#because it's a good chorus! well okay lyrically it's an okay chorus

[tj-crochets]

This quilt is ironed, quilt sandwich is assembled, and it's half quilted!

I don’t currently have backing on hand for the other baby quilt top, so I made another quick baby quilt top! It’s a much more vibrant pair of greens, I don’t know why my phone is washing it out so much

[luveline]

Hi I love you coworker! James series feel free to ignore if you don’t like this idea but what if Remus convinced reader to go to a karaoke bar with them and she gets a little tipsy and signs her heart out and James is just heart eyes over it

thanks for requesting <3 fem!reader

“What is that?” James asks, genuinely scornful as he points at you where you’re leaning on the bar. “Is that another margarita? Jesus Christ.” 

“You should be enjoying this.” Sirius smiles around the lip of his beer. 

“Why would I enjoy this?” 

“She’s coming out of her shell, isn’t she? You’re always calling her a priss.” 

“She is a priss, but binge drinking isn’t the same as extroversion.” 

Sirius taps their beers together. “And what are you doing tonight, James?” 

James scowls as you collect your new drink. You’ve had four or five by now and they’ve more than started to affect you, your giggling endless, your hand wrapped around the crook of Remus’ arm for balance. 

“Remus! It’s your turn, hun, get up here!” your general manager calls from the stage, a mic in her hand.

“Me!” you shout suddenly, to James’ shock and Sirius’ bright laughter. “Remus, please let me have your turn, please! I know exactly what song I want to sing.” 

Remus, who’d convinced you to come through a lot of pleading and a promise that you won’t have to sing at all if you weren’t ready, looks at you like you’ve grown horns. “Are you sure?” 

“Yes? Can I please?” 

You take his arm into your hand and you look at him with widened eyes, thumb rubbing a line that James zeroes in on, doesn’t mean to, can’t believe he’s noticed at all. He’s irked you’d even look at Remus that way. 

Because you’re annoying. Yes. Very annoying. 

You drink a good half of your Margarita and ask Remus to hold it for you before you take the steps onto the stage and chat with your general manager about what song you want to sing. You put your hands on the mic stand and prepare yourself with eyebrows pinched together, determined, even though you look a little shaky at the same time. Sirius nudges James from behind, the two of them joining Remus in the small crowd of your coworkers as the music starts. 

There are two screens for lyrics. A huge one for you, a smaller for everyone else beside you. You clutch the mic and stare resolutely at the bigger one as the melody becomes recognisable. James watches in what he thought would be smugness, but instead lays somewhere between awe and mild horror as you begin to sing.

The song is Brandy (You’re a Fine Girl) by Big Head Todd & The Monsters. James loves this song, he sings it every time he has to drive Remus to cornwall. He knows every word back to front and he likes how you seem to like it too, even if you’re butchering it, and the drunken slur to your words is ridiculous. You know the chorus well enough and sing it with a beaming smile. James maybe doesn’t like you, but it’s hard not to smile when someone else is happy like that. 

“Don’t make fun of her, James! Please don’t, she’s trying her best,” Remus says at his smiling. “And she won’t come again.” 

“I’m not,” he says, not bothering to look away from you.

Your eyes scan faces and get caught on his. He can feel the moment you realise he’s watching too, see your slight falter, and then, magically, your excitement. “James! It’s Brandy! You love this song!” 

Sirius snickers at his expression. “Mate,” he says quietly, “I thought you didn’t like her?” 

“I don’t.” 

You stumble a little where you’re standing and James has to stand extremely still so as to prevent his hands from reaching out for you. “James, I didn’t take your favourite song, okay? You have to sing Don’t Stop Believin’! Oh, shit–” You don’t realise your cue to sing the chorus until it’s halfway through, but when you do find the right words, you’re extremely passionate. 

“She sounds like Melly coughing up a hairball,” James says, wrinkling his nose. 

An emotion far from disgust settles hot at the base of his neck. 

“She looks cute,” Remus says.

“Sure, if you’re blind. And deaf.” 

“Well,” Sirius says, “you do wear glasses.” 

[sleepyparalysisdmon]

Ruby

The three times Jihoon tries to confess through lyrics and the one where you finally get it.

Word count: 1.5k

Warnings: none that I can think of, just some fluff

This is part of the Three Times series. This one is inspired by this reactions.

One

You punch in the code to the door like it’s an old habit, mostly because it is. Jihoon doesn’t turn to you right away and you know better than to distract him in the middle of something. You sit the takeout bags on the table and plop down on the couch in the corner. Your couch, to be exact. He doesn’t often have visitors just hang out in here with him while he’s working, but you’ve long insisted this might be the only way to see your best friend sometimes. You assume he agreed because a small sofa just appeared here one day along with a couple fuzzy blankets. 

“Hey,” he finally greets. “What’s for dinner?” 

“Is that all I’m good for?” You tease as he comes to sit next to you. “Just some Chinese take out from the place down the street. I hope that’s okay.” 

Jihoon shrugs, digging in as soon as he can. “Doesn’t matter. I’m too starving to care.”

“How’s the song going?” You ask, not expecting much. He can be really hot and cold about sharing his stuff with you before he feels like it’s perfect, so sometimes a non-committal ‘okay’ is all you get. 

Today must be a good day, because he’s gesturing for the both of you to move to the desk. “It’s missing something and I can’t quite put a finger on what.” He hits a few buttons and lets you listen. Everything about it has you smiling, much like it always does. 

You can’t help but tease him when the song ends and he asks what you think. “Jihoon, are you in love?” It’s not a new jab and he shoves you by the shoulder hard, making you laugh. “I’m kidding. Let me hear the chorus again.” He rolls it back and replays it for you. You recommend a few tweaks and when he makes them and replays the part, he sighs in relief.

“Are we done for the day now?” You chuckle, and it turns to a full blown laugh when he scoffs.

“Do you know how long it takes to prepare an album, Y/N? I hope you brought some entertainment.”

“You think this is my first day being your friend? Please,” you roll your eyes, pointing to the backpack you brought with you. “You’re stuck with me.”

You know he’d send you away if he didn’t like that. He lets you stay until you’re barely keeping your eyes open before he finally packs his things up and drives you home.

Two

A red notebook lands in your lap. It’s unfamiliar, only because the last one Jihoon handed you was blue. “Ran out of room?” You say as he spins back around in his chair. 

“Yeah,” he mumbles. “Read the last entry, nothing else.” You do. You’d never overstep how much he’s willing to share, so you’re careful not to linger on pages that you aren’t invited to look at. 

“What am I looking for?” You ask, skimming the page. It’s chaotic, notes in the margins, lines crossing out certain things that he’s rejected. Some writing is squished between lines and you have to squint to read it.

“It’s not flowing in my mind the way I want it to. I want a second opinion.”

Like you’d ever turn down that opportunity. You pull out a pencil, because you’d never permanently mark up these ideas. What you think about it is only a suggestion - one that can be erased. You make some notes, rereading, trying to grasp the vision that he has for the song. You aren’t a musician but you do have a good idea of how his mind works. 

When you hand it back, he doesn’t look at your notes right away, pinning you with a look. “Well?”

“Romantic as ever. One of these days you’ll make such a sweet boyfriend.” 

He snorts, skimming through what you’ve marked up. “Yeah, right. Explain to me what you did here.” 

You plop into the seat next to him. You’re touched that he involves you in his work like this. That he’s willing to hear what you think when you’re so far from being an expert. He’s never shot down your ideas, even if he doesn’t end up using all of them. He still wants it to feel like ‘his’. 

Today’s a good day and most of the pencil marks stay in place. He even teases you about giving you some song writing credits. He knows you’d never accept them, but he likes seeing both his and your marks on the page working together. 

Three

Today is not a good day. Due to some unforeseen circumstances, they’ve lost some work and have had to re-record some parts. You’re surprised when you arrive to his studio and it’s packed. You fade into the corner as to not be in the way. You watch Jihoon obsessively save copies of files in various spots and when everyone else wishes you both good night to go home, you give him a minute to collect himself. 

“How can I help?” You finally say. You watch his shoulders tense and it makes you sad. “Would you like me to go? Give you some space to work?” He shakes his head and you finally approach him, sitting next to him. You rub his back lightly. “What do you have left to do?” 

“Rearrange everything so someone can look at it tomorrow. It’s not usually my specialty, but I have to have something to give them to work with.” He looks like he might pull his hair out so you gently turn his chair. 

“Come on,” you say, opening your arms to him. You know he’s not the most physically affectionate person, but it won’t stop you from offering some comfort. To your surprise, he barely hesitates, arms coming around you too. When you feel like he’s lost some of the tension in his body, you let go. “Get started. I’ll go make some coffee.” 

You miss the way he turns to watch you leave. He doesn’t know how to say thank you for your presence on days like today. 

Four

The comeback is over and so are the promotions for it. It’s been many, many weeks since you’ve seen your best friend, and this time, it’s amazingly not at his work. He lets himself into your apartment and plops down on the couch next to you. You’ve planned a lazy day of just lying around and relaxing. You’ve sworn off work as a thing to so much as discuss today, so you glare at him when see the flash of a red notebook come out of his backpack. 

“Lee Jihoon, I told you no work today,” you admonish. 

He doesn’t listen to you. He never does. “Y/N, I may not show up to work every single day, but I’m probably going to write every single day.” 

He’s right, of course. Sometimes it just pours out of him into these notebooks, like the one he’s handing you. “What am I looking for?” You ask with a huff.

“Last entry,” he says. It’s almost always the last entry, but you don’t want to go blindly flipping through his private thoughts. You find it and this sheet is actually pretty clean, with very little notes in the margins or lines crossed out. You can’t help but smile, just like you always do when he shares something like this with you. 

“One of these days you’ll tell me who these songs are about,” you muse. 

He groans and the sound surprises you. He usually rolls his eyes and asks what you think, but this time, he looks like he’s almost in pain. “I’m in love with an idiot,” he mumbles, hand rubbing down his face.

“That’s no way to talk about the love of your life!” You cry out. “You write all of these sweet songs for her and you call her an idiot?”

“I’m talking about you, Y/N. You’re the idiot.”

Your mouth pops open. “Oh.” 

He rolls his eyes, snatching back the notebook, tossing it onto your coffee table. “They’ve always been about you, every single notebook over the years. You can’t be that dense.”

You barely hear the insult because you’re thinking of all the various notebooks he’s handed you over the years, only small portions of which he’s let you read. “All of them?” You whisper.

He sighs. “I’m sorry.” 

You pout at him, not that he’s looking at you. He’s leaning back into the couch, arms crossed over his chest. You understand why he’s apologizing, but there’s really no need. “You didn’t ask me what I think of the lyrics.”

He hesitates, glancing out of the corner of his eye at you. Finally, he clears his throat. “What did you think of the lyrics?” 

You lean forward, pressing a light, lingering kiss to his lips. You hear his breath catch and the sound is just as sweet as the contents of all his notebooks. “I loved it, just like every other page you’ve ever let me read.” 

“I’ll bring over the rest tomorrow. They’re all about you anyway.” He says it so simply that you can’t help but fling your arms around him. He calls you an idiot again but he’s laughing regardless.

