#because people will be like ''you need to use this character with that one because elements and buffs and blah blah''

[atalana]

and everyone always uses the hitbox excuse like so many fantasy games don't make many different sized races and that's fine

or like games where you have beefier races so their male models can be fat but the female model is always just more boob

and then there's people going 'oh but not every game can accomodate for more than one body type' and okay, i accept that. make fat your only body type. why are extremely skinny or extremely muscular the only 'default' bodies

i really wish i knew more about game design so i could be the person to make a game with a singular protagonist who is also fat

actually now that i'm thinking about it. every single video game that lets you costumize characters but doesn't let you be fat is extremely revealing to the fact that most people can't imagine fat as something a person would want to be. there's other examples but like, fuck, i can't even choose to be fat in imaginary spaces. My size isn't accommodated for because they couldn't imagine a player who wants to be anything other than skinny.

Like, you see it right. How media shapes people's beliefs, and people construct beliefs into the things they create? If all you can ever choose to be in a game is one of two body shapes, and you have to physically alter the game to be anything bigger, like. "why would i imagine a world with you in it."

[just-thoughts-no-vibes]

I knew we would eventually reach a point where masses of people would misinterpret Arcane, but I never imagined it would be this bad.

Yes, I absolutely agree that season 2 was rushed, especially Act 3, and it is undeniable that the series would have benefited from at least one more episode if not an entire act. However, the current discourse about the show is so superficial that it's impossible to have a conversation about anything deeper but a mere synopsis of the characters and story.

So many of you expected this series to hold your hand and dumb everything down so you can understand it. But when it wasn't the case, you all started rioting and calling the characters vague, the plot bad, and the ships underdeveloped.

The amount of people who value spoken text more than the actions of the characters is worrying. And more worrying than that is the amount of those who interpret the said actions so superficially. I can't believe it needs to be explained that it wasn't Vi's death that led to the "good" timeline, but the lack of hextech. The result would have been the same if either of them had died. It wasn't about Vi, but about the child that died because of dangerous technology and that therefore that technology must not be used. The mischaracterization of Vi in general is insane. Call me biased and unfair, but the moment I hear you don't like her I will assume you didn't understand the show.

Also, the whole discourse around Caitvi scene in episode 8 is giving brainsmooth. No, Vi didn't choose Cait over Jinx, quite the opposite. No, Cait didn't plan all of it to fuck Vi. No, Vi didn't do it because she felt forced or because she is a horny animal who doesn't care about her sister. No, them fucking in a cell is not about the class difference, but about the fact that Vi felt an insane rush of emotions after realizing that Cait would let go of her revenge and help Jinx escape, all for her. Yes, I do agree that it would be nice if we got a longer conversation between Vi and Caitlyn and it would feel great to hear Cait apologize, but I'll always value actions over words. Her talking to Jinx, recognizing that she is just as bad as her, and choosing to trust Vi that her sister can change, thus letting Jinx escape will always mean more than any verbal apology and I'll die on that hill.

Also, it was Jinx's decision to let go and walk away. It was not about Vi trying to get to Vander, but about Jinx being tired of everything. Even if that fight didn't happen, the result would be the same: Jinx would leave because she knows that Vi couldn't do that. She knew that the two of them couldn't have a normal life together and that Vi would never give up on her. Jinx didn't "die" because Vi pushed her or failed her, but because she loved her too much. Whether you believe that she is dead or that she escaped, it's her decision either way.

Again, I agree that too much happened too quickly, but stop confusing your stupidity and inability to read between the lines with the quality of the series.

Arcane is flawed but still brilliant.

[gaywineauntsstuff]

Sometimes I feel like us as the bat family fandom forget how starry eyed people get about Nightwing canonically.

Because with the exception of early era Tim most of the Batkids are like. lol that’s my loser older brother or some variation of yeah…he’s some guy I guess? He helps me with homework?

And Nightwing is the canonically a center of multiversal light.

When Heroes meet Nightwing they do the vigorous handshake and the “it’s an honor to meet you sir, I have heard so much about you oh my god”

There are so many character where they are literally shown giggling and kicking their feet whenever Nightwing talks to them.

Even the people who don’t have the celebrity level worship of him respect the hell out of him and call him as soon as they need help.

From raven to Starfire to Superman to Superboy to all or the flashes there is so much respect and awe given to this one dude.

And it is deserved

But imagine you are Damian Wayne and you’ve been working with what 90% of the people you’ve met (all bats) have been calling an embarrassment to your father’s legacy.

Your mother hates him and your Grandfather doesn’t feel that strongly about him.

The red hood calls him an embarrassment and a coward and he couldn’t even keep Red Robin from running away.

Your father tells him that he never should have been Batman

And you’ve worked with him and you know what you think everyone is full of shit about him and you and him the new Batman and Robin are the best no matter what anyone says.

And fuck it the fact he keeps going in a suit that everyone tells him he’s not good enough for is scratching something in your brain that you’re refusing to acknowledge because why would you feel that way? You are the circus freak have nothing in common (shut up)

And then you meet the justice league and all the extended teams.

And people are falling over themselves to listen to a word out of your brothers, your Batman’s mouth. They wait for a nod or headshake and dictate decades worth of planning on it.

Both Drake and Todd’s hero teams ask him for advice with or without their designated bats presence.

The man of steel asks for child rearing advice and wonder woman cracks a joke about a spar

Newer heroes whisper about him in the halls

He’s literally your favorite hero’s favorite hero

And it’s breaking Damian’s Brain

Because well… he kinda gets slapped around in Gotham. He’s the butt of half the jokes the other Batkids make and Dick just smiles and takes it.

The rogues have a bounty on nightwings ass and he gets leered at by goons, rogues, civilians and anti-hero’s alike and he doesn’t say anything.

He lets oracle crack jokes about a pretty face and having to do everything herself

Let’s Jason run the alley despite the fact that apparently he knows how to take it back

Apparently he’s had 12 people tailing Drake since Paris and despite being the man Ra’s Al Ghul calls detective has yet to notice. (Because you can’t tell me Dick was just magically at the right place to catch Tim falling to his death on coincidence)

And necessary to peace talks because he’s the best they have at deescalation

Like imagine you are a child who was raised to believe power is this obvious, all consuming thing. That the ones who control the board are visibly larger than life figures who fought their way to the top and cling to power by even the thinnest hangnail if they had to.

People who ignore simpler morals or an overall greater goal or good

And then you’re taken in by the man who whispers the correct answers into the larger than life figures ear.

Like I feel like that would have such an impact because Dick didn’t take power from anyone to reach his goals, it’s why his siblings don’t really defer to him unless in crisis.

Dick didn’t take power, no people just looked at him and decided he was the best option to give it to.

Everyone basically looked at this kid and went, yeah you’re the future of all heroism.

And if that dude can’t even get Bruce Wayne’s respect what chance does Damian Wayne have

[the-knight-of-the-stars]

Are we gonna talk about how that finale entirely erased any conversation about class divisions or are we too focused on ships?

Are we gonna talk about how Caitlyn for a good chunk of the season willingly enforces violence and opression against the lowest class, no doubt directly causing more deaths and suffering, and she is forgiven by the narrative without any meaningful reflecting?

Her great moment getting together with Vi is right after she JUST had a conversation with Jinx where we see she STILL doesn't recognize any class bias she clearly has, insted making it about HER.

Her and the other enforcers are treated like noble heroes in the final battle, all the blame put on Ambesa. Vi's happy ending is getting into a relationship with the exact type of person who perpetuated all the suffering she endured as a child.

Are we gonna talk about how Jayce never leaves his privilege pedestal, never actually reflects on how he was also enforcing violence to the people of the undercity and living on his bliss of progress at THEIR expense?

Jayce, who got help on every step of the way to get to where he is, who wasn't disabled, who never lived the kind of poverty or class obstacles Viktor did, who never recognized the harm he enabled and was complicit to, HE was the one to tell Viktor "People build their own destiny." and "There is beauty in imperfection" ?????

Not to mention the whole bit where he implies Viktor did all that because he wanted to "eradicate what he thought was weakness"??? Didn't we stablished Viktor wanted to HELP THE PEOPLE FROM THE UNDERCITY TO HAVE BETTER LIFE CONDITIONS?? don't try to gaslight me.

I know this is just a TV show, but I need to remind everyone that what perpetuates opressive, discriminatory and violent systems as long and as deeply as they do is indiference. Is turning your head and enabling others to stay ignorant.

Edit: You guys are misunderstanding me. And I admit it is probably my fault, I wrote this high with emotion I wasn't as eloquent.

Jayce's exact choice of words or his time living in the alternate world is nowhere near my point.

My point is, that the narrative is establishing that the privileged character, is the one that has to show (and is quite literally, textually, always the one to show) the underprivileged character that "he was looking at life the wrong way." Forgetting that Viktor's journey of feeling powerless was greatly influenced by the fact he was poor and from the undercity.

That's what I meant by it erasing the part of the plot about class systems. In the end, the story only requires Jayce to understand Viktor's struggle on a superficial level, but the text never recognizes that it as the product of a deeply rooted SYSTEMIC ISSUE. One Jayce and even Viktor on some level, benefited from and perpetuated.

Understanding Viktor still doesn't give him any moral ground, and nobody ever challenges him on that because the story isn't interested in that anymore.

And the same with Caitlyn. She knows what she did what's wrong, fine, she feels bad. Like I said, she still has a class bias, and no character challenges her on it again because the story derails to magic and fighting and whatnot.

The plot just forgets (or ignores) that layer of the story despite it being so prominent up until now.

And ignoring the class discussion does a disservice to every single character because they were initially built on it. You can see it in how they lose the essence they had on s1.

I know y'all love the characters and want to empathize with all their motivations, okay? But the fundamental issue is that characters also represent things, and more so in a story as political as this one. We also have the right to point out that the show told us they represented something and then abandoned that narrative.

What do I think they could have done differently? If I tell you scene by scene we could be here for an entire year. The gist of it is: I think they should have stuck to the character themes they already had established.

