#because no one new is wanted because the people in power like the status quo

[verushkak70]

THANK YOU for this

Hard to put into words how sick but unsurprised I am

On the one hand, this swing towards right wing fascism isn't very surprising - it' is happening all over the developed/1st world... Look at all the recent elections in Europe

OTOH it's also a lot like, y'know, the 1930s in Germany & Austria, so it's completely sickening & disheartening

Most of the time, I just can't understand how people are so easily fooled, I just CAN'T...

& then I remember:

not everyone grew up with teachers for parents...

Not everyone was read to before bed as a child, instilling literacy as a value & a lifelong love of reading & learning;

not everyone had parents who taught them to question the status quo (except for them, lol), to think critically (except about them), & who were involved in local politics as well as worked for or organized unions;

not everyone learned the TRUE history of the US (& police & the Pinkertons) - as opposed to the watered down & whitewashed bullshit taught in every US public school history or social studies class I ever took (including AP history in high school) - at the dinner table;

not everyone had much older siblings who were on the debate team in high school & was thus forced to very quickly learn & practice logical reasoning & debate skills (even if it was over ultimately stupid household shit);

not everyone has traveled outside the US multiple times (& no not only to all-inclusive Mexican or Caribbean resorts);

not everyone has SEEN social democracy up close & personal in their travels (on one trip, a Paris Critical Mass protest completely stopped all traffic & our tour bus from moving for over an hour, lol; I've never seen so many people on bikes in one place before or since);

not everyone grew up with immigrant grandparents that gave them a much wider vision of both secret American history & what America is & CAN be;

not everyone has the privilege of a college education;

not everyone's mom supported a woman's right to choose (& safe, legal prostitution) from before they were born;

not everyone grew up with 3 different denominations (Lutheran, Catholic, Greek Orthodox) of Christianity which, while instilling a dislike for going to church and subsequent agnosticism, also instilled a belief in Christian values as fundamentally about tolerance, peace, caring for the poor/sick/old/underdogs, & righteously standing up to bullies, corruption, and powermongering;

not everyone had books & news magazines around the house growing up, that showed what the US & CIA were REALLY doing in South & Central America that has literally destroyed democracy in many countries to install dictators, as long as they were American as opposed to Russian allies (& who therefore doesn't wonder either why things are so bad there or why people would be desperate to leave & get to America);

not everyone was taught US labor history at the dinner table & got to university with a very healthy skepticism about industrialists, corporations, & capitalism in general;

not everyone had one, let alone two, parents questioning Milton Friedman, the Chicago School of economics, & neoliberal economic policy way before it was hip to do so, or was taught the true purpose of privatization (wealth transfer)

No, most Americans never got any of that... & consequently in their fear about their economic future & their children's future, they've grabbed onto what they think is populism but is actually right wing scare tactics & demagoguery like a lifesaver because it tells them everything they want to hear & provides convenient scapegoats (just like Hitler & Mussolini did) (but secretly doesn't really give a shit about them at all, except for their votes, & plans to change NOTHING for the benefit of anyone but those already drowning in wealth & power)

Which then makes it make a little more sense

it's just monumentally sad to me - like, don't ever want to get out of bed again depressing - that in both Europe & America, now that the generations that lived through WWI & WWII have died, people have forgotten their history (if it was ever honestly taught to them at all, let's be real) & the world is going through this rise of fascism yet again - like, have we learned NOTHING? - but this time, attached to the biggest wealth transfers in history, enabled by & begotten by neoliberal economic policy - which will fuck over the very people who voted for it, who have no idea what is coming

Fair warning: If a single other Canadian even vaguely downplays the severity of what is happening in America right now I WILL block judiciously. I am already sick and exhausted of it.

[lewisinho]

among the criticism i dish out at f1 journalism, what also needs to be pointed out is the general lack of nuance in the writing; with a contained bubble of journos who get to write the 'big pieces' and have the most access, the lack of diversity amongst them dilutes, or even entirely neglects, the multifaceted dimensions and important opinions that drivers (most particularly lewis) have to offer; these journos have their favourites and allegiances; it is no secret that partisanism exists in f1 media, but it is important to highlight just how severely this undermines the integrity of 'the messenger' that a journalist is supposed to be; the perspective of the same old white dude giving me a 'first-hand experience' of what lewis said to the written press, is not one i am particularly interested in reading; i was reminded of this in relation to lewis' recent interview and the article mark hughes wrote, in which he effectively questioned lewis' authenticity and honesty; that is not to say that it was not altogether a worthwile read (it was also helpful that there were other articles written by different journalists about the interview and i could gather other perspectives and to some extent confirm a journo's veracity via comparison), but i was generally disappointed with the standard; i know these journos, i know more or less with which drivers/teams they sympathise with, and i also know the limitations they have...i am not enthralled when one of them almost disdainfully undermines lewis' integrity, tries to spin a narrative or provide an opinion on a matter on which an old white man really shouldn't have much to say on; the f1 bubble is small, very small, when you compare it to a sport like football, you can see why it is so slow with change and modernisation; when it's all in the hands of a few people in the business who have been writing for the past few decades, no wonder it is just so hard to get new, young, diverse voices in; but through even the most recent examples, change is so desperately needed

[thethief1996]

I can't stop thinking about the news out of Palestine. Israel is sieging al Shifa hospital. Videos of people's limbs being severed off are haunting (graphic video tw). The hospital has ran out of fuel and 39 babies in incubators are fending for their lives by themselves, because Israel has stationed snipers around the hospital and is shooting all medical crew that walks into their sight.

First, the narrative was Israel would never bomb hospitals. Now, the hospitals are Hamas bases. Then, we respect journalists. Now, we have a fucking kill list of journalists because they are Hamas collaborators. First, we are not letting fuel in until the hostages are released. Now, we are not accepting the hostages back because that would stop our ground invasion and let Hamas win. And I could go on about every single lie they're making up. If you look up "Hamas rape" on google, the first link leads to Times of Israel saying Israel has found no forensic evidence of sexual violence, and only one eyewitness testimony out of 3.5k people attending the rave. If you Google "Hamas beheaded babies" the top links say they have no evidence for the claim besides word of mouth from extremist soldiers. Israeli extremists think about the ugliest goriest scene they can make out in their sick heads, tell that to a international journalist and they run away with it like it's gospel.

And children are being killed in the name of these lies. Thousands are being displaced in images that remind me of the pictures of Tantura 75 years ago, with their hands up so the tanks don't shoot them. Amputees are leaving the hospitals in wheelchairs hours after their surgeries because they are being shot at. Elders who survived the Nakba on 48 are having to walk towards Southern Gaza on foot (imagine walking from one end of your city to the other on foot), displaced again. People are cheering for the haunting images of white phosphorus bombs being dropped over Gaza. Gazan workers who were arrested in the West Bank are being thrust back into the bombings wearing numbered labels.

This is not normal. We are seeing the early stages of the settler colonial genocide of an indigenous population. Native leaders who have visited Gaza say its refugee camps look eerily like reservations. We can stop this. For the first time we are able to see wide scale accounts from the hands of the people suffering the genocide, and Israel is so scared of it they have cut all communications in Gaza.

This is our litmus test. I think we have never seen more clearly, with Palestine, Armenia, Congo and Sudan how colonialism has made our world a rotten place to live in.

The South African apartheid collapsed due to boycotts. We have to do everything in our power to stop Israel's hegemony. Even talking to a group of friends about Palestine changes the status quo. There's no world where we can live peacefully if Israel accomplishes their goals.

Keep yourself updated and share Palestinian voices. Muna El-Kurd said every tweet is like a treasure to them, because their voices are repressed on social media and even on this very app. Make it your action item to share something about the Palestinian plight everyday. Here are some resources:

Al Jazeera, Anadolu Agency, Mondoweiss

Boycott Divest Sanction Movement

Palestinian Youth Movement is organizing protests and direct action against weapons factories across the US

Mohammed El-Kurd (twitter / instagram)

Muhammad Shehada (twitter)

Motaz Azaiza (instagram) - reporting directly from Gaza.

Hind Khudary - reporting directly from Gaza. Her husband and daughter moved South to run from the tanks but she stayed behind to record the genocide. The least we can do is not let her calls fall on deaf ears.

You can participate in boycotts wherever you are in the world, through BDS guidelines. Don't be overwhelmed by gigantic boycott lists. BDS explicitly targets only a few brands which have bigger impact. You can stop consuming from as many brands as you want, though, and by all means feel free to give a 1 star review to McDonalds, Papa John, Pizza Hut, Burger King and Starbucks. Right now, they are focusing on boycotting the following:

Carrefour, HP, Puma, Sabra, Sodastream, Ahava cosmetics, Israeli fruits and vegetables

Push for a cultural boycott - pressure your favorite artist to speak out on Palestine and cancel any upcoming performances on occupied territory (Lorde cancelled her gig in Israel because of this. It works.)

If you can, participate in direct action or donate.

Palestine Action works to shut down Israeli weapons factories in the UK and USA, and have successfully shut down one of their firms in London.Some of the activists are going on trial and are calling for mobilizing on court.

