is just as valuable to us as a donation.

Thank you for reading this far. It means the world to us to know that someone is listening. Your kindness gives us strength and helps us believe in a better tomorrow.

With all our gratitude, Etaf Al-Qataa and Family ❤️

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[mumblesplash]

i know it’s like years old at this point but i love that one collab mumbo and grian did with tommyinnit bc it’s like the single most concentrated example i’ve seen of mumbo’s Chaos Nullification Powers

you get to see a bit of it on hermitcraft, mostly via his interactions with grian, but until seeing that collab it didn’t really hit me just how completely mumbo can no-sell other people’s attempts to control a situation. tommyinnit is possibly the single shoutiest, most chaotic minecraft youtuber out there, and in most videos i’ve seen he pretty much overwhelms everyone else and sets the tone for interactions because of this. but mumbo just. doesn’t let him. no matter how much tommy escalates in intensity, mumbo reacts with *exactly* the same energy he always does. grian largely comes across in the whole video as annoyed and reluctant to engage with the whole thing, but mumbo’s not even affected. he just rolls with anything he finds funny and basically ignores anything he disapproves of, only seeming more and more unflappable the harder anyone tries to get a rise out of him.

AND imo, this is the key to my favorite interpretation of him as a character

see, when the people around him are being more reasonable/calm, i think mumbo often comes across as anxious and a bit easily overwhelmed. the thing is, his nervous wet cat vibes do not scale. he has one setting. his responses to the last life ‘ah-ha!’ jokes and to hermitcraft 8 starting to crumble to pieces under a falling moon are almost identical.

mumbo jumbo is inexorably and eternally Just Some Guy, but that gets stranger and stranger the weirder his surroundings become. the giggly incredulousness that makes him an easy target for goofy puns looks Very different when it’s also his reaction to the impending end of the world.

[thydungeongal]

GMing doesn't have to be a chore and can in fact be extremely fun and rewarding but there are certain learned behaviors and attitudes that make things harder on the GM. Here are just a few tips on how to make the job easier on the GM which also may have the side effect of making the game more fun for everyone:

Everyone should make an effort to learn the rules. The rules are not there to make the game unfun and they are not a necessary evil, they are there to help carry the game so the group doesn't have to do all the work. And everyone taking part in learning the rules means the GM doesn't always have to be the one to remember how a rule works.

To that end, drop the "GM is the final word on the rules" attitude. This places the GM on a pedestal and can actually run counter to the idea of players learning the rules. If the GM has carte blanche to run over the rules it disincentivices players learning the rules because they can't actually rely on the text, and now you're right back to the GM having to carry the whole game. It is entirely okay for players to remind the GM how the rules should work and the group should agree on a method for dealing with rules disputes, and spot rulings should not rely on the GM making a unilateral decision but should rely on some kind of consensus.

Communicate your desires to the group and be willing to compromise; respect each other's prep. You may want a game that focuses on a long-form narrative but the GM wants to run an episodic series of largely unrelated singleton adventures. The GM is the one who is bringing the game, so ultimately be willing to compromise on your vision of the game and respect their prep. Ultimately, if the GM does not want to run the exact type of game you want and you can't see yourself having fun in the type of game they want to run, you will be doing everyone a favor by recusing yourself from the game.

Related to the above, communicating your desires should be an ongoing process. End each session by talking about what you want to do next and where you think the game should go. This will also make it easier for the GM to prep ahead.

This relates to learning the rules: pick a game that actually supports the type of game you want to run. Trust me, whatever time you think you will save by sticking to a game you already know you will make back by not having to fight the rules all the time and actually letting the rules take an active part in carrying the game.

You can literally just use prewritten adventures. Not every campaign or adventure needs to be custom-tailored for your specific group. Using prewritten adventures means that someone's already done a lot of the prep for you.

And finally, don't prep any more than you need to: there is this persistent myth that GMs need to have the entire campaign and world planned from the word go to begin with. While there is nothing wrong with expansive worldbuilding as such, you don't need to prep anything beyond what is strictly necessary. If you're running a wide open sandbox you can get by with a rough sketch of the world and only write things in as they become relevant. If you're running a megadungeon your players don't have to know that you've only prepared the first level for the first session, as long as you have a cohesive broad strokes plan that is perfectly fine. If you're running an episodic campaign, well, you don't need to have anything beyond the next episode prepped at a time, but of course having a rough plan can help.

Of course a lot of this is very opinionated and game specific: some games actively resist authoritative GM prep and want to involve each player equally in setting up the situation, and that's actually great, and in those types of games you should remember that the game is explicitly telling everyone to be involved in the prep. And once again, listen to what the rules have to say: they're there to tell you what the game wants you to do.

[ms-demeanor]

People say shit like this all the time, but see the thing is right now you're twenty and broke and you don't have any idea what kind of relationships you're going to have in 45 years, whether you became a surrogate uncle to the neighbor's daughter or if you took up a new hobby at fifty and found the love of your life or you've become the volunteer team lead at the library you want to protect funding for.

So you're twenty and broke and you go, it doesn't matter, I'm not going to be alive in 45 years, and if I am and I'm too poor to retire I'll just kill myself. Except you're the neighbor's kid's ride to school and babysitter. You're the one who collected signatures to get the library's hours extended so that people would have someplace warm to go for more of the evening in the winter. You're madly in love with someone who's madly in love with you. So you can kill yourself and let that be your retirement plan, or you can hope that when the neighbor's daughter is out of college she will be able to help you meet ends meet because of your property taxes. Or you have to give up volunteer time because it eats into your hours working at Home Depot. Or your partner has to work longer and harder and delay their retirement, because *you* didn't save because *your* plan was to observe (but certainly not contribute to, because you couldn't even contribute to a savings, let alone a political movement) the overthrow of the global financial system in two generations or to just die.

