#because people don't have a good equivalent at home

[phynixdotcom]

Peeked into alternate steampunk universe. They didn't make tv screens/monitors, so all games & shows are rendered 1 frame at a time by disembodied automaton hands, & the fastest one they have on the market is .35 frames/second & generally only used by huge companies, like zotetrope theaters.

[edwardshundredyearoldspunk]

…

[theworldgate]

I have to explain what is going on in the UK, because it is absurd.

So, this is Gary Lineker:

He's known for a fair few things over here. He was a very good (association) footballer, playing for England in the 1986 and 1990 World Cups, winning the Golden Boot in 1986, and managing to never get a single yellow card in his playing career. He played for Leicester City, Everton, Barcelona, and Tottenham, before finishing his career in Japan. But if you aren't in your mid 30s, you probably know actually know him him for a couple of other things. The first is the role of spokesman for another Leicester icon, Walkers Crisps (which are sort of equivalent to Lays, but hit different), as pictured above. Despite being a notably clean player, he used to play a cheeky serial crisp thief. I don't think he's done that for well over a decade, but his ads were on the telly a lot when I was a kid and it's a bit like learning that the hamburglar was an incredibly clean (American) football player or something.

The second thing Gary is widely known for is having presented Match of the Day, the big football program on the BBC, the sort-of state broadcaster, since 1999. He is, incidentally, very well paid for this (though with a consensus that he could get even more if he went to one of the non-free-to-view broadcasters because he is very good at the job). He also has a twitter account. And political opinions. So, the UK government has got itself dead set upon doing heinous stuff that will totally somehow work to prevent people who want to come to the UK making the perilous crossing of the Channel (between England and France). By heinous, I mean "openly advertise that they won't attempt to protect victims of modern slavery" stuff. It's very obviously using a legal hammer to victimise a marginalised group of people in order to win votes. And, uh, I should clarify that by "legal" I mean "using the passage of laws" - the policy is, in addition to all the other ways it's awful, probably incompatible with the Human Rights Act and the UK's international law obligations. Gary, top lad that he is, objected to this. On Tuesday 7th March, he made a quote Tweet of a video of the Home Secretary, Suella Braverman, bigging up the policy, he wrote "Good heavens, this is beyond awful.". This got a bunch of backlash from extremely right-wingers, and then he made the tweet that really got him in trouble (with right-wingers): "There is no huge influx. We take far fewer refugees than other major European countries. This is just an immeasurably cruel policy directed at the most vulnerable people in language that is not dissimilar to that used by Germany in the 30s, and I’m out of order?".

Now, I am not actually subjecting myself to watching a video of Suella Braverman bigging up a cruel policy to say whether the specific comparison of the language to 1930s Germany is accurate. But needless to say, Ms Braverman was amongst the many figures on the right of UK politics objecting to Gary's rhetoric. And here's the part where a fact about the BBC comes in: it is nominally neutral and impartial (and so, of course, is routinely accused of bias from all sides but particularly the right-wing), and has something of a code for its contributors to this effect. Now, that code has previously been applied to Gary Lineker, over a comment about whether governing Conservative Party would hand back donations from figures linked to the Russian regime. But it generally hasn't been applied too strongly to people like Gary, whose roles have nothing to do with politics (such as presenting a "here's what happened on the footie today" show), on the basis that, well, their roles have nothing to do with politics. However, when directly asked about whether the BBC should punish Gary Lineker for his tweets, government figures basically went "well, that's a them problem". But a couple of days passed, and it seemed like Gary's approach of "standing his ground because he did nothing wrong" was working and everything would die down. He was set to get 'a talking to' but not much more than that. The Conservative right, after all their fire and fury earlier, had gotten bored and moved onto something else. And then, on Friday 10th March, the BBC announced that he would be suspended from hosting Match of the Day this weekend. But it could still go ahead, because there are, like, other hosts! Except, well, funnily enough, when you take a beloved figure off air, for making a fairly anodyne tweet, no one wants to be the scab who actually takes up the role of replacing him. Gary's two co-hosts, Alan Shearer and Ian Wright, said that they would not appear without him. People who (co-)host Match of the Day on other days followed suit. The net result is that Match of the Day is currently set to air without hosts, BBC commentary, or global feed commentary. And the solidarity shown to Gary Lineker, over what is very flagrantly actual cancel culture and an attack on freedom of speech (the logic implied is that institutional impartiality requires that no one say anything too critical of the government ever), has continued to grow. The BBC has pretty much been unable to run pretty much any live sports content today, and has resorted to raiding the BBC Sounds archive to fill the sports radio channel. And, as of 17:30 on Saturday 11th March, the situation shows no signs of improvement, though some are calling for the Chairman Richard Sharp, who is separately facing corruption allegations, to resign (yes I linked to the BBC itself there, there is nothing, nothing, the BBC loves more than going into great detail about how much the BBC sucks).

[gollancz]

Guys. Christmas is coming. Consumerism is in the driver's seat and GAWD don't I know about the existential ennui of all these faceless corporations trying to schill you their wares. It's cold. Impersonal. Bleak.

So I, a fellow tumblr user, will instead try to schill you MY wares, so that when you purchase these items you can say "Hey, that person from tumblr worked on this", and feel the warmth of HUMAN CONNECTION in a way that is completely normal and not parasocial at all. We really are friends. I promise. Yes, you. Love you, bestie. Remember the boop war? Good times. Fond memories.

THIRTEEN STOREYS and FAMILY BUSINESS by Jonathan Sims

Tumblr's favourite Nightmare Factory @jonnywaistcoat has two novels out and they're phenomenal horror that also punch you in the throat with SOCIAL COMMENTARY and FEELINGS. He's so adept at tapping into the specific part of my brain that feels fear like a small child - not the adult creepy scared that I normally get around horror, but specifically the kind of fear that almost freezes your limbs and vocal chords with a terror you don't quite understand because there is so much in the world that you don't know, but you know that somehow this thing might be quick enough or smart enough or sneaky enough to get you before you can get to the safety of your parents sort of fear.

THIRTEEN STOREYS is a haunted house novel, but set in a refurbished block of flats. Each chapter follows a different resident being haunted in a different way, with a style to match the flavour of ghost. It's all tied together phenomenally and brutally.

FAMILY BUSINESS is a story about ghosts in a different way, following a woman who joins a post-mortem house cleaning service while grieving the death of her best friend. But as she removes the stains from the houses of the dead, she begins to suspect something else is removing even more.

Both of these titles are available from Gollancz worldwide!

THE LAST UNICORN, THE WAY HOME, THE INNKEEPER'S SONG and A FINE AND PRIVATE PLACE by Peter S. Beagle

Obviously Peter's work needs no introduction, and our editions aren't available in the US and Canada, but I've had a wonderful time working with Peter and his team to bring these beautiful books back to the UK. Meeting him at Worldcon this year was such a magical moment, and he was jet-lagged and I had gone through sleep deprived into hyper and was bringing an Extremely Weird Energy to every interaction I had that day, resulting in this photo:

THE LAST UNICORN and THE WAY HOME are a matched pair of wonderful fairy stories. THE WAY HOME has two novellettes in it, and the first - 'Two Hearts' - won the Hugo award. It will also destroy you.

A FINE AND PRIVATE PLACE was Peter's first ever novel, and it's wistful and romantic and so beautiful.

THE INNKEEPER'S SONG is his epic fantasy quest, it's an adventure story that reads almost lyrically. Also there's an orgy in the middle which caught me by surprise when I was reading it for the first time on the train into work.

HIGH VAULTAGE by Chris and Jen Sugden

It's possible that someone on this website doesn't know I was involved with this book but don't worry, I will HUNT THEM DOWN AND TELL THEM. This is the first book I took all the way through the editorial process from end to end and I am SO PROUD of it and Chris and Jen and their wonderful world of @victoriocity. Officially one of the seven funniest books published in the UK this year, shortlisted for the Wodehouse Prize for Comic Fiction. It's a chaotic, bonkers murder mystery set in an alternate Victorian London which is the most gleeful dystopia I have ever encountered.

Featuring:

Grumpy Sunshine besties

The Victorian Equivalent of the Chuck Norris Meme

A robot who undertook a course in People Management

An indefatigable beagle

This is another book that you can get from Gollancz all over the world, and you SHOULD because it's amazing. Go into your local bookshop and ask them to order it into stock. It's a great Christmas present. It's my firstborn book baby (like that's a completely normal thing to say when I didn't even write it). Also if you're a fan of the podcast, why not tell the Guardian how great it is, and make a nuisance of yourself until they review. (I would, but the form asks for your name and then they'd know I didn't suddenly discover Victoriocity this year. Either that or think I was a very careless editor.) If you've not listened to the podcast yet, you absolutely should. It pings all my Douglas Adams receptors in the best way. If you like HITCHHIKER'S GUIDE, if you like CABIN PRESSURE, VICTORIOCITY is the perfect addition.