Palestinian Youth Movement is organizing direct actions to stop the shipping of wars to Israel. Follow them.

Educate yourself. Read into Palestinian history and the occupation. You can't common sense people out of decades of propaganda. If your arguments crumble when a zionist brings up the "disengagement of Gaza", you have to learn more.

Read Decolonize Palestine. They have 15 minute reads that concisely explain the occupation (and its colonial roots) and debunk popular myths, including pinkwashing.

Read on Palestine. Here's an amazing masterpost.

Verso Book Club is giving out free books on Palestine (I personally downloaded Ten Myths about Israel by Ilan Pappe. If you still believe in the two states solution, this book by an Israeli professor debunks it).

Call your representatives. The Labour Party in the UK had an emergency meeting after several councilors threatened to resign if they didn't condemn Israeli war crimes. Calling to show your complaints works, even more if you live in a country that funds genocide.

FOR PEOPLE IN THE USA: USCPR has developed this toolkit for calls, here's a document that autosends emails to your representatives and here's a toolkit by Ceasefire in Gaza NOW!

FOR PEOPLE IN EUROPE: Here's a toolkit by Voices in Europe for Peace targeting the European Parliament and one specific for almost all countries in Europe, including Germany, Ireland, Poland, Denmark, Sweden, Netherlands, Greece, Norway, Italy, Portugal, Spain, Finland, Austria, Belgium Romania and Ukraine

FOR PEOPLE IN THE UK: Friends of Al-Aqsa UK and Palestine Solidarity UK have made toolkits for calls and emails

FOR PEOPLE IN AUSTRALIA: Here's a toolkit by Stand With Palestine

FOR PEOPLE IN CANADA: Here's a toolkit by Indepent Jewish Voices for Canada

Join a protest. Here's a constantly updating list of protests:

Global calendar

Another global calendar (go to the instragram of the organizers to confirm your protest)

USA calendar

Australia calendar

Feel free to add more.

[lilianade-comics]

Stolen Sanguine World-Building Dump

@taptrial2 asked and ye shall receive. What follows is a mass information pit for my Vlad Cleavage AU Danny Phantom vampire AU, Stolen Sanguine. This post will just be about world-building, the storyline will be covered separately.

The time period and culture influences are deliberately vague, but it's pseudo-Victorian, pseudo-fantasy, pseudo-pre Industrial Rev with no consistent clothing styles beyond the vampires being obnoxiously slutty.

Vampires live among humans and the ones that live the longest and thrive the most are the rich and powerful, highly immoral ones. Common people who are turned and not willing to become gluttonous murderers are usually swiftly dispatched by hunters. Being turned involves intent on the part of the vampire, and venom is the agent. New vampires are not common or accidental (unless you're Danny) because in general vampires like the status quo and creating more competition for territory isn't in anyone's best interest. Vampire on vampire murders aren't common for the same reasons. Vlad, however, is an insane little freak and has killed his own kind before. To drastically paraphrase one notable instance is Aragon, who once decided he'd pick on the new guy in town by kidnapping his four year old and turning her into his vampire bride. Vlad stabbed Aragon about three dozen times, recovered Dani safe and sound, and no one has bothered them since.

Society is entering an era where the general populace at large is becoming more collectively aware of the existence of vampires and other paranormal folk and it's more difficult to work in the shadows than it used to be. Hunters are becoming more mainstream, and while vampires have always placed emphasis on securing wealth and power, it's now more critical to have those societal protections in place.

Generally speaking, vampires are almost exclusively loners and not social with each other. This is mostly because every vampire believes that other vampires are insufferable, and they are the singular delightful exception. Penelope Spectra, Vlad's neighbor and ally, is an outlier, as she is very social for a vampire and often holds parties. She herself lives with Bertrand, whom she turned some years ago.

The vampiric power system revolves around blood. By consuming human blood, vampires regularly renew their immortality and their enhanced strength and healing. Vampiric blood itself is also endowed with certain powers, as it remains tied to the soul of the vampire even after it leaves their body. There's a culture of blood jewelry given as gifts to favorite thralls as a mark of ownership.

To say vampires merely consume blood is to ignore the whole reality. It's not just the blood, it's what the blood contains, that is, the vitality or life of the individual. Every time a vampire feeds off of someone they consume a bit of that person's life and soul. It's an active parasitic relationship that brings only misery to the consumed. Animal blood will keep a vampire alive, but it won't grant them the powers they rely on and it won't fully satisfy their hunger. Danny is doing his best, but he's basically starving himself.

A human that a vampire frequently feeds on turns into a thrall. Thralls are sickly, clingy and basically brainwashed into being willing juice boxes. You don't want to become one. Some vampires will keep them in their houses because it's very convenient. Vlad has his blood supply imported, because he's got a daughter to think of.

Vampiric weaknesses include sunlight, which burns them, and the need to be invited into dwellings or suffer the loss of their powers. There are ways to circumvent both weaknesses, however, and Vlad has found ways around both during his years of experimentation. The only way to kill a vampire is to destroy their heart, so the classic wooden stake is the weapon of choice for hunters. Jack and Maddie are particularly creative with their weaponry, though.

The GIW exist here, as a sort of white-tunic wearing anti-vampire cult/organization. Their designs are pending further thought, because white robes and hoods have some unfortunate connotations I'd prefer to avoid.

Werewolves and dragons exist here, but they're mostly mentioned in passing and also because I think it would be amusing if Danielle tried to date a werewolf prince while Vlad makes semi-serious plans to turn the poor boy into a rug if the relationship goes awry.

There is a Vampire King, but he's been sealed away in eternal slumber because he's more trouble than he's worth. Vampires will go through long periods of sleep every so often if things are going poorly for them, and it usually involves a coffin and a hidden crypt. They are of course, nocturnal beings, but they don't have to sleep as much as humans and Vlad is committed to raising Danielle diurnally. This causes some problems for him, but he's extremely stubborn and refuses to let the sun get between him and his daughter.

Other vampires consider Vlad to be completely out of his mind after the unfortunate Aragon incident. It's not normal to adopt your lunch. Spectra thinks Vlad's obvious mental illness is very attractive and she likes watching him kill people.

Vlad lived in a proper spooky castle before acquiring Danielle, but after he fled Jack and Maddie he moved extremely far away and settled into a smaller but no less creepy manor outside of a small rural village. Danielle is by no means forbidden from visiting the village and Vlad encourages the townsfolk to allow their children to befriend/suck up to her on a regular basis. Sometimes this involves blatant extortion, such as the time Vlad forcibly invited (kidnapped) a select handful of children and their trembling mothers to attend Danielle's birthday party.

Vlad likes to gaslight the people living in the village outside of his manor. They're all 95% sure he's a vampire, because he certainly couldn't look or act any more like one, but Vlad vehemently denies it. Danielle is accustomed to doing the same, and in reality she is actually the most compelling evidence that Vlad ISN'T a vampire. Because what vampire has a happy, healthy, bite-wound free child in their care?

[homoquartz]

hi!! if you would like to join me in being angry, please consider this new gem of journalism bestowed upon us peasants today:

(Article link is here)

In case you doubt it, yes, that is correct. Major studios will now assemble panels of racists, homophobes, transphobes, and misogynists to dictate how much us squirming pathetic little brown queers get to be represented on screen.

They were already doing this, but now they're comfortable saying it outright. As I have said before, THIS SHOULD ALARM YOU.

This post is long so the rest is below, backed up with data:

Disney is tacitly admitting that they canceled The Acolyte because they would rather alienate their marginalized fanbase than their rabid, genocidal straight white male one. And you can be damn sure this is also why the likes of Netflix and HBO Max are so comfortable discarding highly acclaimed queer shows like Warrior Nun, Our Flag Means Death, the Owl House, and Dead Boy Detectives.

The only shows about marginalized people allowed to go on are the ones that, against all odds, become hit successes (eg Heartstopper), at which point their earning potential outweighs their sin of being brown or gay. I want to emphasize that these shows must be breakout hits - shows that perform on par with straighter, whiter releases aren't given this grace.

These companies are going to obscure the reality of their actions by talking about profits and public image, but rest assured they would find a way to justify this even if the vast majority of viewers were brown and queer. Because it's about maintaining power. It's part of a nationwide surge against inclusion.

Do you remember the IGN article that just came out that revealed Disney's insistence that Riley be made to look "less gay" in Inside Out 2?

Do you remember the Autostraddle article which crunched the numbers to show that queer shows are cancelled more often and earlier than others?

How about GLAAD's breakdown of queer shows cancelled last year? Here's a snippet of the data:

❗️Both Autostraddle and GLAAD have found that 1 in 4 queer shows are axed. This is DOUBLE the rate for streaming shows overall, which is just at 12%.

Variety has a data breakdown here. What's interesting is that Netflix is actually pretty moderate with its cancellations, yet the majority of cancelled queer shows belong to Netflix.

I had a harder time finding data for shows featuring leads of color. If anyone has links, I'll add them here.