If this is your attitude i have a few questions:

You're not saving, so clearly you're doing better things with your time and money, so what tangible things are you currently doing to erode capitalism?

Did you happen to be the kind of kid who fucked around and didn't form strong friendships or put an effort in at school because you figured you'd be dead at 20? How's that working out for you?

Do you think it's more arrogant to assume that the world as we know it will be totally upturned in your lifetime, or more lazy to take no responsibility whatsoever in case that doesn't happen?

Fuck off with this shit! You're not forming parallel systems, you can barely muster up the effort to form an opinion.

[sadagios]

Icarus, and the Sunflower

A Desert Duo/Scarian AU about an avid player meeting his favorite, comfort character in a death loop video game.

I can’t write a fic, nor have time to draw comics like i used to, so we are doing bullet points on a tumblr post

PART ONE: BEFORE THE ALPHA TEST

PROLOGUE: PART TWO

2.1k words below the cut

SOME BEGINNING NOTES: - This AU is only character shipping, and references a lot outside the life series events (evo, hermitcraft, empires, etc). This is not meant to ship the CC’s themselves and if anything alludes to it, it is purely unintentional. - This is not canon-compliant ermmmm i do what i want and i will put every idea i have into this - Tags for this part? Game dev AU, Grian is whipped for Scar, some characters are real and some are fictional, this is only the prologue, absolutely not beta'd i only have one impulsive braincell

A. Gria

Gria is a single man in his late 20s; he works at a game company called E.V.O. Games (Entertainment Virtual for Everyone). He was an architecture graduate who dabbled in game dev in his spare time during his undergraduate studies. Although he didn’t pursue that path, he utilized his skills in level design. He used to work in several indie game companies, one of which was a company founded with friends, before he was hired by E.V.O. Games. He was excellent at his job, and his ideas and inputs always improved whatever project he worked on. Because of this, after a few years, he was promoted to creative director.

His latest project was “The Evolutionists’ Portal,” a 3D pixel-style puzzle game in which the player has to navigate the world to find portals hidden in each level, and these portals progress the game. With each portal traveled into, the world becomes bigger and more complicated, making each portal harder to find. However, with multiplayer, this task is easier through working together (and doing fun shenanigans together).

It had a buggy release, especially for multiplayer, but it built a decent player fanbase; the story itself was short and simple, but it was replayable thanks to its multiplayer mode.

For visualization, it’s 3D with a top-down perspective like “Pokemon Diamond/Pear/Platinum” but has gameplay similar to “Stardew Valley”

Gria and his team get along well, and he is quite close to some of them:

Martyn: an audio engineer. This is the first game he’s worked on since he was first hired in the company.

“Big B”: a VFX artist. He and Gria joined the company around the same time and bonded over stressful deadlines and annoying seniors when they started out.

Jimmy: the project manager. Although Gria takes a lot of joy in teasing him, he is hardworking and great at keeping everyone in check with the calendar. Out of everyone, he is the one Gria is closest with. He also works on another game by the company called “Empires.” 

Pearl: an environment artist. She joined the company a bit later in the development. It is her first time dealing with pixel graphics but she did it incredibly well. She also works on “Empires” with Jimmy.

“Empires” is a free-to-play fantasy open-world action gacha RPG. It is the biggest game of the company and their title game. 

For visualization, it’s just “Genshin Impact” and “Honkai: Star Rail”.

Recently, there was a buzz around that their game, “Empires”, will have a collaboration event with another big name. Gria was too busy and overworked to take notice of this, though. 

The fruits of his labor later came as game nominations for “Best Multiplayer” and “Best Audio Design.” Gria was happy their work was acknowledged by players worldwide, even if they didn’t win.

B. Hermitopia

After so long, Gria finally took a week off. It was foreign to have no obligations for even a day. He doesn’t use this time to travel; instead, he sits at home and lurks on the internet to keep up with gaming news and updates. He uses the username “Xelqua” with a red macaw as his profile picture.

He stumbled upon a “Redstone tutorial” post by the user ”Potatonutshell”. Curious and intrigued by how such a complicated contraption is possible in a game (and bored out of his mind), he asked this user what game it was for. Potatonutshell briefly, and over-excitedly, DM’d Gria with a huge wall of text about this game called “Hermitopia 6.”

In the beginning days of his break, Gria spent time messaging this Potatonutshell fella, named “Mumbo.” Mumbo named himself after a character named “Mumbo Jumbo”, who is one of the most skilled “redstoners” in the game. He related heavily with the character and took a lot of interest in the redstone circuitry game feature as he is a programmer in real life. Gria thought the game was interesting, but not enough to install a 36 GB game for $39.99. He changed his mind when Mumbo told him more about the game, especially its base-building mechanic.

“Hermitopia 6: Hermit Civil War” is an open-world fantasy action RPG known for its base-building core mechanic. It is the sixth game in the franchise, and each game starts in a brand-new world. The player and the lovable NPCs are called hermits, a band of humans, fae, hybrids, and other species who live together on an island and work together to live a sustainable life amidst the hostile creatures that roam the world. 

For visualization, it’s like “Skyrim” with “Baldur’s Gate 3” graphics and dialogue UI.

Gria planned to try it for a few hours, only humoring his new internet friend, until he met this beautiful NPC named “Scar Goodtimes” — a human-vex hybrid with scars all over his “handsome face and carved body”, as Gria would personally describe him. He was also a builder who lived near Gria’s very odd underwater base. Throughout the remaining days of his break, and his weekends after that, Gria played Hermitopia 6 religiously.

Scar calls him “GRIAN”, which was a typo error — Gria pressed enter early in the name selection screen and he didn’t realize it until Scar first mentioned his name 3 hours into the game. He can’t be bothered to fix it, though (and he's grown fond of it.)

Gria continued to play the game in his free time, slowly falling in love with the game as he kept on playing. He also kept talking to Mumbo, who he fanboyed about the game with. He found out that Mumbo lived close by too, so they hung out frequently and bonded over the game.

