#because it is indeed a rant

[hauntingofhouses]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[tagidearte]

Who?

(Can't do digital art again yet. Traditional has been fun, though. Click for not blurry quality)

[ungroomedcat]

I see people complain that Gintama didn't end with romance and I think, did we watch the same show? Why on earth would it end with romance it was never about romance.

[beanghostprincess]

I wanna know who your favorite vinsmoke sibling is so bad actually please tell me 👀✨

My friend and my brother laughed at me when I told them my favorite Vinsmoke is Niji, and I genuinely was embarrassed that day because I didn't really know much about him at the time (I think I had only watched a few eps of WCI) and it's pretty clear in the show that he's, uh, the worst of the Vinsmokes. And by "the worst" I mean: The one who's portrayed as the worst because he's the most active one when it comes to abuse and supremacism within the family line. Unlike Ichiji (who's more serious) and Yonji (who's more playful, somehow) Niji is the one who has to actually fight for a role in his family and that's why I think he's so fucking annoying all the damn time. I hate him. I love him. I want to hug him. But also I wouldn't mind punching him very, very hard. I have mixed feelings, but yeah, Niji is my favorite Vinsmoke. And you haven't asked why, but I feel the need to do some sort of mini argument about this because I am a very resentful person and I want to show my friend and my brother that Niji is actually a very interesting character!! And my fiancé thinks I just like him because he's hot, and she's right but only like a 20%. Maybe 40%.

I will try to put my thoughts into words, but it's pretty difficult because I have a lot of things to say about this blue evil gremlin.

I like Niji the most because I think he is, between the three brothers, the one who shows feelings and ambitions outside their emotionless selves the most. I know they technically are the same, but I don't think so (btw, please assume I'm not including Reiju in this text because she's canonically different from them and I'm just referring to the brothers).

As I mentioned before, I think Niji is the one brother who is the most annoying and evil because he feels the need to stand out. Ichiji is serious, and calculative and has a secure place in the family. He is the number one, even if Reiju is the oldest (I would like to talk more about how Reiju, being a woman, even if she's the oldest, she's the number 0. Because she is the oldest but she's a woman, so she obviously doesn't and would not be able to wear the number 1 like a man would. She is the oldest and yet, she has less significance in the family line than Ichiji. But, yeah, this is something that has nothing to do with Niji, sorry). Ichiji, like all of his siblings, wants recognition from his father, but he doesn't have to try as hard as the others to be impressive because he is, after all, the oldest. The typical "older sibling in an abusive household who has to deal with all the bullshit to protect their siblings"? That's something Reiju took over. That's Reiju's responsibility as the oldest and the woman. Ichiji literally doesn't have to do anything besides leading the team and being the evil, emotionless machine his father created. That does not mean that I don't think he could be able to develop more feelings, because I think he could and I love the concept of him being the first one to protest against Judge's behavior, but you get me. When you're the oldest brother with an even older sister, your responsibilities are pretty limited. So he doesn't have to be anything but there and himself.

Yonji, on the other hand... He is the youngest. Even younger than Sanji. He doesn't have to try, because Niji and Sanji should be the ones to do so. Little siblings are not expected to do much besides existing because irl parents are usually tired of raising children and they end up either getting neglected or seen as decoration. As a little sibling myself I can confirm that these things affect really badly to your brain growing up, but I got a more Sanji treatment so I can't speak for Yonji here. The thing I can say, though, is that in comparison to Niji, Yonji is just there. He's silly and goofy. He's funny. He's dumb. He has the excuse of being the little one to act that way. Getting lost eating or doing whatever. Even the fact that his powers are more physically focused instead of power/intelligence centered shows that he can just punch away his issues. He's the gym bro of the siblings. Don't expect much from him. <- Thing that's often said about little siblings, btw, and affects real fucking badly in early teenage years. The fact that he's portrayed like that is so on point tbh but after all, they don't have high expectations for him, so little to no effort is everything he does.

Then there's Niji, of course. My favorite. Love him. Hate him. Whatever. Niji is the middle child. And God, do I have to say things about middle siblings.

The thing about Niji is that he actually has to try and make a name for himself in the family because otherwise he'll probably get forgotten. I often wonder if he had that fear of becoming the next Sanji once he "died" (he's the only one genuinely asking if Sanji died on them before Yonji and Ichiji say they don't care) because his role is not as noticeable as the others. Reiju is the woman, Ichiji is the successor, Sanji is the weakling getting bullied (being technically one of the little siblings but still being in a limbo of middle/youngest because the little one is Yonji), and Yonji is the little one. Then... What's Niji?

