#because she's a symbol for something he hates and fears

[danlous]

2.07 made it more clear than ever that everyone in the story (except perhaps Madeleine) views Claudia as a symbol for something rather than really seeing her. The scene where Louis is dragging Claudia on the floor like a doll begging Lestat to look at their 'beautiful little daughter' is both heartbreaking and deeply unsettling. This young girl who Louis doesn't even know is given the impossible weight of being everything to Louis; his light and redemption, replacement for his sister, fulfilling his longing to have children and to take care of something, his friend and confidante, fixing his relationship with Lestat, proving that living as a vampire could be worth it, giving him happiness and purpose. She called Louis an angel and saw something good and beautiful in him when Louis himself felt there was none, so Louis desperately hopes that he can be her savior and she can be his.

For Lestat she's something that keeps Louis tied to him, and to the world and vampirism and existence itself. He spitefully tells Claudia to come home and make Louis happy - because it's her purpose. Lestat sees himself in Claudia and detests it, but as he says he also sees his best vampiric self in her and is proud of it. Louis and Lestat both love Claudia deeply but i think they also see her as a living physical symbol of their eternal connection to each other, their union and its breakdown, and all their shame and guilt. In the modern day Louis' house in Dubai is like a mausoleum built for the memory of Claudia - and himself.

In Paris she's forced to assume the role of a little girl over and over again, the audience loving her but only the image of her that doesn't really exist. To the coven she ends up meaning everything they despise and on her last day she's completely dehumanized. In the book Armand says "I never loved her. I didn't know how", and i think that's reflected in the show too. I don't think Armand felt much toward Claudia other than resentment and something almost like fear, and that's what allows him to kill her with such coldness. Claudia is a living obstacle to his relationship with Louis, and like Lestat i think he's uncomfortable with seeing himself and his trauma and pain in Claudia.

But i think above all Armand too sees her as the embodiment of the connection and love between Louis and Lestat. I think Armand views Claudia first and foremost as Lestat's child and an extension of him, particularly obvious from the scene where he calls her Claudia de Lioncourt, and he's reminded of Lestat every time he looks at her. It doesn't matter if Claudia was going to leave with Madeleine, even if she and Louis never met again. As long as Claudia exists Louis will never be fully his, because he's connected to Lestat through her and thus belongs to Lestat. Claudia must be destroyed so that connection can be severed

[tenwhiteandalusians]

is episode 8 the domitian arc ? more on this and EVEN MORE narratives i’ve been ignoring that the show said “actually,,,” about in 5

[uisceb]

Okay I want to talk about this moment between Morrible and Glinda for a sec because it adds such a wonderfully sinister layer to a scene that is otherwise a triumphant defining moment for Elphaba, and it sets up the dynamics for Part 2 so perfectly.

At this point, we are in the thick of “Defying Gravity.” Everyone’s attention is on Elphaba - and rightfully so, she’s up there declaring war on the Wizard, displaying incredible feats of magic, of course everyone’s attention is on her.

…Everyone, except Morrible.

Morrible has realized that Plan A was a bust, but rather than panicking, she’s already worked over Plans B through Z in her head and has realized that Glinda, not Elphaba, is actually the key figure here. Glinda is actually the best thing that could have happened to them.

Mind you, Morrible hates Glinda. She thinks Glinda is vapid and attention-seeking and completely without talent. It would be extremely easy for her to brand Glinda as an accomplice to Elphaba, have the guards drag her off, imprison her, never have to deal with her again, nice and neat.

Instead, while everyone else is focused on Elphaba, Morrible only has eyes for Glinda. She zeroes in on her, releases her, and comforts her, because she understands what no one else understands, which is that yes, that’s great that the Wizard now has an enemy to unify his people against, but they also need a symbol of hope, something that is the exact antithesis to Elphaba, something to keep everyone at extremes. 

The Wizard himself can’t really be a symbol of hope, because the key to his success is that he remains shrouded in mystery, and yes people think he’s wonderful, but there’s a level of uncertainty and intimidation to him. He is Oz the Great and Terrible, and everyone’s preeeeeetty sure he’s a good guy, but if you have someone like Elphaba out there - who Morrible knows from experience is very smart, very articulate, and has her own sort of magnetism - there’s a potential that she could turn at least enough people against the Wizard to make things very inconvenient.

So what they need, now that they have an enemy, is to have an equally magnetic figurehead representing the Wizard who embodies all these one-dimensional ideas of goodness, someone for the public to adore and fawn over so the association between Wizard and Goodness is crystal clear.

And by bringing Glinda along, Elphaba has unknowingly served that figurehead up on a platter.

Glinda is everything Elphaba isn’t, from personality, to appearance - Morrible has already set Elphaba up by calling her green skin an “outward manifestorium of her twisted nature,” which paves the way for Glinda, who is the perfect conventional beauty, to be an “outward manifestorium” of pure goodness. 

Morrible realizes they need these two lightning rods of Absolute Evil and Absolute Good in order to manipulate people - fear alone isn’t enough; the only way to effectively radicalize the populace is to make sure there is no gray area whatsoever, no room for question: you're either good, or you’re evil. And the Wizard alone isn’t a strong enough representation of “goodness” when by virtue of existing, he has to remain in the shadows. Glinda on the other hand? With her looks and her charm and her openness and her ability to expertly win over a crowd? Perfect for the role.

Now the tricky part for Morrible is taking into consideration that Glinda and Elphaba love each other. But we also know from earlier scenes that Morrible is a master at manipulating emotions. Right from the start when Elphaba is having trouble with her magic, Morrible casually brings up the “Animals should be seen and not heard” disturbance from class, spoon-feeding her just enough to get Elphaba upset, triggering her magic, after which Morrible makes sure to give her assurance and praise to keep Elphaba optimistic about her power.

She’s also aware that Glinda does have quite a bit of influence over Elphaba, because when Elphaba flees, Morrible immediately tasks her with winning her over, rather than simply relying on the guards or even going after Elphaba herself. She knows if anyone has a chance at roping Elphaba back in, it's Glinda.

Obviously, Glinda isn’t successful in getting her back, but while this puts a dent in Morrible’s plans to get control of Elphaba, it does give her an extra weak spot to exploit in Glinda.

So now, at the height of “Defying Gravity” when Elphaba has officially taken her stand against them, Morrible sees Glinda, and Glinda is at her most vulnerable, her most emotionally fragile. Not only is she heartbroken and in shock, she’s also just witnessed in real time exactly how easy it is to turn an entire nation against someone. She’s scared, she’s powerless. She’s just lost the love of her life her only friend, she has no one to turn to - Morrible has definitely picked up on the fact that even though Glinda has countless people who fawn over her, none of them can be considered a true friend except for Elphaba, which means Glinda is completely isolated. Glinda also has a very limited understanding of the bigger picture of what the Wizard is trying to accomplish, and because she’s never been a victim of the system the way Elphaba has, she is still desperately clinging to the idea that everything will be okay as long as she plays by the rules of the people in power.

She has been perfectly primed for Morrible to begin manipulating, not through violence or intimidation, but by offering her comfort when no one else would - when not even Glinda’s only friend would - when no one else is even paying attention to Glinda, because they have the very real and present threat of Elphaba quite literally hanging over them. In this moment, Morrible chooses Glinda, which Glinda has been striving for since the beginning. Elphaba has chosen her principles, the Wizard has chosen his enemy, but Morrible has chosen Glinda, and in this moment of being so alone and so afraid and so betrayed, that makes all the difference.

We also get kind of a parallel shot too - Elphaba really sealed her fate the second her hand closed around the broom. But here, Glinda seals her fate when she gives in and reciprocates Morrible’s hold on her.

THIS is the moment that sets us up for Part 2, with Elphaba and Glinda as our lightning rods for Absolute Evil and Absolute Good, but more to the point, it makes it clear that they’ve BOTH been used, they’ve BOTH played right into these respective roles Morrible and the Wizard need in order to be successful - even if it wasn’t how Morrible originally planned for things to go.