In conclusion:

They are banning our books. They are cancelling our shows. They are silencing our stories. You know why.

You can help in a few ways. One is to stream as many cancelled shows centering POC and/or queer people as you can. Another option is to cancel your streaming subscriptions and vote with your wallet (this is what I have done).

There's also a bunch of petitions for cancelled shows I strongly recommend signing. Pick a show and google it plus "petition" and it will turn up.

You can go to Rotten Tomatoes and IMDB and 5-star your chosen shows, as well as each episode.

You can message the streaming services on social media requesting renewal. Reaching out to influencers in spheres related to this topic, as well as media outlets, is also a good idea.

Finally and most importantly, talk to your friends and family. Ask them to do something. Ask them to tell people. The more people who stand against a hateful status quo, the less powerful it becomes.

I believe this can be turned around if we make enough noise. These streaming services should revive their queer shows, market them properly, and support them like any other show.

I sound silly now, but watch this space in two years.

[villainsandvictimsalliance]

Whenever I remember that Tenya almost went full vigilante mode for Tensei I want to scream so bad like it's not even funny.

Bnha somersaults its way into saying "maybe heroes are just good citizens with the power to do good things" and "maybe heroism is not in the big notorious acts but in being kind and fair in the day to day details" AND THAT'S ALL TENSEI.

AND THAT'S WHAT MOTIVATES TENYA TO GO FULL BLOODHOUND ON STAIN.

I'm not denying that the world needs the big ass heroism acts like defeating AFO or saving a city or all those flashy notorious feats. All Might is very needed, because there are threats that are too old and developed and have accumulated too much hatred and damage over the years. You cannot always prevent those things from happening and to believe so would be naive, right?

What I'm saying is that those big events are the lowest percentage. They are the consequences of a systematic failure.

Take two of the biggest evil plots in the manga: AFO planning to still OFA and Overhaul with his quirk-erasure bullets. Both plans depended on an abused child being used as objects, Eri because her quirk was the base of the bullet working and Tomura because he was just meant to be AFO's new body in the future. In both cases, AFO and Overhaul were cornered after losing the child they were using for their plots. In fact it was the kids resisting the abuse that contributed the most to their failure: Eri prevented Overhaul from hurting Deku and Tomura prevented AFO from escaping his decaying body.

In that sense, the little unknown pro-heroes taking care of their neighborhood's children do a lot to prevent cases like Tomura or Eri from happening. Hell, AFO and Overhaul were also kids who went the violent route to survive.

Ingenium's silent heroism is probably the best example of what a hero looks like. They don't seek fame or glory. They regard heroism as their duty, their responsibility. No matter how little the act is, it's still important to do it.

At this point, we must admit the Tenya's crisis over what happened to Tensei is not only about their bond as brothers. Yeah, that was Tenya's big bro, but it is no less than when Deku and Bakugo saw All Might fighting AFO for the last time— the last moments of their role models.

The Iida brothers' crisis was deep rooted in the main issues of the story, so I'm still baffled at how people just tend to ignore it.

Before Stain, the "League of Villains" was just a minor threat. Dabi was a nobody with no real crimes to his name. Toga was just a lost little girl trying to survive the streets. Spinner didn't even think about being a villain. Before Stain, things were bad, but no one really thought they could change the status quo, you know?

The USJ incident was not the big deal because 1) how was attacking kids the answer? and 2) going for All Might was expected, since he was almost invincible and the biggest hero in the world and blah blah blah.

When Stain started attacking minor pro-heroes...

Stain was the opposite of Tomura. He admired All Might and saved those kids, but went after the pro-heroes with less powerful quirks. He gave the population a sense of control. It's like he said "hey, you don't have to go after All Might to change the system and why would you? The real problem are the ones on the lowest part of the pro-hero chain".

Suddenly, they could go against pro-heroes and win. Divide and conquer. Suddenly, there was a ladder to climb. Suddenly, you could target not the institutions responsible for the rotten ideology of your society, but the people who enforced the ideology with their daily work.

Stain defended his posture by saying that those people didn't want to be real heroes. They just wanted the money, the fame, they were not really committed to their duty.

And then attacked Tensei, of all people.

If big crimes are built from little crimes that are accumulated over time, what would happen if you decided to eliminate the people taking care of the little crimes?

The crisis of belief in pro-heroes was triggered by Stain. When Stain pointed out at Ingenium (the one in the suit was Tensei) and accused him of false heroism, it's when shit started to go south. He created the idea that pro-heroes should be punished if they don't perform correctly and that they deserve to die if they don't have pure ideas of their job— or whatever.

Tensei being the victim is supposed to show how hypocritical Stain is. Tensei is probably one of the only pro-heroes that never did anything wrong in the manga and one of the best family men to be presented. A man who was loved by everyone for being good in every sense of the word.

Stain projected his own fantasies on Tensei in order to accomplish his witch hunt, not truly caring to figure out who the person was. He just attacked for the sake of attacking, which explains why he was so popular: anyone could do the same and project their issues on him, fighting different battles disguised as just one cause.

When Tenya went after him, it could only make sense. The little of the Iidas is too righteous and noble, quick to judge and act, prone to making mistakes and getting carried away by the looks of it all. So easily his justice turns into revenge and he falls into the trap Stain set. Who knows what a hero student killing Stain would have caused...

At this point it's obvious I'm just ranting for the sake of ranting but 😭😭😭 give the Iidas the respect they deserve please.

[illuminatedferret]

With the new edits to Xie Lian's request to be banished again rather than fight Lang Qianqiu, I'm really struck by the gravity of Hua Cheng rejecting his ascension again. We conflate being a Heavenly Official with being a god, being a god with being beneath Jun Wu's dominion, but that's really not the case. Ascension and godhood are natural consequences of diligence and cultivation, not something handed out because you impressed the right person. And yet as more people ascend, they fight, they bump elbows, they learn to live among one another, regulating each other and developing a 'status quo' for godhood.

This is the Heavenly Court- not a natural location, but a system constructed to exercise control over gods and godhood. A place just as coveted as it is full of rules and expectations, just as unforgiving as it is illustrious. Yet the violence inherent in the heavens, in Jun Wu's rule, is never truly addressed. And that violence can be boiled down into one simple question:

Do people have the right to say no to godhood?

For all intents and purposes, it seems that few people view ascensions as a bad thing. The only case we have of someone outright rejecting the heavens and doing so on their own terms is Hua Cheng. And as far as we can tell, no one ever follows up with him over this, but we can't forget his unique circumstances: his ghosthood, his place in Mount Tonglu, his soon-to-come power as one of the strongest men in the world, all allow him to pull off this escape and land himself a position where the heavens cannot afford to punish him, even if they want to. But for a more average person, what would happen if they said no?

And if Jun Wu accepts that "no" (if he accepts any no), does it come with no strings attached? What are the odds he allows this mold-breaker to walk out the doors without some sort of condition in place? Let me remind you, godhood is not contingent on his approval- rejecting the heavens doesn't make you stop being a god. Really, isn't rejecting the heavens rejecting him and his rule, more than anything else? He cannot make someone a god, and he cannot truly make them stop being a god, either. It is a privilege of his position (and power) that he can pretend otherwise, and he has to go to extreme lengths (the cursed shackles) to do so.

What ruler wouldn't see it as an act of disrespect that someone wants to leave their court? What ruler would willfully allow someone to leave the heavens and become what is fundamentally a rogue agent? It flies in the face of the purpose of the Heavenly Court. Surely this hypothetical person allowed to leave ends up like Xie Lian: shackled, deprived of at least the ability to hear prayers. At worst, Jun Wu may decide someone who rejects the heavens rejects the cultivation that brought them there as well, and seal their spiritual power too. But with those sorts of caveats, who would choose to leave? And to deprive people of choice is inherently violence.

In one act, Hua Cheng not only rejects the heavens but bucks their yoke, escaping the system of power and control that demands obedience from everyone unto the man on top. This is a far, far more significant and noteworthy act than is addressed. While he clearly cares little for it, Hua Cheng is a god, making him the only god in the world truly removed from Jun Wu's control and influence. He exists outside of the heavens' system, and thus paves the way for a space similarly divorced from the control of the heavens, where people can live without fear of censure or persecution from the people the world insists are their betters.

[lunarsilver]

What do your spirit guides want to tell you?

For this reading, I used a deck with only Major Arcana, to get more general but "big", powerful messages. This is what your spirit guides want to tell and advise you really bad.

Arts are from volume covers of Jibaku Shounen Hanako-kun.

REMEMBER

I’m not a doctor, a psychiatrist, a therapist nor a psychologist. Divination will never replace meetings with them.

It’s a general reading, so not everything will resonate.

If you can’t choose between two piles, probably both of them have some messages for you. You can also not identify with any of them, and that’s okay, too.

Readings can help you make a decision, but they shouldn’t be the main reason for making it.