Vi as someone fiercely loyal to the undercity beyond her relationship with Powder/Jinx, and being "cursed" by the role of the older sister. Jayce as someone with good intentions but who is ultimately limited by his blind idealism. Mel as a cunning politician who thinks she is on the right path because she isn't violent like her mother, not realizing she is still perpetuating it. Caitlyn as someone kind and compassionate who realizes the institutions she believed in are fundamentally flawed, and because of the way they are built will never be on the side of kindness. Etc, etc.

None of that gets any meaningful resolution.

I am glad if you liked it, or got something from it, you are entitled to your opinion.

I wanted to say this because I was angry, and still am. Because there was so much incredible potential, and honestly, to me, it feels like the writers chickened out on actually saying something in the end.

That's all I have to say about that.

[dreamscapeee222]

OHello, I hope you are well, I was looking at your blog and I loved your writing style <3

Can I ask for a scenario with Arcane characters where the reader is Isekai? Like he knows everything that will happen in the series and is actively avoiding the events that will cause serious problems

Thank you in advance

A/n: Hello :) Thank you so much !! Ooh this is something I've never really done before. I've tried my best and I hope it suits what you had in mind <3

Vi, Jinx, Caitlyn, Ekko, Jayce, Viktor, Mel

Masterlist

Vi

When you first arrive in Piltover, Vi notices how you’re more guarded, more careful than she’s ever seen you. At first, she doesn’t understand why, but when you slip up and mention something that hasn’t happened yet, she starts to get suspicious.

You're always trying to avoid certain people, certain places. The dangerous ones. She picks up on it, and it’s a little unsettling at first, like you know too much about the future. But she doesn’t ask—you’ve got your own reasons.

She starts to trust you more, though. Maybe you don’t tell her everything, but she can tell when you’re genuinely trying to keep her safe. When things get tense, and she’s about to charge in headfirst (like always), you pull her back. “Not this time,” you say, and she just listens. You’ve seen how these moments turn out, and she trusts you enough not to question it.

It’s not just about saving her anymore. You’ve got a whole new layer of connection. When she’s caught off guard, when she needs reassurance, your presence calms her, like you’re already a step ahead of what’s coming. You’re the one she turns to when things feel uncertain, because you’re the one who’s already lived through it.

Jinx

She knows something’s off about you, but she doesn’t care. At first, the randomness of your actions makes her laugh—avoiding certain fights, dodging obvious traps, steering clear of people she knows you don’t want to be around.

But then, when things start to get real, and you stop her from making a massive mistake—again, and again—she starts to feel it. You’re not just avoiding danger for the fun of it; you're trying to change the course of things. And, honestly, she’s scared.

You’re always pulling her away from situations, keeping her out of the chaos before it even begins. She hates it, but she also loves it, because in some twisted way, you’re saving her from herself.

The more time you spend together, the more she realizes she needs you. When the madness swells inside of her, and she can’t keep the craziness in check, you’re the one who calms her down. It’s not like she’d admit it, but it’s your presence that’s holding her together in a way no one else can. And, in a strange way, she starts to rely on you—not for fixing things, but for knowing exactly when things can’t be fixed, and when it’s okay to pull back.

Caitlyn

Caitlyn’s more methodical than the others, but she’s no stranger to sensing when something’s off. You’ve mentioned things before, offhandedly—nothing too direct, but enough to make her question. You know things, things that haven’t happened yet.

She watches you closely, your movements, the way you take certain routes, steer clear of certain areas, and try to talk people down from fights before they escalate. It’s not like she hasn’t seen it before, but there’s something different about you.

When things start going south—like, really south—she turns to you. “You’ve seen this before, haven’t you?” It’s not an accusation. It’s a quiet plea, because even Caitlyn, with all her careful planning, knows that sometimes fate is too big to outsmart.

You never tell her everything, but you don’t have to. In those moments of danger, when things feel out of control, she just trusts you. The way you guide her through the mess, calm her down when she wants to rush into something she knows will go wrong... it’s something she never realized she needed.

Ekko

Ekko always feels like he’s on the edge of something. He’s used to being a step ahead, but when you show up in his life—aware of things that haven’t happened yet—it’s like someone just dropped a stone in his perfect, planned world.

You’re always telling him to hold off on certain plans, and at first, he brushes it off. Then, when he sees how much better things turn out when he listens—when you steer him away from a fight, or when you help him avoid a trap—it gets harder for him to ignore the fact that you might know more than you let on.

He doesn’t say much about it. But there’s a subtle shift in the way he looks at you. He’s learning to trust your judgment, even when it goes against his instincts. Because he’s seen it. You’re keeping him safe. And somewhere deep down, he’s grateful, even if he’ll never admit it out loud.

Jayce

Jayce is all about forward momentum. He wants to believe that everything can be fixed, that they can change the world without the same mistakes being repeated. But you’re always holding him back.

There’s no question—you’ve seen it. You know where things go wrong, and you’re actively steering him away from it. The first time you call him out for heading toward a decision that’s going to end badly, he’s annoyed. He wants to argue. But when you look him in the eye, when you don’t back down, it stirs something in him.

As much as he wants to figure things out on his own, he can’t deny that you’re saving him from making the same mistakes. And slowly, when things begin to spiral, he starts to trust you. Not just as someone who knows, but as someone who cares. He’s never been one to lean on someone for help, but when you’re beside him, he finds himself relying on you more and more.

You’re the one who teaches him to think before acting—slow down, take a breath, and listen.

Viktor

Viktor’s not the type to be surprised easily. But when you start actively steering him away from certain people, situations, and plans, he starts to wonder. You’ve seen things. Things that haven’t happened yet.

At first, he tries to brush it off, thinking that maybe you’ve just got some uncanny instincts. But when you pull him away from something disastrous, and things go exactly the way you warned him about, he can’t pretend anymore.

You don’t say much. You don’t need to. But he starts to rely on your quiet guidance, the way you understand his hesitation before he even knows what’s coming. When the future starts to feel inevitable, you’re the one thing in his life that feels like a choice.

He doesn’t say it, but he’s grateful for you—more than he can express. You give him a sense of control over his own fate, something that’s been slipping through his fingers for so long.

Mel

Mel is the calmest of them all. She’s used to thinking ahead, playing the long game, and making careful decisions. But when she meets you, when she sees you quietly avoiding certain situations, people, and places, she starts to wonder if maybe you’ve seen things she hasn’t.

You never say much about your knowledge, but you never need to. She watches how you act around her—how you prevent things from spiraling, how you guide her through situations that could have ended terribly.

She’s not one to let others have control over her life, but she starts to trust you in ways she didn’t expect. She never asks you about the future directly, but when things start to get tense, she’s always looking at you first. You have a way of calming her, of knowing what to do before it even happens.

And, though she’d never admit it, she finds herself leaning on you more. Because you’re the only one who makes the future feel like something she can still control.

Requests may be sent through the ask box. Only SFW.

[neon-sunsets]

it’s actually insane to me in retrospect that viktor got the arc he did. I need to go back and count his screen time minutes, but it’s clear that he’s up there numerically, and his story has so much weight within the narrative outside of just numbers as well.

beyond that, though, is the fact that viktor's narrative is fundamentally one about internalized ableism and the systemic structures that encourage it.

(obligatory disclaimer #1 that I have a significant mobility disability and a progressive chronic illness, but I am only one disabled person.)

imagine this: you are a child. you are disabled. the world you live in is one where you cannot afford healthcare; no one is there to teach you how to even use your cane correctly. your world is inaccessible and, worse, even the people who would normally show class solidarity with you don't, because you are not even able to do what they expect from you. characters like vi, powder, claggor, ekko, and mylo are all shown care and solidarity that viktor isn't — because they are able-bodied and therefore able to "pull their own weight."

this, at least, is an environment that can probably be overcome or mitigated by age and meeting people in your community who do care about you. this is an environment comparable to that of many, many, many disabled people who manage to thrive in a deeply unfair and ableist world.

but then you encounter a man who sees that you have talent and tells you as much. he does not ask much of you and he does not care that you are disabled. all he asks is for some help, which you give, and in return he teaches you the things he knows. what comes of this, after all is said and done and your understanding of the world has been fundamentally changed, is that you do have something you can give to your community, to the world. you have a talent which you can use to make yourself useful. you're not strong or sturdy but you can make machines, and that is always in need.

but you can't skate by on being useful like a normal child. the onus is always on you to prove that you're worth the air you breathe and the space you take up, that it's worthwhile to keep you alive. and the place to go to make yourself the most useful, where the most change can be made, is not a place you have any traditional way of accessing. you, through tenacity and grit, manage to get there anyways. (the show doesn't depict this, but any way viktor would have managed to get to the academy would have involved significant difficulty and possibly deception).

and when you get there, to that towering city of bronze, you find that nothing you do actually matters all that much.

everyone looks at you and sees your disability. everyone looks at you and sees where you're from. no matter how smart or accomplished or helpful you are, your behavior will always be, in their eyes, representative of your people. you could handle the stares, the rejection. but their judgement is dangerous to you and your people.

so, in order to survive, you must be perfect. you must project confidence or at least indifference to their cruelty. you must do as you're told and accept meager promotions and toil away as an assistant. you might be the only disabled zaunite they'll ever meet, so you have to make it count. if you fail, if they decide everyone from the undercity is lazy and useless, it's your fault.

you tell yourself you won't let them get to you. you tell yourself that you believe in your abilities.

it's a convenient narrative, and it's wholly untrue.

you, after all, are only a human being. a lifetime of the chips stacked against you is nearly impossible to overcome.

and so the image you build of yourself is that of a man far more self-confident than you, one who is quiet and reserved but proud of his accomplishments. the man you actually are, though, is one desperate for acceptance. desperate to assimilate. you chase your dreams, yes, but you can't bear to take credit, can't bear to be the face of them. you don't let yourself get close to anyone except the man you've built all of this with, who you love more than anyone else. you don't let anyone touch you (except him) and you don't touch anyone. you convince yourself you don't deserve his love or anyone's, that you're not whole enough for that.

you take it so far that, when you finally have the technology you think can cure your terminal illness, the first thing you try to fix is your leg. not the thing eating at your lungs and cutting short the time you thought you had, but the leg which has marked you as Other your entire life. and even though it doesn't quite work, even though it still causes you pain with every step, you force yourself to run on it — faster and faster until you're outrunning the ships and screaming because you may have visibly "fixed" your leg but it still hurts the same.

and when the system is not only oppressive in the material sense but also set up to make you hate yourself, there is almost no escaping this cycle of self-hatred. throw in the fact that in season 2 viktor keeps getting tossed from resurrection to resurrection against his will and it's no wonder the man did the things he did. it doesn't excuse them by any means, but arcane is not interested in excuses — it's interested in what makes people do the things they do. everything that he did to the people in the commune was a reflection of his own self-hatred, both because he still possessed it after death but also because, since he was programming the hexcore to try and save his life but started with "fixing" his leg, it is designed to make people as physically "normal" as possible. the faceless, identical machine people are a metaphorical representation of the ideology viktor has bought into in his pursuit of self-hatred and internalized ableism. his whole arc across both seasons is a demonstration and condemnation of the ways that systems of oppression reinforce self-hatred in the people they are oppressing.

obligatory disclaimer #2 that I don't think arcane did everything right. I'm frustrated with the direction of season 2 away from the piltover/zaun class conflict and towards the broader league of legends universe. but I do think, as a disabled person with a very similar experience of my disability to viktor, that this arc is well-done and very compelling. in the end, what saves the world is viktor accepting that he is deserving of being loved. I'm going to be thinking about this one for a good long while.

