#because in this one it makes Total Sense what his motives are and why he acts the way he does

[raven-at-the-writing-desk]

Hello, Miss Raven!

I hope you are having a nice day ^^

I was wondering since you don't have a Yuusona, have you ever thought making your own Yuusona like what traits, gender and personality would you have for them?

And how would their relationship be with Miss Raven would they be friends?

Sorry if I'm asking something you don't feel comfortable answering just feel free to ignore it. I'm enjoying your work and I'm new here so I hope I wasn't a bother! Love your work 🫶

I’ve thought about making a Yuu of my own on more than one occasion. However, I’ve never been a fan of the roles designated for self-inserts… It’s hard to commit. Even if I were to make my Yuu less of a Yuusona (ie just Me but in the Twst world) and more of an OC (an entity totally separate from myself), I always lose motivation somewhere along the way.

That’s of course not to disparage anyone who has a Yuu though!! I just personally find it a struggle to design around a somewhat predetermined identity. There’s less freedom in a Yuu because they have to meet certain parameters in order to “make sense” in the story. For example, Yuus are generally from our ordinary world and magicless. I don’t like having those limitations (and though I could go against it, I’d refrain in order to not break canon lore). That’s why my first Twst OC is very far removed and exists as her own thing.

For fun, here’s some of my scraped Yuu concepts, including doodles. They're not really "Yuusonas" though, more like original characters that happen to be filing in for Yuu:

Yuu 1: Mad Scientist Yuu

The earliest iteration.

This Yuu is ~16, male. Considered nonbinary at one point too.

The notes in the image basically describe him. Germaphobe, has lots of band-aids (because he is accident-prone), constantly tired + has dark undereye circles due to excess stress and lack of sleep.

Frequently seen in face mask, lab coat, and latex gloves.

“Don’t bother me” energy. Very curt with people and just wants to be left alone.

Claims to be an egalitarian because he “hates everyone equally”.

As the story went on, he would have learned to lighten up and work with others too. Basically, the same arc the NRC students have.

I didn't think too deeply about what his relationship with Miss Raven would be like... Most likely, he just dislikes and avoids her like he does the rest of the NRC population.

Yuu 2: “Robert Philip the Divorce Lawyer” Yuu

Twisted from the divorce lawyer love interest in Enchanted 😭 YES, I SAID WHAt i SAiD…

This Yuu is 35ish, male.

Has a very girly young daughter back home. She is basically his motivation to return.

His ex-wife left him. (YES I AM KEEPING THIS LORE.) Has sworn off love since then but is dating another woman for practical reasons.

Very anti-romance and anti-fairy tales.

Somewhat grumpy.

Logical, pragmatic. Some would say calculating.

Constantly arguing with Crowley because he knows his rights and how many laws Crowley is violating/j

He wouldn’t have been a student but more like a faculty member and father figure to the NRC students. By being in Twisted Wonderland, he helps to mentor the boys as though they were his own children, and the boys in turn teach him about magic, imagination, and believing even in seemingly impossible things.

Had an idea about him finding true love in Twisted Wonderland too; this would basically be his Giselle. Maybe a kind lady from Foothill Town??

Robert!Yuu was going to be sort of a secondary father figure to Miss Raven. Crowley is her real guardian, but he's usually not fulfilling the typical duties of a guardian so Robert!Yuu has to step up. In a lot of ways, Miss Raven reminds him of an older version of his own daughter so he has a soft spot for her. He also tries his best to advise her on life and boys. I imagine that he and Miss Raven have that Hades and Megara scene where she's gushing about Hercules and Hades goes, "Please. HE'S A GUY!!"

Yuus 3 and 4: Twin Yuus

The bangs they have are borrowed from Robert!Yuu because I liked them and was too lazy to try something new out—

They’re brother and sister, both 17. I wanted to play around with the concept of multiple Yuus in Twisted Wonderland at the same time. Twins because they are supposed to be “a mirror image” of the other.

The theme these two would explore is gender, particularly expectations vs reality.

They come from an old money family; each twin has very traditionally gendered expectations placed on them but their secret is they swap places and pretend to be the other twin so as to get out of their own responsibilities, as the girl is tomboyish and the boy is more feminine.

They continue this act in Twisted Wonderland in order to "protect" one another, but their relationship becomes strained with each OB. For example, the male twin would become increasing protective, feeling like it is his responsibility to keep his sister safe. This would earn him his sister's ire since he never smothered her before. The twins would eventually reconcile and come to reach a middle ground regarding one another's expression of their gender and how that informs their behavior toward one another.

In another variation, only the male-presenting twin would be isekai'd to Twisted Wonderland. It would later be revealed that "he" is actually a "she". The explanation that she provides for acting masculine is to rebel against the expectations of her family (who had arranged a marriage for her prior to her being isekai'd).

... But then there's ANOTHER twist 🤡 and it turns out that her "masculine self" closely resembles her actual twin brother (who is now deceased). The idea is that she partly acts this way as a trauma response and relies a lot on "speaking" with her brother for advice on how to move forward in Twisted Wonderland. Like, she has pretend conversations with him in her head.

Her character arc would have been centered around detaching herself from the expectations placed on her, as well as learning to let her brother go and become her own person.

ASDSBDABSDOSA I feel like Miss Raven would be so confused trying to keep track of the twins and/or the single twin's dramatic backstory. She'd be pretty cordial with them though! Maybe even tries to counsel them when they're fighting or closed off from others.

Yuu 5: Ara Ara Onee-san Yuu (WIP name is Sumire -> Suu -> her variation of “Yuu”, lol)

The best designed one, probably.

The only one with a proper name, too :v

She's 18 and female!

Started off as a joke between me and a friend. We were talking about how we think many of the first year students would be into "onee-san" types.

As you may or may not be able to tell by the design, she's meant to be a caring big sister character. Sweet, patient, and motherly. Even gardens and bakes! The type you know you can always go to when you need advice or comforting.

YEAH I GAVE HER DEAD ANIME MOM HAIR, SO WHAT???? The bangs swooping over one side of her face gives her sort of a mysterious air!

She looks very kind (and that's because she is), but she is also very air-headed. Like she'll pick up a worm and hold it in your face and ask you if you think it's cute.

Has a secret sadistic side. Not malicious and won't go out of her way to cause problems, but she'll gush about how she thinks you being frustrated or struggling with a task is "cute".

The arc Sumire would go on is one revolving around her status as the "older sister" of the group and finding a "pure" way of loving her friends. There's nothing wrong with having that role, but her issue is that she relies on it to be her personality and often gives away too much of herself at the cost of her own mental and emotional wellbeing.

It's like... codependency. She loves you because (whether she knows it or not) she NEEDS validation from others. And because she wants that validation so much, she forces herself to be someone she's not at her core. Someone agreeable and sweet. That becomes very taxing for her.

If she feels as though someone is going to leave her, she'll either love bomb or have a mental breakdown in private. TO BE CLEAR, this is not healthy behavior and she's supposed to grow out of this obsessiveness over the course of the main story.

By that logic, she's more manipulative and selfish than she seems at a glance. I guess you could describe her true personality as being yandere or even menhara?? But she usually masks it well.

Miss Raven has a history of falling for pretty smiles, so I think she'd also be a victim of this one. She would look up to Sumire as like "the peak lady" and the big sis she's always wanted. REALLY feeding into her secret ego there, Miss Raven... and Sumire, being herself, would just giggle and pat her on the head to keep that toxic relationship going.

[aroaceleovaldez]

the discord brainstormed a "HoO plot but better" au where it's more focused on being the Gigantomachy + The Odyssey (like how the first series was primarily the Titantomachy + The Iliad, particularly TLO) rather than the awkward Gigantomachy + 7 Against Thebes + Argonauts juggling, and i literally have not stopped thinking about it since. someone remind me to explain it at some point because i'm obsessed with it. it's just extremely fun.

[danveration]

That no-good-first-man-on-earth

Parings: Alastor x reader

Summary: Alastor opens up to you (kinda). You confront him about his cane being gone, asking what happened after the early extermination attack.

Word count: (Around) 1154

Warnings: Mention of Adam dying, mention of death, mention of Al taking someone’s soul, ummm.. yes I think that’s about it!

A/N: YES I MADE IT !! the ending might be a bit rusty but I hope you enjoy it nevertheless! :’)

It was a week or two after the early extermination attack. The hotel has gotten a bit more residents and attention due to Charlie and the original residents protecting hell and successfully winning. The hotel has gotten an upgrade, that’s for sure. Lucifer now approves of its looks, so that says something.

During the attack you noticed how Alastor disappeared for a while and came back when it was all over. It made you question what happened when he went up against Adam. He was fine, physically. But you noticed something in his eyes that changed. Of course, he still smiles the same as before.. but it doesn’t always seem like he wants to. But the biggest, most obvious thing you noticed is that his staff/cane is gone. Nobody really seemed to question it but it set off an alarm in your brain because, well, he always has it on him.

You’re currently sitting in one of the lounge chairs in the lobby of the hotel, when you see Alastor confidently stroll in. He gives the lobby a quick look all around to see who’s all in there. In which, right now it’s just you.

“Hello, my dear!” He says, smiling and starts walking towards you.

“I must say, it’s rare that it’s empty in this area. Peace and quiet is often something I don’t have the luxury in experiencing, especially now that the hotel has gotten the attention that Charlie desperately craved.” He laughs.

He’s now standing beside you. You look up and smile back at him.

“Yeah, I’m happy for her though. She seems very overwhelmed, you know? But in a good way.” You say.

“Mm yes, she does, doesn’t she?”

You want to bring up how he doesn’t have his cane anymore, but you don’t know exactly how he’ll react. Though, he hasn’t ever snapped at you so you think it won’t be bad. Knowing him, he’ll probably just avoid the question by saying, “that’s for me to know.” As he does whenever someone brings up why he was absent for 7 years.

“Hey, Al?” You say, looking at him.

He raises his brow in question.

“Hm? What is it, dear?” He asks.

“I have a question.. you totally don’t need to tell me but I’ve just noticed that your um.. cane? You don’t have it anymore.”

You notice as you bring it up, Alastor tenses up and smiles more, darting his eyes away from you. You can feel that this was something he didn’t think you’d bring up.

He doesn’t seem to be saying anything, so you continue. “I was just wondering.. why is that? You usually keep it on you at all times. And also I’ve noticed that you’ve been a bit different since-“ You are stopped suddenly by Alastor using his shadow magic to teleport the two of you to his room.

You are caught by surprise, looking around disoriented, but than you realize where you are.

“Uhm- Al?” You question.

You assume he took you two to his room because he didn’t want anyone to hear the conversation, so you don’t question it. Which makes sense, he doesn’t want anyone else questioning his motives.

He closes his eyes and takes a deep breath. He opens his eyes and looks at you. “That is for me to know.” He says in a neutral tone.

Wow such a surprising statement.

“I knew you’d say that. Listen, you know you can talk to me, right? I’m here for you.” You assure him.

He looks at you weirdly, as if he is waiting for the joke line to happen. But it doesn’t. You care for him. That’s definitely new. Sure, Alastor has friends. Or, acquaintances, as he calls it. But you seem to deeply care for him and what happened.

He isn’t sure exactly how to react. “How amusing! That’s very kind of you.” He says and chuckles. You notice something in his eyes that doesn’t align with the emotion he is trying to project.

“Alastor, I’m serious. You don’t need to put on a show for me.. I want to know the real you.” You say, looking at him.

He debates if he should continue with his charades, but knows you’ll just see past it. He never ever would be this laid-back with anyone else accusing him of “putting on a show” or accusing him of having alternative feelings. He would’ve surely taken their soul or.. well, killed them by now. But you and his relationship has always been good. You guys always chat about whatever nonsense comes to mind, he showed you around the place where he records his radio broadcasts, and even let you attended once. He always had a soft spot for you. You never had a fear of him and never liked it when Husk or other people badmouthed him. He once caught you ranting to Niffty about how much you adored him. It made him smile.

Alastor squints his eyes and thinks of what to say.

“Well, my dear. You know that no-good-first-man-on-earth? Adam, I believe his name was.” He emphasizes the word “was,” seemingly to be very happy and satisfied now that he’s dead. He laughs continues, “he used his no-good angelic waves to break in half!” He says.