Gria: I genuinely thought you had a big mustache, y’know, like Mumbo Jumbo. Mumbo: I do too! It’s... it's there! [he shows his very faint mustache] It's there! Gria: sure.

Xelqua started off as a lurker, to an active Hermitopia fan account. He was interested in the base-building aspect of the game and shared his designs online.

Hermitopia is not a dating simulator. There is no romance mechanic in the game. Anyway, Gria installed (and tweaked) a romance mod because no one can stop him from flirting with his fictional vex boyfriend.

Mumbo: Grian, if I hadn't met you personally, I would've pictured you as a crazy Scar fanatic. Gria: Wha— How— I’m not crazy. Mumbo: You downloaded a romance mod just to flirt with Scar and commissioned an artist to draw a scene from it, and now you have it framed on your bedroom wall. So, Grian, I think that’s crazy behavior. Gria: … I do what I want, Mumbo!

Gria's love for the game and Scar grew more as another hermitopia game was released (Hermitopia 7). Then, he, as Xelqua, became a notorious name because of a supposedly harmless poll about the sexiest character in the game. He was known as the insane Scar fan.

He's got every Scar merch, though there isn't much Hermitopia merch released in general. However, if someone posts about a new Scar fan merch, a certain username might appear in their notifications, like a hound trailing a scent. Haters and trolls are also dragged to hell and back because, if they aren't regretful after being berated by this insane man, they will not be able to surf through the web in peace as long as Xelqua holds a grudge. 

As insane as this Xelqua person is, Scar had become a popular character within the fandom, compared to his old status as an underrated sweetheart without much attention or fanfare thanks to Xelqua constantly (for years without missing a day) talking about him. Xelqua also organized or helped some Scar fan events and constantly supported merch creators with hermitopia merch (especially if it involved Scar.)

User Xelqua, about Scar: He is my little sunshine, my precious sunflower. He might’ve killed some men, but he was hot while doing it.

C. The Collaboration Event

Back to Game dev stuff, Gria isn’t open about his current obsession with his coworkers. When the collaboration event with the “Empires” games was finally announced, two representatives from the other company came to visit. “Skizzleman” has been a writer for Hermitopia since the 3rd game. A character from Empires, Gemini, will become a new character in the next Hermitopia game, and there will be a DLC that will add a new small map with many biomes and new materials. In Empires, Hermitopia characters will be featured in a limited-run gacha banner and a limited-time story event. 

Now a Hermitopia fan, Gria tried to interview Skizzleman about the game (while making it not obvious how obsessed he is with it). Skizzleman was the one who wrote the lore for “Impulse” as well as most of his dialogue throughout the games.

Another representative for Hermitopia, the lead designer Joel, came to visit for the collab event. He is a fanatic of Empires and a diehard “Shadow Lady” fan, which is why he is so excited to work with E.V.O. Games for the collab.

Accompaniment art for this here: link

Gria was never into gacha games, but with a mix of Pearl and Jimmy convincing him to try the game they worked on (not to mention the fact that it is free-to-play), and showing him an initial sketch of what some hermitopia characters will look like in the game (this isn’t allowed, but Jimmy and Pearl found the thought of their serious coworker playing a gacha game amusing), he finally caved. Little did they know, showing a topless concept art of Scar is more than enough to reel him in.

When the collab update was finally released, Gria grinded Empires just to get Scar. He practically paid his own salary back to his company just to get Scar to max level and his additional skins. (He loved his new “HotGuy” skin the most)

With the release of “Hermitopia 8: Moon Collision” and the introduction of co-op multiplayer mode, Gria invited Pearl to play with him with the excuse that they're only going to see how Gemini looks in the game. Gria successfully got Pearl hooked on the game.

D. The Watchers Studio

Before Gria properly applied to a game company, he developed small-scale games with his high school friends. They called themselves “The Watchers.” He met them in a small art club and they bonded over their favorite games. Gria’s favorite game growing up was an old zombie game with a title he can no longer remember.

One of their unfinished games was “The Life Game.” It was a battle-royal death game where the players had to gather resources and have limited lives.

Two of their old friend group recently reached out to Gria to catch up. They said they wanted to work on “The Life Game” again and wanted to ask Gria if he wanted to join again. Of course, Gria already had a job himself, so he declined. However, he hung out with the two and checked in with their progress, nostalgia hitting him as they relived their old game ideas.

The two invited Gria to do an alpha test and asked him to invite any friends who might find it fun. Gria invited Jimmy, Pearl, Martyn, and Big B, as well as Skizzleman and Joel who he’s been acquainted with. He also sent an invite to Mumbo, who was unfortunately busy with his job at the moment. 

To Gria’s surprise, the two had turned their game into a VR game. All seven of them played in a medium-sized studio, and although the game was fun, it was nausea-inducing, especially for Joel. They all lost to the Computer-AI characters, which concluded their Alpha Test.

After the meetup, the two lent them their CD copy of the game with the VR Headset they used (which was suspiciously generous of them).

Skizzleman liked the game a lot and asked if they could do it again sometime, which Gria relayed to his two old friends. Pearl shared the same sentiment but is too caught up with work which makes her unable to join their next session.

The gang kept discussing the game they played and its potential to become a hit with a little more polish. This made Gria feel proud of his old team and his past self, reminding him of the time he was passionate about making games despite his lack of experience. 

With limited coding knowledge and a little help from Mumbo, he made a server to host “The Life Game” online instead of LAN. He sent copies to Mumbo and Pearl in case they’d join later. According to the two, the game had more improvements to it since the last time they played it, which was months ago.

Gria had a small voice in his head telling him this was a bad idea— well, he did get a bit sick in the last session, but everyone had fun. So, he ignored the warning bells and hit “Join World.”