[iid-smile]

queen-like treatment, ino takuma

x fem!sick!reader ! ino calls you "ma'am, sunshine, queen", he builds you a pillow fort (it's a castle in his eyes) ino lowkey rizzes you up with micheal jackson lyrics, kissies at the end, just fluff and silly stuff, not proofread

author's note: after seeing how starved ino lovers were, my creative juices were fr flowing!! also i just needed some cuddles

"you're hot~" ino mumbles, his cheek smooshed against your belly as his face rubs back and forth on you. he's been glued to your side ever since you called him over to help you out. has he helped whatsoever? no. not at all. he's been a total cuddle bug since he walked through those doors, making you impossibly hotter than you needed to be, and refusing to acknowledge that he might catch your cold, just touching you all the time.

meanwhile, you're stuck, sat there with multiple tissues, bottles of water and chocolate bars by your sides. your nose has been running nonstop; it's itchy, irritated, and bright red. like rudolph, he would like to say. it stung to keep your eyes open, it stung when you tried to close them, and there's multiple dry and wet streaks running down your face from your eyes watering up.

"i don't like how you're telling me that when i'm burning up and experiencing the worst fever of my life." you mumble, still running your fingers over his nape and fiddling with the material of his beanie despite how annoyed you felt towards him.

"don't worry, i meant that in a lot of different ways." he turns over so he can face you, his usual overly happy smile plastered on his face. "how could i not find my lovely girlfriend hot when her cheeks are all flushed and she hasn't moved in the past five hours?"

now you're feeling the heat in your cheeks. "ino." you warn.

what a way to expose you, huh? he's too cheeky for his own good, yet still respects you as if you're some sort of higher being in status. seriously, find a middle ground, ino. "yes, ma'am!" he exclaims, still giggling as he nuzzles into you again.

a little pout of frustration manages to find its way onto your lips. "i should be the one cuddling you, not the other way around." and your nose blocks again, so there's an awkwardly placed pause as you try to clear it out, aggressively blowing into a fresh tissue. "i'm the sick one here."

"i'm keeping you warm, aren't i?"

that wasn't what you needed, though that's kind of your fault for not explicitly telling him. "i'm literally sweating."

"well, you can sweat off all of those germs. because i!" he suddenly gets up, standing by the edge of the bed and crossing his arms. he looks... oddly determined. "your lovely boyfriend, am going to cheer you up."

silence.

"...for real?" you sound impressed, but you're more perplexed by his sudden and random declaration.

"for real real, sunshine." he smirks.

sounds like a challenge. "okay then," you push your elbows to lean up on the bed frame, quickly adopting a confident front. "amaze me, mr ino takuma."

"oh, trust me, i will. give me thirty minutes. i'm an absolute architect at stuff like this."

thirty minutes indeed went by. you wiped your nose and eyes every now and then as you listened to the clatter of noise just a few rooms away, hearing a panic or complaint come from him sometimes. he's amusing, even when you can't see him.

you weren't keeping track of time, but maybe the minutes claimed really did pass, as your ears couldn't pick up anything else going on. perhaps he was done with whatever he was doing. that was, until you heard his footsteps walking back to you.

"i just wanna touch and kiss~" you watch with furrowed eyebrows as ino slides, or rather moonwalks back into the bedroom, clicking himself a beat as he recites the chorus to "butterflies". a song he's dedicated to you, and is so deadset on playing it at your future, not-yet-planned wedding. "and i wish that i could be with you tonight~"

now you can't tell if you're still confused, or actually getting a little flustered from the sudden vocal serenade.

he dances his way all the way up to your bed again, and holds out his hand to you. "will you take my hand, my queen?" and he winked. he winked! how sappy can this guy get?

it would be a crime to decline after he just did all of that.

"you don't have to call me that..." you mutter, glancing away as you put your hand in his palm. he swiftly lifts you to your feet, and your knees buckle as his arm hooks underneath them, carrying you like a princess. "w-wait—!"

"relax! i gotta treat my queen right." with you still in his grasp, he brings you out of the coziness of your bedroom over to the living room. "and the big reveal!"

the surprise was right in front of you. a huge— no, gigantic pillow fort, spanning over the entire couch carpet and floors, the cold wood neatly covered in fluffy blankets. the pillow walls were also draped in thin covers and fairy lights, creating a soft, golden glow. "had to build you the castle you deserve, sunshine. surely this cheered you up?" obviously, he's proud, putting you down on your feet so you can explore on your own.

"yeah..." you subconsciously say, walking closer to really take in what he's done for you. you follow the little path of lights leading up to the entrance. "yeah, it did..." impressive. he did this in thirty minutes?

once again, he's by your side, gently coaxing you by the shoulders to move faster. "go in! i'm gonna come in after you."

you crawl in and sit down a little more to the left, and he comes in after you as promised, moving to the right so he can comfortably settles down in front of you. "look, all of the plushies are here too. stole all of them and you didn't notice a thing." he kidnapped your plushies! you were looking for those during your wait, wondering why your usual bundle of animals weren't atop of your pillows. no wonder he made sure he kept his front to you walking out: they were stuffed in the back his hoodie.

sneaky... "you're seriously a child at heart."

"nuh-uh! my heart is all yours." he leans forward a bit, his gaze focused on you. "it's like you're a charger constantly giving me more battery. i only got you to blame for all of my energy."

just like that, you're blushing again. you turn your head away to the side, a groan coming from you as you struggle to face him. he giggles again, but then goes suspiciously quiet. maybe you should look again?

once you peek at him, one of his eyebrows raise in smugness, but his face soon softens at the sight of your bloom. then, his eyes drifting up to something above you before looking back down, almost as if he was telling you something was up there. and there was. a poorly drawn mistletoe on lined paper, cut out with ragged edges and ripped in some places, stuck to the roofing pillow.

"it's september." you deadpan.

"can't ever be too early for christmas, can ya?" he grins, shifting to sit closer in front or you and taking both of your hands into his. "can we kiss or no?" just slightly, you can hear him mumble a little please under his breath.

how can you stay mad when he loves you like this? you sigh, yet the corners of your lips lift, betraying your annoyed facade. "kiss."

ino's been waiting for this the entire day. at least three times an hour, you'd have to reject a kiss anywhere near your face because you don't want him catching whatever you've caught, and now he finally has you! he just can't help but get a little eager, pulling you close and toppling you over, hugging you in the tightest grip he can as your lips remained pressed together.

you really weren't surprised when he called you up the next morning, complaining about a cold that seemingly came from "nowhere".

[no-te-lo-voy-a-dar]

tagged by @fullfledgedegg ohmygod my url repeats so many letters let's see New Men With Old Man Names - Schmekel

Ocean Breathes Salty - Modest Mouse

-

Te Hubieras Ido Antes - Julión Álvares y su Norteño Banda

Every Hundred Years - David Buckley (The Sandman S1 OST)

-

La Rosa De Los Vientos - Mägo de Oz

Orbit_ - ONEWE

-

Violet Hill - Coldplay

Ostara - Moonloom

You In Me - KARD

-

Anpanman - BTS

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Days gone by - DAY6

APOCALYPSIS NOCTIS - Yoko Shimomura (FFXV OST)

Rock Me Amadeus - Falco okay done! took me like 40 minutes to put this together bc i ended up listening to the whole songs again and others i didn't add lol - the links weren't necessary but i wanted to. i love music. also, not a requirement but also no repeated artists. so. that's 13 letters. 13 people (u all are not obligated to do something) @4humankind @raelwrites @fangirling-phoenix @novasonthenormandy @rasninja @alexxuun @catmanbowser @maraschinomerry @beardedtreedestiny @tsikuri @alenseress @rainy-days-and-nights @rururinchan

Tag game: URL song

“Spell your url with song titles and then tag as many people as there are letters.”

Prev thread got too long so I'm starting a new one. Thanks for the tag @frogayyyy !

Mountains O' Things (Tracy Chapman)

Angeles (Elliott Smith)

Regulars (Allie X)

Last Night I Had The Strangest Dream (Ed McCurdy)

Independence Day (Elliott Smith)

Neon Sisters (Thomas Dolby)

Sea, Swallow Me (Cocteau Twins)

Pissing In A River (Patti Smith)

Insomniatic (Aly and Aj)

Rosie (Joan Armtrading)

Killer Queen (Queen)

Happy (Mitski)

Anyone But Me (Joy Crookes)

Leave A Tender Moment Alone (Billy Joel)

Lyin' Eyes (Eagles)

No pressure tags: @blue-jello-queen @herenya-writes @convenient-plot-device @jimkirkachu @hurt-spock @renthebarbarian @ellisper @systemadministratorclu @redshiftsinger @joybates @beauty-grace-outer-space @detectivehole @gayspock @ifdragonscouldtalk @transxfiles @soft-and-certain and also, open tag to anyone who wants to do it!

[bisnes-socks]

we've talked a lot about the lyrical content of the album but i wanted to say something about the musical side of it too. starting with autiomaa, because it struck me as musically so different.

first thing that kinda surprised me and poked me in the heart a little bit was the singing melody in the part that goes "hiekkaa silmissä, mut en mä näkis mitään muutenkaan", because that's not an easy melody to sing, considering he isn't a super strong clean singing vocalist. (i could write a whole essay about how he is vocally more able and more versatile than what people give him credit for, but strong melodic singing is not his top priority and that's perfectly fitting for what he does.)

so the melody challenges him and it goes somewhere you don't quite expect. as it keeps climbing higher and higher in that minor key, it sounds.. desperate. really sad. combined with the lyric about not being able to see, it's kinda haunting to me, and hearing that part the first time it kinda.. caught my breath in my throat because it sounds almost like pleading.

the first verse uses a lot of autotune and his delivery of the lyrics is in a lower and more monotone voice. i get this feeling of like... there isn't much emotion behind the voice at first. he sounds resigned, numb. and it's like the autotune is there to highlight that. the feeling of life being almost like automated. the autotune makes the voice sound a bit emotionless and machine-like, but also as if the autotune is trying to mask the monotone quality of it all, the monotone quality of life.

because the autotune is not there as much anymore in the second verse. and he sings higher in the second verse, with more effort and with much more emotion. oh he sounds a bit desperate again and it pokes me in the heart a little bit. he sounds like he is willing himself to be okay.

the synth sound that repeats the striking chorus melody, it reminds me of the synth sound in CCC, but like it's a distorted and broken version of that. a distorted version of the sound that, when heard basically anywhere in 2023, had people running towards it. a distorted version of the sound that no doubt represents a lot of mixed emotions. and when the song is kinda stripped down the way it is, what is standing at the end of the day is a beat, him and a distorted synth.

the beat and the chord progressions in the backing track remind me of things like scifi movie soundtracks, tron or something. there's a loneliness to that sound, because it's so easily associated with dystopias. it's like the soundscape of a digital desert. very fitting to this song, i think. i think it's a very well produced sound and a well produced track. there's also a moment, right before "kunhan kuuntelet" when the beat disappears. it kinda made me feel like i was falling, but it also really higlights what he's saying. how he is asking for you, us, anyone, to just listen, so the sound and the beat make room for that.

and one more detail. the one single yeehaw after the first verse, after "miks sydän ei oo happy, vaik se on lucky niinku luke". it's not there after the second verse anymore. and like. that one single yeehaw is so unbelievably sad to me. because it's like a demonstration of that whole thing where he's trying to be entertaining and trying to be funny, even when he feels nothing, just empty. like.. it's funny but it's not funny, not at all. it's almost painful that it's there. chills.

and one last thing i want to say about the lyrics. not so much about the content but i just want to say how much i like the way he uses language. he very clearly has a very good ear for what sounds good, what kind of syllables flow together, and he is very good at writing lyrics that are both interesting in their content but also just.. pleasing to listen to, as just sounds of the human voice. many such moments in this song, like "en mä näkis mitään muutenkaan" and "tunturin laki josta puuttuu puut" and the way he uses the words laki and lucky in close proximity. he's a good lyricist.

and this is a really good song.

