#because i've been thinking about this one

[just-doing-lesbian-things]

I need to get this out, because this moment baffled me at first.

Vi is convinced that she's lost everyone, and it's not quite her lowest, but she is turning all the pain of having lost her sister and her happy little family from Act 2 onto herself. I always make the wrong choice and because of that I've lost everyone.

And she starts this little vent off with Go on, say I told you so.

She thinks Caitlyn is here to berate her for siding with her sister again, but Caitlyn surprises her. Caitlyn instead comes clean about having known all along that Vi was going to choose her sister.

And not only did she know, but that she supported it.

Caitlyn went "vi is going to try and break her sister out. i will remove the barriers to their reunion."

SO from Vi's perspective, she's just had her resurrected father die, her sister walk away--choose to leave--and now she might lose Caitlyn too because Vi "chose wrong" again, BUT instead she is met with acceptance. And this is more than Caitlyn accepting that Vi is always going to choose her sister, this is also Caitlyn accepting that Vi is going to fuck up (something Vander didn't give her much room for with all that leader talk) and accepting just how much Vi's family means to her. This one act washes away all that "its her blood in your veins" crap.

This was Caitlyn fully accepting who Vi is and who she's been and where she's from. And she did it with a smirk and some swagger.

Yeah, I'd of grabbed her and kissed her too even if that was .5 seconds after my sister basically said she was going to end it all.

[fleurvi]

Big Chested S/O | Arcane Women

request for arcane women with big titty gfs

•○•○•○•○•○•○•○•○•○•○•○•○•○•○•○•○•○•○•

genre: smut (minors dni)

characters: ambessa, caitlyn, grayson, mel, sevika, vi

cw: fem!reader, big chested!reader, titty play, titty sucking, marking (vi), titty slapping (grayson), strap on sex (grayson, sevika)

•○•○•○•○•○•○•○•○•○•○•○•○•○•○•○•○•○•○•

Ambessa Medarda

Ambessa cannot keep her hands to herself. She had invited you to soak in the bath with her and cleared the attendants and guards from the room when you first entered, leaving the two of you alone. You're sitting between her legs with your head against her chest.

Within minutes, her hands reach around to your chest. She squeezes roughly; she treasures you, but you're a grown woman and can take some rough handling.

“Touch yourself for me”, she all but orders, and you listen, hand slipping beneath the warm water to play with your slit while she gropes your tits and rolls your nipples between her fingers. “Does that feel good?”

✩♬ ₊˚.✂️⋆☾⋆⁺₊✧

Caitlyn Kiramman

DIABOLICAL ORAL FIXATION.

Cait finally comes to bed and finds you lying awake with a book. “You didn't have to wait for me,” she says, crawling over to your lap instead of her own side of the bed.

“I'll always wait for you, you know that”, you sigh in response. She pulls you into a kiss to show appreciation before trailing her lips down your neck and collarbone. When she gets to your chest, She lifts her head to look you in the eyes before leaning down again to take one of your nipples into her mouth, sucking on it. She presses a finger to your hole as she pulls away from your chest.

“Can I touch you while I suck on these gorgeous tits?” she asks, smile splitting into a grin as she lowers her head back down.

✩♬ ₊˚.✂️⋆☾⋆⁺₊✧

Grayson

She likes to watch them bounce as you ride her strap.

“Yeah, just like that”, she grunts as you bounce on the toy. She calls it training. She knows it's not right to engage with a subordinate in this way, but when you make such a pretty picture to look at, who is she to deny herself? She's not making eye contact with you though, focused on your chest in her face. When you slow down a little, thighs burning with the ache of riding, she brings a hand up to harshly slap them. “Why are you slowing down? I'm not finished with your training,” she says, hands gripping your hips to assist you in gaining back your pace. “If you keep up just like that, I'll give you a reward.”

✩♬ ₊˚.✂️⋆☾⋆⁺₊✧

Mel Medarda

Mel asks you to model topless for her so she can paint you. You have to get her back on course multiple times because she keeps getting distracted by your tits.

“I thought you were a woman of composure”, you tease as she gets caught staring again. She rolls her eyes in response.

“I've been finished for five minutes; I just wanted extra time to stare at them,” Mel says matter of factly. You get up from where you've been posing, engulfing her in a back hug as you examine her artwork. It's impressive. She paints you in such a sensual light. Your hands drop from her hips to her thighs. “While I was painting your chest, I was thinking about having them as my next canvas.”

“Yeah? If you show me how much you like them, I'll think about it,” you say as she turns in your arms, ready to walk you over to her bed and worship your chest with her mouth.

✩♬ ₊˚.✂️⋆☾⋆⁺₊✧

Sevika

Sevika likes to feel them rub against yours as she fucks you nice and deep. She thrusts her hips, grinding her cock inside you. You'd been begging for her to get the strap and fuck you, and now that she's inside, you're a drooling mess. She's completely covering you, pressing her muscular body on top of yours. The way your sensitive nipples rub against her chest as she rocks against you makes her eyes roll to the back of her head. Skin-on-skin contact is Sevika's weakness.

Sevika has a very short list of things that get her going, and your tits are top of that list.

✩♬ ₊˚.✂️⋆☾⋆⁺₊✧

Vi

After a rough fight, Vi will find an empty room, back you up against the wall and let out all her pent-up energy on your tits. She loves to leave marks, decorating your chest with hickies and bite marks. She's enthusiastic, letting her actions tell you how she feels. She's desperate with how her tongue drags along your skin, and her teeth sink in. Her mouth is too occupied to speak, but you can hear the curses she grits out between biting and sucking on your precious skin. She's also a proud woman, and knowing you have her marks on you fuels her to do more. Your boobs are the perfect destresser for her.

“Fuck, look at you”, she growls, admiring her dirty work. “Always so fucking pretty.”

•○•○•○•○•○•○•○•○•○•○•○•○•○•○•○•○•○•○•

Thank you so much for requesting, I'm so abnormal about the arcane ladies, I need to write more for them. I hope you enjoyed!!

[astonmartinii]

put it all on red (bull) | max verstappen social media au

pairing: max verstappen x fem russell reader

her brother won the race? does she know? does she care?

MASTERLIST | TIP JAR

yourusername

liked by alexalbon, georgerussell63 and 204,300 others

tagged: maxverstappen1

yourusername: VIVA LAS VEGAS

view all comments

user3: this is fucking hilarious

user4: her whole ass brother won the actual race and there's not a peep of him on the post

user5: i mean her boyfriend did win the championship...

yourusername: exactlyyyyyyyyyyyyyyy i mean my instagram is for pretty girls only

user6: do not erase george's beauty

yourusername: nothing to erase girlypop - FUGLY!

user7: the way the guys are in the media pen and can't see that y/n is coming for their necks in instagram comments

user8: i fear she's already started drinking...

user9: in the back of the sky broadcast she hands max a drink and i'm starting to suspect that it was not water or red bull

user10: LMAO HELMUT TOOK A SIP AND LIKE NEARLY FELL OVER

yourusername: i've never claimed to be good at mixing drinks

maxverstappen1: WHERE WAS THE TONIC ???

yourusername: i don't believe in tonic 💔

maxverstappen1: YOU GAVE ME STRAIGHT GIN?

yourusername: straight 🤣

maxverstappen1: Y/N THAT'S ATTEMPTED MURDER ON HELMUT ???

yourusername: free me i did nothing wrong !!!

user11: these people kill me

user12: sign of a healthy relationship is making gay allegations about each other

yourusername: ALLEGATIONS ???

yourusername: george is lucky that he was the first russell carmen met ...

georgerussell63: RIGHT, I HAVE HAD ENOUGH

georgerussell63: thank you for the congratulations but STOP flirting with MY girlfriend

yourusername: congratulations??? for what?

georgerussell63: WINNING THE RACE?

yourusername: boring!

georgerussell63: you are so lucky we're family because you are a few cards short of a deck

yourusername: CARDS? that reminds me ... time to gamble!

maxverstappen1

liked by oscarpiastri, charles_leclerc and 1,342,988 others

tagged: yourusername

maxverstappen1: winning without the fastest car isn't for everyone

view all comments

user13: this caption has y/n russell written all over it

yukitsunoda0511: i sat here and watched them giggle to themselves for a good five minutes while posting this

user14: tell max to post more pictures like the second one

yukitsunoda0511: they are not safe for innocent eyes and they are not taken with a locked door :/

user15: why are you there ???

yukitsunoda0511: they're very generous when they're drunk !

user16: so real

yukitsunoda0511: it's also not just me :(

user17: just how many people are using the bar tab?

liamlawson30: me!

oscarpiastri: me!

charles_leclerc: me!

landonorris: me!

pierregasly: me!

alexalbon: me!

yourusername: broke bitches

carlossainz55: you do not have a job?

yourusername: gambling and being pretty is more of a job that what you will have next season 🤨

carlossainz55: has anyone ever told you you're a really mean drunk

yourusername: just george about a billion times, you get used to it (we just don't invite you out)

user18: she is just dragging anyone now

user19: hold on that is her boyfriend's work boyfriend's enemy

user20: girl is 90% of lestappen twitter's source and you think she's not gonna have a problem with sainz???

yourusername: you're so sexy i actually can't even function

maxverstappen1: gotta put the trophy in trophy husband somehow

yourusername: jokes aside i am super duper proud of you, this year has been insane and you've proven that you are the bestest eva

maxverstappen1: couldn't have done it without my fave cheerleader

yourusername: i'll wear the uniform and everything ....

schecoperez: STOP

georgerussell63: still no congratulations? i know you won the title or whatever but we're going to be brothers soon SHOW SOME RESPECT

yourusername: literally suck his dick

yourusername: wait no

yourusername: suck my dick

yourusername: WAIT NO

yourusername: choke ❤️

georgerussell63: i have no words at this point

maxverstappen1: so romantic hehehehe

yourusername

liked by alexalbon, kimiantonelli and 410,300 others

tagged: maxverstappen1

yourusername: put it all on on red (bull)

view all comments

user22: ma'am why is there a cat?

user23: i think we already know the answer

user24: oh i know the answer i just wanna know the batshit explanation

georgerussell63: exsqueeze me ???

yourusername: don't speak like that about your nephew ??

georgerussell63: tell me you're not keeping it??

maxverstappen1: IT? HE JUST LEAPFROGGED YOU IN OUR WILL

georgerussell63: 1. you have a joint will ??? 2. why am i on it ??? 3. what is a cat doing with a monaco penthouse ???

maxverstappen1: i thought you could use the money ? i know toto ain't paying you what he promised me

yourusername: george your weird sugar daddy is more broke than you think sorry xx

georgerussell63: once again, what is stopping me taking the monaco house from a literal cat ?

yourusername: caesar will be very aware of his rights string bean - just because you talk in an uppity accent doesn't mean you actually know anything

georgerussell63: i cannot tell who corrupted who but i am sick of being your victim :(

user25: yes as fun as watching them dog george is i do want to know caesar's origin story

user26: i have a very bad feeling i know where he got his name

alexalbon: HE'S NOT NAMED AFTER THE CASINO IS HE?

yourusername: ding ding ding we have a winner, always knew you were the smarter half of galex

maxverstappen1: your gambling is getting out of hand

yourusername: did i or did i not win us a cat ?

maxverstappen1: AND £250,000 ???

yourusername: didn't want to promote gambling too much

yourusername: KIDS DO NOT GAMBLE IT IS DUMB

yourusername: look at me i literally have a child now ???

user27: we have lost the original plot of the movie

user28: you must be new, we stopped trying to make sense of these two years ago

lewishamilton: i can assure you it does not get any easier when you know them personally

yourusername: we aim to be sexy and mysterious

lewishamilton: that's strange because you guys dance like little boys and overshare at any given opportunity

maxverstappen1: guilty !

georgerussell63

liked by alexalbon, landonorris and 873,409 others

tagged: lewishamilton, yourusername & maxverstappen1

georgerussell63: i won the las vegas grand prix and all i got was this lousy cat

view all comments

user29: i am sensing a y/n and max meltdown incoming

user30: maybe they're too hungover to argue?

yourusername: NEVER

maxverstappen1: LOUSY CAT? FIRST OF ALL HE'S NOT YOURS SO KEEP HIS NAME OUT OF YOUR MOUTH AND ALSO I WILL KILL YOU WITH A GUN

georgerussell63: excuse me?

yourusername: do NOT threaten my boyfriend !!!!!!!!

georgerussell63: do you have selective sight or something?

yourusername: no i just like him more than i like you

georgerussell63: you only met him because of me?