You’re in shock. Not because you thought his cane was indestructible or anything. It was because he actually told you what happened. You guess he trusts you more than he lets on.

“Oh..” You look at him sympathetically. “I’m so sorry, Alastor.”

“Mm, yes. Me too. But no worries, dear. I can live without it.” He says trying to cover up the fact that he cares quite a lot.

Without thinking, you place a hand on his arm trying to give him comfort. He slowly moves his head to look at your hand. He doesn’t mind one bit, in fact, he feels the complete opposite of how he usual feels when people try to touch him.

You quickly remember he doesn’t like physical touch very much, so you move to pull away.

“No.” He says quickly.

You’re confused and question what he means.

“No, what?”

Your hand on his arm felt like a new sensation he hasn’t felt before. He quickly became embarrassed of his sudden outburst decline of you not taking his hand on his arm.

Something inside him snaps and his persona cracks, and he then does something that you’ve never expect.

He hugs you.

Your heart feels warm and you have butterflies in your stomach. THE Alastor, the radio demon is hugging you. You don’t see him as those labels though. You see him as HIM.

Despite your incredible shock in what is happening, you hug him back, wrapping your arms around his suit jacket.

“I do apologize.” He mumbles while hugging you.

“You don’t have to apologize, Alastor. This is what I wanted. For you to open up.” You say softly and smile.

He doesn’t pull away yet, and you don’t mind one bit.

A/N: IM THINKING OF MAKING A PART TWO WHERE THE READER MAKES HIM ANOTHER CANE AS A SURPRISE. LET ME KNOW WHAT YOU THINK!!!!

[prettynice8]

Can you do a male reader cuckold? (Y/N) & Bakugo are in a relationship, and (y/n) gets railed by Izuku in front of Bakugo? Maybe as revenge for years of bullying? Thank you!

That's so cute

AGED UP! Izuku Midoriya x male reader (Bakugo x male reader)

This guy

Stuff: Cucking (DUH), swearing, smashing, Bakugo is a cuck lol, cheating but make it cute, Izuku is kind of a schemer, smashing, bottom reader, top Izuku, marking, reach around, full nelson.

TW: there is cheating and cucking, Bakugo is a little abusive

Word Count: 2,098

Notes: I kind of hate Bakugo so this is actually quite therapeutic.

Bakugo was a total fucking asshole. He didn't care what people thought, they were all simply extras. He didn't give a single fuck about anyone, except you.

You were practically his whole world. All he thought about now was your bright smile, enchanting eyes, and wonderful body. He was simply obsessed with you.

You were his new motivation for being a hero now, instead of being the best he mostly just cared about protecting you. Though even you never stopped him from being a total asshole to everyone around him, not even his love for you could stop that.

He still bullied Izuku to absolute filth, still calling him Deku and useless and an extra. Telling him to kill himself and just real heinous shit while you tried to get him to stop, which is the main thing Izuku would remember from the harsh bullying... you.

Sure, the words still stung, but the fact that you, Bakugo's own boyfriend, had tried to stop the cruel fighting. The way you would check up on Izuku made his heart swell, the fact that such a beautiful thing cared about him was heart swelling.

Such a shame you're dating a total fucking dick.

It wasn't particularly dramatic to say Izuku was in love with you, and it wasn't particularly dramatic to say everyone knew. The way he stares at you from across the room, the way he always tries to talk or hang out with you as much as possible, and the way he constantly showers you with compliments and favors. He would always just say that you're his friend so why wouldn't he buy you 100 dollars' worth of stuff, that's what friends do.

You never really thought much about it, he's been your friend for so long, before you even started dating Bakugo, so it's normal how Izuku would always stare at you for a little too long, or how his touches were always a little more lingering than necessary, but Bakugo on the other hand.

He fucking hated how obvious Izuku was about his affections, acting as though is feelings for you were merely platonic. He couldn't stand how you would still hang out with him, which caused many fights, just like the one you're having with him right now.

"I don't see the problem." You stated, confused on why Bakugo was still yelling at you for hanging out with Izuku.

"The problem is that you're a fucking idiot who can't see he clearly wants to fuck you!" He yelled, furious at your naivety.

"Friends don't just do the things he does, I've seen the way he looks at you, the way you let him touch you and it just makes me sick!" He shouted out, his frustration ever growing.

"He's been my friend longer than I've dated you, you can't just expect me to drop him because you're insecure." You exclaimed, growing tired of his constant jealousy.

"INSECURE?! You listen here! The problem isn't me being insecure, the problem is that you're a fucking slut who doesn't see the most basic shit in the world, like how he clearly wants to fuck that already used asshole of yours!" Bakugo yelled out, saying anything he can to hurt you, so you'll come to your senses.

You have no words to say to him, you stand there utterly speechless and in shock at his harsh words. Finally, a sound comes out of your mouth, but not an apology like Bakugo had hoped for, but sobs, sobs that get choked out from the tears that are rushing down your face.

Bakugo wants to reach out and hold you, try to comfort you, but his pride and anger are far bigger than his care for your feelings at the moment.

"Of course you're fucking crying, god you're such a little bitch, why do I even bother with you." He said coldly, his pride getting the better of him.

With that you finally storm off from the conversation, after having had enough of his jealous and cruel antics. You run off into the hall of the dorms until accidentally running into a very special someone.

"O-oh god, are you okay y/n?" Izuku asked kindly and with genuine concern, holding you in a tight hug while you cry into his broad chest.

You were still rather speechless, and even if you tried to talk the words would only get choked down by your sobs; so, you stand there crying into the Izuku while he tries desperately to comfort you, running his hand through your hair (or scalp if you're bald and beautiful).

After a few more pets of his hand, you eventually pull away and prepare to speak. "Shit, sorry for making your shirt all gross." You apologized.

"You're fine, I only care about why you were crying." He replied, his concern for you overshadowing any care for his clothes.

"Bakugo is fucking dick, that's what." You stated, your previous sadness having now grown into righteous anger.

After you said that a wave of understanding and pity washed over Izuku's face, but also a hint of... joy.

"Yeah, Kachan can be a little.... rude sometimes." Izuku understated, clearly wanting more to say.

"He's a fucking heart breaker who I want to die." You said coldly, you upset feelings being fully angry at this point.

"Don't say that he's your boyfriend." Izuku stated, though he secretly enjoyed how angry you were getting over Bakugou.

"I just want to hurt him back, like with what he did to me-" You were going to say more until you were suddenly interrupted by Izuku's lips on your own.

You were so stunned that you didn't know what to do, so you just stood there in shock, unable to do anything to be kissed by him. Izuku realizes your stunned expression and pulls away.

"Fuck, sorry, I just thought..." He apologized, looking into your eyes with his own pleading and hoping you won't be too mad.

"Thought what?" you asked, not particularly mad at his actions, just surprised and confused.

"Well, I thought that if you wanted to hurt Bakugo, I have pretty good idea for that." Izuku stated, the gears turning in his head.

"How?" you asked again, your interest officially piqued.

"I was thinking that he gets awfully upset whenever I'm around you, so..." He let on, hoping you'll get the hint.

"So, like, kiss me when he's around." You replied, looking intently at Izuku, with all this mischievous planning of his you're finally realizing how... hot he is.

"I was more so thinking; he walks in on me fucking your brains out." He answered flatly, as one does.

You're face erupts in blush at the thought of having sex with Izuku, not only do you get to piss of Bakugo, but you also get to fuck the guy that's looking hotter by the minute. The nice and timid boy Izuku used to be is seemingly overtaken by this new bold, horny, and incredibly sexy version, not that you're complaining.

"But how do you know he'll walk in on us?" you asked, still a little confused on how the plan is actually going to work.

"Just leave it to me." He said before going back to kissing your lips.

Instead of standing there stunned like the last time, you reciprocate the kiss instantly, wrapping your arms around Izuku's neck, pulling him closer in and deepening the kiss. He responds by picking you up bridal style and leads you both to your room, his master plan already set in motion.

Izuku gently lays you on the bed and goes right back to kissing your lips, in which you open your mouth so his tongue could enter, which he takes instant action at, shoving his tongue into your mouth, exploring every inch.

The kiss is so passionate that you can't get enough, wrapping your legs around his waist, grinding your now hard and clothed dick against his own. He responds to this by doing the same, syncopating the rhythm with your own.

But just grinding isn't near enough, within an instant he strips you both naked, that superhero training being used in ways All Might never thought possible.

With both of you now being completely naked, there was nothing stopping him from putting his achingly hard dick into your readily awaiting ass.

But before he can get to the fun part, he knows he has to do the nice thing and prepare you before just shoving it in like Bakugo did.

He starts by inserting one finger in, slowly pumping it in and out until you're ready for a second one. With two fingers he opens you up more and more, until he's even able to fit 3 in. With that he stops adding more and sticks with fitting three of his fingers inside you.

Once he believes you're ready for the real thing, he takes all three of his fingers and looks into your eyes sweetly.

"You ready?" He asked, knowing that his cock might be a bit difficult to deal with.

"Yeah, I'm so ready." You answered, touched that he asked, something Bakugo never did, and a little worried about having to fit such a fat cock inside you, one that's much bigger than Bakugo's.

With your words he starts putting his massive dick into your evidently tight hole, since he can barely even fit the tip in. He starts laying little kisses all over your face before finally meeting your mouth, which he deeply kisses. This kiss is very different from the previous ones, instead of lust and passion it's all about love and pleasantness, relaxing you enough to where he can fit a little bit more of his cock in.

He starts slowly going in, deeper and deeper until finally he's able to bottom out inside of you, his entire cock filling you up very nicely. Izuku stays like that for a while, waiting for you to fully relax with him inside you. He stares at you awaiting a response, until you finally nod, and with that he is raring to go.

He starts with slow thrusts, wanting your hole to get more acquainted with his cock, but eventually he starts to find a quicker and steady pace.

As he goes faster you moans get louder, his massive cock hitting your prostate with little to no effort. You look up at Izuku and notice how sweetly he's staring back at you, his hands cupping your hips with a bruising grip. His eyes look so kind, even though he's wrecking your insides you can't help but look back at him with the same look.

This all goes out the door though when you hear footsteps coming along, which leads Izuku to forgo the nice thing and just start destroying your asshole.

He rams into you at near inhuman speeds, hitting your prostate hard with every quick thrust, his cock almost splitting you open. He continues this insane pace and power even after the door opens.

As if on cue, Bakugo walks in right as you cum, hard, all over Izuku's chest, Izuku isn't far after, cumming deep inside your hole. After that Izuku picks you up into his lap, facing you towards Bakugo. His cock quickly hits hard again as he slowly picks you up full nelson style and sits you back on his dick, his rough and calloused hand coming to wrap around your newly hard cock, all the while looking Bakugo dead in the eyes.

"Hey, Bakugo." He states, using his real name and not the stupid nickname he would usually use, but that's not the only thing that's changed. His cute smirk is now a devilish grin, and his voice is deep and almost chilling, making you even more horny for the man.

Bakugo does nothing but stand there in utter shock as he watches his boyfriend get used and abused by his worst enemy, this was Izuku's plan all along, since the first time he found out you started dating Bakugo.

He knew Bakugo would be a terrible boyfriend, and he knew you would immediately come to him if you ever had a problem with him, after all he was your best friend, so why wouldn't you. He also knew that you were quite petty and would easily agree to this kind of thing, and of course everything worked out splendidly.

Everything is going exactly as he wanted, not only is Bakugo crying on the floor, but he also gets to make love to the man he's obsessed with, you.

THE END

[kithtaehyung]

minted: part two (snippet) (m) | myg

snippet: minted: part two (m) pairing: street king!yoongi x street vendor!reader rating/genre: m (18+) ; angst , action ; haegeum au , gang au series: masterlist | part one summary: after a whirlwind of a detour, you have second and third thoughts about the guy you saved. who even is this man? and what the hell is in that bag? note: holy shit, y’all. thank you so much for the love on this series already! it’s been a minute since we started a new series here, so nerves were firing on all cylinders. but you all showed out and gave me enormous relief and motivation to keep going, so thank you! enjoy this snippet since i missed the initial part two drop! note 2: this series is for @sailoryooons, @joonary, and @minttangerines! love you all! warnings: language, violence, weapons (guns/knives/chopsticks/etc.), blood/wounds mentions, drugs, alcohol, trauma, poor reader :(((, mint!yoongi, haegeum!yoongi, tatted!yoongi, his eyebrow is pierced, yoongi visuals in this one areeee…, tension, tense situations, crass af yoongi lol, reader is also a baddie but who is shocked, slow burnnnn est. drop date: september 16th, 2024 snippet word count: 1.5k est. total word count: 9k >:))

—

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There’s something to be said about the human gut. 