[milgram-tournament]

MILGRAM Best Song Tournament, Round 2, Match 2 BRING IT ON vs. THIS IS HOW TO BE IN LOVE WITH YOU

Propaganda for both options under the cut!

Propaganda for BRING IT ON:

"Reasons why Bring it On should win:

- Just by starting the song, the instrumentals are BANGER. Like his more rock style is very cool, even better than After Pain’s more mellow style - Arthur’s voice (Futa’s va) had bills due because have you HEARD his singing?? His raspier voice fits Futa so well - It feels so explosive and like a call to action in a sense, which very much matches Futa’s mentality during trial 1. He also wasn’t playing victim like a CERTAIN girl… (jk, love you mu!) - SAA HAJIMEYOU USOTSUKI KARIDA - UNDEAD HEROOOI YES SLAY KING HIS HIGH NOTE HERE IS HEAVENLY - His scream at the end. Oh my god. HE LITERALLY ATE THIS NOTE. AFTER PAIN COULD NEVER. BRING IT ON FTW 🔥🔥🔥" - His range goes WAAAAAY higher than Mu. She would end up like PHG if she even tried hitting any of his high notes in the last chorus /j

---

- The vocals are amazing, those growls are so well done - You’re able to get Fuuta’s crime and motive pretty succinctly, only based on the visuals - But it still leaves a lot up to interpretation, like how he only attacked once in the final fight scene. It lead to some cool theories. - On that note, the game aspects are so cool!! Especially when paired with him going after people online, just good synergy with awesome style! - Fuuta’s scared face after he realizes what he did. The great contrast of other foes simply being knocked out then being met with blood splatter. - The tempo of the song changing with his mood is a really good touch as well. Make the song more chaotic which highlights his character traits well

---

"propaganda for bring it on: the music FUCKS it genuinely slaps so hard listening to it. song style is incredible its perfect for fuutas personality and gamer vibes. also the way the mv frames everything as a game? the only time real blood and real gore happens being when killcheroy dies? the little details of all the usernames, the different monster designs, the generally distorted feel of everything being too lighthearted?

okay i could go on about the mv for hours but lets not. aside from that: the FEEL of the song!!! the vocals!!!! it really feels like fuuta putting his whole heart into it, into this point of view that both blows problems out of proportion and minimises them, and DEEPLY fucking up. my darling little hypocrite gamer boy twitter user. he makes his witch hunt genuinely sound like something that could sweep people up into it. also the instruments goddddd. the guitar and synth the bass and the drums the DRUMS. im relistening to it to write this propaganda and it keeps making me headbang when i should be writing. if you arent headbanging to bring it on you are LYING.

the way the lyrics are written is wonderful too!!!! they feel so brash and brave and powerful and like. cocky about it. and it fits PERFECTLY. its gets someone swept up into it and it FUCKS. vote bring it on im serious. lets go!! a victory march!! dan da dan!!"

Propaganda for TIHTBILWY:

okay so like the thing im most in love with: the VOCALS!!!! this song has an absolutely AMAZING singer and AMAZING vocals!!!! the way the conversational talk-singing lines still feel so musical!!!! the cute cute cuteeeee mahiru voice!!!! it brings you so much energy!!!! its a song sung with so much love!!!! mahirus va brings such an amazing feel to the song with such amazing talk-singing!!!! its very skillfully done and it happens in i love you too!! mahiru songs r the QUEENS of musical talk singing

the silly phone call bit. kurururu~!

the little vocal flourish and the way her voice raises up like an excited exclamation in the final prechorus!! daijoubu nante kirai DA!

its such a fast song but everything flows so well!!!! it makes it feel so bright and cheery and peppy!!

the instrumental is so underrated just LISTEN to that catchy bass line thats so pretty in the verses!!!! no for real even if u dont vote this is how to be in love with you go listen to the bass line in the verses it works to move both the song and the listener forward at mahirus sweeping breakneck pace. and the cute keyboard sounding and synth instruments!!!! its SUCH a danceable song!!!! i cant listen to it without bopping along in my seat

the way the ominous bits are subtly hidden? it all sounds so cute but there are just these Things that she sings that are really kind of concerning and unhealthy when she sings them!! and the veiled desperation to be in her relationship- listening to that and the cheery tone and breakneck, quick song pace, it really does represent mahiru SO well. she throws in all these little bits that just go noooo teehee the relationships just fine!! when it REALLY isnt

i would listen to mahiru talk for hours

the MV!!!!!! HER FASHION SENSE THE MAGAZINE STYLE!!!! the magazine style especially works so well with her character!!!! its so cute and stunning and just looking at it you have a blast. also her birdcage!!!! her birdcage and the bright orange and the pink bars!!!! the way everything desaturates and becomes more sickly looking when she wakes up at the end!!!! its such a happy carefully curated and designed dream and then it drains away!!!! also god all her outfits are stunning. mahiru call me

the way she sings "overheat de~!" cutest thing in the WORLD.

the little faces she makes!!!! godddd shes so expressive

actually the whole songs so expressive!!!! shes putting her all into it!!!! her words have so much expression in them!!!! once more praising mahirus va the way her voice can soften and become bright or subtly desperate so quickly is MASTERFUL control of expression when singing and its so underrated. join me in being insane over miho okasaki delivers her lines. shes such a perfect mahiru.

funniest es cover. hands down. funniest es cover.

this is how to be in love with you is FREE serotonin!!!! free energy right there!!!! this is how to be in love with you sweep!!!!!

---

-The song is so cheerful!! I always feel like dancing and singing when this one comes up in my playlists!! Absolute banger, mood definer, kicking sadness in the shin with those high-heels and then hitting its face with a cute purse -THE HIGH-HEELS STEPPING TO THE BEAT OF THE MUSIC IN THAT ONE SCENE (0:50). SIMPLY ICONIC. NO ONE DID IT LIKE HER. -👠💅👝👗 -She is slaying. Look at her outfits. She put so much effort there. She gave it her all. Absolutely serving. -SUKITTE KIMOCHI WAKATTA TSUMORI? NARA KONO MAMA FUTARI O-VA-HI-TO- DE -The storyline of the mv MAKES SENSE and you can form a COHESIVE TIMELINE OF EVENTS (unlike other unspecified contestants' mvs you know 🙄) -look at herr 🥺 she beby 🥺 all she did was love too much 🥺 we all love mappi don't we 🥺 she deserved more let her win this pleease 🥺 -No medical malpractice happened in the making of this mv 👍

---

I care so much about This is How To Be In Love With You- it's visuals are brilliant in the ways it conveys its themes and narrative. I'm never normal Ever about the "Love as marketing" symbolism that is brought in by the use of magazines. It's a lovely upbeat song but the Horrors are Always Lurking under it, the breakup Ritual line is my Favorite Line cause its so horrifying but its said so casually and its so good oh its so good-

[winter-sol]

🧡birthday night with Levi🎉

word count: 4,6k contents: AFAB reader, explicit sex (minors dni), fluff and smut. porn with feelings, some rough sex and possesive dialogue. levi only has one dick, sorry. repost! since tumblr is messed up. hey there! this is something I wrote for leviaday, following the events of his birthday event '23, after the party at the hotel. started as something fluffy and slightly horny. got out of hand, oops. hope it's not too late for a birthday fic uwu

also at ao3 here ;)

“Well, once again it’s only me, you, Asmo and Mammon. So much for an epic party, lmao”. Levi’s voice is a bit difficult to hear with the roaring noise of the two party animals singing a song at the karaoke machine. Asmodeus is an amazing singer, but it’s late, they’re drunk and at this point they’re screaming more than hitting actual notes.

“Yeah, it’s late though, and everyone gave their all collecting those cards today. I’m sure they all fell asleep as soon as they hit their beds”.

“Yeah, I agree.”

A particular loud sound comes out of Mammon, he seems to be quite passionate about those lyrics. Asmo sips what’s left of his drink and proceeds to do the chorus. It’s going pretty well, to be honest.

Leviathan’s hand finds yours slowly but surely, his grab is gentle and firm. He’s absolutely not shy tonight, not after he had such a great day. And not after he was so open with you a couple hours ago, at that fountain. You squeeze his hand and lean your head on his shoulder, relishing the softness of his clothes and the fragrance of his hair.

“Do you want to sing another one? I made sure to put all of your favorite openings and endings before we started.”

“You’re the best, I mean it. But I think I’m fine like this”, you answer while you intertwine your fingers with his, emphasizing your words.

You feel his breath speed up a bit only for a moment before he says “Okay. Let’s just watch those two embarrass themselves then.”

The next song seems to be a ballad, one that Asmo wants to sing alone because he claims he’s too talented to share the spotlight with stupid Mammon right now. And he wasn’t wrong at all, it was coming out quite good since he was putting his all.

The alcohol from the champagne and the wine you had drunk that night wasn’t affecting you as strongly anymore, but Levi’s companion was so pleasant and cozy you found yourself being silent while reading the lyrics on the screen through heavy eyes.

It talked about a lover who made your days brighter, who you wanted to spend the rest of your days with. Suddenly, you remembered that afternoon, at the park. The sunshine resting on your skin was warm and blissful, you had missed it so much. Still, nothing made you as happy as hearing Levi’s nervous tone while he wondered about a hypothetical wedding. You could feel your heart racing once again at the memory.

You turn to face him, and find him wearing a silly smile, though you’re not sure if it’s directed at his brothers’ display or it comes from having spent a long, enjoyable day that simply makes him happy. Maybe he’s feeling as content as you after all you two have been through today.

Leaning forward, you press your lips to his cheek, making him startle at the unexpected sensation. He looks at you with big eyes, but once he notices your expression he immediately softens. Without a second thought, he kisses you on the mouth, not as chaste as you’re used to in his advances, but still a calmed, romantic one. It’s so full of feeling you melt in it for a moment.

His lips are smooth and slightly moist, the sight makes you want to keep pressing into them. He barely starts separating your mouths when you insist on kissing him again, and again. It’s not an inappropriate scene but you’re sure on any other day you’d avoid doing it in front of others, even if they’re distracted blasting the speakers. Still, right now you can’t really care about that. You can only think of Leviathan.

After a while, you two finally break the kiss, your breathing coming out restless. His arm had found its way around your back while you were busy, and now you realize how close you are to him. The joy that fills you is so strong you need to hide your face on his neck, unable to break the distance. A couple minutes must have passed, and you finally realize the song had ended and only the background music of the karaoke menu is coming out.

“Well, well, my dear MC, my dear big brother, we’re heading to our bedroom. Make sure to not stay up too late, ok? Though I wouldn’t blame you for it, am I right? Heehee.” Asmo says, a wink accompanying that sentence. Realization hits you but you try to keep it hidden.

“Hey, don’t mention something like that! Ugh. Bye, losers.” Mammon waves his hand while they disappear through the long corridor heading to the dorms.

…

“…They totally saw us, right?”

“Yep... Whooaahh, what do I do with this cringe?!” Leviathan says while he dramatically lifts his free hand to his forehead.

You grab his hand in order to calm him down, “Don’t mind, Levi, I’m sure we’ve embarrassed ourselves to their eyes harder with our cosplays and all of that. This is nothing”.