maxverstappen1: i have faith we would've found each other regardless we have a SOUL TIE

yourusername: EXACTLY

georgerussell63: i give up.

yourusername: this is exactly why you don't have a championship ... no drive (pun intended)

georgerussell63: NOW THAT'S IT

maxverstappen1: are you threatening my girlfriend?

georgerussell63: OMG LEAVE ME ALONE

user31: their commitment to never letting george have a day of peace is really quite charming

user32: they're going to give him grey hairs before he even turns 27

alexalbon: i gotta say georgie, i'm not with you on this one - caesar is THE dude

georgerussell63: are all my eggs falling out of the basket at once?

maxverstappen1: that's called karma for calling caesar 'it' and a lousy cat

georgerussell63: i can't lie i am missing your honeymoon phase you guys were a lot nicer

yourusername: we never left the honeymoon phase we just like annoying all of you

maxverstappen1: makes you people leave us alone :3

landonorris: you don't have to be mean to do that

yourusername: YOU JUST GOT OFF OF THIN ICE NORRIS WATCH YOUR STEP

user33: they can make excuses all these want but they just like annoying everyone else

user34: i mean based on their vegas shenanigans i think they would be super fun to be around

yourusername: oscar literally came to stay while he 'looked for a flat' in monaco and hasn't left... it's been three months. face it we're a HOOT

oscarpiastri: they are fun! the secret is to not be annoying sorry george!

maxverstappen1: they grow up so fast :')

maxverstappen1

liked by charles_leclerc, danielricciardo and 984,036 others

tagged: yourusername

maxverstappen1: took a gamble when i went for the lanky posh dude's sister and i can now say it was definitely worth it

view all comments

user37: bro says snug as a bug in a rug once and now he's labelled as posh HE'S FROM NORFOLK

user38: it's also the way that y/n never gets the posh allegations

georgerussell63: it's because she's scruffy as fuck x

maxverstappen1: literally outside your house with a knife, keep talking

georgerussell63: i'm a grown man, max, you don't scare me

maxverstappen1: so i'm free to do a little gardening while you hide inside?

georgerussell63: you wouldn't...

yourusername: GO FOR THE PEONIES MAX

georgerussell63: NOT THE PEONIES I BEG HAVE MERCY

user39: so i'm supposed to read all of this shit and take them seriously when they get in the car

user40: it's part of the charm i think

user41: it's all fun and games until you remember they are full grown adults who can vote who are arguing over flowers

yourusername: i'd go through the strenuous task of growing up with george thousands more times just to be with you

maxverstappen1: i've been in love with you since i was 14, there has never been anyone else for me and there will never be anyone else for me

yourusername: ugh why didn't we just get married in vegas ?

maxverstappen1: because even though i did just harm his flowers, i do want to marry you in front of our families

yourusername: i guess you're right

georgerussell63: you know what? based on how you usually talk to me... i'm touched

yourusername: if i'm feeling generous i'll even let you do the seating chart

georgerussell63: I LOVE YOU BEST SISTER EVER

user42: only a declaration of love between max and y/n could end with george proclaiming his love for charts

user43: how does one procure an invite to this wedding ...

yourusername: be cunty

yourusername: @zakbrownceo YOU'RE BARRED

yourusername

liked by landonorris, alexalbon and 409,300 others

tagged: maxverstappen1

yourusername: i'm the sibling who can't drive and yet i'm the one with four championship trophies in their house... george, step your pussy up x

view all comments

user44: omg queen who can't drive, she's such representation

yourusername: george says i'm so mean all the time but really i'm generous, i clearly gave him all the driving genes

user45: have you even tried driving?

yourusername: i went on max's sim once and got motion sickness and i'm also with the best driver in the world and siblings with an okay one - i'm surviving

alexalbon: he's already texted me about your language on this post

yourusername: just because he's a boomer in a string bean's body does not mean i must censor myself - he should know what stepping his pussy up means by now

georgerussell63: i will not be stepping on any pussy, i respect both felines and women

maxverstappen1: you called caesar 'it' so PLEASE

georgerussell63: i respect women?

maxverstappen1: you called y/n scruffy?

georgerussell63: that's y/n it doesn't count

maxverstappen1: that's not very feminist of you george. i am disappointed

yourusername: i agree, i really think the GDPA should reconsider the type of person they're letting run it

georgerussell63: huh?

yourusername: not once have i been invited to a grid meal ....

georgerussell63: well you're not on the grid that's why

yourusername: FEMALE EXCLUSION

maxverstappen1: you know we have attachment issues, you're so heartless george

georgerussell63: what is going on ???

yourusername: you CLEARLY don't care about me

maxverstappen1: and you CLEARLY don't care about the wellbeing of the grid

georgerussell63: I'M SORRY???

user46: george is unbelievably easy to rattle

user47: it must be so fun

yourusername: oh believe me, we have way too much fun

maxverstappen1: we once convinced him that it was a social faux pas to shake hands in japan lol

georgerussell63: IS THAT WHY MERCEDES WERE TOLD THAT EVERYONE THOUGHT I WAS REALLY RUDE ???

yourusername: LMAOOOOOOOO

maxverstappen1: so so so easy bro

user48: i guess a couple that plays mind tricks together, stay together?

yourusername: 4eva

maxverstappen1: til death do us part

yourusername: quite literally you're not leaving me alone with GEORGE

georgerussell63: you know what: DIE

yourusername: GASP

maxverstappen1: @fia get his ass

fin.

note: HAPPY MAX VERSTAPPEN CHAMPIONSHIP DAY TO ALL WHO CELEBRATE. IE. ME LOL

[dwobbitfromtheshire]

Eddie seemed to have zero impulse control when he's not actively thinking about it. After Vecna Eddie moved in with Steve because he and Wayne didn't have a new place yet, plus, Wayne was living out of a motel. It was not a place for someone with wounds like his. Also, he was still waiting to be cleared of all charges. Steve was well enough to take care of Eddie. The metalhead was still in a lot of pain and on as many painkillers as he was allowed the first time that it happened. Steve was leaning over to fluff his pillows, and his lips were close to Eddie's face. It was all Steve’s fault, really. Eddie was thinking about how pretty his lips were when he decided to grab Steve by the back of the neck.

"What are - MMHH!"

Eddie brought his lips to his, and it was the sweetest kiss that Steve had ever experienced. It had left his lips feeling all tingly. Steve could easily pass it off on the fact that Eddie was high, and that was exactly what he did do. He never brought it up or told anyone about it. . .not even Robin. He really couldn't ignore it, though, when it happened a second time.

Eddie was feeling a lot better and could move around the house a lot more. Steve had finally been able to cook dinner for the both of them after living off other people's cooking and takeout while they both healed. They had finished eating when Eddie lumbered over to him and spun him around, cupping his face.

"That was the best home-cooked meal I've ever eaten - MUAH!" Eddie exclaimed, kissing him square on the mouth. "You go settle down. I'll handle the clean-up, big boy."

Steve had frozen a little. Surely, Eddie knew what he was doing? Since he hadn't brought it up, Steve decided not to bring it up either. . .except when it happened a third time. Eddie was completely healed, and he was able to be let out of the house since he was he officially cleared of all charges. He wanted to meet up with Corroded Coffin at Gareth's since they refused to come over to Steve's house despite the fact that Steve had told them they were welcome anytime. Even though he understood where they were coming from, it still stung that they refused to even try to get to know him. Anyways, Eddie was on his way out the door except for the fact that his keys were lying on the counter.

"Hey, did you forget something?" Steve asked.

"Oh, right," Eddie said, twirled around and kissed him while scooping up the keys. Then he was gone.

Okay, he really couldn't ignore it this time. Steve really needed to talk to someone about the kisses and about how much he liked them. He needed to know what that meant, and he knew exactly what kind of conversation this would turn out to be.

"Eddie keeps kissing me," Steve said as soon as Robin got in the car.

"I'm sorry, what?" Robin said, blinking.

"You know how Eddie's really affectionate," Steve replied. "Does it bother you when he kisses you?"

"Oh, you mean like kissing on the forehead and the cheek? No, I think it's sweet, actually," Robin said and rolled her eyes. "Are you feeling a little insecure in your masculinity because a man is getting a little affectionate with you?"

"What?! No, I don't mind getting affection from a man, Robin. You know I hug Argyle all the time," Steve said. "I'm just wondering why Eddie kisses me on the mouth and he doesn't do that with anyone else."

"Stop the car!" Robin screamed, and Steve pulled over the side, parking the car.

"Jesus, Robin!" Steve exclaimed.

"Eddie's been kissing you on the MOUTH?!" Robin asked.

"Yeah. He doesn't do that with you?" Steve asked.

"No, I think that's a treat only for you," Robin said.

"But why? We're both straight," Steve said. "I mean, I'm not trying to complain or anything, it's nice but why is he doing it?"

"You like it when he kisses you?" Robin asked.

"Yeah," Steve shrugged. "If I were into men, I'd be asking him on a date, but I'm not gay, Robin. . .well, maybe just for Eddie. Is it possible to be gay just for one person?"

"I mean, maybe, but I doubt that it's the case here," Robin said. "Usually, I would probably let you figure this out for yourself, but considering how long you kept it hidden that you like Nancy Drew, it might just take a while. . .do I have permission to rip off the band-aid?"

"Uh, yeah. I guess," Steve asked. "What the hell are you talking about?"

"Oh, how the hell were you so sure about Vickie and completely clueless about yourself?" Robin asked.

"Are you still on it that I totally called it about Vickie being a lesbian before you did?" Steve asked.

"She's not a lesbian, dingus," Robun said.

"Okay, I was pretty sure that you two were dating. Robin, she's clearly into you, so I'm pretty sure you have a shot," Steve said.

"Yeah, we are dating but she's not a lesbian," she said.

"I'm so confused," Steve said.

"In more ways than one," Robin said.

"Robin, we're going to be late for work," Steve said.

"Vickie is a bisexual," Robin said. "She likes more than one gender."

"Oh. . .oh, like David Bowie!" Steve exclaimed. "Right?!"

"Right," Robin said.

"Oh my god!" Steve said. "My Tom Cruise obsession suddenly makes sense - I didn't want to be him - "

"Not to mention, all those times you've stared openly at Eddie along with his posters of Eddie Van Halen and Kirt Hammel. . . "

"Kirk Hammett, Robin," Steve scoffed. "Eddie would rip you a new one for getting that one wrong."

"But you knew it because Eddie did," Robin said.

"I like him," Steve said with wide eyes.

"Yeah, buddy. Are you going to need a minute?" Robin said.

"Nah, I'm fine. I actually feel really good about it," Steve grinned.

"Not even a little freak out?" She asked.

"Nope!"

"Lucky bitch," Robin muttered.

"I'm sorry, the next time I have a realization about myself, I'll make sure to give you the freak out that you deserve," Steve said.

"That's all I'm asking," Robin said.

They spent the morning shift talking about Eddie and what he'd say to him once he got home. Steve debated on giving him flowers or not, or a stuff animal. He decided on a stuffed animal because that was more permanent, as Robin had pointed out. They were just about to take their break for lunch when Eddie strolled in.

"Hey," Steve said brightly. "I was just thinking about you."

"Yeah?" Eddie asked and leaned against the counter. "That's good to know."

Eddie leaned forward and planted a kiss on his lips. This time, Steve responded to it, cupping Eddie's face as he deepened the kiss. He could feel Eddie smile against his lips. Steve heard Robin scrambling to lock the front door and close the newly installed blinds. Eddie wrapped his arms around him, nearly climbing over the counter to do it. Finally, Robin coughed loudly and they broke apart.

"Hi," Steve said breathlessly.

"Hi," Eddie said. "I got something for you."

He climbed over the counter and sat down in front of him. He pulled out a rock and handed it to Steve.

"It looks like a guitar pick," Steve said with a grin.

"I thought you could use it for good luck," Eddie said.

"That's very sweet, thank you," Steve said, blushing. "I'm going to keep it forever."

"So, your boyfriend did good?" Eddie asked.

"Boyfriend?" Steve asked.

"Yeah, I know we're taking things slow, but I was hoping that you'd consider me being your boyfriend," Eddie said.

"Yeah, uh, it's just - it might be the concussions, but I don't remember asking you out or you asking me out," Steve said.

"Oh, you definitely asked me out," Eddie said.

"Oh, God, Robin. The doctor said if I started having memory problems - " Steve said with wide eyes. "I'd definitely remember asking you out."

"Honey! I'm sure it's fine!" Eddie exclaimed. "Robin was there, she'll tell you!"

"I was NOT!" Robin yelled, her eyes going wide. "Or was I? Oh, god, what if I hit my head and I don't remember?! I'd remember my best friend asking out a man!"