Not because it’s the source of multiple health aspects, or the way it’s connected to the brain. 

But, other than when violence tears it to shreds, it can be quite the defense mechanism. Just like yours churns and churns with each mechanical click of the elevator shaft.

Who is this person next to you? 

Who exactly did you decide to follow upstairs hours ago, killing your daily life to save and join on the run? 

You don’t know if you released your hand or if Yoongi let it fall, but you take this unlinking to create space. As you slide your gaze toward your companion, he merely shifts his weight and finds interest in increasing, beeping numbers.

How can someone’s profile be so troublingly handsome? You’d be able to think more clearly if he wasn’t both attractive and dangerous. Or if you simply weren’t on the verge of collapse.

Frankly, if you didn’t just murder a man you’d pass out as soon as you took too long to blink. 

To keep yourself alert—and to hopefully gather some much needed intel—you suddenly question aloud, “Where are we?”

No answer.

Alright.

“That driver called you Agust,” you recap on a second go. “What was that about?”

All Yoongi does is stare at his reflection in opulent, dim mirrored walls. Or whatever else he’s doing besides talking. 

Okay. Well.

You can face forward, too. 

“Those guys after us,” you try a third time, because who are you to give up now even if he radiates annoyance. “They didn’t look like Crane.”

“Doesn’t mean they weren’t.”

Your neck almost snaps when you turn. “Are you kidding me?”

As you watch Yoongi scorn the ceiling again, you can’t believe he doesn’t agree. 

Mm. Does he?

From the flex of his jaw, you have to assume you’re right to some degree. Because it looks like he’s very, very bothered by the people that chased you down. 

If those weren’t any of the high-powers but had equal resources and numbers…

What the hell were they? Where did they even come from?

Geez, it’s freezing. Is a drop in temperature the best barrier to you making sense of things? You can’t even appreciate the way Yoongi’s veins protrude with every adjustment he makes to that mysterious duffle bag.

Lies. You absolutely can. But there’s no way in hell you’re ever complimenting that. Or anything about him anymore because he clearly doesn’t want anything to do with you! 

Why did he even hold your hand? Was that just a ploy, too? 

But that taxi drive…

Yoongi looks down before lightly scuffing his shoe, and both of you fall silent as you finally give up with a huff. 

Massively dehydrated. Sore. Still covered in a myriad of unmentionables and now being ignored by the guy you saved. 

All you wanna do is go home, and you don’t even know where that is. 

How far did you travel? What district is this? You’ve never heard of a grey zone, but they seem fairly peaceful even at night. Neutral enough for you to consider relocating even if it meant sleeping on the street.

That brings up another question. “If we’re in a grey zone, how did you know—”

A ding interrupts your last thought, and you look to see where you ended up.

But the elevator doesn’t say a number. Only letters? What kinda floor did you stop on? 

One thing’s for sure, though. Whatever room you end up getting, if there’s only one bed you’re hogging it or taking the…

Floor…

There are many things that have shocked you in your lifetime. Many things just from today that had your head positively and forever reeling. 

But when the elevator doors slide open, you can’t even fathom what the fuck you’re dealing with. 

And in this second, more than ever, you understand how ludicrously out of your element you really are. 

“Holy shit,” you blurt, barely hearing the huff at your side.

Don’t elevators usually open up to hallways? Why are you walking into an entire living space? Is this a real place people choose to sleep in for a night? A whole floor?

Forget a whole floor, it’s a whole other place.

You slowly survey everything, wondering how much this has to be because you have never seen a living space so big. Or pretty. Or anything like this.

The ceilings vault and the furniture looks nothing like you’ve ever seen. Everything looks pristine. Clean. Is that a whole kitchen?

How are there living arrangements this big? This one place is bigger than your entire apartment level back home. 

And here you are: speechless, virtually homeless, and dragging your filth onto white marble floors. 

Perfect.

“What.” 

You turn at the scrape of Yoongi’s voice, wondering why now is when he finally chooses to acknowledge you. Head pounding, you ask outright, “Who… Who even are you? What is this place?”

He levels your stare before walking towards a long couch, dumping the duffle and raking his hair back in minted waves. “There’s a shower in every bedroom. Take your pick.” 

…Is that really his only response?

“That’s not what I asked,” you fire back, wondering what the hell his problem is so you can add more out of spite.

“But it’s what you need.”

“Say what now?” 

The fucking nerve? Even though you obviously, desperately need one, hearing him mention it makes you wanna re-use the chopsticks in your pocket. 

But Yoongi simply waves you off, grabbing a remote and flicking on a television so wide you would struggle to reach both ends. 

This is all too much. 

“You know what I need? To go home,” you huff out, leaving fire in your determined trek to the elevator. “Have a nice life, Yoongi. Or Agust. Whoever the fuck you are.” 

You get to the door and run into a dirt-slicked forearm, and the voice you hear courses through your ears, “The fuck are you doing?”

“Shouldn’t be that hard to figure out.”

“You serious?”

“Yes, I am. So move.”

Yoongi pauses, jaw working overtime before he steps aside wait he’s gonna let you go that easily? 

…Oh.

That was certainly not what you expected, but what else would you even think? This isn’t one of those stories that ends perfectly after trials and tribulations. Yoongi has proven more than once—in mere hours—that he’s no regular civilian. Nor man, for that matter.

But despite that, you blink before freezing at a terrible realization. 

No matter how you slice it, you’re much better off with him than you are by yourself right now. Even if he is a secretive criminal with a smoking gun. 

He did keep you alive that whole chase.

But there’s the smallest, tiniest chance that you aren’t quite safe with Yoongi, either. You don’t even know who he is anymore—maybe you never did.

So in a quick decision, you skim his side to slap the elevator button, chucking daggers at his brows until he leaves you to wait alone.

Good. You don’t need this. You can find your way back to your city block somehow and live the life you’ve chosen to lead again. 

Yes. You can do all of that by yourself. The chase is done. 

And so is your story with the man that will never buy your tangerines again. 

Grabbing your sleeve, a second fact stings your fingers. A jacket woven in Dragon teal. 

Shit. You need to ditch this, too. Either right now, or before you get the hell out of this grey zone because if you don’t, this is the biggest target you could ever have on your back. 

No good. No good no good you didn’t plan any of this well at all. Fucking pride blinding you to everything else logical. Is this how your story ends? Because of regret and resistance? 

You wait for the sliding doors, about to leave the biggest room you’ll ever see to occupy a box. How poetic. 

Your heart pounds as you close your eyes. Yoongi just cut you loose; it’s obvious he doesn’t care so why should you? No going back now. You’ll figure it out. The doors are finally opening. 

And someone’s inside?

Wait.

Your brain both whirrs and skids to a halt at the sight of the staff member occupying the elevator. When they give you a look, you find your hand drifting towards your back pocket.

Fucking hell, relax. You should be safe with a hotel employee, right? They wouldn’t be out to kill you. This is just your adrenaline on its haunches. 

However, one foot in the elevator and your senses go haywire. 

Because you can’t do this alone. You aren’t nearly as prepared to brave this foreign space as you need to be. With red in your hands and Dragon on your back? Absolutely not. 

You bow to the hotel staff before you face forward into the expanse. 

And as the doors start to close, you see Yoongi’s stare over his shoulder, storming with emotions and words you can’t name.

Yeah.

You fucked up.

Fuck.

-

-

tbc. :))

-

are we ready for the drop?! | join the taglist!

a/n: this is just the beginning!! who knowwwws what's gonna happen during the rest of the 9k+ lsdkfjdskl thank you all so much for hanging in there for me as i navigate multiple hobbies and endeavors. it means a lot to see your words of encouragement! always appreciated, and i hope you look forward to the real drop hehehe. more links: masterlist

[oriigami]

(spoilers for both knives out movies ahead)

i think what i really enjoy about knives out and glass onion is that they are, while not completely fair-play whodunnits, pretty close to it.

a fair-play whodunnit is a murder mystery which is entirely solvable by the viewer before the detective sums everything up at the end; the viewer is given the same information as the characters, and the same opportunity to figure everything out. this is a style some modern detective stories like to break to preserve the ability to catch the viewer off guard, as hbomberguy elaborates at some length in his sherlock is garbage and here's why video.

knives out gives you almost all the information you need. its possible to figure out on ransom's introduction that there is, at least, something missing from his story, that he returned to the house for some reason after leaving; the dogs were heard barking the night of harlan's death, and he is the only one they are seen reacting aggressively to. likewise, the audience hears nana saying 'ransom, are you back again already?' well before blanc learns about it and realizes its importance.

the only crucial piece of evidence any of the characters ever see that the audience doesn't is the toxicology report, which the audience doesn't get a chance to see before blanc's summation at the end revealing marta's innocence. but even with that omission, it's possible to guess harlan wasn't poisoned! marta lists off the symptoms of morphine poisoning at five and ten minutes on screen, and we see him exhibiting none of them, even after she's left and snuck back in, which must have been more than ten minutes after the initial injection. later we see fran suffering an overdose of the same drug, and she's far more debilitated than harlan was even in his last moments.

glass onion, of course, plays a lot more fast and loose with this concept, because it hides large swathes of the setup from the viewer until the halfway point. blanc actually has a lot more information than the viewer until we get the extended flashback in the middle of the movie.

however, after you know the circumstances of andi's death, like blanc says, you can completely guess that miles killed her! helen even suggests it during one of their first conversations, because it's obvious! of course he did! the only thing the movie does to delay this conclusion is throw out a swarm of red herrings in presenting motive and opportunity for everyone else, but the motive is obvious. the main thing both the audience and blanc need to realize is just that miles is stupid enough to do it. blanc uses his countless malapropisms as evidence when reaching this conclusion, but he doesn't even need to; it's absolutely obvious from the fact, readily available to the audience, that HE MADE HIS HOUSE INTO A BOMB.

likewise, the movie shows you that miles handed duke the drink that killed him, though this is later corrected during his self-serving flashback. you can see the outline of a phone in miles's back pocket after duke's murder even though miles doesn't own a phone, and even a brief shot of him sticking duke's gun in the ice bucket on the table.

additionally, putting a little bit of thought into miles's justification for the lights going out reveals it makes no sense. he was supposed to give a big speech as part of the murder mystery?? no he wasn't! he's dead at this point! he gets shot by the crossbow at dinner! why would he be giving a big speech at 10 pm? because he made up the lights going out on the fly based on blanc's earlier comment, and didn't think it through at all, like everything he does!

i'm not gonna pretend i figured either of these movies out ahead of time on the first viewing- i totally didn't! but i know when the next one comes out, i'm going to be watching very carefully, and probably doing a lot of rewinding.

[lucystark12]

milevens are insane

warning now - i get extremely heated in this so if you're going to tell me to calm down leave. before any of you weird bitches tell me to go do something more productive or to touch grass- no. i'm fifteen, it's summer, and i'm a highly involved high school student. i'm not here because i have nothing better to do, i'm here because i understand good writing and am able to have hobbies ❤️

anyways

was on the mileven endgame hashtag just now and because i don't choose violence i wont be addressing any of them directly, but i will be addressing some of the ridiculous bullshit on there. term bullshit used intentionally

the love confession came as a result of mike "gaining the confidence" to tell el how much he loves her because he was afraid that he loved her more than she loved him.

are you listening to the words that are coming out of your mouth right now? i want to sit down and get a coffee with you and dissect what the fuck you meant by that. sure, right, yeah, he gained so much PRODUCTIVE confidence from his conversation he had with will where will was using eleven to mask his own feelings for mike. it makes so much sense narratively that this end all be all mileven event is sparked from will's feelings and not mikes! sure! right! this is such an idiotic piece of reasoning. you are literally saying that you are okay with your endgame ship only being endgame based on faulty communication and lies. are you joking? "you just gotta improve your motivation" ass piece of evidence

also, mike being insecure about loving her more than she loves him is complete, total, utter bullshit. el frequently expresses her love to mike via letters and youre here to say that mike would have any problem with doing the same thing if he were insecure about her love for him? that literally makes no sense. i wouldn't be afraid of loving somebody more than they love me if they are actively putting more effort into insuring me that they love me than i am to them. like, what does that even mean?