I just love it, because “Defying Gravity” is Elphaba’s song - it’s triumphant, and it’s heartbreaking, and it’s everything a defining moment should be for a character. But by injecting this little moment between Morrible and Glinda into the scene, we also get an underlying current of dread because we know we’re about to see the consequences of Elphaba’s defiance versus Glinda’s compliance and how both serve to benefit the Wizard/Morrible’s propaganda.

TL;DR - when I said "I want to talk about this scene between Morrible and Glinda for a sec" I clearly meant "I'm gonna write a whole essay. Like a nerd."

[sugar-grigri]

Pochita, if you can read, why don't you speak ?

Wouldn't it be humane to protect humanity and demonic to protect the underworld? And what if... it was actually the other way around.

The interweaving of questions and answers is exactly what this chapter does.

While Yoru sordidly states that children are nothing more than the property of their parents, the one who can't speak, instead of devouring a human as he did with all those demons, decides to go to the blood drive.

Pochita understood what the sign meant. He knows how to talk. But he'd rather hold up that sign and roar than make any demands.

Worse still, he does not decide to give any orders.

It's not words that symbolise order, it's that raised index finger that already in Roman times expressed command.

In the United States, arms are a constitutional right (as recently reiterated by the Supreme Court, which does not admit of any restrictions), a fundamental freedom but also a means of preserving one's freedom, allowing organised militias to fight and protect the State.

You can see how it's all a construction, the weapons are a technological creation, the State is an administrative and political creation.

And that's where things get interesting. First of all, this chapter is highly symbolic and has a very strong political message (oh my god, political interpretation in a manga, impossible..........)

Yoru has sliced off the index fingers of those who support the right to bear arms in the United States. Or campaign for that freedom. But what Yoru is doing. In fact, it's taking it away from them. How can I shoot without this index finger? You can't do it.

It's by taking weapons away from men that they actually regain their freedom.

But it goes even further than that. Why does Yoru sacrifice these fingers? Because it reinforces the fear of weapons. Let's say I point a gun at you (sorry). You'd be less scared if you were as armed as I am. Especially when you're trained, know how to defend yourself and aren't afraid to shoot.

Yoru makes those who thought they were invincible with weapons vulnerable. She strengthens the Gun Devil's power. She contracts with them through her sacrificed child.

Weapons,

freedom,

deprivation of childhood,

of loved ones,

obsession with a mentor,

To think that a god created them.

Remind you of anyone?

Infanticide is what makes you immortal.

The sacrificed demons become weapons, lost between humanity and the demons. Not being human, nor demon, because they have no parents. Even artificial weapons like Reze and Katana display these characteristics. Isn't loneliness one of the ingredients?

Humanity sacrifices its children. As Fujimoto confirmed, they were prepared to do it for eternal youth.

And now you're going to say to me. NOOOO! Yoru too! Just as Makima wouldn't hesitate to do. The demons are also ready to do it.

Yes, because they are influenced by men.

Yoru speaks, uniting with humanity to say horrible things. Whereas Pochita doesn't speak. Worse still, he has chosen not to speak. Worst of the worst, even worse. He'd rather be a dog than a human. That's his choice.

Pochita fights for those he loves, he doesn't sacrifice them.

The demon of birth, it swallows but can spit out. Suspending existence, giving it new life, denying none of it.

Wasn't Makima devoured by Denji proof of this?

Nayuta is the symbol of this rebirth. A perpetual love that surpasses hate.

Pochita loves demons. He also loves those who mean something to him, like Denji. But he also knows that when we become too human, we can end up sacrificing ourselves out of vanity rather than love.

Pochita has sacrificed himself for love, without expecting anything in return as he waits permanently for Denji's dreams.

He is also Denji's lock, preventing him from fully adapting to men.

That's why killing Black CSM was Denji's wish come true. Because Pochita is preventing Denji from becoming normal.

Because he wants to protect him from humanity. Pochita has never been for humanity.

He is simply the guardian of the underworld, all those demons whose existence he guards, a supreme mother. Humanity must endure in order to continue to be afraid. But if humanity is prepared to overcome the ultimate fear of losing its child, then fear is scorned.

So Pochita tried to wipe out the weapons' existence, to devour them. But they still existed. Why? Because they are already the result of infanticide.

being devoured by the demon of birth, mother of the underworld, actually reinforces their existence.

Being devoured by their mother is the reason for their nature.

Whereas weapons are beings born because their mother has killed them.

Denji is the result of the death of the Supreme Mother.

It's not a weapon.

He's a wall.

Hero of the underworld.

A hero of the underworld who has been fighting from the start for the victory of love, sacrificing himself for those he loves and not sacrificing them. So he asks for blood.

And I'm sorry. If weapons really are born like that, they have to look human, and I think this is the last possessed human.

Someone's been ringing the doorbell.....for 100 chapters… it's time to answer it, isn't it?

[shanastoryteller]

Sam seems convinced this is going to work, but Dean’s pretty sure it’s just a load of crap. Bobby’s even more convinced that it’s a whole lot of nothing, although he had admitted that he couldn’t read every symbol that Sam had added to this mess up devil’s trap. That didn’t mean it would work. It just meant that Sam had thrown everything he could think into it.

The real reason that Dean is going along with this, and probably Bobby is too, is because it means that Sam wouldn’t be alone after Dean is dragged to hell. Although standing in the middle of Bobby’s junkyard in a mess of spray paint isn’t exactly how he’d wanted to spend the last hour of his life.

“You really think Lilith is going to show?” he asks. He doesn’t know why she would. She just has to send the hellhounds, who’s howls and yips Dean has been hearing for days. And those things have never been stopped by any sort of devil’s trap.

“Yes,” Sam says, tense, not looking at him.

That’s another thing. For weeks Sam has barely looked at him, barely talked to him. Which sucks, because he’d really wanted to spend the last weeks of his life just looking and talking to and spending time with his brother, but Sam hadn’t been interested in that. At all.

He shares a look with Bobby, who just shrugs, hands tight on his shotgun.

Then the hellhounds come, just like he knew they would, no Lilith in sight. “Sammy,” he says, reaching out for his brother. Not because he thinks he can do anything, but because he wants to touch Sam one last time, one last memory to sustain him through hell.

Sam snaps out his hand and the hellhounds go skittering back, letting out pained yowls.

Dean stares, not understanding. “What did you – wait. You can see them?”

Only he should be able to see them. He’s the one that made the deal.

Sam still won’t look at him, damnit, even as Dean fists his hand in the back of his shirt. Sam's voice is low and pained when he says, “I’m sorry.”

Fear clenches in his gut. But before he do anything, there are demons surrounding the devil’s trap, appearing one by one in Bobby’s junkyard. They’d needed to take down his protections so Lilith could get in, but they hadn’t expected this. Of course she brought a freaking audience.

“Which one of you is Lilith?” he barks out, dragging Sam behind him. He refuses to let the last thing he sees be his brother hurt, or worse.

Dozens of demons stand there, human vessels with pitch black eyes. The hellhounds whimper and slink around them, but don’t seem interested in getting any closer. Dean can’t blame them.

Sam pries his hand off of him, stepping away before Dean can grab onto him again. He leaves the safety of the devil’s trap, which is fucking stupid. Dean’s lunging forward to stop him, but then there’s Bobby’s arm holding him back, face pale with a horror Dean doesn’t understand. He hadn’t looked like that even at Cold Oak, when they’d seen the gates open to hell.

The demons bow.

He blinks, not understanding what he’s seeing.

Sam is standing there in front of them, no protections, and they’re all bowing to him.

Except one.

Ruby is there, stupid red leather jacket and blonde hair and the smirk he hates so much. She walks around the demons up to Sam, who’s face is cold and expressionless. “She’s coming.”

“I know,” he says. “If this doesn’t work, I’m going to kill you.”

“Promise?” she returns. “If this doesn��t work, death will be a mercy.”

Dean tries to push Bobby off of him, to get in between Sam and this bitch, but he doesn’t let go.