HAMMAJANG LUCK by Makana Yamamoto

SLIGHTLY cheating because HAMMAJANG LUCK isn't out in North America until January (pre-orders make great Christmas presents guys), but it IS out in the UK and the rest of the world next week! This is my second big editorial project and it's a Big Gay Space Heist ft. disaster lesbians, trans characters, and a tech billionaire getting put in his place. It's joyous and energetic and crammed full of Hawaiian pidgin as a love letter to the diaspora. @makana-yama is a phenomenal writer and this is their love letter to their communities, families both born and found, while also a statement on the victims of gentrification (and how those are disproportionally BIPOC communities). PLUS:

friends to enemies to cautious allies to lovers

trans cyborgs

Suck It Space Elon

You know that One Scene in Charlie's Angels where Cameron Diaz is in the white body suit and breaking into the safe and has to stretch out to hit two buttons at once? Yeah. That's the vibe.

Being able to work with Makana is a delight, and HAMMAJANG tapped into all the feelings I got watching LEVERAGE for the first time, so I went to watch it again while I was editing. Also OCEAN'S 8.

DEEP BLACK by Miles Cameron

So, barring Branderson, Miles Cameron may be one of our most prolific authors. He writes a minimum two books a year, one SFF and one historical fiction (as Christian Cameron) and he is... An absolute phenomenon. He IS the Chuck Norris meme. I'm obsessed with him. He's former US military intelligence turned naturalised Canadian Hippy, has written over fifty novels, can turn his hand to any genre and write it fantastically, is a practical archaeologist - running large scale re-enactments from a variety of periods ranging from Bronze Age right the way up to the Victorian era, using traditional techniques to allow academics to study how the practicalities of weapons, clothes, food etc. would have worked in practice. Two years ago he won a medieval combat tournament in Verona, a clear ten years older at least than the next oldest competitor, he teaches Historical European Martial Arts, but ties it into the history of martial arts globally. He can make his own clothes, ink, leatherwork. He's a ballet dancer. I once took him for a day out and he ended it in a different shirt and shoes from the ones he'd started in. I asked him for an author photo and he sent me this:

DEEP BLACK is the sequel to his critically acclaimed SF debut ARTIFACT SPACE, where he has taken his research and experience of global historical cultures and extrapolated to create an interplanetary future where the best of all are celebrated. And then Aliens Happen. And then, in reaction, Capitalism Happens (which is covered in the short story collection BEYOND THE FRINGE).

He's such a thoughtful and erudite speaker, if you're curious about his work, I'd recommend listening to his episodes on the Friends Talking Fantasy podcast, and also his appearance on The Publishing Rodeo.

If SF isn't your bag, he's also got:

Arthurian fantasy

Bronze Age fantasy

Medieval Mages fantasy

A CURSE OF CROWS - Lauren Dedroog

I actually inherited Lauren when a colleague of mine departed for fresh pastures, which gave me the great opportunity to work on this series which is so vastly different from my usual fare. It's epic, sweeping, romantic and lush, with such detailed description and complex political machinations, while also being brutal, dark and heavy (tw: for sexual assault, torture etc, etc.). If you like Sarah J Maas and Cassandra Clare, this should hit the sweet spot. Lauren is an ICU nurse when not writing, and this was somehow created when she was putting in a million hours in hospitals during COVID. The feat boggles my mind.

A CURSE OF CROWS is out now in the UK, Australia and Europe, and it won the People's Choice for Standaard Boek's Book of the Year award in 2023, in her home country of Belgium. It will be hitting shelves in North America next September! A DANCE OF SERPENTS is where I get to pick up the editorial mantle, and that has just landed in my inbox this week so I am excited to dig in.

Featuring:

Harold, they're lesbians

Murder baby is actually a cinnamon roll

Sensitive wings are sexy

For serious, though, I'm lucky enough to work with a lot of authors I'm genuinely obsessed and astounded by. And yes, I do get to work on Joe Abercrombie, Brandon Sanderson and Andrzej Sapkowski, but they're not MY authors - they're led by the incredible Gillian and Marcus who I'm not 100% certain sleep. There are so many people on the Gollancz list who I could recommend for DAYS (and will, if you so request), but this is my stable of superstars.

[nerdygirlramblings]

Hello! Ive been binging poly!141 and I keep coming back to your writing for my fix (because by now its basically an addiction😅)

I had this idea that the 141 are together with a civilian reader. And civilian reader works in retail, part time, and is mostly at home. Normally, they would be home by the time their boys came home, welcoming them with open arms, a hot plate of food, and time to rest and relax. But this time, the 141 get home early and realize where reader works: Walmart (or equivalent). Reader has been keeping this a secret cause they know its not cute like a coffee shop or cool. Its just their job. And now the most important men in their life know. Im thinking the 141 found out because they went grocery shopping and happened to come across reader or something similar to that.

I work at Walmart and it sucks🥲 thought that maybe something like this might help😅

Tysm, nonny! So happy to hear you like the writing. I hope this does your idea justice. (Walmart doesn't have stores in the UK, but they own ASDA.)

Also, thank you for my first request! 🫶🏻🫶🏻

pure fluff, bad accents (per usual)

Your boys find out you work part-time at ASDA on a random rainy Thursday in March.

You don't really need a job. All four of your lovers are officers with the British army. Prior to you, they all lived in base barracks. Prior to you, they lived fairly Spartan existences. Prior to you, most of their income sat in the bank, quietly accumulating.

They have plenty of money saved up that they love using to spoil you, when you let them. You know that if you asked, they'd give you everything, but you draw the line about asking them for an allowance like some tradwife. You want some pocket money of your own. Thus, the part-time job at the ASDA in town.

You're a people person, good at handling big personalities. You need to be to keep up with your boys. Between John's need for control, Simon's stoic dominance, Johnny's aggressive enthusiasm, and Kyle's blinding charisma, you aren't some shrinking violet. Within a week of your hire, your manager watches how you weather a nasty piece of work trying to demand concessions you aren't permitted to give and immediately puts you in customer service.

You're nearly unflappable in the face of frustrated pensioners and harried parents and entitled young professionals. Over and over, you're the one they call when a customer is going spare. Which is how your boys find out about your job.

They've been deployed for over two weeks, and you have no idea when they'll return. John had originally said they'd be gone for at least a month, so you aren't expecting them home any time soon. However, they'd come home much earlier than anyone thought, and they wanted to surprise you.

You're always so good about making the house feel like a home, with your bright smile and warm laughter, your home cooked food and soft touches in decor. You make them feel like people, not weapons, and they want to return the favor. This last deployment had been hard, and all four of your boys were missing your sweet voice and tender care. They wanted to show you that they loved and cared for you the way you always showed your love and care for them.

It was Johnny's suggestion to prep a meal for you as both a surprise and a thank you. After debrief, they pile into the car and decide to stop at ASDA for everything they need before heading home to surprise you. It's John who causes the code call.

You hear Susan's voice over the store-wide address system. "We could use a little Sunshine in the floral department." That's your cue. You finish with the pensioner at your till as Jacob, your manager, comes over to relieve you.

You take a deep breath and square your shoulders. In your experience, a Sunshine call in floral is a man angry the store doesn't have the fancy arrangements listed on the website. You wish the signage on the site would be more clear that the beautiful bouquets are online orders only. It would save you having to explain why the offers in store are so limited.

You hear him before you see him, smokey voice grumbling, "But if they show the bloody thing on the site as available, you should have it hear." You'd recognize the voice anywhere. He's not angry, not really, but Susan doesn't know that. Add in the sheer size of him, and Simon looming over his shoulder, it's no wonder she called for support.

You have never wanted to walk away from a situation as much as you want to right now, but before you can make an escape, Susan notices you over John's shoulder. Her little wave is enough for your men to notice, and they turn as one to see you coming towards them. Immediately their demeanor shifts. Simon's back sags as though his strings were cut, leaving him loose-limbed. John stands a little straighter, chin up as if to impress you. They've both broken out in smiles, though Simon's are only evidenced by the laugh lines you know to look for. It's only as you get close do they zero in on the badge on your shirt.

"I've got this, Susan," you say to your co-worker. "Jacob's on my till. Can you cover?"

Susan wrings her hands. "Are you sure you don't want me to stay and-"

"They're nothing I can't handle," you tell her, cutting off her worried rambles. There's a cheeky glint in your eye as you flick your gaze at your men. You clap your hands together and say, "Right, let's get this settled, then."

Susan takes one quick look between you and the now slightly less intimidating men and heads towards the front of the store.

Once she's out of earshot, John's face breaks into a frown. "What're you doing here, love?" He glances at your name on your chest again. "You work here?" He sounds almost hurt by the revelation. You can tell Simon wants to reach for you, and the only thing stopping him is you working.