“Will Byers is a pathetic loser annoying character and contributed little to the plot of ST. "

yes that is a direct quote. no i'm not kidding.

what kind of fucking neanderthal watches stranger fucking things- a show about a kid who disappears- and thinks the kid who disappears isn't a central part of the narrative? the first episode of the goddamn show is called "the vanishing of will byers"! maybe this is hard for you and your confused brain to get your head around, but el and mike met when mike was out looking FOR WILL. mike and el are still together because mike gained courage from WILL'S LOVE FOR HIM. what a fucking idiot you must be. i would try to explain to you the myriad of other reasons why will is absolutely central to the plot of the show, but since the show itself has clearly gone in one ear and out the other, i probably wont be able to get through to you either.

“what if we learned to cope with world that doesn’t accept us as individuals by embracing each other completely?” said about mileven

um.. what. that's literally byler. closeted gay guys in the 80s. but sure, the ones that aren't being accepted are the two white and allegedly heterosexual individuals. the "world that doesn't accept us" in question is a few high school bullies in comparison with the stigmatization, violence, and ostracization that has longstanding been a part of what it means to be queer. be so serious right now. mileven is not important for being non conformist, the GAY SHIP IN THE 80S IS!!

“The only people who queerbaited, was byler fans themselves lmao.”

even if we're ignoring the horrible grammar there are still SO many things wrong with everything that was just said. what they're saying above for anybody who can't decipher the weird medieval english code this person is using is that bylers actively queerbaited themselves which inherently makes no sense at all.

below i have included the oxford dictionary definition of queerbaiting: "the incorporation of apparently gay characters or same-sex relationships into a film, television show, etc. as a means of appealing to gay and bisexual audiences while maintaining ambiguity about the characters' sexuality."

how is it possible that byler shippers themselves are the ones doing the queerbaiting? are we running the show? nope! before you come on and post something as offensive as this- which i will get into- at least make sure you know what you're saying. xoxo

to insinuate for even a second that mike wheeler not being gay would be anything other than deliberate queerbaiting is insane. there is something wrong with you. aside from the parts of the show where his queerness is deliberately alluded to like music, costuming, analogies, allegories, and set design, netflix has been, weather you like it or not, actively marketing in favor of byler and mike not being straight. all below come from official netflix accounts-

how is this not queerbaiting? genuinely what are you on about. this is literally textbook.

“will is fruity but mike didn't like the fruit on his pizza”

you seriously are basing your argument about mike not being gay on him not liking fruit on pizza? you seriously think that some of the most commended and celebrated writers of the last decade would use symbolism involving a word that can literally be interpreted as a slur when their show has two characters who are canonically a part of the group affected said slur? are you fucking stupid? that was harmless banter used to communicate the differences in habitual action across the country. it wasn't the duffers trying to do for you what they do for us in deliberate, straightforward NON-OFFENSIVE symbolism.

i saw somebody claim that mike's character arc in season four was inherently about not believing in his self worth nor in his competency to be in a relationship with el

while i do for the most part agree with you, i'm going to ask you a question- mike was never anxious about his identity and self worth involving el before season four. why do you think that just came up now if not for the fact that he's been having insecurities involving his sexuality and romantic attraction to women as a whole? in my opinion, mike realized that he might not like girls in that way circa the end of season three- a realization that only festered and grew through the absence of not only the boy he loves that is causing this insecurity but the girl whom he is using as a way to say hey, i can't be gay, i have a girlfriend! mike was clearly going through some serious emotional struggles as we can immediately see in this scene with how suddenly awkward he is with will and the immediate emphasis that's put on the "from mike" on the flowers.

i agree that his season four and part of his season five arc are about his feelings of insecurity about being in a relationship with el, however, i don't think he's insecure because he thinks she's better than him in the sense that she's some superhero, i think he thinks she's better than him because he knows that he'll never be able to love her the way she deserves to be loved. he's not going to outright come and say to will that he doesn't think that he can love her in the way she deserves to be loved. he's closeted. what he says in the van scene is the only way he knows to express his feelings. it's very similar to what will does in the same scene. it makes no sense for this insecurity to randomly manifest in him if it wasn't for an external factor that doesn't involve el, because nothing has really changed with the dynamic of their relationship other than the move. one could argue that mike is feeling insecure over el's supposed popularity she claims to have in her letters, but mike's arc has never been about caring about popularity in school. that's not something on his mind so much as the grand scheme of the world is. lets not forget that he joins hellfire in season four.

“When Mike didn’t say “I love you”, By*ers twisted it to their narrative. When Mike did say “I love you”, By*ers twisted it to their narrative.”

you literally sound like trump going on about the democrats. listen to what your saying right now. also, it's a ship name. there's no need to censor it you fucking weirdo.

wasted time building up mileven

i'm sorry, what build up? i'm confused. there's no "build up". THIS is build up:

above is will, possessed by a monster who feeds off of those lacking love in their lives, only being able to be broken out of possession by a heartfelt monologue by the PERSON HE LOVES detailing how the best decision he ever made was to befriend him.

above is will claiming he will never fall in love, then his love for one of the other main characters becomes a central plot point of the two seasons to come. joyce and i see through will and all of you weird milevens

mike telling will how it's not his fault will doesn't like girls only after he loses the person he's been using to cover up his own insecurity about the same thing- not liking girls. suspicious.

will's LOVE FOR MIKE being the thing to give him the confidence to help el SAVE THE WORLD, only episodes after we establish that mike is bound to be pissed that he was lied to. and theres no buildup? THERE'S REALLY NO BUILDUP?

if you don't see buildup i fear you are literally just a lost cause because it is so painfully obvious to anybody who made it past seventh grade english class that there is something deeper and more intimate than friendship going on between will byers and mike wheeler.

“Women can be independent while being in a relationship guys😭!!”

OBVIOUSLY! i am literally the biggest feminist on the entire western seaboard. i couldn't agree more with this, which is why we have arcs like nancy's where she actively becomes more independent while still maintaining a relationship with jonathan. the difference is that mike and el have been together since they were like thirteen. when el was immersed into the real world for the first time in season two she immediately leaned on mike for support in that. it's not that she can only be independent on her own, it's that mike is directly symbolic to her of a time when she was stumbling around the world with naivete and not quite knowing how to navigate that. by spreading her wings away from that relationship, it will not only give her independence, but also a way to see beyond the barriers of hawkins and a life where she was valued mostly for the qualities she brings to the supernatural equation. el's arc is one of my favorites. i would never claim such a thing and discredit the essence of what makes the emotions behind her character so interesting. she's somebody who was literally raised in a lab. she shouldn't be held back by somebody she is quite literally dependent on.

last but not least, i saw a post that said milevens always win.

"are you sure about that?" i ask, noah schnapp's most recent instagram post open on my phone, finn wolfhard's spotify playlist in my headphones, my mike holding will's painting funko on the desk in front of me, wearing a yellow shirt with a blue sweater over it.

thank u for listening to my ted talk 💙💛

[cheeseanonioncrisps]

So like, it's okay to be good and nobody is born evil and anyone can change the path they're on, yadda yadda yadda, but I actually think one of the biggest lessons Megamind learns over the course of the film is the shocking revelation that actions have consequences.

I'm not even kidding. When you put aside the whole 'evil' thing, one of Megamind's biggest flaws is his entirely screwed up notion of cause and effect.

Like, the whole reason the plot happens is because it apparently never occurred to Megamind that 'carrying out elaborate plots to kill Metroman' could ever result in 'dead Metroman'. Nor that creating a new hero with the specific motivation of defeating him, Megamind, could lead to negative consequences for him, Megamind. Or that riling said hero up into a murderous rage could have the unforeseen consequence of that hero raging around murderously.

Dude spent at least a few years kidnapping Roxanne, threatening her with alligators and lasers and various other villainous knick-knacks, only to disguise himself as somebody else and lie to her until she fell in love with this fake identity he'd created and is genuinely shocked when she is upset upon finding this out.

Not just that she did find out, but that post-her finding out he is unable to talk her into continuing the relationship.

“We don't judge a book by its cover or a person by their appearance… we judge them based on their actions.”

“Seems kinda petty, don't you think?”

Megamind may be a genius when it comes to inventions and evil plans, but he's a fucking idiot when it comes to predicting and anticipating the obvious results of his actions.

And thing is, it makes total sense why he would be like that.

He spent his childhood being consistently punished by the adults in his life, often for no reason that he could understand or even for no reason at all. As a result, he stops viewing punishment as a consequence of his behaviour and starts seeing it as a consequence of him being 'evil', which of course leads to him leaning into his evil persona and eventually becoming a supervillain.

And, as a supervillain, ironically enough, he's completely sheltered from consequence by his greatest enemy, Metroman.

Megamind doesn't need to worry about his evil plans hurting any citizens, because Metroman will use his powers to save them. Megamind doesn't have to worry about the damage he does to the city, because Metroman can fix it.

Megamind does in theory have to worry about social consequences for his behaviour, but the social consequences are being locked in prison and having everybody hate him which is like, the default status quo of his existence since he was a baby.

He literally calls the prison as 'home', a word he does not use to refer to his Evil Lair or indeed anywhere else in the film barring his home planet. Going there is an inconvenience, maybe, but it's not really a punishment. It's where he lives.

Metroman's 'death' changes all that.

Not only does one of Megamind's evil plans finally destroy something that (seemingly) can't be fixed, but he's then turned loose on the city with no superhero to run around after him cleaning up his mess.

Now, if he steals all the artwork in the gallery, then Metro City will no longer have artwork in it's gallery, and people (Roxanne) will miss it and be upset. If he doesn't take care to clean the streets then the streets… will be dirty, and people (Roxanne) will be negatively affected.

If he gives a random, unstable, person superpowers and then goes out of his way to piss that person off, then that person can't be guaranteed upon to “play the game” just because that's what Metroman did, and people (Megamind… then everybody else) will be negatively affected.

And the flipside of this is that, by the end of the film, he wins the battle because he realises "hey, I can change this". If his negative actions have negative consequences then he can choose to do the positive thing instead and save the city.

[bonefall]

do you have any tips for writing a low empathy character who isn't evil? Or how to make an interesting apathetic character who's a thoughtless sort of evil? These are two different chatacters btw-

I tried looking up examples and stuff but uh. It's been a bit fruitless.

Honestly it's not too hard! Having low empathy just means we're bad at automatically "connecting" to the feelings of other people. You can come to understand it's not even a character flaw once you uncouple the idea that Empathy = Kindness. And apathy, well, that one's a bit more complicated imo.

Low Empathy

In English, it's just unfortunately super common to conflate Empathy and Compassion. To have compassion is to be aware of the suffering of another person, and ergo, want to help stop it. To be empathetic is to identify with and understand the feelings of another person. These are different things.

For an example in action; imagine a medic with a patient whose shoulder is dislocated, and xey'll need to pop that arm back in place in order for the patient to feel better.

A medic feeling EMPATHY for that patient is having an emotional response to what xey're seeing. Xey might have a tingly "ghost pain" thinking about the injury, and xey might feel guilty xey're going to put them in more agony, but also joy because this patient is going to feel much better in just a moment.

A medic feeling COMPASSION for that patient is thinking about how the shoulder must be causing a lot of pain, and knows xey have the skill to fix it. Xey know from xeir own experience that pain sucks and so it is a bad thing that needs to go away. It will hurt a little more for a moment, but then there will be immediate relief.

This is imo, why a lot of low empathy people are "bad at" comforting people without going to Autism College where they give you the scripts of Shit Neurotypicals Say. We're not trying to be selfish when we end up making "comfort sessions" about ourselves-- that's what we think empathy is, because we don't have a lot of it to really know what you want.

Like, doesn't it make sense to you? "I don't know what you're feeling. Here's a similar situation I've been though. I must know what you're feeling-- does that make you feel better? That you aren't alone? I think that's what empathy is, am I right?"

A LOT of low empathy people go into medical fields, the funeral industry, and disaster relief. We often really do want to help people so seek these fields out, or when we get there, just end up not getting burnt out like our high-empathy peers!