“That… doesn’t sound any better at all but I take it, lol”, he pauses and then says in a lower tone “Anyways… Well, now we’re alone and all… Do you… Do you remember what I said earlier? That maybe after the party, we…”.

You were expecting this to happen, yet you can’t help to be touched by his initiative. He’s grown so much in the time you’ve been together. “Of course. I… want to be with you tonight”. A pause. You aren’t that confident either, it’s hard to voice this kind of stuff sometimes. “Shall we head to our room?”

“Y-Yes.”

He stands up and grabs your hand, leading the way through the floor.

When you enter, you realize how luxurious the bedroom is as well. A big window displays a breathtaking scenery, city lights decorating the sight accompanied by a huge moon lighting up the dark, spacious alcove.

It’s a beautiful place, and you really want to savor this moment. You grip his hand and guide him to the large bed, expectation rising inside.

There is something you want to tell him, that you need to tell him.

You stand in front of him, suddenly thanking your height difference so you don't have to directly look into his eyes.

“Levi… today, you said it many times, and I’m not sure if I was reciprocal enough. But I wanted to tell you that I love you… I love you so much that only the fact of spending today with you, of being here with you now, it makes me as… nervous, as the first times we went out together…” God, this is harder than you thought. You end up looking at the floor when you feel his arms wrap around you tightly.

“Hey… How the tables have turned. How is it possible I’m the one comforting you suddenly? Haha…” He says, his chin resting above your head. Before he can say anything else, you continue.

“I love you. I also… want to spend many birthdays with you. And now… I want you to tell me what you want from me. Anything, everything you want, I’ll give it to you.” Your own words overwhelm you, but you try to stay calmed.

But you feel his breath catching and now you’re sure you’re not any better at all.

Before laying you down on the bed, the squeezes you in his arms one more time. Slowly, he positions himself above you, and his eyes rest on you with a look full of adoration, mouth slightly agape, kissable lips parted that you only wish to feel again.

He directs an unexpected smile towards you. “You are always everything I want, but now… I’ll take your offer, ok?”

Idiot. He made you nervous again. “Y-Yes”. You were ready to give in to whatever he’d do next, but you suddenly remembered something.

“Wait!” You exclaimed. “I need to do something first!” He only watches intrigued as you cast a simple spell directed at the door.

“It’s done. We don’t want anyone to hear a thing, right?”

“Oh?... Oh! That’s so cool! You’re so amazing!” He beams at you, expression full of admiration.

You laugh a bit. “Levi, it’s not a big deal.” Of course, you were happy at his compliment. You stare at his bright, adoring eyes, and between smiles, your lips meet each other in the middle.

The kiss starts innocently, slow and sweet. But as you give into the feeling, it grows hungry quickly.

His mouth is hot and wet, tongue finding every single spot he wants. His hands run through your hair, to your neck, your shoulders, touching everywhere he can. One goes to your upper back, holding you there, while the other goes lower. He stops for a moment, but once you grasp the hair of his nape a little too strongly, he gets the message and grabs your breast without any more reservation.

The palm cupping it moves, relishing everywhere it can, delighting in the softness of your chest. You wished your clothes weren’t interrupting, though.

His mouth moves to your neck, and he starts kissing there, tongue lavishing and giving small bites. Asshole, he wants to leave a mark. You know he has wanted for a while, but you’re too reserved to let all his brothers see that. But now, not only you don’t care anymore, but you actually gave him permission this time. You’re his to take and take you he will.

Not like it matters, you know there’s a spell you can cast to hide it tomorrow anyway.

Your train of thought is interrupted by his hands reaching under your shirt, touching your scorching skin directly. Your shirt ends up at your neck while curious fingers start grabbing your chest, softly rubbing your nipple. His other hand has moved lower as well, grabbing your thigh, a strong grip squeezing the plumpness in there, followed by a light caress.

The duality of his bold, desperate grasp, and his kind, gentle touch is only reflecting his true self, his true intentions, his unapologetic desire and sweet respect. He's just like that, and it was driving you crazy.

A violent pinch drives you back to the moment. Moving down, he looks into your eyes while he starts relieving the pain with his tongue, tenderly lapping at it while his hand now stimulates the other one.

After feasting himself with your chest, he shifts his position and grab your legs, spreading them for him to accommodate between them. He starts giving attention to your exposed belly, open mouth kisses going lower each time. When he starts unbuttoning your pants, clearly getting his intentions, you panic for a second.

“H-Hey. Is that ok? Shouldn’t I be the one… doing things to you? I… want to do it.”

His slight surprise is quickly replaced by a small laugh. “Eh? You’re worrying about that? No way, I get a free pass to do what I want, right? Then let me do this!” He says as if the mere idea of thinking that going down on you wouldn’t be pleasing for him is ridiculous. “W-Whatever comes next… Well, we’ll see, ok?”

You sigh. Fuck, now it shouldn’t be the time to make him doubt a thing. “Ok… Let’s do it”.

As he lowers the garment, he has your panties in front of him. He stays there for a while simply looking, fingers grazing the cotton fabric, following the outline of your intimate area. Of course, the pervert likes panties a little bit too much. He's captivated, the way he touches is devoted and erotic, and you find yourself wanting more.

A shameless kiss to your clothed nub makes a moan come out of you. The sound is invigorating to him, driving him to give more wet, open-mouthed kisses to your cunt. You close your eyes when he gives attention to your clit once again, sucking at it through the fabric.

“L-Levi! Ah…”

Your sweet, high-pitched whines are like music to his ears, he’d do anything to take them out of you. He pulls the fabric aside and starts tasting your folds directly, savoring your wetness.

You open your eyes and lower your gaze; you simply want to look at him while he does it. You grab his hair, soft at first, petting him tenderly. But the sensation of his fingers slipping inside you while he eats you out makes you pull at his strands. The violent gesture is arousing to him, making him delve into his ministrations even harder, his own moans muffled while his face is buried into your sex as he keeps licking and sucking, making a mess with his tongue and fingers, getting you closer to your orgasm.

“Levi, I-I won’t last much longer. I-If you want more then you should stop-”

“No fucking way. I wanna make you come. You really think I’ll end this now?”

You won’t argue with him, you’re far too gone for that. You try to look at him while he finishes you but the frantic pace of his fingers and the sloppy, wet kisses he’s giving you are too much for you. You can barely stand the pleasure growing, your legs closing around him and squeezing his head in place, unable to move out even if he wanted to. He actually likes your thighs restraining him, encouraging him to keep going harder.

His feral tongue, his knuckle-deep fingers moving inside you finally take you to the edge. Your vision blurs and only see white when your climax hits you, a loud whine escaping your throat.

As you come down, your legs relax and let go of him. You feel a final kiss down there before he parts from you, fluids and saliva running down his chin. It’d seem forbidden to even look at him right now.

“…How was that? Did you like it?”

“Huh? You’re asking that?! Don’t fuck with me.” You mutter, only playing with him, and at this point of your relationship you’re certain he gets it. “… Of course, you were amazing… As always.” You end up adding.

He beams at you, though you’re sure it’s not an innocent smile after all. “Hehehe… Great, because I’m not done with you yet.”

“Hey, let me touch you.” You let out before he gets another idea. He doesn’t have time to answer when you already reach for his clothed erection.

“A-Ah." He seems somewhat taken aback. But he reacts faster after getting so turned on, giving in. "You know I can’t say no, right?”

You can't help but grin. “On your back. Now.” You order after having his consent.

“Y-Yes.”

Resting above him, you give him little kisses on his forehead, his nose, his cheeks, and his lips. The taste is not good at all, but you don’t care.

You grab his length under the hem of his pants and give a firm squeeze at the base. He lets out a groan, looking at you through his long, blue eyelashes. His dark eyes, color engulfed by his large pupils, reflect the moonlight. A shiny, innocent look to a lust-filled gaze.

“You’re beautiful, Levi.” You whisper closely to him, making sure he can hear your devotion. Your hand starts a pace, up and down, a slow movement that will lead him crazy.

“Nnnggh… MC… Keep going.”

He already has precum leaking. You pass your thumb through his slit and smear the liquid down the shaft, easing the movement. You speed up the pace only a little, and he already is squirming under your touch. So easy, so desperate.

“Give me more. Do it faster.”

He’s open about what he wants tonight, and you can’t say you don’t like this side of him. He’s so gorgeous, you want all of him.

You give his neck a few kisses before heading down, sure of what you’ll do next. He only looks at you, not even shy about it. He’s feeling greedy and won’t stop you.

A small, feather light touch of your tongue on his head has a sharp breath coming out of him. He inhales slowly, his buffed chest looking splendid from your point of view. God, he’s so sexy.

“Could you take that out for me?” You say while resting a hand above his torso, grabbing the fabric of his shirt.

He obeys easily. He wants you to look at him, he wants you to desire him. You’re greeted by the sight of his toned figure, abs and pectorals delicious under the moonlight, strong arms supporting his weight as he leans, watching you.

You’re eager to taste him, engulfing his head in your mouth, tongue teasing. Your hand works through the base while you take the upper part of his dick deeper into your wet heat. You bob your head, saliva running down his length. It makes the movement of your hand smoother. You suck firmly and after you take it off your mouth, you work it swirling your tongue. It’s sloppy, you're sure you don't look as attractive as you'd like, but you can’t stop. It's delirious, doing this to him.

He brings a hand to your hair, petting it at first. But after your pace increases, he grips the back of your head, starting to guide the movement.

Ah, you can’t complain when he gets like this. The thought of your usually timid boyfriend getting rough is the hottest thing ever. Heat builds between your thighs, eager for more.

You can feel yourself drooling around his cock, the motion fast and intense, its head hitting the back of your throat. Your eyes have slightly watered at the roughness of it, you can almost feel yourself choking on it, but he always makes sure to give you some space to breathe before pushing you down again.

You hear him moan shamelessly at the sensation, completely surrendered to the pleasure.

He slows down for a second and says “I-I’m coming. Can I… Inside…?” His voice is soft and breathy, as hot as it’s cute.

You manage to nod, unable to speak.

Resuming the movement, he guides your head down and up again, as frantic as before. The pressure drives him to the edge, and between loud whines, you feel him climaxing and filling your mouth, a thin, slightly creamy liquid easy to swallow. You’re thankful he’s a demon, with… well, different anatomy and such.

He lets out with a ‘pop’, rests of cum escaping your lips. You look at him and he looks as wrecked as you think you should look right now. Well, you must be even more messed up after that.

Mimicking his previous words, you say “So… Was it good? Did you like it?”

He laughs, with the audacity to sound embarrassed. “Y-Yeah. Thank you.”

His face is filled with bliss, but you won’t forget about the pressure you feel down there.

You decide to tease him. “So, should we get ready to sleep or-!”

“Nonononono. Nope. Not yet, ROLF. I told you; I’m not finishing with you soon. I mean, it’s already past midnight, technically it’s not my birthday anymore but I still get to have more wishes come true… Right?”

“Yes, ‘cause I’m going to kill you if you leave me like this.”

“Eek! Sorry, on my way!”

He guides you to his lap and after he settles you inside his arms, he takes off your shirt. You lift a little to undress your pants and underwear while he does the same.

After that, you take a moment to simply rest your head on his chest, feeling his heartbeat. You’re eager for more, but that won’t stop you to relish your time with him. He caresses your back and your hair, giving soft kisses to your forehead.

He speaks again, his voice is hushed. “I love you, MC. Can you give me a little bit more of you tonight?”