Then there’s a little girl in a white dress, head tilted to the side. “Something here belongs to me.”

Ruby flinches, stepping just slightly behind Sam.

“Not you,” she sneers. “You haven’t belonged to me in a long time, I fear. You really think that this boy can save you?”

“Sam,” Ruby says.

He sighs, like this is a trial, and raises his hand.

Lilith’s sneer drops from her face. Her upper body yanks forward, but her legs won't move. “You bastard,” she snarls, raising her hand in return, but nothing happens.

For the first time, fear flickers across her face.

Ruby steps forward, her own terror swallowed up by arrogance, by delight.

Dean tries to move, but finds he’s just as frozen as Lilith, even more so. He can’t twitch a single muscle. Going by Bobby’s unnatural stillness next to him, he assumes he’s in the same boat.

“Samuel is the heir of the light bringer,” Ruby says. “He has taken his birthright. You can’t touch him.”

What’s she talking about? What birthright?

What has Sam done?

“No,” Lilith snarls. “He’s nothing more than one of Azazel’s experiments.”

“A night, a full day, and then morning,” Ruby says. “That’s what he was. Then he rose on the third day.” She shoots a mocking look his way. “If it weren’t for his brother, he would have died nothing more than a failed experiment. But he has risen.”

No. What does that mean? What’s she saying? He had just wanted Sammy back.

Did he do this? Is this his fault?

“Ruby,” Sam says, a note of warning in his voice.

“Right, right,” she sighs. Then, back to gleeful, “Her eyes.”

Sam’s finger twitches and Lilith’s eyes bleed black tears.

She screams, the sound even worse because her vessel is a child.

Ruby lists thing after thing, pulling out her fingernails, peeling her skin. Her blood is black, none of it red, and the injuries shouldn’t really be hurting her but they clearly are. Dean watches helplessly as Sam tortures Lilith at Ruby’s command, enacting one terrible thing against her after another.

Lilith lies there, moaning, limbs broken, body in pieces.

“That’s enough,” Sam says.

“Enough?” Ruby hisses, turning to face him. “You know what she did to me! She – she–”

Sam’s stoic mask breaks, creasing in sympathy. Dean would prefer it wasn’t for a demon, for Ruby, but at least he now recognizes his brother. He raises his free hand to her head, his touch an oddly gentle counterpoint to everything he’s done to Lilith. “I know. But it’s enough.”

Tears glint in her eyes, just for a second, then she swallows and nods, stepping away from Sam’s hand.

He steps forward, crouching in front of Lilith. “You shouldn’t have come after my brother. Now we both have to live with the consequences.” His mouth twists. "So to speak."

Whatever she would have said in response is lost in her screams. Black smoke pours from her, then lights up, like a spark in steel wool, the fire moving through her reminding him almost of the Colt.

Lilith dies. Sam kills her, no Colt, no devil’s trap. Nothing but his own terrifying powers.

“Will you bow to me now?” he asks.

Ruby tears her eyes from Lilith’s corpse and her irritating fucking smirk slides back into place. “Now?” She steps closer, tilting her head back almost like she’s about to kiss him, then falls gracefully to her knees in front of him. It looks more like she’s about to give him a blowjob than a form of subservience, but he thinks that for a moment Sam almost seems amused. “I bowed to you first.”

“So you did,” he says softly. He raises his voice. “Move out. Casey. You know your job.”

“Yes, sire,” says one of the demons, voice almost familiar.

Then Sam’s walking away, Ruby just a step behind him. The other demons follow suit, the hellhounds not even glancing at Dean as they get caught up in the procession.

Sam still won’t look at him. He only sees the back of his brother’s head as he leaves him behind

The only demon left is Casey. He knows her, he recognizes her, the demon he’d been trapped with in that city full of sin, the one that Sam had shot and killed. He’d seen him kill her.

She gets to her feet, offering him a smile as she draws closer. “Hello, Dean. I bet you never thought you’d see me again.”

She steps right into the devil’s trap and presses a hand to him and Bobby each. As soon as she touches them, they’re able to move, darting away from her and leaving her stuck in the devil’s trap.

“What the hell was that?” he asks, wishing his voice wasn’t shaking, but he has more important things to worry about.

She turns to face them. “Samuel does not want you to die. He did what he had to do to ensure you wouldn’t.”

“The fuck you talking about?” Bobby asks gruffly.

“I told you back then I was ready to follow Sam,” she says, stepping out of the devil’s trap like it’s nothing, which she definitely shouldn’t be able to do. Bobby hadn't thought that this thing would be able to contain Lilith, but Casey’s nowhere near Lilith’s level. It should work on her just fine.

Bobby’s hand darts out, throwing holy water over her, but it doesn’t so much as steam.

She just looks amused. “That won’t work on me now. Neither will an exorcism, or any of the usual tricks. I have been purified.” She holds out her hand to Dean and it’s the Colt, the one that they’d lost when Bela sold it. “This is the only thing that will kill me now.”

“And you’re just handing it over?” Dean asks.

“I have my orders,” she says steadily. “Samuel wants you to have it.”

His entire body goes gold.

“What do you mean purified?” Bobby asks, shooting Dean a concerned look. “You’re a demon. Purifying you should kill you.”

“And was Lucifer a demon?” she asks. “I have taken the sacrament.”

Dean doesn’t know what that means, but Bobby’s expression shifts from disgust to shock to a horror filled curiosity. “You drank Sam’s blood?”

She did what?

“I have taken the sacrament,” she repeats, lifting her chin. “Samuel purified me.”

How the hell would Sam’s blood do that? Why had she drank it in the first place? She’s a demon, not a damn vampire. Dean pushes those questions aside and instead asks, “How are you even alive?”

“Samuel resurrected me,” she says. First he can kill demons, and now he can bring them back? “He knows we had a rapport and he thought it would be easier if it was me.”

“What would be easier?” he asks. His head is spinning and his heart hurts and he doesn’t understand anything that just happened. At least being dragged to hell would have been simpler.

She presses the Colt into his hands. “Samuel doesn’t want you to die. He knows this will be difficult for you, that you’ll make poor choices. I have my orders. I am to stay with you and keep you alive. We’re going to get to know each other very well, Dean.”

“Like hell,” he says gruffly, hand tightening as he takes the Colt and raises it to her head. “What’s to stop me from killing you?”

“The same thing that will stop you from killing Samuel,” she says and he flinches. “Nothing.”

He stares at her. He can’t bring himself to speak.

“You’ll have to hunt him down the old fashioned way,” she says casually. “But if you can find him, you can kill him. We’re all under orders not to touch you. Samuel won’t stop you if you want kill him. The same way I won’t stop you if you want to kill me.”

“Why?” he asks.

She shrugs. “It’s always been up to you, Dean. He trusts you. If you decide that he must die, then he’s willing to die.”

Dean sold his soul for him. He’s not going to fucking kill him.

But the Sam he sold his soul for wasn’t capable of doing that to Lilith. He wouldn’t have even wanted to be.

“What about your demon lover?” Dean asks, thinking of the priest that Casey had embraced and kissed, the demon she’d begged to spare Dean’s life before Sam had killed them both. “Sam bring him back too?”

Grief chases across her face before she smooths it away. “He will. If I am good, and obedient, and loyal, then Samuel will bring him back for me.”

Dean’s stomach rolls to hear Sam described like that, like some sort of tyrant or king. Like Dad. “You really believe that?”

Casey meets his gaze steadily as she echoes the words she’d said to him in that basement as she spoke of Lucifer, except now she’s talking about his brother. “I have faith.”

[lushaletta]

the lamb and her wolf / tom riddle

pairing: tom riddle x fem!reader

content: muggleborn!reader, tom is goin a lil mad

summary: have you fallen into the dark lord’s trap, or has he fallen into yours?

a/n: i wrote this at 4 in the morning so enjoy this stream of consciousness grumpy x sunshine esque tom riddle fanfiction or something.