"Okay, don't panic, Robin, we'll call Hopper - " Steve started to say.

"You really don't remember?!" Eddie shrieked.

"No!" Robin and Steve yelled.

"Seriously, Robin, you were there, and you turned into a giant duck which, by the way, is rude because you know about my fear of ducks!" Eddie yelled.

"Oh, Eddie, goddamnit, was this a dream?" Steve asked.

"You know what? Now that I'm thinking about it, I think it might have been a dream," Eddie said.

"Okay, those looks you've been giving me make a lot more sense," Robin said. "Have you been living in fear of me randomly turning into a duck, like I'm some sort of. . .wereduck?"

"I don't know, your name's Robin, and we've all been through crazy shit. . .anything is possible," Eddie said.

"Aww, and you've hugged me even though you're scared of ducks," Robin cooed.

"Well, it's my fear, my responsibility. It's not your fault," Eddie said and then looked at her. "But you're not, though, right?"

"No, Eddie," she said softly and then affectionately, "You dingus."

"This whole time. . .," Eddie trailed off. "We haven't actually been dating. You never asked me out."

Eddie started to scramble off of the counter when Steve grabbed him and pulled him back.

"Let's fix that. . .Eddie Munson, do you want to be my boyfriend?" Steve asked.

"Fuck yeah, I do," Eddie grinned.

He grabbed the back of Steve’s head and crashed their lips together. Eddie sighed and leaned his forehead against Steve’s.

"No one better fucking wake me up," Eddie breathed and Steve laughed.

"Oh God! I think my nose is turning into a bill - quack, quack!"

"Robin!"

[jayybugg]

drunken confessions

Theodore Nott x FemRavenclaw!Reader

Summary: Theo drinks a little bit more than he should....

Warnings: Drinking, No use of Y/N, Only mentions being in Ravenclaw once, and very cute???

Word Count: 1.6K

Note: Long time no see, my loves! I took a really long hiatus abruptly because life was kicking my ass badly. I decided that my first fic back should be a Theo fluff because who would I be if I didn't give this boy all of my attention? I hope you guys all enjoy it.

Banners by @cafekitsune

Music boomed through the Slytherin common room as you tried to navigate the sweaty bodies and screaming teens. You were trying to find Theodore, the person who had invited you. It was a celebratory party for Slytherin winning the quidditch game against Hufflepuff. You were in the Ravenclaw house but are good friends with many people in Slytherin.

"Oy," Draco pulled you to the side, "Looking for Theo?"

"Yeah, you've seen him?" you asked, gripping his arm so no one could separate you both. Draco nodded, pulling you to a separate room where Pansy, Daphne, Blaise, Enzo, Mattheo, and Theo sat.

"Finally, you're here." Daphne pulled you in for a hug, whispering in your ear, "Drunk pants over there have been asking about you for the past hour."

You glanced over at Theo, who was very drunk. "He never drinks this much." You whispered back to Daphne. She shrugged. "He caught the stitch. Winner of the game tonight."

You nodded, walking over to Theo and sitting next to him. He immediately grinned and wrapped his arms around your waist. "I've been waiting for you all night," Theo said, speaking slowly so his words didn't get slurred.

"I'm sorry. Why'd you drink so much without me?" You asked, tapping softly on his wrist. "I didn't mean to." Theo said, "Won the game, so people had given me a bunch of drinks."

You nodded, allowing Theo to go back to being the life of the party. Enzo sat down next to you, to keep you company as the party continued.

"So, what's your excuse for not being at the game tonight?" Enzo asked.

"That project for Transfiguration. My partner is an idiot who waited last minute to do his part, so I had to help him. I feel bad for missing it." You said, taking a sip of your water.

"Theo was upset that you weren't there. Probably what motivated him to win the game. That boy is obsessed with you," Enzo said, nudging you. You cleared your throat, feeling a sudden sense of nervousness. "We're just friends, Enzo."

"For now." Enzo wiggled his eyebrows. You laughed at him, rolling your eyes.

Did you like Theo? Yeah, but you didn't think he would like you back. He had a lot of girls on him and he could choose any of them. You were so wrapped in your mind and your conversation that you didn't notice that Theo had wandered off until you heard your name being called.

"Take Theo back to his dorm, please!" Blaise pleaded as he and Mattheo held a nearly blacked-out Theo up. You hopped up, grabbing Theo from them.

"Oh, hey, pretty girl." Theo drunkenly grinned at you. You smiled back. "You should've stopped drinking, Teddy."

"Really should've." Mattheo agreed. "You know where his dorm is. Don't worry about cleaning up down here, we got it."

You nodded, saying your goodbyes to everyone before walking upstairs to Theo's room.

"Pretty girl." Theo dragged out the pet name. "Your hair is so soft."

"Thanks, Teddy." You opened the door to his room, switched on the lights, and put him on the bed.

"Come on, let's get you in pajamas." You tapped his nose lightly, making him smile at you.

"You're so pretty, pretty girl. That's why I call you 'pretty girl' because you're so fucking pretty. Sometimes I think you're otherworldly because of it," Theo gushed, falling back on his bed. You felt your heartbeat pick up as the compliments flowed from Theo's mouth.

"Thank you, Theo. Here, put this shirt on." You handed the shirt to Theo, who shook his head no. "I like to be shirtless."

Theo pulled his shirt over his head and threw it in the hamper. You tried your best not to stare at his chest before handing him a pair of pants.

"You're taking good care of me, pretty girl. I wish you could always take care of me. Merlin, I love you so much." Theo spoke again. You felt your eyes widen as you looked at him. "What?" You said softly.

"I love you like I'm so in love with you. I just want to be with you all the time." Theo continued. You cleared your throat, pushing him under the covers. Theo was clearly saying anything to you because he was drunk. If Pansy or Daphne were here, he would probably say the same thing. You forced yourself to repeat that to yourself repeatedly so you could believe it.

"Get some sleep, Theo, goodnight." You switched off his light as you swung his door open. "Goodnight, my pretty girl. I love you." Theo said.

You quickly shut the door, taking a deep breath to calm yourself. You didn't know how to interpret what had just happened. Theo admitted to being in love with you. Or did he? He was drunk, so he probably wasn't serious. Yeah, he was drunk. You took a deep breath before making your way back downstairs.

Mattheo saw you hurry down the stairs and raised his eyebrow at you, "You good? Is Theo okay?"

"Yeah, he's fine. I'm just gonna go back to my dorm," You said. Mattheo eyed you, "What happened?"

"What? Why would anything happen?" You asked, diverting your eyes anywhere but to Mattheo's.

"..."

You sighed, glancing down at your feet, "Theo said he was in love with me."

The room froze as everyone turned their heads to look at you. Suddenly, you felt tiny. "What? Why are you guys staring at me like that?" You asked.

"Nothing! It's just...." Daphne glanced at everyone, "We didn't expect Theo to confess that when he was drunk."

"Yeah, I had galleons on an angry confession followed by an angry, passionate kiss," Draco said, causing Pansy to hit him in the arm.

You blinked. Confess? Confess as in.... he's been holding this in for a long time?

"Wait, so he's telling the truth, and you all knew it?" You asked. Everyone made noises in agreement.

"I mean, everyone can see how head over heels he is for you. You were the only one denying it." Blaise said. Your face felt hot, and you shook your head, "I'm going to my dorm."

Everyone laughed, bidding you goodbye.

Theo woke up the next day with a terrible headache.

"Ahh, there's our champion." Blaise's teasing voice caused Theo to groan.

"Why would I ever drink that much?" Theo asked, mainly to himself. Enzo laughed, setting a cup of water and some medicine on Theo's bedside. "I don't know, but it was quite entertaining to see you get taken care of by your pretty girl." Enzo's voice was teasing and light.

Theo's face immediately heated at the idea of acting like a fool in front of you. "Did I do something stupid in front of her?"

Blaise and Enzo shared a look before shrugging. Theo looked at both of them. "What? What did I do? Oh, Merlin, tell me I didn't embarrass myself."

"I wouldn't say you embarrassed yourself," Blaise said.

"But sober Theo definitely wouldn't have confessed to her that he's in love with her," Enzo said.

It took Theo a moment to realize what Enzo had said before his face turned completely red in shame and embarrassment.

"I told her I was in love with her?" Theo groaned loudly. That was not how he pictured confessing to you. Well, he never pictured confessing his feelings to you because he was scared and had no intentions of doing it.

"It's a good thing, don't you think? I mean, she finally knows." Blaise said, "Although she might need some convincing because she thinks you only said it because you were drunk and probably didn't mean it."

Theo hopped out of his bed, finding the nearest t-shirt before slipping on his shoes. He had already confessed how he felt and if it's already out there, there's no point in hiding it.

Theo spirited to your dorm, not muttering a good morning to anyone as he pushed past them. Finally, he got to your dorm and banged on it until he heard your feet shuffling.

"Teddy?" You asked groggily before focusing your eyes on the out-of-breath and frizzled Theo in front of you, "What the hell happened to you?"

"I meant it."

"What?"

There was silence between you two. He knew you knew what he was talking about, so it didn't take long for realization to take over your face.

"I meant it." Theo repeated himself, "Every word I said last night while I was sloppy drunk was true."

"I have been trying to work up the courage to say something about it for the last year or so. Granted, I didn't think it would be while I was drunk."

"How long?" You tilted your head to the side, with a hint of amusement gracing your face.

Theo's face flushed pink, as he knew you were teasing him, as well as being genuinely curious. "Since first year. When I saw you on the train to school."

"You didn't even speak to me until third year."

"I was nervous." Theo let out a breath. "I watched you, though."

You held back a laugh as Theo immediately turned even more red. "That was creepy. I didn't mean it like that! I just— we've shared a lot of classes and— I'm going to shut up."

You stood on your tippy toes, kissing Theo's flushed cheeks. "I've had a crush on you since second year."

"Really?"

You nodded, smiling. "So what now?"

"Um, will you go on a date with me? Maybe next weekend after the quidditch game?" Theo asked, feeling more nervous than ever.

"I would love to, " you smiled. And I won't miss this game, I promise."

"I'm holding you to that." Theo smiled back.

You gave Theo another kiss on the cheek. "It's still early. I'll see you later, okay?"

Theo nodded, and you smiled, closing your door. Theo stayed there for a few more seconds until he realized he probably looked crazy for just smiling at your door.

Who knew getting drunk had some perks?

[jayparked]

well done <33 can i please ask for 68 and hee?

"i'm sorry...what?" heeseung leans forward, eyebrows knit tightly together in confusion.

"you heard me."

"no! i don't think i did!" scoffing with a nervous chuckle, heeseung stands up from the chair in your room and places both hands on top of his head, pacing back and forth.

"please heeseung i hate being so inexperienced. no one has let me do it before so please just let me do it once. i swear it won't change anything with our friendship."

heeseung can't believe what you're saying, genuinely cannot believe what the hell you are talking to him about. he's been your friend since middle school and now that you're in your second year of college the friendship seems pretty set in stone for life.

"say it again," he mumbles, now turning to face you.

"let me ride you."

"fuck...alright. but you're stupid if you think this won't change anything so i hope you're sure about this." truth is, heeseung has been trying to get over the fact that he's been in love with you since the first day you two met. only recently did he finally feel like he was making progress and even contemplated the idea of seriously pursuing this one person who was dropping major hints they are into him (it's the barista at his college campus. they leave their number on heeseung's cup every single day with cute messages and doodles).

but you just had to ask him this, something he would never be able to refuse.

minutes pass in a blur and suddenly both of your clothes are off and heeseung is laying on his back, on hand behind his head as he tries to get a good look at you without completely ogling.

you get on the bed and straddle his hips, careful not to lower yourself on his hardened cock. you wish you had a few more moments to just stare at it, completely thrown off with the length and girth your best friend has been packing this whole time. the thought of that going inside you is exhilarating and terrifying.

once you look into your best friends eyes though and see all the feelings he's tried to hide all these years, you don't hesitate and take the plunge. the way he stretches your walls has you gasping outloud, having to rock your hips back and forth slightly to try and help the stretch.

"ah...oh yeah, y/n, fuck you're so tight." heeseung's hands are on your waist but his eyes are on your chest. with a quick eyeroll you grab his hands and place them where his eyes were.

