#because if there is One Thing I Will Do To Characters its fuck up their teeth apparently asgdgajafafjajsbdzvzj

[greeniegaes]

Thinking about Omega SQQ again sigh

Okay. So warning this is a male lactation AU so if you don’t like that don’t read, nothing explicit happens tho, just a guy and his pups

I imagine when he first goes into his body everything feels like he’s in haywire, constantly on edge and ready for a fight. Once he’s gotten the hang of things he uses his cultivation to try and simmer down his hormones.

Only to realize it was his cultivation preventing hormones that was making him feel like shit all the time.

So eventually he sighs and stops doing that. The first few days are bad, cramps and sickness and a general feeling of wanting to claw everyone’s eyes out. He gets through that though.

Then his breasts start to come in.

He knew PIDW has its weirder parts of omegaverse so he knew that this would happen. At first he starts binding his chest but that hurts SO SO SO much that he collapses on like the third day (he was also doing it improperly because it’s him, yk) and gets stuffed into Qian Cao

MQF: I was not aware shixiong was an omega

SQQ: I’ve only recently decided to stop holding myself back

MQF: it is recommended that you form a small pack of your disciples to help with your instincts and… that *waving at SQQs chest.*

SQQ: *screams internally.* Okay :)

At this point after like a week of just draining himself and going insane he finally gives up. LBH has already started living in the bamboo hut so he’s kinda the best option so he sits the boy down.

SQQ: Binghe, I hope you know this isn’t going to change anything but

LBH, thinking: oh my god no please don’t kick me out

SQQ: since this master has allowed his omega side back out he’s been struggling with his urges about thinking of his disciples like pups. If it’s not an offense to your character can I take some of it out on you

LBH, internally: YES YES YES PLEASE OH GOD YES I NEED IT

LBH, externally: If that would please shizun then sure :]

So they start a twice daily thing of in the morning and night LBH goes into SQQs room and his nest and gets feed. Apparently milk is hella good for the skin and shit because after a few weeks he starts to look flawless somehow.

And SQQ really wants to see his other kids- DISCIPLES flourish like that. He extends the offer to a close few and some look like they going to cry at the honor of their teacher wanting to take care of them.

LBH is still the main drinker and always wants to huff when he has to share, but he does it none the less. His Shizun gets really cute during feeding sessions, purring and chirping at them, fixing their hair and playing with it, scratching their scalp, the whole nine yards.

So LBH repays it by feeding SQQ more, which also makes him have more milk in turn. He huffs and complains at his body’s need to produce so much, his chest wayyy too heavy in the middle of the day to be comfortable, leaking and wasting everything.

He ignored that though, even if LBH and his other pups- disciples offer to help him.

Eventually after the Abyss his body is still making big amounts of milk because that’s what it was used to. Most of the time he just gets it out himself and pours it into the grass, often now also starting his other feedings.

Everything starts to get to him and he’s decided that staying on the mountain is no good. So he sneaks out, by himself, in search of something to heal his heart.

All the peak lords and disciples are going crazy, nobody can find him and nobody knows where he could’ve gone. Eventually while LQG is talking to a random villager out in a border town of their territory he sees SQQ again, arms filled with two pudgy babies and looking ever so pleased.

SQQ: Oh! Hi Shidi

SQQ internally: OH FUCK I FORGOT ABOUT THE SECT

LQG: where have you been???

SQQ: sorry sorry babies are hard work I didn’t want to travel alone with them

LQG, wanting to have an aneurysm but can’t: let me just help you home

On one hand the entire sect is so relieved that SQQ didn’t die of heartbreak over losing his favorite pup or get kidnapped. On the other hand SQQ??? Where’d you’d acquire those babies?? They aren’t yours, it’s only been 6 months!!

Anyways after SQQ is safely back in the sect he doesn’t see a point in leaving. I mean! Look! Look at his pups! So cute and round! One of them has little dimples!

The other peak lords carefully go to see what was going on, YQY opening the door to the bamboo house after being told to come in and all of them are just smacked with happy omega pheromones, SQQ gently cradling them both in his arms as he rocks in a chair.

At that point all of the peak lords decide that yk, maybe it doesn’t matter how the children were acquired. They were well feed and cared for and obviously SQQ was happy again.

(He got the children from a working in the WRP, she had wanted babies and all her sisters were supportive but then she realized she didn’t like being a parent but you also can’t morally just… dispose of a child. SQQ visited there once in his depression stoop and stayed for a few days after falling in love with the kiddos. Then he just went on an adventure with his babies and got distracted by the cool world building.)

[leresq]

Finally watched Deadpool and Wolverine. First of all I was not coming into this with high hopes because even though everyone was talking about how good this movie is I've never found the Deadpool movies funny. To me they're just different variations of "You haven't seen this in an Iron Man movie" stretched into two now three feature length films. But honestly I liked it at the end.

- Why are Logan's ears and one of his eyes not decayed when no other part of his body is intact? Why does he have a beard on his jawbone?

- I'll bite, the Bye Bye Bye is a fun idea. The wintery forest setting is cool.

- I can't enjoy that opening fight scene because it's not how anything works. You don't get bludgeoned with a dull object, have your body armour completely give way, and have a pint of blood splash out. I understand the whole point of Deadpool is that it's over the top, but this is just so overly gratuitous it's insane. I feel like Marvel Studios felt like they had to make it so unrealistically violent to try and separate it from the mainline MCU to get the people who have Deadpool funko pops to guffaw in the theatre. It's "You haven't seen this in an Iron Man movie" with zero words spoken. Honestly incredible.

- The CGI is better than it's been recently but it's still noticeably bad

- Peter Parker's Iron Man mask is on the desk in the background! How did that even get there.

- Why is Tony's ARC reactor on the table, I thought that was pushed into the river at the funeral

- The timeline is just so incredibly fucked. I still don't understand how the X Men timeline reboot works, or how Logan fits into it; if Logan dying means Deadpool's universe collapses, that implies the Logan movie is in the X Men reboot franchise, but Patrick Stewart is in that and James McAvoy plays him in the reboot making me think it's a one off... Augh my head...

- Something looks up with John Favraeu. I don't know if his wearing a wig is supposed to be obvious, I don't know if he's just under a lot of makeup or it's CGI, it's just weird.

- Deadpool is never going to be an Avenger because Marvel Studios would rather execute everyone working for them than give up the licencing deals from making PG13 movies, and Deadpool wouldn't feel the same in a PG13 movie.

- I think any brand would let Ryan Reynolds walk all over them in muddy boots, for some reason he gets the pass to slander anyone he wants to and he gets paid by the companies to do it.

- 'I don't have a lot of v*ginal sex' 🤨 that has numerous connotations. Also can we not do sex jokes in front of 12 year olds

- I was not expecting a Deadpool movie to contain any hints of character development because the previous two instalments seemed to be hellbent on making sure I understood nothing of emotional value would ever be allowed to appear without being undercut by a sex joke.

- "I've never been a natural bottom" 🤨🤨 I thought Poolverine was just the average two male leads naturally gets shipped together thing but no they're sowing the fields

- If that Thor crying over Deadpool never comes back I will say something about it

- If they didn't want me to know Paradox was going to be a villain why would they make him British

- The 'Suck it Fox' cut to nothing being there is the only time I will accept something raising more questions than answering them at this level as funny

- "Your tailor is a predator" caught me so off guard I started coughing

- Wow I wasn't expecting them to pull the Paradox is actually evil card not even a third into the movie. Honestly a good subversion of expectations.

- How is Deadpool's universe going to evaporate in 74 hours, I thought time doesn't exist at the TVA?

- Are they going to explain why Deadpool's suit can just fix itself now. It used to keep its holes.

- Finally, I think the first time we ever hear Deadpool is from Canada in the movies! I wonder if Ryan Reynolds only wanted to play him in the first place because they're both Canadian...

- "You two gonna fuck or fight?" 🤨🤨🤨

- I actually understood the Honey Badger reference

- the FF floating platform thingy is another reference I'm surprised I got

- The Human Torch CGI is actually really cool

- "Not all of you was asleep" after waking up on his shoulder 🤨🤨🤨🤨

- Too many cameos in Cassandra's little alcove so I'm not even going to bother looking for them all

- I'm not sure if Johnny Storm's death was supposed to be played for laughs or just shock value, either way I'm not laughing I loved those movies ;(

- How does Cassandra know she's Xavier's sister if she was sent to the Void before she could walk?

- Wolvie being nice to Johnny post mortem is cool

- Nicepool having a stronger Canadian accent is a good joke, and Deadpool looking on in disgust as Nicepool talks about his dog's 'G-spot' is good. At least that's not played off as just a normal thing to say even if it is a joke

- "I identify as a feminist" could easily be misconstrued as an 'anti-woke' joke but all of the jokes of a similar calibre in this movie seem to be made ironically. Example: Nicepool is a creep

- "Where's your mask" and Nicepool points to his face actually implying his nice guy attitude is a facade for being a shitty person is actually really good

- Why is Nicepool's car surrounded by untrampled corn, how did it get there? Who grew the corn?

- Deadpool includes Colossus in his world 🥺

- Wolverine is nothing if not an excellent shit talker, and it's actually very out of character for Deadpool to actually get affected by insults

- I wish The Greatest Showman soundtrack was incorporated for more than just a third of a second

- 'Close up magic' ant man reference?

- 'There's only ever gonna be one Blade' about that...

- I think that's Apocalypse's throne in Cassandra's room? Or Thanos's

- I never thought about how both Cassandra and Xavier's powers radiate from their heads until the Juggernaut helmet scene

- Finally some real actual genuine character development that's not thrown away for a joke!!! The best part of the movie to me was Cassandra's redemptio-. Oh. Nevermind. Anyway I like it better than if it were just shoved away for a joke then she died

- Deadpool waiting for the 'extras' to clear was, to me, a good indication that he's a hero now. Caring about civilians is #1 on my makes you a good guy requirements

- "You smell something?" "Yeah you" 🤨🤨🤨🤨🤨

- And there it is. Nicepool's death is probably the most predictable death I've ever seen on film.

- Eastside Pharmacy?! Agatha All Along reference???

- Wolverine's helmet looks like a rubber playground ball

- Will Marvel Jesus come back in three days however?

- Staring at Hugh's abs? Same, but 🤨🤨🤨🤨🤨🤨

- That hand holding ending was actually impressive, I wasn't sure what was going to happen and it actually kicked ass

- Is the guy with the mug who stared at Deadpool in the beginning Marvel's first gay character

- The introducing Logan to Blind Al is so unbelievably 'the parents meeting the boyfriend' I could die there's no fucking way that wasn't on purpose

[gay-furry-poseidon-lover]

All of this is very fair, and good to read about. Though I do think Op has a point about the black and white of how people treat Epic's Odysseus verses anyone who gets in his way, and how hypocritical the treatment of Calypso specifically is if you look at how like. Any man in greek myths is treated. I believe Odysseus took women as slaves on his ship in The Illiad. Sometimes its someone else but he is one of the people who said they must kill the son of Hector, he dropped this baby off of a wall. Sure you can argue "it was willed by Zues," but I dont think that makes it any better morally. When he gets home he commands that an unfaithful servant be strung up and tortured untill death, as well as killing every female servant who was unfaithful to him. We dont neccesarily know to what degree, or even if engagement with the suitors was consensual. But all of this is to say that there really is no true good or evil character. I say all of these things as someone who really enjoys the Odyssey and Odysseus. We can recognize that acting in the ways he did would not be okay or acceptable in our society today, but we still tell his story and praise him for his loyalty and endurance.

Epic is a work of fiction inspired by The Odyssey. It is not meant to follow it exactly, nor portray an accurate example of how the story plays out in the book, and we must keep this in mind. In greek myth there are many versions of each story, many differing translations and interpretations, and long before they were written down they were passed on through oral tradition. I approach this with the mind that with each new retelling we learn about the time it was written, and what biases a translator or story teller may have let leak into it. Not that they are neccesarily false, just different, and products of different people.