Niji needs Sanji way more than he's willing to admit, and I love that. I absolutely love how he's written because he constantly shows that he needs Sanji, through both words and actions. He needs him because without Sanji's existence -without Niji being his bully- Niji is nothing but number 2. And there's nothing more frustrating than being the number two when it comes to family hierarchy. Not going to mention every little thing he does, but as I said, I love how well-written he is. He's the sibling Oda uses the most to show the abuse Sanji went through, but that's only because Niji is the only one who needs to do that. Niji is the one to talk to Sanji first, all the damn time. He gets angry when Sanji doesn't respond. He gets angry because Sanji can't be bullied anymore. He gets angry out of fear, in my opinion, because if the weakling can't get abused anymore, then he's not worth anything. If Sanji isn't the third, the second one is left alone. 2 can't fight 1 because 1 has the protection of starting the line. And 2 can't fight 4 because there's a missing link that keeps 2 from 4. So Niji is mad at Sanji because Sanji isn't the same weak crybaby he used to be, and he can't use him anymore to be secure and safe.

That's fucking horrifying when it comes to family hierarchy.

I like Niji because, despite being an asshole, he has reasons to be like that. First of all, because his father literally made him this way. But also, the little feelings he has (selfish emotions, yes, evil. But they're feelings, anyway. Urges. He's supposed to be emotionless and yet he knows how Sanji feels enough to use that to his advantage) are used as a way to feel superior and safe because he feels inferior. I think he's the one showing more emotions out of the three, even if those emotions aren't healthy or good and it's just him being angry all the time. That means that if he has urges and needs like that, even if he doesn't fear his own death, he could end up developing more and more empathy. His type of empathy comes from a place of fear. He feels what Sanji feels. And it's not that he doesn't care (I mean, I am aware that he technically doesn't, but let me dream) but it's just convenient for him not to care and keep bullying him to secure his place in the family.

Also pointing out that I like Niji because, being the one who says he hates Sanji the most, he's the one to protect him with his own body when that scene of the siblings helping Sanji escape happens. The others only clear the way, Niji stays with him. There's a really cool post about this on Niji's tag somewhere!!! I personally think he does this because, as that post said: Niji keeps seeing Sanji as weak, instead of believing in him enough to just clear the way. He protects him because he thinks he can't protect himself. Because he's weak.

And yes, it might sound offensive and emotionless and it doesn't make Niji a better person. But it makes him an older brother. Believing in Sanji would be great, but thinking that he's weak and needs protection after years of projecting on him only shows that the weak one is Niji. That he wants and is willing to protect his brother, too. If he didn't care about his well-being he would've just cleared the way for him, not caring about what could've happened to Sanji. But he goes all the way to help him out and protect him longer than the others did. Idk. I find that a very beautiful way of ending their relationship.

All of this being said, I have to be honest with you: When I said I liked Niji for the first time I only did it because people around me kept saying he was the worst one and it bothered me because I found his design pretty fucking cool. And tbh when he started being an actual character? I loved him even more. Because during WCI he's a fucking asshole but the way he acts towards Sanji is wanting to get a response from him, and I just find that so curious and complex... Like, if he just wanted to be evil he'd be more the Doflamingo type. But Niji looks for a response in Sanji's eyes. He wants to feel powerful because he knows he isn't.

And also, well, he's very cute and I like his hair a lot and he makes me furious sometimes which is great because if a character doesn't make you want to punch him at one point, is he really a good character? Look at him! He deserves to get slapped in the face. But also, I would love to kiss him afterward. What's that Olivia Rodrigo lyric? Ah, yes: "I wanna break his heart, then be the one to stitch it up. Wanna kiss his face with an uppercut." That's how I feel about him.

I really hope it's obvious, with all of this, that "Succession" is one of my favorite TV Shows, because I could go on and on and on (and nobody would listen but idc) about how the Vinsmokes are just the Roy family. Both One Piece and Succession deal with family in which hierarchy is crucial in a very specific and accurate way. It makes me sick. I love it.

Anyway, have some pics of my blue idiot:

I want to hit him in the head with a baseball bat.