⋆ ࣪.  ⁺⑅ ⋰˚ *.ﾟ .˳⁺⁎˚ ˚⁎⁺˳ . ༺ ˖࣪ ˖࣪ ∗

Tom is in a frenzy of sorts, he’s concluded.

Perhaps it is the sleepless nights and stressful days that cloud his weeks that are causing the weird feeling in his chest. Insomnia-induced hysteria.

There’s a flurry of thoughts swirling around his head recently. All with a common theme; you. The space in his brain that he typically reserved for Ancient Runes or Arithmancy was now composed of you, you, and only you.

It makes him sick to his stomach.

He’s unfocused. And he can’t be, because he’s supposed to be working on the secret that Salazar Slytherin hid in the deep crevices of Hogwarts some years ago.

His fingers tap on the book that he can’t seem to pay attention to as he tries to make sense of this. The disgusting, awful, pleasant fondness he feels for you. For a Muggleborn girl no less.

The only solution to his problem is to kill you. It wouldn’t be hard, he thinks. You’re small and meek and all too trusting of him. Like a lamb to the slaughter.

You are a symbol of everything he despises. Joy. Innocence. You are of the same kind as his worthless father. So why is it that he can’t bring himself to end you? To end your time together? He’s done it before. He’s done it plenty of times and without a second thought.

“Tom!” your horrible, beautiful voice cheers, snapping him out of his thoughts. Oh, great, he thinks. You plague his mind and now you bedevil his reality.

“Hello,” he says after a beat.

You ignore his bothered expression and smile. “I’ve brought snacks! You do like mince pie, don’t you?” He nods weakly. “Good, because my mam’s had some sent. She’s trying out a new recipe. Secret ingredient or something like that. I’m sure you haven’t eaten yet, with your inane study habits, I mean, do you ever have breaks?” You ramble on and he listens with fascination. How could you be talking to him so casually? So endearingly?

You’re far from done. “It doesn’t matter, though. You’ll have a break now. Go on, put your book away, would you?” He does as told. He’s not sure why. You take a seat at his table, fumbling with the paper bag you’ve brought. “Aha! Mince pie! One for each of us. Tell me if you like it, I’ll have Mam send some more. She’d be delighted.”

It’s at this point, where he’s chewing on warm minced pie and watching you do the same, nodding contentedly, that he wonders which life decisions he’d made led up to this. He’s the Dark Lord. A name that the world will soon fear. If all goes to plan, you’ll be reading in terror of all the vile things he’s done in the paper. You’ll be afraid of him, and he can’t help dread it. He dreads the thought of your heartbroken eyes as you realise what a wicked person you’d extended your kindness to.

It’s the frenzy again. What is he even thinking? He dreaded nothing. He looked at his plans with excitement.

“Tom? Hellooo,” you say, singsongingly. He didn’t even realise you’d been speaking. He glances up at you and imagines what you’d think of him once the truth comes out.

“Yes?”

“What do you think? About the pie, I mean.”

He clears his throat, fingers gripping the armrest of his seat. “Good. It’s good.” That draws another pretty smile out of you and he really hates the way it made him feel. “Thank you.”

“You’re welcome! Also, Tommy,” He quirks his brow. The nickname was a slip of the tongue. You’d never used it and it made you nervous, but he didn’t seem to mind so much. “Are you busy later? I need some help with Transfiguration.”

He’s always busy. Well, he should be. He’s been slacking recently, too preoccupied with your freshly baked desserts and strawberry-smelling hair.

“I could make time for that,” he says decidedly.

Idiot. Idiot, idiot, idiot.

You’re immediately on your feet, giddy like how he’d imagine a child to be upon receiving candy. “Thank you! Oh, you’re a lifesaver, truly!” you say, and suddenly a kiss is planted on his cheek.

A full stop. His world pauses and spins on its axis. Your lips felt good. Bad.

What an evil, evil wolf he was.

[whetstonefires]

Honestly the most interesting thing about the Jiang interpersonal dynamics that is being totally slept on is how Jiang Fengmian's power as head of the family affects everyone, including him.

Yu Ziyuan knows Jiang Fengmian won't use his power against her unless he feels like he needs to, and that he doesn't fear her and isn't going to feel like he needs to act in self-defense unless she attempts significant physical harm, so short of that she can do whatever she likes against him, and he won't resist.

But if the collateral damage to the kids of her verbal attacks on him goes above a certain level, he says one word and she stops.

He just goes, 'wife.' ('My lady' but it's just a polite term for wife.) Sort of disapproving. Same kind of way he talks to Jiang Cheng when he acts like a shithead, but without the subsequent attempt at an ethics lesson.

And bam. Momentum halted. That line of attack is out of bounds. Nobody likes this, but good god it works.

And because they both know he ultimately has all the power, that Yu Ziyuan's lifestyle of privacy and doing exactly as she pleases at all times and so forth is all something that exists by Jiang Fengmian's generosity and sufferance, and she hates it, and he's not comfortable with it either, he sets that boundary really high, and she gets away with all kinds of cruelty because it's all stuff she's strictly allowed to do, entitled to do. So he'd be abusing his authority over her, by constraining her right to exercise her power within normative bounds over the people she outranks.

Even if she's using it harmfully and in a way directed by spite, these are her rights, she's not technically abusing her power, and her primary target in all the episodes he actually witnesses is him who outranks her; she's not being one of those mistresses.

So he'd be overstepping if he tried to constrain her, he'd be one of those husbands. Just like she always accuses him of.

(This is why she keeps insisting that she's also the master of jiang sect and he's 'forgetting' that in contexts where it doesn't make a huge amount of sense.)

Anyway, the fact that it's impossible to unpick where Jiang Fengmian's moral principles stop and his conflict-avoidance kicks in with this relationship is so much more interesting than the weirdly sexist readings I keep seeing, where it's all the conflict-avoidance and he's an unmanly loser who lets Yu Ziyuan bully him and his kids without ever standing up to her, for no good reason. When actually they have a really interesting and fantastically realistic toxic relationship.

He has a good reason! His reason is he's uncomfortable with the patriarchy! And guilty that his wife is miserable! And that he doesn't love her correctly! So he gives way as often as he can, trying to fix it!

But it doesn't fix it, because no amount of giving in to her gives her cause to trust him, and if she doesn't trust him and she knows that if he actually cares about an issue her ability to get her way will disappear, she can't feel secure about any of it. And therefore everything, especially Wei Wuxian the symbol of that fact, makes her angry and Want To Punish.

[thelosers-club]

STOP MAKING THE LOSERS NORMAL. stop making beverly have a popular, “normal” fashion sense. stop making them fit in. stop. i do not want to hear it THEY ARE CALLED LOSERS FOR A REASON.

this is mostly about the kid losers but the adult losers ALSO ARE NOT NORMAL. NONE OF THEM ARE. In my mind beverlys fashion is so weird, so out of the ordinary and different that shes famous for it being interesting, not pretty or wearable, but something to put on display. (symbolizing ahem ahem)

richie is not a famous comedian that is only slightly different from any other comedian because hes inappropriate, hes WEIRD AND HE DOES WEIRD VOICES AND HE SAYS WEIRD THINGS and people are uncomfortable but theyre uncomfortable in an interested way. they want to see more. this man is so weird I have to see what happens next. and goddamnit how is he so paranormally good at this?

Ben is weird. he doesn’t talk much. people are scared of him since hes tall and strong and doesnt talk much. he is funny but people arent drawn to him. hes handsome in a slightly Different way. he doesnt show his personality a lot because hes uncomfortable with the rich, rude people hes always around. people love and hate him for the communications tower, but everyone can agree it’s unusual and its built in a strong but weird way. bill is famous and popular for his books but when people talk to him they are uncomfortable. he has an air of fear and held back horror. i mean, what else do you expect? he tries not to talk and he masks his personality with a friendly, quiet man, but people still find him off. they admire him but they dont like him. stan is admired but he is found weird, like the rest of his friends. he talks in a weird rhythm and the only person hes himself around is his wife. people dont like his humor and the way he thinks but they are around him because he is a coworker. hes fine with this, he has his wife

mike ❤️ ohhh mikey. my boy. he knows nobody and he knows everybody. no one bothers to talk to him but he knows about them through the people he Does talk to, and people find him weird for that too.

eddie is too scared to talk to people. he doesnt make eye contact and hes a generally jittery man. people understand that and they pity him. they see him as weak and small and Weird. but hes rich and an entrepreneur they suppose.