A persons first introduction to Calypso will certainly influence their opinions on her as she is present in many different pieces of media. And what i think is most important is that we remember she is fictional. She's a goddess, a nymph, someone that exists only in the stories we tell. And the same with Odysseus. Its very likely writers took inspirations from real heroes and their experiences, but the Odysseus we know today is not a real person. Neither him nor Calypso are personally affected by the things we say about them. You can't conflate theorizing about the different possibilities of how an ancient story went with say, denying the story of a modern victim of rape. These are very different things in very different contexts. I thought fans of greek myth would be on the same page about this, what with the plentiful rape, incest, murder, slavery, and beastiality described in myths. But apparantly it needs to be said that enjoying stories that contain violence and crimes like these does not mean you condone or support these actions taking place in our modern society.

People are free to talk about Zues and enjoy his character without constantly giving disclaimers that we can never forgive him and he has done bad things. Because we know that, its established, its clear. People dont accuse you of being a rape sympathizer or being into fucking cows just because you mention Zues. Hes low hanging fruit though. Hera, Aphrodite, Artemis and Apollo, theyve all done horrific shit. But we dont immediately critisize anyone who talks of them fondly. Achilles did it with a corpse cause he thought she was just that beautiful. Obviously thats gross and bad. Liking his stories doesnt automatically mean you agree with that.

I'm not on tiktok (thank god) but ive seen a couple videos and posts that are very black and white. Calypso is an evil abusor and if you like her than you support abuse and rape. It's annoying as hell. I've been abused, ive been in coercive sexual relationships, I know first hand that thats bad. Duh. And if you find comfort in relating to Odysseus because of your own experiences, and that leads you to hate Calypso, thats okay. If people talking about Calypso is upsetting or triggering to you, don't engage with it by all means. Take care of yourself. Block, hit not interested, scroll away.

But what you should not do is tell random people on the internet that they are as bad as rapist abusors because they were talking about the one sided love of a nymph goddess and a mortal man in a musical inspired by anime and video games.

People are able to sepparate fiction from reality with so many other characters, why is it that Calypso is such a controversial one. Her character, and her backstory, have so much to explore and think about, and we can do that without believing that she is without any flaws or faults.

Think of her what you want, say about her what you want. Just stop projecting whatever beliefs you have about what it means to enjoy a fictional character onto everyone who disagrees with you. If you are do passionate about justice for victims, go outside, engage with local communities, see a friend, see a therapist. Speak out about the real, alive abusors and rapists who hold positions of power in our world right now. That will bring much more good to the world than starting discourse on tiktok, I promise you. (not directed at op or reblogger, but for people in general.)

Something I'm starting to notice about this fandom; y'all can like Epic's version of Odysseus without trying to paint Calypso as a rapist.

Odysseus in the original tale did cheat on his wife. Several times. And there's nothing wrong with acknowledging that. But trying to paint him as blameless and all the other women as rapists for seducing him is not the winning move y'all think it is.

Like Tiktok is becoming the worst when it comes to the topic of Calypso.

[klunkcat]

Life is short, and I've shortened mine

rise of the tmnt gift fic for the T3 server november exchange, for the very lovely @remedyturtles

Sensei is a character that can actually be so life changing and brain consuming. Very grateful to have the opportunity to play in your sandbox, exploring their headspaces is actually incredible and also devastating.

Note: This is an offshoot from Rem’s “little kid with a big death wish” fic and will not make sense on its own I fear.

title from good bones by Maggie Smith

read on ao3

___

He didn’t ask for this, is the crucial thing. He’d been— not relieved to be dead, because he hadn’t managed to make it yet to where his brothers were, because his kid was still out there fighting for tomorrow. Relieved was too gentle a word, but he’d been something. 

Maybe less tired. 

It was nice to think about, selfishly. He’s been carrying lead weights and anchors at the edges of himself since the moment the world fell, but there’d never been any other volunteers for the job. Somewhere quietly inside himself he’d thought the ending would mean a moment of reprieve. He should have known, though. They’d all been the universe's favorite chew toys for long enough, dying was too nice a bow to wrap around it. 

He really hadn’t asked for this, no matter what the subconscious thoughts he’d hit to death with sticks in the back of his mind said about escaping. Stumbling across the kid— another him, a version of him he’d never gotten to be, that he thinks maybe distantly he shouldn’t have needed to be— he’d hoped he could silently wrap himself in that thick blanket of nothing and fade out at least. Not fuck things up for him worse, but, well. 

Maybe the throughline to being Hamato Leonardo was fate-led curiosity; he’d never learned how to leave well enough alone in either direction. Of course Leo had scouted him out, of course he’d been compelled to try to help the kid float when he should have stayed put, of course. Of course. 

And so, as the classics say, here they were. 

“Can you give me a number, Leo?” Raph’s voice creeps in, all-over earnest and thoughtful in the way he intrinsically is—was. It’s a shard of glass to hear it at all, it’s everything he’s ever wanted. The kid fuzzes out a little and slips sideways a step; oops , Leo thinks. There’s a hard line around not transmitting too loud, he’s still trying to figure it out. 

Could do without whatever that was ever again , the kid thinks, sharp and rattled under the surface.

Leo winces. Sorry, I’m all thumbs over here. Trying to keep quiet. 

Psh, younger Leo rolls his eyes. You’re all one thumb .

The kid turns back to his brother, thrumming still between a one and zero now. He’s scrambling to ground still, to focus. He gives Raph a quick OK sign that there’s no way Raph doesn’t see through. It’s kind of funny to watch his force-fire white-knuckling deflection in technicolor from the outside like this, he’s not sure why he ever thought this worked. 

“That’s okay, that’s fine. Can you give me a number, bud?” The pleading edge hurts to hear. 

They hold up a shaky one, maybe overconfidently. Mikey and Don are in the room somewhere, he can hear them shuffling even with Leo’s eyes closed. The sudden memory of a thousand days where the only rest his littlest brother got was when he was locked in meditation, the way he walked like his bones and joints hurt right up until the end, nearly knocks them both back to a firm zero. 

The kid glares at him, Leo holds his hand up apologetically and imagines zipping his non-existent lips shut. 

They’d been doing better for the last few days. He’d started talking out loud, had been at a solid two a handful of times. He knows the kid’s frustrated and exhausted, he can feel it, especially seeing them slip all the way back. Leo feels a hot well of shame creep up his ethereal throat. 

He knows it’s a push and pull game they’re playing. Wounded leading the wounded, and all. 

It’s still a lot, to think of seeing his family that isn’t his family. Of them knowing he existed and talking to him. Points towards the ‘he should fuck off forever’ category, as soon as they figured out how to get rid of him.

(The kid talked about it like they’d miss him if he left, like there’d be some great love lost— they didn’t know him, though. He’d lived through twenty years of a war they’d never have to see. Leo was not the teen they were missing, the one they were trying to call home, because he’d given that up a long time ago.

Of course he had to leave, this kid had a life of his own to live now. Leo didn’t have anything.)

“ — he was for a moment, just give him time,” Raph’s saying. He forces the kid to take a purposeful long breath in, squeeze his fingers, twitch his toes. Keep him from tipping all the way over into the dark where he’d accidently shoved them. 

“See, he’s back with us,” Raph continues, brightly. The kid groggily radiated all sorts of furious signals like a firecracker popping in several unplanned directions, all different fonts screaming exhaustion and hurt the only way he knew how. Leo’s heart aches for him. Beating himself down for daring to survive at all. 

“Is he?” Don’s voice cuts in haughtily. Leo makes them blink their eyes open, caught out despite the kid’s anger. 

They’re looking for you, bud. Rise and shine.

I don’t care, the kid hisses. Fuck off. 

Okay. Well. Less than ideal. 

“Which one are we dealing with,” Don’s voice hovers closer, half lodged in icy suspicion. He wouldn’t be this closed off for his Leo, obviously. Leo— Sensei smothers a sigh. 

“He’s trying not to  answer the phone right now. So, just me. Sorry.” 

“Is he okay?” Raph asks, concern evident in the dark shadow of his brow. Sensei can’t look at it directly, it’s not for him to feel all the reminiscent grief of a brother that isn’t even his. How he feels about any of this never helps anything. 

“He’s….” He prods the kid and gets an indistinguishable slew of curses and general hypothetical middle fingers back. “He’s taking a break, he’s okay.” 

Don arches a brow back. “I don’t care that we’re forced to take your word for this, just to be clear.” 

“Fair enough. He says, and I quote, bite me, so I think that’s where we’re at.” 

“Ah,” Raph hums. “Well, if you can tell him I’ll be back in ten minutes with tea, I’d love to check in on him then.” 

Sensei nods, relays the message with a garbled hiss as a response. Expected. 

Don stares at him, impassive. Arms crossed and eyes narrowed. Feral cat radiating protective instincts three counties wide, like always.

It’s… an ache under the skin, to be left alone with Don. He hasn’t forgotten the way Dee’s face would shift in a scowl, he never could, but seeing it played out on a younger face scratches something in him regardless. 

“I want to speak with my brother, if it’s all the same,” Don says, blunt. 

“I’ve been trying to ring him, I promise. Bad morning.” 

Don arches a brow with a twitch to his jaw Sensei knows means he’s attempting to fight off a full on annoyed pout and failing. It hits him sideways to see, funny in the chest. A thousand sense memories, a different Donnie and a different place, coalescing all into one. His Don had gotten really good at not emoting at all near the end, he’d almost forgotten.

Hey, the kid grouses. Who’s flying this plane?

Right, thumbs again, Not-his-Don hovers closer when he blinks back to the front. A frown touches the middle of his maskless forehead. 

He makes himself walk through a few quick grounding steps and breathe in as deep as he can before speaking. “Back, sorry. Uh, Sensei, that is. Leo’s listening though.” 

Don’s still frowning, but he leans back a touch. “He’s making it harder for you to stay here too, isn’t he?” 

He doesn’t think the phrasing of that is fair, but. “Was all me that time, if I’m honest. We’re at a one now though, I’m good.” 

“Is he ?” Don tilts his head. 

Sensei considers. The kid’s not sinking back there just… Curled up, pill-bugging. Radiating furious hurt energy like a solar system all on his own. He’s present enough to tell Sensei to fuck off and focus on Don at least. 

“Think so, yeah. He’s just…” He mimes a snapping maw with his good hand.

Don sighs and rolls his eyes, there’s an edge of anxiety there Sensei can still read as bright as anything. Isn’t that a thought. Twenty years without and this younger Donnie is still under his skin like a part of himself. 

He needs you bud, Sensei tries again, nudging his younger self. 

I’m tired of this , the kid growls back, not-voice cracking all the way through in a way that makes Sensei ache for him. 

Sensei sighs, patting his shell. I know.

Don shifts his weight in front of them, frown deepening as he moves to tap on his wrist guard. Probably texting the family about the general Bad Leo Day, he imagines. He knows how this would go with his Don— the way it would itch at him being unable to instantly resolve whatever problems his brother had. He never dealt well with any mystic issues affecting Mike for the same reasons either. 

There’d always been a thrumming line between them, some unspoken thing; Sensei carried it with him even now, even with the end gone dark. He knows Don’s having a hard time reconciling all the ways ‘Sensei’ is his Leo and is someone entirely different. Managing the fear that his Leo will go somewhere far away inside himself and he’ll only be left with someone he doesn’t know. That he’ll be left alone. 

The worst part about being a twin is when you aren’t one anymore, after all. 

Bad thought. Shit. The pull in the back of his mind grows louder. He holds up a shakier zero. Don’s sharp eyes narrow, tapping something harder on his guard before shifting closer. “Leo?” 

Can you stop being horribly sad for five minutes while looking at my brother? It’s so not helping. 

He shakes his head. “Still me,” the words come out soupy. The kid jabs him angrily somewhere in the back of his brain, uncurled with annoyed concern, which is maybe an unintentional win. 

“Is it— can you ground him?” 