Apathy

As for the apathetic character, honestly, I'd suggest thinking about your story's themes. Villains are very special to me and I always try to handle them with care. What are you trying to say is bad to not care about in your work? How does their apathy play into the story you're trying to tell?

A Captain Planet villain is completely selfish, and exists only to benefit itself by exploiting nature in some way. Then the Planeteers show up and punch it in the face. Boiled down to its barest, most simple essentials; "We have conflicting goals and so I will stop you."

Personally I find total apathy to be something not especially compelling in villains, for that reason. Like, if you really don't care about anything, why bother with the trouble of going against the protag? Motivation is meant to be MOTIVATING.

(also ngl I'm on the Shadow As A Hero sort of bandwagon where I find it much funnier for the simple apathetic cool edgy guy to be the funniest person on your tennis team)

Dungeon Meshi has TWO characters who struggle with apathy, and are both antagonists at some points in the story, but never villains. Shuro and Mithrun. The theme of Dungeon Meshi is the beauty and complexity of life, the value of living, and how our connections to others changes the people we are. Food is a metaphor for bonding, self-care, and understanding.

For Shuro, he begins the story as someone who's both been encouraged to bottle up his emotions for the sake of other people, as well as to not actually consider the emotions of those lower-born than him. He's from a very different place than the other members of his party, and this causes friction as class, culture, and sophisticated, refined, weapons-grade autism clashes.

When the woman he loves is eaten by a dragon, he doesn't stop to tell her brother and """childhood friend""" what he's planning, as if they both wouldn't run in and get hurt. He owns demi-humans. He doesn't consider his own needs or the needs of his rescue team of loyal vassals. As a result, he's too weak to continue, losing a fistfight with one of the main characters, Laios.

After this, he connects with him for the very first time, and reaches out to him by giving him an important magic item. There's even a MASSIVE moment where he outright tells Laios that his ability to be so open (read: not have to mask his autism) is something he envies, breaking through that veil of apathy he wears.

The story Dungeon Meshi is telling here is that it is important to value the needs of yourself and of others. Shuro's apathy towards his own needs in a bid to prove his love weakened him. In acting like he was above his old teammates, he never spoke to them like people to smooth out his issues. He's never even noticed how much his vassals love and care for him.

(and the incredible irony is not lost on me, that Shuro's name is because Laios mispronounced it and was never corrected... while Shuro never noticed that Izutsumi had the unwanted name "Asebi" forced onto her when she was "taken in" and made his slave.)

See how that comes back to the theme? Shuro doesn't exist to just "be some asshole" or act like a villain. He has a full character arc that contributes to the narrative.

For Mithrun? I won't even spoil it. Go read Dungeon Meshi. Watch elf depression. We love a king with strabismus.

Anyway,

If you ever need good personal resources on any stigmatized mental condition, I've found it's usually productive to go into the #Actually (Thing) tag here on Tumblr. You can find people posting about basically anything. I found a lot of really good resources on NPD that way.

[velvet4510]

OK I have thoughts about Billy’s motive being to find Tommy:

I actually think it’s the most plausible and understandable motive he could have.

My theory pre-episode 6 was he wanted his whole family back, and I’ve heard comments since then criticizing him for seeming to not care about Wanda and Vision or want them back.

But, look, Episode 6 establishes very clearly that he doesn’t remember his real parents.

Jeff and Rebecca have been the only parental figures he’s known for 3 full years. He isn’t lacking parental love because he’s been getting it from them. But what he is lacking is a sibling.

Now he’s just found out that he’s Billy Maximoff, who had a mother now declared dead, a father now declared “used for parts” … and a twin brother whose name is the same name that was on his lips when he first awoke and whose presence he can somehow sense.

So of course Tommy is his number-one priority. Not only is he the figure in his life that he is fully and completely missing, but he’s his twin, his other half, and on top of that, the only member of his Westview family to not be declared dead. He doesn’t actively remember Tommy, but they have a special connection.

Of course he thinks about Wanda and Vision sometimes. Wonders what they were like and whether he’ll ever remember them. But he thinks they’re lost forever. It’s printed as fact in all the news he’s read that Wanda is dead and that Vision was dismantled. Tommy is the only one whose fate is open-ended, to his knowledge. Why would he get his hopes up for his whole family when only one of them isn’t declared dead?

It makes total sense that he’s focusing on Tommy. It doesn’t mean he doesn’t love his parents, or at least, won’t love them when he remembers them. But he currently thinks there’s no hope for them.

Plus, think of the guilt he must feel every day as he lies to these people who he knows are not his real parents but who have been loving and supporting him nonstop for 3 years. How could he dare to yearn for parents who are now dead, when he has two wonderful living parents in his new life? He doesn’t know how to tell them that he’s not the son they knew. He’s been trying so hard to be that son.

But once he regains his memories of the Hex, I’m positive he will indeed develop that grief and yearning, once he remembers the love and care that he and Tommy got from Wanda and Vision. Then his wish at the end of the Road will be to get his whole family back. Tommy will awaken in Tommy Shepherd’s newly-dead body, Wanda will return to life, and White Vision will gain Hex Vision’s memories if he doesn’t have them already. Afterward, Billy will first focus on finding Tommy, and then the two of them will put their heads together to figure out what really happened to their real parents. Which will tie into Vision Quest.

I don’t know yet if he will keep Jeff and Rebecca in his life after this, or if he will be honest with them. We’ll see. (He definitely should hold onto Eddie; he’s a winner.)

But overall, I’m really quite satisfied with Billy wanting Tommy back, and I hope with all my heart that he gets his wish at the end of the Road.

[itsmarsss]

motivation [Miguel Diaz x GN! Reader] (Cobra Kai)

(~from the vault~)

Request: "ok... you wanted a miguel oneshot? here you go... y\n is johnnys daughter, and she & Miguel get caught making out in her room 😹 PLS WRJTE THIS I LOVE IT"

Warnings: making out, teenage cringe (this made more sense when i was writing this at 16 lmao)

Word count: 1,440

[. . .]

“This is so boooring,” you exaggeratedly complained, your head falling back onto your bed frame in frustration.

"It's 20% of the grade,” Miguel reminded you.

"I knowww.”

"Come on, you can do it,” he affirmed, smiling as he rolled his eyes at your obvious drama. He went right back to quizzing you. “What does codominance mean?”

“Both… alleles are dominant?”

"Both alleles are recessive.”

“Then why’s it called codominance?” You ask, annoyed. 

“Hey I’m not the inventor of genetics,” he laughed, putting his hands up in surrender.

“We’ve been at this for hours, my brain is totally fried at this point.”

“No it’s not. You know all this!”

"Well obviously I don’t."

Miguel nodded in disagreement. "You just need to find some motivation."

"Like what?"

"Like…" He looked up, trying to think of something, and you admittedly hoped maybe he’d suggest a break because holy shit you were not having fun right now, but his eyes lit up with an idea, his smile quickly turning into a mischievous grin, making you fairly confident whatever he’d just come up with was something way more complicated than a break.

"No,” you immediately deadpanned.

"What? I didn’t even say anything!"

“But you thought something. I'm not answering biology questions while I mix cement or some shit. Stop hanging out with my dad."

He let out a laugh at the memory you brought up. "Chill, I'm not gonna make you mix cement!” 

"Then can’t we just take a break? Pleeeeease?”

“We can take a break when you can answer the questions! You can’t fail biology, it’s one of the only classes we have together!”

“That is so, so sweet babe, but I really don’t think anything will motivate me more than a break right now.”

"Come on, we’ve been studying this for hours, you know this! No two people have the same DNA, but there’s one exception. That is...?”

"Ugh, Fine. Shit. Uh, brothers?”

"Yeah!" 

“Really?” You were genuinely surprised with yourself for getting that one right.

“I told you you knew this!”

“Yeah, yeah, whatever. I still don’t get the motivation part though,. I’m still very much bor-” he shut you right up by leaning over the various textbooks that laid on the bed between the two of you, pressing his lips to yours in a quick kiss. 

He chuckled at your lack of reaction at the sudden action. 

“What was that?”

“Your motivation.”

“Okay. Yeah. Cool.” It was not cool. In fact, maybe you felt like your brain was on the verge of short-circuiting, but what else could you say?

“Alright. Cloning results in two individuals that are…?”

“Uh… genetically identical?”

“No.”

“Shit. Well that was fun while it lasted. Alright loverboy, why don’t we just ditch the questions and make out?”

No luck. “Not yet. Cloning results in two individuals that are…?”

You let out an exaggerated groan at your failed attempt at ditching the quizzing, just to annoy him. “Genetically… genetically similar.”

“Yeah!” He celebrated before leaning in again, smiling into your lips as he kissed you for a little longer this time. 

“I really don’t see how exactly this is supposed to help me focus.”

“Correlation.”

“What?”

“What does cloning result in?”

“You just asked me this.”

“What does it result in?”

“Two individuals who are genetically similar.”

“See? You remembered. When you’re taking the test your brain will correlate the answer to the questions with a memory. I’m just making it a nice memory,” he shrugged, as if what he’d just said was the most obvious statement to ever be said.

“You are so weird,” you smiled, staring at him for a second. God he was cute. You leaned in to kiss him again, but he didn’t let you, leaning away from you to ask you another question.

“What does a Punnet square show?”

“Are you kidding me? I can’t kiss my own boyfriend now?”

“Not until you answer the question,” he grinned, proud of himself.

The questions went on and Miguel kept going with his so-called motivation. By the time you found yourself under him, Miguel seemed to be contempt with your amount of right answers, throwing the books out of the way to finally comply.

Yeah he was definitely pulling that correlation thing out of his ass but damn did this making out make you motivated. “This is like the best study session ever,” he stated as he pulled away to take a breath, smiling like an idiot. 

“You are so fucking cheesy, dude,” you retorted, just to tease him.

He smiled that one smile of his, shaking his head before resuming to kissing you, careful not to put too much of his weight on you, which you thought was the cutest thing he could do in a moment like this. You didn’t particularly care about that, though, only pulling him closer to you by grabbing the collar of his shir-

“Jesus kid can you please close your door? I don’t wanna come home to a porno.” 

Miguel immediately scrambled to get up from atop of you, pulling himself out of the bed entirely, which, in retrospect, was a tiny little bit really funny.

“Oh my God. Dad! Get out, what the fuck?” 

“Just keep the freakin’ door closed, Geez. And please don’t do anything while I’m here, that’s fucking weird.”

“Obviously I didn’t know you were coming back this soon!”

“You would know if you weren’t too busy swapping spit with with Diaz over here,” he motioned over to Miguel with his head, making you take a glance at him, who looked like he was trying really hard to develop the ability to become invisible, scratching the back of his neck and looking at the ceiling as if he hadn’t just been mentioned. “I sent you a message on that… text thing.”

“You sent me a text?”

“Yeah, whatever you call it. I’m not a nerd.”

“Well sorry. Miguel’s going home anyway so.”

“I am?”

“Yes, you are.” There was no way he would be able to stay for much longer without hyperventilating.

“Yeah! Right! I am. Just just about to head out. Yup.”

“Okay. Whatever. Next time I’ll yell that I’m home so I don’t have to see… that,” he motioned between you vaguely.

“There wasn’t even anything happening you baby! And I said I’m sorry!”

“What fucking ever!”

“Okay,” was all you managed to reply before he left, closing the bedroom door behind him. You were too embarrassed to say anything else.

“Okay. Uh,” Miguel started, but he didn’t know what to say either, mortified by the idea of his sensei catching him making out with you.

“I don’t think he’s gonna be able to look us in the eye after this.”

“Good thing I only see him every single fucking day.”

“Oh my God,” you buried your face in your hands in embarrassment, trying to regain your composure. 

“At- at least he’s okay with it! I thought he was gonna kill me for a moment there.”

“He likes you too much. He just gets really weird about this sort of thing.”

There was a knock on the door. “Are you decent?”

“We were never not decent!” You defended yourself. Johnny opened the door slowly, carefully scanning the room as to not see anything unsolicited. “Kid’s gotta go.”

“You’re aware I’m not a child, aren’t you?”

“Well duh. But I know the advice I gave him about this stuff before you two started… whatever this is, and I need to take everything back.”

“What?”

“Dad.”

“What? A Sensei can’t have a nice guy talk with his student?”