No matter what the losers do or are they are Losers. (and they always will be)

[leychin]

𝐀𝐧𝐲𝐭𝐡𝐢𝐧𝐠.

Could be seen as a continuation to All of It, but the idea came from @tenkomura, bc when am i ever not thinking about something she said

Maybe you hate your younger self for being so naive.

Perhaps its because you cling to the memories of before, when everything was so much simpler and All For One was commanding Shigaraki to act. When he messed up, or when you messed up, All For One simply caressed your heads in such a comforting way that the loss felt like nothing.

Oh, how you loved him. Everything was so much easier when it was him. Yes he was the future, yes you were the symbols of fear, but to you he was just Tomura. Its the silent understanding that you both had, that even though the entire world was against you and the cause it was okay because you were together.

He loved you, it didn't need to be said. Even when the league expanded, it was still just you and him. Not to say he doesnt care for the league, because that would be a lie. But the love he has for them pales in comparison to the love he holds for you in the crevices of his heart. Its heard in the blood pumping in his veins and its sung in the whispers of his calm breathing when he's with you.

But you're villains. Villains don't get an ounce of peace. So when the league has ended Overhaul's short lived reign, and everyone's stopped and caught their breath. You sit with him in silence on the side of a bare highway that you'd been walking.

Maybe its foolish, but you follow him like a dog. You watch as Shigaraki opens the case of quirk erasing bullets. He stares. Almost like he wants to test if it works.

You sit next to him, sat shoulder to shoulder now. He simply says "If I erased my quirk, we could be normal." And you don't need to be a genius to know what he means, he means if he didn't have decay he would have a home. If he didn't have decay he wouldn't be All for One's subject of interest, id he didn't have this damn quirk he could be normal with you.

Would there even be a you though?

"Hm, maybe." you supply "You wouldn't have met me though, and I would trade any chances of being normal if it meant i got to be with you." you say, and Shigaraki stills.

"I... I think I would too." he smiles, its a crackly smile that makes blood speck on his lips that you just want to kiss already.

"When this is all over, lets go on a date. Okay?" you ask, your eyes now gazing up at him with hope.

Shigaraki's eyes widen, and looks to the quirk erasing bullets and quickly shuts them. "You promise?" he asks almost eagerly, and you hold up your pinky "pinky swear!"

Oh you fools.

Which is what's left you to stare at Shigaraki's tube. His body floating in the liquid endlessly for whats felt like years, but you know its only been a month or two. You feel so naive for ever thinking it would just be over, because of course its never over.

He would be the new holder of all for one. Because fate stops for nothing and no one, not even love. You hate yourself for being naive enough to hope that you would ever get to love him peacefully. You hate him for not realizing when you did that All for One was using you both. You hate All for One for taking your lives away from you.

This would never be over, Shigaraki will never give pinky promise kisses again, and he'll never build redstone farms for you when you get too frustrated and rage quit. He's never going to reach out for you again, and you're going to spend the rest of your life reaching for someone who's never going to reach back.

You press your head to the glass and cry. The doctor is used to your sobs though ans has grown to ignoring them, which you suppose is a win. But it still doesn't soothe the ache in your chest as you wish for everything to be different, and you pray every night that this is a bad dream. You pray that this is a nightmare and that night Shigaraki did use that quirk erasing bullet. You pray for this to be a bad dream of his and he never developed decay.

Because you would never trade your life with Shigaraki for normalcy, but you love him too much to watch him do this. You wished he would trade you for normalcy because loving him through this and always is simply too much.

[sunshine-zenith]

A thought — Ballister and Ambrosius’s relationship probably wasn’t public in the movie until the end. They probably weren’t secretive about it, given how Todd (someone neither of them like or would confide in) was clearly antagonistic to Ambrosius after Ballister’s jailbreak, but even then that just might be because their connection was well known — they liked each other more than any of the knights liked them, most being neutral overall to Ambrosius and outright bullies to Ballister. No one in the public seems to know about them

Media perception is a reoccurring factor in the movie, with the opening scene giving exposition in the form of a news cast. During it, Ballister is shown to be controversial, with a there being a few comments questioning the Queen’s choices related to him. Ambrosius is also brought up as someone everyone’s looking forward to seeing officially knighted, with no one questioning his relationship with Ballister or even bringing it up

While everyone is fearing and hating Ballister after the Queen dies, Ambrosius is still popular among the masses — people stop him in the streets to get his autograph. Nimona, who admittedly probably didn’t do much digging into Ballister beyond the initial news reports on the Queen’s deaths, seemed surprised that Ballister and Ambrosius had a connection. She even had an “ohhhhhh” moment after picking up on their vibe the first time they saw each other post-arm chop (and yeah she initially calls Ambrosius Ballister’s nemesis, but she clearly clocks that something romantic was going on given the “arm chopping is not a love language!” comment). She also asks if he wants to die in a (literal) closet, which like. Y’all.

Before the Queen’s death, all their PDA is in private (on the catwalk) or subtly around other knights (helping each other put on their armor with lots of heart eyes and lingering hands). Otherwise, their interactions are those of Two People Who Are Close but aren’t necessarily explicitly romantic (Ambrosius wanting to throw hands on Ballister’s behalf, teasing each other, Ambrosius cheering with the crowd). Granted, there wasn’t a lot of screen time for them to just be happy before Everything Went Wrong.

We can’t really judge whether they were private from their interactions after the Queen’s death, since most are focused on a “so this traumatic thing happened and I don’t know where we stands right now” vibe or have them just fighting. The three times Ambrosius says he loves Ballister, one was just the two of them on the catwalk, one was in a mental rant and not actually out loud, and one was while they were trying to hide their identities. Ballister continues to defend Ambrosius, saying he’d believe them if they could just talk and that the arm thing is just “complicated,” “part of their training, up until Ambrosius outright tries to arrest them (which might as well be a breakup without saying “we’re breaking up”).

In the comic, the Director says she knew about their relationship and that she disapproved. Given how much she manipulates things, it wouldn’t surprise me if she knew in the movie, and encouraged them to downplay things at least — “you should keep your private lives private so you don’t taint your public images/yes we support you, obviously, but you’re here to protect the people, not show off to them/you don’t want to overshadow things with more controversy, wait a few years until after you’re knighted/what if this is just a phase, it would be a mess to clean up if you go public now/people will talk if they hear Gloreth’s only current descendant, a promising young man, is being courted by someone they aren’t certain about who comes from nothing and can’t pass your genes on/you have each other, shouldn’t that be enough?/etc.”

We don’t see them be in a relationship publicly until after the wall — the symbol of fear of the unknown, systematic abuse and oppression, refusal to learn and grow, and let’s be real homophobia/transphobia — comes down and the Director — the one going to murderous extremes out of fear of change — is dead

I dunno. This movie is a large celebration of being queer, but it’s also about how queer people are demonized by society to the point of everyone suffering. Ambrosius is the model minority everyone loves but no one knows because all eyes are on him; Ballister is both tokenized and targeted from the moment the public meets him, having to prove himself over and over until the public unquestionably turns on him entirely; and Nimona is called a monster for just being herself. All three already had to hide who they really were. I’m not 100% sure if Ballister and Ambrosius were out or not about being together, but it’s not a stretch to see, and it fits in with the themes/arcs of this movie

[beifong-brainrot]

Aang is great because almost every ship you can put him in instantly becomes top-tier.