He’s trying; his brain fires unhelpful flashes of the days after. Of the months of searching desperately, of the moment he woke up in the middle of the night with sudden certainty that wherever the other half of himself went, he couldn’t get back on his own. Shit. 

Shit , the kid echoes, less angry with the barely concealed concern. Sensei can feel the dark pit creeping at his arms even as he blinks furiously to stay present. 

“Not him, it’s— sorry, all me again. Don’t think I can stick around.” He squeezes his fist, forces himself to breathe deeper, but it catches somewhere around the middle. The kid slides forward with a flurry of aggrieved panic that sparks through him and sends him back down several flights. There goes that plan. 

Sensei cracks an eye back open and catches a familiar flash in Donnie’s eyes, and yeah— sorry, kid. Lights out. 

The last conversation he remembers having with Don had been about Casey. He was getting to the age where he was asking to follow them out on missions more and more, curious about everything Uncle Tello was up to. He wanted to help, desperately. Itching with the need to be useful in a way they all understood. 

It was different with Casey, though. He knew why it was different.

“We let Mike do this stuff when he was his age,” Leo had said with a sigh. “It’s hard to find good reasons to say no that aren’t just three rounds of my own loud clamoring panic. He should go, he’s trained plenty.” 

Don clicked his goggles, focusing on a project in front of him with a hum. “Mike wasn’t dealing with an apocalypse. He was, at worst, trying to find a new place to tag at Casey Jr’s age, so.” 

“Exactly,” Leo smooths his hand across his head. “But also…” 

Don looks at him, eyes gone big with the layers of lenses so he gets hyper close up patented ‘Tello Eye Roll in high definition. “But also, you’re a mother hen, and he’s talented, and he’ll just sneak out anyways if we keep making him hang back.” 

“Points for you,” Leo sighs again. “Want to make that a daily double?” 

“You remember how Micheal was about being babied,” Don sighs. “So, I don’t know. Let him go on a supply run, something small. A practice version,” Don shrugs, turns back to his work. “There’s that lower activity quadrant we got a ping on last week. I can take him and go get that part we need to fix up the generator.” 

Leo lets out a long breath. “Yeah, that— huh. That could work. He’s always saying he wants to learn more about how to keep things running around here, he’ll be over the moon. Kid asked me last week if I could show him how to do stitches.” 

Don snorts. “Great, soon there’ll be two of you.” 

Leo steps forward, leaning his elbow on Don’s chair to peer over at his desk. There’s a mess of wires in front of him, a plate he’s meticulously soldering ends together on. “Eh, there’s already two of me.” 

“Excuse you,” Don nudges him back with a shoulder. “As the funnier twin, I resent that remark.”

He laughs, lets out a breath. The thrum of Don’s room sometimes settles him, like it’s echoing the place in him where his ninpo sat before. Constant hums of his family flitting through open rooms. 

“You don’t think I’m being paranoid, do you?” Leo has to ask. The variables tripped around each other in hyperspeed in his mind at all times, racing down to the ends of his fingers. Casey’s only thirteen, they’re down too many runners, there’s never any right choices and only Leo to make them.

Don pauses for a second. He flips up his goggles before Leo can wrench the question back into himself, not that it had ever worked before. 

“I’ll keep him safe,” Don says, slowly. “It’s a good call, he’s earned it.” 

“You’re just saying that because it was half your idea.” Leo glances away, embarrassed on some fundamental level that Don had even needed to give him the reassurance. He sighs, squeezes Don’s shoulder quickly as a thank you. Don hums with a smirk. 

“Well? Are you going to teach him? Don’t think we have any oranges to practice on.” The implication rings loudly enough, Casey stitching up real wounds is a foray they haven’t dared make.

Leo waves his hand. “Might be a good idea for the kid to have some medical information in between all the supercomputer nerd things.” 

“Avoiding the question is a bold move.”

Leo deflates, winces. “Yeah. Thought it might make him worry less.” If he could help without leaving the base at all, maybe they’d both relax. A quieter thought, under that: maybe Leo would, if he knew Casey could take care of himself without him. 

Don squints. “It might. Here’s a better thought, his Sensei letting someone else take on the riskier missions for once, hm?” 

Ah, well. 

Leo feigns a wide grin anyways, shrugging. “What can I say, the Krang love me.” 

The arched eyebrow he receives is scathing. He is scathed. He waves his good hand Don’s direction with a huff. “Don’t look at me like that, this is about the kid. Table the psychoanalysis for Mike to take over.” 

“You want Michael to get in on this?”

Good point. He sighs again, shuffling over to a side table and crossing his arms. This is an old argument, the circles of it are worn through and practically scripted. If dear Tello insists, he purses his lips. Round and round they go. 

“I’m faster.”

“Other people are fast enough.” 

“Enough isn’t safe.”

“Letting the Krang learn all your moves is?” 

“Come on, I’ve been fine.” 

The scathing meter ramps up as Don’s eyes pointedly flick to Leo’s robotic arm. “They blast you with enough of their power? How long is that going to be true.” 

“I know how they work.” 

“For fucks sake Leo, the rest of us grew up in the apocalypse too.” 

The rest of you aren’t responsible for it, though , he thinks with all forty old years of packed self directed venom. There’s no point to this conversation, he finds the way out Don wants. 

“Fine. I’ll stay back for the next few, okay? You and Case can do the supply run. April’s been saying she wants to get back out, I can send her with Angel.” 

Don’s steely gaze doesn’t shift, his jaw tense. Usually, this is where the conversation stalls and dies out. World like theirs is lacking in many things, including fuel to burn with. 

“I’m sick of watching you do this,” he spits out, sharp and barbed. It stops Leo up short. 

He nearly says ‘do what’, but he knows his twin. They haven’t gone into any of this since— well, since Raph. Since the mantle of the Resistance became something heavier and lodged in him with anchor weights. Since everyone started looking at him like his plans were god. Since his fuck up ruined everything.

No time for heart to hearts, really.

“Come on, Dee,” he swallows roughly, carefully. “I’m careful. This isn’t about that.” 

“Isn’t it? Isn’t everything you do about that?” 

Leo works his jaw. “It isn’t.”

“When will you stop acting like you have to make up for it, then?” 

Ouch. Leo redirects. “We’re going to win this. It’ll work out, you know it will. I’m not going anywhere without you.” 

Winning the war hasn’t been a tangible thought in his mind in years either; he’s not sure he knows how to do anything but follow the script anymore, though. He hopes he’s putting up a strong enough act.

Don’s hand clenches around his soldering gun, relaxes. “There’s only one you,” he practically growls out, and Leo’s chest squeezes. “If he goes somewhere he takes me with him. Do you get that?” 

He swallows again. “Course I do. I’m not— this isn’t about me, Don. Strategically, until they start catching up to me we have to make them believe I’m their only concern. Promise, that’s all this is.” 

You swear? He almost hears a younger Donnie ask, crouched up in their hideout over Donnie’s gameboy. 

“I’m not going anywhere,” he says, with as much sincerity as he carries with him. He wouldn’t, there’s nowhere else in the world for him to go when everything that matters is right here. 

“You aren’t allowed to pull anything. I’d know if you were,” Don glares. “We need you.” He says it funny, emphasis on both the need and the you all at once, like one of those endless staircase paintings that look different the longer you try to make sense of it. Leo holds up his hands helplessly. 

His twin’s stare pins Leo through for a long moment. He takes the whole half a second of pause to step closer. “Hey, that whole thing— back at you. Obviously.” 

Don lets out a long breath, expression flat and assessing. For a moment, Leo thinks he might say more, but he turns his chair around to continue soldering. 

“Obviously.” 

They’d let the conversation fall lighter, moving to charitable waters. And Leo had let Don take Case out for an easy supply run. 

The last thing his twin ever said to him was lost somewhere behind the distress beacon and the noise of the Krang leveling an entire building on him. He thinks there was a sorry in there, or a be right back to the scared kid he was giving up the world for. 

The part that’s always stung, a burr against his core, is that they never find any sign of where Donnie went. There’s his ninpo, and his bo staff with his fucking mask tied around a bleeding wound on Casey’s arm, the hum of electricity somewhere down the corridors of his mind, and Casey safely bundled and shaking in a propped up section of rubble. His kid is so terrified, asks for Uncle Tello in a quiet whine like he knows.  

He doesn’t remember the mad scramble to get there, the fact that he’d reached so far down into his struggling well of ninpo he’d felt something entirely shatter apart in his hands. The way Mikey had put his own hands over Leo’s, and brought the two of them together all at once. He only remembers the wake of whatever devastation cracks through him once it’s clear they were too late. 

The recording he’d left that Leo couldn’t bring himself to listen to for weeks. 

Leo would know if he died. He would. The light never goes out, but Don never comes home. It’s a loss he can’t name all the same. 

It’s impossible to regather whatever off the cuff words he’d said last, before Don left. Had he said be safe? Had he said he’d loved him? They’d never needed to say it before, but the lack still haunts him. He hadn’t gotten to say goodbye.

‘Be right back’ is a shitty thing to lie about, he thinks wryly.

It’s the first promise he’s ever broken. 

The ache never leaves but there’s no time for grief. He steps outside of himself and into whatever he needs to be, and he chases the corridors in his mind to that safe space Donnie’s ninpo has always rested. The door is closed, but it’s still humming. He doesn’t know what that means. 

“God, stop ,” the kid groans at him. Leo– Sensei blinks back into himself, or— to the place between what constitutes as himself these days. The spot by the tree with just the two of them. “It sucks when it’s you somehow even more than when it’s me.” 

The sludge is still there, distantly. Tugging at him in ebbs and flows. Sensei makes himself breathe out, take a look at the kid. Take stock, soldier. Focus on the problem at hand, deal with your shit somewhere else. 

“Or, here’s a thought: you could deal with your shit at all. Call me crazy, but this ‘shoving all my old man pain in a box and burying it deep down’ thing seems like it’s fucking us both over.” The kid whines, leaning his head back. The irony does not escape either of them, he knows. The Uno reverse is unspoken.

Magnanimously, Sensei lets it slide. 

The kid’s problem is more complicated and knotted somewhere inside himself than he likes to acknowledge, at least Sensei’s is all obvious lines of too-long-losing-wars and grief. It’s all outside. The problem has always been that it’s outside.

Sensei settles beside him, hand on his knees and head tilted up to the still sky. They don’t speak for a long moment, instinctively mimicking the long drawn out grounding breaths in sync. He wonders if it’ll ever stop feeling so strange. Seeing himself from the outside like this, entirely encased in different baggage. It’s hard to think about anything other than ‘he’s so small’, loudly. On repeat. It’s not a helpful thought. 

“Sorry,” Sensei breathes as the sludge lessens minutely along his back. “Should be used to that by now.” 

The kid shrugs. “Is there a way to be used to it?” 

He knows he’s asking for them both. The truest answer feels the most bleak, so he opts for something gentler. 

“I think there has to be a way to think around it at least? Make the brain box bigger. Less likely for the shit in it to hit things.” 

There’s a long sigh beside him. “Sounds exhausting.” 

A long pause. “Would it… help? To talk about it?” 

Man, this little blue. Sensei can’t help the smile that tilts across his heart; he’s so tentative and determined all in one. Still stretching a hand out even though he knows whatever Sensei’s going to say might bowl him right over again. 

He shakes his head. “Nah. I tried once, with my Mike. It’s an old scar anyways.” 

The conversation hadn’t gone anywhere helpful, even with Mikey’s ability to see right inside his brain. They’d both been too tired to argue. 

“I don’t think I could do it,” the kid says, sullenly. Tiredly. He rolls his head to the side to make eye contact with Sensei. “Live without any of them.” 

Yeah , he thinks. He doesn’t say that there hadn’t been much living at all. “You know it's the same for them about you, right?” 

The kid scowls, turns away. “Saying things you don’t mean about yourself seems kinda useless, old man.” 