“Uh-” Miguel murmured, glancing at you nervously.

“I’ll be waiting by the door,” he shot Miguel a condescending smile before leaving. 

“I’ll see you tomorrow?” 

“You think there will be a tomorrow for me?” He joked.

“I don’t know. What ‘advice’ is he talking about?”

“Uh…” He scratched the back of his neck again, like he always did whenever he was uncomfortable.

“Oh my fucking god. You did not get sex advice from my fucking dad,” you stated, in denial. 

“It was before we even had anything!”

“Well I fucking hope so! It’s still fucking weird.”

“I know, I try not to think about it.” He paused. “You think he’s gonna kill me?”

“He’ll go easy on you.”

“I’m not sure.”

“He will!”

“Promise?”

You kissed him goodbye instead of answering. “Good luck!”

And wouldn’t you know it? Your tests came back with a big red A- in the front page. You could definitely see yourself catching an interest for genetics. Maybe you did just need some motivation. 

As long as you keep the door closed.

[. . .]

A/N: think im writing for miguel again. like actual new stuff that makes sense to me at my now old age of 20 (lol) so if ya want request away

[sallieraptor]

[huge post alert]

I have so much to say about Kinger! first of all, about his memory, and how he remembers things in the dark,

since the beginning, he always seems to feel better and more sane in the dark. no matter how small the dark is, whether he's in his pillow fort, with something covering his head, or just with his eyes closed. it's subtle, but it's there.

like when he comforted Ragatha, telling her that he remembered how her adaptation to the circus was, so she felt better and didn't feel the urge to worry so much about Pomni's own adaptation; he had a bucket on his head, which grounded him, and made him say things that made sense for Ragatha, surprising her.

also, he was the only one speaking with his eyes closed at Kaufmo's funeral. we didn't see what they said that day, but from his facial expression and body language, I assume he was saying something that came from his heart, especially since it was the funeral of a friend who had abstracted. a friend who's gone in the same way as the person he loved the most.

having lost his wife, and having the last time he saw her be one of the last things still keeping him sane, means a lot to him. like he said, it's not the cheerful memory ever, but at least it's one he can control. the dark usually sounds scary to most people, but to him, it's kinda... safe. imagine how many times he and his wife were alone in his their fort? how many memories they must have made in there, no matter how small and silly they were. and it was the last place they were together for the last time. it's a place that he could be afraid of, that he could associate with losing her, that he could associate with the last memory he had with her, that he could associate with emptiness... but he managed to turn the dark into a place that grounds him. into a place that motivates him to continue, into a place that keeps him alive. it's no wonder he always seems so brave when the lights turn off. it's no wonder he guided Pomni so well, and managed to make her feel at least a little calmer. the dark is not an unfamiliar place for him. it's a place that feels like home, and that's exactly why he's able to act more rationally.

and it's because the lost of his wife, that Kinger holds so much onto the people who mean the most to him, and does everything (in whatever way he can) to protect them. we can see that since the first episodes, he is always the person who tries to comfort, and specifically, save the others. like:

[Pilot] when he tried to save Zooble from the Gloinks, failed, Zooble cursed him, and in the end he was still relieved that they were well and safe. even though it was a in-house adventure, he still cared, and was happy to help, being excited about winning the rock-paper-scissors with Gangle;

[Episode 2] or when he kept throwing things at Pomni so she could try to hold onto it and get out of the moving truck.

Pomni asked for help, and apart from Ragatha who was asking for them to try to get Pomni out of there, he was the only one to actually take any action to try to help, even though it was only making the situation worse, or just not helping at all;

[Episode 2] or even when Jax threatened to tell the Fudge monster that Ragatha's hair looked like licorice, Kinger paid attention, noticed that Jax was right, and to protect Ragatha, he went to look for a bucket, and when he found it, he used it to cover her hair;

[Episode 3] and today, he was totally willing to throw himself into a bizarre door without even thinking twice, just to get Gangle's mask and give it back to her, because he knows how much the mask means to her;

aand part 2 because tumblr doesn't allow more images in one post and I can't shut up... oopsie...

[skk-fan-page]

I promise I took my meds, hear me out: this

Can give us insight into this

So: before we get into what it means, I'm going to tell you why these things are related. 15 is probably the best text we have when it comes to dissecting their relationship, and in 15, dazai says 2 things that relate to both raging romantic tension and also dogs.

This, as well as an arguably more loaded section:

This. Now bear with me, I really did take my meds, this second excerpt is almost a one to one copy of the dog treats panel. For those of you who have read 15, you'll know that this scene is the set up for chuuya being forced into the mafia. They duel, the "treats" (the sheep) appear, and then they disappear, and only when dazai walks away do both the dog and chuuya realize theyve been ensnared in a weirdly elaborate trap for someone who's supposed to not want anything to do with them.

Not only that, but it establishes that not only does he call chuuya his dog, but "his dog" is part of his future plans, and part of the reason he even has future plans.

Part of the reason that dazai wants to live at that point is to spend time with chuuya.

Now: with that we get back into the dog treat "duel".

First, I'll let you read it and draw your own links, as long as you promise to leave them in the notes

As a bsd reader, you'll probably know that dazai's plans often revolve around knowing what the other party will do. This is easily reflected in the dog encounter, because dogs don't know anything, and thus their behavior cannot be influenced to an unpredictable point. If you offer a dog a treat, you can count on that dog eating the treat. The problem is that dazai can't connect that motive to the dog's actions, because he specializes in dealings with egotistical people who rank highly in organizations who have massive flaws they overlook. Take him outside of his comfort zone, and he struggles to tilt things in his favor.

This analysis overlooks one teensy massive character trait that shapes the character: Dazai is the type to step on a rake, hit himself in the balls, and stick the landing so well that everyone thinks it was on purpose.

You can only tell what's "the plan" versus what is just improv by how hard he tries to sell that he's in control.

With this new lens, seeing how hard dazai tries to assert "the difference in [his status]" with the dog almost entirely colors the interaction as some sopping wet loser loses at his own game that he started against a small animal.

And now: how does this effect the skk reunion and how does it reflect on their previous relationship?

Well, I'm going to pull out some "oh holy shit... I mean, I meant to do that!" Moments

This man is going back and forth like it's his job. He doesn't know what to expect because chuuya is far beyond his comfort zone. Hes everything that should make him predictable, and yet he never is. Every time he's taken aback by his target not reacting the way he "should" he pulls another trick out from his sleeve. Even literally, in the lock picking case. Whenever he needs to try to assert that he totally planned this, he goes for another trick.

As with the dog, when dazai walks away, the only thing chuuya was left with was a distinct sense of "this guy needs friends." They're both low stakes interactions that are born from dazai not expecting something and not knowing how to regain control of the situation.

This implies that dazai just doesn't know how to deal with a straightforward person and thus can never predict what chuuya will do, because he runs on an unswayable internal logic that makes him as difficult to manipulate as a human can possibly be.

As a partnership, they're constantly confusing the fuck out of each other, because dazai is weird and eats dog treats, and because chuuya cannot be understood with the logic dazai excels in.

They know each other but they can never hope to understand each other.

[starlight-eclipsed]

Rockets Pointed Up at the Stars (Pt 1/2)

Inspired by this braindead rejected soulmates au post by @im-totally-not-an-alien-2. More art at the end!

Part II

Tim slumped down on the edge of an apartment building, leaning his weight against the rooftop’s fence. The alleyways below were deserted, criminals retreating to get a couple hours of sleep before sunrise. A perfect setting to catch a breather before ending his patrol for the night.

The Red Robin suit still felt wrong on him. He thought waiting a week to get accustomed to it would help, but he might have made a mistake when he tried to adjust it to be as close to his Robin uniform as possible without it being obvious. He’d have to remember to alter it further the next time he got the chance, to see if wearing something entirely different would finally make him stop checking the shadows for Bruce. Patrolling Gotham alone felt too much like admitting he was really gone.

Just as he was about to move on, the rooftop access door slammed open.

Tim nearly jumped out of his skin as he whirled around, ready to either apologize, attack, or flee, when he met familiar glowing green eyes.

Subconsciously, he let himself breathe easy as he took in the other’s appearance.

Phantom was an anomaly at the best of times. A phantom thief by definition, the criminal had simply appeared one day to cause chaos—lingering only to taunt his pursuers as he made a daring escape with whatever priceless treasure of the month. His motives were unknown, as was virtually anything about him besides his calling card (a green sticky note with nothing but ‘BOO’ written in permanent black marker), appearance, and a meta ability to phase through objects.

Of course, one couldn’t be a phantom thief without a detective rival (or so the thief in question claimed). For some reason, Phantom had outright declared not Batman, but Robin for the role. Tim couldn’t count how many sleepless nights were spent chasing after him, face red from a mixture of exertion and embarrassment. Because it wasn’t enough for the admittedly good-looking criminal roughly his age to run circles around him. No, the jerk had to go out of his way to flirt with him the whole time.

He hadn’t even thought about how Phantom would react to there being a new Robin. But looking at him now, a small part of Tim couldn’t help but feel selfishly glad. From what he could see of the furious expression on his shadowed face and glowing eyes, it wasn’t hard to see that Phantom was taking the change about as well as Tim was.

“I leave for two weeks, and suddenly there’s a new Batman and Robin?! What the fuck, Detective—you’d think to at least have the decency to tell a guy, but nooo, I had to find out through goddamn Victor Fries!”

Tim blinked, “Didn’t Mr. Freeze retire after someone brought his wife back?”

Phantom paused his fury, shrugging a bit. “Nora keeps track of everything happening in Gotham in case something her husband did to save her comes back to bite them.”

“Huh.”

“Anyway! It took me going after Victor to ask why there was a new Robin for me to hear that the actual Batman was dead, Gotham went berserk for a while as every other guy tried to take up the position, and somewhere along the lines you got the grand idea to add ‘red’ to your name! Which makes no sense, since you practically lived for that mantle and I would’ve bet that you’d take it past the grave if given the chance.”

Tim winced. As per usual, Phantom’s words hit home in more ways than intended.

The thief stopped short, the glowing of his eyes intensifying as he looked over Tim’s new identity. Tim didn’t move as soundless footsteps strode forward, not even pausing as Phantom phased through the chain link fence to sit a couple feet away from him.

He could count on one hand the number of times Phantom had done this. One second they’d be exchanging insults, and then suddenly the criminal would stop and stare, feeling like he was gazing into the depths of Tim’s very soul. Each time, he called off their chase, insisting that Tim take a break and talk to someone about whatever was troubling him. It was uncanny how he could somehow tell when Tim’s negative feelings were overwhelming his rational thought—Batman himself would use Phantom encounters to measure Tim’s wellbeing at times.

Looking back, it was odd how Phantom would insert himself into every aspect of Robin’s life, but back off the second he sensed something was wrong. He’d call attention to whenever Tim was particularly anxious, once even physically dragging Bruce over to ‘talk to your son when he’s sad’, but never offer any comfort himself. But here they were, Phantom obviously seeing something Tim could never hope to conceal, with no Bruce nearby to summon and make things better.

Tim’s throat clogged at the reminder of yet another little thing Bruce might never get to do again. He couldn’t be dead, not with how many times Tim checked the body and struggled to recognize the man who’d become like a father to him. 

“...I…I know we’re not exactly friends, Detective. But if you need to get something off your chest, I swear to never use it against you.” Phantom fidgeted with his cloak. From this close a distance, Tim could see the faint glimmer of sparkling purple constellations embroidered on the inside. For some reason, the sight of the soft fabric never failed to calm his nerves.

(It reminded him of a time long ago, when he held a gel ink pen and asked a mystery person to quit whatever they were doing that left his arms covered in star charts that didn’t match anything in the Earth’s night sky.)

He didn’t dare force himself to speak, for fear he might break this tentative peace. Thankfully, Phantom seemed to be taking initiative that night.

“...did you know that I used to be a teen hero?”

Tim’s head jerked upright, meeting Phantom’s eyes. It was impossible to tell exactly what expression he was making behind the mask, but he got a sense of bitter nostalgia. “You never talk about your past.”

A scoff, “Yeah, ‘cause it’s depressing as fuck. Not exactly the sort of thing you can talk about causally.”

He chewed his lip, thinking. “Your suit…minus the cloak, it looks reminiscent of a uniform.”