"you don't know how many times i've dreamed of this happening," he whispers.

with a laugh you reply with a simple, "me too," your stomach fluttering when you see the shocked look on his face. heeseung opens his mouth to say something, but you're fully sheathed on him now and immediately put your hand on his chest to stable you as you grind your hips against his crotch. all that comes out of heeseung's mouth for the next few moments is a slough of swear words, praises, and "i can't believe we've never done this before"'s. and once he's coming undone underneath you all he can ask is if you can do that again exactly how you did it before, because fuck that felt so good and he needs it tattooed into his memory.

for part of my 1k follower celebration send me a member and a number from this list and i'll write a short drabble about it ♡ masterlist

[vampiresbloodx]

Arcane imagine.

arcane characters react to you confessing your feelings to them.

characters included: Mel medarda, Caitlyn, vi, jinx, sevika

warnings: mutual pinning, yearning, fluff, slight angst, happy ending, implied smut, flirting, kissing, yeah .

Mel medarda;

You've been crushing on Mel for the longest time, you don't even know when it started, as you two have known each other for a while now, you both were kinda friends, you were never really sure, but you always felt so close to her

She had felt the same, she liked sticking by your side, hearing about your day, your projects, what you are thinking, anything, she loved listening to you talk

It was the one thing that made her day better, and seeing your face of course

It happened so suddenly, these feelings you'd never expect just came to you, Mel was just there, and you fell in love

Not that anyone could blame you, really, she's a goddess

you always wondered why on earth she'd spend time with you, someone so beautiful, so perfect, that you can't help but always admire, no matter the time and place

When you're anxious, you think of Mel, she makes everything better

When you're alone, you think of Mel

When you're with mel, you think of her

When you spot a pretty flower, you think of Mel

One time, you unintentionally picked a couple of flowers, making them look all pretty as you practically skipped your way to where Mel would be. But she wasn't alone, jayce was there, another boy she was working with

You thought they looked close, and you started to back away from them, your heart sinking, you felt your throat get tight, god, you felt so stupid, of course she would like a man like jayce, why would she ever like you? You were always just going to be her friend

Later that same day, it had turned to night, you spent the rest of the day in bed, ignoring everything and everyone, you were hurt, confused, annoyed with yourself

You just wanted it all to go away

When you heard a knock at your door, and your eyes widened, you looked up, you were about to tell them to go away, whoever it was, that's when you heard a familiar voice

"hey, it's me."

It was Mel's.

You wanted so badly to ignore her, for her to just walk away, but you knew she wasn't going to do that, you closed your eyes and signed, eventually getting up as you walked towards the door and opened it for her

"what do you want? I'm trying to sleep..." You said, hating how you sounded speaking to her. You watched the way Mel frowned, how she looked so worried, her hand reached out and you flinched, she didn't show how much that saddend her.

"you didn't join me for dinner, I was worried. I had came to check on you, oh! I should tell you on what Jayce and I have been up to so far-"

You shook your head, turning away as your back faced her, "I don't wanna hear about him."

That was all Mel needed to hear.

She smiled, stepping closer to you as she wrapped her arms around you, pulling you in, you tried to protect but nothing came out and she wasn't letting you go anyways

There was no point

"tell me what's wrong, I know what you're like when you try and push others away, don't do that to me, please" she murmured, her voice soft and calming in your ears as you stared at the ground

you felt your eyes water

"I like you, Mel" you sniffled, you were ready for her to leave, for your friendship to be over. "I've always liked you Mel, more than how friends should like one another, I just I was so scared. But then I saw you with Jayce, and I got jealous, I grew distant, because I couldn't face you, I couldn't look at you in the eyes the same, knowing that he can be better for you than I could ever be."

For a moment, you didn't hear anything, you still heard her breathing from behind you as your heart thumped loudly in your chest.

Then she forced you to turn around and look into her eyes as her hand grabbed your chin, "you mean more to me than anyone could ever be, Why would you think such things?, you're more than my friend, you're my love, my laughter, my everything, this is all I ever wanted to hear from you" Mel said, she smiled so brightly, she looked gorgeous, you wanted to kiss her

You caressed her cheek with her hand, "can... Can I?" You were hesitant to ask, she chuckled, crashing her lips against yours, you melted into the kiss, wanting to stay here forever and ever, she tasted like strawberries and honey, you never wanted to get rid of that taste

Caitlyn;

Caitlyn knew there was something off about you the moment you stopped talking to her as much like you usually would

She found it strange, so unlike you, she looked forward to seeing you whenever she could and hear your voice

But as of lately, she's been alone and missing a certain someone, you

She's been talking to Jayce and wondering what to do and how she can help you if there is anything going on, she'd want to help, she was your friend, your best friend even

So it hurt her when you suddenly stopped hanging out with her

She couldn't stop thinking about you, if she had done anything to cause this, she was freaking herself out

She had even gone to Viktor and ask for his advice, he was sort of helpful, but it wasn't like he was cupid and had the best advice for crushing on your friend

Caitlyn missed you, a lot

She went to your place to find you, surprisingly, you weren't there, she looked at the library, she didn't see you, eventually, she did find you, sitting outside by a tree, you looked so pretty, she couldn't help but admire, she ran up to you, excited, she needed to be around you again

"Cait?..." You said, looking surprised, she wasn't sure why you would be, she didn't say anything and just hugged you tightly

You hugged her back

"where have you been? I've been looking everywhere for you, you had me worried" Caitlyn's words came out rushed, you smiled at her.

"can you sit with me?" You asked.

She happily did.

"what's going on? Did something happen?-"

"Cait, let me speak."

You had cut her off before she could even finish asking more, she immediately shut up, she knew you needed to take your time to gather your words, she wanted to touch you again, but she restrained herself

"there's been a lot on my mind, that's why I haven't seen you, but I need to tell you something" you said, she can see the way you were fidgeting with your fingers, a thing you do when you're nervous, then you just randomly stood up, pacing back and forth.

"whatever you have to tell me won't be that bad-" Caitlyn tried to reassure, still you didn't listen

"I like you" you shouted at her, she blinked.

"you what?" She muttered, still processing your words

"I know this was a bad idea to tell you how I really felt, but I had to, I couldn't not tell you, I really fucking like you, Caitlyn" you said, it almost looked like you were on the verge of tears

Caitlyn stood up, you stared up at her expecting the worst, but then she cupped your face and kissed you

That alone told you enough of what she really meant, as you kissed her back, smiling

Vi;

You have always liked Vi for as long as you've known her, that wasn't anything new, anyone who's ever met you knows about your crush on her, except for one person, Vi

She's always claimed not to be an oblivious person, but people who know her also know that's obvious to see from a mile away

Vi has always been a good friend to you, more than anyone has ever been

Ekko, one of your other friends, has been telling you to confess your crush to Vi for years, yeah, it's not something that's new, you two have known each other for ages, Ekko has been through it all witnessing it, and he just wants you to tell her already

"Ekko, I don't know. I don't wanna ruin what I have with her" you muttered, the two of you were hanging out one night, catching up over snacks and games, you hear him chuckle

"you won't, trust me. I wouldn't be telling you to do this if I wasn't sure."

He was right about that. You've always trusted Ekko no matter what it is, he's always had a good heart

and almost most of the time he was always right

Just maybe things will go okay, if you told Vi how you really feel, she won't stop being your friend, but the fact that everyone else can see your crush on her except for her you just weren't sure

Even when you think you know her, you still can't wrap your head around her

You had planned to tell her this Friday night, where you know she'd always meet at your hangout spot, you wanted to make it look pretty, make it feel special, also it was an excuse to distract yourself from what tonight was actually for

Ekko had helped picked out the music, Vi has always liked metal and punk rock, you were sure in another lifetime she would be in a band

you had gotten the snacks, her favorites and yours, including the drinks and the gift you wanted to give her, you've set up a blanket and pillows down for you both

Your heart felt like it was beating so hard it could rip out of your chest any minute

You checked the time and your eyes widened, she was going to be here any second, fuck

You tried to stop pacing around, before you knew it she had arrived right on time, she greeted you with a smile and immediately hugged you, your cheeks warmed as you hugged her back, god you missed her so much

"what's the special occasion?" She asks with a raised eyebrow, biting her cherry as she laid down onto the blankets. "Everything looks so nice, and you got me my favorites? You spoil me."

You smiled, sitting down with her as you contemplated even telling her how you really felt, with how pretty she looks right now, you so badly wanted to kiss her

"I may have something" you said, finally able to get your words together. "Actually yes, I need to tell you something, vi" you hated how you were stuttering, you bit down on your bottom lip as you avoided her gaze.

"what's up, angel?" She said with a grin, she's always called you that, it's been her personal nickname made for you, it's always made you flustered

"Vi, I like... " You paused, trying to actually look into her eyes without looking away, "I like you."

Vi smiled, she looked like she didn't get it at first

"I like you to, angel" she chuckled.

You shake your head.

"no, vi, I actually like like you, I wanna be your girlfriend."

God you couldn't believe you actually told her

you waited for her to reject you, to just stand up and leave, but she didn't do any of that, instead Vi pulled you in closer, pressing her lips to yours as she kissed you hard, you gasped into her mouth, processing whats happening, that she's kissing you, her lips feel so soft against your own, your hand reached up to cup her face

She pulled away, letting you two have a moment to catch your breath as you felt ecstatic, "vi..."

"I've always liked you too, I'm glad you told me. I was actually planning on telling you myself, I didn't know when but you bet me to it, I'm glad you did, because this was the best, it was perfect."

You smiled, leaning in as your nose brushed against hers, she grabbed you by the shirt, making you fall into her as the night was not over just yet

Jinx;

Jinx had always been by your side for as long as you've known her, you have always been by hers, and she's always been by yours, that's just how you two were, when you met, it was an instant click, it was rare for jinx to experience that, so she kept you by for as long as she can

She loves everything about you, your entire personality, how no matter what you always make her day better, you were different, you meant a lot to her

She meant a lot to you as well

More than she'd ever know

Despite all that was happening, what you two have been through, you have always defended her, even when you didn't have to

She appreciates that, even if she doesn't tell you herself

It's like you somehow knew

She needed you, when Vi left, she needed you the most

You were one of the very few that stuck around, and you weren't going anywhere anytime soon

Jinx notices something was up when you weren't showing up to her place like you'd usually be, you were always around, as of late, she didn't see much of you

She wondered why

Did she do something wrong? Are you finally realizing you're better off without her?

No, she couldn't think like that

She was able to easily find you again, you were standing by yourself on an edge, she was concerned, extremely worried, she was so happy to see you again, but she knew she shouldn't rush you

"hey" you said, she didn't even say anything yet you knew she was here

"hi" she smiled, "what are you doing out here? It's cold" she starts to take off her jacket, she always gave you something to wear even if you don't need it right then

You let her put it on

You've always looked so pretty in her clothes

"you know, you'd be a good model, definitely have the body for it" she chuckles with a grin, unable to keep her eyes off you. She saw the way you looked down, how you smiled, she felt proud of that, a little bit cocky too. "You okay? You wanna tell me what's up? You've been avoiding me. You know how I am when people try to ignore me" she couldn't help but pout.

You turn to face her, finally looking at her, she smiles at the sight of you. "I know, I'm sorry about that, a lot has been on my mind. Jinx, there's something I have to tell you, I can't hide it anymore."

She frowned, unsure of what you meant, were you planning on leaving her? Moving away forever? Was she not going to be able to see you ever again? So many thoughts clouded her

But what you told her was nothing she was expecting

"I like you, Jinx, for so long, I've liked you, and no, not in the platonic way, yes, that too, I mean you've meant something more to me for a long time" you said, staring into her gaze as her mouth hangs open, you what?

She rushes to you, wrapping her arms around you tightly as she feels like she could almost cry, good tears this time, her heart was beating so fast she laughed loudly

"why didn't you tell me sooner?" She grinned, cupping your face with both of her hands like you were her entire world, you are, you've always been. "I've liked you since forever, idiot, jeez, finally one of us came clean about it. I was gonna make a dramatic reveal to you but this was so you. I like it. I really like you too. A lot. Please be mine."

And you happily did, you kissed her, that night was the best night of your lives.