I mean it about you, though , he thinks. Something twitches in the kid's face. “I had twenty years as the last resort,” Sensei offers. “Changes your perspectives on things.” Or your priorities, really. Whether or not they needed him didn’t change that he was responsible for keeping them alive. 

Or that he’d failed. 

It’s obvious math with the kid anyways. He can see the way the kids brother’s hover, checking in and creeping forward and patiently holding his hand, working constantly to make him feel safe. Twenty years and mires of grief isn’t enough to drown out all the big and small ways he can see how his family loves. 

“What was he like,” the kid turns with a sharper look in his eyes. “Your Don.”

He sighs, lets it roll through him. “Tired.”

He closes his eyes. 

“He was really tired.” 

He’d barely slept, all the way up until the end. Too many defense algorithms to scrub through footage of, supposedly— he wonders now if he should have checked in more. If he should have asked. 

“Yeah,” the kid says, quietly like he doesn’t expect Sensei to hear. “You feel tired a lot, too.” 

Oh . He supposes that’s fair. 

Sensei swallows and imagines the fractured pieces of his heart settling back into their ruins. “It’s funny, he made all the systems in our base use his voice. Had to hear him anytime someone tried to use the microwave. Technically his last words to me were ‘front door compromised’.”

“Yeah. Funny. You ever thought about therapy?”

He doesn’t want to talk about this, it never helps. The rioting part of his core that is four parts missing and agony and one part instinctive need to move forward writhes anytime he lets himself remember any of it at all. As if he does anything other than remember it. 

“Kid—” He exhales. 

The kid turns to face him, frowning with that divot above his brow and his dead set determined set to his beak that screams stubbornness in neon colors. “Listen. I know how— I do the same thing, with my Ang, right? You know, where he doesn’t need all of my… me-ness on top of everything. So tell me the real version, get it out of that slow cooker of a brain so you can stop freaking out every time Don breathes our direction.”

He’s having a weird brain schism, he realizes. The divides between where this kid went and where he himself had walked are so different, sometimes past him feels like a different turtle entirely. A younger one, boiling entirely over with how little he sees himself at all. 

I see you , he thinks, tragically. Pointlessly.  

Sensei breathes out. “There’s not much—” his voice breaks, he clenches his hand around the inexorable pull of that dark space at his edges. The kid sees all of it anyways, doesn’t he? Dancing around it only makes it more his problem, less Sensei’s alone. His throat burns with some memory of tears, it feels silly but the words crawl out of him anyways. “I just. I never got to say goodbye. We never found out if he—” 

But he had to have. It’s so much worse to imagine he had been alive and trapped, that Leo had left him there in that awful world. He had to have been dead because his twin would have broken apart the planet itself to get back to them if he could have. 

His shoulders round forward and he squeezes his eyes shut for a moment. “I just, I should have gotten to say goodbye.” 

The kid is silent. A long moment passes. 

Sensei feels a small hand carefully land on his knee. “Sorry.” 

He puts his larger one over the kids, squeezes it. “Nothing for you to be sorry for, kid.” Nothing in this whole wide world. “Whatever my Don was doing, I have to believe he’s with everyone else now.” It makes it manageable, at least. Widens the box in his brain so he can think around it. 

The kid hums thoughtfully. “Can we… I mean, dad talks to our ancestors and things, in the mystic plane, right? He could maybe—” 

Panic wrings through him, ice cold and visceral. Sensei feels the shudder crack through both of them and their tree side hang out waver into darkness. “--right, okay.” The kid gasps. “Bad plan, got it. Noted.” 

“Sorry,” Sensei manages. “I just…” He doesn’t want to know what they think of him. What any of them would say about the world he broke. He knows them, he knows, but he’d been tired for so long before that, and he doesn’t want to know that Don went slowly or painfully. That he’d been waiting for Leo to find him.

Maybe he deserves to know how much he let him down. 

The kid's hand twists, squeezing his back as hard as he can. “Forget it, shit. Grounding, let’s um. Let’s do that and not whatever this is. I hate this, fuck. ” 

They walk through a few start and stop steps, the kids hand tight in his the whole time as they both dig their heels in to stay. It hurts, and Sensei wants to give in. The hand in his keeps him pushing through, cracks through him enough to speak. 

“He, uh,” he clears his non-corporeal throat. “He kept a section of his database specifically for chess games for me. To run on my wrist guard when I couldn’t sleep.” Which was most of the time. Sensei shakes his head. “Kept a file for Mario Party cheat codes, too.” 

The kid stares at the side of his face. Breathing steadier. He can feel it like a brand. “I knew he cheated. Asshole! I knew it.” 

Sensei shrugs, a laugh surprising him as choked off and wobbly as it is. “He rigged up a giant screen once. Told me he was going to come for my crown once and for all, right in front of the entire base. Raph ended up winning.” 

The stare gets more intense. “No.” 

“Swear on my life,” he says. Pauses. “Or, well. My ghost possession afterlife? Don was furious.” 

“Raph never wins at Mario,” he can hear the cogs in the kids' heads freezing in place. Hell has rained ice, pigs have started flying. Raphael, chronically confused at Mario Party mini game rules to a truly fascinating degree, won a video game.

“It’s true,” Sensei laughs. 

“Was it the pity stars?”

“It was the pity stars.” 

“Ah.”

He remembers how hard Mike had laughed at that, just absolute shrieking peels of delight as the rest of his family stared in complete silence. April had needed to drag a completely feral Donnie back to his quarters because Leo ended up crying laughing with him. 

There weren't a lot of those good days after they lost dad. It’s important he holds onto them. It’s important he doesn’t let himself forget even when it’s hard to think about. 

“That’s a relief,” the kid says, leaning back again. “Was starting to think everything about the future was completely and morbidly depressing. Least you had Mario Party.” 

At least they had Mario Party. 

The kid wakes up on his own, Sensei tucked carefully somewhere in the background. There’s a flurry of commotion somewhere out in the hall that sounds a lot like Mikey and Raph, but it’s still and quiet in the med bay. 

Shit, the kid thinks, looking at the clock. It’s definitely been more than a few hours since they fell under. Sensei can see the medical clip on the kid's finger is back in place before he wiggles it off. 

“Number?” Don’s voice cuts in, stern. Flat. Standing with his arms crossed in the corner of the room by his desk. 

They hold up a two after a long moment. “I’m fine,” the kid says. Don’s expression doesn’t change.

“Who am I talking to?” 

The kid groans. “Don’t be like that, Tello. He didn’t mean to. Half of it was me, anyways.” 

Don looks squarely unimpressed, but something eases in the line of his shoulders. Relieved not to be talking with the body snatcher, probably, he gets it. 

“He said he dragged you under, it’s been twelve hours. Am I not supposed to think your parasite is making it worse?” 

He’s not wrong either.

The kid radiates frustration at both of them. “He’s not— Dee. He’s been through a lot. Leave off him, alright? I was pissed off, he got his flip switched. I wasn’t making it easier. I’m doing good, I don’t want to be mad, okay?”

Don’s expression flickers, faltering as it always does around their particular brand of pleading honesty. “Fine, I’m not done talking about this but. Tabled, for now. What do you need.” 

The kid thinks for a minute. Water would be good, Sensei nudges him. 

“Would you talk to him?” The kid says instead, startling both Don and Leo. 

Don recovers first, eyes narrowing. “Why.” 

The kid’s brain is a mess of picture show slides, a strange warped retelling of Sensei’s own memories. It makes him wince, guilt rising thick in his chest. He’s gotta get better at locking that down. 

“Look he— he misses his own Don. It’s not the same thing, but he had a rough night. Just shut up and talk to him.” 

“Oxymoron,” Don and Sensei say in sync. The kid glares. 

Kid, Sensei tries. 

No. Not up for debate. You won’t let me tell Casey? Fine, this is my compromise. I’m tired of playing referee. 

Sensei hates the pang of panic that still lights up in his mind at the thought. The kid lets out a frustrated growl. 

Stop trying to leave! I’m sick of it. What if I— what if I don’t want them to pry you out of here. What then? You gonna sit here in this pissing contest stand off with my Don until we die? 

There’s. A lot to unpack there, and not enough of the kid standing firm enough to do it— the conversations knocked them both back swiftly to a one that’s tenuous at best. Sensei didn’t make it so long as a general without knowing how to pick his battles, anyways. 

If this is what you need from me, okay, he relents. 

The kid’s glare is still hot, assessing. He turns back to himself, to the med room. 

Don’s fussing with his tablet, brows twitching and his hand firmly in Leo’s good one. “‘M here, sorry.” The kid squeezes his twin's hand for them. “Just having a conversation, hard to be both places at once.” 

Don’s jaw shifts. “I will refrain from the comments I desperately want to make.” 

“Noted, file that under an IOU.”

Don rolls his eyes. “Scoff. As if I don’t have a mountain of those already.”  

The affection in the kid is warm and strong as anything. He clears his throat. “What if I… what if I asked him to stay. Sensei. Would you be mad?” 

Sensei shoves his own festering pile of guilt and doubt aside as hard as he can. Don’s expression flattens. “Why would you want to do that.” 

It’s your life, Sensei whispers. 

The kid shakes his head. “Casey needs him.” 

There’s another need underneath it, neither him or the kid acknowledge it directly. 

Don sighs, eyes squinting in the vague pained way of his. “I’m supposed to be okay with someone that is not you, taking you away from us when—” He cuts himself off, breathes out sharply. 

The kid stays silent. 

“Fine. Tabled. Get him out here.” 

Sensei slides forwards, patting the kid on the arm distantly and ignoring his grumble about it. He’s bracing himself— he knows how Dee is, in any version of them. Getting his head chewed off would be the easiest way out. 

“For the record,” Sensei starts, with a faint curve to his mouth. “I agree with you.” 

The kid glares. 

Don arches a brow, crossing his arms. “I don’t…. Like you, being here. I’m not convinced you aren’t impacting him in ways that are halting his progress.” 

Sensei manages a shrug. “You’re probably right. I try really hard to stay out of his way where I can, but. You saw yesterday.” 

Don’s jaw works, terse in every line of his body. Sensei remembers how his Don was before Raph. The way he’d gone along with all of Leo’s plans just inherently trusting that his goal was always to get everyone back out above anything else. The way he’d shifted. Their last conversation had been a lot of sharp lines like this; something adjacent to doubt. It still burns, funnily enough, even from a sixteen year old version of his twin who doesn’t know subtlety at all. 

“If I told you I had figured out how to rip you out of him without injuring Leo at all, would you fight me?” 

Sensei nearly laughs, I’d thank you, he tries not to think. “No,” he says with a stronger lilting smile. “I’d just ask that you do it before Case realizes I’m here. He doesn’t need that.” 

Something in Don’s face shifts. “When Leo says you’ve been through a lot, what does that mean.” 

“Ah,” Sensei huffs. “Maybe not a conversation for right now—” He can feel the daggers of the kid’s ire, nonetheless. Sighs. “Krang won where I’m from, Case probably mentioned.”

“And that means?”

He winces. “A lot of things that are hard to remember, mostly.” 

Don’s gaze is assessing. He types something onto his wrist guard. “Any triggers I should know about?” 

You. Raph. Dad. He breathes out. Shakes his head. 

“Fine. Bring him back, please.” 

The kid’s eye roll is something fierce internally, externally it’s too much effort to muster. “Dee. That was barely anything.” 

Don shrugs. “I talked to him, didn’t I?” 

It’s fine , Sensei reassures him. He means that it wouldn’t help, not with the hole that’s been carved in him for years. 

There’s nothing at all in the world for what he’s missing. He should just be better at it. The missing. 

Something stubborn lights up in the kid, a spark he doesn’t think he’s seen in the younger turtle since they crash landed together. Fuck this. 

“Can I ask you something and have you promise you won’t get mad?” 

Don’s brow twitches. “I’m not promising shit.” 

A pause. “Say it anyways.” 

“If you went somewhere,” the kid starts, and his voice shakes like a nervous glance over his shoulder. Sensei tenses immediately. “If you went somewhere, and you didn’t know how to come back. What would you do?” 