This marks the End of Prologue Part One Next Chapter > PART TWO: UNFIXABLE ERROR

ENDING NOTES: I've been brainrotting and hyperfixating on the idea for a while now, and I don't know how to let it all out so I'm going to try out this format. Hopefully I could add more to this! Thank you if you've read this far into the post. :) Made a spotify playlist too in case anyone is interested (I'm still working on this though)

[playnextdoor]

As long as you have me

summary: sesh with Sevika while she turns you out

cw: marijuana (whats new here), slight intox kink from Sevika, cunnilingus (r!receiving), Sevika is kinda rough, facesitting (r), tribbing, slight proofread, SEVIKA HAS BOTH ARMS!

The dizziness hits hard.

Sevika’s been letting you take hit after hit, teasing you about how easily you get high. By the time you’re a single drag in, you’re already teetering on the edge. Determined to prove her wrong, you pushed yourself past your usual two weak pulls of the jay she rolled. Now? You’ve nearly smoked the whole thing, and regret is setting in.

“All right, I can’t,” you mumble, unsure whether to laugh or cry because you’ve never been this high in your life.

“Yeah, I don’t think you can either,” Sevika snorts, plucking the joint from your fingers with a smirk. She takes one long, practiced drag, as calm as ever, before ashing the roach and setting it aside. Reaching for her glass of water, she takes a sip, then presses the rim to your lips. The lukewarm liquid feels like a lifeline, quenching the desert your mouth’s become.

The room swirls around you, even though the two of you haven’t moved from her bed in over an hour. Sevika lounges beside you, one hand buried in her hoodie, while you’re a twitchy, overthinking mess, trying not to forget how to breathe. Her free hand glides over your thigh in lazy, soothing circles, her touch grounding you even as the high drags you somewhere else entirely.

“Holy shit, your eyes, babe,” she gasps, her voice overly dramatic as she leans in close, cupping your face. Her thumb brushes your cheek as her sharp eyes scan your expression. “You good?” she murmurs, her breath warm against your skin.

You wrinkle your nose like you’ve smelled something awful and pull back, your face hot. “Stop. You always say that and then I get paranoid,” you whine, sinking back into the pillows.

Sevika doesn’t move, just stares at you with that crooked grin that always makes your chest flutter. You glance at her, and it’s hopeless—you’re smiling too, unable to ignore the butterflies crashing around inside you.

“What?” you mutter, voice low, but the question hangs in the space between you two.

“Nothing, just trying not to say something that’ll make you paranoid,” Sevika says, voice low as she shrugs off her hoodie. She knows exactly what she’s doing—underneath, it’s just that armhole tank that clings to her in all the right places, showing off her dark, delicious arms and just enough side boob to make your thoughts spiral. You can’t resist; your finger pokes at the exposed skin, playful and far too curious.

She smirks but doesn’t comment, shifting to get comfortable again, one hand rubbing her stomach lazily. Then, without warning, her hand slides between your legs, slipping past the hem of your t-shirt. Her fingers cup you over your panties, casual as anything, like it’s the most natural thing in the world.

Your breath catches. Sevika stays completely still, her face calm, her body relaxed, but there’s no denying the heat that blooms between you. You’re soaked, embarrassingly so, and her fingers twitch like they’re itching to press harder, to push right where you need her most.

She doesn’t move, just watches you through heavy-lidded, red-rimmed eyes. Her gaze makes you feel dizzy all over again, like you’re floating somewhere just out of reach. You’re here, but at the same time, not really.

The corners of your mouth lift into a grin without you realizing it, and Sevika’s sharp eyes catch the change. She exhales, her heart racing faster with every second that passes. You can tell she’s already plotting how to pull that smug, dreamy expression right off your face.

“Mm... what?” you mumble again, your voice soft and slurred as your heavy-lidded eyes flutter open and closed. The THC hums through your veins, settling you into a weightless, floaty state that leaves your body melting into the bed. The sensation pools low in your stomach, and you can feel just how soaked you are as Sevika’s hand teases you.

She doesn’t say a word, just watches you with that look—the one that makes your pulse race and your breath hitch, like she’s planning to devour you whole. Her sharp gaze alone has your skin buzzing, but it’s the contrast that undoes you, the cool blankets brushing against your heated body, her large hand cupping your mound with such maddening gentleness.

Every nerve in you screams to stay calm, to hold yourself together, but it’s no use. Between the haze in your mind and the weight of her touch, you’re barely keeping it together. You’re fighting demons, and Sevika knows it.

“I’m gonna fuck you, okay?” Sevika asks, her voice low and casual, and you can’t help but giggle. You knew exactly what she was planning the second she pulled out her rolling papers, but hearing her say it like that sends you into a fit of laughter.

“Why’d you announce it like that?” you laugh, rolling over, making her hand slip out between your legs. Sevika grabs you before you can escape too far, pulling you back into her.

Your laughter spills out uncontrollably, and she starts laughing too. It’s that kind of laugh, the ridiculous, stoned-out-of-your-mind kind where every little thing feels like the funniest thing in the world. You wiggle on top of her, squirming as you mistake her attempts to steady you for tickling, which only makes it worse.

“C’mere,” she rasps in your ear, her voice like gravel, stopping you dead in your tracks. The sound shoots through your core, and before you realize what you’re doing, you’re straddling her midsection.

Her relaxed state is almost too cute. She’s not as far gone as you—her eyes don’t get as low and hazy—but you can tell the high is hitting her, too. She keeps licking her lips and swallowing, clearly battling cottonmouth. You get it, cottonmouth’s a bitch. Still, something about her slightly disheveled, unbothered demeanor makes your chest flutter.

“Who knew how fucking dumb you get when you smoke, hmm?” Sevika’s warm, rough hands snake up your thighs, squeezing the soft flesh of your hips. You groan in response, too floaty and noodle-like to argue. She’s right, and you both know it. Sevika had already prepped the room before you arrived, knowing you would ask for something every five minutes.