He’s tender and sweet, it fills you with contentment and want.

You turn to face him, kiss his chin, and say “All of it. You can take all of me.”

Between passionate kisses, you straddle him, settling your arms around his neck. He locks an arm around your waist, while the other cups your cheek. Your tongues are still bitter, but the need to taste and relish each other is stronger.

You can feel his hardness against your thigh, ready for more. After parting your mouths, you murmur in his ear “Levi… put it in…”

He inhales, mentalizing himself for what’s to come.

“Ok. Move up a bit.”

You do as you’re told, and he positions his erection at your entrance. The sensation of his tip prodding at your core fills you with anticipation, and you lower yourself on it. It’s pushing inside you, inch by inch, slowly. You two are desperate for it, but you won’t accelerate things.

His cock is finally buried inside you, as much as it can fit. It’s spreading your walls, throbbing, and you give yourself some time to adjust to its girth.

You feel stuffed, it’s thick and warm, a burning sensation runs through your body.

“MC… You feel so good inside. So wet and hot…” He sounds like he’s under a spell, enchanted, fascinated with how good it is.

“L-Levi…”

“C-Can I move?” He says, his next words murmured in your ear “Please, please. Let me fuck you.”

There’s no way you can refuse to that, not now, not in any universe. You kiss his lips and nod.

The movement is slow, taking most of it out before entering again, savoring the drag. You’re so close to him, enveloped by his arms while he thrusts from below. You kiss him while he sets a pace, whining into his mouth by the sensation.

It’s starting to feel like it’s not enough, so you start moving your hips, meeting him and matching his movements. The increase of friction gets to him, a moan escaping him as well.

His hands grab your ass, decided to guide the rhythm again, growing faster. Pleasure boils inside you, arching your back while you grind your hips against him. His pounds start getting erratic, desperate for your velvety heat.

It hits your core over and over again, deep, strong, your breath is shattered, his name on your lips coming out quietly, broken.

“Leviathan- Ah! It feels good, Levi- Ah!”

He pants, his voice is rasped as he speaks, “Fuck, MC, you feel so good. Please, let me go harder.”

“Yes, please go harder, please- Ah!”

You cry out as his tempo is ruthless, unrelenting, the dirty sounds of smacking flesh resonating through the walls. He fucks hard into you, chasing his pleasure into your warmth. You look down just a little and can see his cock disappearing into your body repeatedly, an indecent view only meant for you two. It’s hot as hell.

Even if you try to match the pace with your hips, you’re not in control at all. His movements are frenetic, desperate, his strong grip using you as he pleases. You have completely given up yourself to him.

You catch his expression, furrowed brows, lascivious eyes barely open, looking at your bodies merge into each other. It only makes you even more aroused, you want him like this so badly.

“Levi” Your voice comes out as a strangled noise. “Levi! I love you. I-I’m yours. Forever- Ah!”

Your sounds turn into choked sobs, no longer able to make proper words. He’s euphoric, groaning his words “You-You’re mine. Only mine. You belong to me, no one else!”

One of his hands go to your sex, fingers stimulating your clit with a strong, merciless pressure. It takes only a few seconds to send you over the edge, hitting your second orgasm of the night. You scream at the exploding pleasure, his thrusts hard as he comes too, whining loudly as your tight walls clench around him through his climax, emptying himself inside you. Your body convulses as the last of your orgasm hits you, and collapses above him.

He pants, matching your shaking breath. After some seconds, he pulls out, and you can feel his release leaking out of you. Ugh. Well, you can’t complain, you enjoy to do it like that as much as he does.

He lays down completely on the bed, taking your weak body with him, caging it protectively in his arms, as if he’s not ready to let you go yet, not after you told and proved him you belong to him.

Your erratic breathing needs to calm down. Resting above him, your fingers brush his chest while you relax, hugged tightly against him.

Some minutes must have passed. Your head is pressed against him, face directed at the window. His heartbeat echoes through his chest, and the sound of it is comforting. Your eyes are focused again, and you can see the lights of the city. They’re still on.

You’re not sure what time it is. Apparently, dawn is close to come, but the night seems to be extending only for you. You’re thankful that suddenly the time feels so slow. At this moment, you don’t need anything else, nothing that isn’t being right here with him.

He had been petting your hair for a while, his lips pressing into your forehead makes you lean to face him. He’s smiling, infatuated eyes looking at you.

“I think this is exactly what I wanted… hehe.”

You giggle too. “Well, I’m glad you’re happy with it. I love you, Levi.”

“I love you too. You’re everything to me, my best friend, my partner, my Henry.”

You lean to kiss him on the lips, a chaste one perfect for this moment.

“Well, once you’re feeling more… recovered, I’ll ask you to take me to the bathroom. I… really need to clean myself.”

“Oh? Oh! Sure. Shit, sorry, lmao.”

You chuckle at his clumsiness, and close your eyes for a while, relishing in the moment.

---

You wake up to the sensation of a late morning sunshine touching your face, curtains wide open since no one closed them the night before. It’s a nice, cozy sensation, though. You didn’t know how much you liked sunbeams until you found yourself missing them at the Devildom.

Levi’s pressed tightly against you; the night owl seems to be still in a deep slumber. Apparently, you were the big spoon. Somehow. Considering how tall he is compared to you. You like it anyways, his hair is smooth, violet locks softly decorating his peaceful features. The word for him right now could be… ethereal. Yes.

You remembered the spell is still active, so no sound comes from outside of your room. Do you need to lift it? His brothers (though, now they’re like your brothers too) might start making a fuss over some foolishness, not something you want to deal with right now.

It’s April 10th, time waits for no one, and his birthday is over. Today, you’re all heading back to the Devildom. You certainly can enjoy this moment for longer, right?

As if sensing your thoughts, Leviathan slowly wakes up, taking his time to shift and face you, eyes barely open but clearly focused on you.

“Hey… Good morning, love.” You murmur.

His words are mumbled “Good mornin’… Why are you awake…” He yawns. “You know it’s still morning, right?”

“I don’t know. Maybe I wanted to look at your cute, sleeping face.”

“W-What… Shut up!” He whines, hiding on your chest. You laugh at the silly interaction, how is he embarrassed by that after last night? He’s incredible. You kiss his temple, and after sensing his smile, you feel like you have the energy to start your day.

Another year together awaits.

thanks for reading 💖 likes and reblogs are appreciated.

[tiktaalic]

tortured poets review. by song

fortnight: fine. sounds like a song. one of the lana drag ones. the actual lyrical content is nothing special. i would not have made this track one. 6/10

tortured poets department: kind of exactly what you would expect from a taylor swift album called tortured poets department. it's silly. it's got references. it makes you go. girl? already less distinct musically. 3/10

my boy only breaks his favorite toys: the consequence of doing lana drag is that you listen to songs and go this would be a lot better if lana got her chords on it. fundamentally not a song that i can enjoy from taylor allison swift. a song i would respect in lana of video games fame catalogue once she strips it down. not like head turningly strange like tpd just plain and simple middle of the road. 4/10

down bad: this one is unlistenable for me. cant explain why. probably the chorus of down bad. i think it's tooooooo silly too silly by far when taylor swift does how do you do fellow teens vocabulary. 2/10

so long london: i can see the place that this takes on my spotify wrapped. lyrics are fine. good even. this + backing + doing something even the littlest bit different from soft monotone talk singing makes it one of the most memorable on this album by miles. probably not near the top of most memorable in her hundreds deep bench though. can't think of anything to dock it for but it's no belter. 8/10.

but daddy i love him: yeah okay. i love when she does a silly one. i think the instrumentals are nice. i'm having his baby. no i'm not! but you should see your face. easily i would listen to an album that was full of songs to this theme / musicality. points docked because i dont think she knows it's as silly as it is. 7/10.

fresh out the slammer: bored. i just looked at the lyrics and they're passable but they're performed in the most boring possible manner. stupidest name imaginable. i actually might bump it a point or two if the name was different. 4/10

florida: makes me go yaaaaaay florence every time i hear it. taylor's part halsey 2014 core. could have been worse! if i was in charge of cutting tracks i would keep this one. 6/10

guilty as sin: started it went oh i'm docking this one for boring. read the first quarter of lyrics and went oh this is fine? got to second half and went oh i don't care for this. can imagine a world where it's a better song with different backing and emphasis. 5/10

whose afraid of little old me: i dont think it's good necessarily but i love every song where shes like im craaaazy im insane. i think for the concept it's going for it could have been put together differently. 6/10

i can fix him: i like the way it sounds. but could use more oomph. it's so nice to hear guitars though. don't care for the subject matter. 5/10

loml: snooze. boring lyrics. boring performance. 4/10

i can do it with a broken heart: BAFFLING. easily the me / karma of the album. the tonal mismatch is the point but . well. it is what it is. i would like this more if it WAS a barbie soundtrack release i think. then it would have an extra layer of silly. i think this might make my wrapped. unfortunately. 5/10.

smallest man who ever lived: who gives a shit about matty healy. 4/10

the alchemy: head in my hands. head in my hands. football song. it's so over. and we are never going to be so back. 3/10

clara bow: i like the intro. i can't see myself ever doing more than half humming this. lyrics are whatever. fine, passable. 6/10

the black dog: yeah it's fine. no complaints. guitar 👍. 6/10

getyouback: why would you EVER tee yourself up perfectly to be compared to a better song. 3/10

albatross: oh i liked this one on first listen. 7/10.

chloe sam sophia marcus: outing song ‼️‼️‼️divorce music‼️‼️‼️. nothing too exciting or groundbreaking musically. 5.5?

how did it end: um. it gets points for being #real but not much else. 5/10.

so high school: i think i would like it if it was even a TOUCH less heterosexual. i would cut 3 lines that would turn it into a 6. i can see this song in someone else's hands dominating the radio and me loving that. in taylor's hands i'm giving it a 5/10.

i hate it here: not interesting. next. 4/10

thank you aimee: out of respect for taylor swift's struggles i will withhold comment and rating. -_-

look in people's windows: lyrics aren't bad but it's another one that's not really. doing anything. 4/10

the prophecy: yeah i'll give this one a 7/10. i would have one (1) greige complaint if this was on folkevermore but that's pretty damn solid.

cassandra: passing it and moving on. that's as much as it deserves. 5/10

peter: lyrics get a thumbs up. another 5.5? i could be talked into a six.

the bolter: yes girl commitment issues. 6/10. actually. 7/10.

robin: jesus god this album is too long. i have listened to too much taylor swift tpd to give this any kind of rating.

the manuscript: 5/10. like if woulda coulda shoulda had no beat

thank you for sharing this journey. with me and also taylor swift

[m1ssunderstanding]

Get Back Rewatch 55 Years On: Day Four

"Lennon's late again" says Paul, as he walks in late. And sweet Ringo just gently, "between ten and eleven is the time" Which means: "Chill babe. He'll be here."

One thing that always gob smacks me is how bored George and Ringo are watching Paul pull Get Back out of the ether. They literally see him do this shit all the time which is insane to me.

His voice is so so so pretty!!! And he's just so completely in his own world. The hunched shoulders. The twitching. The gibberish. The tapping. The twisting.

Obviously this is a song with the original central feeling being let's go back to before everything went wrong but he wants to make it into a meaningless song with both story bits and almost walrus-esque bits. But why is the first lyric he comes up with about gender? Thinking of @scurators posts on Paul and gender.

Ringo's customary quiet really does add significance to his voice, so him singing along with this so quickly says something I think about his support for the song and for Paul in general.