Sevika;

Sevika wasn't an easy woman to read, some people have found it hard to even get under her skin, find out what makes her tick, what makes her squirm, loose balance

But you'd be a fool to test her

Then again, you were always known to be a foolish one

When people see you two together, they can't see it, you were brighter, much bubbly, always smiling then there was Sevika, scary, intimating, will kill you with one look

You two were total opposites, no one could understand how you worked so well together

But you just made it work

You were the book smart to Sevika's street smart, which is why silco partnered you with his most trusted a lot, she couldn't exactly argue with it at first, she still did, complaining about having to babysit you, despite the fact that she wasn't that much older than you anyways

Okay, maybe by a few years older, but you didn't need a god damn babysitter

She knew how to piss you off, and you knew how to annoy her as well

It went back and forth, at first, you two fought a lot,there were a lot of misunderstandings, people were even nervous to get in between you both, you two were just so loud about everything that only silco can shut you both up

Eventually, after a while, a long while, things started to settle, and Sevika understood why silco picked you

She knew he wouldn't pick any random person, he had his reasons

Then something weird started to happen, she grew more protective over you, sure, she knew she was already protective of those she cared most, but you, she wasn't sure about, it just happened all of a sudden, if anyone was bothering you, hell, if anyone tried to hurt you, hell would be unleashed

Jinx would always mock her of how much she protects you and will do anything for you, Sevika tries to fight it, her stubbornness winning, but as soon as she sees you, her walls are being cut down, forced to let you see her, as she watches you from afar, admiring your work and talents, how much dedication and time you put into things, she's actually impressed by you

The first time she ever complimented you had you feeling all giddy for weeks, months even, you wanted nothing more than to be praised by her again

Jinx was over it

How much you talked about her, how pretty she is, she'd literally gagged at how love sick you were about her, she was so tempted to shove you both in a closet to hurry the hell up and get it over with

But she knew sevika would kill her

Then again, she's reached a point where she couldn't care less

When Jinx was able to get you two alone together to finally actually talk things out, she did, she was gonna make it work, even if she had to be dramatic and pull a little strings

She would live with the fact that Sevika was gonna be pissed at her for a long time, possibly forever if this goes terribly wrong, but she doubts it would

It was a late Saturday night, everyone was still awake and hanging around, Sevika was sitting at the bar, right where Jinx told her where to meet, Jinx watched as you finally showed up, looking all nice as she grinned, walking away from it, letting it all play out

"Sevika?" You muttered, confused to see her there

But fuck did she look good

She frowned at the sight of you, about to say something, but her words fell flat at what you were wearing, you looked beautiful

Like really fucking gorgeous

"you look... Nice."

Your cheeks warmed at that, hearing her compliment you as you looked away from her gaze that was too intense for you

"yeah, I was told you'd be here... Jinx told me you wanted to speak to me about something important."

Then it clicked to her.

"fuckin' jinx" she groaned, shoving her glass away. "She set us up."

"what?" You said, dumbfounded, going to sit next to her.

There was a pause, you stared in the distance, distracted, she stared at you more, admiring your features, how pretty you looked in that dress

She's never seen you wear something so formal

It suited you

She bit down on her bottom lip, all of a sudden feeling nervous to speak

"how do you feel about us?" You asked, still not looking at her, she frowned

"us?" She repeated.

You nodded, turning your head to look at her in the eyes

"yeah, me and you. We're a good team, you make a good partner" you say. She felt her heart skip a beat, what the fuck was happening? Why were you being so nice to her?

"what is it" she muttered, "just tell me what you want."

"huh?" You looked confused.

"fuckin' hell" she groaned, running a hand through her hair. "Tell me."

"I like you" you spat out before you could even think.

She raised an eyebrow at you.

"say that again?."

"sevika" you sighed, she liked the way her name sounded coming from your lips, she wanted to hear it again. "This is already awkward as fuck, I like you, okay, fuck, I never hated you, well, maybe at some point I disliked you, at the start, but even then, you're a goddess, fucking look at you, your stunning, anyone would fall for that."

That took her off guard, definitely not what she was expecting

"if you want to cuss me out and stop being partners I'll accept I-"

She shut you up with her lips, pressing herself into you as you almost fell off your stool. She grabbed onto you as you held on tight, kissing her hard, as you moaned into her mouth.

After a while, she didn't want to stop kissing you, neither did you want to stop, you both broke away breathless, pressing your foreheads against each others

"come to mine?" She says with a smile

It's not often you see Sevika smile

"lead the way."

[not-so-mundane-after-all]

I know plenty of people have already made a version of the "Jinx is alive" theory post but I've also seen so many of you mourn her death that I decided to gather all the evidence and make another post, turning this theory into a fact.

Because Jinx is alive. It's not a speculation. It's literally there.

The first thing I'm going to mention are the context clues Jinx gives herself. First, the last thing the ghost of Silco tells her. I think the cycle only ends when you find the will to walk away. Then, the realization she comes to when Vi hugs her in the cell. You're never gonna give up on me, are you? What she tells Vi after she leaves her in that cell. You don't need to worry about me anymore. [...] And yes, her initial plan is to kill herself, because she thinks the only way for Vi to move on is for her to be gone. And Ekko gets there just in time to stop her but it looks like he doesn't convince her to abandon her plan, just change it.

And later, when she joins Vi in the final fight. What does she tell her? Still don't get it, huh, sis? I'm always with you. Even when we're worlds apart.

Everything that happens after is constructed specifically to let us and Vi believe that Jinx died. Until we get to this scene:

Caitlyn is studying the Hexgates designs.

She's looking through the pages depicting the place where the final fight happened, specifically focusing on the air vent shafts, while toying with a monkey bomb head - the same monkey bomb that Jinx used in her supposed last monents.

She looks down at the monkey...

Watch the eyes. The realization hits her...

And she smirks, knowing. Jinx used one of the air vents to escape before the explosion.

I've studied the explosion frame by frame. First, a small yellow explosion goes off - Jinx sets off the monkey bomb.

As it becomes bigger, she shoots out of there

this is still the beginning of the blast when we can still see her, and the big boom that destroys everything starts 10 frames later

Last context clue is a reference to the very first episode, which is clearly depicted in this gifset here, so instead of explaining, I'll just send you there to check for yourselves.

One thing that is speculation here is, how exactly did Caitlyn come into possession of the monkey bomb head? I doubt she found it there because it would have been turned to dust. And I'm thinking, Jinx took it with her and left it for Cait to find as a clue. She didn't want Vi to know but maybe she wanted Cait to figure it out. I imagine her sneaking into her house and maybe leaving it somewhere for Cait to find, like her desk or something. It gives Cait an idea, a gut feeling she needs to check, and that allows her to figure it out. Just like we are supposed to figure it out on our own.

Bottom line, Jinx is alive. She escaped the explosion through the air vents, then boarded the airship and left the city, convinced that the only way to give her sister a happy ending is to take herself out of the equation. The glitching closing shot saying The End in Jinx's colorful handwriting is a sign that she is telling us that this is where this story ends, like she's saying "don't look for me. It's over." That's also probably why we aren't shown what Caitlyn does with the information she now possesses.

I hope this helps take away from the grief 💙

[vaspider]

I've been thinking about the one post that had some weirdo TIRF on it talking about how "men 👏 don't 👏 experience 👏 misogyny" and everybody just kind of skipped to talking about how ofc trans men experience misogyny but like

We can't just skip how fucking asinine that sentence is on its face. That is not ground that should be conceded, bc trying to state as if it's a plain fact that "men don't experience misogyny" should get you laughed out of any room you're in.

Every time a boy is told he "throws like a girl" or is called a "little baby girl" for crying, he's experiencing misogyny because he's being devalued for traits that others see as feminine, traits which those doing the mocking see as belonging to women. Every time a fat dude's "moobs" get mocked, he's experiencing misogyny. Every time a girl makes fun of a dude for enjoying something she perceives as feminine, he's experiencing a double whammy of misogyny and homophobia.

There is no other reasonable way to discuss what these men are experiencing. That's misogyny.

The longer I talk with people in all kinds of marginalized groups online, the more convinced I am both that it's very understandable that people want their experiences and their hurts and their oppressions to be totally unique and unable to be experienced by anybody who isn't part of their group and also that anybody who hammers away on the idea that "only [X] can experience [Y]" and devotes excessive time to guarding the borders of their little fiefdom is not just not helping the cause of liberation, but is actively degrading our chances of making meaningful change.

I would go so far as to say there probably isn't a man alive who has zero experience of misogyny. Misogyny is leveraged against men constantly as a form of social control. Just because it's "do X or we will devalue you by calling you a woman" doesn't make it not an experience of misogyny.

Is it exactly the same thing that women experience? No, but also what different groups of women and different individuals experience is also different. There is no flawlessly singular experience of oppression experienced only by women, experienced the same way by all women, and never endured by men.

With that very simple fact in mind, spending time endlessly trying to police the way that another marginalized individual speaks about the method and effect of their own oppression rather than finding solidarity and commonality is fucking fed shit. It does not serve us and actively sabotages all of us, serving only those who actively benefit from our subservience and our infighting.

So fucking stop it.

[megaderping]

I feel like when people emphasize Akechi's murders, they often act like his motivation only boils down to "daddy issues" or they really make light of the impacts societal discrimination can have on a person. "But Futaba didn't end up like Akechi," I've seen people say, but the thing is, Akechi is meant to show the worst case scenario. Someone without anyone left to uplift him, to ground him, and to give him a reason to be better. Futaba had Sojiro, though that hardly justifies her mother's death, nor the horrible mistreatment from her relatives or what Shido put her through by framing Wakaba's death as a suicide. Futaba was in a very dark place, and she needed a helping hand. The Phantom Thieves saved her. But Akechi didn't have that helping hand when he needed it most. He lost his mother at a very young age, endured the foster system, never finding a new forever home, and at his absolute lowest point, was granted power he didn't understand with no one to guide him, and wanted to get close to Shido to one day backstab him and give him a taste of his own medicine. The murders came later, when Shido "instructed him." And given the way Shido yells at Akechi about what happens to people who cross him, and given what he did to Futaba (the men in suits), his cleaner, and how many people he had on his side, on top of Sojiro making it very clear how cutthroat Shido was to his enemies... Akechi was screwed no matter what. His face, his name, all of it could be used to ruin him in the real world. Alone, he would not have been enough to go through Shido's Palace, given how much trouble the Phantom Thieves had as a group. Plus, y'know, this:

Something so many people ignore when they talk about Akechi and his murders and ignore everything else the narrative tries to say about him.

What P5 tries to say about Akechi is so important to its core themes. That, if Akechi hadn't been a victim of so much injustice, he might have never gone to such lengths. That doesn't undo the damage he's done, but it's so important to understanding why the game approaches him with sympathy rather than writing him off as pure evil. Because it didn't have to be this way. If he had just met Joker sooner, if he had just had somebody. Akechi represents what can happen to vulnerable children who are failed by systems meant to uphold justice and other ideals, and how those who have nothing, who have only ever been hurt, are far more likely to lash out in turn. Persona 5 places so much importance on the suffering of children and the ways society needs to improve for the sake of children. That, I think, is one of the key reasons Akechi is framed as a victim. He is a warning, a cry to do better.

[ukkoperkele]

Just to share my own thoughts, I don't think that was the point. @fortunatelyginger

The article is not taking the male perspective into account since this time the writer is focused on girls. I doubt she was bringing up girls' and women's problems in her book about men's problems either, because that wasn't her focus. Not focusing on the male perspective in this article doesn't makes boys' and men's experiences with bullying from women any less real.

The article is showing one possible explanation why teenage girls are feeling unwell. These girls are telling about their experiences with harsh online and in-person bullying from these certain boys in their school. Not from men as a whole. It is also true that people who are struggling are more likely to take their anger and sadness out on others especially without proper support or knowledge about healthy coping mechanisms. Boys still often lack support.

Regular cruel comments and sexualization are undoubtedly a valid cause for someone to start feeling unwell. Teenagers are at an age where their identity and emotional regulation skills are still developing. Receiving this kind of treatment will usually take a bigger toll on teens than adults.

It's been a while since I was a teen, but I remember this kind of bullying from both girls and boys. Both also received it. Teens in general can be cruel as hell.

However, in my experience teenage boys were doing this kind of bullying more often, or at least they were generally more aggressive and open about it than girls. The worst bullies were usually from dysfunctional families. Girls also usually had, and most likely still have, more pressure than boys when it comes to looks, and that pressure is not only coming from boys. This is an indivual experience, but I wouldn't be surprised if this was still the case in some schools.

Andrew Tate has some good points when it comes to self-improvement, but he also has more harmful takes on human value and mental health. "This is why women should not vote, they're morons" comment after a (trans)woman was expressing stress over elections is not something I would like my own sons to hear or look up to. Someone like HealthyGamer, a Harvard trained psychiatrist focusing especially on boy's and men's mental health, would be a better choice.

Tate's followers from what I've seen are not usually the kindest to women, some of them being blatantly hateful online. When young impressionable boys who have no proper critical thinking skills or media literacy skills yet see this kind of content and comments, there is a risk they will absorb all the things they're fed, including hatred towards women, without a second thought. They don't have the maturity to pick the genuinely helpful tips and ignore the rest. This in turn can affect the way they treat girls and women in their close circle. I think this is what the article was trying to convey by mentioning Tate.