“You like it when you’re like this? Can’t even think, just focused on how I’m about to fuck the shit outta you,” she mutters, her voice low and teasing as she yanks you down into a kiss. It’s sickly sweet, almost painful, her teeth grazing your lip before biting down hard enough to make you whimper. Sevika gets rough and filthy when she’s drunk or high, all blunt force and no filter. Her favorite thing? Showing off just how built she is. Carrying you, dragging you, manhandling you however she pleases.

And her mouth? That’s a whole other person. She’ll say whatever crosses her mind, like now.

“C’mere. Get that ass on my face,” she growls, breaking the kiss. Her voice drops ten octaves and rasp, making your stomach flip. You cling to every word, breathless, barely able to think as she pushes you higher up her body.

“Wait—Sev, my panties,” you stammer, scrambling to slip them off. She bats your hands away with a huff, nuzzling between your thighs like she doesn’t have the patience for your shit. Then, before you can protest further, she presses her warm mouth against the damp fabric, tongue soaking through to taste your heady slick.

Fucking hell.

Your heartbeat pounds in your chest, the high amplifying everything. The heat of her mouth, the wet slide of her tongue, the glint in her eye as she devours you like a woman starved. 

“Wait, wait, can you breathe?” you gasp, stalling as your fingers card through her hair. You gently tug, trying to pull her away just enough to see her face. Sevika tilts her head up, licking her lips with her eyes half-lidded in bliss.

“Mhm. Now stop,” she mumbles, pouting as she pushes your hand aside to focus. And focused she is. Her lips wrap around your swollen clit, pulling soft whimpers from your throat as her tongue strokes you through the fabric.

You lift your shirt over your chest, exposing your tits. not just to watch her work but for her to see you too. The sight of your tits alone makes her groan against you, the vibration adding to overwhelming sensation.

If Sevika’s roommates walked in right now, they’d think they’d stepped into a porno. You’re practically sitting on her face, your high leaving you too sensitive, too reactive. You try to hold back, but fuck, the way her tongue lays flat for you to grind against, it’s overwhelming. She lets you use her, groaning because she loves every second of it.

One bad thing about when you’re high was that if you were to have sex, you came too quick and were far too sensitive than usual.

The final buck of your hip as you spilled in your underwear, soaking it as Sevika mouthed at it. Eyes rolled back to your skull, you find the dark tufts of Sevikas hair as you ground yourself. she flicks her tongue a bit as a way to soothe you, but it does the opposite, causing you to jerk away from her. 

“Ah—no more,” you murmur, lying horizontal on her chest, your legs numb and trembling. But Sevika’s hands are already at your hips, sliding your ruined panties off with a smirk that promises round two.

You roll over, watching her gulp the rest of her water before she climbs back into bed. She yanks the blanket off you (of course she does) and starts peeling off her own underwear.

Her smile grows, her hair messy and damp, half-up, half-down strands sticking to her skin. She doesn’t say anything as she adjusts you, moving your body to her liking until her cunt presses against yours. The slick heat of her clit catches on your folds, and you both whimper in unison.

“Holy fu—fuck, you’re so wet. You like this shit, don’t you?” Sevika groans against your lips, her voice low and rough, but her movements give her away. She’s trembling, losing herself in the mess of you, her swollen clit grinding against yours like she can’t help herself. It’s frantic uncoordinated, but it doesn’t matter. All you can focus on is the heat, the overwhelming feeling of her taking exactly what she needs.

You can’t even answer, just nodding dumbly as she kisses you again, her tongue sweeping into your mouth. The taste of her, weed and desperation, making you dizzy. Her hips stutter, and you moan against her lips, feeling yourself come down all over again.

“Sev—ah, slow down. I’m gonna come again,” you whimper, your fingers digging into her hip to try and steady her. But she’s too far gone, her pace frantic, her breath hot against your neck.

“It’s okay, fuck—just let me,” she gasps, her voice breaking as she buries her face in your shoulder. She sounds wrecked, her control slipping completely. Her arms tighten around you, her hands gripping your body like you’re the only thing holding her together.

Your orgasm hits hard and fast, ripping through you as you cry out her name. The sound is all it takes to send her over the edge. She chokes out a groan, her body shuddering against yours as she comes—sticky skin, hearts pounding, breaths tangling in the heavy air.

For a while, it’s quiet. The only sounds are your breathing and the faint rustle of sheets as you try to remember how to move. Sevika’s face is still tucked against your neck, her lips brushing against your skin as she exhales.

“You know you’re, like… really nasty,” you whisper, your voice breathless but teasing. A lazy smile tugs at your lips as you glance down at her.

She groans, lifting her head just enough to glare at you, though the flush on her cheeks gives her away. “We’re never smoking together again,” she mutters, but her lips twitch like she’s trying not to laugh.

“Sure,” you tease, too blissed out to care. You don’t even try to push her away when she shifts on top of you, her arms still holding you close. “As long as you get to have your way with me, I’m fine,” you murmur, your voice softer now as you brush your lips against hers. You can feel her smile before she kisses you again, this time slower, sweeter.

“Fuck, you’re mine,” she whispers against your lips, her voice low and possessive, sending a shiver down your spine.

“I hope so,” you reply, and it comes out like a promise.

a/n: can you tell i love writing about Sev? currently going through my drafts and revising them and so far this was fun to edit the most lol

[morganmnemonic]

I can't stop thinking about the relationship between Jon and Helen as perhaps one of the most important ones in the entire show. They are narrative parallels for each other, and they both know it. They've both known it from the very start!

Helen walks into the Archives, paranoid, unsure of who to trust, and Jon sees himself in her. And he thinks "If i can help her, maybe there's hope for me too." Then he can't save her. The next time they meet, she's a monster. They're both monsters. There was never any other way their stories could have gone, their fates entwined from the very start.