1 ~ 2 3 ~ 4

PILE 1

Temperance - The High Priestess - The Sun R - Back of the Deck: The Emperor R

Maybe because the first two cards in my deck present women, plus especially because of the High Priestess, but what comes to my mind immediately is “femininity”. This is an encouragement to lean more into what is traditionally feminine. The more I look into the cards, the clearer this message is - there’s Temperance, the card of balance, there’s the feminine High Priestess, and there’s the masculine Emperor in reverse. Temperance asks you to balance your life more. Work-life balance, logic-emotions balance, as well as how you act around people. Your spirit guides suggest trying to work together and be a team player, both Temperance and the High Priestess tell you this. The High Priestess is also an invitation to trust your intuition more, to tap more into your spirituality. Maybe your spirit guides would like to talk more to you, and they wish you would let them. With the Sun in reverse, they suggest you should have some fun, do what brings you joy, and listen to your inner child. The Emperor in reverse suggests you could have a not fully healthy relationship with your traditionally masculine traits (I want to make this clear - I always write “traditionally” for a reason, think about it as your relationship with what society expects of you, with gender stereotypes). Your spirit guides want you to reflect on how you look at your relationships with other people. Treat them as your equals, they’re neither better nor worse than you. It won’t resonate with everyone, of course, but I keep having this image of someone working an office job who is kind of bitter and so focused on one aspect of their life that they forget the little joys of life and don’t treat their coworkers/subordinates nicely. So, to sum it up, reevaluate your priorities, find some time to be alone with your own thoughts, with your hobbies, and try to treat other people equally. And give your spirit guides a call.

PILE 2

Temperance R - The Hierophant R - The Hanged Man R - Back of the Deck: The Fool 

It’s interesting how, just like in Pile 1, the first card is Temperance, but this time in reverse. Similarly, the message here is to reevaluate what you give attention to and balance your life, but it’s even more urgent. It’s not wise to spend too much on something or to focus on only one aspect of your life, ignoring other ones. Your spirit guides tell you to put some time into self-healing and taking care of yourself. Maybe some home spa would be good, nurturing both your body and mind. Next, the Hierophant in reverse is all about making your own path, challenging the status  quo, and not caring as much about the approval of others. Your spirit guides encourage you to find your own voice and speak your mind. Do what is right for you. The reversed Hanged Man tells you it’s time to stop living your life on autopilot and actually start doing something. Think about what you would like to do, make a plan and do it. The Fool at the back just highlights how much your spirit guides want you to embark on a new journey. Don’t be scared of new beginnings. This whole reading emphasizes how important it is to make some changes in your life, and while doing so, keep in mind what will make you happy. You, not someone else. You are the master of your own fate, nobody else can live your life for you. Your spirit guides are with you, so stop merely existing and start to live. It may be scary at first, but you’ve got it!

PILE 3

The Star R - The Magician - The Hermit - Back of the Deck: The Wheel of Fortune

Right off the bat, there’s a lot of gold and some brown, white and blue color-wise, which makes me feel you should take a closer look at your finances and your earthly matters, but also don’t forget about the more spiritual things. Another interesting thing is how the Magician and the Hermit have a similar pose, both with their arms raised, as if creating something out of thin air or launching an attack. Now, getting to the cards themselves, you had a harder time, huh? The Star in reverse tells me that you could start to doubt whether there is something good for you in this life, whether some higher forces are there for you - and here your spirit guides are, screaming that yes, they are here for you, they always are. So nourish yourself, remember what’s important for you and what you want to do, and do it. The Magician says that, once you get in the right mindset, you have everything needed to manifest your desires. Stop self-loathing, stop procrastinating, it’s time to do the THING. Your passion project, your art, your book, your dance. With the Hermit, your spirit guides encourage you to look inward and take some time for yourself. As I wrote at the beginning, both the Magician and the Hermit in this deck have similar poses, they both create something, and they lay here next to each other. At the same time, there’s this interesting contrast, as one is more dark and blue and kind of nocturnal, while the other is gold and bright. I think these parallels are here to tell you how important it is to both think and act, as only then will you  create what you want. Only thinking about your goal won’t take you anywhere, only acting without thinking can lead to a catastrophe. With the Wheel of Fortune, your spirit guides once again tell you that you’re not alone and everything is temporary, nothing lasts forever. You may feel hopeless right now, but “this too shall pass”.

PILE 4

The Moon - The Chariot R - Strength - Back of the Deck: The Hermit

This pile is all about being with you yourself. Your spirit guides encourage you to have some alone time and not act recklessly. The Moon is about your fears - your spirit guides encourage you to deal with them and stop running away. However, it’s more about healing your inner child and doing some shadow work than about dealing with them in a more physical way. Write a journal, think about therapy. There are some issues here that you need to work through. Tap more into your intuition and be patient, as you may not have the full picture right now. Next, the Chariot and Strength are both about, well, strength - but the Chariot is more about the outer strength and will, while Strength is more about the inner one. And here we have the reversed Chariot. Both of these cards together emphasize how you should work on your self-discipline and commitment. You have this kind of quiet strength for influencing and persuading without raising your voice. This kind of confidence and strength is not as visible as the loud one, but it isn’t a reason to underestimate you. The Hermit at the back yet again tells you to look into yourself and spend some time with your thoughts. Your spirit guides think you can do a lot of things once you start dealing with your fears and insecurities and realize you can be powerful in more ways than one. Your inner strength is your power.

[ancientgoddessofegypt]

ASTROLOGY OBSERVATIONS : THE ASPECTS

I've lost count on how many I've done so far, so that mean we onna role lmaooo.

So lets get into it ;)

Sun Square Venus - Could have issues dealing with their self expression. But this is momentarily. At times, they have to work hard into seeing themselves in a better light than there peers. Its easier to see yourself in the wrong light than the one you truly want to see of yourself. All in all, there is a gift in this placement. They usually have to agree that their auras are not a match for certain environments and people, and this in turn keeps them out of the wrong places and shifts them into the space that is both healing and nurturing to their energy.

Moon Trine Pluto - Interesting auras. Have a capability of working and helping the community. Can receive insight on what not to do at the right time. Literally God sent. Could be in the middle of nowhere, but it brings them somewhere. Like their energy could pull them into spaces that they're not usually equipped in but for some reason people look towards them for guidance. They're a door opener to the right dimension. Timeless entity. Blessings of abundance comes to them through the art of silence. Communication is a skilled art as they deal with the emotional sector in their own life, which makes them good counselors or therapists.

Mercury Conjunct Jupiter - Can captivate an audience with their words. Really good at making something out of nothing, as far as ideas go. They are usually interested in finding new ways into expanding their minds and they will do this till the end of time.

Honestly their ideas and ways of communication are so intriguing, they could be talking about nothing and still make it interesting to listen to. Could be someone excited to share their thoughts with the world, and honestly they should. They could be great teachers if they give it a try.

Saturn Trine Neptune - Illusive Idealism. Remarkable energy. Materialism and Imagination meet in one world. These individuals have a knack for control over their horizons, but it usually works in their favor. Could be interested in knowledge of the occult, but the kind that shapes their world view and perception. These people are good with communication and leadership. On a scale to 1-10, they are usually a 9 when it comes to leading the masses to an idea that can influence and empower others subconscious. Expansion is the goal when it comes to their reality.

Uranus Conjunct Sun - These individuals are interesting to look at. They have a strong appetite for things that are different. They are usually ahead of their time, and usually need more time alone that most people realize. Their unique with the way they express themselves, because they normally feel like the world around them is too boring. So they tend to challenge the status quo a bit.

Neptune Conjunct/Trine/Square/Sextile Sun - They are deep in control of their reality when they learn to accept the power of vibration.

Let me explain: These individuals are incredibly passionate with energy, mind control, subconscious matters, the imagination, and the spiritual realm. All these things I've mention deal with vibration in some way shape or form.

They are naturally sensitive to things that aren't welcoming to their spirit, and they normally are able to detect this through the power of vibration anyways. They have a gift in seeing things, and knowing them before they happen. They are reclusive to the world because some of the things that are popular and catch are attention is something that can make are energy go a lil awry cause the vibration is too much. And they usually can feel it deep.

[pessimisticpigeonsworld]

I hate those Daenerys is going to sacrifice herself/die theories so much it genuinely makes me tweak and I have never been the type of person to get upset at all over fiction or any type of media, but this irks me so bad because not only is Daenerys my absolute favorite character of all time, it’s upsetting how the female character is always the one who has to die for others sakes and never achieve anything for herself. Yes, it’s her destiny as AA to fight the Others, but that doesn’t mean that she has to die doing it. Like, seriously, after we got F&B and saw how many Targaryen women struggled with misogyny and being passed over for the throne, it feels upsetting to me if the one who is supposed to break the wheel will never have a chance to do so. I do love Bran but I do not see him fit to sit on the throne, not to mention how young he is and will be at the series end unless George does a massive timeskip, and after the whole world is in shambles after the Long Night, who is more fitting to sit on the throne and help mend things and lead the people forward? A well experienced ruler and fighter who will bring along a new age of change, or a child with no such experience? Perhaps it’s just me being salty but I just really want the best for my favorite character who I believe deserves to have her shot at having a home and being able to rule and change the world together with the other characters. Especially after the end of GoT, which no I don’t ever believe that George will go that route, but with how everything happened in the show, it looked like Westeros was a completely and utter mess and there was nobody capable left to pick up the pieces, Bran’s ascension to the throne was so random too and didn’t even feel satisfying or like a good conclusion (not that those two incapable idiots could ever produce a satisfying ending, but yeah). What are your thoughts on this? I just feel sad that fellow Dany fans are literally enthusiastically waiting for her death in the upcoming books as if there isn’t a better destiny for her :( The female character who managed to rise to power and become a ruler in her own right dying or giving that up to the men in order to “settle down” leaves such a bad taste in my mouth and doesn’t look like the subversion George has done with her character at all.