You hear heavy footfalls behind you as Johnny's Scottish lilt reaches your ears. "Och, Cap! Ye said ye'd only be a moment. Gaz and I had a hell of a time getting the trolley on its lift ta find ye. How hard is it to buy bon..." His question dies on his lips as you turn around. "Bonnie?" He, too, sounds hurt to find you working here.

You can see Kyle over Johnny's shoulder, confusion written across his features. This is not how you wanted your boys to find out about your job, if you ever wanted them to actually find out. You thought maybe you'd surprise them with tickets to Hereford FC's opening game in a few months. And if they asked how you afforded them, you could handle this conversation then, but it's out of your hands now.

And as much as you don't want to have this conversation, especially not in the middle of the floral department, you can't stop the wide grin at seeing your boys again, home and whole.

"Hi, boys," you say, opening your arms. Disappointed he might be about finding you here, Johnny's no fool. He immediately steps into your embrace, and the others quickly follow suit. You're swallowed up by the smell and feel of them. The hug lasts one minute. Then two. Then they all slowly step back.

You can see the questions and cut them off before they get started. "I have another three hours before I'm off. We can talk at home, and I'll tell you anything you want to know."

John nods first. He recognizes your tone. You won't let them derail you for answers now, and they would be wasting their breath to try. "You heard the lady, lads. Let's get home."

They start to walk away when you tease, "Captain? Was there a reason you were arguing with Susan about the flowers?"

He halts his steps and turns to you, flush creeping up his neck. He brings his hand up to rub it as he says, "Er, I, we, wanted to get ya something nice, but they don't have the same ones as online."

You melt a little, watching the way your men shift nervously behind their captain. You smile softly and reach over, plucking a bouquet of rainbow poms from the rack. "These are what I usually get for myself when you're away."

John takes them gently from your hand and passes them to Gaz to put in the trolley. "We'll see you at home, love," he murmurs, leaning over briefly to kiss your cheek. Simon kisses the top of your head, fabric brushing your hair. Johnny pulls you in for another bruising hug and kisses your other cheek. Gaz puts his hands on your waist, drinking in the sight of you, before taking your hands in his and kissing your palms.

You watch them leave, wondering how you'll make it through the rest of your shift.

Three hours and fifteen minutes later, you cross the threshold of your shared home to the most delicious scents wafting from the kitchen. After slipping your shoes off next to the piles of boots at the door, you follow your nose back to the kitchen and the spread laid out on the large wood-topped island. There's a roast and mushy peas and mashed potatoes and stewed carrots and battered cod and crisps and spinach all surrounding the flowers you'd suggested, nestled in the vase you love most, the Caithness one Johnny'd bought you on your first trip with them to Scotland.

At the table, your men sit, plates made for everyone, waiting on you. They've changed since you saw them. Gone are any traces of fatigues and tactical gear. Instead they're all in casual civvies, truly home for the first time in nearly three weeks. Simon stands as you come in and pulls out your chair, smile on his scarred lips. "Come sit, doll," he tells you, not quite an order.

You look quickly around. "Let me change," you say, tugging at your uniform top. "I won't be but a minute." You back out of the room before they can stop you. You hurry to your bedroom, pulling your top off as you go. Once behind the door, you slip from your trousers into comfortable leggings and a large jumper, one of Kyle's you think.

By the time you make it back to the kitchen, your men are more than a little antsy. Simon's smile is a little strained, Johnny is fidgeting, Kyle keeps glancing between you and John, and John is staring at you. Your chair is still out. He waves a hand at it, and gently says, "Come sit, love." It's couched as request, but you know a command from your lover when you hear it.

You take your seat at the table. "Listen-" you start, but John cuts you off.

"Are we not providing for ya, love?" You see the hurt in his eyes, how much it bothers him to think he, they, aren't doing enough for you.

"Oh, John, dear, no!" you reply, putting your hand over his on the table. "It's not that at all."

"Then what?" Simon asks.

You look at them all, the expectant faces waiting to hear how they failed you. "I get restless sometimes. I love you, and I love our life. I'm happy to take care of the house and make sure you're all fed after a long day. But I wasn't built for sitting around doing nothing. I like people; being home on my own all day can get lonely. Especially when you're deployed. I also like having my own pocket money."

John opens his mouth, and you know what he's about to say, so you continue. "I know you'd give me any money I need or want, but I like having my money. Money I earned myself." You look around at them, willing them to understand. "It's only part time. Helps me keep a little busy and have a little extra to spoil you and me with."

Johnny is frowning, but you see Kyle, head cocked, looking at you as a puzzle. "I think I understand," he says softly. "You were making you way just fine before us, and you gave up everything for us."

At his words, the crease between John's brow deepens, and you're sure he's remembering the job you had, that you'd somewhat enjoyed, when you'd first met them. You'd been working at RAF Lakenheath, living in a cozy flat in Cambridge, near The Backs, when the 141 had been coming through the base after an op. An injury had put Kyle in the med center for a week, and while he could have been transported to Hereford once stable, Laswell had worked it out for the whole team to have some R&R near the base.

You'd quite literally run into John one day, rushing to your office, after which he suggested lunch as an apology. You quickly became close with all four, smitten with them from the start. In turn, they fell hard for you. They wooed you over the course of several weeks, stopping through Lakenheath on deployments to spend some time with you. Six months in and you were completely gone on all four of them, so when they'd asked you to move to Hereford, you did without ever looking back. But it meant giving up the life you'd led.

Somewhere along the way, your happiness overshadowed all you'd left behind. After a few weeks, being home alone while your men worked started to feel isolating. You liked being a little busy, and there weren't enough projects around the house to keep you busy enough. You'd always been independent, but you didn't want to be stuck in a job with long hours anymore. You wanted to be home for your men. So you'd found the job at ASDA.

Kyle reaches over to where you hand is still on John's. "I'm sorry we didn't ask how you were coping us being gone all day," he says. He looks you in the eye as he continues. "I understand wanting to do something, wanting to be a little busy, and if this makes you happy, then I'm all for it, doll." He gives you a small smile and squeezes your and John's hand.

"Gaz is right," Simon rumbles. "We were so happy to have you here we didn't think about what you did all alone all day." He puts a heavy hand on your thigh, the warmth of him seeping through your thin leggings. "'m glad you have something to keep you from getting lonely."

"Sorry, hen," Johnny murmurs, just above a whisper. "We didnae think a' ye enough." You smile widely at him.

"Johnny, you think of me all the time. This isn't about neglect at all!" You try to catch his eye, but he's looking hard at the table in front of him. "You did nothing wrong, love," you tell him gently.

He looks at you, blue eyes bright. "Ye sure?" You've never seen him this nervous before, and you break a little.

"I'm sure love."

He smiles then, a little smile, but it brightens his face and shifts the mood in the room. You look at John who's been surprisingly quiet this whole time.

He's smiling, but it's a little sad. "I know ya said we didn't do anything wrong, but we feel like we did. We didn't notice you were bored, didn't ask if you were lonely." He flips his hand over under yours and threads your fingers with his. "Yer giving us a gift by not blaming us, and we'd be stupid not to take it, even though it feels like yer giving us an out. Thank you." He brings your hand to his lips and kisses it softly.

"Thank you. I was worried you'd be mad," you admit.

"Never could make us mad with something like this, hen," Johnny reassures you. "I'm sorry we had to spoil your day is all."

You turn back to look at the food on the island. "You didn't spoil my day. You made it. You're home early, and you made such a lovely spread. I think we should tuck in, yeah?"

Simon chuckles. "Point made, doll," he says, scooping a heaping helping of mash onto his fork. The rest take it as a sign to start eating too.

The room is silent save for the sounds of food savored until John pipes up, "Why'd ya come to florals, love? We might have missed ya altogether if not for that."

You giggle. "The sunshine call, John."

"Yeah?" He clearly doesn't understand.

"It's the shop call for a difficult customer. When I'm on shift, it's my job to handle those." You look at each of your lovers in turn. "Seems I've got a knack for dealing with muppets," you tell them with a smirk.

[froginmygarden]

Got a little brain worm on the way home and have a need to write it down. Just a drabble because I'm not good at writing.

DC x DP Just a (clone) couple

Joung Adult!Team Phantom for some reason end up in the DC universe. For reasons, there aren't any equivalents of them here. Danny and Sam are together and Danny and Dani have a familiar relationship. Whatever the reasons they stay in this universe.

So Sam, Danny and Dani start making a life together as a family, Tucker goes on to make a "small business" involving VPN's and tech in general (finds an anthropomorphic girlfriend on the way or something), Jazz goes to uni (JL members city of choice, although I advise against Gotham or Metropolis, because that would make this too short).