Don’t , Sensei thinks, helplessly.

“Wouldn’t happen,” Don says. Not a moment of hesitation. “I wouldn’t let it happen.” 

“What if you didn’t have a choice?” The kid asks. 

He has to imagine his Don didn’t have a choice either, clings to it with everything in him. He didn’t know the kid had seen that, the wilful refusal to believe in any world where the other half of himself would walk away on purpose.

He doesn’t know the expression on Don’s face. He’s seen it before, at the planning table. After missions. He’s never known what it meant. “I’d come back,” Don says, like it’s obvious. 

This younger version of his brother, some spun off worried and sideways Donnie, leans forward and pokes the kid as carefully as he can in the center of his chest. 

“If I still exist, in any universe, I’d be coming back.” 

Sensei swallows. He remembers this; that simple constant of trust, of knowing half himself sat between his ribs and the other behind a desk with a computer screen. He remembers believing it, too.

There’s a hallway in his mind that he goes to, where his ninpo once lived and breathed. A living room where he kept all the lights on. There’d been a time where all the rooms and all the doors had been flung wide open. They’ve been shut for years now. 

“If you didn’t?” The kid asks, voice small. 

Sensei walks through the empty room, hand trailing against the wall of his mind. He hasn’t visited this door, hasn’t been able to think about it around the hurt in him. He presses his forehead to the wood of it, now. 

“If I’m gone, it would never be forever. You’d just have to wait longer.” 

In his dreams, or at least where he goes when the kid is sleeping, the door is warm. 

He sits himself against it, and pretends it's the same as the door being open. To feel his brother existing here at all. 

Sometimes he thinks he can almost hear someone knocking back. 

[capitalisticveins]

Seeing as how you're doing headcanons again i'd like to request hcs of Gavin,Milo,Sam,Vincent,and Guy( btw here's a thought for ya Guy as Hermes dangerous has stuck in my head for the past couple hours send help) also your previous hc were also great!(you could say they were ruthless ha ha ha im sorry that was bad lol)

~ Deviant anon （⊃◕ω◕(´ω｀*⊂)

idk if you can tell but I really like Guy

also I wrote headcanons for some character recently so characters like Gavin, Sam, and Milo have them a lil short than Vincent and Guy since it takes a while to think about possible in-character hcs for them. Sorry :(

Lots of Headcanons #3

Gavin

Believe it or not, Gavin’s social media accounts are usually blank. Save for Instagram. He just has them to comment under the group’s posts.

Despite never reading a book, Freelancer has told him he’d do best in the writing industry.

He does not know how to hold a baby. If you give him a baby for any reason he’d hold it with both of his hands under its shoulders.

The worst he’s been scared was when he played a horror VR game, but he didn’t scream or anything he really just jolted and went “shit” and moved on. Freelancer was not amused.

He likes being the big spoon when he and FL cuddle because he gets to breathe in their scent, hold them, and remind himself that this is real, and not just a dream he’ll wake up from.

Milo

You can’t beat him in cup pong. Digitally or physically. You just can’t.

The only reason David is considered a better cook than Milo is because Milo uses a lot of seasoning and the pack is full of babies who can’t handle oregano or sazón.

Whenever the pack goes somewhere tropical he has to wear a shirt or Sweetheart will constantly attempt to latch onto his torso.

Milo and cats have always gone together like peanut butter and jelly. He had a cat toy when he was a toddler, his first cell phone had a stray cat as his wallpaper, he’d feed the stray cats around his home, etc. So when he learned that he and the people around him could turn into “dogs” (wolves but still) he was DEVASTATED. Got over it after a day tho.

He likes juice boxes.

Avid Apple Juice “tastes like piss” hater, although he also says mint ice cream tastes like toothpaste so take that as you will.

Sam

Sam fucking hates cowboys.

Sam had braces from the ages of 19-21 and the only upside he had to being a vampire when he first turned was that he didn’t need his retainer anymore.

Sam always reads manga wrong and no matter how many times anyone explains it he’ll read it from left to right and never understands what’s going on.

The closest Sam has gotten to riding a horse is when he flopped on top of Darlin’s back while they were shifted and they walked around his house like that…he’s never been on a horse.

Sam has a lot of existential crisises, compared to like Vincent or Porter.

If something's flying and he can't figure out if it's a plane, helicopter, animal, or any identifiable flying object, he just believes it's an Alien UFO and moves on.

Darlin' gave him a wheat head for Christmas once. He was not amused.

Vincent

Wanted to be a youtuber for a brief period in time in 2010.

Had a weird obsession with those traced anime characters dancing tiktoks in 2020, a little after meeting Lovely.

He canonically has multiple cars he likes showing off to Lovely, but he also nearly never uses them and it’s Lovely who showboats them and takes them on joyrides.

He didn’t believe William at first when he was first told he’s a vampire now and was the only one who survived The Surge incident, until they both saw his funeral take place and see his grave, which took place a long time after the accident because his parents refused to believe he was dead.

He had 3 tomodachis at once and they all constantly died because he forgot feeding them was a thing.

He commonly "regrets" asking William to make him unable to lie to Lovely because they like to ask him embarrassing questions on purpose and he can’t help but answer them, even though he could just stay quiet.

His favorite memory as a kid was roller skating with his parents on his 7th birthday. Even though he fell on his face, sprained his ankle, and had a loose tooth fall out. Still his favorite day.

Guy

GUY IS SO HERMES CODED UR RIGHT

Turned a fanfic he wrote as his college essay and got in just because of it.

Was very afraid of Honey when they first met, they kept staring at him like he was the scum of the Earth. They just wanted to talk to him about the Animal Crossing pin on his backpack.

Whenever his friends order from Max’s, and he turns out to be their delivery guy, they make fun of him so much (playfully) and give him a 10 dollar tip

He borrowed his friend’s motorcycle to impress Honey

Cried over Gnomeo and Juliet

Dressed up as the Thomas Jefferson Miku Binder drawing in 2023.

He almost gave himself a buzzcut once when he was drunk, he had to be held down because everyone knew he’d regret it so hard later, not matter how funny it’d be.

[jojotichakorn]

i started penning a post about how i always find it narratively unsatisfying when an arc ends with a conclusion the following arc breaks, regardless of how realistic the repetition of the same mistake might be, which is still true, but i actually want to talk about something else right now.

i feel like, at least at this stage, jack is in a position that is both generally unrealistic and untrue to the specific events of the series. 'jack and joker' has a clear focus on poverty and money and class issues, but it seems to treat jack in a very special way. he somehow manages to stand on the moral high ground above other characters. specifically, other poor characters. which is, first of all, a little ridiculous, since he was indeed a debt collector and, in fact, almost became the boss's son. and, second of all, is generally Not Great, because it does idolise the idea that if you "just try hard enough", you won't "allow" yourself to be backed into a corner and therefore won't have to do bad things.

now, don't get me wrong, i am not saying that our characters who have made mistakes are completely blameless. tattoo did shitty things (and hoy followed suit), safe did shitty things, hope frankly admitted to enjoying doing shitty things. however, if we zoom out a little, we will see that all these characters are in a situation that is inherently unfair to them. we have all of these poor people in immense amounts of debt and then we have this disgusting rich motherfucker whose entire wealth is literally based on making their lives as miserable and unfair as they are. and i think that, in this particular case, the series would have actually benefited from a dichotomy. don't get me wrong, i'm usually absolutely brimming with nuance and also asking "what lies outside of it?" but this shall be my exception. (though you could say that joke already brings some nuance to it - he is initially from a well-off family and he actively makes choices to the benefit of poor people, despite it resulting in him being ostracised from said family and its riches).

jack walks the line of being poor and managing not to do anything "too bad" like he is a fucking circus performer on a wire. and, don't get me wrong, he is genuinely a selfless character. he makes choices that a lot of other characters in the same circumstances wouldn't make. he remains in debt and continues working for the boss because he keeps trying to help people and pay off their debts first - that is admirable. however, he himself was already set up for more success than others. sure, being forced to become a debt collector isn't a walk in the park, but most other debtors didn't even have that choice. jack has to work for the boss in order to stay afloat - that is an undeniably hard task. the other people the boss collects debts from, however, have to come up with a lot of money out of thin air - that is not simply a hard task, that is an impossible one that is designed to trap them in the cycle of doing this impossible task forever. that being said, ultimately, jack is still poor. his own hamster wheel should be somewhere around the corner, that's always the case. this idea is where i wish they would have taken jack's arc.

from the moment when he refused to marry rose, there was no escape for him. finally, much like our other poor characters, he found himself stuck between a rock and a hard place. (and i think that it's very thematically appropriate for jack's particular "i can't do this anymore, i deserve to live a full life" sentiment to be connected to love, since he is, after all, a lead of a romance drama). he made the decision to say "no" and from that point on, he was completely and utterly fucked. because, realistically, that conversation that he had with the boss after refusing rose was insane. i don't know what he would have done to jack exactly, if that was a genuine conversation and there was no exchange of jack's freedom for the ring, but it would not have been anything good.

so i wish jack had to make the actual tough call there, instead of having joke save him all on his own (and later take the fall for it). and if it was, at least in some capacity, jack's decision to steal that ring, he would finally be placed in a situation where every other poor character already inevitably found themselves in. because the entire system is rigged against all of them and they are eventually always forced to do things that they should have never even had to consider in the first place. but they deserve better than living a life set up for them by evil rich people who literally live off of their suffering and they are allowed - no, at some point they simply have no choice but to - fight for a better life.

this, in my opinion, would have been a much more powerful message and - not to circle back to my personal preferences - would have also not left us with joke making the very same mistake that we decided we should never make again at the end of the previous arc.

[mylifetherant]

Literally 90% of the issues with the moclan episodes stem from the fact that they never bothered to actually figure out how any of it worked in the begining.

Due to the shows starting roots of being a parody, they didnt super put in a lot of work into the actual worldbuilding until waaaay later. Moclans were just "haha what if there were klingons but they were all gay?". And then they never bothered to actually do any work on asking how that would actually develop and function.

Like why do moclans even have females? They obviously dont need them to reproduce, why wouldnt their evolution have completely bred them out by now? And moreover since they do exist, how does that tie in to moclan reproduction since females arent a nessecary part of it? How did the male biology evolve to accomodate birth, and for that matter the production and laying of eggs (another thing they did for a giggle without bothering to consider the implications biologically).

This offers even more questions when you remember the one fact OP didnt mention in this (which i dont blame them for because its barely focused on in the show either) But Klyden was also born female, much like their child topa. The whole reason Klyden freaks out about Topa being born female isnt just because hes a regressive conservative dicklord, but because he doesnt want topa to experience the shame he did of being born female. Which not only makes this messaging even more convoluted, but also begs the question of "how did he impregnate Bortus then?" And yea sure the answer could easily be that the whole species is actually intersex but thats literally never mentioned or even insinuated (likely because the writers know jack shit about it)

The whole problem is that the entire thing started as a poorly thought out joke that they then tried to turn into hamfisted serious reflection on current issues. Which they cant actually accurately do because they slapped it on the "what if being cis was illegal!" Joke Characters who fuck up the whole message because no one bothered to actually ask how any of this would actually work. And by the time it became actually relevant we were 3 seasons in.

At any point in the 3 seasons of run time they couldve taken the time to hash this out in a way that made more sense. Or they couldve just made up an entirely new race instead of constantly slapping all their "gender issues episodes" around moclan society. Literally any episode that has to do with sexuality or gender always revolves around moclus, despite every other socio-political issue they talk about having a whole new planet made around it.

For fucks sake they gave the "what if facebook ruled the world" planet TWO episodes!! They had a whole episode dedicated to Astrology Planet!

Just make another transphobic planet to clean up instead of stumbling over your season one joke characters!

Let's talk about The Orville.

Alright. My STEMbo ass needs to have a certified Media Analysis Moment, and I hope this doesn’t all come across as too dumb or missing something obvious.