Like:

Kataang- they literally make me cry every single time I think of them. Their love story is wonderful and genuinely heartwarming. It symbolises healing and peace for both of them and the literal world. He showed her the world and he's her biggest supporter and she always defends him and they find solace in each other because they understand what it's like to be the last of their respective kind. And they're each other's hope and just... ahhh. They're so much more than the vanilla hero gets the girl ship people paint it as. Haters stay mad or smth.

Zukaang- the symbolism? They're the actual Ying and Yang of the show! The Rozin parallels? Them standing in a vortex of rainbow fire as two dragons (the blue one like Aang's tatoos facing zuko and the other one, red like Zuko's general colour scheme facing Aang) forming a heart shape around them? Zuko was literally searching for Aang and found his redemption in Aang and Aang made him a better person and Aang is literally the only person who genuinely experienced Fire Nation culture before the war and he clearly values it and he's helping Zuko bring peace to the world and the nation...

Taang- The og tomboy x soft boy dynamic. He's literally the person that helped her free herself from her parents and Air is the element of freedom? And she teaches him when to stand firm like the Earth? And I love when they do synchronised earthbending it's so satisfying and they work so well together. Toph having lost her face in one of Aang's nightmares is also a nice parallel to Ummi and Kuruk. (One caveat though: i hate taang being used as a "get Aang out of the way" side ship to Zutara)

Sokaang- they kinda come out of left field for me but the more I think about them the more obsessed I become. It's all about a teenage boy who has been forced into a role that demanded way too much of him finally learning to trust and rely on others. It's about Sokka finally living out the childhood that he was forced to grow out of. Sokka also has such a cute bond with Momo and more importantly, Appa, Aang's animal soulmate. The fics write themselves.

Sukaang- ok, I know Suki and Aang barely interacted in the show but like Hear me out.Suki is so connected to one of Aang's past lives. And she saved Appa, which would totally bond her and Aang (genuinely distressed that this was never discussed in canon). And they both value a sense of community so much, and Aang was one of the people who inspired Suki to leave Kyoshi to help others. Plus, there could be some amazing Rangshi parallels if Suki became Aang's bodyguard instead of Zuko's, which could be very plausible.

Azulaang- I adore this ship because I genuinely think Aang could really help Azula find her redemption. Hell, he was so nice to her in The Search and she literally killed him. Plus I've already laughed about how it would absolutely kill Ozai. The mental crisis Azula would go through due to fallingin love with Aang would be hilarious, and also the guilt over everything she's done, as Aang's kindness makes her realsie she was on the wrong side this whole time. He's one of the only people who can beat her at her prime and he doesn't seem to fear her at all, which is rare for her. Aang could give her the unconditional love she so desperately craves and needs.

Maiaang- genuinely adorable to me. Other than the obvious grumpy x sunshine trope, Maiaang has a lot of potential. Mai seems to genuinely like Aang in the comics, which is really cute. I also think Aang would be able to help Mai express her more positive emotions, other than just anger. Also something about the girl who was forced to remain silent and passive her whole life learning to finally let go and allow herself to just live with the help of probably one of the most active and expressive characters of the show has me by the throat. Plus, he got along great with her lil bro!

Tyaang- They're so similar and cute and bubbly! They'd have tons of fun together and I just know Ty Lee would teach Aang some gymnastics and he really enjoy it! I think he can also find Ty Lee's chiblocking very cool, since it is essentially a great way to deal with a conflict without causing permanent damage. Very airbendery. Speaking of which, Ty Lee is also very airbendry herself. I can genuinely see her finding herself in Air Nomad culture and be excited to help revive it.

Onjaang- i just find this ship so funny because imagine being a random schoolgirl in the fire nation and not only rizzing up a demigod but rizzing that demigod up successfully. This ship can also go so many ways depending on On Ji's reaction to that random cute guy who threw a cool dance party is actually the Avatar, so it's certainly interesting.

Yuaang- the ultimate cinnamon roll x cinnamon roll ship. But more than that, there's of course the Yue becoming the Moon Spirit and Aang getting lowkey possessed by the grieving Ocean Spirit. There's Yue appearing when Aang needed her most, while he's stranded in the middle of the ocean and helping him. They both understand sacrifice and responsibility, and maybe they could comfort each other through it. Also Aang being the bridge between the spirit worlds and Yue being a Spirit could lead to a very interesting romance, depending on how much the Avatar could interact with the Moon Spirit.

Jetaang- ok, Aang was just as infatuated with Jet as Katara was, right? And I think Aang was heavily affected by Jet's actions and behaviour. Also Aang really not wanting to hurt Jet while fighting him (twice!) was really cute. And Aang helping Jet snap out of the Dai Li brainwashing could be a really cool ship moment the more you think anout it.

Teoaang- Honestly their little one sided rivalry at the beginning of the episode was really cute. And I think there could be some interesting symbolism between them. Aang symbolising the old and Teo symbolising the new. They compliment each other like that. Teo comforting Aang by showing him that the critters of the temple are still alive and well is also sweet. And Aang admitting that Teo has the spirit of an airbender is so sweet.

Kuzaang- they're adorable. I loved the comic about them. Aang calling Kuzon "Hotman" is really funny. Aang helping Kuzon make a bigger flame with airbending is also really sweet. I especially like this ship in combination with Zukaang. It's such tasty symbolism.

Aang may just be the most shippable charater of this franchise, argue with the wall. He's so filled with love I have no choice but to multiship.

[miraculan-draws]

I will never shut up about how dirty Da2 was to Justice like. Justice is ROMANTIC, in Awakening! He was awestruck by a sunrise. Hes in a brand new world, terrified and alone, and took comfort in how lovely the sunrise was. He lets his companions put flowers in his armor, because he cannot smell that he is piloting a corpse (bc it is a corpse and cannot smell). He literally sounded on the verge of tears when he unintentionally upset the wife of his host, of whom he remembered, distantly, as if she were his own wife. How much did it mean to the warden, particularly the "bad" wardens, ruthless blood mages or criminal dusters who spit venom, that Justice Itself said "you seem like a good sort. I will follow you"??

Vengeance has always been part of Justice, he mentions even in his recruitment that fighting with the wardens is the least he can do to AVENGE Kristoff. Vengeance is not a demon, just a facet of Justice. And the fear of becoming something else has always been with Justice too—when Anders wants to know the difference, his prodding upsets Justice, and Anders apologized. Said "I hope you never learn why then." And Justice said "As do I."

LETS TALK JUSTICE AND ANDERS MORE

Justice sounds. SO. Empathetic. When he says "I hear you struggle with your oppression, mage." When we met him in the Fade, he was armored, not wearing the chantrys symbol but shaped like a templar, maybe molded by the villagers trapped by the Baroness. They needed a wicked mage defeated, so they conjured what they thought would win. But Justice IMMEDIATELY, in the physical world, turns his sympathies to Anders, pointing out that Anders is in a very unique position to aid other mages.

And something about that sticks with Anders, even when he brushed it off at the time. And in game, they seem less than friendly, but we also know that Justice was WITH Anders when he took the sword from the templar. Justice must have thought he needed the protection, and was right. I don't think they hate each other, I don't think they're constantly at odds like the second narrative leads us to believe.

WHICH BRINGS ME RIGHT BACK. TO ROMANCE.

There is no way that if ANDERS loves Hawke, that Justice doesn't.

He feels what his host feels!! He remembers what they remember, as if it were him!! He mourned Karl too. He is just as reluctantly charmed by Isabela as he was with Sigrun—who made a game of stealing his knickknacks just to prove she could. If Hawke is an ally to the mages cause, there is no way in my mind that Justice disapproves. And if Anders falls in love, I think Justice does too.

If there is any wariness at ALL, I could see maybe Justice remembering the way Anders hurt when Karl was killed, and worried of a repeat performance—especially with mage Hawke. But I don't think he hates Hawke at all.

[crustyfloor]

Brain vomit...I am insanely jealous of the people who can get the new merch. And I am planning an elaborate heist. But aside from that, I'm also crazy over the lore implications of the new photo-card designs...