These bullies might not be the only or the main reason why girls are unwell, but it is certainly still a serious problem that parents and teachers should pay more attention to. Teenagers are old enough to understand right from wrong. Behavior like this needs to be corrected not only in boys, but in teens in general.

Social media is creating more apathetic and cruel kids. You can also see it from the way those boys reacted to a fellow boy trying to stand up for her. Basic human decendy shouldn't be ridiculed or seen as something negative.

Why are British teenage girls so unhappy? Here’s the answer (Caitlin Moran, The Times, Sep 13 2024)

"The report, by the Children’s Society, found that British 15-year-old girls are the most unhappy in Europe.

British girls aged 10-15 are “significantly less happy” with their life, appearance, family and school than the average boy — and their happiness is still declining.

Boys’ life satisfaction, meanwhile, remains broadly stable. (…)

But I still didn’t have an “aha!” moment about why this so disproportionately affects girls until… I talked to some teenage girls.

It was at a party, and I went to vape with them on the patio. Because I take my nicotine like children do.

“Duh — it’s the boys,” one said when I brought it up, as all the others agreed.

“The boys?” I asked.

My last book, What About Men?, had been all about how much boys struggle these days: their loneliness; their suicide rates. I’d spent the past year feeling very sympathetic towards boys.

“Yeah, well, who do you think they’re taking out their unhappiness on? It’s us,” another girl said.

“One boy at school used to draw a picture every day of how ugly I was,” a third girl said. “Every day for two years.”

“They’ve all got ‘Rate The Girls’ polls on their WhatsApps,” the first said. “They mark you down for weight gain, haircuts, what you say.”

“But then, if you’re hot, it’s just as bad, in a different way, because they’ll be talking about how they want to f*** you.”

The girls discussed coping techniques. Bad news: none of them worked.

“The only way you can stop them is if you become ‘one of the boys’ and hang out with them. But then,” the second girl said with a sigh, “all the other girls call you a slut. Because you’ve gone over to the boys’ side.”

“Surely it’s not all the boys?” I said. “There must be some nice boys?”

“Oh, yeah,” one girl said. “But they keep their heads down. Because… well, look.”

She showed me the Instagram account of her friend. Under every picture she posted of herself — smiling in a new dress; with her dog — dozens of anonymous accounts had replied with the most rank abuse.

“Fat.” “Slut.” “You gonna try and kill yourself again, for attention?”

“They’re all boys from her school,” she said. “And look, this one boy tried to defend her.”

I saw a series of messages from a brave teenage boy, posting things like, “You’re all big men, leaving these replies under anonymous accounts.”

As I could see, this boy immediately became a target too. Mainly accusations that he was “white knighting” this girl: “You wanna f*** her, bro?”

“So,” I asked, “you don’t think it’s social media pressure to be beautiful, or the economy, that’s making girls so sad?”

“Well, yeah, them too,” the first girl said. “But, Monday-Friday, 9-3, I’m not on social media. I’m not… in the economy. I’m just with these boys. And no one talks about how horrible they are.”

I thought about another recent report, showing a 30 per cent ideological gap between Gen Z men, who are increasingly conservative, and Gen Z women, who are increasingly progressive.

I thought about Andrew Tate, who has nine million mostly young male followers — and faces human trafficking charges, which he denies.

And I thought: maybe these girls are on to something. Maybe more people need to vape with teenage girls and ask them for the school gossip."

[nothorses]

shinigami eyes is inaccurate sometimes. that doesn't mean it's evil.

I've seen more people talking about the shinigami eyes extension lately, specifically because it seems like some "trans inclusive" radfems have been using it to incorrectly mark anyone who disagrees with their hateful rhetoric as "anti-trans".

the conclusion I see people drawing is that shinigami eyes is full of transandrophobic, exorsexist/enbyphobic, intersexist radfems using their moderation powers for evil.

that's now how this works!

shinigami eyes is crowdsourced. everyone who uses the extension can mark anyone and anything as "anti-trans" (red) or "trans-friendly" (green), or "clear" any current markings they might have.

that input is taken into account when determining how said blog/website/account/whatever shows up to everyone else using shinigami eyes, but you will see things marked the way you mark them immediately.

shinigami eyes claims to have some level of human validation involved when they determine public changes to how things are marked, but it's not clear what that looks like. looking through their (fairly inactive) github community page, I stumbled on this person asking about what to do if they've been incorrectly marked "anti-trans":

which confirms my understanding of how shinigami eyes tends to work.

basically, shinigami eyes isn't actually told why anyone marks anyone else as "safe" or "unsafe". even if/when there is "human validation", they're most likely just making their best guesses based on the information available to them: a cursory glance over the blog/account/website that was marked, and how other people have marked the same thing.

if someone's blog is incorrectly marked red, it's probably because one or more people completely unrelated to shinigami eyes moderation submitted that marking. if there was nothing near the top of that person's blog to indicate that person was vocally supportive of trans people (and not just trans themselves) if/when it was checked by a human, they likely just went with what seemed to be the safest bet.

which means if people are abusing this extension to mark folks as "anti-trans" when they're not, we can take action to fix that!

If someone is marked red/"anti-trans" when they shouldn't be, mark them "trans-friendly" yourself. then tell someone else who uses the extension to do the same. it'll update the public marking eventually.

if you are marked red/"anti-trans" when you shouldn't be, and you want to reverse that & prevent it from happening again, it might be a good idea to put something explicit in your bio- like "trans rights are human rights"- so it's front & center if and when a human at shinigami eyes checks a marking someone submitted.

there's another conversation to be had about how much people should be relying on shinigami eyes in the first place, but it's not evil. it doesn't hate you. it's not even exclusionary, historically speaking.

the one thing I will say is that there is definitely some very valid contention around this specific stance they currently hold:

I understand why they might want to avoid wading too deep into questions about what "counts" as a transphobic slur vs. what does not when it comes to intra-community issues, as a pretty public-facing tool for the trans community broadly speaking. but like, "theyfab" is a pretty explicitly exorsexist term, imo.

still, I think this should probably just be taken to their github issues board, where folks can have more of a conversation than the reviews page allows for. trying to pressure them into compliance isn't going to cut it, and our community deserves better than that anyway.

[gloomwitchwrites]

141 What If....

You ask him to leave the uniform on? 🥵🥵🥵🥵

I am feral over this. FERAL. Literally chewing on my own arm because I need to calm down. Your prompts always get me going. I totally blame you for this. Now, I went with a little variety here. We've got Kyle in formal military dress, John coming home from deployment, Johnny returning on break for a quickie, and Simon playing out a pre discussed fantasy. Enjoy!!!

For the masterlist and how to submit your own request, click HERE

Task Force 141 x Female Reader

Content & Warnings: established relationship, CNC, breeding, restraints, welcome home sex, quickies, formal events, semi-public sex, unprotected piv (wrap it up irl), sex in a car, dirty talk, brief knifeplay, light degradation

Word Count: 3.3k

ao3 // main masterlist // imagines & what if masterlist

John Price

John’s return is delayed.

He was supposed to come home to you a month ago. But it wasn’t him that notified you about his postponed reunion. Someone from SAS contacted you via the post. The envelope held a singular piece of paper. No apology. Just black ink on a white sheet with an official letterhead. John has always been good about making sure you know when he’ll return. It's something you constantly worry about.

While on a mission, you won't hear from him—this you know. But whenever he is able, John makes an effort to let you know when to expect him or if he's okay.

To not hear from him is odd, and it stirs up all sorts of emotions, pushing your brain toward any number of possibilities. Each scenario appears briefly before sliding into another. They worsen—and then you’re sick, stomach twisted into a tight knot.

That piece of paper is on the kitchen counter. Untouched—but not forgotten. It said yesterday. And yesterday, John did not return.

You’re chewing on your fingernails. Pacing. Stressing.

It's the familiar squeak of the doorknob from the front door that finally stalls your racing thoughts. All that mental energy becomes physical. You're sprinting, throwing yourself at John the moment he enters.

He chuckles—the sound is pleasant and soothing to your heart.

“Didn’t think you’d be home,” he says, drawing you close.

Your answer is to wrap your arms around the back of his neck, and seize a kiss from him that says so much. You need John to know how much you’ve missed him—how worried you’ve been.

His hands on your hips tighten, squeezing slightly as he melts under your kisses. Each one is desperate. Needy. You savor him like you’ll never know this again. John's grip on you is firm, and much stronger than you can resist. He draws you away from him—not enough to create a separation—but enough to talk.

“Slow down, love. Let me look at you.” His hands move to your face, cradling your cheeks. "I've missed you."

"I've missed you, too," you reply. You pull him close again. "Need you." Just a murmur, hardly audible, but John hears it.

He does not resist. He gives in, accepting your love, answering every kiss and touch with one of his own. Hands roam, fingers cling, and yet you're not nearly close enough. You need him on his back with you atop him.

John breaks away, breathing heavy, lips slightly puffy from kissing you. "Bedroom."

You shake your head. "Right here,” you reply, going in for another kiss. “Uniform stays on.”

The middle of John's brow scrunches slightly in confusion, but your fingers are already looping in his belt buckles, guiding him into the living room. That brief moment of confusion morphs into a sultry smirk.

John allows you to guide, allows you to push him onto his back on the sofa. His hands never leave your body, they roam constantly even as you undo the front of his pants and shimmy them down to mid-thigh.

You have him in hand instantly, coaxing him to hardness quickly. The need for him is a driving force, positioning yourself above him, ready to impale yourself.

John's hand slips between your legs, fingers finding your center. "Your—fuck." The sound of your slickness greets him and John groans.

Placing your hands on his chest, John palms the base of his cock, lining it up. You don't slowly ease down. You drop, accepting every inch of him in one go. There is a brief flare of pain from the rapid intrusion, and then it's gone, replaced with the fullness of him inside you.

With your palms splayed wide, you're able to rock your hips, moving up and down his length in a steady movement that has both of you groaning.

"I missed you," he murmurs as you come back down on him. "Fuck—I missed you."

Your thighs start to burn with every bounce. John's fingers dig into your hips, dragging downward before ascending again. With the next roll of your hips, John meets you, thrusting up. It cuts a sharp gasp from your lips.

He grips harder, taking control. You cling to the front of his uniform, fisting the fabric as John brings you down just as he thrusts upward. It is not sweet. It is brutal and desperate. Each connection drags more pleasure out of you until your head falls back and you clench around him.

With a deep groan, John sits up, and effortlessly flips you over onto your back. Pinned beneath him, there is nowhere to go. All you can do is take what he gives.

John buries his face against your neck. "Love you so much."

You hook your heels behind his legs, urging him on. "Love you," you manage to gasp.

It is all sweat and heat. John's lips graze the line of your throat and then your chin. You turn toward him, the two of you meeting as he holds his body against yours, his release flooding your pussy.

Kyle "Gaz" Garrick

Kyle drapes his arm over your shoulder, tugging you against him, the noise of the function receding with every step. Usually when the two of you attend a formal function together, Kyle is in a suit, but this attendance was requested by Kyle's superior officer, Captain John Price.

Instead of a suit, Kyle wears his formal military dress. The uniform is freshly steamed and free of wrinkles. His shoes are polished to perfection. Like this, he's incredibly handsome. You've been admiring him all night, resisting the urge to touch him too much around people he works with on a regular basis.

"Can't wait to take this bloody thing off," sighs Kyle, lightly tugging on the neckline of his uniform.

You rest your head against his shoulder, savoring his warmth. "I think you look rather dashing."

"Dashing?" he laughs.

As the two of you enter the parking garage, you snag his hat, placing it on your head. Kyle's smile widens. He leans in for a kiss, greedily accepting what you offer him. Removing the car keys from his pocket, Kyle hits the button to unlock the vehicle. The SUV beeps, headlights coming on.

Kyle takes his hat back, holding it with one hand instead of putting it back on his head. He offers his mouth again and you close the distance.

"Can't wait to get that dress off you, love," he murmurs against your lips. “Been thinking about it all evening.”

You place your hand against his chest. "I think I'd like it if you leave the uniform on."

Kyle nearly chokes. "What?" he draws back slightly.

With a mischievous grin, you tug Kyle around the side of the SUV. The vehicle is in a corner spot, leaving the two of you tucked between it and a cement wall. There is no camera and no light. Both of you are hidden in shadow.

No one will notice the two of you unless they come looking.

You lean in slowly, offering your mouth. Kyle places his hand on the side of your throat, thumb slowly rubbing against the front of your neck. The kiss is honey-sweet, and tinted with seductive need. You seek another, and yet another until the two of you are gasping for air.