[coffeenonsense]

I usually try to stay in my lane most of the time (mostly bc I am far too old for fandom drama) but what the hell, it's friday, let's put that lit degree to use:

the way people are playing morality politics with fiction is really starting to genuinely irk me and I think some of the responses to ascended astarion are a perfect example of why this type of thinking is actually hugely detrimental to one's ability to meaningfully engage with fiction and also to the future of art.

astarion is one of the most well-written complex characters I've seen in recent years bar none (and I'm clearly not alone given the explosion of his personal fandom lol) and he has a truly compelling, emotionally resonant character arc whether you ascend him or not

If you keep him a spawn, you get a deeply touching, realistic character's journey to healing and personal growth where he learns who he is after the experience of his trauma and depending on the player's choice, explores his relationship to sex, romance and intimacy

If you ascend astarion, you get an equally emotional and well-rounded character arc where he chooses the power that allows him to have the desperate freedom and safety he's wanted, but in the process eschews any hope of real healing or personal development, and again, depending on the player's choices, restarts the cycle of abuse by taking cazador's place.

These options offer vastly different paths for the character and experiences for the player, but while yes, ascended astarion is the evil ending, and yes, ascending astarion is a tragedy, and a fucking incredible one (not only do you have astarion reigniting a circle of abuse but you have the narrative weight of KNOWING he could have actually overcome his trauma...hats off to the bg3 team tbh) but that does not mean ascending astarion MAKES YOU AS THE PLAYER EVIL

Ascend astarion because you love tragic story arcs, ascend him because you want to indulge in a master/slave vampire fantasy, don't ascend him because you want a healing character journey, don't ascend him because you want a sweet romance; all of these choices carry the same moral weight for the player, which is to say, none, because they are an exploration of fiction.

I know I'm saying this to the villain fucker website but it bears repeating; just because someone wants to engage with evil, fucked up characters or content does not mean they support evil acts in their real life, and furthermore, exploring dark, taboo or tragic concepts safely is part of what fiction is for. It enables us to look at those things from a distance, work through difficult feelings and develop greater understanding of what makes our fellow humans tick — and before you get it twisted there's also no moral issue with exploring fucked up media bc you're horny or just, because. You can take it as seriously (or as sexily) as you want.

It's starting to really concern me how many people not only do not get, but are violently opposed to this concept, because equating what someone likes in fiction with their real life moral code and actions is an incredibly dangerous and let's be honest, immature way of thinking that not only stunts your ability to engage with fiction but ironically, hampers your ability to deal with complicated issues and emotions in real life.

I don't know what's driving this trend (though purity culture is certainly playing a role) but it's definitely something that's not just impacting individuals but contributing to the commercialization of art, where we get games and stories and tv shows and books that regurgitate the same safe, mass marketable plotlines and character archetypes over and over and over again so corporations can squeeze out as much profit as possible.

Anyway, remember kids: There's no such thing as thought crime, reaching for morally pure unproblematic media is directly contributing to the death of art, and this is why funding the humanities is important.

[uncanny-tranny]

So often, I see people who treat certain bigotries as being almost... an unfortunate byproduct of the More Important Bigotry. I see it a lot with bigotries that people are broadly willing to put up with as long as there's a Bigger Picture, or if the bigotry in question is subtle.

Transphobia (for example) isn't an acceptable trade-off for combatting sexism. Often, people are willing to put up with or perpetrate the bigotry (transphobia, in this example) because they see it as an acceptable price to pay for what they actually want.

The thing about bigotry that makes it bad isn't just that different bigotries feed into each other - antisemitism feeds itself into transphobia, which feeds itself into sexism, which feeds itself in racism, and this goes on ad infinitum - it's that bigotry actively affects actual, real people's lives. It prevents people from living, from accessing autonomy, and ultimately deprives them of their human experience. I don't think you ought to see bigotry as a "price to be paid" so you can get yours.

[batfossil-fr]

I’ve been really thinking of reopening my art shop soon… I’ve been taking some practice doodles (hence all the posting lately) while I shake off my rust and I’m finding things I enjoy working on again. I miss trying my hand at more dragons/OCs and colors. my shop’s so broken rn lmao but that’s a problem for a later date it’s just nice getting back into art

[whereismyhat5678]

Guys Idk about you but I saw this one post and I had to fill it out 👀✨

Link to the original post if anyone wants to do it: here

And I added Gerome because I also have things to say about him:

Alright

Can I talk with you guys for a sec?..

As you’ve noticed I haven’t been very active like 24/7 on Tumblr as I usually am, and there really isn’t much to it except I’m feeling the burnout.