Phantom fiddled with a cylinder hooked on his belt. It was the only piece of tech visible on his person, a modified soup thermos that somehow served as a near infinite item storage. Impressive, if not odd.

“Yeah, the cloak is more of a blanket than anything else. I added it on when I got tired of looking at the same clothes I used to save my hometown in. It…I didn’t become a hero for fame. It was more trouble than it was worth, honestly. You guys nowadays have so much better support systems than when I was in the business. Makes me wonder if…” he trailed off.

“...why’d you stop?” Tim asked gently, more than willing to throw himself into this new mystery now that he knew it was there.

“It was too much. Everyone wanted me gone, even the people I was protecting. I was hated for my powers, for not always being on the scene when I was needed, for not ending fights faster and for the property damage my villains caused. I didn’t live in a place with metahuman protection laws. The few people that knew my secret identity got tired of superhero life and ditched the first chance they got.” He sighed, “I was hurting, and was desperate for a way out.”

Tim frowned, “So you moved to Gotham and started stealing?”

Phantom snorted. “Nah, I was fucked up for a while after I ran away. It’s funny, one of my rogues was the first to track me down and drag me to a hospital to get my injuries checked. Like a dozen of them got together for an intervention, I thought I was finally losing my grip on reality. I spent a couple months recovering, then took one of them up on a suggestion to try causing trouble for a change. Not anything super bad, but…”

“...enough to feel more in control?” Tim suggested. It wasn’t uncommon for people in bad situations to commit minor crimes, both for the adrenaline and the power rush. Tim himself had once poured his whole soul into tracking and photographing Gotham’s nighttime birds. A hobby that was more than a bit cringe-worthy in hindsight, and definitely creepy considering how much effort he put into stalking his idols. Honestly his young age was the only reason he didn’t get put on a watchlist when he revealed himself to Bruce. That, and the whole I-know-your-secret-identity thing.

“Oof. Yeah, that’s a way to put it. Being hated hurt less when that’s what I was aiming for, y’know?”

Tim tilted his head. “I never hated you.”

A derisive laugh, “Uh-huh. And you loved being led on goose chases when there were more important ways to spend your time.”

“I’m serious.” Tim shifted so that he was better facing Phantom. He didn’t know why, but couldn’t stand the thought of Phantom leaving tonight convinced he was universally hated. “You only make a scene on quiet nights, and you always slowed down for me whenever I had to stop and intervene on some other crime. And you only target the private collections of rich people. Not anyone whose life would be ruined by something getting stolen. You even go out of your way to make sure the guards on duty don’t get in trouble, even when it puts you in a strategically worse position. And…”

He hesitated. Bruce wouldn’t approve…but then again, there was that weird relationship he had with Selina.

“And it was fun. To chase you. It was challenging and frustrating, but your appearance meant that there was nothing else to worry about that night. We could just run regular patrols.”

Oracle was the one to make the connection. Tim didn’t know where along the lines it became an accepted fact, only that Bruce was more comfortable about Robin patrolling alone when Phantom was making a move. A miracle considering what happened to the last one.

Phantom blinked, frowning a bit before his eyes went wide, a shaky smile forming on his lips. “Thanks…it was fun for me too. Kinda the whole reason I kept setting up scenes for Robin to find.”

Tim laughed. The sound startled both of them—he didn’t remember the last time he genuinely smiled like this. It had to be sometime before Bruce was gone, at least.

“So…” Phantom hopped down on the railing of a balcony below, balancing precariously in the way that only he could. He looked up at Tim with an easygoing smile that did little to hide the concern underneath. “As your self-proclaimed favorite rogue, wanna tell me what’s up with the sudden change?”

He shifted a bit, grin fading. “Well…Batman died. He was facing Darkseid and got hit. After the chaos died down, Nightwing took up the mantle and made Batman’s son the new Robin, to help him grieve or something.”

“I don’t know where to start with that.” Phantom adjusted his hood, briefly revealing tan skin underneath. “You sound like you didn’t have a say in it. Wasn’t Robin yours?”

Something bitter worked its way up through Tim’s chest. “It was a borrowed title anyway. I only took it up to help Batman, so it makes sense that I was dismissed—”

“No.”

“—after huh?”

Phantom strode up to him, poking a finger at his knee. “You love being Robin. You don’t have to justify losing your identity. It could’ve been taken in the name of world peace for all I care, that doesn’t make it any less shitty. You just lost someone super important to you, and your connection to them was taken because someone thought your grief was less important. I don’t care who the current one is, you are just as much Batman’s son.”

Tim couldn’t help the small sob that escaped. Or when it doubled, and tears started burning at his eyes. He rubbed at them in an attempt to stop them before they could make his mask go hot and sticky, but was startled out of it by a soft weight being thrown over him. He looked up to see Phantom leaning over him, securing the hood of his cloak over Tim’s own head.

“You looked like you needed some comfort. It’s weighted.” Phantom shrugged.

“...thanks.” Tim pulled it closer, more than happy to latch onto yet another new focus. “How do you move so easily in this? It feels like I’m being hugged by gravity.”

Phantom chuckled, and it was at that moment Tim suddenly realized the other was floating in the air over him. Since when has he been able to fly?

“I use intangibility a lot, but it’s not my only power. It felt like overkill to use more than that in my heists. So I didn’t.”

Tim groaned, “You were going easy on me this whole time?”

“Oh, definitely not. I’m sure you’ve noticed, but intangibility is arguably the most pain in the ass thing to counter. I’m being annoying on purpose.”

Phantom grinned, and Tim couldn’t help but analyze the full sight of him. Everything from his teeth to his ears was pointed, a sharp contrast to the wispy white hair that flowed smoothly in a nonexistent breeze. The most attention grabbing was a glowing green mark resembling a gash across his chest, roughly in the place where a hero would wear their logo. The sight of it made Tim’s own chest ache.

“I don’t think Batman is dead.” He said suddenly.

“What makes you say that?” Phantom asked, reclining on empty air. 

It wasn’t denial, not calling him insane or lost in grief. For the first time since his fight with Dick, Tim felt as though he could breathe again. “I know it sounds crazy, there’s no proof—”

“Woah woah woah,” Phantom reached forward, gently pulling Tim’s hands away from where he had started pulling at his hair. “Slow down. Walk me through your thought process.”

“It just…it doesn’t feel right. Not that I can’t believe it if he died, but this specifically doesn’t feel right. I’d feel it if Br-Batman was dead…there was a whole cloning facility where Batman’s body was found.”

That seemed to spark interest in Phantom’s eyes. “You think the body was a clone?”

“Why would someone as powerful and precise as Darkseid drop everything and kill someone he was in the process of cloning? Why was he even trying to clone Batman specifically? We’re missing something, and I think Darkseid is using everyone’s grief to cover his plan.”

Phantom propped his chin on his hand, deep in thought. “Darkseid…I’ve heard that name before. Does he have something to do with time or space?”

Tim practically sagged in relief. “He can travel freely through both, and has a host of other abilities that give Superman a run for his money.”

He snapped his fingers, “Ah, that Darkseid! Yeah, if he wanted Bats dead there wouldn’t be a body left. I’d bet my collection he’s lost in time somewhere.”

“Thank you!” Tim gestured wildly, “You’re officially the first person to hear me out. Like, is it really so hard to believe?”

“No probs, Detect-o. It’s not the weirdest thing I’ve heard, by far.”

“Exactly,” Tim huffed, leaning back and sighing. “Now I just have to convince the Justice League so they can go back in time and grab him.”

“Why not just get him yourself?”

Tim glanced over to where Phantom hung in the sky. “Unless you’re also hiding time powers in there, we kinda need the League to get to him. Plus I don’t even know when in time he is.”

“Lucky for you, I know a guy,” Phantom grinned. “The Master of Time messaged me this mornin’, something about stopping Batman from breaking the time space continuum. It’s why I’m back in Gotham so soon.”

“You…know the Master of Time.”

“Yep!” He popped the p.

“And they messaged you.”

Phantom hummed, “You can imagine how it went when I tried to confront Batman a couple hours ago. The new Robin’s a menace, if I was any slower you’d have to deal with a Phantom shish kebab.”

Tim winced. It was never fun to be on the wrong end of Damian’s katana. Still, he focused back on the insanity at hand. “So you’re saying you can just go back and rescue Batman right now?”

“Now that I know what’s happening, yeah. Clocky probably already has a portal ready for me. Batman will be back before you can say ‘Gotham’!”

It was inconceivable. To think, the living nightmare of the past weeks would be over, just like that. His brain was screaming at him that this was some sort of cruel setup, that there was no way Phantom was telling the truth. There had to be a catch somewhere, some kind of punchline in the sick comedy that was the life of Tim Drake.

But his heart, the part of him that just wanted his dad back won out.

“What’s stopping you? You’re not usually one to wait for a window of opportunity.”

Phantom rubbed the back of his neck. “No, but I distinctly remember waiting for a certain vigilante. I was wondering if…you’d like to come with?”

Tim’s jaw dropped. “You’re inviting me, a vigilante who has attempted to arrest you dozens of times…to travel back in time to save Batman, another vigilante who has tried to put you under arrest.”

“Emphasis on tried,” Phantom joked, before turning serious. “I mean it—it’s your family. Besides, it could be fun. You come with me on a time heist, instead of sitting back here worrying your pretty head off with all the ways things could go wrong. And you get to tell everyone else ‘I told ya so’ when you save Batman on your own.”

He tried to work his mind through what Phantom was offering. To be able to fix things, maybe not go back to the way they used to be (Damian might actually kill him if he ever wore Robin again) but to have Bruce back. It wasn’t even a question.

No matter how smart Tim was, how he tried to plan things in advance the way Bruce did, he never stopped being the lonely kid who would sneak out at night to shadow his heroes. When Phantom reached out to offer a hand, Tim didn’t hesitate.

“You’re wrong, though.”

Phantom blinked, firmly gripping Tim’s hand without hurting him. “About what?”

“I wouldn’t be saving Batman on my own. We’d be doing it together.”

A fanged grin matched his own, blinding him to the swirling green portal that formed around them. Before Tim could so much as wonder if he maybe should’ve messaged someone about what he was setting off to do, they were already gone.

— - —

This was supposed to be a oneshot, but it got a bit long so I decided to split it up.

I really love this au, but I noticed that everyone has a tendency to hone in on the angst so much that the characters behind it get a bit lost in the process. Not that there's anything wrong with that, but I wanted to try my hand at writing the misunderstandings without making either of them at fault.

(Insert rant about how the whole point of soulmates is that this person is a match for you, so even if you fundamentally are not good for each other you still get where the other person is coming from. There's so much more angst potential in not being able to hate someone no matter what they do to hurt you, but I digress.)

But yeah, let the boys heal and be happy! Also this is the closest I've gotten to actually writing romance and that's not saying much XD

Here's the design I drew for Phantom Thief!Danny. Feel free to drop an ask, I'd love to ramble more about this :D

[fae-morrigan]

Someone put a post (where they admit they straight up dont know these characters lol, and also spell damian as 'damien' so like. yknow.) in the tags saying that if you're a fan of Jon & Jay, you shouldn't buy super son. Well, as the crowned CEO of Jay & Jon, I'm here to tell you guys that you absolutely should.

Super Son did the amazing thing of hitting several marks that I predicted while still managing to surprise me in how they hit them. Which is high praise for any story: A great narrative should be able to both meet reasonable audience expectations (i.e, staying in character, setup payoff) WHILE STILL throwing in curveballs that tell you something new.

There's a lot I want to analyze and get into, namely how I think the rooftop conversation between Jon & Nia is really brilliantly done in what it says about both characters, but mainly I've been thinking a lot about how great those last few pages were and how I think Sina absolutely nails how Jon & Jay's specific issues interact with each other.

Jay's always been a blunt person. From their first meeting back in SOKE 2, hes said what he thinks, and rarely does he try and soften himself. More than that, his bluntness is often a shield from vulnerability, which Jay struggles with the whole scene. It makes total sense, after what hes experienced (re-traumatization at the hands of a friend) that he's displaying that trait again.

Jon, however, is immediately vulnerable. This is the most poignant confession of the issue: Not even in the amazing sequence of Nia helping him make a place in the darkness (look, its back, thanks isabel!) do we get this admission of fear.