[kinardsevan]

What is your opinion on Tommy coming back or not? And in they case we see him again, do you think it’ll be just for closure (ex: Abby in season 3) or maybe for a BuckTommy second chance?

fun fact: i was considering doing an entire breakdown with a bunch of Oliver's interviews from the start of this arc until now to point to my opinion:

Tommy is coming back. The romcom theme is still in effect, and we're only about midway through the 3rd act.

Long story short (and without sources right now), I think that the interviews were actuallly pointing in this direction with the wording for a hot second. We have OS telling us that he thinks the best relationships have a "will they, won't they" bit where the audience and the characters are pining. We've seen this play out on the show. And we also have to remember that Oli knew during this interview that the breakup was coming. We also have the interview (I believe it was the Decider one I linked last week) where he mentions choosing to fight for the relationship or not. I feel like a lot of people have taken the context of that and twisted it into "they didn't do it right away, so they're not going to". Except, there's ANOTHER quote of relevance, which is Oliver talking about how Buck's queerness isn't tied to Tommy or Eddie, and only to himself.

Obviously, there have been things said since 806 that would point towards me being delulu, except, here's the issue: TM, OS and LFJr are NOT going to tell us that Tommy is coming back if that's the intention. It would spoil the surprise of it all, and the win of it all. What fun is there in that? What TM has said is that Tommy is Buck's romantic past but that doesn't mean he won't turn up again in the future (all relevant and true facts which do not shut down a reconciliation). Lou never out-and-out said he was done with the show. He's said time and time again that he wants to come back. TM has mentioned Tommy coming around again. OS literally said in an interview "they may run into each other on scene and have it be awkward".

Now obviously we don't actually have the full story with how things went down and the show decided to go with splitting the boys up. I think the fact that Lou has called out the bullying but says he wants to come back suggests that it wasn't him saying it was too much. I have two theories that could honestly run concurrent with one another:

Evan and Tommy break up in 806 at the end of the episode. With 911 having 18 episode seasons, this quite literally only makes up the first third of the season. It set up the beginning of the year for us. We're now two episodes into the second part of the season with a pretty clear idea of where the next three will go and suggestions (by fans, nothing official) that the "soonest" we could see LFJr again is 812. This is reasonable, as it would be the end of the middle of the season. Knowing that TM has suggested he might do a multi-episode season finale, pushing LFJr back into the show in 812 (or even the end of 811 if we go with my theory that Eddie could possibly leave around this time and Tommy helps them pack up/his and Buck's first time spending time around each other again), there would still likely be something around this time period that would be around when they would open the doors to this. As it is, we know that 809 and 810 go together, and then we'd have 811 to really flesh out the end of Buck's fling. I think there's even more possibility of LFJr being in this episode as well because if the plan is to bring them back together (which everything has been suggested so far ON screen in terms of keeping Tommy "in" the story), three-episode arc gives us several things: a. it allows the show to make the point that Buck's queerness is not intrinsically attached to Tommy; that his interest in men is as equal as he know his interest in women is. b. it gives them the ability to also show that his feelings for Tommy are not based in Tommy being his "first", or Evan needing to "discover" more about himself. They're in love with each other, and the show has given us the pieces for that. LFJr has acknowledged it in an interview, Tommy loves Buck. We also know that Tommy's line to Evan is "you'd end up breaking my heart, and I don't think I could deal with that". When I hear that sentence, what I'm actually hearing is "I'm already in love with you, and if I let myself fall more in love with you by being with you every day all the time and this ends, I won't survive it". By relation, we have Josh ask Buck if he loves Tommy and Buck waffles, but I think this has more to do with his lack of understanding of what a healthy love is in a relationship, given his past relationships. He never got to tell Abby. Ali left. and saying I love you to Taylor wasn't about the core of actually being in love with her, which I think is another important piece for BuckTommy: they don't just love each other, they're in love with each other. Still, sometimes it's hard to quantify that feeling, and I think (as I've referenced before), for Evan it was easier to ask Tommy to share a living space with him than to share how he feels about him because historically, things haven't worked out well for him when he's been in love outwardly. Further, the questions Josh asks Evan are directly correlated with loving someone, and Evan answers yes to all of them. (I don't think I need to add this, but he also sees a future with Tommy, talks about being engaged or married. He's serious about Tommy in a way he never has been before.)

There's also the theory that the breakup happened because of scheduling conflicts. Now obviously the show could've found other ways to work around LFJr's scheduling issues by having Tommy go on a trip or what-have-you, but let's remember OTHER things that have been said by OS in prior interviews: a. back in June, he did an interview where he stated that he wanted and hoped that BuckTommy would go through issues that couples normally go through in their first year together. He wanted normal issues. This storyline IS normal. b. he didn't want to repeat Tarlos. By the very definition of what the show is doing right now, we're not. Tarlos and BuckTommy are their own things with their own reasonings.

One of the other things I also keep being pulled back to is these issues: first of all, we know how LFJr plays with the 911 demo, given that they got to see it last season. It's why he was written into more episodes after his initial four episode arc and brought back. ABC has also used BuckTommy in their own adverts, which suggests that they are very supportive of the relationship continuing because it draws in viewers. Truly giving that up for good feels like dousing yourself in gasoline and then considering striking a match. Second, people also keep calling out that TM only plans a few weeks in advance. I believe this is true with story beats. We know that the writers room has a general idea on character arcs, thanks to some of the discussion on the cheese page post-806. I really struggle to believe that TM didn't know going into going forward with the breakup whether or not he wanted to bring LFJr back. We know he waffled back and forth on the idea of the breakup, meaning he probably had other solutions on his mind for whatever LFJr's schedule needed adjusting for, and this is what he decided on. Also, even if 8b hasn't been broken down yet (we know it hasn't), they would still know at this point what they do or don't want, what their ideas might be. Solidification for why Tommy should be brought back is directly shown in the reaction by the GA and the fandom to the breakup. They may not know exactly how that reunion happens yet, but what they have suggested is that Buck's new relationship will be short-lived. That he's using it to cope. We also know he's still processing the break-up and still misses Tommy. These are all things that point to the story not being over. Plus, I feel (once again), if the story really was over and they didn't have plans to continue this in 8b, LFJr wouldn't be talking about wanting to go back. It be far more "yeah that sucked, but it's over now and what can you do? I'm off to this new show and I'll never be back." (I've commented also on the fact that the fangirlish interview comment about his "i'm going here, doing this, have some opportunities" statement is very run-of-the-mill. Obvs I could mean something. Or it could literally just be a canned answer.) (This might feel a little off-center, but I think his commentary on trusting TM and knowing what he's doing in one of his post-806 interviews directly suggests that he believes the story is going to be handled properly.)

I realize at the end of the day, all of what I'm piecing together could mean zilch and Tommy could possibly never come back. They could truly just drop the story and never circle back around, set fire to a beautiful arc and lose thousands (possibly millions) of viewers. I've certainly suggested myself being one of them. But I don't see BuckTommy only getting an Abby fix for two reasons. LFJr wants to come back and continue the story, and Connie Britton only ever intended to do one season. Also, the fling has been called out as being planned to be short-lived. Why bother mentioning that if you don't have other plans for the story.

The last thing I'll leave you with is my commentary from the interview Oli and Aisha did with the guy from Chicago. That reporter obviously liked the BuckTommy storyline and said he's choosing to believe that the relationship is paused, not over. By relation, we had Oliver say three things: (1 and 2) Buck is still looking for love, both in himself and with another person. (3)The season is only half over. Circle that back to 806-808. Buck is finding love in himself by dealing with it in a healthy way (so far) with the baking. We've also seen the "cracks" Oli mentioned with his continued urge to want to text Tommy, as well as him fighting it off by baking (referencing the "pendulum swinging"). Looking for love in others will likely be this arc where he tries to deal/move on. I feel like we collectively watched the end of 806, and then 807 and 808 yelling at the TV "you're in love with him, piece it together already!" (or maybe that was just me???). But truly, whether it's a fling, his therapist, or Bobby/Maddie/Eddie who finally spells it out of or him, I think there will be a point at which we see that come to fruition. The seeds were sewn in for it in the scene with Josh. Now it's just about watching those seeds sprout.

Final note: we've had a good run up to this point with these two. Did we truly thing that the honeymoon phase would last forever? (I didn't. Conflict and the pink bubble popping have to happen eventually.) If we really want to suggest that what BuckTommy has is real, they have to go through this and come out the other side. I think everyone is justifiably frustrated due to the 4 month wait on new episodes (I personally would not have left people hanging quite like this, but that's just me), but the narrative does lead us toward what the show is doing with the suggestion that it does have a natural (and good) conclusion. (Possibly with a helicopter/truck/jeep crash?!)