Let’s talk about the TV show, The Orville.

Genuinely. And I do mean genuinely.

What the actual fuck is Topa’s storyline saying about transgender issues?

I watched seasons 1 and 2 of The Orville a long time ago, and I’m now working my way through season 3. I just finished s3e5, “A Tale of Two Topas”. I know there’s more to come about it, but I’m just kinda venting up to that point.

I need some kind of “cis eye for the queer guy” to analyze clumsily written “ally” media- I’m far less concerned about what the showrunners tried to write, than I am about how it comes across on the screen to the "typical" cis audience. The storyline is treated with bewildering confidence in a way that doesn’t seem to realize how fucking weird its messaging is, and I feel like the fact that its so contradictory is something the show itself is trying to hide.

Gimme a moment to collect my thoughts, I’m typing out a lot of shit. I'll post a ramble as a reblog to this.

[zhuoyichenpretty]

ep 24 commentary (brain fried edition)

my head is a little empty after ep 24 tbh!! brain is not braining after all the zyc hurt no comfort (-:

some scattered thoughts here and there, painstakingly corralled like cats out of my vacuous brain and into a list (spoilers):

ZYZ is really emo this episode poor dude like he is having a hard time keeping it together it seems. Every other word out of his mouth is depressing as shit, which is saying a lot considering how depressing he usually is already (': I kind of wanted this episode to pick his brain more, give him room to emote in the aftermath of all that. But it almost feels like the character refuses to be alone, like he might spiral if he has too much time to get in his own head. I'm still so curious to know, though, what he thinks about the state of their promise in light of how far ZYC went trying to save him. “He has us,” ZYZ said to WX. When the time comes, I wonder how he'll reconcile that with what he’s asked of ZYC.

PSJ and Ying Lei bonding! shenanigans! I did laugh thank you guys. Also, not that the team didn't operate separately before, but I really get a sense of how much ZYC held things together with how apparent his absence is. It's obvs heartwarming seeing how hard everyone is working to save him (PSJ especially for me bc I love their mutual tacit trust and respect and all the ways they're alike and different), but ultimately it's still so angsty (':

Kind of love the couple instances where ZYC has been referred to as fragile/weak/of delicate constitution (depending on how you wanna translate it) like that's a very interesting quality to assign to basically the tank of your team. Even if the comments are made facetiously, it just reminds me of how often we witness his mortality, and of course how everything about the styling, aesthetics, and content of the flashbacks to his childhood reinforce a characterization of vulnerability at the very heart of him. I saw someone mention how the Cloud Light Sword responded to ZYC's tears and to that vulnerability rather than brute strength, and I totally agree. I love how this "fragile" characterization plays into the whole fate weapon deal. ZYC's strength is (imo) unconventional, and it is his sensitivity, his compassion, and his deep capacity to feel that the sword acknowledges, resonates with, and empowers. Almost like it protects his tender heart rather than making it something he needs to overcome to get stronger.

One thing I will never get over is how incredibly they styled TJR as baby!Yichen, adult ZYC, and Bingyi. What do you mean this is all from one drama and not three separate productions. Insane. I'm out of my mind with how gorgeous every change in costuming is.

A tangential note is I've seen people mention (paraphrasing very much here) ZYZ's demon form being nicely subtle in its eerie inhumanity and tbh I have a similar feeling even just about human adult ZYC imo. Especially when his hair is down and he's got that thick eyeliner on and we get a close up of his contacts, if you told me from the start that he's half-demon half-human or something I'd believe it. Along the same vein, baby!Yichen reads completely human to me, and Bingyi of course completely demon. Something something the Cloud Light Sword bridges the gap something. This point is unintelligible and not narratively based but I had to make it because I've been thinking "wow ZYC elven" for days now.

Saw a tag about yuanyi getting us through some dark times but man they are PUTTING me through some dark times rn help?/

Been trying to put off talking about the baby Yichen scenes because wow I cried immediately. Well, no, I was like "yay! I love seeing baby Yichen!" and then they crushed me into demon dust lol. And then WX had to tell that absolutely precious story about when she got sick and ZYZ had to go like "actually ZYC was probably lonely as fuck" and yeah that's fine I didn't need my heart anyway.

Ending on this point so I can put a pretty screencap here: There is so much gravity to just the short scene of Bingyi removing his mask and dropping to his knees with that anguished and fatigued expression. TJR's acting is the gift that keeps on giving (me angst).

so sorry if anything here didn't make sense, i currently have the same thousand-mile-stare as Bingyi the more i think about how this all might end and how long I'm gonna have to wait to find out.

[valenshawke]

In Defense of Caitlyn Kiramman

No, this is not a defense of any of her actions or decisions she made after she donned the beret. This is a defense of the writing of her character and what (I believe) the writers are trying to do. With only one act down, there’s many ways the writers can take this. They could very well fumble it. However, I will give the writers the benefit of the doubt. With that out of the way…

The descent into darkness and the corruption arcs are classic storytelling. Where the protagonist, hit with so many traumas and setbacks, gives into her darker feelings, sometimes aided by a more devious figure in the background.

Given all the traumas that Caitlyn has experienced as explained by @bramblebeau, something was going to happen. Without Ambessa Medarda being that devious figure, would Caitlyn have gone full authoritarian at the end of episode 3? Maybe. I still think she would have, but perhaps not as far. But to argue that this is bad storytelling because Caitlyn did not keep her idealism and morality is… horrible missing the point. 

What are the points? When faced with trauma and the desire to retaliate and seek revenge, it is very easy to manipulate those who want those two things. And, in the world we actually live in, we have seen this time and again. Need I bring up the US War on Terror? Whether directly or indirectly, the cultural impact of the 9/11 Attacks, second Iraq War, and the US War on Terror has been and will continue to do so (and if you want a less subtle commentary on that, check out Naoki Urasawa’s Pluto also on Netflix). 

Ambessa Medarda not only manipulating Caitlyn, but the Piltover Elite, was masterful because it showed how easy it is when you can control the flow of information, control the rhetoric, and eventually dehumanize your “enemy” as something less than human. It’ll be fascinating to hear how Caitlyn’s speech changes and what type of language she uses when talking about Zaun.

At this point, we don’t know exactly what the writers are going to do. But it does raise some intriguing and exciting questions from a storytelling perspective. Caitlyn, right now, is at the edge of (the heart) of darkness. Is her blood-lust for revenge going to cause her to fall in? Will someone be able to talk sense into her? Can anyone in Piltover talk any sense into her? How, if at all, can Vi be the one to help/save her? Or will they save each other? How can Vi be that tiny light in the darkness when she has her own trauma to deal with? (There’s another point to examine how both dealt with the trauma by the end of Act 1. Vi went inward and, based on the trailers, went full self-destructive mode. Caitllyn went outward and became the public face of a fascist regime). 

Caitlyn already started taking steps to that darkness after she got the Kiramman key and decided that GASSING ZAUN (and all the implications THAT brings)  was the best option for her strike team to open its mission to capture Jinx, dismantle shimmer, neutralize any agents loyal to Silco. Whatever justification given, especially by Vi, is naive at best and delusional at worst. Vi might have gone along simply because she feels some blame and wants to support Caitlyn. But what Caitlyn did was unjustifiable. The moment you simply accept “collateral damage” as simply being a Tuesday, your moral dipstick is bone dry (credits to Fox Mulder for that one). But that isn’t bad storytelling. I’m supposed to feel that way.

Caitlyn’s descent, as it stands, allows the writer to either give her something of a redemption arc where she realizes the horrors of what she has done and what has to be done to fix it. 

This is classic storytelling 101.

And I am fucking here for it.

Thanks to @caitlyn-kirammans for listening to me ramble this out first.

[stoopidpigeonxx]

⋆˚｡⋆୨✧୧˚ 𝑶 𝑪𝒂𝒑𝒕𝒂𝒊𝒏, 𝒎𝒚 𝑪𝒂𝒑𝒕𝒂𝒊𝒏. ˚୨✧୧⋆｡˚⋆ (PT. 2)

OKOKOK I MADE THE PART TWO PLS STOP YELLING AT MEEEE

NSFW under the cut. MDNI.

Characters/fandoms: Captain Curly, Mouthwashing Content warnings: Smut, obvi, p in v whatt, curly being a SLOPPYYYYY eater, praise (from you and him), boobs, tits even, curly being 𝓯𝓻𝓮𝓪𝓴𝔂, alot of dirty talking, etc. Our boy curlys a bit of perv.

-Manners? What manners?

Curly is a, what do you kids call it... a munch? Yes. If he goes down on you, and he most likely will, he will be SLOPPY with it. I'm talking drooling all over your cunt, licking it from top to bottom, shaking his head side to side and pressing wet kisses to your clit. It's ironic, really, since he's so polite in and out of bed, but he doesn't really care about a mess if it means pleasuring you. What's a little mess? Sheets can be washed.

"Sorry *kiss* about the mess, sweetheart.. *kiss* can't *kiss* help myself."

-Beautiful tits. And rack. Love it.

When asked the question 'ass, tits or thighs,' he's gonna pick tits. He's a titty guy. Sure, your ass and thighs are nice too, and he gives them an equal amount of love, but nothing can beat the feeling of shoving his face into your boobs when he's thrusting in and out of you. It has something to do with hearing your heartbeat and how fast it is, but mostly he just likes suffocating between your twins. And if he's particularly stressed, he'll just set you on his desk and lift your shirt up and go to town. Sucking, squeezing, rubbing, all that. His favorite stress balls. And god forbid the day you get nipple piercings... He's mindlessly playing with the metal with his teeth, enjoying the feeling of the cold brass on his tongue. You'll have to wear bandaids. (which he'll apply, apologizing profusely.)

-Praise me for sin.

Call this man a good boy and he's whining and shaking. It goes both ways with him. He loves getting praised, and he loves praising. A few of his favorites.. "You're doing such a good job." "Look at you, taking everything like a champ." "God, you're gorgeous." "Good girl." "You're so pretty, baby.." "Atta-fuckin-girl." He knows you fold every time for that kind of talk, so he makes sure to say at least one while you're getting naughty. On the other hand, some of his favorites to hear.. "That's a good boy." "Thank you." (Manners.) "I love you so much." "You're too good." "Fuck, that's good." Hearing how good of a job he's doing is only fuel for him to keep going, and gets him hard as a rock. So, use that mouth. (Unless its occupied, wink wink.)

-He babbles when he comes.

When he's right on that edge, he goes a bit dumb. You feel so warm and good, and he's so fucking close, and his brain just loses all ability to form coherent thoughts. So he just mumbles whatever comes out of his mouth in that adorable whiny subby voice. (You know the one.) "Fuuuuck too good too good too good.. baby.. g'na make me come, coming, coming." Or just a chorus of 'yes' over and over. Its really cute because he tries to be quiet with it, but his brain is so broken that he can't control his volume too well. He has to shove his face into your shoulder or a pillow to muffle himself so the crew doesn't overhear.

-Can't stop, won't stop.

Will not give up until you come, no matter how sore his cock is or how cramped his legs are. He wants you to come as many times as possible before the night is over, and he's willing to overwork himself to achieve that. You've told him its okay, but he doesn't really care. Feeling you clench around him and ride out your orgasm is the best thing he's ever felt, so he's gonna have you coming at least 3 times each session. Unless, of course, you're begging him to stop since its too much. He'd never want to hurt you. He'd pull out and lay with you for a while and let your body calm down before starting up again. "Take it easy, angel. I'm right here. It's okay, you're doing so well." (Why does his dirty talk sound like him coaching you through birth?? 😭)

[qoldenskies]

Think the biggest thing about the family meeting for me is that it's literally just mean. They sit there berating Donnie until he cries. There's a supposed reason for the meeting, but Raph literally says that they're moving on to "serious talk" when they start discussing his "behavior." That entire segment of them tearing him down is literally just for their enjoyment. It's not vindictive in the way their physical abuse of him is, not as calculated as the closet situation. It's literally them just being flat out fucking mean because they're having fun doing it.