"Not here," murmurs Kyle, drawing back slightly.

Your hand slides downward, pausing at his belt. Kyle whispers your name, but there is no fight in it. If anything, it is lustful. Fingers toying with the belt, you kiss him again, loosening the buckle and then the front of his pants.

Reaching your hand inside, you find him hard and wanting.

"Someone will see," he groans, grabbing your wrist.

"Who will see us?" you reply softly. Kyle's gaze shifts outward to the parking garage.

"No one is around." You start to descend, opening his pants further.

Kyle's attention returns to you. His pupils expand as you take him in hand, painting your bottom lip with a pearly bead of cum. You present your glossy mouth to him, and Kyle brushes the pad of his thumb across it.

You lightly nip at that thumb, and then take him into your mouth. Kyle stifles his groan, but it comes out as a muted whimper. He gently cups the back of your head as you suck him down, hollowing your cheeks when you come back up.

This is just a tease. You want his resolve to slip.

Kyle doesn't break eye contact. He is completely focused on watching you. His dick twitches in your mouth, and Kyle grunts.

"Fuck, love. Come here."

With gentle tenderness, Kyle grasps the back of your neck, easing you off him. You extended your legs, leaning into him.

His voice is slightly husky. "I can't wait until we're home."

Kyle opens the rear passenger door and helps you up into the seat. You slide backward to the other end, Kyle following. With a hand on your throat, he pushes you onto your back. These next kisses are rough and possessive. Hungry. Claiming. You open for him, wanting to consume.

His free hand is gripping your dress, shoving it upward where it collects at your hips. Your tongue meets his the moment his fingers slip between skin and underwear. It is brief, and then he's drawing back only to bury his face between your legs.

Digging your heels into Kyle's back to stabilize yourself, you give in, moaning loudly as his tongue swirls a path up and down your sex. He teases just like you teased him. But it is short-lived.

Kyle is desperate for you. He finds your clit and stays put, tongue working quickly to send you over the edge. Your body shudders, a breathy groan escaping you as the orgasm hits. Still on your back, Kyle ascends, one hand pressed to the inside of your thigh while the other finds leverage against the car door just above your head. You lift your hips slightly, presenting your pussy to him.

He takes the hint, thrusting deep.

He does not go slowly. It is skin slapping against skin. It is all low groans and desperate fingers. His body weight keeps you pinned, and if anyone were to open door they'd have a clear view of his bare ass.

"Don't stop," you beg. "Please."

Kyle's answer is to seize your mouth, to force his air into your lungs, to firmly press his body to yours and swivel his hips, pelvis grinding against clit. Your hands fall on his ass, and then he's transformed. An animal. Rutting.

Surely, the car is shaking, but you hardly care. You only want him to finish. To give you every drop of his release.

You feel his muscles tighten under your hands, and then your bodies are sealed.

There is a small pause between then and the moment he kisses you, this time tenderly.

"So much for waiting," you tease.

Kyle’s exhalation is a pleased one. "Just wait until we get home."

John "Soap" MacTavish

"What are you doing here? Shouldn't you be at work?"

Johnny's smile is devilish. "Came to see you."

"Me?" you laugh. "You just saw me this morning."

"And it wasn't nearly enough," coos Johnny, grabbing hip and waist, tugging you against him. "Missed you the whole time. Couldn't stay away."

Before you can form a reply, Johnny is lifting you up and onto the kitchen counter. He pushes everything up and out of the way, revealing your pussy to him.

"Johnny!" you exclaim.

With one hand on your thigh, Johnny uses his other hand to remove his belt and undo the front of his pants.

"I came home to fuck my wife." You instantly feel your cheeks grow hot. With a sultry smile, Johnny leans in but doesn't close the distance. "Would you like that?"

You nod. "Yes," you reply, voice nearly a whisper. "But—"

"But what?" he asks. You gesture at him. "The uniform? That stays on, love."

Guiding you wider, Johnny circles your clit with the pad of his thumb. The touch is electric, making you shiver as he toys with your sensitivity.

"Look at that," he purrs. "Look how wet and ready you are for me."

You whimper as Johnny tests your pussy with a finger.

"I think this deserves something bigger. What do you think, love?" He inserts a second and you whimper again. "Use your words."

"I want you inside me."

"I am inside you," he teases, pumping both fingers.

You shake your head, gasping as his thumb toys with your clit. "Your dick, Johnny."

"That I can do." His fingers are gone instantly, replaced with the head of his cock. He holds himself just inside, inching slowly until you've taken him to the base. "We'll have to make this quick. Can't be late and disappoint Price."

Johnny lightly swivels his hips, and then he's holding you in place, thrusting steadily. He kisses your lips, then your cheek. Resting his forehead against your temple, Johnny boxes you in, using your pussy for himself.

"You take me so well," he says softly. "Watch. Want you to watch."

Your gaze shifts downward, locking on to where your bodies meet. Keeping one hand on the countertop to stabilize yourself, you bring the other between your legs, fingers lightly playing with your clit.

"That's it," purrs Johnny. "Come for me."

A brief swirl and you're gone, squeezing hard around Johnny. He fucks you through it, grunting as he increases his pace. With a moan that claws up his throat, Johnny seals your bodies together, and his warmth floods your pussy. He thrusts lightly and stills.

A beat of silence, and then you both burst out into laughter.

"Fucking hell," he mutters, shaking his head.

"You came all this way on a break just to have sex with me?" you laugh.

Johnny leans back, grinning sheepishly. He glances down at his watch, smile fading. "Shit."

He pulls out and steps back, fumbling with his pants.

"Are you going to be late?" you ask teasingly.

Johnny tightens his belt and then helps you off the counter. With a quick kiss to the cheek, he heads out the door.

Simon "Ghost" Riley

Every light in the house is off. The blinds are closed and it's completely dark except in one particular room.

The deep red glow calls out to you like a siren song. You stride toward it, moving through the hall silently like a shadow. The bedroom door stands open, revealing the blood-tinged space. From your point of view, nothing is out of place. All is calm and as it should be.

But Simon is here somewhere. Lurking. Watching.

This is what you wanted after all. An idea you passed off to Simon with the hope that he'd indulge your fantasy. Clearly, he took it to heart.

Adrenaline spikes in your blood as your gaze focuses on the bed. Attached to each corner are wrist and ankle cuffs. To be immobile and bred at Simon's pleasure is all you asked for, and here it is.

As you step forward, a large gloved hand slides over the front of your throat, squeezing. Simon is right behind you, and you feel every inch of him. Without even having to look, you know Simon is in full tactical gear. Parts of it dig into your back.

The leather of his gloves squeak as his fingers adjust against your throat. With a little pressure, he tilts your head back and you meet his whiskey-brown eyes. It's all you can see of his face. The rest is shrouded behind a balaclava.

"Do as I say," he growls. "Or you'll make this harder on yourself."

His command sends a bolt of need straight to your clit. Already, you feel a growing slickness between your thighs.

"Answer me if you understand."

"I understand," you murmur.

Simon makes a pleased sound deep in his throat. His thumb rubs a gentle line back and forth over the same spot.

His head tilts, lips pressing against your ear through the balaclava. "Then be a good little slut and get on your back."

Using his leverage on your throat, Simon lightly shoves you toward the bed. This time you turn around, facing him completely for the first time. He's dressed in all black tactical gear. Every inch of him is covered except his eyes, and his large frame fills the doorway.

When you take a step back, he takes a step forward. The backs of your thighs hit the bed, and you push yourself up and on, reclining until you're nearly horizontal. Simon saunters, gaze predatory and observing. His gloved hands hover just above your legs, pausing there before he bends slightly, reaching for an ankle cuff.

Simon glances between it and you languidly. You're not sure what his intentions are, not until he grabs your ankle with his other hand and tugs hard. You yelp, surprised, and then you kick out, attempting but failing to free yourself as Simon attaches the cuff into place.

"You said you understood," he growls, as you sit up to swing on him.

Simon snatches your wrist right out of the air. He hops onto the bed, kneeling as he grabs one of the cuffs for your wrists. Still, you fight and still you fail as he latches it in place.

You're not immobile but you're more restrained than before, movement restricted enough that you can't fight back like you want to. Not that you want to escape.

With a fluidity that surprises, Simon removes a knife from his boot and hooks it under the hem of your shirt. A sharp tug and the fabric surrenders to the blade. Simon tears it further, removing the garment completely.

As you use your one free arm to lash out, Simon is already prepared, blocking the blow and forcing it back to the bed. He attaches the cuff and returns the knife to your clothes, splitting your pants and tossing the remains aside.

You're on your back, completely naked and cuffed to the bed.

Simon's hand wraps around your throat, the knife tip dangerously close to your face. "I was going to worship your pretty pussy," he murmurs. "But I think I'll just take what I want."

It's all a game—a scene. You want Simon to use you, to fuck you ceaselessly, to do whatever the fuck he wants because he can.

Simon flips the knife and imbeds it into the bed above your head. Slowly, he removes his belt, tossing it aside. When he opens the front of his pants and eases them down a fraction, you nearly groan at the sight of his hardness. Simon palms the base of his cock.

"I won't be gentle," he says, gloved fingers pressing against your pussy.

He rubs back and forth, easing a little more from your body before grabbing your hips and slamming home. There is a brief flare of pain from the intrusion and then nothing at all except excitement.

"Your body is mine," he growls as he fucks you. "And for the next twenty-four hours, I'm going to breed this pussy until I'm satisfied."

You are unable to move, unable to do much but take it. Simon is situated between your spread legs, and you have a clear view of his cock sliding in and out of you. If you want an orgasm, Simon will have to grant it. Begging for it won't get you anywhere. You need to be good, and then he'll reward you.

Simon grunts as he thrusts, pace increasing as he nears his end. Watching him is lovely. His groan is lust-drenched, his orgasm sending a little shudder through him that you feel in your core.

Simon's gaze shifts to between your legs where he slowly pulls out. "What a fucking sweet sight," he murmurs, more to himself than to you.

His cum pools at your entrance, threatening to drip out. Soon you'll be overly full, a mess between your legs and on the bed.

Already Simon is stroking himself back to hardness. "Think that cunt of yours needs a bit more.

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[badnewswhatsleft]

rock sound #312 (nov 2024)

transcript below cut:

ROCK SOUND 25 ICON

FALL OUT BOY

A BAND THAT CAPTURED THE HEARTS, MINDS AND HEADPHONES OF A GENERATION OF KIDS WORLDWIDE, FALL OUT BOY UNDOUBTEDLY CHANGED THE LANDSCAPE OF THE ALTERNATIVE SCENE FOREVER, NEVER AFRAID TO EXPERIMENT, TAKE CHANCES AND MAKE BOLD CHOICES AS THEY PUSHED FORWARD. FOLLOWING A SUMMER SPENT EXPLORING THE 'DAYS OF FALL OUT PAST', PATRICK STUMP AND PETE  WENTZ REFLECT ON THEIR PATH FROM POP PUNK, HARDCORE MISFITS TO ALL-CONQUERING, STADIUM-FILLING SONGWRITERS AS THEY ACCEPT THEIR ROCK SOUND 25 ICON AWARD.

WORDS JAMES WILSON-TAYLOR

PHOTOS ELLIOTT INGHAM

Let's begin with your most recent performance which was at When We Were Young festival in Las Vegas. It was such a special weekend, how are you reflecting on that moment?

PATRICK: It's wild, because the band, I think, is going on 23 years now, which really came as a surprise to me. I know it's this thing that old people always say, 'Man, it really goes by so fast', but then it happens to you and you're just taken aback. There were so many times throughout the weekend, every 10 minutes, where I'd turn around and see somebody and be like, 'Holy shit, I haven't seen you in 18 years', or something crazy like that. It was hard not to have a good time. When I was going up to perform with Motion City Soundtrack, which was an exciting thing in itself, I turn around and Bayside is there. And I haven't seen Bayside since we toured with them. God, I don't remember when that was, you know? So there was so much of that. You couldn't help but have a good time.

PETE: I mean, that's an insane festival, right? When they announce it, it looks fake every time. The lineup looks like some kid drew it on their folder at school. For our band, the thing that's a little weird, I think, is that by deciding to change between every album, and then we had the three year break which caused another big time jump, I think that it would be hard for us to focus on one album for that show. We're a band where our fans will debate the best record. So it was amazing that we were able to look backwards and try to build this show that would go through all the eras - nod to Taylor obviously on that one. But it's also an insane idea to take a show that should really be put on for one weekend in a theatre and then try to take it around the world at festivals. The whole time on stage for this particular show production, I'm just like 'Is this thing going to go on time?' Because if the whole thing is working totally flawlessly, it just barely works, you know what I mean? So I give a lot of credit to our crew for doing that, because it's not really a rock show. I know we play rock music and it's a rock festival, but the show itself is not really a rock production, and our crew does a very good job of bending that to fit within the medium.