And just as my singularly LAST note, here's my other thing: Evan and Tommy both have abandonment issues. (Tommy's are clear based on the break up and we know Buck's.) By that correlation, when these two finally get back together, they're never going to fucking let the other go.

(This was so much longer than I intended it to be, but that's my answer 😂😂😂😂😂😂)

[txrully]

WATASHI NO AIDORU SAMA!

summary: IN WHICH BLLK BOYS DATE AN IDOL!

characters: isagi yoichi, bachira meguru, itoshi rin, nagi seishiro, mikage reo, chigiri hyoma, hiori yo, shidou ryusei, itoshi sae, michael kaiser, alexis ness.

warning: fem! reader implied

isagi yoichi

isagi is in awe of you. your determination, charm, and the way you captivate an audience—he’s lowkey your #1 fan. he’s also the boyfriend who overthinks everything. is he doing enough? are you eating properly? is his goodnight text too basic? but when you’re overwhelmed by the pressures of being an idol, he’s the one who brings you back down to earth with his soft smiles and reassuring words.

when he attends your concerts, he tries to keep a low profile, but the way he beams when you glance at him gives him away every time.

"yoichi, they caught you smiling like a lovesick puppy in the crowd."

"but you looked so cool up there! how could I not?!"

"next time, at least wear sunglasses."

"then how will you see me cheering for you?"

bachira meguru

bachira lives for the drama of dating you. the glitz and glam? he loves it. sneaking into your dressing room mid-rehearsal? absolutely. he thrives on making you laugh, especially when the idol world feels too suffocating. he even suggests the most ridiculous disguises when you want to go out, like matching frog hats or dressing up as old people.

he’s also not shy about flaunting your relationship, sending chaotic selfies to your fan club and saying, “aren’t we cute?” yeah, he’s banned from your socials now.

"bachira, stop posting pictures of us!"

"what? they love me. look, 10k likes already!"

"i will revoke your access to my phone."

"awwww :("

itoshi rin

rin doesn’t care about fame, but oh boy, he cares about you. the media knows him as the stoic, no-nonsense soccer prodigy, but behind closed doors, he’s your biggest supporter. he secretly streams your performances and even sets your songs as his alarm (though he’ll deny it if you ever find out). when you’re busy with schedules, rin shows his love in quiet ways—making sure you eat, sending random texts like, “don’t overwork yourself. i mean it.”

but paparazzi catching him sneaking into your concerts? yeah, that’s not part of his plan.

"you know they saw you, right?"

"tch. who cares?"

"rin, they’re calling you my biggest fanboy on twitter."

"...well, they’re not wrong."

nagi seishiro

nagi finds your idol schedule exhausting just hearing about it. but he loves you, so he makes the effort. he’s the type to show up to your rehearsals half-asleep, holding your favorite snacks. when you’re performing, though, he’s laser-focused, recording every moment because “you look cool up there.”

he also doesn’t get jealous often, but when a fanboy gets too enthusiastic, he’ll casually sling an arm around your shoulder and deadpan, “she’s taken.”

"sei, were you napping backstage?"

"mm. comfy couch."

"you’re unbelievable."

"but i got your favorite chips."

"...okay, forgiven."

mikage reo

reo is the ultimate boyfriend-slash-manager. need help with your contract? done. overwhelmed with schedules? he’s already booked a spa day for you. he’s your rock in the chaotic idol world, always reminding you that it’s okay to take a break.

he also spoils you shamelessly—designer dresses for red carpets, private dinners after concerts, and the fanciest bouquets delivered to your dressing room.

"reo, you didn’t have to buy out the whole bakery just because i said i liked their croissants."

"but you deserve the best."

"...i’m keeping the chocolate ones."

"all yours, my love."

chigiri hyoma

chigiri gets it. as someone constantly in the spotlight himself, he knows how draining it can be. he’s always there to hype you up, whether it’s helping you perfect a dance move or rehearsing lines for interviews. when you feel insecure, he’s the first to remind you of how talented and beautiful you are.

his favorite moments are when it’s just the two of you—no cameras, no fans, just quiet walks or lazy afternoons.

"hyo, do you think i’m doing okay?"

"you’re doing amazing. and even if the whole world doesn’t see it, i do."

"you’re too sweet."

"only for you."

hiori yo

hiori loves your passion for performing, but he worries about how much it takes out of you. he’s the type to leave little notes in your bag—"you’ve got this!" or "don’t forget to eat!"—and surprise you with coffee during long rehearsals.

he doesn’t love the spotlight, but for you? he’ll put up with it, even if it means sitting front-row at your concerts surrounded by screaming fans.

"yo, are you okay? you looked uncomfortable out there."

"yeah, i’m fine. just not used to being around so many people."

"next time, i’ll get you noise-canceling headphones."

"i’ll wear them if they have your voice recorded on loop."

shidou ryusei

shidou lives for the chaos of your idol life. paparazzi? fans? scandals? bring it on. he thrives on being the center of attention, especially when it involves you. he’s the boyfriend who gets caught sneaking onto stage mid-performance just to blow you a kiss.

he’s also fiercely protective, ready to throw hands with anyone who disrespects you. but when it’s just the two of you, he’s surprisingly soft, reminding you why you fell for him in the first place.

"ryu, you can’t just interrupt my concerts!"

"what? they loved it. besides, i missed you."

"you saw me five minutes ago!"

"five minutes too long."

itoshi sae

sae isn’t the best at expressing his feelings, but his actions speak volumes. he doesn’t show up to your events often, but when he does, it’s with flowers in hand and a rare smile just for you. he admires your dedication but worries you’re pushing yourself too hard.

he’s also your harshest yet most supportive critic, always giving honest feedback because he wants you to be your best.

"sae, was my performance okay?"

"it was good. but you can do better."

"...you could’ve just said you’re proud of me."

"i am. but you already knew that."

michael kaiser

kaiser adores the spotlight, and dating you? it only adds to his charm. he loves flaunting your relationship, whether it’s through matching outfits or casually mentioning you in interviews. he’s cocky, but his support is unwavering, always hyping you up like your personal cheerleader.

he’s also lowkey competitive, challenging you to see who can trend on social media first after a big event. spoiler: you always win.

"kaiser, stop refreshing twitter."

"i need to know if we’re trending."

"you’re ridiculous."

"ridiculously in love with you."

alexis ness

ness is the sweetest, most wholesome boyfriend. he’s constantly in awe of your talent and works hard to make you feel appreciated, from writing you letters to learning your favorite songs on the piano. he’s also your biggest fan, always gushing about you to anyone who’ll listen.

he gets flustered when fans recognize him as “your boyfriend” but secretly loves it.

"ness, are you blushing?"

"n-no! i just—your fans are so nice."

"you’re adorable."

"not as adorable as you."

© txrully :: 2024

do not copy, translate or plagiarize my works.

[novirp13]

One of my favourite webnovels is Spare Me Great Lord, where the main character (Lu Shu) is a complete jerk. In a troll way. He used others, disregarding their opinion if it didn't benefit him, and won't hesitate to rob them blind.

This webnovel has 1332 chapters. And do you know at what chapter did he change his way? Around 1000 chapters. And even then, he's still greedy.

Character development needed time. Let them be jerks for a while. If they changed for the better, good. If they don't, then leave. Sometimes, authors create their characters just to be hated. There's a reason why 'villain' exists.

'What if the main characters we were supposed to root for were unlikable?' Like I said, just leave. Likeable characters are subjective, just like real-life people. Don't force the author to change them because the said 'likeable characters' were not to your taste :/

“your characters need to be likeable” allow me to introduce you to the very worst guy who ever lived

[nadianova]

welcome to surprise nadia nova how to make a visual novel tutorial

you want to 100% use ren'py i dont make the rules

its straightforward enough that simply downloading, installing and hitting the "create new project" and spamming through the menu and then opening script.rpy to see the code which will tell you like 70% of what you need to make your first vn. there no need to be afraid just because the word 'code' was mentioned. ren'py's own language is just copy pasting stuff back and forth and inserting your own names and pictures. its nothing like C# or java or whatever languages exist cause i know jackshit about any of that and dont know how to do programming

anyway, inside the main script file, script.rpy, are commented instructions on how to name a character, place a sprite, place a background, and put in text and you can basically make a vn with these things. i can not stress it enough KEEP IT SIMPLE, especially if you're starting out. making things complicated or planning massive projects is just shooting yourself in the foot. better to make 2 minute game than get stuck trying to make a epic masterpiece

writing a story is its own thing. however anyone can write and its better to write a shit story than no story. that way you have something to build on and get more comfy with your own art process. its what me and everyone else who makes vns and any other art or skill or hobby have done too.

if you like what some other vn/manga/anime/story does copy it and smash these inspirations together to make your own thing. save pictures and lines you see that get you inspired if you need inspiration and references for your own story. everything in this world is inspired by other things someone else has made. its not stealing unless you get absurd and download someone elses game and take out half the assets and put them in your own game and pretend you didnt

if you have interest do yourself a favour and make a vn. as far as game development goes its one of the most accessible options out there . ren'py is an amazing engine having all the vn necessities already in place since that allows you to just focus on the story and not have to worry about setting things up yourself and scrambling with advanced code unless you really want to

i know the jam is just ending in the following weeks and depending on when you see this post this might be outdated as hell but my yurijam server is still going and will be going until people simmer out and something new shiny takes their attention. still, its a server an people post gay shit there occasionally even outside of jams so me and many others are helpful and like answering questions to help otehrs make stuff. so i think the best way is to join the server rn and just ask questions in the help channel. better to ask stupid questions than no questions

now go make a visual novel im holding a whip and making those scary crack sounds and aiming just close enough to your feet that youre almost convinced it hit you despite your jumping and dancing and DANCE NOW DANCE MAKE A VISUAL NOVEL DANCE GET TO IT MAKE A VISUAL NOVEL DO IT NOW OR ILL GET YOUR FACE NEXT MAKE A VISUAL NOV-

anyway but for real if you really are interested make a vn cause im holding a whip and making thOSE SCARY CR-

[luveline]

𝐚 𝐬𝐭𝐚𝐫 𝐛𝐞𝐭𝐰𝐞𝐞𝐧 𝐡𝐚𝐧𝐝𝐬 | 𝐣𝐚𝐦𝐞𝐬 𝐩𝐨𝐭𝐭𝐞𝐫

six | chapter list

Finding out you’re a princess isn’t half as intimidating as suddenly acquiring a full-time bodyguard. Especially when that bodyguard is disarmingly handsome, charming, and can’t seem to stop flirting with you. 

bodyguard!james, fem!reader, implied chubby!reader, shy!reader, princess diaries au, all characters in their 20s or older, star-crossed lovers/ forbidden romance, slowburn, background wolfstar

˗ˋˏ ♡ ˎˊ˗

“Why aren’t you hitting me?” James asks. 