I definitely agree with you anon, Dany dying/sacrificing herself really doesn't seem to fit with her story. Yes, Dany certainly would be willing to die to save the world, but that doesn't seem to be where GRRM is writing her.

Dany's story is saturated with life; which is pretty ironic since she's been called "Daughter of Death". She's closely tied to themes of fertility (mother of dragons, helloo), rebirth (Azor Ahai, entering the pyre), and survival/endurance.

Dany's story shares very little similarities to characters who have been set up for death. For example, Robb. Dany may share some superficial similarities to Robb, but the signs of Robb's impending death are not shared at all. GRRM always sets up the deaths of his major characters from their introductions. That hasn't happened with Dany; if anything we see a set up to her surviving.

You're so right about how people are foaming at the mouth for Dany's death. Her dying after everything she's been through and everything she stands for is just...no. It feels so gross and has some really concerning undertones.

The woman who actually fought for change and made a massive upheaval in the status quo, who genuinely cares for all her people, who understands the responsibility of ruling, who demonstrates incredible wisdom, who only wants to make the world better dying for the sake of the story is just wow.

[frostbytemyrik]

Danny Phantom Required* Watching

*It isn't actually required. I know there are a ton of phans who have never even seen a single episode of the show, but it's a fun watch and I would recommend at least catching some.

Sorting the episodes into colors (with the first letter in parenthesis by the title for those who might be too colorblind to tell). Note that this is all just my objective opinion, and everyone is free to leave their own thoughts on this!

Green (G) - Introduction of an important character or major plot development, such as a new power for Danny or another major shift in the status quo. If you can only watch a few of the episodes, watch these.

Pink (P) - Introduction of a side character or minor plot development.

Red (R) - Introduction of a new character worth mentioning or other general status quo change, but the episode is generally considered to be...not great by most people. (But hey, nothing wrong with liking these episodes!) They'll be summarized at the bottom of each episode description for those who can't be bothered to watch them.

Blue (B) - Nothing important happens to the overall plot, but it's a fun episode that fleshes out the characters.

Season 1

Episode 1: Mystery Meat (R) - Establishes the show and its main characters: Danny, Sam, and Tucker, as well as a lot of other important characters such as the Fenton parents and Jazz, and minor recurring characters like Dash and the Lunch Lady. The writers are still getting their footing so the main trio is unfortunately among the flattest they get here.

Episode 2: Parental Bonding (P) - Introduction of Paulina and Dora, first look at Valerie, and most importantly, Danny's power to overshadow people. Fun episode in general, Tucker makes a weird comment at the start but this is one of Sam's absolute best episodes as a character. (Tucker and Sam actually getting to be fun characters instead of just "butt-monkey comic relief" and "selfish asshole" is rarer than I'd like, so I always like pointing out the episodes where they get some love.)

Episode 3: One of a Kind (G) - Introduction of Skulker, a recurring major antagonist, and his motivations.

Episode 4: Attack of the Killer Garage Sale (P) - Introduction of Technus, Ghost Master of Technology and Destroyer of Worlds, Manipulator of Machines, Lord of all Gadgetry, Wizard of Integrated Circuitry, Master of All Things Electronic and Beeping.

Episode 6: What You Want (P) - First appearance of Danny's Ghost Ray and introduction to Desiree and the Ghost Catcher (a Fenton device with an unfortunately rather...culturally insensitive name and design), explores Tucker and his relationship to Danny. I went back and forth between making this green and pink because I'm biased in my love for this episode, but it isn't necessary to comprehend later episodes. (If you can watch it, though, it's a lot of fun as we get to see how close Danny and Tucker are and how Tucker feels about Danny's powers.)

Episode 7: Bitter Reunions (G) - Formal introduction to main series antagonist, Vlad Masters, and his relationship with the Fentons and the ghosts of the Ghost Zone. (Antisemitism tw: Vlad has hired ghost hitmen that are vultures with Yiddish accents, hooked beaks, and fezzes. They thankfully don't show up anywhere else, as far as I can remember.)

Episode 8: Prisoners of Love (P) - Introduction to the Ghost Zone itself and Walker, a side antagonist. Shows Alicia, Danny and Jazz's maternal aunt who never appears again after this episode.

Episode 9: My Brother's Keeper (G) - Gives Jazz a focus and formally makes her a major player in the plot through a certain discovery she makes. Also introduces side antagonist Dr. Penelope Spectra.

Episode 10: Shades of Gray (G) - Valerie Gray, a background character from Episode 2, gets new motivations and becomes an important part of the series going forward.

Episode 11: Fanning the Flames (P) - Ember is introduced, and she hypnotizes the entire town to fall for her with her music. To keep Danny out of her hair, she makes him fall for Sam. Whether this episode is a Pink or a Red depends on whether or not that bothers you. (Racism tw: there's a sequence towards the end of the episode that shows people around the world watching Ember, and they're all very stereotyped appearances of Japanese, Eastern European, Arabian, and Indigenous Australian people. Thanks, Hartman.)

Episode 12: Teacher of the Year (B) - A fun episode with Technus. It does have some of that early 2000s "don't underestimate me because I'm a girl" stuff, but it's still a good episode with a lot of heart.

Episode 13: Fright Night (P) - Introduces Fright Knight. A Halloween special that has its ups and downs (eating underwear?) It's just really funny that an actual ghost, who has been to the maddeningly twisted and alien world of the afterlife, still can't scare anyone to save his life.

Episode 14: 13 (P) - It's a shame this isn't actually the 13th episode. Anyway, it introduces Johnny 13 and Kitty, while Tucker and Sam get to hang out without Danny while trying to solve Tucker's new run of bad luck and the fallout for his reputation.

Episode 15: Public Enemies (G) - Walker's back and he's making a major shift in the status quo: ghosts are confirmed to exist as he stages a major invasion of the town. Things don't go well for Danny, and the repercussions will be felt for well into the series. Also introduces Wulf, a ghost who looks like a werewolf, exclusively speaks Esperanto, and has the ability to tear the fabric of reality to create portals between Earth and the Ghost Zone. He's putting this power to use for Walker, but it's clearly not by choice...

Episode 17: Maternal Instinct (B) - Maddie notices her son is growing distant from her and tries to take him to a science symposium to bond with him, but disaster strikes and leaves them in the woods, with the only shelter available being...a cabin owned and occupied by none other than Vlad. Meanwhile, Jack tries to understand Jazz, who doesn't seem to want anything to do with him or ghost hunting. Lots of great character moments for the Fentons.

Episode 18: Life Lessons (B) - Danny and Valerie, arriving late to class because they both were out ghost hunting, get paired up in home economics class to raise a flour sack baby together. We get more insight into what Valerie's life is like after Shades of Gray, and she learns to get along with both Fenton and, temporarily, Phantom, after an excursion through Skulker's part of the Ghost Zone. As a B-plot, Tucker makes money babysitting other students' flour sacks while ignoring the one he has with Sam, and Sam tries not to get attached to the sack. It's not important to the plot AT ALL but I'd put this as a must-watch if I could. Alas, I made the rules and must follow them.

Episode 19: The Million Dollar Ghost (B) - A million dollars is placed on the head of the ghost boy, Public Ghost Enemy #1: Inviso-Bill, known to us in the audience as Danny Phantom.

Episode 20: Control Freaks (G) - The circus is in town! New villain Freakshow gets introduced, and he becomes important later. Kinda. Depending on how much you like a certain blue episode that comes on down the line. The trio go to this cool new goth circus, but there's a string of ghostly robberies in town and Danny has been acting strangely lately...

Season 2

Episode 1/21: Memory Blank (R) - Danny and Sam have a fight, Sam wishes she'd never met him, Desiree makes the wish come true and now Danny has no powers and neither he nor Tucker remember her at all. Sam gets him fried by the portal again to get his powers back, but this time with a new logo she designed slapped onto his chest. Really all that happens is Danny gets his logo. This can be skipped...if you wish. ;)

Episode 2/22: Doctor's Disorders (B) - There's a bug going around - literally - getting the kids at Casper High sick. Symptoms include sneezing, chills, coughing, congestion, and various ghost powers depending on the student. The only ones immune seem to be Danny (thanks to his ghost powers) and Tucker (wearing his new homemade cologne that smells awful in a different way to everyone). A new hospital opens up to treat them, but something fishy is definitely going on. ...But Tucker is afraid of hospitals. Great Tucker episode.