Of course, they're all suffering as per usual. But it's symbolized by cracks in their skin. When I saw that, I immediately linked it back to the collapse of barriers, secrets, structures, etc. The hearts, however, confused me a bit. But I suppose it's because the reason they all "broke" is ultimately because of their love.

This is probably the most distressed Ivan has ever looked in a photo card, and really, he's honest. The tone of his card is sickeningly oversaturated and overwhelming, and his emotions are visceral, I also find it interesting how the cracks are littered all over his face, and the hearts leak out like that from the neck--and Ivan holds his face like he's trying to "fix" it, or in other words, "keep it together" as he's breaking down and becoming vulnerable, he has to cover up his expression behind something more appealing as he always does. He's also wearing his Anakt Garden uniform. When he was a child, he was just learning how to develop his mask. But even then, he faltered sometimes, Ivan's automatic response is always to try to fix it, even if he's underplaying the severity of his feelings, it's what he has to do regardless, I love his card for that portrayal when he tries to keep one wound closed, another wound opens, its erratic and uncontrollable, like his true emotions. When I see him trying, it looks like it's hard because, well--he's breaking down. Normally, you can't just bounce back from that, so in this rare moment, he struggles with how to deal with it. (A certain desperation to keep up the act?) (His eyes. I really like his eyes in this PC, it's more akin to those moments when his true expression comes out, in those very rare moments)

And then there's Till, I feel pain when my wife feels pain. His expression, too, is very overwhelming. Like he's suffocating too, But his cracks are minimal, not because his pain is small but because vulnerability--something he loathes, is coming to the surface. In tears, Till is suppressing his emotions. Who he bleeds for is ambiguous here, you could say the hearts are for Ivan or for Mizi, but I think it's both. Because he hides from the both of them and eventually the love he feels for them both seeps out one way or the other like a slow leak through a crack in the wall, he's spent so many years building a fortress of a barrier to emotionally separate himself from others, it's his way of protecting himself. But at the peak of his suffering, long too deep into this hell, losing Mizi and then Ivan, he's crying because he's slowly breaking down, and the way he grips at his hair like he's trying to hold back...urgh. In different ways, indifferently, Till ignores Ivan and his affections, and fearfully, he avoids Mizi, instead watching her from afar, doing small things to feel close to her, even when he has the opportunity to get closer, and even when she acknowledges that he's so avoidant of her that it makes Mizi concerned if he even likes her or not, as was said in the Artbook when asked for her opinion of him:

"Mizi -> Till: I'd love to be friends with him. He's an artist who's so dedicated to his work. But he seems to be avoiding me... Does he hate me?"

Till doesn't confront relationships any more than he has to even though he cares so so deeply for them because confronting his emotions and confronting vulnerability, sadness, happiness, etc., and especially fear, is a commitment you have to understand how to accept and respond to, and Till doesn't understand the how when he can only go back to his starting point, hiding and or getting angry, because it's easier. At this point, it's instinct. Shyness is one thing, but doubt is something that can make you freeze in place, confuse you, make you feel unsafe, and even hinder your ability to control yourself in the wake of fear. Fear is what roots Till in place. Till, even for how emotional and sensitive he truly is, he fears the type of vulnerability being emotional requires, he knows of it, but he can never truly embrace it out of fear, that's why he rarely ever shows his heart. He already knows that wearing your weakness on your sleeve leaves you vulnerable to pain, he used to be childish and vulnerable once, and technically, he still is, but just imagine what years upon years of cruelty has instilled in him. So he acts cold and avoidant, and these misunderstood emotions lead to other misguided intentions. That's what brings me to the quote on the back of his pc

Translation:

"사랑 같은 애매한 말보다 증오란 말이 확실해요" -> "The word hatred is more certain than vaguer words like love"

Rather than confronting uncertainty and exploring the confusing, unpredictable, and gray area that is love, hate is honest, hate is intentional, hate is malleable, and you can control it. It's Till's response to feeling unsafe to resort to anger, in the same way, Ivan resorts to trying to fix it and put on a facade. Again, it ties back to the fact that Till doesn't and has never hated Ivan, but understanding Ivan is as confusing as understanding love, Till is as much of a puzzle himself. That's why they confuse each other and clash. So they come close but remain distanced because their connection is almost like unattractive magnets, Till is sensitive and loving, compared to Ivan's regrets; of not being nicer, of not understanding how to get closer to Till, then I think about what Till's recollection of his relationship with Ivan and Mizi in retrospective would be like when he does acknowledge it.

And now...mmizisua. To me, Sua looks more aware of her pain than Mizi is, like in the storyline, she is more aware of their fragility and the cruelness of their environment. It's surely a parallel to the way Sua had kept Mizi in the dark for so many years, even when this pain and this love are so destructive, she covers up her wound with her hand and hides it from Mizi, to protect her, her wound is a direct correlation to her (inevitable) death, a truth that would shatter Mizi, even after he death she wants Mizi to remember her the same as she was when she was alive, unaffected by their world. She tries to force a smile as if everything is still okay, especially because she doesn't want to affect the way Mizi looks at her so lovingly, how would Mizi ever recover if she knew the truth?

And Mizi would seemingly be none the wiser if not for the tears because, to me, she knows but looks to Sua for comfort, to forget even when she is hurt the same way, I love this side of MiziSua a lot, the side that highlights the cruelty of their relationship that surrounds their bubble, because as long as they could distract themselves with the presence of each other, the co-dependence of their dynamic, they could forget as if they couldn't feel the pain at all as long as they had each other, but Mizi is still so affected by her pain, all this hiding had amounted to nothing in the end because Mizi never changes in Sua's eyes, and Sua is still hiding her pain, but that day, Sua had broken that bubble of ignorance to the evil around them. Mizi's cracking, and she shows Sua when she pulls back her hair. It's an interesting contrast between MiziSua and IvanTill, when Mizi and Sua smile, they look happy to be in love, even if it's twisted and hurts each other, because they only rely on each other, and Ivan and Till look inconsolably pained.

[one-of-many-mothmen]

Avatar headcanons bc they dont get enough love :

Jude LOVES jazz music and listened to blues a lot when Agnes died

Oliver is interested in symbolic meanings behind everything, after becoming an avatar he is mostly interested in the death symbols in different cultures

Micheal recalls "being" Micheal Shelley but the memories are entirely distorted, it cant trust if what it is remembering is something Real or a lie or something inbetween, it hates remembering Micheal Shelley

Mike Crew wears very dull clothes because he doesn't want to look anything like the Spiral

Agnes used to try to find different ways to read books without touching them because she adored stories where she could imagine herself as the characters but didnt want to be brought back to reality when the book burned in her hands

Micheal leaves people with imposter symdrome and identity issues alone because it can relate to not truly knowing who or what you are

Space avatars dont get mentioned very often in TMA bc they are all chilling in space and Eating from aliens who fear the Vast

Gerry hated books when he got older and only was interested in them when they were Lietners(and thought abt how that exactly how his mother acted)

[low-budget-korra]

Let's talk about the kidnap scene

Yes, the one in season 1 where Jinx kidnapped Caitlyn

First of all, the main reason Jinx hates Caitlyn is because she is jealous of Vi. The fear of losing her sister again, the fear of being left behind...In Jinx mind at the point, she and Caitlyn couldn't co-exist in Vi's life. Sure, the fact that Cait was an enforcer plays its part, but mainly I believe it was just jealousy..

So, I've seen people arguing about Jinx having more reasons to hate Caitlyn than Caitlyn has to hate Jinx and I disagree.

Jinx has no reason other than jealousy to hate Caitlyn, her beef is with Piltover and everything she thinks Cait represents and not Caitlyn the person. Similar to the Equalist and Amon beef against the Avatar, where he hated the symbol but couldn't care less abt the girl behind it. In this case, both Amon and Jinx dehumanize their enemy, seeing them just something that needs to be destroyed.