Like, burnout HIT me like an actual truck going 300 miles an hour-

I’ve been trying to get myself to draw but when I do I end up just sitting there and starring..

(It took me an entire day yesterday to just do an art trade with someone. It was fun while doing it! But YIKES did I procrastinate-)

Just in general I might take this and half of the other week to try and get my art energy back up, cuz right now it’s real low, and I don’t wanna work on requests and end up making them look like shit-..

I hope y’all can understand 🫶🫶 Who knows- maybe tomorrow it’ll just bounce up again, but for now I’m gonna take a lil’ break. Just a little one! 🤏

Seriously love you guys 💞💞 I really hope this predicament gets solved soon-

[pprodsuga]

(i'm the same anon that just sent an ask abt tides of regret hehe) i needed to send this in a second one cause i felt like it was too long lol. your sense of empathy is SEEPING through the words. i get the feeling that you have just have a good heart, idk :) your characters are so mature and thoughtful and also empathetic and it's so refreshing. i suppose i envy them a bit :')

this is singlehandedly the kindest thing a stranger has ever said to me…i’ve been reflecting a lot about the friendships i maintain and these past few weeks felt like a test, of sorts. reading this restored a lot of confidence i had in myself and i’m incredibly humbled and thankful that you think this of me.

there’s always a part of me in every story and every character i write. i’m so happy to know the enha i wrote resonated with you. empathy is such a fickle thing and i’m under the impression that i’ll always try to be the best person i can be by doing what’s right and good. i believe you can be that way too, if you wish.

you are so beautiful. know that.

[bruttomisandro]

Dragon Ball fandom that read super, why the fuck Goku and Vegeta trains for two/ almost three years non stop without visiting family once? I was shocked reading superhero, that was so unnecessary

[cosmical-flowers]

IVE NEVER SEEN THE BLOOMED WAIT

ITS FROG THEMED THATS ADORBALE

HIS FS2 IS SO ADORABLE! THE UNBLOOMED ANIMATION AS WELL!!!! CUTIEEEEE!

[the-busy-ghost]

Warning- this is a very petty post, but I think I'm entitled to at least one petty, pissed-off reaction every time I finish a classic novel that hit harder than I expected so take this as my quota for the year.

Also spoiler warning for a book that came out over a century ago but still, I didn't know the plot going in so don't want to ruin it for anyone else, if you haven't read it shut your eyes. (Also Local Tumblr User Going Wild Over Book Published a Hundred Years Ago That Everybody Else Already Read should probably be categorised as akey part of indigenous tumblr culture at this point).

Anyway I just finished the War of the Worlds and in between studying I've thinking about Themes and Motifs as you do, and idly looking for further analysis. I then accidentally ran into an article called 'A Quiet Place II Succeeds Where the War of the Worlds Failed' and:

Now I haven't seen any of the Quiet Place films, this is not a rant against them and of course everyone is entitled to their own opinions. But re: the ending of The War of the Worlds, I have to ask, did this guy somehow miss, uh, the entire point of the book or am I just utterly insane?

[kidfoundonstreets]

I DONT HAVE THE IMAGES IRGHT NOW BUT YOU UNDETRNSAD?? YOU GET ?? YOLU GET? IM MADLY I NLOV WITH YOU TIWLIGHTRCADE MY GOOD FRIEND MY COMRADEMY RIDE ROD IE

[mariana-oconnor]

Saw that post saying 'explain your job in the simplest/worst way possible' the other day, but I don't know where to find it again. And today has very determinedly reminded me of this:

My job - Explaining to people from other countries who think they speak my native tongue - that I have a literal degree in - more fluently than I do, that no, in fact, they do not.

[lyssified]

tech week rants & rambles part 5 or maybe 4?

we're finally picking up the pace for teching!! we did 4.5 songs today in 3.5 hours bringing our song per hour speed up to ~1.3 songs per hour which is a personal best for us

we ran my 2 simultaneous wig changes and actually had extra time!!

i got yelled at by an actor today because she didn't know where her costume was for her change :( not a great feeling

it was suggested to dress our pit conductor as a mime (i am strongly in favour of this)

we ran the fruit stand scene (3 figs + the beginning and end) and our actor for Lucien was sick so she couldn't even sing her song :(

in the wise words of our actress for Gina Wells- "shit is indeed wild"

[variuss-petals]

✨️ Let people enjoy things in peace ✨️