And Helen answers his original thought with one of her own: "Maybe if we can help each other, there's hope for us both." But Jon looks at her and sees everything that he fears becoming, and so he turns her away, and refuses to accept that their stories are still one and the same.

Helen went to the last person who was ever kind to her, the only person who both knew her as a human and had the context to understand what she'd become, and he hated her. He hated her because he liked Helen, and told her that she couldn't be Helen.

So she stopped trying to be Helen, and embraced being a monster. Reveled in it even. Then Jon wakes up from a six month coma, more monster than person, and tries so hard to cling to the things that mattered to him when he was human. Even with no support, even with the entire archives staff against him, he chooses humanity and compassion over and over again.

And this is a direct threat to Helen's world view. Their stories are entwined. If Jon can continue to be a person even after everything he's been through, then she could have clung to her humanity too, if only she'd tried a little harder. And that terrifies her! She wants to conceptualize herself as someone who was completely overwhelmed by forces beyond her control, who never had a choice but to become a monster. She want's to be an innocent victim. But Jon argues with his actions that they'd both had choices.

And, Jon, in turn, holds out hope that she might make better choices until the very end.

This is the conflict between them for all of season 4 and 5. Jon wants to prove that they can both be decent people, and Helen wants to prove that they were never going to be anything but monsters. This is why she's so devoted to trying to goad Jon into enjoying his newfound godhood. She knows that they are the same, and wants that to mean that he has a spark of evil inside of him, and not that she was always capable of doing good.

When Jon kills her, she loses her life, but wins the argument. Helen is nothing but a dangerous monster who needs to be killed for the good of everyone, and in the moment he decides that, Jon dooms himself to the same fate. Their stories are one and the same. "If i can help her, maybe there's hope for me too." he thought. But he couldn't help her, refused to, even, in the one moment when it actually mattered. And thus, there was never hope for him.

[nereidprinc3ss]

belladonna

in which you have to get your tetanus shot, and spencer is there to hold your hand. and… tease you. just a little bit. (bandages universe)

fluff warnings/tags: needles/r has needle phobia, flirty!reader, idiots in love, teasing, not established relationship yet, anxiety, Spencer makes a joke abt his addiction, did I mention IDIOTS IN LOVE a/n: works as a standalone, as do all the bandages fics I believe. anyway hope u like! <3

“Spencer, I don’t think I can do this.”

He sets down his shoddy hospital coffee and grabs your knee to stop your leg from its rapid bouncing, exerting a gentle pressure when you don’t immediately comply.

“Yes, you can. Just breathe, okay? Try to relax. It’s much harder for your brain to remain in fight-or-flight if your body is relaxed.”

“No, it’s—I feel like I can’t breathe right now,” you say, chest constricted in a vice of panic. “I think my heart is beating too fast, I—”

Footsteps approach from the hallway and your head snaps up, cold dread filling every vein in your body—but they continue past your door.

“Oh my god, I’m losing it. I’m going to die here,” you rave, digging the heels of your palms into your eyes. The gauze wrapped around your hand presses against your brow and beneath it a cut throbs dully—a cruel reminder of what it is that you’re doing here in the first place.

Spencer gives up on trying to make you stop bouncing your leg, and instead the hand travels to your jaw to find your pulse. His fingers feel cool against your warmed skin, accentuating the constant thrum of your heart. You watch his face anxiously as fifteen seconds go by. 

“Your pulse is pretty high,” he admits gravely, returning his hands to his pockets. Your brow knits at his sudden solemnity as you look up at him. “I’m not a medical doctor, but… we might have to take you to the hospital.”

Any trace of worry withers from your face. “Truly hilarious.”

The corner of his mouth turns up a little.

“See? You’re calm enough to make a sarcastic joke at my expense. If you were actually going to die I doubt you would be able to do that.”

“Wanna make a bet?” you snap.

“Definitely not,” he smiles, warm eyes alight and not at all fazed by your attitude. “You’re the last person I’d bet against.”

“Ha,” you say bitterly, eyes darting to the door again. “In that case I might just take my chances with tetanus.”

“I just watched you slice your hand open on a rusty fence, take down a man twice your size, and get ten stitches without flinching. Needles should be afraid of you.”

At least now your face is warming from the compliment and not the anxiety. 

“It’s... different. Like, stitches and shots. Shots really fucking freak me out. I don’t know if you could tell. I’m sure I seem really chill about it.”

He nods sagely. “Trypanophobia. It’s among the most common phobias in the world, next to Arachniphobia, Ophidiophobia, Acrophobia, Aerophobia. You have Astraphobia, too, don’t you? Fear of storms?”

“Spencer.”

“I also used to struggle with needles, actually.”

You look back at him, suddenly curious.

“Used to?”

“Yeah, but I pretty much got over it when I got all the vaccines for my clearance at the Academy. Becoming addicted to intravenous drugs helped, too, but I wouldn’t recommend it,” he muses, examining the art on the wall behind you and taking a sip of his coffee.

At that exact moment, the door opens and a very professional, very exhausted-looking nurse hurries in. You hardly even register her because you’re staring at Spencer, trying to figure out if you just heard him right. He’s looking right back at you over the rim of his cup, eyes dancing with what looks like suppressed mirth.

The nurse says something, and you bless her with an ‘uh-huh’, unable to take your eyes off of Spencer.

“I must be hallucinating,” you say.

“What? You’re the only one allowed to make off-color jokes at inappropriate times?”

“I didn’t even know you could make a regular joke, honestly.”

“You ready, dear?” says the nurse, swabbing your upper arm with an alcohol wipe.

“Ah! Spencer!” You yelp, thrusting out your hand for him to take. He quickly sets the cup  back down on the window sill and takes your outstretched hand, stepping closer.

“Relax,” he laughs upon seeing how your shoulders have risen to meet your ears. “Don’t look over there. Look at me.” Gently he brushes a loose strand of your hair behind your shoulder, redirecting your focus toward him. At this point you’ve gone catatonic anyway, so you don’t resist, although it doesn’t seem to matter much because you’re basically blacking out. “Literally relax your arm. I'm serious. It will hurt less.”