Episode 3/23: Pirate Radio (P) - Introduction to Youngblood, an occasional antagonist. A new radio program pops up, and every adult in town (and Jazz, who's 16 but sees herself as an adult) is enraptured by it and the one song that it plays on loop. Then one day, every single adult in town leaves behind a note that they're going on a cruise, and it's up to Danny to rally the teens of Amity Park to discover what's so fishy about the cruise and get their parents back.

Episode 4/24-5/25: Reign Storm (G) - The creepy castle in the Ghost Zone Danny accidentally freed Fright Knight from in Fright Night holds yet another secret: the coffin of the Ghost King, known as Pariah Dark, whose goal is to rule over the Ghost Zone and the human world with an iron fist. Vlad frees him hoping to snatch the powerful artifacts on him, but it backfires and now the King is free and follows the fleeing ghosts to Amity Park, which he promptly invades. Danny, Valerie, and various enemies including Vlad need to team up to seal King Pariah back within his sarcophagus and save both Amity Park and the Ghost Zone as a whole. Major status quo shifts happen here.

Episode 6/26: Identity Crisis (B) - Not my favorite episode, but I'm including it here because it was popular with the Phandom a decade ago. Danny gets tired of trying to balance his human and ghost lives, so splits himself in two using the Ghost Catcher that was introduced in Season 1 episode 6: What You Want. That also, unfortunately, divides his personality to two extremes; the human half ("Fun Danny") is lazy while the ghost half ("Super Danny") is an absolute ham of a superhero stereotype, and Tucker and Sam struggle to put their friend back together so he can stop Technus in a way only he can (and also because both halves are honestly really annoying them).

Episode 8/28-9/29: The Ultimate Enemy (G) - This is THE episode of all time. Maybe not the best episode, but it's great in its own right and, more importantly for this list, introduces another major status quo shift. It's also basically required viewing for the comic that came out last year (at time of writing), as that comic is a direct follow-up to this episode. Clockwork, a ghost that is essentially a deity of time, has a mission to eliminate the greatest threat to Earth and the Ghost Zone that has ever been before he comes into that role: a ghost named Danny Phantom. Danny comes face-to-face with a version of himself that caused a doomed future, and needs to fight to ensure that future never comes to pass.

Episode 10/30: The Fright Before Christmas (B) - The boy Danny Fenton, a Grinch to his core, finds the holiday season to be quite a chore. Into the Ghost Zone to blow off some steam, he accidentally causes a scene: the Ghost Writer's finished manuscript in ashes, and with Danny's indifference he clashes. He traps him in a book that warps space and time, and forces all events in his life to rhyme. You're in for a treat if you like all these rhymes, but if they annoy you, then don't waste your time. (This factoid may not matter to you, but this is where we learn of the Christmas Truce!)

Episode 11/31: Secret Weapons (R) - Jazz is overbearing, Danny doesn't like it, so Jazz decides to go to Vlad. The episode's latter half isn't bad, but it's R because Jazz's constant invasions of Danny's privacy and the repetitive thermos jokes grate on me. If you plan to skip, the thing that makes it a red episode is this: Vlad learns that Jazz is in-the-know.

Episode 12/32: Flirting With Disaster (G) - A lot of the more plot-relevant episodes in season 2 (and one in season 1) have been building romantic tension between Danny and Valerie, and here's where it comes to a head: they actually start dating! However, after some jealous stalking thorough investigating, Sam finds that there's someone pulling the strings, and manipulating their real feelings for each other to pull them together and get them out of the way... Valerie especially undergoes a lot of major character moments, and we learn a lot more about her as a person. One of my personal favorite episodes (and I don't just say that because I'm a Danny/Valerie truther) (the "engraved" ring and Sam being a stalker about it aren't great, but honestly I just try to ignore those parts. Yes, I know I'm biased).

Episode 17/37: Kindred Spirits (G) - While Danny's busy being an asshole to his friends leaving Sam and Tucker to take the blame for property damages during his fights, he finds a strange girl named Danielle (or "Dani") who claims to be his cousin and shares an eerie resemblance with him. The similarities go more than skin deep, as she quickly reveals that she's ALSO half ghost. Tucker and Sam warn Danny that there's something suspicious about the whole ordeal (in between being left behind to be blamed for collateral damage more times than I'm bothered to count right now), but when Danny winds up in trouble anyway, they still skip detention (that he got them in) to save him before it's too late. Danny's a dick, but despite that, it's still a good episode and we get introduced to Dani before her next appearance.

Episode 19/39-20/40: Reality Trip (B) - Freakshow gets the Reality Gauntlet: an off-brand Infinity Gauntlet that can warp reality to anything he desires. He gets Danny's secret revealed to the world, causing the government agency the Guys In White (from Million Dollar Ghost in season 1) to relentlessly pursue him. Luckily, thanks to knowledge Sam gained from a book on the gauntlet, the main trio manages to warp the gems to different parts of the United States, severely limiting Freakshow's power. Unluckily, Freakshow retaliates by kidnapping their parents and Jazz, forcing the three to go on a cross-country road trip to get the gems back to Freakshow and save their families while evading the law. No permanent shifts of the status quo, but one of my personal favorite episodes. It's a fun ride!

Season 3

Episode 1/41: Eye for an Eye (R) - A prank war between Danny and Vlad ends in Vlad becoming mayor and passing a lot of horrible laws specifically to spite Danny. The laws are undone by the end of the episode, but Vlad stays mayor.

Episode 2/42: Infinite Realms (R) - In trying to map out the Ghost Zone, the main trio end up meeting Frostbite: leader of a realm in the Zone known as the Far Frozen, filled with spirits that take the form of peaceful, yeti-like monster folk who revere Danny as the chosen one who defeated Pariah Dark. Frostbite is also keeper of the Infi-Map: a map that can take the user anywhere in the Ghost Zone. Now for the bad news: Vlad is here, he wants world domination now for some reason, and he wants the map to help him do it. Vlad steals the map, the trio needs to get it back. It's not the worst episode, but Vlad's villain decay is...tragic. Tl;dr: Frostbite is the leader of a tribe of friendly yeti spirits and keeps the Infi-Map, which can take the user to any point in the ghost zone.

Episode 5/45: Forever Phantom (B) - One of the only actually fun filler episodes in season 3. Introduces us to Amorpho: a ghost with the power to shapeshift into anything and anyone, who uses their power to cause mayhem for attention. They bite off more than they can chew when they impersonate Danny Phantom, however, and a Fenton device gone awry locks both Amorpho and Danny into the form of Danny Phantom. Wacky hijinks abound.

Episode 6/46: Urban Jungle (G) - Haha green. Like plants. Anyway, Danny has been cold lately. No matter what he does or where he is, he's consistently freezing. It gets worse: while Danny's in this weakened state, a giant plant ghost named Undergrowth takes over Amity Park and possesses Sam. Unable to fight the constantly-regenerating Undergrowth or to keep himself from freezing, he flees into the Ghost Zone to seek Frostbite's aid.

Episode 9/49: Frightmare (B) - Danny wakes up one night to learn, to his horror, that Nocturne, the ghost of dreams, has put all of Amity Park into a deep sleep to feed on their energy. He enters the dreams of his friends to wake them and get their help taking Nocturne down. A good episode for people who ship Danny/Sam, and a GREAT episode for people like me who like to pretend that all the episodes I left off the season 3 list were just bad dreams.

Episode 10/50: Claw of the Wild (B) - The students of Casper High are ending summer with a camping trip in a foggy forest. All seems normal until, one by one, campers go missing. Danny, Tucker, and Sam go investigating and find their ally Wulf, who seems to know something about the disappearances...

Episode 11/51: D-Stabilized (G) - Regarded by most as the final good episode of Danny Phantom. Dani had been on her own in the world since we last left her, but over time, her form has been getting unstable, causing her to be slowly melting into a puddle of ectoplasm. She tries returning to Amity Park to get help, but is now being hunted down by Valerie, who Vlad commissioned so he could melt Dani down and study her remains to make a superior clone. (Valerie thinks he's just going to keep her contained for the safety of Amity Park; she isn't informed of the cloning.) Valerie turns Dani in to Vlad, but Danny manages to form a shaky alliance with Valerie to get Dani back, since Valerie knows that Dani is half human.

Episode 12/52-13:53: Phantom Planet (R) - The only reason this is here is because the comic continues from where this episode left off. If it didn't, I'd suggest ignoring it entirely. Rapid-fire summary: an asteroid is about to hit Earth, Vlad reveals himself to the world and demands unquestioning rule over Earth (and one trillion dollars or something) in exchange for turning the asteroid intangible. Vlad can't turn it intangible since it's made of Ectoranium, an anti-ghost substance we never hear of until now. Jack leaves Vlad in outer space. Danny gets every ghost he knows to help him turn Earth intangible, it works somehow, and Danny reveals his secret identity to the world. Statues of Danny are built all over the world, Sam and Danny start dating, and Tucker becomes mayor of Amity Park. A bunch of other stuff happens too but it's all stupid. Valerie gets thrown into a dumpster on live TV and that's her only appearance besides clapping for Danny at the end. I'm still mad. Don't watch Phantom Planet.