For some MORE reasons unknown, although they might be by the making of our favourite clock-man, the DP people's DNA has by default markings of being clones in DC (I don't know if this is canon or fanon but Connor had something like that ╮⁠(⁠＾⁠▽⁠＾⁠)⁠╭). The thing is here Jack = Bruce, Maddy = Alexander and Jeremy = Clark, Pamela = Lois! Do you see my vision here??

So *JL member from the perspective city* meets the Fenton/Manson/Nightingale?? family accidentally when they are visiting Jazz, and has a sweet deja vu moment. Some time passes and the off handedly mention it to someone in the JL.

Batman being the paranoid bastard that he is goes on to check this thing out, because he can smell the fish from a mile away. Thinks the couple are clones, gets very paranoid again and starts making plans, plans get found by his kids, kids tell the JL and friends. So starts the collective discussions of what should they do, some say that they should get rid of the clones, some others that they don't have proof for anything nefarious and shouldn't do anything at all, someone points out that they have literally showed up out of nowhere and that it is reasonable to be suspicious. And Connor is also there.

Meanwhile Team Phantom is going about their lives like normal, but with a "I know that you know" mindset, and don't really bother with hiding themselves.

In my opinion the part that has to be the most glaringly noticeable about them should be that Danny (Batman's clone apparently) should wear a lot of flannel and have a "Midwestern Nice" personality" (the stuff of legends I have only heard about in passing) and over all should resemble Clark in fashion sense. For Sam (Superman's clone apparently) the exact opposite - she can put the GOTH in Gotham.

And all JL angst/drama/confusion happens in the background as we follow Connor Kent's/Superboy's POV and him dealing with having two half siblings and the half siblings being together and them having a child and this is too much for him oooooooooo noooooooo nononoonononoonononononno what in the sweeet home Alabama whhhhhyyyyyyyy!??!

So it's like a metronome tick's between the POVs of fluffy new life/potential threat to the JL I mean the child of Bruce/Lex and child Clark/Luis having potential super-smart, super-powered (potentially evil??) children. But overall it's crack.

Maybe I'll plan it out and actually try to write it, but meanwhile you can enjoy my half-ill/fever induced brain worms and play in the brown dirt puddle I call my creative thinking.

To who ever finished reading this

Good night! ;P

[jadeharleyinc]

the scale of AI's ecological footprint

standalone version of my response to the following:

"you need soulless art? [...] why should you get to use all that computing power and electricity to produce some shitty AI art? i don’t actually think you’re entitled to consume those resources." "i think we all deserve nice things. [...] AI art is not a nice thing. it doesn’t meaningfully contribute to us thriving and the cost in terms of energy use [...] is too fucking much. none of us can afford to foot the bill." "go watch some tv show or consume some art that already exists. […] you know what’s more environmentally and economically sustainable […]? museums. galleries. being in nature."

you can run free and open source AI art programs on your personal computer, with no internet connection. this doesn't require much more electricity than running a resource-intensive video game on that same computer. i think it's important to consume less. but if you make these arguments about AI, do you apply them to video games too? do you tell Fortnite players to play board games and go to museums instead?

speaking of museums: if you drive 3 miles total to a museum and back home, you have consumed more energy and created more pollution than generating AI images for 24 hours straight (this comes out to roughly 1400 AI images). "being in nature" also involves at least this much driving, usually. i don't think these are more environmentally-conscious alternatives.

obviously, an AI image model costs energy to train in the first place, but take Stable Diffusion v2 as an example: it took 40,000 to 60,000 kWh to train. let's go with the upper bound. if you assume ~125g of CO2 per kWh, that's ~7.5 tons of CO2. to put this into perspective, a single person driving a single car for 12 months emits 4.6 tons of CO2. meanwhile, for example, the creation of a high-budget movie emits 2840 tons of CO2.

is the carbon cost of a single car being driven for 20 months, or 1/378th of a Marvel movie, worth letting anyone with a mid-end computer, anywhere, run free offline software that consumes a gaming session's worth of electricity to produce hundreds of images? i would say yes. in a heartbeat.

even if you see creating AI images as "less soulful" than consuming Marvel/Fortnite content, it's undeniably "more useful" to humanity as a tool. not to mention this usefulness includes reducing the footprint of creating media. AI is more environment-friendly than human labor on digital creative tasks, since it can get a task done with much less computer usage, doesn't commute to work, and doesn't eat.

and speaking of eating, another comparison: if you made an AI image program generate images non-stop for every second of every day for an entire year, you could offset your carbon footprint by… eating 30% less beef and lamb. not pork. not even meat in general. just beef and lamb.

the tech industry is guilty of plenty of horrendous stuff. but when it comes to the individual impact of AI, saying "i don’t actually think you’re entitled to consume those resources. do you need this? is this making you thrive?" to an individual running an AI program for 45 minutes a day per month is equivalent to questioning whether that person is entitled to a single 3 mile car drive once per month or a single meatball's worth of beef once per month. because all of these have the same CO2 footprint.

so yeah. i agree, i think we should drive less, eat less beef, stream less video, consume less. but i don't think we should tell people "stop using AI programs, just watch a TV show, go to a museum, go hiking, etc", for the same reason i wouldn't tell someone "stop playing video games and play board games instead". i don't think this is a productive angle.

(sources and number-crunching under the cut.)

good general resource: GiovanH's article "Is AI eating all the energy?", which highlights the negligible costs of running an AI program, the moderate costs of creating an AI model, and the actual indefensible energy waste coming from specific companies deploying AI irresponsibly.

CO2 emissions from running AI art programs: a) one AI image takes 3 Wh of electricity. b) one AI image takes 1mn in, for example, Midjourney. c) so if you create 1 AI image per minute for 24 hours straight, or for 45 minutes per day for a month, you've consumed 4.3 kWh. d) using the UK electric grid through 2024 as an example, the production of 1 kWh releases 124g of CO2. therefore the production of 4.3 kWh releases 533g (~0.5 kg) of CO2.

CO2 emissions from driving your car: cars in the EU emit 106.4g of CO2 per km. that's 171.19g for 1 mile, or 513g (~0.5 kg) for 3 miles.

costs of training the Stable Diffusion v2 model: quoting GiovanH's article linked in 1. "Generative models go through the same process of training. The Stable Diffusion v2 model was trained on A100 PCIe 40 GB cards running for a combined 200,000 hours, which is a specialized AI GPU that can pull a maximum of 300 W. 300 W for 200,000 hours gives a total energy consumption of 60,000 kWh. This is a high bound that assumes full usage of every chip for the entire period; SD2’s own carbon emission report indicates it likely used significantly less power than this, and other research has shown it can be done for less." at 124g of CO2 per kWh, this comes out to 7440 kg.

CO2 emissions from red meat: a) carbon footprint of eating plenty of red meat, some red meat, only white meat, no meat, and no animal products the difference between a beef/lamb diet and a no-beef-or-lamb diet comes down to 600 kg of CO2 per year. b) Americans consume 42g of beef per day. this doesn't really account for lamb (egads! my math is ruined!) but that's about 1.2 kg per month or 15 kg per year. that single piece of 42g has a 1.65kg CO2 footprint. so our 3 mile drive/4.3 kWh of AI usage have the same carbon footprint as a 12g piece of beef. roughly the size of a meatball [citation needed].

[trapastrology]

~Astro Notes From Aris~

~11H Virgo tends to be the "mom" friend of the group. They make the schedules. Make sure everyone gets home on time & in one piece. The one who's always prepared. Make sure everyone is fed & okay. Usually, the friend ur parents will always let you go out with because they know you'll be okay.

~Sag & Pisces Mercuries (sometimes aqua) sound more attractive in their native tongue/accent to ppl. So instead of hiding ur accent, embrace it! These are usually ppl who don't ever lose their accent even if they've tried to. It will also feel more natural/comfortable as well.

~Ppl tend to be very jealous & don't believe that 2H pluto ppl deserve the good things they get/have which in return, overtime, will cause the 2H pluto person to feel this way as well.

~Aries NN usually keep the peace & avoid conflict when they should be doing the complete opposite. They will only find true peace when they learn to stand up and stop letting ppl trample them.

~7H Uranus in Solar Return doesn't always mean a breakup for a romantic breakup; it can be an ending of any relationship where you deem the person to be ur other half or y'all are just very close to one another.

~North Node in Pisces must learn forgiveness towards SELF

~For my fellow steven universe lovers, moon sq pluto synastry is equivalent to the relationship & situation between Spinel & Rose Quartz. Spinel would be the Moon person.

~12H ruler in the 3H-keep a lot of things to urself becuz more often than not ppl don't want the best for you & things will go array after you speak about it. If your 12H is in libra with the ruler in the 3H, things pertaining to relationships esp should be kept under wraps. As well as ur gifts, talents & things that bring you peace

~Air sign/house Chiron & Lilith's, were you ever bullied for being a "nerd" or having an interests that weren't the norm then but is now?