However, Caitlyn has all the reasons to hate Jinx. Jinx was responsible for a terrorist act that killed several enforcers and almost killed her, Jinx stole from Jayce (someone Cait sure loves like a brother) something that could be turned into a weapon, Jinx invaded Caitlyn's home and kidnapped her when she was the most vulnerable, Cait also spend hours at Jinx mercy where Jinx did/say God knows what to her, she was bound and gagged, she was victim of Jinx light emotional torture, she was knocked out by Jinx and Jinx killed her mom. So yes...I think she has tons of reasons to hate her.

But let's focus on the kidnap scene because the trauma Caitlyn suffers here is overlooked and probably something she didn't process right, since she was busy mourning the death of her mom.

1. Jinx invades her safe place. Caitlyn was literally coming out of the bath, totally vulnerable. Imagine someone sneaking into your room like that? It's terrifying. It makes the safe place not be safe anymore

2. Caitlyn was naked. Imagine you, naked, in the hands of some unhinged criminal? I know some people hc or question if Jinx did something against Caitlyn at the moment, but I doubt it, Jinx is unhinged but she wouldn't do such a thing. The maximum thing she would do is mock. Idk, say something like "so that's what you use to seduce Vi" just to make Cait feel uncomfortable but nothing more aggressive than this.

Even still, being naked, possibly mocked and being forced to dress at gun point is already traumatic enough.

3. We don't know what happened when Cait was being held hostage by Jinx. If Jinx used some help to bring Cait to Zaun, which I think she did, she prob off them once they got where she wanted. And if this happened Cait prob saw these murder.

Anyway this is all hc but what we know, bc ain't hard to deduct, is that Jinx played mind games with Cait. Drawing a smile in her gag, maybe invading her personal space by acting the same way she acted around Silco and Sevika - being all touchy and over the place. And maybe saying things like "you will die today" "she will choose me"

Which again, is traumatic enough.

And if she just knocked her out and dressed the unconscious Cait, imagine being Caitlyn: One moment you're out of bath, saw Jinx and boom, you're out and when you wake up you're dressed and helpless, tied to a chair.

I would be terrified by the idea of what happened when I was out. Jinx could have done nothing but cover her body, but Cait doesn't know this. She doesn't know what Jinx did and if someone else saw her like that.

4. The "Family Dinner" scene.

Caitlyn was there with Silco before Vi's came. So I think the fact that she was sitting next to the most dangerous man in the under city, was something that brought shivers into her spine, even tho he was in the same position as her. If somehow he gets free or Jinx changes his mind about what she would do to him, she would be gone.

Vi came, brought by Jinx and the emotional torture begin. Sure, Cait and Vi were already in love but Jinx was Vi's sister, the one she already knew Vi loved deeply and would do anything to have it back so she was probably scared that Vi would play into Jinx game and choose her sister. Something that didn't happen and is the reason why Caitlyn didn't shoot Jinx when she gets the chance.

Vi saved her life by putting her own on the line, Vi proved she loved Caitlyn right there (even without knowing it). And Caitlyn proved she loved Vi when she didn't shoot the Jinx (again, even without knowing it)

And all that, all those strong feelings and traumatic events were crushed because of the even more traumatic event that was Caitlyn's mom dying because of Jinx's attack.

[redrum-alice]

ABA x Paracelsus HCs that live in my mind rent-free, even though I haven't played the game--

Some of these HCs include other characters involved in their arcade mode.

ABA is no stranger to stalking people. So when she came across a lookout point, she saw many couples, mostly teenagers, making out and going on romantic dates. She wonders what it would feel like to be young and in love, rather than just declaring someone whom she met first glance as a "husband"

ABA's collection of keys were hidden somewhere in the pocket dimension. She sometimes uses them as accessories to adorn herself, despite the like of knowledge in fashion (the girl wears pants as a top--)

There are many shades of blue that ABA can pick from. Since Paracelsus turned himself blue, the shiny surface reflected more colors than just blue, inspiring her to try and appreciate other colors near the blue gradient.

Added to the color stuff, she eventually tries variation of outfits with other colors, but with blue as the base.

Paracelsus knows when she's feeling fatigued. When she's at her limit, he opens the pocket dimension and lets her rest there until she wakes up. ABA sees this as his love language, but unintentional on his part

Both ABA and Paracelsus have no clue on how homonculi biology works, and Paracelsus hates to admit he feels bad that ABA may be at risk of getting herself hurt without him knowing what to do

Paracelsus wishes he knows more about human anatomy because its the closest one to ABA's physiology.

Since ABA is clairvoyant, she often hears the spirits of their victims which she tries to ignore, and probably because she doesnt know the correct response to a wailing dead person wanting justice. When its too much, she asks Paracelsus if what theyre doing was justified and that she begins to regret her rage filled jealousy directed at those that dont even bother them.

Paracelsus keeps telling ABA that she needn't to worry because it was a necessity for the both of them-- something he deeply regrets to say because he knows she has strong principles that she live by despite not being a human

Paracelsus, deep down, is ashamed of himself for tainting ABA for the purpose of tending to his bloodlust. He saw how genuine and pure hearted she is, but it turned into malice because of his demonic origin. He begins to wonder what ABA would be like if she found someone else years ago.

Just like ABA, Paracelsus has an unspoken fear of abandonment, but since he lacks capacity to feel other emotions, he doesnt notice this.

Ever since Elphelt and Testament approached her with good intentions, ABA wanted to make more friends like them, but is scared that others have ill intentions toward her and Paracelsus.

ABA's favorite book would be Alice in Wonderland when she was still in Frasco, specifically the part where Alice was trapped in a room or multiple doors with the smallest door being the exit. ABA admires this because of the concept of escaping, especially that there's a key involved. (Im biased bc my name's Alice and i like this story--)

Besides door keys, she also collects windup key and smaller keys for chests and compartments. She sees this as a symbol for discovering new things, especially music when she came across a music box that needed a key

Speaking of music boxes, she associates this object with Elphelt bc of her musical talent (and that she may as well look like the ballerina spinning on the music box)

Other than doors, music boxes, and compartments, she also came across a small doll that needed a key. After she winds it up, it began walking and talking towards her and freaks her out. But when it said "mama" in a robotic voice, ABA contemplates and wonders if she was ready to become a parent somewhere in the near future when Paracelsus has a body. An impossible thought, but one could never be sure, and it scares her.

Butterfly Pea tea with brown sugar, or sparkling butterfly pea lemonade with honey would probably her favorite drink because of its color. She shares this with her hubby 🥰😋

There comes a time that her bandanges would get uncomfortable and smell bad from blood stains and wounds, so Paracelsus tells her she needs to change them before she gets an infection. He does stop her midway because he realizes she isnt wearing any undergarments and proceeds to take her in the pocket dimension.

Elphelt offers ABA to shop with her to pick clothes suited for her. The first thing she sees at the boutique display was a wedding dress and begins to day dream a wedding with Paracelsus. Without her looking, Elphelt happily buys the wedding dress with matching tuxedo and gives it to ABA, despite Paracelsus' protests (the fact that he hears them chatting about setting up the wedding next day had him ded on the spot :P)

ABA watches home video tapes left in houses unoccupied by their owners (abandoned or they went on vacation; ABA is a home intruder lol). She finds a tape labeled "Happy Day" and it plays a recording of a newly wed couple dancing at their reception. The way the couple moved gracefully tickled an idea in her brain and insisted she and Paracelsus should dance. But since the large key doesnt have any legs, her attempts in waltzing with him went nowhere 😅 (and this gave more reason for ABA to find a body for Paracelsus)

At late nights when ABA is asleep, Paracelsus wonders that if he had a body, would ABA still be shorter or they would be in the same height? Either way, he was impressed that she can keep herself up with that low weight despite her tall stature, more so on how she was able to carry him around without much muscle mass.

When he sleeps beside her, her hair unwittingly falls on his bow and feels how soft it is. A very pleasant feeling he won't admit.

Everyday, Paracelsus keeps reminding ABA that she needed to eat to gather strength. ABA often forgets to eat because its not hard wired in hr system, nor that it was even natural for her to eat in the first place.