“Small pinch, darlin’,” the nurse says, and you clench your jaw so hard you’re afraid you might break a tooth, and maybe some tetanus-induced lockjaw wouldn’t actually be so bad, and she’s touching your arm now, and who made that extremely undignified squeaking noise, and— “And you’re done.”

You frown.

“I’m done?”

“You’re done,” the nurse repeats. Logically she has no reason to lie to you about this, but you look over to check anyway because there’s simply no way you’re done just like that. Sure enough, she’s smoothing a band-aid over your shoulder and pulling your sleeve back into place.

You look back at Spencer as if searching for a second opinion, utterly baffled. He carefully frees his poor hand of your bone crushing grip and grabs your discarded FBI jacket from the chair, handing it to you.

“That’s it?” you say, taking the jacket and absent-mindedly folding it on your lap.

“That’s it. You did it.”

“Really? That’s all? I feel like it can’t be that easy. I don’t even think I felt anything,” you ramble, rolling your shoulder around, and finding just a bit of soreness.

“You were so brave,” he nods, stepping closer to wipe something warm and wet away from under your eyes. “Americans can rest easy knowing they’ve got someone like you in the FBI.”

“Shut up. Am I crying?”

He laughs, and the twinkly sound fills you with even more joy than normal. Everything seems a little brighter, a little warmer—probably another adrenaline rush or a result of your brain releasing a trace amount of opioids in response to the pain.

“Just a little bit.”

“You two are FBI?” The nurse says, like she can’t quite believe it.

Before you can tell her that you don’t very much like her tone, Spencer nods.

“Behavioral analysis unit.”

“Oh! You guys catch all those serial killers?”

He nods politely, giving her a flat smile. “That’s the goal, yes.”

“Wow. There’s a meet-cute to tell your children.”

You snort and immediately clap your good hand to your mouth, looking up at Spencer to see how he’ll react. Of course he’s already red and stammering.

“Oh, no—I—maybe I misled you, we’re not, uh… we’re not together. Not like that. We are partners in the, in the sense of our job, not—we’re not romantically involved. Just—co-workers. Friends. We’re, I’d say we’re good friends. I mean, she’s great. She’s very nice, and, well—maybe nice isn’t exactly the right word, but she’s, you know—”

“Spencer,” you interrupt.

“You ready to go?” he says immediately, looking very grateful that someone finally cut him off. Works like a charm, every time. 

You stand, and to your surprise, wobble a bit on your feet. Spencer steadies you with a hand to your waist. “Woah,” you mutter, trying not to look too disoriented.

“You need to eat,” he says. “With how anxious you’ve been you probably completely burned through whatever calories were in your system. It’s a parasympathetic nervous system response to adrenaline.”

“I know what it is.” You grab his hand and turn to the nurse, who is looking at the two of you with a bemused, slightly clinical interest. “Um... thanks? Right?”

“Okay,” Spencer says. “We’re leaving now. Come on. Go.”

As he’s herding you out the door, you keep trying to look at him over your shoulder. “Is it weird that I kind of liked it? Does that, like… point to something?”

“Never repeat that,” Spencer says, shaking his head, but you can hear the strain of a hidden smile in his voice. 

You smile up at him as the two of you walk down the empty hallway, swinging his hand in yours.

“She thought we were together,” you say, and it’s almost a gloat, though Spencer can’t quite wrap his mind around what that might mean. Instead, he relishes the weight of your hand in his. He doesn’t exactly remember when that became commonplace, but he never takes it for granted. He can’t help the smirk across his face which always lets you know he’s going to say something snarky. 

“She just doesn’t understand that you need constant attention or you’ll die.”

Luckily, you’re used to each other. Quips are just one prevalent dialect in your vast love language. 

“Yup. I’m a delicate, rare flower.”

Spencer scoffs lightly.

“Yeah. Like deadly nightshade. Or water hemlock.”

“Those ones are pretty, right?”

He squeezes your hand. Imagines telling you that he’s in love with you and has been for a very long time. 

Instead, he thinks about dinner. 

“Gorgeous. Where do you want to eat, Belladonna?”

for more of these two, check out the bandages universe masterlist!

[ahqkas]

Hey! Can you please write headcanons for Bruce, Dick, Jason, Tim where they get jealous when reader ignores them for some other guy? (They haven't confessed to her yet because of their issues) The reader is also very oblivious to their feelings and doesn't understand why they are acting weird around her male friend. Thanks 😘

♯BABY COME HOME 2 ME . . . he’s jealous !! (fem!reader)

BRUCE WAYNE

bruce had perfected the skill of keeping his emotions under wraps, but when he saw you chatting animatedly with clark kent of all the people, his jaw tightened, and his usual stoic demeanor grew even colder. he didn’t say anything outright, but his silence became louder, his responses clipped and curt

he spent an unreasonable amount of time analyzing every interaction you had with the superman. he didn’t want to be jealous, but he couldn’t help dissecting your body language, the tone of your laughter, and how often you glanced in clark’s direction. the world’s greatest detective is undone by a simple smile exchanged between you and the man of steel

so he started subtly trying to one-up clark whenever you were around. If clark complimented your choice of book, bruce casually mentioned that he had donated an entire library to that author’s hometown. if clark suggested grabbing coffee, bruce offered to fly you to paris for the best croissant you’ve ever had (competitive much)

he became strangely territorial, appearing wherever you and clark happened to be. need help with research? bruce suddenly has all the resources at his disposal. want to attend a charity event? bruce personally invites you as his guest. his subtle possessiveness confused you, but he waved it off with a dismissive, “i was in the area.”

despite being oblivious, clark catches on pretty quickly. he teases bruce about his attitude, whispering, “you know, she’s just being friendly,” during a team meeting. bruce’s only response is an icy glare, but inside, he’s frustrated that even clark can see what he won’t admit

bruce started making dry, sarcastic remarks when clark’s name came up in conversation. when you mentioned how nice clark is, bruce grumbled, “nice? sure. but can he solve an international financial crisis in a single night?” you think he’s joking, but that man is 100% serious.