~Venus (trine/sextile) NN synastry is the way the Venus person shows love is what the NN person needs. For example, A Cap Venus's love is steady, stable, longlasting, devoted & gives true old romance which is something that a Taurus NN needs but would also be foreign to them due to their Scorpio SN. The Venus persons way of loving will bring the NN person closer towards where they need to be.

~2H/Taurus plmts are usually big cookers/bakers. Or at least they should, it's one of the many things that'll bring them peace.

~12H Libra/5H Pisces love romance/fantasy/magic/supernatural shows & movies!

~11H Cancer are the "emotional support" friend. The one you can go and talk to about your feelings, emotions and family issues. The one that is the more emotional person of the friend group & sees their friends as their family.

~Sag stells/nep-asc/1H Jup- Do people easily guess ur ethnicity or suspect ur from somewhere else? You may not know what gives it away, but someone will ask "oh are you from ____?"

Follow & Like for more!!!!!!!! Dm to book a reading with me. Dm to purchase my book on 12H synastry. Prepare for the new content aheadddddd!!!! Comment any content suggestions as well.

[raymurata]

Bellara's main choice and DAV's implicit (or accidental) stance on book burning

Okay, so. Prefacing this with -- I enjoyed the game. I'd even play it again. That being said, one of its biggest flaws is trying to deliver something so morally sanitized it shies away from giving its characters (aside from Solas) and plotlines (aside from Solas's) real nuance. And in the same breath, they end up sending messages that I doubt they intended to send.

Bellara's main decision is particularly annoying to me.

First, I find her arc to be lacking -- She starts the game grieving her brother and blaming herself for his death despite not being responsible for it, then she finds Cyrian again only to grieve him again, so she's back to the start, only this time she has had the guilt removed from her because Cyrian tells her what she needs to hear, and the blame is placed on a big bad evil. Fair, fine.

But I don't like the cinematography of that scene at all. There was plenty of time for Rook and Bellara to react between Anaris grabbing Cyrian's foot and throwing him at the wall. People in Thedas have survived way worse injuries, too, and Bellara literally has healing at her disposal. Why doesn't she even try? His death is clearly plot-driven but it doesn't take her arc forward all that much? But again, that's fine. Not too bad.

But then the choice I have to make for her is whether or not to keep the archive, why? At no point in the game (please correct me if I'm wrong and missed canon information that contradicts me. That would make me way less angry!!!) do they tell us that it was Bellara using the Archive that summoned Anaris, or that it could summon him at will. As far as my interpretation goes, the Archive is, as its name says, the equivalent to a library curated by a comically self-aggrandizing jerk. At no point do we hear it share any actually dangerous lore either, do we? No blueprints for nuclear weapons...

So why does the game choose this wording:

Now, unless the Archive has powers we are unaware of, what this is saying is basically "burn the ancient elven library (it will be safe)" or "don't burn the ancient elven library (it will be dangerous)" and, for a game that is so irritatingly set on giving you only 2024-morality-board-approved goodTM and unproblematic companions and allies... Why does it tell me that burning books is the safe option, ESPECIALLY given that these books are priceless historical artefacts from a marginalized and subjugated ethinic group who have long lost their history to genocide? Like, wut?? Even if the Archive were in fact a dangerous weapon, the game shows us through the Veil Jumpers' vault that they have trained capable scholars and developed (or are developing, with Bellara spearheading it) safe tools to study and keep these artefacts. How condescending is it to tell them that they won't be able to safekeep this one? How pointless? (and her cutest armor AND best skill are locked behind that choice? outrageous lmao.)

And what pisses me off is that they had everything set up already, they just had to deliver it differently. If they told us explicitly that the archive is Anaris' phylactery and that keeping it would mean allowing Anaris to eventually come back? THEN we'd have a real danger. NOW there is a non-fascist risk to maintaining knowledge.

Or what if the only reason Cyrian is back is because Anaris brought him back? What if Cyrian's life is therefore tied to Anaris', and you had to choose between letting Anaris live (perhaps that results in him getting imprisoned in the Archive, tampering with the information in it and destroying its historical value forever, plus Anaris might one day figure out a way out) or killing Anaris for good even knowing that Cyrian will also die again if you do (but then the Dalish get to keep the archive and all the knowledge in it, and Cyrian's sacrifice is not in vain)? Or maybe... The Archive is a spirit, isn't it? Drive home the fact that being tied to that device was a cruel thing Anaris did to it, and keeping it there is just as cruel, even if it would mean giving the elves access to information. Make the wording "free the archive" really mean something here, and the player really think that the knowledge will be lost. Then maybe have it that, if she frees it, it gives her information freely and with its own interpretation of that knowledge, and THEN it leaves (so it's not forever but there is a reward for being compassionate). And if she keeps the spirit in the device, then it is always rude and it gives her information curated by Anaris' point of view, but it is available to all upcoming generations. It'd be real nice and nuanced to pit her compassion against her drive for knowledge. If this were DAO or DA2, you wouldn't make the choice FOR HER. You'd make the choice yourself because you are the leader, and if you chose to keep the spirit, you'd garner lots of negative points with Bellara (and with Emmrich) because, let's be honest, she is written as inherently more compassionate than driven, and she'd resent you making an oppressing choice even if it is well-meaning and good for her people (just like Alistair resents you killing Isolde even if he understands it was a difficult choice).

I just... So many ways it could have been an actually weighted choice, or that it could have affected your relationship with Bellara (and other companions) as Bioware RPGs were wont to do. They had a good set up, but the landing was absolutely bonkers.

[creatingblackcharacters]

There's a pattern I've noticed with mixed-race fictional characters - the Black parent is almost invariably the dad. If this isn't selection bias on the part of the media I'm familiar with, I'm guessing this is tied to gendered stereotypes about Black people?

I mean, if you want my honest answer about the combination in general, it's because Black women are not deemed equivalently valuable partners, if valuable humans. That intersection between "Black" and "woman" drives home that this is the least desirable combination in our society.

Yes, there are plenty of stereotypes of the types of mothers and wives that we make, despite the fact that people then turn around and want us to solve the world's problems. Everyone wants us to fix, but no one wants to love us for the fixing and the doing. Everyone wants to mock us for being "ghetto welfare queens" or "loud and mean", to the point that the idea that we're normal ass people capable of love is unbelievable to some.

And be honest- how many times have we watched media where the Black girl or woman was the romantic interest of a white man, and it got extreme hate? Entire shows have been affected by fans' vitriol towards a Black woman on screen being loved by a white man (Merlin, Sleepy Hollow, The Flash, Arcane). People don't want to see Black women in that role; it's not "relatable" or "exciting". In order to see more Black women in these roles, people would have to see Black women as worth loving, as good parents, as good wives. As valuable characters.

And yes, the history of white women's vitriol and resentment towards the status of Black women in particular is longstanding, centuries before "fandom" as we know it today.

[mrs-kmikaelson]

What's in a Name? (+)

Pairing: Aaron Hotchner x reader Summary: The one time that you don't walk away. Warnings: mentions of substance abuse, vvs suggestive Words: 1.2K

Masterlist

a/n: if ur js finding this fic, this is the bonus! the fives times r does walk away are here. this happens right after no.5, btw.

6. A lie is the truth

Arlington, Virginia, 2008

You couldn't sleep.

All you could think of was the fact that you were in Aaron's bed and he was right outside the door. The thunder continued to boom but your thoughts were louder than the storm outside; they consumed you.

It was irrational. You'd known him for nearly five years, and in that time, you'd only seen him an equivalent of five times, yet he was still on your mind. He'd been on your mind non-stop since New York—and that was crazy.

You felt crazy.

You felt crazy because he was right. You felt something.

It all started off as a game. You just wanted to get under his skin, play with fire a bit, but you got burned. You couldn't handle the heat; you couldn't handle the way the game stopped being a game. It became something else.

Hotch's role was to get irritated, maybe a bit flustered, but he was never supposed to flirt back. He was never supposed to want to know you— you couldn't even remember the last time anyone wanted to do that.

Lovers came and went over the years, but none had ever felt like this. It was always physical, but you and Aaron hadn't even kissed. Without any of that, he still had you in his grip. 

You couldn't remember the last time you'd been with anybody. You don't know if you'd been holding off on purpose, if it was conscious. You'd been holding out for a guy you couldn't even be with, and now that you had the chance, you were the one holding back.

God, if he knew you before. If you'd met before, things would've been so different. Maybe he could've saved you from yourself. 

But he didn't. When you were drowning, you pulled yourself out of the water. That old version of you died, and Y/N was born. Y/N was the one who saved you. When you had no one else, Y/N was there. She was your shoulder to cry on until she taught you not to cry anymore, to focus.

But now what did you have? An apartment you barely lived in and nobody that really knew you. But there was a man out there, a good man, who said he wanted to.

You didn't know what you'd show him—you weren't even sure if you really knew you.