The safety mat under your feet does little to assuage your fears. James Potter is perhaps the last person on earth you’d expect to hurt you, and yet you can’t shake the image of him deflecting your punch and sending you reeling. 

With his lovely curls slicked away from his face, his nice mouth, the curve of it where he’s smiling encouragingly, you don’t really want to hit him. 

“I can’t,” you say. 

“Yes, you can. One day you might have to, and I need to know you can do it without breaking your own hand.” The no nonsense tone he’d tended to sport when you first met barely three weeks ago is seemingly gone, replaced by a friendly, almost cavalier tone. Like this is fun. “It won’t hurt you much, I swear. And you should get your revenge. I hit you pretty hard.” 

“You didn’t hit me,” you say. “The door did.” 

“It was my fault.” He smiles, readjusting his stance with feet planted firmly against the mat. 

“James…” 

“Just hit me,” he says. 

You tense your fist around your thumb and hit him square in the chest. It’s not a punch by any means, a weak landing of your knuckles that doesn’t move him. Still, you’re surprised with yourself, checking his face for a sign that you’d done any damage. 

“There are so many people who’d love to punch me,” he laughs, nodding to your hand, “you can do better than that, if only to do what they couldn’t.” 

“I don’t want to hit you, James.” 

“I know, you have to. Come on, it’s easier than you think. You bring your first back to your shoulder and you move into it, okay? Use your weight to do the work. You’ll never hurt anyone if you don’t.” 

“I’d rather not, though.” 

“I know that, too, but you might need to. God forbid you be in a situation where I’m not there to protect you,” —here he does something strange with his eyebrows you’ve yet to encounter, sending a straight shot of butterflies through you, their wings fluttering in the soft part of your throat— “but you don’t have to be defenceless if I’m not. Give me a good swing and I’ll make sure Marlene has that pear ice cream at dinner tonight.” 

“Marlene would make it if I asked,” you say unsurely.

“But if you hit me, I’ll ask for you.” 

“You can be very manipulative.”

“Sometimes. Alright, hit me. Or I’ll tackle you again. You didn’t like that last time.” 

Obviously you hadn’t enjoyed being tackled, because James hadn’t hurt you, he’d simply overpowered you. In one sense, it had been panicky to realise you were at someone’s mercy. James had grabbed you simply behind the back with your chests pressed together and hooked his calf behind your legs, taking them from under you, and following you to the ground. You didn’t like it because he didn’t hurt you, he’d pressed his weight into yours with an arm tight across your chest, just under your throat, and you could smell his hair. Smell almond or jojoba or– or something warm. 

It isn’t that you have feelings for James. You don’t know him well enough. But having someone like James pressing down on you was impossible to ignore, consciously and subliminally.

You really don’t want to do this, drawing your arm back, tightening your first two fingers. James’ eyes widen, his lips falling open as you hit him hard enough to bruise a half inch from his heart. He stumbles and you follow, before flinching back hard, tucking shameful arms to your chest. 

“Sorry!” you burst. “Fuck, sorry! I thought you were ready!” 

“I was ready.” James grins widely. “Awesome. Do that again, yeah? Let’s have one on the cheek this time.” 

“I am not punching you in the face.” 

“You could always aim somewhere softer. The point is to incapacitate me. Hitting me in the chest won’t do that.” He rubs a hand into his shirt, the dark compression material barely moving. “You might have bruised me, though. I’m a good teacher.” 

“I don’t want to do this anymore,” you say. 

James deliberates. He tips his head back, showing you the rather nice point of his chin and his neck. A beauty mark sits nestled atop his Adam's apple. 

“Alright. Sorry. No more hitting. Maybe we’ll give the offensive a break for a while and go back to defence again in a few days?” he suggests. 

You relax. 

You’re wearing clothes you’re not used to, a compression shirt like James’, a pair of dark trousers of a similar material with loose ends. Sirius had done some online shopping with you, not worrying as your elbows brushed. He pointed at things and you’d given weak yesses or resolute nos. The total had climbed and climbed, and Sirius had taken your choking for self-preservation. “Not to worry,” he’d said, grinning, “the royal coffers will pay for this lot.” 

It doesn’t feel real. Endless money with no limit nor reason. He’d opened Curry’s swiftly after and asked you what laptop you wanted for uni. He’d attempted to goad you into two. 

It’s alien. All of it, even James across from you where he’s sitting now to put his trainers back on. He doesn’t feel anymore real than the day you met, this handsome, tall boy tasked with keeping you safe. You’ve never been someone’s number one priority. 

“Come and put your shoes on, lovely.” 

You’re not sure how to cope with that, either. He and Sirius both seem quick to coddle when you’re distracted, and you’re distracted often. You shrug away your thoughts, relaxing your tight shoulders as you cross the empty gym to sit next to him. Your trainers are new, too, a sporty pair that cost more money than your last three pairs combined. 

“It’s nice to have new things,” you confess, “but odd.” 

“Yeah?” 

“I… I’ve been wearing the same pair of converse for two years. I had one pair of proper shoes, and one bag. One purse. And I didn’t mind it, just… just, it makes you feel sick sometimes when you want stuff. It’s embarrassing.”

If James is surprised at your sudden admission, he doesn’t show it. “There’s nothing to be ashamed of in wanting things,” he says, hands braced on his knees, “but I can guess why you might’ve felt like that. We try not to think about the things we want because that can make not having it worse.” 

What couldn’t you have? you think, searching his expression for a hint. 

“I’m glad it’s nice,” he furthers, tapping his heel against yours. “They look good. Are they comfortable?” 

“They feel like I’m wearing socks half the time.” 

James nods appreciatively. “Well, get them on. We’ll nip into the pharmacist before we go home, do you have your sunglasses?” 

“It’s too grey outside for sunglasses, we look ridiculous.” 

“You look like the front page of every newspaper. Ever. In the entire western world. Here, put your hoodie on.” 

You and James leave the gym with a wave to the women at the front desk and begin down the street. James hates the city obviously, wrinkling his nose at the grey cobbled streets and all of its sooty puddles. He walks from place to place rigid as a tentpole, swerving in front of you the second that someone looks at you too long. You wonder if this is what having a boyfriend is like. James is constantly making sure you’re safe, that you’re on the right side of the pavement, that you’re warm and fed and smiling. But you don’t suppose a boyfriend gets paid to spend time with you, nor do they spend nights on the lumpy sofa in the living room when they’re too tired to drive home at the end of a long shift. 

You think without wanting to of James climbing into bed with you, a split second of his warm arm over your back, and shake it away as he pulls you into the pharmacy. 

“Can you look at something else?” you ask, turning to him as you pull off your silly sunglasses. 

James raises his eyebrows. “Whatever for?” 

“I need stuff.” 

“I know you need stuff. You asked me if we could come here. Which, by the way, you don’t need to do. You’re supposed to boss me around.” 

You look over a shelf of shampoos and deodorants and begin reading their labels. James took you shopping the day after you got back, but you’d been stuck in your old ways and what you didn’t skimp on, you forgot. You eye a large bottle of shampoo that brags deep moisture for your hair type and take it from the shelf, then the matching conditioner, and then its hair mask. Your shoulders curl forward, worried James will think you greedy or sad or something in between, but he just says, “Pass them here, Princess.” 

“It’s fine, I can–”

“I’ll have them. I’ll go get a basket.”

He scoops everything into big hands and walks back to the pharmacy’s entrance. 

It’s a big pharmacy, modern, with white walls and bright fluorescent lights behind shelves. You catch yourself in a mirror next to a stand of cosmetics and wince. You look odd in these sporty clothes. Your nose is shiny. 

You wipe your face with your sleeve and stare at the cosmetics with no clue what to get. Should’ve asked Sirius to come. Or better yet, someone who regularly wears makeup. Only thing is, you don’t really know anybody who does. 

“You don’t have to rush,” James says, joining you at the makeup section, such a long walk from the shampoos. “Did you sprint down here?” 

You’d speed-walked past the sexual health aisle actually, but James doesn’t need to be privy to that information. “You don’t want to be here all day.” 

“I want to be exactly where you are. If that’s looking at lip gloss, then so be it.” 

You smile, a little shy, a little rueful, and turn your attention back to the lip glosses in question. There’s browns and pinks, blush-rose red and moodier cherries. “I don’t…” 

“That one,” James says, poking a barrel with confidence, “would suit you. And this one, too. You’ll look lovely.”

You don’t know what to say. The colours he’s chosen get added to your basket without comment, after you’ve wrestled it out of his unwilling hands. You spend a few minutes spready tester shades of concealer against the back of your hand, where James again recommends the one that matches your skin tone best. He leans behind you, and he does his job, sweeping the aisles and giving the shop a long up and down every once in a while, but for the most part he acts like he’s there to be there. 

You get to the bit of the pharmacy you’d come for initially, the shorter but well-stocked supplement and vitamin aisle. Realistically, you aren’t going to take ten different vitamins a day, and with Marlene’s cooking it isn’t as though you need them, but there are things you’ve always craved. Biotin and collagen, for healthier hair and nails. Multi-nutrient sachets for every day, the good stuff, and so expensive your eyes initially skip over them. 

Your hand hesitates in front of a box and James makes a warm humming noise. 

“They look promising.”

“I’ve never had them before.”

“I have a killer magnesium deficiency,” James says. “I usually take the magnesium and zinc, but that throws my copper out of whack.” 