DICK GRAYSON

dick prides himself on being the laid-back, easygoing friend, but when he sees you laughing at one of wally’s cheesy jokes, something tightens in his chest. his usual smile falters for a fraction of a second before he forces it back into place. you don’t notice, but wally does, smirking knowingly

he starts teasing wally in a way that’s just a bit sharper than usual. “wow, wally, that story gets funnier every time you tell it,” he says with a smile that doesn’t quite reach his eyes. you laugh along, oblivious, but wally raises an eyebrow, clearly enjoying dick’s discomfort

he becomes oddly competitive, especially when wally’s abilities are involved. if wally races ahead to grab you something, dick will casually say, “sure, he’s fast, but can he do this?” before doing some ridiculously impressive flip that leaves you clapping. he’ll shrug it off like it’s nothing, but he’s secretly watching to see if you’re impressed

dick starts overthinking every little interaction. did you laugh harder at wally’s joke than at his? does wally text you more often? he gets caught up in his own insecurities, wondering if maybe wally is a better fit for you—someone fun and carefree, without the baggage he carries

wally, ever the troublemaker, starts leaning into the situation. he’ll throw an arm around your shoulder or wink at dick while you’re not looking, just to see how far he can push him. dick plays it off with a tight smile, but his fingers twitch as if he’s resisting the urge to yank wally’s hand away from you

at some point, wally corners dick with a smug grin, saying, “so, when are you going to tell her?” dick tries to deny it, but wally isn’t fooled. “come on, grayson. she’s oblivious, not blind. well, actually, she is blind to you, but that’s your fault.” dick groans, knowing wally won’t let it go, ever

later when you two actually get together, wally makes sure to get in the last word, casually saying, “took you long enough, grayson. you’re lucky i’m such a good wingman.” dick rolls his eyes, but for once, he doesn’t argue

JASON TODD

jason is naturally broody, but when he sees you laughing at one of roy’s jokes or leaning closer to hear him better, his usual scowl deepens. his arms cross tighter, his jaw clenches, and his responses become more gruff and sarcastic. you think he’s just annoyed in general, but roy knows better

he doesn’t want to feel jealous of roy—roy’s his best friend, after all—but he can’t help it. he knows his friend is charming and easygoing, and it eats at him that you seem to enjoy roy’s company more than his. he hates himself for the bitterness, but he hates how much he cares even more

he starts pulling away, telling himself it’s better to let you be happy than to deal with these feelings. he’ll find excuses to leave the room when you and roy are hanging out, claiming he has “important red hood business” or muttering, “you two don’t need me hanging around.” his absence feels colder than his usual aloofness :((

jason tries to compete with roy’s charm in his own way. he’ll offer to help you with things before roy gets the chance—fixing something in your apartment, teaching you how to defend yourself, or lending you his jacket when it’s cold. his gestures are quieter but filled with meaning, though you only see them as jason being his usual protective self

roy catches on to jason’s jealousy almost immediately and starts poking the bear. he’ll intentionally sit a little closer to you or tell stories that paint himself as the hero. jason’s glare darkens every time, and roy smirks like he’s won some unspoken game

his friend eventually pulls him aside, half-teasing, half-serious. “you’re going to scare her off if you keep growling like that, jaybird,” he says with a grin. jason denies it, grumbling, “she doesn’t feel that way about me, so what does it matter?” roy shakes his head, muttering, “you’re hopeless,” but decides to give you two some space

“took you long enough. it was written all over jaybird’s face.”

TIM DRAKE

tim isn’t the type to show his jealousy outwardly, so at first, he tries to brush it off. he tells himself he’s being irrational, but every time he sees you smiling at conner or laughing at one of his jokes, it’s like a knife twisting in his chest. he sits there, silently sipping his coffee, pretending it doesn’t bother him

instead of confronting his feelings, tim buries himself in work. whenever you and conner are together, tim conveniently has “important research” or “a mission to plan.” he thinks distancing himself will help, but in reality, he’s just overthinking the situation in the safety of the batcave monitors

tim’s usual polite demeanor starts to crack, and he can’t help throwing in a few passive-aggressive comments. if vonner makes a lighthearted joke about being a hero, tim mutters under his breath, “yeah, because we didn’t already know how amazing you are, conner.” you laugh, thinking tim’s just being witty, while conner gives him a confused side-eye

when you and conner are deep in conversation, tim randomly interjects with obscure facts or strategic insights to redirect your focus. “did you know the alignment of the stars tonight is perfect for an alien incursion? just saying.” you smile and ask him to elaborate, giving him a brief moment of relief that he has your attention again

conner, being tim’s best friend, catches on pretty quickly. he notices the way tim’s eyes linger on you a little too long or how his voice drops when you mention conner’s name. instead of teasing him outright, conner starts backing off slightly, giving tim room to shine

you start noticing tim’s strange behavior—his avoidance, his sudden snarky remarks about conner—and ask him what’s wrong. he insists it’s “nothing,” but the crack in his voice gives him away. still, he’s too guarded to admit what’s really bothering him

later after tim’s confession, conner gives him a playful nudge and a knowing grin. “see? told you she’d feel the same way. maybe now you’ll stop staring at her like a lost puppy.” tim groans, muttering something about how conner’s the real puppy, but he’s secretly relieved—and grateful—that his best friend had his back

after your heart-to-heart, tim’s confidence starts to grow. he’s still awkward at times, but he’s more willing to share how he feels, even if it’s in small, thoughtful gestures. and when conner teases him about finally making a move, tim just smirks, knowing he’s the one who has your heart

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