The fact that they especially poke at his autism is devastating. It's painful by itself (one of the biggest things people tend to praise about Rise when it comes to ND rep is that the brothers have literally never treated him as a burden because of who he is), but you've mentioned before that Donnie is really the one who suffers from the ND "my identity belongs to the people" experience. He uses his technology to make up for what he sees as deficits. But he's been told that not only does his "useless junk" not make up for his existence, but they absolutely hate those traits as much as he'd feared. I've always kind of thought that this was an underlying fear he never mentioned in Witch Town, mostly because it feels like a very ND struggle: it wasn't just the thought of being replaced by mystic that scared him, but the thought that all his tech, all his effort, had become not enough to make up for his living. Except in CC he can think back to what April said and think "You were wrong. You were wrong and I'm sorry for everything."

the fact that their words prey on a pre-existing insecurity is what makes it so HARD to undo.... like YES they can convince donnie that they DO love him, and that he didn't deserve to be lied to and hit and gaslit and abused, but the problem is that donnie heard all of these attacks on his character, and his behavior, and his sense of self was so fragile that even with the knowledge of the curse in mind, he continues to BELIEVE what they said is true. there are some moments where he intentionally holds himself back later down the line in CL, but after the final attack especially its so noticeable. he's so much less verbose. he speaks like he's embarrassed to be speaking. they've noted that so much of his cute little verbal quirks are gone and that he doesn't sound like himself.

it's because he's completely embarrassed with himself and what he used to be. he doesn't miss how things were, his grief is long gone; he feels ashamed for living in that illusion that he was in any way accepted, thinking he'd always just been embarrassing himself and his family without knowing it. his confidence was so fragile that it really only took something like the family meeting to DESTROY it; but to be fair, they wouldn't have gotten away with it day one because he is on the default defensive, but the anger had already been squashed completely and he was on to bargaining at that point.

and they knewwww godddd they knew. they all knew!

they watched themselves around him!! they always made sure not to go too far when they made fun of him!!! they understood how quick he was to disappear back into himself when he felt rejected and they worked around it because they loved him!!! they KNEW!!!!!

and the curse makes them take advantage of the fact that they knew!! what's so horrifying about the family meeting is that they KNEW how donnie was going to respond, they KNEW it would break him, and they KNEW they were going to get away with it, and they did it anyway because they thought it was funny.

and i dont even think they planned it out, especially apparent by the way raph ended up shutting it down. leo jumped on the opportunity and they just joined in the moment they got the chance to like sharks smelling blood in the water. it meant nothing to them, it wasn't an intentional, planned choice to get revenge or question his sense of reality. honestly, it was probably just them voicing all the shit they said behind his back (some to april.... yikes), and that's one of the things leo was scared about donnie SEEING because it was probably way more vicious. they had zero filter when they talked ABOUT him, because even through the curse there would still be the natural instinct to protect his feelings.

[welcometothejianghu]

Welcome to another round of W2 Tells You What You Should See, where W2 (me) tries to sell you (you) on something you should be watching reading. Today's choice: 死亡万花筒 / Kaleidoscope of Death.

Kaleidoscope of Death is a 2018 Chinese webnovel about two young men who fall in love while basically playing a whole bunch of horror-themed escape rooms that can for-real kill you.

This novel was gripping. I could not put it down. It started out fun and ended up ripping out my heart several times. It does a good job getting the ball rolling with a series of adventures in weird worlds, then turns into a meditation about grief and loss and what it means to have something to lose in the first place.

This is the first time I've ever done a book rec! I'm doing it in conjunction with a rec post for the Spirealm, and originally I was just going to do this as a bonus section for that post. However, I felt they both deserve whole different posts, because they both have very different things to recommend them. I also think Kaleidoscope of Death a 100% necessary read if you've seen the show, because it provides some context that the show simply cannot include -- but it's not a necessary read before you see the show.

Therefore, I'm going to give you five reasons I think you should sit down with this one, and not a single one of these reasons is going to assume you've watched the Spirealm! The book is great and deserves to be read on its own merits, and then if you then start watching the drama afterwards, so much the better.

1. All the Cross-Dressing

(Yeah, I'm going to punctuate this one with screencaps from the Spirealm, because otherwise it's just a wall of text.)

I'm not going to tell you why the male characters frequently dress and pass as women, since the book explains the practicality of it better than I could. You just need to know that they often do, and it's never not kinda hot when it happens.

When you first meet Ruan Nanzhu, it is as Ruan Baijie, a stunningly beautiful and noticeably tall woman. Lin Qiushi, our POV character who is extremely confused for a number of reasons, spends the first whole arc talking and thinking about Baijie like she's a girl. In fact, one of the cutest things about sweet, earnest Qiushi is that he clocks Baijie several times, and every time he's just like, oh, she's so flat-chested, how unusual for a girl, anyway...

And this isn't even just dressing up! Stepping into the door worlds changes you physically based on your clothing and cosmetics. Nobody inside looks the same as they do outside, and nobody looks the same inside as they did last time they were inside. The rules that govern these transformations aren't even clear to the characters themselves! So, you know, have fun with that.

I'm going to say it's not an out-and-out trans thing, in that we're not dealing with an AMAB egg who will crack someday. Ruan Nanzhu is a very male-identified, penis-having man! He's just also pretty entertainingly comfortable with performing whatever gender makes him the most fuckable person in any given room. Lin Qiushi is not so inherently genderfluid, however, which means that when his gremlin sort-of-boyfriend makes him pretend to be a girl, it's a completely different kink.

Therefore: If you like it in any way when boys dress up like girls, you owe it to yourself to pick up this one. And if you like a fandom that likes it when boys dress up like girls, baby, welcome to the world inside the doors.

2. Those boys GAY

This is a textual romance. Lin Qiushi and Ruan Nanzhu are in love. This is a danmei novel about how they fall in love. There is kissing and there are fade-to-black scenes that explicitly acknowledge that the two of them have sex with one another. We even know that Ruan Nanzhu (usually) tops. This s not just me pointing at them and saying gaaaaaaaaaay. This is actual gay.

And it is gay that takes its fucking time. They do not actually hook up until well over halfway through the book, but they are physically affectionate from almost the get-go. Ruan Nanzhu is such a trickster and a liar that Lin Quishi finds it hard to believe that anything he does is sincere, which leads to nearly lesbian levels of wondering if it means anything when a guy demands you kiss him on the mouth when he's pretending to be your girlfriend. Meanwhile, Ruan Nanzhu is over here being the Kate Beaton comic about sitting here consumed with lust all evening.

Even once they both acknowledge what they're feeling for one another, they don't get together right away. After all, they're playing a game of life and death where they lose friends left and right. Every time someone goes inside the door, there's a real chance they won't come out again. Is giving your heart to someone worth how much it will destroy your entire life when you lose them?

(Yes, says the book. Yes, it is worth it.)

The slow burn of their relationship is delicious, in part because the physical (though not sexual) aspects of it predate the romantic ones. It also has the fun hot-and-cold aspect where Ruan Nanzhu is incredibly affectionate inside the doors, then icy outside of them. Poor completely inexperienced, never-been-kissed Lin Qiushi does not know what to make of any of this. He can barely manage parenting a cat. He does not know how to handle a boyfriend who is also a girlfriend who is also (spiritually) a cat.

I also find it charming how much the gay part of it both is and isn't an issue. It's not that Lin Qiushi has a problem being in love with a man; however, the fact that Ruan Nanzhu is a man does mean the heteronormally indoctrinated and relationship-inexperienced Lin Qiushi takes much longer to realize what exactly those feelings he's having are. The book's world is one where heterosexuality is the assumed default, while queerness is unexpected but everybody's still pretty cool with it. Besides, no one's going to judge Lin Qiushi's gay yearnings, because who doesn't want to fuck Ruan Nanzhu?

3. HAKO ONNA HAKO ONNA HAKO ONNA

So as I was reading through @zintranslations' earlier chapters, I kept seeing translators' notes down at the bottom about being so excited to finally get to the Hako Onna arc. Okay, I thought, this is a lot of hype; I hope it doesn't disappoint.

Friends, it does not. This is the arc I was reading while screaming into a pillow. It's thirteen chapters long, tied for the longest arc in the book with the first door. It is a fucking nail-biter. It does the clever thing of taking all the things you've learned about what can happen inside the doors and combining them for a worst-case scenario.

The setup is pretty simple: There's a bunch of boxes. One has the exit. Most are empty. Some have things that help you. Some have things that hurt you. The more things you find that hurt you, the more things there are to hurt you. And you have to open the boxes.

All the door arcs are pretty well-written, so that you can more or less play along with their various adventures. Hako Onna, however, is exceptional. It's so complicated, but you can actually follow it. And you need to be able to follow it, because the multiple emotional gut-punches that happen in this arc all depend on understanding how the rules of the game have just been leveraged to fuck someone over.

Now I really want to play the board game -- which I was pleased to discover is a real board game! And speaking of board games...

sidebar: Betrayal at House on the Hill

I know this isn't technically related to the novel at all, but if you like board games, horror, and being incredibly dramatic, you owe it to yourself to try out Betrayal at House on the Hill.

It goes like this: You and several other horror-movie archetypes wander through a mansion, "building" it as you explore it, so the game layout is different every time. At some point (and it's based on so many random factors that you never know when it'll be) someone triggers a condition, and the haunting begins. All the players then get the rules of haunting explained to them -- except for one player, the one picked to do the titular betrayal, who gets a different set of instructions and becomes the antagonist. From that point on, the game is about either surviving or completing the haunting, depending on which side you're on.

I have played this game before with normal board game people, and they were like, eh, this is fine. I have also played this game before with theatre kids who RP and LARP, and we all had a fucking blast. So I'm going to warn you that you have to choose your crowd carefully. This is a game for people who do improv and voices.

4. The art of losing isn't hard to master

The book has a high body count -- higher than the show's, in fact, though that's related to how the book also has more characters than the show does. When you meet someone who can go into the doors, be careful how much money you'd lay on their survival.

Death after the doors comes so quickly, too. There's barely any time to say goodbye, if there's even any time at all. Often there's just a phone call telling our main characters that one of their friends or allies or enemies is gone.

Everyone who gets the chance to go through the door worlds is only able to do so because they're dying already. The more doors they pass, the more they get to kick that death further down the road -- but the more doors they enter, the more chances they take that they might die inside one. So really, none of the players can be that resentful of being forced to play a game that can kill them, since they're already playing it on borrowed time.

I will say, somewhat cryptically, that the book has a positive ending that leaves open the possibility for other positive things. The path to that positive ending, though, leads through some pretty wrenching takes on living through grief. It's not even all rah-rah and it-gets-better, either -- the text acknowledges many times over what it means to have someone that life isn't worth living without.

And that's maybe not what you expected from a BL horror adventure webnovel, but it's what you're gonna get! Ha ha!

5. What He Is

Which is the title of the first extra chapter, which is not extra at all, but is in fact a necessary explanatory piece that whacks you upside the head like a two-by-four and recontextualizes the entire story.

...Yeah, that's all you're going to get from me about that. You'll understand when you get there.

Have you put it on your reading list yet?

The way you have to read it is a little convoluted: @zintranslations has chapters 1-17 and 63-end + extras. Taida Translations has chapters 1-62. So no matter where you start reading, you're going to have to switch sites at least once.

There are also apparently Portuguese, Indonesian, Russian, and Spanish translations too? And the original Chinese webnovel, of course. And some audio dramas and subs linked to from this Carrd, which helpfully has other information, like content warnings for specific chapters, in case the horror aspect of the story gives you pause.

Anyway, once you're done reading it -- or even before you're done! -- you should absolutely go watch the Spirealm. I think it's clear from both rec posts that I definitely like the book better, but I appreciate having the drama to bring so many scenes to life, and I think the casting is great. Also, I don't think reading the book makes you like the drama less! Rather, I think reading the book gives you insight into the awkward and sometimes terrible choices the drama had to make to survive -- which in turn gives you the ability to see through those choices, on to what the show always wanted in its heart to be.