But maybe... maybe you could find out together.

You'd never know if you didn't try.

With that thought, you threw the covers back and beelined for the door. When you opened it, you were surprised to find Aaron already behind the threshold, fist raised to knock. In an instant, he dropped it.

"Y/N—"

You cut him off. "Wait, just— just let me get this out." He looked confused. "If I don't get it out, I don't think I ever will."

There was a beat of silence, but then he spoke. "Okay."

His eyes were kind and patient as you tried to gather the words, everything you wanted to say vanishing from your fingertips. So you went with the first thing that popped into your mind. "My name is Lorelai." Surprise shone on his face, but you paid it little mind, racing to say everything before you lost the courage. "But people used to call me Lai. It was a play on words, because I was a liar. I lied about a lot of things. I got involved with the wrong kinds of people, got my hands on the wrong types of things, I was—" you swallowed. "I was an addict. And my life was gonna go down the drain, but things changed. Then I got on the government radar, and suddenly I wasn't Lai anymore, but I was still a liar; the difference was just that I was a better liar. More powerful. Now I'm Y/N. And that name changed everything for me. That is what is in a name. Everything."

By the time you finished, you were breathing heavy. You averted your eyes as a chuckle left you. "So, tell me, Aaron, do you still want to know me?"

You were expecting him to leave, to end it there and tell you he'd drive you home tomorrow, but instead, you felt sudden warmth on your cheeks as his hands wiped away tears you didn't know were there. "Look at me." When you didn't respond, he tried again, "Y/N. Look at me."

You looked up, expecting to see judgement and hatred, anger, but you saw none of that. You saw openness and understanding, and other emotions you couldn't pinpoint. You realized you couldn't decipher it because no one had ever looked at you this way.

His voice was soft and firm all at the same time. "Y/N, I don't care what your name is. I don't care if a lie is the truth— I care about you." He paused as if he wanted his words to soak in, but not once did he look away. "I want to know you, whether that be about Lorelai or Y/N doesn't matter. This woman in front of me right now, she is who I want to know." 

Your heart beat rapidly against your ribcage as he leaned in closer. Déjà vu from your moment in the kitchen hit you hard, your eyes going back to his lips, the same lips that just uttered that he didn't care, the same lips that just washed away your fears. 

He closed his eyes and then pleaded, "Let me know you, Y/N."

That shattered any last semblance of doubt you had left, and you barely had time to think about it before you were slamming your lips into his. 

He reciprocated immediately, kissing you with the fervour of a man who'd been suffocated and you were his air. A sensation you couldn't name erupted all over your body, from your head to your toes, and you wondered how you had lived so long without ever feeling this. Of all the kisses you'd ever had, none could compare to this one.

But this didn't just feel like a kiss. It felt like a promise.

Your lips moved in sync together, just like when you'd been dancing that night in Washington. It was like your body knew all the steps to this dance without ever having learned it.

So now you wondered, if this was supposed to be wrong, why did it feel more right than anything you'd ever done?

Eventually, you had to pull away. His eyes were still closed. You grinned. "How about you get to know me tomorrow night at dinner?"

That caused his eyes to open, a full-fledged smile making its way onto his face, and you knew then and there that you'd do anything to make him smile like that all the time. "8 o'clock?"

You nodded and agreed, "It's a date."

His smile got wider, and then he ducked his head into the crook of your neck where it fit perfectly. You wrapped your arms around his neck, recalling how he tensed the last time you did so. Now he had a different reaction, pressing his lips against your neck and littering kisses everywhere.

Tomorrow, you had a date at 8'oclock. But as Aaron kicked the door closed, you wondered if you'd make it out of bed to get there.

You supposed you could miss one date.

You had a feeling there would be many more to make up for it.

[rootspiral]

Agatha All Along deep dive: episode 2 part 1

(Wandavision entries: [1][2][3])

(AAA entries: ep1 [1][2][3][4] ep2 [1][2][3][4] ep3 [1][2][3] ep4 [1][2][3][4][5][6][7][+1] ep5 [1][2][3][4][5] ep6 [1][2][3] ep7 [1][2][3][4][5][6] ep8 [1][2][3][4][5][6][7][8][9] ep9 [1][2][3][4][5][6])

Hey tumblr queers and agathario enthusiasts (I see you guys in the comments! @crybabyheathen, sorry to cause you so much distress! @onceuponalegendbg: I KNOW, RIGHT?? @ragnarockz thank you for being a butch!Agatha truther ❤️❤️)

Let's start episode 2, Circle Sewn with Fate / Unlock Thy Hidden Gate. Which, yes, has no Rio. But it has Lilia! Se let's count our blessings!!

oh my god girl, calm down! she's gone! focus!

that's a beautiful composed shot, with billy's head next to the rabbit, already telling us that he's going to become a son to Agatha

lmao she's about to bolt

aaaand she stops dead in her tracks when Billy mentions the Road. Look at her reflection again! that's so deliberate and so intriguing. how would you guys interpret it?

the Ballad theme playing in the background again. Agatha takes a whole step back when she hears the words "the Witches' Road" and immediately says no. she might be despicable, but there's no way she's getting a kid involved. especially not this kid. because they are somehow connected, otherwise how would she know about the car crash? even without knowing that this is Billy, she already cares about him. and she doesn't lie to him, even the tarots will say so. she might just, you know, omit things or even tell the truth from a certain point of view (already working on her obi-wan ghost mentor tricks)

"The road is no place to a kid." and so he was christened

but I can't stop staring at that rabbit picture. were the set people told to find the brightest bunny they could find? they really want you to notice it

now he's hopping like a bunny too! yes his legs are still tied, but I'm telling you it's all deliberate!! (insert either the pepe silvia or the I've connected the dots meme here)

don't tell him THAT. now he's gonna internalize it and accidentally kill you all one by one. christ.

girl you just got thrown around the room like a rag doll. you put together that outfit in two minutes, didn't even take a shower. you have no make up on. are you wearing ralph's shoes. is that his hat. (her being so frazzled speaks of how shell-shocked she is, she would usually take time to perfect the way she looks, because her looks is her armor)

billy is bullshitting too, he just googled her last night. I mean, I'm 100% convinced he cares about Agatha, but he is faking at least some of that trust and innocence (and good for him because she's a menace)

great, she found the brooch and nicky's hair. who needs a heart anyway, here, tear it out of my chest why don't you

Lilia has such beautiful handwriting. what a multitalent

NO, agatha. BAD agatha. now she's decided she might as well throw a little Road together and kill two or three idiots while keeping the boy safe on the side, which HISTORICALLY HAS NOT WORKED WELL FOR HER. how can she be so smart and SO STUPID

this also goes in the Top 5 Funniest Things Agatha's Ever Done list. now picture again all the dramatic car scenes from episode 1

covens are drawn together by fate and are the truest form of sisterhood??? why is rewatching this show kind of like being repeatedly stabbed in the heart???!!!??

look billy, it's the house where you were born! it was incredibly weird. a stork was there. (oh god, I just realized Billy is 3 years old)

Agatha spits at Wanda's home because a) she hates wanda and b) she hates that people hate wanda. this is the equivalent of being a queer kid and seeing faggot written on a locker (do I need to censor words? do tiktok rules apply now? I haven't written tumblr posts in so long)

except that, as Lilia will tell you, agatha has done a lot to smear witches' reputations, so yeah. consequences of her own actions etc.

be cool, man. mama is having the worst hangover of her life.

oh yes, Billy's boyfriend, Boyf.

shut up agatha, you know you wanna protect that little twink with your whole life

I almost wish I had an extra hour so I could gif agatha throwing the pen out of the window.

don't steal other people's pearls you hooligan (but see? clothes and accessories are props to her)

(by the way you won't find any Billy hate here, because I adore parent-children, mentor-mentee and found family relationships. and I think he's a sweetheart)

agatha discreetly snatching the eviction notice from the door. always thinking ahead, always scheming. the con master at work

*angel choir*

✨✨LILIA CALDERU✨✨

this show gave me a tragic villainous middle aged lesbian, which is literally my catnip, and she's only like, my second favorite character. which tells you all you need to know about the powers of dame Patti LuPone (I know she's not technically a dame) (yet) (I don't care if she's american Chucks, get to it!)

that's all I have time for tonight, can't wait to get me some ✨✨✨✨ Lilia scenes ✨✨✨✨

go to episode 2 part 2

[blood-orange-juice]

Inspired by a discord discussion.

I keep seeing characters from snowy places portrayed as unbothered by cold or missing it, and every time I remember that it's completely counterintutive if you didn't grow up in freezing temperatures

So I thought I should write this post.

We are very bothered by cold. We are way more bothered by cold than southerners. Being bothered is what keeps you safe. Warmth is a resource.

There are few lucky people who simply never get cold (mostly guys of endomorph body type) but it's not a given and generally northerners start to complain and wear warm coats at the tiniest hint of cold.