When John walks in he's greeted with a little cocky nod and smile like "look what I've just done while you were late." And then Paul sings "get back to where you once belonged" directly at him before breaking the eye contact. It's one of those heartbreaking Lennon/McCartney miscommunications because Paul is doing this to get John back, but actually it's scaring him away, you know? Paul thinks he has to prove to John how good he is, but John's exhausted with how good Paul is.

STFU Michael Lindsay Hogg

Paul really does love the idea of being forced out of parliament by cops and honestly so do I. Would've been iconic and might've kept them together.

John's so quiet today and also Yoko is not here. Correlation or causation I wonder.

"They say don't they say charity begins at home?" I love you forever, George. His humor is always so well-placed and so dry (even though he's clearly cracking himself up here). And it steers the conversation away from a direction he was not happy with without poking any bears. In fact, everyone's laughing. Clever boy.

"I've decided that the whole point of it is communication. And to be on TV is communication and we've got a chance to smile at people like all you need is love or something so that's me incentive for doing it." Wise, egalitarian John making a lovely appearance.

And then there's Paul. "I'm here cause I wanna do a show." Lol I love them.

Why do they say "Mr Epstein?" Is it because they're on camera and they want people to know who they're talking about? Does it have something to do with the maharishi telling them certain ways to talk about Brian? Does anyone have any thoughts about that?

Okay so you know how I just said last time how emotionally mature George was? I still think it's generally more true of him than the others, but this right here? This is not it. "I don't want to do any of my songs in the show because they'll all just turn out shitty." Man has issues.

I think it's important to recognize that George and Paul have both said the literal word "divorce" and it's NBD. But when John does it, Paul takes it as "the groups really over and I have to go into hiding and not get out of bed and maybe od who knows." Why? There's another puzzle piece here that we're missing.

"Should we leave you for a while?" "YES!"

On the one hand I'm like "working on Maxwell is the last thing you guys should be doing with this time alone." But on the other thing maybe it's the only thing they can do at this point.

"Mal? You should get a hammer. And an anvil." As he's walking away. Main character in a contrived mad genius biopic. Except it's real.

"Joan" sounding suspiciously like "John" ... And then he goes "fool, Maxwell fool." Aka one of their ~special words~ New theory. John hates Maxwell because he dies in it. And Paul's the killer.

"Take it away Johnny." Even though it was George and John whistling before wasn't it? Did George get cut from the whistle chorus? Another straw on the camel's back.

I LOVE that John just does not know any of his own songs. Across the Universe my beloved!

On the glyn/Paul moment featured below, I have three thoughts. 1. Whore. 2. John Lennon villain origin story. 3. The fact that glyn didn't just tell John is striking.

"I wish it fucking would". "Cause I'm down." This lyric going from a self-soothing reassurance that his people aren't going to leave him that he'll always have this beautiful dream he's created with them. To this? I hate it here.

So there is a big emotional and energy difference between their Beatlemania selves singing "Rock and Roll Music" and their current selves. And part of it is due to the fact that they're just not as happy as they were then. But I think most of it is really just that they thrive when they're performing for an audience.

[stxrrynxghts]

Ranking the songs of Ponniyin Selvan

The sole reason for making this post is because I. AM. OBSESSED. Also, I am not a music expert, so this is just about how the songs sounded to me.

14. PS Anthem

I...I don't have anything to say. It's an okay song for me, I just don't like it as much as the other tracks, simple.

13. Devaralan Aattam

Again, same thing. It is a nice piece of music...I am not that fond of it. This album is soooo good, and this song is a nice song. Except I kind of get scared when I listen to it T-T.

12. Aazhi Mazhai Kanna

It is soooo pretty! My only complaint is that it is...what? A minute long?! I wish it were a full fledged, 2-3 minute long song...It has a such a lovely vibe, and I am in love with the music video.

11. Ilaiyor Soodar

It has a kind of nostalgic, old-ish vibe? IDK how to describe it, but it feels kind of melancholic, which I think it is meant to be? This is very small as well, no?

10. Chinnanjiru (Marumurai)

This is one of my fav songs on this album actually, but I don't listen to it that much, because it makes me cry. I think this song might actually make me depressed, it's so beautifully made and sung.

9. Chola Chola

It has a very energetic vibe, over all. Why do I feel that this would be a good gym song tho? It also seems like a strong dance song, and I love it for that. Also, I listened to the Hindi version first, and I highly recommend it.

8. Chinnanjiru Nilave

It is a very beautiful piece of music. My favorite part is how the music starts off with a very cheerful tune, and keeps it throughout the song, while slowly adding a tragic/painful tone as the song progresses. It really fits the couple it is picturized on. Who is the singer, guys? Another song whose Hindi version I loved.

7. Shivoham

I really love the fact that this song's lyrics are taken directly from Nirvana Shatakam. I am a sucker for well made religious music, especially with Sanskrit lyrics, and this is one of those songs. Someone make a 1 hour loop of this, it is toooooo short.

6. Ponni Nadhi

This was the first PS song I listened to, and it is so, so, so good!!!! Such an energetic and simultaneously peaceful song. The music video is so precious as well, and the fact that it is picturized on Vanthiyathevan is just another plus for me. Makes me want to sing along whenever I listen to it.

ANNNDDDDD NOW, TOP 5.

5. Ratchasa Maamaney

Sweetie, I am so sorry. I feel so guilty for ranking this so low. This is an awesome song. Shreya Ghoshal is a pleasure as always, and the music + music video are just precious. This song has such festive vibes, and Vanthiyathevan's parts are so hilarious. The flute in the beginning has fulfilled all my dreams.

4. Sol

Now, NGL, but I was not that big of a fan of this song initially, when I first heard it, but it grew on me. The whistling, the sound of water, everything is so cute. This is the most adorable song I have ever heard. The Tamil version was my fav.

3. Aga Naga

It is so dreamy and breath-taking for me. I am in love with this song. The instruments, and the singing, everything is top notch. IDK how people can dislike this song. It has a slow touch to it, and it is very romantic, but has subtle vibes? Like this song gives me the vibe of loving someone, but from afar?

2. Alaikadal

So dreamy and peaceful. I listened to all of it's versions, and it has a mysterious + chill vibe. Antara Nandy is such a good singer. This song just transports you to a different world.

WINNER: Veera Raja Veera

This song is just....perfection. Chef's kiss. Out of this world. ROYAL. I always blast this song on full volume, and it is EVERYTHING. This song is just....I don't have words for it. The lyrics are even more perfect. The part before the last chorus is my fav and I just-

Also the music video.

DAMN.

I am screaming, shrieking, throwing up whenever I listen to it.

What is your ranking?

[fl00mie]

Ooh, can I ask what that specific line from XTale was that made you connect X-Gaster to "It took me by Surprise"?? :DD (I was literally just listening to it a few minutes ago so now I'm curiousss)! Also, yeah! Animatics are so hard to makeee!! It's insane! The OST thingy is also so funny to me for no reason xD (It's like reading only the first and last chapter of a book and calling it a day) Also, also!! I loveee the "Soulless Heart" lyrics so muchhh!!!! I get not knowing it had lyrics though lol! I'm glad to hear you slept well, but I totally get how frustrating it is to wake up late :( One thing that usually helps me is changing my alarm's time and music because it throws my brain off! Don't know if that helps, but <3!! Also, no worries about replying late to my asks!! There's no rush! I got notifs on for your blog so it's tots okay to take your time! :D I'll be here whenever you do manage to answer :3!!! Hopefully I didn't forget to reply to anything you said xD! Take care too, Exxiee!!

-☀️

yesyesye it is literally the chorus- like "it took me by surprise, the hatred in his eyes" and honestly the entire rest of it just fits hella right because OF

when i first watched the whole xtale movie i gasped so hard when this scene came through AHSHDH went like "what the heck?? this is literally.." and made some memory (nostalgic moment tbh)

the truth is i feel happy to have grown up and just to have returned to the ut community as it really belongs, back then i only used to be attached to sanscest ships😭 but now i can enjoy and appreciate every detail of the original game and everything about the multiverse more appropriately, it's pretty neat!!!x3 btw about that alarm thingy, i actually used to do it but stopped 'cause vacation lolss i'm not really *that* worried for my schedule.. at least not until september⚰️ still thank you very much for the advice♡♡ aah just as always (it's becoming a routine wheheh) i reply to your asks just before sleeping, i'll try to get up early this time tho! no promises.. good night sunny<3

[tellmegoodbye]

Now that I finally posted my fic, until the end of time, I wanted to make a separate post for the playlist as well!

I shared a couple of these songs for music monday, but I'm going to do a more in depth analysis of the entire playlist, listing each song in order, talking about which lyrics inspired me, and sharing which moments in the fic they reminded me of.

Listen to the full playlist here.

---

Overcome - Nothing But Thieves

This was the first song I connected to 4x18 back when I first started writing this fic back in June of last year. The playlist opens with it because it introduces the overarching theme of choosing love in life's most difficult moments.

Bringer of the calm, your arms wrapped around when the fever took Thought I was gone for good, you brought me back

But I've been thinkin', babe, maybe you're right When you said the pain weathers in time We're just waitin' for a change to follow We don't always get all that we want Redefine the pain to somethin' more And we shall overcome as we've done before

Stay - The People's Thieves

I see these lyrics as a sort of a back and forth between TK and Carlos.

The first verse is TK feeling helpless when he watches Carlos spiral. He knows that he has to wait for Carlos to come around. They'll leave the darkness when he's ready.

The second verse is Carlos understanding his own weakness. He knows he can't fight this alone even if he's too blinded by obsession to admit it. He needs TK (and Owen) to help him escape it.

The chorus is TK and Carlos comforting each other. TK was scared for Carlos, but Carlos came back to him as he always will. Carlos was lost, but he found his way back home to TK.

I can find a place where no one feels the rain We'll huddle while the storm goes Leave here when you say so Hang on I pray the day will come when you can feel the sun And wipe off all the marks of days spent in the dark love Hang on

I'm only just strong enough I'm slowly sinking through the ground below So hold me Just long enough to show me How to find my way back home

Stay When you feel afraid Where you are is where I'll always go When you've lost your way Where you are is where I'll always go

Sleep Deprivation - Chance Peña

This is where Carlos' head is at. He's lost within his grief and relentlessly persuing justice at the same time. He wants to do right by his family, but he can't do that without losing himself in the process. He still needs to realize that he is allowed to slow down to process his grief and take it one day at a time.

Lost and ambitious I've been on a mission I won't stop till I'm done I toss and turn almost every night I pray to God I'm doing right By all my family's wishes Lord knows I miss them Their love outshines the sun

So when I break down I list off the reasons I'm here and I'm still breathing I'm hanging on Try to break ground, make way for tomorrow I'll find a way through the sorrow One day at a time

Discoloration - Dawn Golden

This reminds of the scene where TK is trying to rationalize with Carlos, but Carlos isn't hearing him. He's too sucked into his obsession to see that he isn't alone.

You took my hand and brought me down in the morning And I was sitting waiting for the telephone to swallow me whole

And I watched your mouth moving like a tired machine trying to plead with me. Trying to swallow me whole

And the whites of your eyes blackened with a hardened decay And you talked to me in a broken voice

Fade In / Fade Out - Nothing More

I wrote an analysis on this song here, but I think these lyrics are the perfect encapsulation of Carlos and Gabriel's relationship. A lot of these thoughts would be haunting Carlos in his persuit of Gabriel's killer.