You can’t tell if he’s messing with you. You smile at him, not quite stickily but getting there, your cheeks appled with it. “Not your copper.” 

“It’s not funny, Princess. It makes me want to sleep all day.” 

“Not funny,” you agree, grabbing the box of sachets and placing them atop the new electric toothbrush you’d fancied. You feel gluttonous and weird with it, because you don’t suppose you really need one, but James had only said That’s a nice colour. 

“James,” you say, meandering with him toward the tills, “you didn’t need anything, did you?” 

He grins at you like you’ve said something different. “I have everything I need, don’t worry.” 

“You sure?” 

His eyes seem lighter, then. Amber flecks in the browned honey of his irises. “Promise.” 

He tries to get you to visit the perfume counter, but the basket is getting heavy and you’ve spent enough as it is. Not even a tenth, a hundredth, a thousandth of what you have now at your disposal, but so much more than you ever would’ve before. 

The lady at the till eyes James behind you. She beams when James opens his wallet and passes you the card you were given by Sirius for expenses, and laughs when you refuse to take it. “I have mine,” you say, “this is all for me, I can pay.” 

“Technically it’s your upkeep,” James argues. 

“James.” You pass the cashier your card as James frowns. 

“I wish my boyfriend offered so quickly,” the cashier says. 

You go hot all over, but before you can tell her James isn’t your boyfriend, he’s laughing and taking the handles of your heavy pink carrier, pulling it toward him as the cashier sorts your receipt. “I shouldn’t have tried, really.” 

“It’s the thought that counts.” She hands you your receipt. “You should to let him pay, chick, especially if he’s offering.” 

“Maybe next time,” you appease. 

You’re still flushed when you and James break outside again, the cold a blessed relief. James lets your pink bag rest in the crook of his arm, while the other hovers behind you, looking around the street unhurried. “Anywhere else you want to go, chick?” he asks. 

You laugh. “She was nice.” 

“Very motherly.” 

“I want to go home, I think. Did you need anything else?” 

“I do all my shopping when I’m not working.” 

“When aren’t you working?” you ask genuinely. “You spend more than half the day at my flat, and when you leave– if you leave, it’s night time.” You give him a sideways glance. “I have nothing else to do today.” 

James contemplates this. “I– I’ve been meaning to get Sirius a gift. It’s his birthday next week, did you know?” 

“No! When?” 

“The third.” 

“What does he like?” 

James beckons toward a neon signed music shop. “He loves music. Music and the macabre, you know, like, horror movies. And he reads, despite what he might have you believe.” 

You fall into step. “Alright. You’ll have to tell me what to buy.” 

Again, he gives you a look like you’ve said something different, like you’ve said something lovely. 

“I can do that,” James says. “I won’t steer you wrong.”

—

Later that evening, after another tentative hour in the car with James’ patient coaching, you return home to shower. It’s luxurious and strenuous simultaneously. The new hair mask is fragrant and silky between your fingers, leaving the bathroom thick with its smell, the warm air clouding the windows. You hurry between the bathroom and your bedroom in a bath sheet and pretend you don’t notice James’ head tipping in your direction. 

“Everything alright?” he calls to your bedroom door. 

You spy on him through the gap. “I’m fine. Sorry I took so long.” 

“Remus has asked if he can come early and have dinner with us.” 

“He doesn’t need to ask!” you call, closing the door soundly. 

It will be nice to have Remus for dinner. He doesn’t have to tell you what fork to use here, you only have one kind, but he explains the heritage or main flavours of each dish and doesn’t make you feel embarrassed when you don’t know the Genovian Marlene uses. Honestly, you hadn’t even realised Genovia had a language, a hodge podge, Remus says, of Italian and French. And Remus has a steady voice that feels evidence of his more humble background —he’s like you, you’ve found out, working class and humbly brought up. He attended their boarding school on a scholarship of academic prowess, and served as a prefect for all seven years. 

“How exhausting,” you’d said. 

“With those two? You wouldn’t believe it.” 

His disdain was feigned, mostly. It’s why you’re excited to have him for dinner. When the boys are together, they end up telling you stories about their hijinks at school, and you get to peek into the window of their lives, see their fondness for one another in praises and shoulder squeezes and their ridiculous nicknames. 

You haven’t managed to ask about them yet. They slip out every once in a while, and in multiple variations. Moony, Moons, Moon and Pads, Pad, Padfoot. Remus’ you’ve deduced from a story they told, how Remus could be oh so moody when he wasn’t very well, like a wolf, a werewolf. Isn’t that clever for a gang of twelve year olds? Lupin, the wolf boy. You have a feeling it didn’t start out as a particularly kind nickname, but it morphed into a loving moniker later on. Sirius’ nickname, however, you’ve no chance at working out. Padfoot? 

And Prongs? You assume James had a nasty run in with a fork. 

You dress in soft, new clothes. Prongs, you think, doesn’t suit him at all. The James you know is only ever prickly when you’re at risk. He doesn’t flinch when you panic, never hardens. He has a soft hand for your back whenever you need a pat. 

Your socks slide on the living room tiles as you make your way in. James is clicking away on his phone, a dark business phone with many, many buttons. It’s dwarfed by his hand. He swears under his breath. 

“Everything okay?” you ask softly. 

James looks up and his gaze snags on you, his head tilted to his phone and his eyes steadfast where they look you over. “Fine. Nice shower?” 

You’re rich now. Every shower is nice, the boiler turned to a high six, hot water neverending. 

“It was good. Where’s Sirius?” 

“I’m actually not sure.” 

“Isn’t that your job?” 

“No. And if it were I wouldn’t know anyways.” He turns back to his phone. “He’s a slippery one, Pads,” he murmurs, “I couldn’t really keep track of him if I tried.” 

You feel as though you’ve caught him at a bad time. Restless, you turn away from him and head for your small kitchen, unsurprised to find Marlene still cooking and the continued remodelling of your kitchen. Old countertops find themselves housing new oiled cutting boards. Your grody cooker seems small beneath a HexClad Dutch oven, where oil bubbles and spits lightly, dough cuts set on a baking sheet beside it. 

“Hi, Marlene. What are you making?” you ask curiously. 

She grins at you from over her shoulder. “Apple cider doughnuts. I’ve made cinnamon sugar, do you mind it?” 

“What’s the thermometer?” you ask. 

She laughs at you lightly. She’s used to you dodging questions. “Just making sure I don’t set your house alight. At home I can do this by eye, but it’s finicky with your oven. She’s temperamental.” 

“Sorry.” 

Marlene waves a hand. “You want to try?” 

“I’ll just be in your way.” 

“No, you won’t. Frying doughnuts is fun, here. I’ve put each of them on a bit of greaseproof paper. They slide right off.” 

Marlene doesn’t usually take no for an answer. She’s not bossy, but decisive. You’re hesitant at first of the boiling oil and the greaseproof paper doesn’t cooperate when you try it, but eventually you’ve freed a crispy bit of paper from the dough, watching patiently as Marlene turns the doughnuts. She tells you about the dark colour you’re searching for, “I’ve put apples in the dough, see, so they’ll come to a brilliant dark colour without burning. We’ll have them with ice cream or whatever you like.” 

”James told you I wanted it?” you ask shyly. 

“James didn’t mention you at all, he just begged a bit for it. He can be quite pathetic when he needs to be.”  

“I resent that!” James calls. 

Sirius and Remus arrive in their usual pair, Remus tall and light to Sirius’ tighter darkness. Remus wears glasses today, black thin frames perched atop a scar on his nose. Sirius is being himself, poking at them and reminding Remus that just because he is an insufferable swat doesn’t mean he has to look like one. 

“You’re worse than insufferable,” Remus says. When he sees you, he brightens. “Ah, Princess. James hasn’t injured you, that’s brilliant.” 

“And you clearly haven’t killed him in a motor vehicular disaster,” Sirius says cheerfully. “Praise be.” 

“We’re both fine,” you say. 

“Were you worried about us?” James asks. 

“I wasn’t worried about you, James,” Remus says with a smirk. 

You eat as you have every day for the week since you’ve been home: around the coffee table, five plates and drinks rearing to get knocked over and ruin it all. Your knees press into Remus’ on the left and Marlene’s on the right. James sits across from you now that Frank’s shown up for his night shift, digging in with vigour, beaming around his fork as Sirius gives him a good nudge. So many people in your crammed flat. It doesn’t seem real. Half the time, they’re just here to keep you company. 

Paid to keep me company, you think, biting your tongue as you do. This isn’t… real. 

Something taps you under the table. James’ hand, you find, long fingers pressing soft into your kneecap. You quickly lift your head again to find him frowning at you mildly. Okay? he mouths. 

“Bit my tongue,” you say. 

“Ouch,” Remus says. 

James pokes his lip with his tongue. “Be careful,” he says eventually. 

You ignore whatever it is he’s not saying and pick at your food instead. For dinner, Marlene has made a traditional Genovian pasta dish heavy with red pesto and steak. It isn’t what you’re expecting, used to the paler whites and greens of the last week's worth of dinner. James couldn’t be enjoying it more, and Sirius has pledged his undying love to Marlene three or four times since you sat down. 

“Jesus, I barely miss Genovia when you cook like this,” he says. “I will happily serve my country.” 

“Unlike before, when you were here unhappily,” Remus teased. 

Sirius looks you dead in the eye. “Princess, I would follow you anywhere. Marlene is an added bonus.” 

“I– I really wish you guys wouldn’t call me that.” 

Sirius looks gently chastened. “Sorry, sorry. It’s muscle memory at this point. If I called Princess Julianna by anything but her title, she would’ve had me drawn and quartered in the royal courtyards, is all.” 

“And the rest,” James snorts. 

“I try not to address her at all,” Remus says to himself. 

Everyone laughs. You join in a second later, wondering about your unknown cousin. “She was rather spoiled, wasn’t she?” you ask. 

“You’d think she’d tone it down some. Her royal status is rather tenuous, you know.” 

James gives Sirius a look. Careful, it says. 

“What do you mean?” you ask. 

“Well, she’s a royal by marriage, not blood. We explained that, didn’t we?” 

James had said it was complicated. You’d been too startled about your own royal status to inspect it any further. “She’s not a Renaldi?” you ask. 