Humans can only adjust up to a certain threshold.

For example, Irish and British winters allow you to ignore weather almost completely (you'll be miserable but you'll probably live), so there's a culture of stoicism, not heating your house above 16-18°C (60-65°F), wearing shorts and sandals (and a Very Big Scarf) when it's snowing and all that.

(I quickly got used to leaving the bathroom window open at 4°C when I was living there. who cares really)

So there's a common misconception that you can do the same with even colder weather.

However, once you are past that adjustment threshold (for most people it takes as little as -5..0°C/23..32°F lasting for more than a month per year) there can be no special built-in resistance to that type of cold (unless you are a yogi or a Taoist monk), instead you learn a bunch of behaviours that help you. You start to preserve warmth religiously.

You also start to differentiate between types of being cold and avoid some of them (some build up over time and it wears you down, so it's best to avoid them entirely). Anything that drops your core temperature (this is noticeable long before you start shivering, shivering is the equivalent of fire alarm) is a huge no. Fingers getting a bit numb from building a snow castle is nothing major though.

It can be hard to unlearn that even if you moved to a warmer place years ago.

Stoic northern characters who have moved to a warmer country are very likely to Complain About The Cold.

They'll start wearing coats at higher temperatures than southerners (because, well, the weather might get worse, or you might stay outside longer than you planned, or move less).

upd: it won't be a conscious thought (they are dressed for the weather, all right?), they will only notice it through being surprised how lightly is everyone else dressed or by others being surprised by their warm coats

They'll get cold hands more often because their body panics at the tiniest signs of cold and diverts blood to the centre (my first impression of the Irish was how warm everyone was when we shook hands. I'm the same now).

Most will heat their houses to the point where it's possible to walk around in a t-shirt no matter how cold it is outside (those who don't will comment "thank gods that people don't do that in your country, I hated it back home").

They'll whine at +5°C (40°F).

Apart from heavier clothes they'll have a bunch of weird habits like Walking Really Fast when the weather is bad (it's for when you don't want to wear heavier clothes).

They might have a fondness for scarves and good winter shoes (warm shoes and a warm hat are even more important than a warm coat. the lack of hats in fantasy upsets me. scarves are less important but they are pretty).

When locals get surprised they'll reply with "yes, but this is *damp* cold, *dry* cold is different" (it's more complicated than that but this answer usually stops further questions, so we go with that).

It's not like they are actually less cold-resistant, they just take cold more seriously.

At the same time they can be weirdly unbothered by things that freak some of the southerners out because they know how their body deals with low temperatures and which things have no consequences.

(it's not something that you learn from books, it's practical knowledge of what you personally can get away with. for example, I often get completely numb thighs during winter walks, takes an hour to start feeling anything when I get home. but I know it's all right as long as my feet are warm and my core temperature is within normal range)

They also won't suffer consequences when it gets truly cold, while more nonchalant southerners won't notice when they get borderline hypothermic or just cold enough to get sick.

They'll probably consider -30°C (-22°F) exciting. It becomes enjoyable again, because the outside world is now a death zone and there's some macabre fun in resisting it. Oh, and your eyelashes get covered in frost and it looks dope. What's not to like.

Kids will make a point to eat ice cream outside in -30°C (no, they won't get sick from it). I can't explain it, it just works like that.

Generally people from colder countries are not bothered by cold if they can return to a warm place soon enough, it's the prolonged exposure to cold (even mild) they are worried about. Going out for a smoke without a coat is common.

If they are still in a cold country, it's also a bit different from what you expect.

There's a trope of drinking to keep warm. It doesn't work like that. You can drink alcohol to feel warm but not to keep warm and it's an important difference. When it's cold your body's proper response is to constrict blood vessels and to divert blood flow from extremeties to slow down the loss of warmth. Alcohol reverts that.

This means it's perfectly appropriate to drink eggnog or mulled wine at a fair (when you are supposed to get to warmth soon enough, so the illusion of not being cold is not harmful) or hard spirits when you get back from the cold (it will help you warm up faster), but not if you are staying in a cold place. During a hike through winter woods a thermos with sweetened tea and fatty food are your best friends.

Some won't know it and get drunk and frostbitten/hypothermic. People are stupid.

Food gets weird, fats start to seem even tastier than usual. People in Antarctic expeditions are known to crave sticks of butter. In certain weather sandwiches with frozen lard are delicious.

Anything can and will be made into tea.

Some tropes I personally disagree with.

Pain. Pain levels depend on the weather. Cold eases any kind of external pain (cuts or burns) but makes worse anything internal (broken bones, cramps, most headaches).

Hypothermia feels nothing like peacefully falling asleep. It's the most miserable state I've ever experienced, psychological trauma doesn't even come close.

Well, maybe there are people who do fall asleep but other people I've talked to seem to share my experience.

I'm not sure how exactly it works, I think it messes up your self-regulation, since most chemicals in your body require a certain temperature range to work properly. Basically you become Not Yourself. Your emotions go whack (usually it's either extreme self-pity or extreme anger). It feels awful and I hope you never get to experience it.

Most of us don't really miss cold.

Well, some perverts do, but there's a general consensus that cold is awful.

We do miss some things that only happen during cold days though. The stillness and the quiet or how pretty snow looks. How bright the stars are on a clear night. The colour of sunsets and twilight sky when it's freezing.

(in my opinion, the best experience happens around -5°C, it's already pretty but the world is not a death zone yet)

There's also an appreciation of contrast with things that are Not Snow.

Walking from the cold into a greenhouse with orchids.

Watching a blizzard rage outside your window while you sit in warmth with a cup of tea.

Jumping into a lake straight out of a sauna (then going back. do not do that if you have a heart condition).

Fireplaces. Holiday food. Mulled wine. Saffron in pastry.

There's also a lot of beauty in the world that is frozen. I keep stumbling upon the fact no one around me shares these experiences anymore and it saddens me.

The xylophone sound of first ice being broken by a passing boat.

Sea moving under the ice — when it's not too thick it rises and falls like some large animal breathing.

The whale-song-like sounds of ice cracking on large lakes.

There's a very special mood of waiting for first snow. The world is too cold and dark without it and then you wake up one night from the sudden quietness (snow muffles all sounds) and you know it's there even before you look out of the window,

There's the exhiliration of spring. The moment when the wind starts to have a scent — thawing snow smells a bit like watermelons but clearer. Winter smells like nothing at all.

The first tiny yellow flowers in mud. They are our hanami.

(I don't think anyone in Europe truly appreciates spring if they are not from Nordic or Baltic countries)

There's a certain attunement to the scent of ice too. Like that barely perceptible tingle in the air in late September, long before you can see any ice.

I feel the scent of ice when there's wind from the right part of the Atlantic. No one ever notices but it's there. I love it. It's nostalgic in a way.

But it's never missing the cold itself for me. For very few people it is, I think.

*

This is, of course, personal perspective and my experience is not universal. I'm a person from a continental climate with harsh winters and hot summers and a city dweller with occasional visit to country houses and a tiny bit of mountaineering experience.

An indigenous person from a place with barely any summer or a character from a fantasy everwinter country will probably differ from me.

There are, after all, simply people who genuinely love cold. A lot of them. It is, however, not the default northerner's experience.

But hey, it's still more complex than it's usually written.

*

If you want to read something focused on winter descriptions, there's Smilla's Sense of Snow by Peter Høeg.

It's hauntingly beautiful prose and the main character is from Greenland.

‘It’s freezing, an extraordinary -18 °C, and it’s snowing, and in the language which is no longer mine, the snow is qanik – big, almost weightless crystals falling in stacks and covering the ground with a layer of pulverized white frost.’

And then there's Moominland Midwinter. I think it gets better when you read it as an adult and it's probably still the best thing I have ever read about winter solstice.

Anyway.

I think we need more good winter stories.

[derinthescarletpescatarian]

Hi Derin!

Recently I came across one of your long posts about clothes, and it was a long long branching thread but it basically amounted to " the only way to stop humanity from man-made extinction caused by the fashion industry is to start wearing outfits made of many high-quality layers where every single piece down to your bra is made out of high quality materials that are EXPENSIVE but designed to last for decades, and in order to do that we need to start wearing underwear that covers bigger percentage of our skin than just a bra and a g string ,the way our ancestors did" and while I agree with that, I am wondering about something- JUST HOW do we adapt this kind of underwear that our ancestors wore to modern fashion, bc there are some very big differennces between " modern fashion" and " the fashion of yore" namely

Modern fashion includes many, many different styles of "tops" and "bottoms" ,from long jackets to tank tops cropped just under your nipples and full length trousers to miniskirts, while the fashion of yore was basically " you wear a cultural equivalent of a nun's habit every single day of your life, from the day you were born until the day that you die, no ifs or buts" (yeah yeah a MASSIVE oversimplification but bear with me here)

Modern fashion "strives" to be gender neutral, while the fashion of yore was basically like " there are two sexes, and if you wear clothes designed for the 'wrong' sex we're legally allowed to murder you with extra cruelty" ( YES I KNOW EVEN BIGGER OVERSIMPLIFICATION)

so yeah that's something that I was wondering for the past couple of days and I was wondering if you have any good ideas about how to solve those problems

My opinion on the matter is that fabric was just fine twenty years ago. Those clothes can last a long time under normal use and washing without being painstakingly hand-spun and woven to be part of a wardrobe that costs as much as a small home.