Son, I have watched you fade in You will watch me fade out When the grip leaves my hand I know you won't let me down

Go and find your way Leave me in your wake Always push through the pain And don't run away from change

We all get lost sometimes trying to find what we're looking for

Are You Really Okay? - Sleep Token

(cw: references of self harm)

This is a song about self harm from the outside perspective of a loved one. This is where TK really starts to realize that something is wrong with Carlos, and he doesn't know what to do. Carlos is engaging in his own version of self harm when he refuses to let himself sleep, eat, or grieve.

I raised you in the dark Caught you reading by the sunrise You wandered from the path Through the silence of the hillside

You woke me up one night Dripping crimson on the carpet I saw it in your eyes Cutting deeper than the scars could run

And don't you know I can see it in you even now And don't you know I want to help you but I don't know how And are you really okay?

I cannot fix your wounds this time I don't believe you when you tell me you are fine Please don't hurt yourself again

Promises I Can't Keep - Mike Shinoda

This is probably my favorite song on the entire playlist. In the aftermath of everything that went down, Carlos is in shock. He's upset, but he doesn't really have the chance to process the gravity of the situation until he gets home to TK. It's a feeling of relief mixed with that sinking feeling of realization when he comes back down to earth and his head is finally clear enough for him to see how bad it got, and how bad it almost became. He now has to accept the fact that he may not be able to keep his promise to Gabriel. He may not ever find his killer.

What's the difference between a loss and a forfeit I tried to make it better, but I made it more sick I tried to make it right, now awake at night I know reality was getting in the way

I used to think that I knew who I was Never saw it coming unglued I used to think that I knew who I was Now it's time to see if it's true

I had so much certainty Til that moment I lost control And I've tried but it never was up to me I've got no worse enemy Than the fear of what's still unknown And the time's come to realize there will be Promises I can't keep

I Am Not Who I Was - Chance Peña

Carlos has come to terms with the decisions that he made, and now he has to figure out where that leaves him. Is he still going to be a person TK can love? Is he going to keep going down a path of isolation, or is he going to hold on to what's most important to him? In the fic, he pleads with TK to not give up on him, and of course, this is never a question for TK.

You keep me steady on the ground When my head's lost in the clouds That spotlight, though it shines bright Could never drown you out I know it's hard when I'm away I'll just hope you don't lose faith 'Cause I told the truth when I said to you That I'll be back someday

So if I fly too far Will I still have a place inside your heart? And when you've seen what I've become Will you love me for who I am, not who I was?

Life's Gonna Kill You (If You Let It) - Man-Made Sunshine

TK approaches Carlos with more understanding than most people would have, because he's lost a parent too. He knows just how dark Carlos' thoughts are. And he has the experience to know what to expect. Carlos' grief is different from TK's, but having someone who loves him and who has been there is important when he hits his lowest point and can't see how he can drag himself out of it. TK isn't going to let Carlos get to a point where he can't come back.

You know I see your troubles from a continent away And they take me from my own And I know you feel your mind gets ugly every day And I know you know what it's like to feel insatiably alone

I won't let you get ill, I won't let you give in 'Cause this life will only kill you if you let it Don't you let me get ill, 'cause you know that I will My pain loves the company My life only kills me when I let it Yеah, life's gonna kill you if you let it

Back To One - O.A.R

This song is all about starting over. It's about changing your perspective when life becomes too overwhelming that you start to lose sight of the good things. When Carlos comes home and sees TK, his whole world who was right there waiting for him all long, he's reminded of the love he still has, and the happiness that he still has the ability to feel. He is not entirely lost. Looking back on his father's death isn't going to help him move forward. And moving forward isn't forgetting either. This song is an anthem of what it means to live through the worst moments of your life, and that's what Carlos is learning how to do. Live.

I see you there, but you don't look right You got a ten-mile stare in your eyes tonight Time ain't fair, like it used to be

We're all dressed up, nowhere to go We lost our way, about halfway home And we hurt the ones who get too close

Don't look back, you'll never find your way There's a million different people Who break the same way When everything has come undone We got to bring it back to one

I know forever always asks so much Don't you let it scare you, don't you lose your touch When your still waters start to run, bring it back to one

Can I Sleep In Your Arms - Willie Nelson

This is the song TK and Carlos were dancing to in the fic! I chose it for a couple reasons. I have my own (vague) hcs of the kind of music TK and Carlos like, and I do think there is some portion of Carlos' music taste that is dedicated to older stuff. I see him listening to old country loves songs like this one as a kid and imagining the day he'd find a love like that of his own. He found it with TK. He fought to hang on to it because this thing that he has with TK is so beautiful and precious, that he'll be damned if he ever lets it go.

In regards to the actual lyrics, this song is simply about how when you fall down, when you struggle, the person who loves you is always going to be right there by your side to help you get back on your feet. It's a song about healing, comfort in weakness, and devotion.

Can I sleep in your arms tonight, lady? It's so cold lying here all alone And I have no hold to hold on you And I assure you, I'll do you no wrong

Meet The Moonlight - Jack Johnson

This is a callback to the theme of choosing love. Carlos lost sight of it momentarily, and couldn't see a world where he could exist outside of this mission that he was on. But he can. He can choose to live and to pormise himself to TK forever. His dreams that he couldn't allow himself to have most of his life are still real and attainable. He can take control of his destiny.

Well, you can meet the moonlight Any night you really wanna It's waiting in your own backyard You can make the flame Meet the kindling, make the fire Don't let anybody say it's too hard

It's funny how blind dreams can be It seems like they look off too far But it's good to be right here It's good not to miss too many chances to follow love

Emerald Eyes - Anson Seabra

I didn't include any moments from the actual wedding in this fic because it would have defeated the purpose of the whole thing, but I do love this song for the wedding in particular. Carlos is looking at TK, this man who he loves with everything he has, who he's been through hell and back with - and he knows that this is meant to be. He knows their love is strong enough to survive anything. The road to their wedding wasn't easy, but now he's here and now he gets to take it all in. He gets to have forever with him.

A subtle breeze, it's you and me Chest to chest, no in between And every moment's better than the last Anything and everything That I could ever want and need Is standing right beside me in the grass

The birds they sang a melody My heart was keeping time and we Were dancing on the edge of something new Slow at first but still it seems That we'll go down in history As lovers from the start, just me and you

'Cause I've spent a thousand nights Lost in your emerald eyes Lost in a place where I know You can see my soul Make me lose track of time You and your emerald eyes Finally found a place that I can call my home

Tennessee Whiskey - Chris Stapleton

I had to include at least one song that had a somewhat sexy vibe, and this was it. This is the way it feels for TK and Carlos when they go home and give themselves over to each other as hubsands with a foundation of years of pining, building trust, heartache, and every obstacle in between. No matter what happens or where they go, the love that they have is never going to die.

But you rescued me from reachin' for the bottom And brought me back from being too far gone

You're as smooth As Tennessee whiskey You're as sweet As strawberry wine You're as warm As a glass of brandy And honey, I stay stoned on your love All the time

Baby I'm Yours - Arctic Monkeys

This is the "end credits" song. We revisit the theme of choosing to live. After this entire journey it all comes back to the love Carlos feels when he's with TK. He makes a promise not only to TK, but to himself, that no matter what happens or where life takes them, he will always remember this feeling.

Also, I saw that the fic title was a lyric in this song (this was on accident, I didn't come up with that title with any song in mind) and I knew I had to include it!

Baby, I'm yours And I'll be yours until the stars fall from the sky, Yours, until the rivers all run dry In other words, until I die

Baby, I'm yours And I'll be yours until the sun no longer shines, Yours, until the poets run out of rhyme In other words, until the end of time

I'm gonna stay right here by your side, Do my best to keep you satisfied Nothin' in the world could drive me away 'Cause every day, you'll hear me say Baby, I'm yours And I'll be yours until two and two is three, Yours, until the mountains crumble to the sea In other words, until eternity

Bonus: I ended up removing the song only because I didn't like how it affected the overall flow of the playlist. But an alternative "end credits" song is Adore by Prince. The lyric "until the end of time" also makes an appearance in that, and it's a song about loving someone and knowing that love will never go away.

Tagging some people who've read the fic in case y'all are interested in song analysis. I also just wanted to thank you all for being so wonderful and supportive and leaving such lovely comments. Y'all are the best. ♡

@herefortarlos @strandnreyes @sapphic--kiwi @paperstorm @firstprince-history-huh @literateowl @ironheartwriter @theghostofashton @nisbanisba

Also tagging some people who expressed interest in this fic. If you want something to listen to while you read, here you go!

@heartstringsduet @lightningboltreader @reyesstrand @emsprovisions @lemonlyman-dotcom @carlos-in-glasses @butchreyes @whatsintheboxmh

This can also double as an inspiration saturday tag. I should really participate in that more often, but I think this counts so consider yourselves tagged!

[siberian-khatru]

HOLY SHIT I'M ALREADY UP TO POWER WINDOWS!!!!

Which is their 11th studio album, meaning I am really halfway there (and yes, living on a prayer). In his memoir, Geddy said this was in his top five Rush albums, and, well, he would be the expert, no? So, without further ado, here are my Thoughts on this synth-era classic: 1. "The Big Money"- This album was one of the more recent additions to my collection, and I remember listening to it the first time on a cold January evening, I think I had just turned 16, and being absolutely blown away by this opening. By the synths, by the bass line, by the sound of it. Of how clear and sharp the whole album sounded, and I couldn't believe that Rush had done it again: made another album that I loved. Power Windows is also one of my favorite Rush albums, and this opener completely sucked me in. It also establishes the themes of power present throughout the album: that "big money" wields so much power. 2. "Grand Designs"- This is one of my favorite songs on this album (hint: I could say that about any song on this album). I love how the synths sound, I love the accentuation of Alex's guitar, and I love the lyrics!!! The whole vibe of the song, to me, is about personal power, and it has just such a clear, optimistic vibe. 3. "The Manhattan Project"- Who doesn't love a song that Neil read an encyclopedia about the Manhattan Project to write? It's about the creation of the atom bomb and the impact it had, so obviously it's about the power of imperialism and it's about nuclear power. I love the way the breakdown is used in this song, and I love the climax when when Geddy sings "flying out of the shockwave".

4. "Marathon"- Okay, I may have lied about Grand Designs being my favorite song on this album, because I also love this one wayyy too much. The frantic baseline, the steady beat of the drums, and the modulation during the last chorus--- it really feels like you achieved something by the end of the song. This is song is just so... uplifting to me. I love it so much (did I say that already?). 5. "Territories"- This song is about nationalism and it's dangers--- which is another sort of power. The power on a national scale. Honestly, Neil's drumming on this track (and his lyrics) are absolutely spectacular, and I wish I saw this song mentioned more often when talking about his best tracks. I also love how the second verse also touches on how propaganda is really the machine that keeps this cycle going--- and I love the word play of "In different circles we keep holding our ground/ Indifferent circles we keep spinning round and round". That is just so clever. 6. "Middletown Dreams"- As I'm going through more and more of these songs, I'm noticing that the album is really split between personal and societal power and the impact it has. For example, this song is really about taking the power of your dreams and passions in your own hands, and pursuing what you love. I once watched/listened to an interview with Neil Peart, and he mentioned this song specifically as one that fans misinterpret as being cynical, when he never intended it to be cynical. I just found that really interesting. Another thing I'm noticing as I'm listening to this album is how fresh the synths sound to me--- the album doesn't sound dated at all to me (maybe because I listen to so much prog it's rotted my brain?). 7. "Emotion Detector"- Ahhh a song about the power of emotions, and the trouble of reading the emotions of others. The song also talks about the balance between being cut off and being too open with others which is a common theme in Rush's music and totally doesn't make me think Neil was neurodivergent of some kind haha anyway. This song is really about human relationships, and the way we communicate with each other, and some of the lines in this song are so good. And Alex's guitar solo is phenomenal. As usual. 8. "Mystic Rhythms" - This is about the power that nature has over us and our sense--- it's a song about the mysteries of the unknown, and it's soooo cool. My only gripe with this song is that it fades out at the end, and it's the closing track. Although, in this case, I could be persuaded to believe that it adds to the mystery of the track, and may have been intentional.