As it’s explained, your uncle (uncle! who is indeed royal by blood, and the eldest son) forwent the throne when it became clear he wouldn’t be allowed to marry a divorced lover otherwise (reminiscent of certain British scandals). Said divorced lover already had a daughter, a young Julianna. And so your uncle remained a prince but not a king, and Julianna became a princess, to the ire of half the country. 

Traditions have changed in time, but Julianna still lacks Renaldi blood. 

“It drives her mad,” James says. He’s leaning back against the armchair now, dinner finished, a big glass of apple cider in his hands. 

“That doesn’t surprise me,” you say. “Sorry, I sound horrible, just. She wasn’t super friendly.” 

“It would’ve been better for everyone if she was,” Sirius says. 

You wait for him to continue. Marlene prompts him, “You think so?” 

“Well, yes, I suppose. Anything is better than a country ruled by Baron Riddle. Evil, loathsome man. He thinks that nobody knows he’s had a nose job, you know.” 

“Who’s Baron Riddle?” you ask. 

A hush falls around the table. You look down at your plate, eyes on the red shine of pesto and olive oil where it’s grown cold on your plate. A hunk of soft bread is discarded beside it. You poke at it with your nail until crumbs flake away, lips parted, not sure what to say. “Is he–?”

“He’s a bad man, Y/N,” Sirius says. His voice has turned soft but not thin. “He’s prejudiced and cruel. If nobody of Renaldi blood takes the throne when your grandmother steps down, he’ll rule Genovia. And he’ll run it into the ground.” 

James isn’t looking at you when you drag your head up. He downs the last of his cider and stands up, murmuring about clearing the table as he carries his and Sirius’ plate to the kitchen. 

“I didn’t know,” you say. Well, you’d known someone would ascend to the throne if you didn’t. But you didn’t know about Riddle. A guilty heat builds in your throat. “I had no idea.” 

“James asked us not to tell you,” Remus says pointedly. 

“She has a right to know,” Sirius says. They glare at each other, but the heat in Sirius’ voice doesn’t rescind. “What? She does. She’s a grown up.” 

You shake your head. “Thank you, um, for telling me. I’ll just take these out, should I?” You gesture to the plates and stand up quickly. You can’t escape the feeling that Sirius is very angry with you, and you don’t want to face it, so you escape the room instead. 

James’ shoulders are tense in the kitchen. He scrapes his plate clean into the food recycling bin, offering his hand without looking for your own. 

“Thank you,” you say quietly. 

“Of course.” 

Silence blossoms like an achy bruise. 

“James–”

“Thank you for having me for dinner, but I really should be going now. I promised my mum an overdue call.” 

He’s angry. 

You cringe away from him. “Okay. Yeah, no problem.” 

“Okay. Stay safe while I’m gone, yes? Remember your panic button.” 

Your hand inches up to the opposite wrist, where your tennis bracelet of sapphires sits tightly. You’d forgotten all about the panic button embedded in disguise under one of the gemstones. 

He smiles at you briefly, and in a minute or two he’s gone. Sirius goes out after him, leaving you and Remus and Marlene to the heap of dishes, a bad taste lingering on your tongue that has nothing to do with dinner. 

[eelclaw]

the protagonists of the broken code. who's rootspring

i am tbc's number 1 hater! negative thoughts below

shadowsight: other characters sometimes acknowledge that he was manipulated by ashfur, but the narrative puts all of the blame for the ashfur situation on him, neglecting that (a) he did exactly what he was supposed to do as a healer (obey and take messages from a starclan cat), and (b) the codebreaker hysteria was far more a product of clan culture than the actions of a single apprentice. he isn't treated like the victim that he is, and it is frustrating and not cathartic.

bristlefrost: what the hell does she even do. what does her spy arc accomplish or contribute (like mother, like daughter). she finds out that bramblestar isn't bramblestar far too early. she's so perfect and she has no flaws and she's so empty. i want her to be worse. how much more interesting would she be if she was sneaky and selfish? if she was loyal to the imposter because she truly believed in what he was saying? not to mention how she reciprocates rootspring's feelings with literally zero warning, and ceases to have what little character she'd had to begin with. i genuinely don't care that she dies, they did nothing to make her an engaging character. miss bristlefrost, i'm sorry they did you so bad.

rootspring: first rootpaw thinks he's weird because of his father. i hate this because i hate tree. later, rootpaw thinks he's weird because he can see ghosts. so they give him this "i just want to be normal" deal, and the clans suddenly pretend that ghosts are silly and not real. sure, rootspring and tree are the first clan cats with this specific power. and i get that the clans have very rigid beliefs, and they are afraid of anything that contradicts those beliefs, and that's interesting! but ghosts have been appearing to clan cats all the way back to tpb. fireheart tries to kill clawface at one point and he senses spottedleaf's spirit beside him, there to avenge her death. so rootspring's issue is stupid and he's nothingburger to me.

bramblestar: the arc really depends on me giving a shit about what happens to him. which i don't.

i think bramblestar is unintentionally a bad person and a great character. he proves himself by rejecting tigerstar, but he's still deeply insecure. he makes mistake after mistake (conspiring with tigerstar; hesitating to save firestar from the fox trap; forsaking his children after finding out they're not biologically his; using his power over squirrelflight as a warrior, deputy, and leader to control her), and for none of these mistakes is he held accountable (no thunderclan cat except leafpool learns that he plotted with tigerstar; he is allowed to remain deputy; his children think he was the best father ever; in every situation, squirrelflight seems to bear the consequences of his actions).

in other words, bramblestar gets chance after chance to redeem himself, and he keeps fucking it up. again, that's interesting! there is a story here about how difficult childhoods affect adults, and how powerful men are not held responsible for hurting people. except that's not how he's written. he's written as a completely good person, a brave and noble leader, and all of the clans respect him and they need to get him back.

there's a crazy amount of bramblestar worship in this arc. even rootspring, a brand new skyclan apprentice, thinks about how important bramblestar, the thunderclan leader, is, and how all the clans wouldn't be the same without him. i can't take it seriously.

graystripe: graystripe also got a crazy amount of worship. i couldn't stand reading every few paragraphs about how great he is.

side note: shadowsight, bristlefrost, and rootspring all want the same thing. they advocate against killing bramblestar's body. wouldn't it be more interesting if the protagonists had different perspectives and opinions? if they wanted different things? for example, it makes sense that shadowsight wouldn't want bramblestar dead. he feels like the only way to make up for his mistake is to recover bramblestar alive. but bristlefrost could be in favor of killing bramblestar, because the only way to make up for her mistake (supporting the imposter) is to get rid of him. putting our protagonists at odds would generate some interesting conflict.

conclusion: i also have problems with ashfur (why does ashfur try to stir up trouble with codebreaking which will certainly get him caught when he could just take over bramblestar's body and live quietly with squirrelflight), tigerheartstar, mothwing, starclan, the dark forest insta-death water, firestar possessing rootspring, the pacing (oh my god! they were debating whether to kill bramblestar for like three books! and for three more books they were running in circles in the dark forest!), etc. but i've already written a lot and i'm out of steam lol.

let me finish by saying these are kids books, and i'm not expecting them to be the cream of the crop, but there are a lot of writing choices which are incredibly misogynistic and/or completely baffling from a narrative standpoint. i still have a soft spot for this series though. dammit. okay bye

[amielbjacobs]

I hear you about dumb tumblr "what if" posts that don't really make a real concept that you could write about. (I feel like a lot of tumblr 'writing prompts' also suffer from this.)

But now I'm thinking about the potential angst or horror of a monster that feeds on existing suffering and takes it away. Because like. On the one hand, if we assume that taking away suffering is always beneficial, there's still something interestingly fucked up - and metaphorical - about this character who lurks around people suffering all the time and "helps" them but only to feed its own appetites. Something about people who define themselves as helpers but have a way of making it all about themselves.

And then: what if removing suffering doesn't always help people? What if sometimes pain is a useful warning sign that something needs to change? I have this image of people in a war zone, people bleeding and dying and being killed, and yet all of them have this look of total serenity on their face as they like. kill each other. You can make anything creepy if you find the right angle!

there's a fascinating type of post on this site which boils down to "what if, instead of being cliché, such-and-such work of fiction instead dodged all genre tropes in a way that instead made it really boring"

[vampyrevolution]

Saying Mel falls into the "Disposable Black Girlfriend trope" just because of jayvik completely disregards the writing of her character and how her relationship with Jayce is an echo of her problems with her mother and city.

Now I'm not saying the dbg trope is not a GENUINE problem in media, because it is, but usually this trope consists of a black woman with lousy writing who's tossed away for two (usually white and gay but that is a totally different long story that deals with a long history of racism and erasure of black women in queer spaces for the sake of gay men) characters who get with each other.

This is not that and I need to explain why. Jayce and Mel UNDOUBTEDLY loved each other at SOME point, but their relationship did not have solid ground hence them breaking up. Mel wanted to be with Jayce because it symbolized rebellion, a unique way of looking at life and helping people. It symbolized something she was willing to risk everything for to see it prosper because this was the city she was building for her family in Noxus, to show her family she WAS the wolf and could handle be a leader, and a peaceful one at that. But to Jayce, she symbolized high society, a seat at the very table that tried to get rid of him, a part of the power he thought he deserved and a place where he knew he could MAKE A DIFFERENCE FOR THE PEOPLE.

The two of them loved the idea of one another, but never independently, the other. To say Mel is the disposable black girlfriend is to also ignore everything she went through in the season finale and everything that she's becoming, especially with the information that Noxus (where Mel is and will most likely be a lead character again) will be another series location. Mel is a complex lead whose story revolves around her at home life and familial relationship. Yes she's used as a mirror to parallel Viktor but that literally doesn't mean she's disposable, breaking up just means two characters were not meant to be and they recognized that.

Also in what world would Jayce be able to consciously even want to get back with Mel knowing she had magic and he was on a mini solo-war against the arcane? Where he thinks she's been able to control her magic this whole time and would constantly wonder why she didn't save Viktor because if she had, none of this would be happening?