The Comics

Book 1: A Glitch in Time (G) - Danny's life is perfect: his secret identity is out, and the world accepts him not just as a part of it, but as its savior. His parents and former bullies fight on his side now, he's in a committed relationship with Sam, and Amity Park seems to be at peace. There's just one problem: his powers are getting weaker by the day. Unbeknownst to him, there's another problem in progress: Dan Phantom, the evil future Danny from The Ultimate Enemy, is released and fuses with Clockwork, causing present Danny and those near him to experience unstable glitches in time. Vlad returns to warn Danny of the threat of Dan, and they all team up to venture into the depths of the Ghost Zone to find a way to stop Dan and get Danny back to full strength. Meanwhile, Jazz and Valerie hold down the fort at Amity Park, holding Dan off for as long as they can while the trio and Vlad search for answers.

Book 2: To be continued in 2025!

Danny Phantom can be watched on Paramount Plus, but if you don't have a subscription, there may be DVDs at your local library! Other people may also have resources on how to watch the show, so feel free to ask around!

Danny Phantom: A Glitch in Time can be found anywhere books are sold! Abrams Books Amazon Barnes and Noble Google Play Waterstones

[daresplaining]

Matt: "No, no." Milla: "I'm not trying to make you uncomfortable. But I-- I just couldn't think of any way to approach you other than this." Matt: "It's just that you are mistaken about my being Daredevil. That story just isn't--" Milla: "I can't stop thinking about what happened the other day. When you saved me from that truck-- it really... I mean, I know you are in situations like that...every day...but I am not. Nothing like that has ever--" Daredevil vol. 2 #43 by Brian Michael Bendis, Alex Maleev, Matt Hollingsworth, and Cory Petit

Matt: "Ironically, I'm not Daredevil." Kirsten: "Remarkably, you have a very slippery grasp of the truth for a l-a-w-y-e-r." Matt: "You really think I'm Daredevil." Kirsten: "I really know you're Daredevil. My nephew knows it, and he still believes in Santa. Let's get to why I'm here." Daredevil vol. 3 #1 by Mark Waid, Paolo Rivera, Javier Rodriguez, Joe Rivera, and Joe Caramagna

In any given superhero story where secret identities are a thing, it is always going to be a key factor in the relationship dynamic that the hero has with the other people in their life. For Matt Murdock, who experiences secret identity drama on scales previously unmeasured by science, that secret, and who knows it and who doesn't, quite often has the power to change everything. Whenever someone new enters his life, the arc of their relationship is frequently shaped by when, and how, they find out. Usually, it doesn't go well. In most cases, the big reveal is a shock to the status quo, a hurdle to overcome. Look at what happened when Maya first found out. Or Foggy. Or jeez, Heather.

But Milla and Kirsten exist in a special category all their own: they come into Matt's world already knowing--and not only that, but knowing with such conviction, and with so little interest in having the conversation at all, that even when Matt tries to uphold the lie, they just...ignore him. For Milla, Matt being Daredevil (and not only that, but being Daredevil and blind) is the key reason for her interest. She is thrilled by him. She thinks he's great, he saved her life, and she wants to ask him (him, Daredevil) out on a date. And Matt's first encounter with Kirsten, in the scene above, is due to his Daredevil identity leaking into his professional life: she comes from the D.A.'s office to advise him (him, Daredevil) that he might want to dial back his court appearances, because the fact that he's a suspected superhero is creating disruptions. Later, as their relationship turns romantic, Matt's increasingly halfhearted attempts to convince Kirsten that he's not Daredevil even get integrated into their flirtation.

Matt's Daredevil identity is all tied up in power and agency. It is a form of empowerment that he chose for himself following his father's murder, and one way he exerts and maintains control in his chaotic life is through having a say in who does or does not know his secrets. As Matt says in his perpetually-quotable conversation with Foggy at the end of Daredevil volume 3 #22: "I enjoyed having a big secret. When people make you feel like you're weak and helpless, it's empowering know something they don't", and the times when Matt has lost control of that secret have been nightmare ordeals for him. At the same time, history has shown how dangerous that secret can be to the people around him, especially those who haven't been given the full story about someone they are allowing into their orbit. And that's not to mention the toll on Matt; while secrets are empowering, they are also constraining, and since all the way back in the sixties he has resented his deep-seated need to split his identity into neatly-delineated boxes. Daredevil volume 4 allowed Matt a chance to experience true identity freedom, and he enthusiastically embraced it. In an ideal world, in a world where he didn't feel that need to control and safeguard the closest parts of himself, would he tell all of his friends, all of his prospective partners, anyone he wanted, that he was Daredevil right off the bat? Would it be a relief to avoid that moment of later shock and conflict he invites by keeping such a huge secret ticking like a time bomb? Maybe. (I might point toward his first interactions with Elektra as some evidence for the answer being "yes", at least in certain contexts).

Either way, it's compelling to have Milla and Kirsten as two examples of relationships in which the specter of secret identity angst does not even begin to exist; where the big secret is out on the table right from the start, whether Matt wants it to be or not. When he meets Milla, the circumstances are dire; his secret identity is in a huge amount of danger and he is extra paranoid about it. When Kirsten shows up, the situation is far more relaxed. But in both cases, it is a shift in the typical superhero/civilian power dynamic: Matt holds none of the cards and has to cope with losing that sense of control that's so important to him. At the same time, the guy is a daredevil. He likes being a little bit out-of-control. And it's neat to see him in this kind of a situation, where both sides know the score right from the beginning, and they are able to move forward without the burden of secret identity drama looming somewhere on the horizon.

[angy-grrr]

ppl who are talking shit about the manga just because Endeavor is not in jail and the others still talk to him -what are you even talking about?

Some people already talked about how relatable this is for Asian families and the society that punishes in any case victims more than abusers -but also, this is really common in other contexts too. Idk who is able to just get a whole family to agree on punishing the father, of all of the members (usually the one that holds the most power, emotionally and economically), and start the whole process to get him to go jail. Who thinks this is so easy?

Dabi expected to change the way people saw his father by exposing him, but as we saw, people still consider him a hero and admire him, and in any case people were criticizing his inability to control his kid. Are we not reading the same manga? Their society is literally trying to be the same as it was, because thats what the status quo does. You think a war or two change what is considered good in a system? You think the cycle could just stop so easily? That society doesnt support abusers, especially when the one who exposes it is "the villain" accusing "the greatest hero"? Or you even think, in a micro level, that its easy to cut ties with your abusers, especially when they tell you they want to change for the better?

Family is extremely important in many, many cultures, to the point that is a relevant point to bring up in political discussions -the familial structure just changing a little bit is considered reason enough to vote the far right. Women are still shamed collectively for getting divorced, labelled as bad mothers, bad women, inhuman. Kids not talking to their parents says worse things about the victims than the abusers. Why wouldn't you talk to them, after everything they have done for you? Why wouldnt you, when you owe them your whole existence?

And you are here, expecting a divorce, everyone going no contact, Endeavor in jail and everyone all of the sudden thinking they should get into other people's privacy -because getting abused, hurt, etc, at large, is considered a personal problem, that you should resolve on your own without involving others.

Because thats what its normalized, not acting when people need help. That's the whole point.

Everything will be the same. Except it just can't.

And its worthy to show the how to start getting there, than pretending things would change just like that..

We are living with the rising of the new far right trying to get votes, multiple genocides while the military tries to recruit using tiktok, AI and cute girls, multiple countries maintaining slavery systems and models, accelerated exploitation of nature, people and life in general, climate change and covid deniers getting in power... And you think a war and the exposure of abuse would change a society and social system in that way?

No, the change doesnt come from magic, just like that, but thru action and organization. Im hoping the next chapters can show us how Izuku feels about most people pretending everything is fine when he cant agree.

[picturejasper20]

One thing i want to talk about is how Danny Phantom A Glitch in Time is pretty similar on themes and character arcs to Steven Universe Future.

In general in DP A Glitch in Time there is this whole idea of searching for a new purpose-¨emotional drive¨ as it get called in the story- in a era where Danny managed to save the day and ¨earn his happy ending¨.

You get a lot of panels of Danny just feeling unhappy with his new status quo, not because he has tons of problems, in fact he has more than he could ever dream of. It's that he feels like he isn't needed as a hero anymore since there are other people that could fight for him. He isn't ¨useful¨, or well, in the way he used to be. He feels like people don't need him to be Amity's protector.

This itself shares a lot in common with the arc that Steven goes through in Steven Universe Future. He feels like people don't need him anymore and still tries doing the same thing he raised himself to be: a ¨helper¨, someone who is defined by his role to help others. This causes Steven to feel lost in his own sense of identity and purpose in an Era that is supposed to be ¨his happy ending¨.