But if you did want to go back to protective layering, it's not hard. I do it, mostly because I can't stand the cold, so if you live in a cold climate you don't even have to change your fashion; just put the softest, thinnest tracky daks and long-sleeved tshirt you own on under your other clothes. Boom, skin layer. If you live in a warm climate, then do that with smaller clothes, I guess, shorts and skivvies or whatever, whatever fits under the clothes you like to wear.

To answer your broader question, you've got it entirely backwards. Never once in the history of clothing have the materials and industry adapted to the fashion. The fashion is an expression of the materials and the industry. The creation of the industrial loom alters the fashion, not the other way round. The availability of elastic changes the fashion, not the other way around. The changing climate and changing needs of the wearer (hard-wearing clothes for labourers, etc.) changes the fashion, not the other way around. Fashion is an intersection of culture, environment and industry; it can be used as a tool for politics and market demand, same as any cultural artefact, but it needs to be practical within its environment. If wearing barrier layers became popular again, then the clothing that people wore would be clothing that they find comfortable and good looking over barrier layers.

From the context of this post I assume you're alluding to European feudal and pre-industrial clothing, although high quality fabric has existed for most of human history in societies that did and did not wear barrier layers, but I'm not sure what you mean by 'the cultural equivalent of a nun's habit'. A nun's habit had the cultural equivalent of a nun's habit. I'm not a historian but I can't think of any society of the type you're alluding to where everyday clothing would be equivalent to a nun's habit in any way beyond being, y'know, clothes. What do you mean by this? (Also, people back then also wore a great many styles of clothing; I'm not sure why you list that as a specifically modern thing.)

Modern fashion, on the whole, absolutely does not strive to be gender neutral, but if it did, this would not in any way restrict fabric quality or the use of barrier layers. Men's and women's clothing of yore were both looked after.

[metalheadsforblacklivesmatter]

Why not make this because I'm just a filthy commie.

My thoughts on Disability (getting paid because you can't hold down a job due to your disability).

Social Security Disability Insurance (SSDI) and Supplemental Security Income (SSI)

It should at least be minimum wage. (And minimum wage should cover average cost of living in that region.)

Housing, electricity, and plumbing should just be covered. Also accessible transportation.

Medical costs should be covered. 100%

It should supplement food (and restrictions shouldn't be so limiting to the point where people with food allergies can't eat)

You should not lose any amount of your disability just because you make a little income (if you can't make enough to live off of or hold down a full time job due to your disability, you should qualify)

Marriage should have zero impact on your disability.

You should be allowed to own a home (why the fuck can't you own a home? That's dumb shit.)

It should cover any changes that you need to make to your home to make it accessible.

If you rent a place and you suddenly get a short term disability (like cancer). Your apartment should be covered until you recover.

If you rent a place and you suddenly get hit with a long term disability (like long covid or certain types of cancer) and you have to be moved (like if you're renting a condo for $1million a month. It's a bit of an exaggeration but it gets the point across for its reasonable to not expect the government to cover that). Then moving costs should be covered.

Before the capitalists (derogatory) come in my comments "You're just mad because you're too dumb to work so you want free shit." (Because they always do when I post a commie take).

I am disabled, and I have a full time job that pays me quite well (and is very accommodating to my disability). I just don't think people whose disability are more limiting than mine should suffer. Especially because every single disabled person knows that stress exacerbates symptoms.

Like the stress of being forced to live off what is the equivalent $2/hr for full time work, being forced to find a living space that covers that, and trying to find food you're allowed to eat on supplemented income with dietary restrictions (because most disabled people have to eat what most people consider "unhealthy" to manage our disability).

Before capitalists (derogatory) say "Your disability doesn't make you eat unhealthy food". You just want an excuse to eat junk food. People with cystic fibrosis often require calorie counts similar to Olympic athletes because they can't digest food right. People with POTS often require ridiculous sodium intakes to help manage the symptoms of low blood pressure. And people with migraines often need high carb "junk foods" to help manage the low blood flow that comes with a migraine flare-up.

The disabled body is fucking WEIRD and what's healthy to most people isn't necessarily healthy to us, and we've found our ridiculous ways of eating through trial and error to find out what best helps us function. If you don't live in our body, you can't tell us what's good for us.

-fae

[kedreeva]

You're sort of one of the kindest people i know on tumblr, so. um. i had a question.

how do i deal with it all?

right of the bat i will tell you i am a minor and my parents are zionists, so i have no income of my own or anything i could donate. everytime i post a single fundraiser that reaches my inbox and is vetted, i get 4-5 new fundraising asks for palestine.

most of them are unvetted, but i keep thinking that if i can't donate i should at least have faith in people and reblog the fundraisers even if they're unvetted, possibly that they're actually new and need as much help we can give, however, there's a possibility they are scams, and i don't want to draw away the attention vetted fundraisers might get.

how do you decide where to help out and how to live with your decision?

I have a policy that when it comes to asks (or messages) that solicit money or other actions (like boosting posts) I don't respond to or even publish asks that come from anyone that has never spoken to me before that moment, and that's a policy that has been in place for many years now, and is unlikely to change largely because the majority of asks/messages that are requesting money or to visit a blog post/their blog/their website are scams (or more often several years ago, led to virus infections on your computer!). My blog is, as it has stated at the top for over ten years now, a personal blog, not a fundraising/signal boosting/vetting blog for spreading donations- there ARE blogs like that, and people can choose to interact with those blogs or not, but my blog isn't the place for it and that's a hard boundary I enforce for my own well being. Tumblr is my place to rest and recover, however I see fit to do that.

A random ask to my inbox asking for money, regardless of what it is for, is (in my view) equivalent to a cold call from a stranger soliciting money. It's not about faith in people, it's not about right or wrong, it's not about can or can't. This is my home, and I don't answer the phone to unknown numbers. I will help friends/family/people I know personally (or parasocially, if I like them or recognize them), obviously, but that's a bit of a different horse.

As for how I decide where to help out, if I have the ability (funds, spoons, time etc), I will seek out information on the best place to donate that can do the most with the money to help the person/people/cause that I want to help. It's the Food Pantry Equation: I could spend $5 on groceries at retail price to donate, and maybe get enough for 1 meal for 1 person (though in this fuckoff capitalist hellscape, I'm not sure $5 would even buy a whole meal), or I could give $5 directly to a Food Pantry organization, who buys in bulk and knows where to get stuff cheap, so that my $5 can help five people or ten people or whatever. I also do my best to participate in fandom events that raise money for good causes; stuff like the fanworks charity auction I helped run to donate to a wolf sanctuary, or stuff like Fandom Trumps Hate (another charity fanworks auction event). Those kind of events are generally open about where the donations go to, and have done research into organizations to ensure the gathered money goes to good charities.

Like with the above, however, it's different if I know the person. If my neighbor comes and asks for a cup of sugar or my friend needs help moving or whatever, I'm gonna give them what they need without the middleman because we have that relationship already established. Donating $5 to a food pantry would probably help more people by numbers, but helping my neighbors and friends and family etc builds community in a way giving $5 to a random stranger on the phone soliciting money cannot, and even in a way donating $5 (or $5 worth of food) to a Food Pantry cannot. It's also usually a matter of one and done, as well as semi-transactional the way any relationship is a give and take; I can give my neighbor some sugar, and down the road they can return the favor the next time I'm in need of help. I help my friends move and I know whether or not I ever move, myself, that they would do the same for me if they're able. You can't say this about a random ask on the Internet and you likely won't ever be able to say it for most charities unless you somehow end up in their exact area of expertise. So it's different.

I feel like you should also learn about Tim Wong, the guy who basically single-handedly repopulated the Pipevine Swallowtail butterfly out in California. The lesson his story can and should teach is that... sometimes it can do more good for the world to care Very Much about one specific thing, and put your heart and soul into it, than it does to spread a little bit of care over a lot of things.

So, I guess what I mean to say here is... don't feel guilty about what you cannot do. There's no guilt in that. When you are ready and able to help, you can always go and look for a good way to do so (and what you end up helping may not always be the thing you think it will be), but you don't need to feel pressured by telemarketers or charity donation calls from strangers while you're trying to eat dinner. Especially if they don't even know who you are, either.