I do find it funny how "Kaleidoscope of Death" and "Death's Kaleidoscope" technically mean the same thing, but they sure read different, don't they?

[scaryanneee]

VEILPUNK 9:52 ⚡️

Narrative parallels between [and MAJOR SPOILERS for] Dragon Age: The Veilguard and Cyberpunk 2077

Wake up, Samurai, we have a Thedas to burn. Let’s play a game:

Meet [V]/[Rook]. She is living her life as a [nomad/streetkid/corpo]/[Dragon/Crow/Lord/Watcher/Warden] when circumstances (aka, some kind of fuck-up) lead her to begin a new adventure with her friend [Jackie Welles]/[Varric Tethras]. 

The pair embark on a mission that involves a history lesson about a mercurial and rebellious [rockerboy]/[ancient elven mage] who made a questionable choice [50]/[8000] years ago when he [detonated a nuclear bomb]/[created the Veil]. That decision had dire consequences, but was done with good intentions: to take down a corrupt and powerful group – the [Arasakas]/[Evanuris]. 

Anyway, the job that [V]/[Rook] is on goes really, really bad: needless to say, we won't be working with [Jackie]/[Varric] anymore. [V]/[Rook] finds herself injured but alive… and the previously mentioned grumpy old [rockerboy]/[elven god] is now living in her head, somehow?! 

[Jackie]/[Varric]’s fate is not the only consequence of [V]/[Rook]’s actions. In fact, the clock is ticking: if [V]/[Rook] does not find a way to fix her mistake soon, she faces certain death. Not to mention, she promised [Jackie]/[Varric] that she would take care of the [biochip]/[team] for him. 

As she works to undo what she has done, [V]/[Rook] either bonds with the [Johnny Silverhand]/[Solas] living in her head, or hates him, or something in between. There’s lots of snarky jabs traded between mind-resident and host, but also moments of genuine understanding that build over time. 

It is kind of weird walking around the world, though, because you see symbols of [Johnny]/[Solas]’s legacy in the form of [Samurai memorabilia]/[Fen’Harel statues] pretty much everywhere... anyway.

In an optional questline, [V]/[Rook] can watch some of [Johnny]/[Solas]’s memories. She learns that his [nuclear bomb]/[creating the Veil] was about more than just fighting [corpo]/[godly] corruption. It was also about avenging the death of a woman he cared for deeply: [Alt]/[Mythal], who was killed by the [Arasakas]/[Evanuris]. [Alt]/[Mythal] and [Johnny]/[Solas] may have had a complicated and at times turbulent relationship, but there was no doubt he loved her. There’s also no doubt that [Johnny]/[Solas] feels, in part, personally responsible for her death.

[V]/[Rook] also gets to meet some of [Johnny]/[Solas]’s old friends: [Kerry]/[Dorian] and [Nancy]/[Morrigan], who both worked alongside him in [Samurai]/[the Inquisition], and [Rogue]/[Inquisitor Lavellan], a highly competent woman who [Johnny]/[Solas] had a romantic relationship with at one point (and who [Johnny]/[Solas] regrets not having treated better). [V]/[Rook] also meets some of [Johnny]/[Solas]’s greatest enemies from his past – like [Adam Smasher]/[Elgar’nan] – and gets to make [Johnny]/[Solas] proud by kicking their asses on his behalf. 

Finally, at the very end of the game, [V]/[Rook] can choose to either redeem [Johnny]/[Solas] or condemn him. They can even get help from a version of [Alt]/[Mythal] to do so!

Roll credits.

This is all to say: I love both of these franchises very much and, so it is very delightful to find all of these parallels between them. To be very clear, this is not an accusation of stealing or anything – stories echo, history rhymes, etc. – just an affectionate observation.

BUT.

It also highlights, for me at least, a few things Cyberpunk did well that Veilguard would have benefitted from incorporating. Namely:

A prologue based on character origin, where Rook meets/bonds with Varric, like V does with Jackie

More interaction between Protagonist and Guy Living in the Protagonist’s Head

Deeper engagement with the universe’s lore, particularly the setting and its impact on our protagonist. Night City feels like another character in Cyberpunk in a way that Veilguard's Thedas really does not.

The protagonist having a smaller scale, more personal investment in the outcome of events – V’s race against the biochip is instantly understandable, and her tenacity and strong will to survive make her very easy to relate to and like. I never quite felt the same level of investment in Rook, and I think that’s in part because her fight against the gods is so enormous in scale that it feels quite impersonal at times. 

Story parallels aside, these two games are also both examples of games that were rushed through development and suffered for it. For Cyberpunk, that meant infamous technical failures; for Veilguard, that apparently means writing that is inconsistent at best and baffling at worst.

Fortunately, CD Projekt Red was able to add tons of post-release updates (and the excellent Phantom Liberty DLC) to Cyberpunk, that really helped it ultimately evolve into the game it was intended to be. 

Unfortunately, I think it is extremely unlikely that EA/Bioware will ever give Veilguard the same treatment.

But if I’m looking for something to hope for about this franchise (despite the long odds)... I think that would be it. 

Anyway, if you read this far: thanks, [chooms]/[lethallen]! 🖤

[psychic-refugee]

I loved MOA, I’ve watched it twice and it’s definitely a great rewatch. Probably going into my list of comfort films to watch again and again.

It definitely deserves its #1 Spot on Amazon Video.

I’m going to wait to give a full on review so people have more time to watch it and it’s less spoilery.  

I do want to address one thing that I don’t think is a fair criticism, at all.

I’ve seen several posts where they’re unhappy that the main character isn’t a lesbian. Someone even went as far to call it “lesbian erasure” and others are calling Megan Park/the movie lesphobic.

On one hand, I understand that there aren’t enough good representation movies for lesbians or the LGBTQ+ community, and it can be frustrating when something looks promising or if you had certain hopes, but it turns out a different way.

On the other hand, come on, BFFR and fuck off.

No one ever said it was a lesbian rom com. It’s a rom com with a character who is very young and in her limited experience had thought she was a lesbian, and then finds someone who makes her question that specific title.

Chad has ALWAYS been part of the synopsis and cast list. He was always framed as the romantic interest.

Other people's sexuality is not dependent upon your hopes and wishes, both real and fictional.

I think people are so chronically online and obsessed with labels that they forget that no one has met everyone they’re ever going to meet, ESPECIALLY NOT AT 18. Elliott had only ever been attracted to women up until she meets Chad. She’s also from a very small town, is itching to live in the big city of Toronto, and is about to attend the University of Toronto.

There is a chance she still would have figured out she was also attracted to men when the dating pool got much larger for her.

Is it “heterosexual erasure” if the opposite happens and someone goes off to Uni to discover they are attracted to the same sex? Or is it just part of some people’s journey?

I, personally, think it’s a great message that you’re a) not stuck with a title or specific sexuality and b) it doesn’t have to be this traumatic, existential crisis. I loved how she talked it out with her friend, Ro, and it was like, “oh shit (surprised)…tell me more (intrigued and supportive).”

Please notice how Ro and Ruthie (Maddie Zeigler) don’t question Elliott’s sexuality or try to make her feel bad about it, they just accept her as friends should.

Again, personally, I’m glad to see a queer story that doesn’t have queer trauma.

I hope everyone’s sexual, or lack thereof, journey is as easy going.

I also feel like the people who are mad that she fell in love with a man when “the right one came along,” and are calling it lesbian erasure, completely stopped paying any real attention to the movie.

Elliott NEVER calls herself straight. She NEVER indicates she no longer is attracted to women because she found Chad.

Her attraction to Chad is in addition to her general attraction to women. It’s very clear through the dialogue that she is very much into women, and that never stops.

Spoiler but not relevant to furthering the plot and it’s towards the end of the movie:

…

Older Elliott references having a current girlfriend in the future. Timestamp: 1:13:30

She doesn’t mention any other male significant other.

It could very well be that Chad is a one off, but still very important, valid, and REAL love in Elliott's life.

At no point does Elliott’s attraction to Chad diminish her attraction to women.

Fine, be frustrated in the general lack of lesbian specific movies.

But don’t call Megan Park lesphobic for not making a character SHE CREATED lesbian when Elliott was never meant to be lesbian to begin with.

[molqr]

YIPPEE YAY!! hi guy. beauty that is The Tagging Games <3

favourite colour: green!! used to be mainly that super eye-strainy yellow-green radioactive colour but all shades of green are sooo gorgeous to me i cant pick favourites. well theres one i like the most which is 'green leafs on trees when the sun shines through them' its very specific but its my favourite colour of all time forever...

last song: i had to go through ten pages of tf2 fight songs on last.fm for this. its such a funny bit but by god. anyway it was kuso breaking nou breaking lily by maximum the hormone. listened to that album for the first time a while back and this song is like my all time favourite from it, used to loop it constantly a few weeks/months ago pff

currently reading: cuckoo by gretchen felker-martin! ive yet to finish it but its really good i like it a lot... ive gotta hurry the fuck up i have to take it back to the library in like 3 days lmfao. really want to take a shot at drawning the main cast and the body horror.

currently watching: metalocalypse babyyyyyyyy. honestly wanted to just rewatch aotd again but wanted to finish rewatching the show first. supposed to be rewatching all of jjba but i hate part 2 i dont want to look at it.. also need to finish the golden girls lmao.

currently craving: b&j's cookie dough... i dont even like the cookie dough that much the vanilla ice cream is just so fucking delicious... havent had it in forever though because the price is absolutely fucking ridiculous lmao

coffee or tea: i love iced coffee and i love tea... fuck... i have to go with coffee simply because i like my iced coffees too much. tea is delicious though where would i be without it during winter.

hobby to try: all of them must be done i need to start my projects... drawing, writing, reading more, and uh, squints, making character edits that counts right. i need to learn how to use shotcut lol. been meaning to get into clay stuff or to learn to knit but i always forget to get on it lmao.

current au: cant think of any for the life of me tbh. OH SHIT YEAH my psychonauts metalocalypse au i forgot completely about that. i think dethklok being psychics would be so fucking funny they'd be so terrible. i can imagine revealing their horrors using their mental worlds so easy. i grin sinisterly. psychonauts aus are just so good always. also theyre so fun to design!! besides that all the current others are co-owned so if i was gonna mention them i'd want to make a big thing about it. like a really shitty gender reveal. (they're all really shitty, but you get what i mean right) congratulations, it's a freak!

tagging: friends and mutuals yippee yay! im shy tagging my mutuals so if you dont want to do this per some random internet fellow giving the say-so, then no pressure LOL @brookiesandcream @its-me-im-bumblebee @the-archivists-plus-one @classic-heavy @ruthytwoshakes @maplemaplemaplemaplemaple + anybody else who feels up to it, get silly w/ it!!

Get to Know Me (tagged by @slingbees)

-------------------------------------------------

rules: tag 9 people you want to get to know better and catch up with

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Favorite Color(s): ORANGE!!!!! but also yellow!

Last Song:

Currently Reading: them Guardians of Ga'hoole books because when I was in the hospital I read one of them.

Currently Watching: I'm going through Red Vs Blue with some friends.

Currently Craving: this peach monster right beside me. don't tempt me.

Coffee or Tea: I haven't been drinking much of either recently, but coffee.

Hobby to Try: Start animating at home.

Current AU: I guess I've been thinking about that Simpsons comic where Smithers gets cloned, fucking hilarious they just start killing each other. Other than that, I don't know.

TAGGING:@sleepypuddding @funkyjunkyfangz @beeframennoodles100 @danklemckspankle @potatoqueensays @notevenhodgepodge @butchbarneygumble @lorogy662 @calpalsworld anyone else too!

[spitblaze]

I guess Chilchuck has brought us right back to 'adults who are short are child-coded and if you like them you're a pedophile' discourse huh