[jesuisgourde]

Okay, All Quiet On The Eastern Esplanade is out in the states, so time for a listen and a rambling track by track reaction. I'm listening to the whole album through and writing my thoughts, and then listening to it once more and adding any other observations.

I've already heard Run Run Run, and like I said before, it feels very classic Carl track. It's very catchy. I think I have the same complaint as everyone else, which is that it feels over-produced. No one should autotune the Libs, the whole point is that they're a bit wonky. Also I don't like that they've fucked with the equalizer and the vocals sound weirdly muffled? Also, upon this listen-through, this song reminds me a little of Frank Turner, which is a weird musical callback to like 2012. My favorite thing in any song is when the instrumentals cut out and it's just drums and vocals, so I love that as the ending of the song. This whole album has so many varied cultural references which I find very entertaining. Does Peter yell "Get your pants off" or "Get your hands off"?

Already I like the lyric to Mustangs A LOT. Feeling a Lou Reed influence there. Love Peter's high-pitched backing vocals and also the Pigman reference. I really love Libs songs where it's just a little scene set to music. And this is exactly that, in such a good way. Again, not a fan of the mixing. What is it with producers these days and mixing so shittily that the vocals get lost in the background instruments, and everything gets muddied? I had the exact same complaint with the last Manics album. Anyway, love the little jokey bits at the end. The second verse about the nun is such fantastic imagery. (Lastly, I thought it was Mustang, singular? But it's plural on Spotify?)

I Have A Friend has an AMAZING chorus I love it. Also that solo guitar bit from Carl right after, I literally could see him hopping up and down in my head. Love Peter's rolled R's. Okay, upon listening the second time round I really really really like this song. The lyrics are incredible. I think they're my favorite on the album. Social commentary but also absolutely beautiful and amazing imagery.

Merry Old England has a bit of a Hamburg Demonstrations vibe to it, which I love. The further I get into this song, the more I love it. It's such a creative and sarcastic critique of Tory policies and all that. Again, I've criticisms about the mixing. Also the pretty violins makes me miss Miki Beavis's wonky violin in Madres, which I think suits Peter/The Libs way better. Still, they add a nice touch.

Ohhh I love Man With The Melody, the clear pretty vocals. I like that each of the Libs have their own verse, that's so cool! Fuck the autotuning though. I really like this song. Melodically it sounds like a sequel to Milkman's Horse, and thematically a sequel to Fame And Fortune. It sounds like a "reply" or a look back at Anthems. Very pretty, with the lovely piano and minimalist guitar.

Hahahha Oh Shit! feels soooooo early 2000s American pop, in a fun way. It reminds me of something but I can't quite put my finger on it. Something that was on the radio a lot in like 2003 or 2004 maybe? This is clearly a Fun Song, like a slosh your drinks around while dancing all goofy type song. Peter's "And that was the news today" at the end is so silly. I think this track is my least favorite but it is fun.

I already know I love Night Of The Hunter. Firstly because anything that uses the Swan Lake motif has my heart instantly. But also because I love the lyrics, I love when Peter writes songs about noir-type vignettes. Finally, some good shared vocals that aren't drowned out by instruments. Gosh, I love the lyrics of this song, I love the dual meaning in that it is technically about an actual noir film but could easily be talking about Peter's past as well. I really like that the lyrics get priority on this one and the instrumentals are pushed back in the mix with the Swan Lake motif coming forward sometimes. It feels like it needs that minimalism.

The guitar on Baron's Claw is already great from the start. I hear Peter's taking a leaf out of Daniel Darc's book with the close-in breathy vocals, which I'm so into because since I learned about Daniel Darc from Peter and Frederic Lo I've actually fallen in love with his music too. Melody-wise it's very close to The Glassblower from the Fantasy Life album, which is my favorite song off that album, so I'm not surprised I like this song too. I like the story in the song and I like the jazzy brass and piano and Peter's vocals. It feels like it's being sung in a smoky jazz bar. This one is so good.

Shiver is sooo catchy. I find myself humming it sometimes at work even though I haven't yet absorbed all the lyrics in my memory. This is also the real "Libertines mythology" song, so of course it's good. The fact that the lyrical subject matter is made up only of criticizing the monarchy and talking about specific Libertines lore is just so them. It's so short, though! I wish it were longer!

The guitar on Be Young is so chaotic lol. It reminds me of Horrorshow a bit. Okay, actually this whole song is chaotic. Melodically, lyrically, it sounds like they were crashing around in the studio while recording, which is very fun. The random calypso bridge bit is so....random! I like it, just a surprise in terms of musical style change. Suddenly they're the Clash! A fun way to pay homage to influences, I think. Also Carl yelling "Woo!" and then collapsing into a cough at the end is really really funny.

I can definitely hear the early-ness of Songs They Never Play On The Radio. You can tell the scaffolding is there from that early set of Libertines-to-Shambles transition songs like East Of Eden/Love Reign Over Me/Merry Go Round etc. I really really like the guitar on this one. And the vocals are so nice. Again I don't like the mix, where Peter's voice is a bit overtaken by the muddiness of the backup singers and instrumentals. But I do like this song a lot. The lyrics are pure Libertines mythology. Ahahah the dogs howling! The bit of acoustic and messing about and chat, I really like that. I think it's a really lovely ending to the album, just a glimpse of them obviously being friends and having fun. It's like a beautiful reply to the question "What became of the likely lads?"

As I've only listened through the album in full twice at this point, I'm sure my thoughts will change over time. But at the moment I think my favorite is torn between Night Of The Hunter and Baron's Claw. I Have A Friend and Songs They Never Play also are just so lyrically good. Least favorite is definitely Oh Shit. I'm excited to see which songs grow on me and in what ways.

[tatertato]

life series smp winners playlists part 1

okay so i've been just absolutely brainrotting over this for like weeks now and its time to finally post it!

i've basically just been compiling songs that i think fit each of the life series winners, and they're either songs i've seen work really really well in animatics already or songs that would probably work really well, but are less popular or not associated with this fandom (yet)

i'll be linking+listing them here as well as providing little snippets of explanation for why i think the song fits, but i don't feel like making actual spotify playlists or smth, so if anyone else wants to do that, be my guest.

ofc i still had trouble finding good songs for some of them- if anyone seeing this has a good idea that i missed, lmk and i'll update these posts (no promises tho)

i was originally gonna put all of them into one post, but fortunately i have come to my senses, so this is part 1. here we go!

update:

pt 2 (LL!scott)

pt 3 (DL!pearl)

3rd Life: Grian

Eighth Wonder - Lemon Demon: this song gives major Watcher!Grian vibes imo

Extra clever Earth-bound spirit Ghost in the form Of a mongoose (watcher in the form of a player)

Hello, I'm here I'm living in the wall I know I might be small (common headcanons of short grian, also living surrounded by cactus walls!)

Jim, let me go I watch like Hell (self-explanatory)

2. A Big Day for Grimley - AJJ: this one is because of this animatic, and also the lyrics fit the characters almost too well

I went back to the desert, little Midwest in me And now I am colder than I used to be (it feels like him reflecting on his experiences in 3L)

I came back to the desert, and the desert came into me And now there’s a quietness, and it’s deafening (returned to the desert for the final duel, and now that he's the only one left, the absence of his partner is deafening)

i could go on much longer about this song, but i feel like the animatic sums it up really well so GO WATCH THAT GO GO GO

3. Take Me to War - The Crane Wives: i know that everyone and their mother has done desertduo crane wives, but i've yet to see anyone use this song, which is a shame since its one of my favorites!

I've earned myself a reputation That my bark is much worse than my bite But I keep snapping at Goliath's hands With all of my tiny might (technically, he's not red, and also his traps keep failing, so the threats are pretty empty, but that will not stop him from being a menace)

Take me to war Honey, I dare you I'll be the sweetest thing To ever scare you Give me a fight I can't resist Give me something to break with my fists Take me to war Honey, I dare you (same thing as the last one, but i had to put the chorus in this post, it's just too perfect)

So I will leave it where it's standing And instead I will find me a match I'll turn it all to kindling I'll burn it all down to ash (we love a bit of arson in this fandom)

4. Community Gardens - The Scary Jokes: this is watcher!grian again, sorry not sorry- i do have a really vivid image in my head of an animatic for this song tho (the brainrot goes deep, i cannot escape)

Full disclosure, I am a monster A creature of despair, not that that should be a cause for concern (its so watcher coded im gnawing on the walls)

You'll be fine, you honeycomb Who could ever hurt you? Who could be so cold? You'll be fine, oh, honey pie Who could ever hurt you? Who could be so unkind? (ok so remember when i said i had an animatic idea about two sentences ago? ya. so i imagine this part as watcher!grian going through and causing the final deaths of all the winners (except scar we'll get there i promise) for instance, smiting scott at the end of LL, severing pearl's soulmate string in DL, and checking the time left before killing martyn in LimL)

The culmination of man's mistakes came the day The sun ran so hot, it turned the desert to glass (this is the whole "hail mary" thing where they blew up the whole desert and still didn't kill anyone)

If there's something to be learned from all these losers It's that the price that you pay For arrogance and a false sense of immunity Is to face the wrath of a dying star (false sense of immunity is scar's no kill passes, reputation points, etc., which really didn't mean all that much in the end (see: Bdubs))

5. Passerine - The Oh Hellos: aside from the obvious bird symbolism (passerine are songbirds), the overall theme of this song fits the character pretty well! (i think it could also apply to DL jimmy if you squint)

You were the song that I'd always sing You were the light that the fire would bring But I can't shake this feeling that I was only Pushing the spear into your side again (3L typical desert/light/sun/fire imagery, with a bonus helping this time of 3L typical self doubt and/or survivor's guilt! you love to see it)

My palms and fingers still reek of gasoline From throwing fuel to the fire of that Greco-Roman dream Purifying the holy rock to melt the gilded seams It don't bring me relief, no it don't bring me nothing (more arson what can i say- also the hollow existentialism that comes with killing your friends)

When he comes a knocking at my door What am I to do, What am I to do, oh lord (ok i like to imagine this line as grian realizing that scar's SL win means he goes to hang out with the winners now, meaning uhoh reunion time! that's about to be awkward!)

6. Do It All The Time - IDKHBTFM: yeah i know it doesn't seem like it fits at first, but i think parts of it captures the spontaneous silliness of 3L pretty well

No reason why I'm only doing anything I want to do Because I do it all the time We're taking over the world A little victim-less crime (making monopolies (or trying to) really just because)

Now we're so young But we're probably gonna die It's so fun We're so good at selling lies (this one's pretty on the nose, but you get the idea)

and that's all for grian! stay tuned for LL!scott next!