And Jay, like always, embraces him. Sidenote, LOVE how they got in the thing Jon does where he's constantly tucking his face in people's shoulders during hugs.

But the moment ends, and we get here. First of all, cold af. I could feel the aura before I turned the page.

Second of all: Jay is totally valid in feeling this way. And it makes perfect sense that he would.

Sara was his everything. Getting her back was one of his main motivations in SOKE. Because of Nia's actions, she died horribly (do you know what happens to a person when they fall from that sort of height? I do. Its AWFUL.) for an unjust cause. Of course he's glad she can't hurt anyone else!

And that's when we get to my FAVORITE PART! Oh how I love this bit. Because like. You understand why Jon's angry- Its a harsh thing for Jay to say! Nia was the one who kept him sane while he was trapped in his own mind! But Jay, like always, is RIGHT: Jon DOESN'T get it. How could he?

Jon Kent will NEVER, ever, be put in this position. Out of universe, his parents are Clark Kent and Lois Lane. They'll ALWAYS come back. Hell, the fact they'll always come back is something Ma LITERALLY says to Jon in SOKE. He will never, ever have to know this pain.

In universe, Jon's a white american. Despite being queer, despite being an alien, he'll never know what its like to be this kind of collateral, delegated as pawns in a greater war for 'freedom'. That is what killed Sara at the end of the day: imperialism.

This next bit hurts my heart. Great job, guys!

For one: Jon claims he's not excusing the mistakes Nia made, but by downplaying it like this... yes he is. But did you catch that part? Right at the start of that bubble?

"I'm going to fight every day to make up for my own part in this."

That's where it clicked for me. Something I had been hoping for since Nicole first called them twin flames.

He's projecting.

Of COURSE he's defending Nia. Of COURSE he wants Jay to forgive her. It isn't just about the fact that she gave him support, it isn't just the dreams, its the fact that... well. If Jay can't forgive her... how could he EVER forgive HIM?

THIS is where the fact that Jon and Nia are so similar as character SINGS. They become mirrors to each other, evaluating their own self worth through the other, at the unintentional expense of the people they've hurt.

Jay's right, though. Again. Its almost like he's the embodiment of the truth or something. He doesn't HAVE to do anything.

When he starts crying though, I immediately was RUINED. This is the first time we have EVER seen him cry before during his entire existence of a character. And its not really even because his mom is dead (though yes, that) and its not even because of the argument. Its because Jay fundamentally wants to be understood, and he's not getting that.

Which is important for the next bit:

I want to first backtrack a bit to Son of Kal El again, specifically, issue fourteen, right here.

Hello, two-panel sequence that succinctly describes these two as characters. How convenient you are for me, a guy analyzing a work that isn't written prose.

Jon isn't good at letting go, for better or for worse. The things he cares about stay with him, and when something or someone tries to exit his life, he clings to them with all his might.

Jay however, both selflessly and selfishly, is willing to let go first if he thinks its better for the other person. To me this line so effortlessly summarizes who Jay is- he's a person who's accustomed to not having things, and will leave before it hurts and he gets too attached.

And that thought is ALL over this scene. Jay, who begins to let go, Jon, who both literally and physically CLINGS to jay, practically begging him to stay.

(Sidenote. This is like, the third time Jay mentions breaking up when Jon starts acting up. Good for you king, keep that white boy on his toes, let him know he ain't all that.)

Every little detail of this four panel sequence is killing me. "My worst nightmare is not having a home with you in it." His greatest desire. The thing that kept tipping him off in every fake reality Nia constructed for him- Jay's absence. Him wiping the tear of Jay's cheek. Jay walking away from him.

But what really gets me is how on this page, Jon talks about them as 'we', while Jay is firmly stuck in 'I.'

This is what made me LOSE MY MARBLES at three in the morning. Just utterly fucking off my rocker in a straightjacket talking to myself.

Because this is what JON wants. But is it what JAY wants?

Jon never asks.

What about what Jay fears? What about the life that HE wants? What if he doesn't want San Francisco? What if the life he wants is the life he HAD before everything went wrong? Jon outright says he wants a fresh start. But Jay, Jay's someone with such deep connections to what he just lost, what he likely WANTS to get back. His country. His mother. His sense of self. But. He says yes.

(Sidenote. FIRST I LOVE YOU WOOOOOOOOOO) To quote my buddy Dami: Oh, the drama of needing a future with someone who can't get over the past.

It is left unclear, by the end, whether or not Jay is saying yes to this because he genuinely wants to, or if he's only saying yes because he doesn't want to lose Jon, too. Jon doesn't stop to question whether or not Jay's only reaching after him because Jon's walking away. We, the audience, are left to ponder that for ourselves.

How much of Jay saying yes is him just accepting that this is the best he's going to get? That he's never going to be understood because nobody wants to understand?

He's an afterthought to Nia, an obstacle at best, and to Jon he's a particularly handsome prop in this little fantasy he has of running away and starting new. He's either not thought of at all, or when he is thought about, it's in the context of how he can emotionally fulfill the other person And you get why Jon did this. He's desperate, he's hurting, he just got tangible evidence that the time he has with the people he loves isn't ever guaranteed. He's been needing space from Clark and Lois for MONTHS because god knows they haven't been fulfilling his emotional needs. In a very real sense, Jay is who he has.

But wanting someone to stay with you so much that you'll... Not even ignore, but just not ever consider what they may want. The intentional isolation, moving halfway across the country away from all support systems. The need to cling to someone.

It reminds me of... something. Someone.

Don't tell Jon I made this comparison. He'll kill himself. Jon and Ultraman ARE similar. They're both such deeply lonely people who cling very tightly and even though it manifests in different ways and even though they have different core thoughts about it. The effect at the end of the day is the same, isn't it?

Is loving Jay not a brutal act of destruction?

There's so many more details about this story I love. Jon & Nia's conversation being vague enough that you have no idea how Jon meant what he told her but you KNOW how NIA took it (girl you can do better hes literally ugly!). Jon breaking a pillar by bonking his head against it (LMFAO). The pretty lies vs ugly truth dichotomy of Jay vs Nia here.

But this one scene, man. This one fucking scene takes the cake. STELLAR work all around. Every panel counts.

This better lead into a full Superman & Gossamer run or SOMETHING or I'm going to have WORDS with DC's editorial staff.

[mixiury]

Always remembering you - Genshin x GN reader

Characters: Wanderer, Itto, Kaveh, Neuvillette

Summary: You have to leave for a long period of time. What do they do after it? (Basically them missing you)

A/N: I am alive!! Sorry for not posting in a while. Honestly I haven't been very motivated to write but I randomly got this idea so I hope yall like it! (I edited some parts and typos I noticed so hopefully now it is better :)

Wanderer has no need for things as transitory and insignificant as the attention of others— specially if it comes from an human being— so what makes you believe that you would be an exception?

It's been decades since he last sought companionship after all. The only reason why he asked you to accompany him is to complete the tasks Nahida assigned him. It is just easier for you to do all the hard work instead of him. Don't try to read between the lines.

Yes. Of course it was necessary to stop in the middle of Sumeru's forest to contemplate the surroundings for the past hour. It is part of his job to ensure that there are no potential dangers near the city.

Actually, the fact that the path you were taking was blocked by a tree that mysteriously collapsed in front of you due to a strong blown of wind has nothing to do with him. Why would you think he did that in the first place? You're imagining things.

The only reason he's holding your hand right now is so you don't get lost or delay him by this absurdly long new path he's chosen. Yes, it's clearly the only option you two have, so don't complain and keep walking.

But if you need a moment to rest he won't refuse. And if at any point you decide to lean your head on his shoulder, he won't push you away either. Just don't get used to this, he only allows it because he knows how fragile human bodies are and he prefers to avoid Nahida's scolding for leaving you in the middle of nowhere.

And if you still have doubts, that's right, the fact that all these things happen after not being able to talk to you all week is totally a coincidence.

Itto, on the other hand, doesn't seem to know the word discretion.

What do you mean you have another important commission to do? But didn't you just finished one yesterday? How about you join him in a beetle tournament instead? Or maybe you can spend time with the gang? Come on, he knows you can't refuse this unique opportunity!

Hmm? That you always spend time with them..? But this time is different! This time they will do something so different and so incredible that you just can't loose! Trust him. Arataki Itto always keep his word!

And it is just that it seems like the entire universe is sending you signals to spend time with him. From Itto posters that mysteriously appear on paper airplanes to his name in the alphabet soup you eat.

But if all that is not enough to convince you that it is the destiny the one putting you together, somehow you both end up meeting multiple times a day. No matter where you look, he will be there.

Do you have to collect different flowers from Inazuma for your commission? It turns out that floristry is one of his hidden talents! Do you have to give them to someone? How curious! He was just talking to that same person! Are you saying he is brothering them? Of course not! He would never do that... On purpose.

There's no point in questioning him, somehow he always has an excuse- (although it doesn't mean they make sense). It's only until you look up at the sky and see fireworks with Itto's face, his signature, and the words "I miss you" that he finally tells you the truth behind all the coincidences that has happened during the day.

However, the moment does not last long, because shortly afterwards different guards come running to capture Itto for alleged harassment and "illegal use" of fireworks without authorization. Complete defamation if you ask him.

At the end, you and Kuki have to visit him in jail and take care of all the paperwork for the damage him and the gang caused. But hey, at least that means his plan worked?

Kaveh directly doesn't seems able to function properly.

Don't get him wrong, he knows better than anyone how hard it must be for you to be so busy. After all, he has found himself in the same situation as you multiple times in the past.

It's just that he had never noticed the influence you have on his life until that moment, where instead of having breakfast together at the same place as always he finds himself eating preheated noodles from the microwave.

For the first time in a long time he's having trouble concentrating on his work, unable to finish the commission he's been putting off for the last week— not so surprisingly— the same amount of time since you traveled to Fontaine.

Because every time he looks at the paper on the desk he can't stop his hand from drawing sketches of you, his mind clouded with questions about your safety and how you are doing.

Kaveh doesn't really know how to control that feeling so he does the only thing he knows in situations like this; Overwork himself. Going from basically doing nothing all week to creating almost a month's worth of work in a few days.

Of course, it doesn't take much for his friends to notice, trying to reason with him more than once. However, if there is something to recognize from Kaveh it is his stubbornness, reassuring them that everything is completely under control.

It's only until he ends up falling asleep during a conversation with Tighnari that he decides to take action into his own hands, sending you a letter telling you about the situation because your boyfriend can barely stay awake during the day and has been living of coffee.

And despite his reproaches towards Tighnari, he can't help but feel glad the moment you return to Sumeru a few days earlier than anticipated, updating you on every little detail that happened while you were gone and sleeping for almost a full day no long after. He may thank Tighnari later.

Unlike the others, Neuvillette feels totally fine after you left.

Of course he notice your absence and perhaps your name has appeared in his mind more than three times in the day but that's all. There is no need to worry about it, Take all the time you need.

He continues with his routine as always. He is also a very busy person so he doesn't think a lot of it. He's just walking around in the same place where you met because he's taking a short break. Nothing more than that.

In fact, you might even be able to see him ordering at the same coffee shop where you had your first date, sitting at the same table he sat at back then. But that isn't related to this situation, so please continue what you are doing.

But if you notice how Fontaine has fallen into heavy rain this last month, he will just reassure you that it's completely normal. Probably is just the weather that hasn't been stable lately. Nothing to worry about. Everything is under control as it always has been.

Yet, even if he manages to fool himself, all the melusines notice the way his gaze wanders from the documents on his desk to the empty seat next to him. His eyes shining every moment he hears the door of his office open just to met with the disappointment in them when he realizes it's not you on the other side.

Because despite his attempts to distract himself, it's simply impossible when every place he goes has some memory of you. He knows you won't be away for long so why does he feel like something is missing when you're not around?

Melusines try to talk with him, even requesting help to Furina, but it doesn't seems to be an end of the countless rains that has been occurring since you left.

He will just continue denying his feelings over and over, completely oblivious of them and the attempts of others to cheer him up.

It's hard for Neuvillette to understand the reason for his the emptiness he feels, but when he sees you once again he can't help but notice the great sense of relief that comes with you, immediately asking you how you are doing and making sure you feel welcome.

Maybe with the pass of the time he will be able to come in terms with his feelings but for now all he wants to do is to spend more time with you.