That man does not wanna be with her 😭 he has literally always thought about Viktor.

And Mel has always thought about her family

They've both always seen each other as a way out their problems and a gateway/mirror to the ones they love. You could even say they're two sides of the same coin.

Also, Mel, Ekko and JayVik literally saved everyone in the end so idk how you could think this when Mel literally helped save the whole world as an imperative character to the plot.

[slowcatsisland]

Trafalgar D. Water Law; Ideal Type Deep Dive

•••••••••••••••••••••••••••••••••••••••••••••

The first thing that comes to my mind is that audio - “ I need to find my darling husband!” “What do you see in that guy?” “He makes me laugh.”

Law absolutely needs to be with someone who can make him laugh.

Throughout the post time skip arcs, it has been shown that Law -

Has a fear surrounding accepting and giving love

Believes that there must be a reason for earning love/giving love to someone

Law’s character had the most development in Dressrosa and Wano that could propel him towards healing with the defeat of Doflamingo, the revenge of Corazon’s death, and the closure statement that Sengoku says to him: “Don’t try to find a reason for someone’s love.”

Law has to heal first, or have a partner that will help him heal. To me, Law wouldn’t even think of committing to a relationship until the end of Dressrosa/Wano.

Law surrounds himself with goofy people, so it makes sense for him to fall for a goofy person.

This person would probably be on his crew as his trust issues wouldn’t allow for him falling for someone that has other loyalties that could easily be prioritized over him and end up betraying him.

Law is strict about subordinate dynamics, which is why you being on his crew may also hinder him from wanting to pursue something with you because he’s supposed to be your boss essentially.

Law would want someone that is smart, textbook smart like he is, but I also see this not being important if he truly runs into the ‘one’ that brings him the most peace.

I mean by that if you can’t hold and add to a conversation about idk the anatomy of the human body and the effects of a certain ailment, you’re not totally disqualified from his radar.

Someone who could hold emotional conversations with him is good. Even if he probably wouldn’t want the conversation. He’s kinda icky with feelings. Someone that could tell him how he feels, how they feel, and how that changes the context of whatever situation they are in. He needs someone like that.

I used to be opposed to the thought, but I believe Law needs someone truly soft. That means you could still fight if needed, but would rather not yk. It’s okay if you’re not out here swinging a machete trying to bloody the streets with your foes. That aspect of humanity that you have is something Law needs more prevalently in his life.

I remember reading an analysis of Law’s type and the creator said something similar to “Law needs someone who wouldn’t pull the trigger, just like Corazon didn’t.” I don’t know how much I agree with it but I think it’s worth mentioning.

Someone patient, but stubborn. Someone who is willing to wait for him to be ready to accept his feelings and won’t leave him when he makes a mistake (trust me he will make many mistakes in a relationship). Someone who also won’t be an idle figure in situations, you have an opinion and will voice it even if it doesn’t agree with Law’s perspective. You think the crew should help him on something rather than wait on the submarine and him go off alone? Tell him and make him listen, even if he shuts you down.

Law needs someone positive that can look at things with a glass half full mindset. Someone who looks at the rain and thinks about how the plants are getting water, someone who watches the snow fall but are commenting about how Penguin and Sachi are making snow angles and Bepo is really comfortable in the temperature. You even out his pessimism and bring light.

You’d have to get along with the other crew mates, especially Bepo too. Bepo is so important to Law, and if Bepo didn’t like you it already taints Law’s image of you.

You were always kind to him. Even before he invited you onto his crew, he identified your nature and could make a note about how you’re different from the majority of people he’s met.

Preferably, you’d be goofy, but not too loud. I feel like Law gets uncomfortable around those that are crazy extroverted- kinda like Luffy. Sometimes it reminds him too much of the Donquixote Pirates with all their flamboyance. That doesn’t mean if you have this quality you’d be off the list, he would just need it in smaller chunks or around the crew to be acclimated to it.

Grr, someone that ends up reminding him of Rosinante. Someone that Law knows is just a good person, regardless of their past.

If he asked you “why do you love me?” And you couldn’t give him an answer, you’re perfect.

He needs someone to be his safe space. Someone that could sit in his office while he works, content in the shared silence. Someone that he could ramble about his coin collection to without the worry of being judged. Someone that he could let touch his chest and have them run their fingers through his hair without worry that he’ll be harmed. Someone that will soothe him after he has a nightmare or read out loud to him until he falls asleep.

Someone that cares for him- this loops back to the stubbornness. Someone that tries to make him go to sleep, to make him eat, to make him take breaks from working. To make him live happily, something that he’s starved himself of truly ever since he was 10. He prolly won’t act like it, but you showing you care for him makes his heart bleed suffocatingly.

Someone that can show him how to love again and what it feels like to love again omg. The destruction of Flevance and the manipulation of the Donquixote Pirates so cruelly changed his perception of love.

Law wouldn’t want you to be a big shot in canon. If your bounty was rather substantial compared to his crew and him, or you had a crazy ability- it would make him worry awfully. He’d probably try to keep you out of harms way even more than he does with the rest of his crew.

Someone he can tell everything to and trust that they’ll keep it a secret.

Someone that likes the cold, likes the ocean. Living on a submarine as a pirate kinda requires this lol.

Omg imagine you’re from the North Blue too. He picks you up around the same time he does Penguin, Sachi, and Bepo. You’re one of the original members. The connection I feel like he would have with you would make him more willing to fall for you…

I feel like Law would like someone with longer hair. If he could watch them brush it, curl it around his finger, watch them create a hairstyle for the day. Small acts of domesticity in life.

Someone with large, doe eyes. He can see so much emotion through them, they hold so much weight. It reminds him of Bepo. (lol)

Someone aware of their own emotions and are in tune with their wants and needs.

I feel like he would fluster really easily if you had a gummy smile. Yk those big, pure smiles where the gums showed. When your eyes crinkly and your teeth are bared so naturally and without malice. It’s so beautiful to see.

•••••••••••••••••••••••••••••••••••••••••••••

He’s so broken

Mwah 😽

[sapphiresaphics]

I don’t know how people keep coming up with the worst takes on things, but here we are.

You wanna be logical about this? Okay fine.

Jinx locked her in the cell. She can’t get out. Even if she thinks she’s going to commit suicide, there’s nothing she can do about it. She’s locked in the cell. We don’t know how long it is before Caitlyn shows up. Could’ve been hours. There’s a war about to happen. No amount of hunting for Jinx is going to stop that. She doesn’t know where Jinx’s hideout is anyway. The chances of her FINDING her sister is slim to none now. Also, this is a prison. There are guards everywhere. Even if Jinx tries to leave, she’s likely going to get caught again and just thrown back into another cell. And even if she escapes, the possibilities are extremely low Vi will ever be able to find her and… need I remind you… a war is on the way. She’s got maybe a few hours at best before it gets here and kills everyone. She’s betrayed Caitlyn’s trust and lost her sister and she’s stuck in the cell. There’s nothing left for her.

So when Caitlyn comes in and tells her she expected to find her there and informs her that no, actually, she let her sister go and didn’t try to kill her or lock her back up and is letting go of the anger Jinx has had on her mind and that it’s okay that she tried to free her sister, Vi snaps. Because in that moment the ONLY person she has left is Caitlyn. And Caitlyn, the woman who’s been trying to kill her sister and broke up with her because Vi wouldn’t kill her sister, just informed her that she’s letting her sister go free. Which at the end of the day is all Vi really wanted.

And frankly I don’t think Vi really understands how devastated Jinx is. She comes in begging her sister to join up and fight and using her explosive potential to help out in the upcoming battle. She’s thinking of how this fight is going to get hundreds of people killed and she’s trying to build her sister up. From her point of view Jinx just needs a hug and to be told she’s special, because no matter how hard vi tries she’s always going to see Jinx as Powder. And while she has good intentions, this is NOT what Jinx needs to hear right now. Jinx is grieving and Vi is begging her to blow more shit up.

I am SO FUCKING DONE with people like you going “oh logically why wouldn’t she be trying to stop her sister from committing suicide? Why would she just fuck in a cell?! It’s such awkward timing! What bad writing!” Because you guys never stop and think about the character’s motivations.

YOU know jinx is suicidal. YOU know she is not doing well. But Vi doesn’t. Vi is blinded by Powder. She still doesn’t see Jinx or understand what Jinx has gone through. The idea that her sister is suicidal doesn’t even cross her mind. That fight in the tomb? Just her being crazy again. Jinx being theatrical again. Nothing new.

Fucking hell… that’s WHY Jinx locks her in the cell. Because even after everything they’ve gone through, she still sees her as powder. The “you’re never going to give up on me are you?” line is Jinx realizing that Vi will never truly see her as Jinx. That’s WHY she locks Vi in the cell. Because Jinx needs to leave this endless cycle and let Vi be able to move on. That’s why she tells her she doesn’t need to worry about her anymore or feel guilty and that she deserves to be happy with Caitlyn.

So yeah, they fuck in the cell because in that moment, Vi has lost everything. She doesn’t know if Jinx is alive or dead, she doesn’t know if she can find her before the war hits and potentially kills everyone and herself, and she’s gone behind Caitlyn’s back to release Jinx. She’s at her lowest point, with no time to do anything productive, and the girl of her dreams just informed her that it’s okay she betrayed her because she’s so god damn predictable and that’s something she loves about Vi, and that she’s letting her hatred of Jinx go. This is Caitlyn confirming to Vi that is was okay for her to love her sister that much. The one thing Vi has been repeatedly told by everyone around her she can’t do.

So this is VI’s emotions EXPLODING at the thought she still has one thing good left in her life. And she is going to take it NOW because this tension has been building and building for such a long time it NEEDS RELEASE. In that moment there’s no logic. No thought to the real world or what could be. It is pure emotional INSTINCT. Caitlyn has offered herself up on a silver platter and she is going to EAT.

The amount of effort you guys put into trying to misunderstand the characters, the scenes, and the intention behind the dialogue is ASTOUNDING. You should be awarded a medal for being so mind numbingly REDUCTIVE in your “criticisms.”

saw these comments on an edit on tt and they really made me stop and rethink for a second, especially the second comment ...