You can see this applied in DP A Glitch in Time with Vlad Masters too. From the start of the story he sends off these vibes that he has been aimless since post-Phantom Planet events. When he returned to his home he found that ¨he had nothing to return to¨ as in the sense nobody missed him nor cared he was dead or alive. He also became enemy number 1 considering how he tried holding the world hostage, making him lose most of the power and position he had.

What it is interesting is how Vlad tried going back in time to ¨fix his mistakes¨ by asking Clockwork to give him that chance. From the beginning of the story he admits that he did something wrong, just not what. There is this idea that he isn't interested in being in role of the ¨villain¨ anymore. The worst he does in the story is probably looking forward to keep the origin of ghost powers for himself, aside from accidentally realizing Dan during his fight against Clockwork.

Much like Steven Universe Future, you have these characters struggling to see where they could fit in this new status quo. Their character arcs involve finding a new purpose and learning more about themselves in the process.

Lets talk about Dan Phantom's role in the story. He is the main antagonist from A Glitch in Time. He absorbs Clockwork, master of time, to become more powerful, thus causing terrible time glitches for the rest of the characters. A lot of Dan Phantom's arc in the graphic novel has to do with self-destruction. Him being obsessed with ¨winning¨ and continue fighting even when the fusion with Clockwork is very unstable, is hurting him and destroying the reality at the same time.

Dan's obsession with ¨winning¨ reminds me quite a lot of Jasper from Steven Universe as well as Steven's arc in SU Future. There is a lot of repeating what the same thing over and over even when it isn't working anymore. The character themselves struggle to be something beyond the the role them or others pushed them into and they don't know what to be outside of that.

In fact, there are some panels Dan reminded me a lot of Jasper, such as when he is getting time glitched/corrupted.

Another main theme in Danny Phantom A Glitch in Time is about the characters getting second chances- the characters in case being Vlad Masters and Dan Phantom. Both characters do the terrible things they do due to their circumstances. They have certain pretty bad things that happened to them that lead them to become evil and hurt people. In addition to this, there tons of mentions of how ghosts aren't evil and they have reasons to do what they do. During the fight against Dan, Danny tries persuading him into stepping down and stopping the fight, pointing out that the timeline is getting destroyed. At one point he asks to Dan ¨why are you so angry?¨.

I want to bring up that, yes, this theme is a continuation from the main theme of The Ultimate Enemy episode from the series. But, at the same time, when reading the graphic novel i couldn't help but think about how Steven Universe has these similar ideas of looking into what motivates an antagonist and them being given a second chance to do things right. What really made me think about this more is seeing Dan Phantom, the main antagonist from the novel getting a second chance. Because in any other show, a character like Dan would probably be destroyed but this is something that wouldn't happen in Steven Universe, since it isn't so much about if someone ¨deserves¨ it or not as it is if they choose to change.

I'm not saying that Danny Phantom A Glitch in Time ¨ripped off¨ things from Steven Universe. That would be an absurd conclusion to come to. What i'm discussing here is that it is possible that the graphic novel was influenced by Steven Universe, mainly Steven Universe Future to some extent, in terms of themes and character arcs.

[linka-from-captain-planet]

This is Part 5 of #celeneposting about the notion that content from The Masked Empire is "missing" from WEWH.

One specific complaint is that by omitting context the player would only know if they read TME, the quest dupes the player into choosing Celene-and-Briala by framing it as the best possible outcome.

Which the game does do, because it is. It's just not a trick.

Including What Celene Did In The Masked Empire wasn't necessary for the quest, because the quest isn't about Celene - it's about the Inquisitor and the choices they make for the Inquisition. Even if the game went into the context of TME as major elements in this choice, it would have had to go into all the context - and full-context Celene would have still come out looking like a better person when compared to full-context Gaspard.

But that's not what the quest is about. WEWH is explicitly about choosing the best ally for the Inquisition against Corypheus, with consideration for what the consequences of this choice will be once the rift is sealed. Who the "better" person is is only somewhat relevant, because it influences these consequences.

Josephine calls Celene a "renowned reformer" for a reason - she turned that empire the hell around, ushered in a new age of relative peace and prosperity, championed the arts and education, got off Ferelden's ass, etc. While not offering as much as Gaspard when it comes to directly opposing Corypheus, she's the status quo option and the most stable. There are no particular suggested consequences if she's chosen - she'll just resume pretty much what she was doing before. When reconciled with Briala, she makes an immediate, meaningful, enthusiastic gesture of support for elven advancement, so the player can be relatively sure attempts will at least be made. For a player wanting a "good" ending emphasizing peace and progress, this is what the game offers. It's the most appealing to the most players, and that's why it's framed as the best outcome.

The main reason in-universe for choosing Gaspard is that he's militarily more powerful, and thus a better immediate ally for resisting Corypheus' designs on Orlais. This comes with the caveat that he will still have his eyes on Manifest Destiny-ing Ferelden when the rift is sealed, lacks gravitas, and resents Briala if she's allied with him, calling into question how much progress she'll really be able to make with him. (And if the player read TME, they would also know how he feels about elves.) It's not a terribly appealing option in terms of advantages, just interesting and fun for players who want to see what'll happen if they don't pick the prescribed 'good route'.

However, when I see people say they pick Gaspard, it's rarely because of what they like or find interesting or compelling about the choice, but rather because they hate Celene and want her to see her die for What She Did In The Masked Empire. The notion that Gaspard's forced, resentful alliance is somehow a more promising arrangement For The Elves than Celene's public support and/or desperation to please Briala is certainly an optimistic one, but - sure. We don't know yet what the long-term consequences are for any of the choices, and players can make any choice for any reason they like.

But I think it's very telling how much it seems like the priority of the people who make this complaint isn't that the most suitable leader wins, just that Celene loses, even if Celene losing is discordant with what the player supposedly stands for: peace, progress, arts, education, Ferelden not being imminently invaded by Orlais again, and a meaningfully better life for Orlesian elves.

That's the player's prerogative, but as I've said in previous installments: if the player decides to make a choice outside of the context of a quest, it doesn't mean the quest is misleading or missing information.

[pouralaura]

This is like THE question of the ages but here goes. Is your Raphael capable of love? It is my understanding that devils are capable of an obsessive, manipulative, perverted version of it; but the Raphael in your fics has a particular human fallibility that is endearing, and a willingness to entertain those follies (for the sake of his favorite mouse) that I’m wondering if it’s possible that he would (accidentally) fall in love in a mortal sense, going against his fiendish nature (it would have to be a very special mouse). I’d love to hear your take on his fiend/human dichotomy. 🫶

what a fabulous question. thank you for asking! I've thought a lot about this and I always come to the same conclusion: yes, my Raphael is in fact capable of love. there is a "however" which I will get to shortly.

let me first say that I really simply do not care about canon. bro lives in my head rent-free as his own entity and does not necessarily fit DnD/BG lore in that space. that's just a disclaimer, take it as you will.

Raphael's love with my Tav (both generic and my Eris specifically) is definitely just magnetic obsession at first until they realize how hard they match each other's freak. he power plays and power plays and power plays, letting his mouse in ON HIS TERMS ALONE until it's too late and she's as much a part of him as he is of her. fwiw, Tav/Eris's love is the same as his - but his makes him more human and hers makes her less, all for better or for worse. and I think his capacity for love has so much to do with the other person in the equation, which is extremely human of him - Tav pushes him back and needles him but also worships him in her own way, taking on some of his traits the more time she spends with him. some of that is unconscious and some is fully intentional. it's all a part of the Game, which, for her, is Understanding (literally figuring out what makes him tick), while for him it's Winning (taking what he knows of her and using/manipulating it however he wants). Raphael is a narcissist and naturally loves himself most of all, but once he sees himself reflected in another person I think that unlocks a new layer of longing and deep connection within him.

I've used the lyric I won't speak of love since the beginning of writing about the two of them and it's always gonna fit. Tav/Eris knows what the feeling is on both sides, because she is 100% human and overly perceptive, intuitive, and insightful. but she is smart enough not to push that understanding onto Raphael because attempting to force him to admit what he perceives as a weakness would destroy their dynamic.

which brings me to my main point: again, yes, he is capable of love. he is even capable of unconditional love.

BUT

he will not accept that about himself, even for a moment. his love is obsessive and manipulative and perverted OF COURSE but it's also his purest emotion, which is an embarrassment. he will ignore the truth of what it is fully out of pride. if Eris pushed him to acknowledge it he would drop her in an instant and shed all remaining traces of his humanity. it's simultaneously the strongest connection he has with anyone and the thinnest tightrope of a line they could possibly walk - but they complement each other so well that they've somehow found that perfect unacknowledged balance. Eris is prideful too but understands that to maintain the status quo she MUST swallow some of her pride and allow Raphael to keep up appearances for his own sake - which is one of her major ways of showing love from her side.

he loves her purely and earnestly and deeply but he will ALWAYS love himself and his image more. some might say that means he is not capable of real love but I think the two can coexist! people are complicated!

this is fun to think about and I really hope it makes any kind of coherent sense all written out.