That show allows you to nod to the past but without falling fully into nostalgia. You are still pushing the band into newer places within it.

PATRICK: That's always been a central thing. We're a weird band, because a lot of bands I know went through a period of rejecting their past, and frankly, I encounter this thing a lot, where people have expected that we stopped interacting with older material. But we always maintained a connection with a lot of the older music. We still close with 'Saturday'. So for us, it was never about letting go of the past. It was about bringing that along with you wherever you go. I'm still the same weird little guy that likes too much music to really pin down. It's just that I've carried that with me through all the different things that I've done and that the band has done. So for us, in terms of going forward and playing new stuff, that's always the thing that's important to me; that there should be new stuff to propel it. I never wanted to be an artist that just gave up on new music and went out and played the hits and collected the check and moved on. It's all got to be creative. That's why I do it. I want to make new music. That's always why I do it. So something like When We Were Young is kind of odd really. It's an odd fit for that, because it's nostalgic, which is not really my vibe all that much. But I found a lot of nostalgia in it. I found a lot of value in looking back and going 'Wow, this was really cool. It was amazing that we did this, that we all did this'. That scene of bands, we're all old now, but it has taken off into such a moment culturally that people can point to.

Let's jump all the way back to the first ever Fall Out Boy show. There is very little evidence of it available online but what are your memories of that performance?

PATRICK: So the very first Fall Out Boy show was at DePaul University in a fancy looking dining hall. I actually applied to DePaul, but I never went there because the band went on tour. I think there were only two or three other bands. One was a band called Stillwell, who were kind of a math rock emo band, and then this heavier, more metallic band. And then we were there, and we had a guitar player, John Flamandan, who I have not seen since that show. He was only in the band for a week or two, and we were still figuring ourselves out. We had three songs and I had never sung before in front of people. I did a talent show at school one time when I was a kid and theatre kind of stuff where you would sing, but it was more in that context. And I was also a kid too. This was the first time ever that I'm the singer for a band and I was fucking terrified. We had a drummer named Ben Rose, really great guy. I haven't seen Ben in a million years, either, but we were still figuring ourselves out. The other thing is that all of us, with me being the exception, were in other bands, and all of our other bands were better than Fall Out Boy was. We were very sloppy and didn't know what we were doing, and so I don't think any of us really took it seriously. But there was a thing that was really funny about it, where even though we kind of thought we sucked, and even though we weren't really focusing on it, we had a lot of fun with each other. We enjoyed trying this other thing, because we were hardcore kids, and we were not the pop punk kids and the pop punk bands in town, that was like 'the thing', and we were not really welcome in that. There was a fun in trying to figure out how to make melodic and pop music when we really didn't have any history with that. It was very obvious that we didn't know what we were doing at the beginning.

So when did it begin to feel like things were finally clicking? When did you find your roles and what you wanted the band to be? 

PETE: In regards to the music, I liked Fall Out boy, way before I probably should have. I remember playing the early demos and it giving me a feeling that I hadn't felt with any of the other bands that I had been in. Now, looking back on it, I might have been a tad early on that. Then as far as the roles, I think that they've been carving themselves out over time. We've always allowed ourselves to gravitate to our strengths. Between me and Patrick, we'd probably make one great, atypical rock artist if we were one person. Because our strengths are things that the other doesn't love as much. But I think that what has happened more is it's less of a fight now and there's more trust. We have a trust with each other. There's things that Patrick will play for me or explain to me, and I don't even really need him to explain it, because I trust him. I may not totally understand it, but I trust him as an artist. On the other side of that, it's also very nice to have someone who can veto your idea, you know what I mean? It's nice to have those kind of checks and balances.

PATRICK: I had been in this band called Patterson, and all three of the other guys sang in kind of a gravelly, Hot Water Music vibe. I was not intending to be a singer, but I would try and sing backups and, it wasn't a criticism, but there was this vibe that, while I could do the gravelly thing, my voice was coming through and it didn't fit. It was too pretty and that became a thing I was kind of embarrassed of. So when Fall Out Boy started, I was actively trying to disguise that and mute it and hide behind affectation. Pete would really push me to stretch my vowels because that was in vogue in pop punk at the time. There were all these different ways that we were trying to suppress me, musically, because we were just trying to figure out how to do the things that the bands we liked did. But that wasn't really us, you know? It's really funny, because 'Take This To Your Grave' was recorded in three sections, about six months apart. Over the course of that time, I can hear us figuring it out. I think a really defining moment for me was 'Saturday', because I am not brave, I am not a bold person, and I do not put myself out there. When I was showing the band 'Saturday', we were jamming on the bit after the second chorus, and I was mumbling around, just mucking my way through it, and I did the falsetto thing. I didn't think anyone could hear me over us bashing around in Joe's parents house in this tiny little room. But Pete stopped, and he goes, 'Do that again'. I was so terrified of doing that in front of these guys, because you gotta remember, I was incredibly shy, but also a drummer. I'd never sung in front of anyone before, and now I'm singing in a band and I'm certainly not going to take chances. So I thought the falsetto thing was really not going to happen, but when I did it, there was this really funny thing. Somehow that song clicked, and it opened up this door for us where we do something different than everybody else. We were aiming to be a pop punk or hardcore band, but we found this thing that felt more natural to me.

As you embarked on Warped Tour, simultaneously you were finding this huge level of pop and mainstream success. How was it navigating and finding your way through those two very different spaces?

PATRICK: I used to work at a used record store and what shows up is all the records after their success. So I got really acquainted and really comfortable with and prepared for the idea of musical failure. I just wanted to do it because I enjoyed doing it. But in terms of planning one's life, I was certain that I would, at most, get to put out a record and then have to go to school when it didn't work out. My parents were very cautious. I said to them after 'Take This To Your Grave' came out that I'm gonna see where this goes, because I didn't expect to be on a label and get to tour. I'm gonna give it a semester, and then it will almost certainly fail, and then after it fails, I'll go to school. And then it didn't fail. Warped Tour was very crazy too, I was talking about this at When We Were Young with My Chem. Both of us were these little shit bands that no one cared about when we booked the tour. Then we got to the tour, and all these people were showing up for us, way more than we expected, way more than Warped Tour expected. So Warped Tour was putting both of us on these little side stages, and the stages would collapse because people were so excited. It was this moment that came out of nowhere all of a sudden. Then we go to Island Records, and I had another conversation with my parents, because every band that I had known up to that point, even the biggest bands in town, they would have their big indie record and then they would go to the major label and drop off the face of the planet forever. So I was certain that was going to happen. I told them again, I'm going to put out this record, and then I'll go to school when this fails. 

PETE: I think that if you really wanted someone to feel like an alien, you would put them on TRL while they were on Warped Tour. You know what I mean? Because it is just bananas. On our bus, the air conditioning didn't work, so we were basically blowing out heat in the summer, but we were just so happy to be on a bus and so happy to be playing shows. You go from that to, two days later, stepping off the bus to brush your teeth and there's a line of people wanting to watch you brush your teeth. In some ways, it was super cool that it was happening with My Chemical Romance too because it didn't feel as random, right? It feels more meant to be. It feels like something is happening. To be on Warped Tour at that time - and if you weren't there, it would be probably hard to imagine, because it's like if Cirque Du Soleil had none of the acrobatics and ran on Monster energy drink. It was a traveling circus, but for it to reach critical mass while we were there, in some ways, was great, because you're not just sitting at home. In between touring, I would come home and I'd be sitting in my bedroom at my parents house. I would think about mortality and the edge of the whole thing and all these existential thoughts you feel when you're by yourself. But on Warped Tour, you go to the signing, you play laser tag, you go to the radio station. So in some ways, it's like you're in this little boot camp, and you don't really even think about anything too much. I guess it was a little bit of a blur.

Pete, when you introduced 'Bang The Doldrums' at When We Were Young, you encouraged the crowd to 'keep making weird shit'. That could almost be a mantra for the band as a whole. Your weirder moments are the ones that made you. Even a song like 'Dance Dance' has a rhythm section you never would have expected to hear on a rock track at that time.

PETE: You know, I just watched 'Joker 2' and I loved it. I do understand why people wouldn't because it subverts the whole thing. It subverts everything about the first one. That's something I've always really loved, when I watch artists who could keep making the same thing, and instead they make something that's challenging to them or challenging to their audience. Sometimes you miss, sometimes you do a big thing and you miss, and we've definitely done that. But I gotta say, all the things that I've really loved about art and music, and that has enriched my life, is when people take chances. You don't get the invention of anything new without that. To not make weird stuff would feel odd, and I personally would much rather lose and miss doing our own thing. To play it safe and cut yourself off around the edges and sand it down and then miss also, those are the worst misses, because you didn't even go big as yourself. This is where we connect with each other, we connect by our flaws and the little weird neuroses that we have. I rarely look at something and go 'Wow, that safe little idea really moved me'. I guess it happens, but I think about this with something like 'Joker 2' where this director was given the keys and you can just do anything. I think a lot of times somebody would just make an expected follow up but some people turn right when they're supposed to turn left. That's always been interesting on an artistic level, but at the same time, I think you're more likely to miss big when you do that.

PATRICK: Going into 'From Under The Cork Tree', I had this sense that this is my only shot. It has already outperformed what I expected. I don't want to be locked into doing the same thing forever, because I know me. I know I'm not Mr. Pop Punk, that's just one of many things I like. So I would be so bummed if for the rest of my life, I had to impersonate myself from when I was 17 and have to live in that forever. So I consciously wanted to put a lot of weird stuff on that record because I thought it was probably my only moment. 'Sugar, We're Goin Down' was a fairly straight ahead pop punk song but even that was weird for us, because it was slow. I remember being really scared about how slow it was, because it's almost mosh tempo for the whole song, which was not anything we had done up to that point. But in every direction, in every song, I was actively trying to push the boundaries as much as I could. 'Dance, Dance' was one of those ones where I was seeing what I can get away with, because I might never get this chance again. We were on tour with a friend's band, and I remember playing the record for them. I remember specifically playing 'Our Lawyer…' that opens the record, which has that 6/8 time feel, and they kind of look at me, like 'What?'. Then I played 'Dance, Dance', and they're like, 'Hey man, you know, whatever works for you. It's been nice knowing you'. But I just knew that, on the off chance that I ended up still being a musician in my 40s, I wanted to still love the music that we made. I didn't want to ever resent it. It's ironic because people say that bands sell out when they don't make the same thing over and over again. But wait a second. Say that again. Think about that.

That attitude seemed to carry directly into 'Infinity On High'. If you may never end up doing this again then let's make sure we bring in the orchestra while we still can... 

PATRICK: That was literally something that I did say to myself this might be the last time, the likelihood is we're going to fail because that's what happens, so this might be the last time that I ever get a chance to have somebody pay for an orchestra and a choir. I always think of The Who when they did 'A Quick One, While He's Away' and there's a part where they go 'cello, cello', because they couldn't afford real cellos, they couldn't afford players. That's what I thought would happen for me in life. So I went in and thought, let's do it all. Let's throw everything at the wall, because there's no chance that it's going to happen again. So many things came together on that record, but I didn't expect it. 'Arms Race' was a very weird song, and I was shocked when management went along with it and had kind of decided that would be the single. I was in disbelief. It did not feel like a single but it worked for us. It was a pretty big song and then 'Thnks Fr Th Mmrs' was easily the big hit off that record. So then we have two hit songs off of an album that I didn't even know would come out at that point. But again, it was very much just about taking the risks and seeing what the hell happened.

As you went on hiatus for a few years, you worked on a number of other creative projects. How did those end up influencing your approach to the band when you returned?

PETE: On the areas of the band where I led, I wanted to be a better leader. When you're younger and you're fighting for your ideas, I don't think that I was the greatest listener. I just wanted to be a better cog in the machine. When you're in a band originally, no one gives you the little band handbook and says 'these are the things you should do', you know? I just wanted to be a better version of who I was in the band. 

PATRICK: There's a combination of things. 'Soul Punk' is a weird record. I love that record but I kind of resent that record for so many things. It's my solo record, but it's also not very me in a lot of ways. I had started with a very odd little art rock record, and then I had some personal tragedies happen. My EP that I put out far out sold expectations so then all of a sudden, Island Records goes, 'Oh, we think this could actually be something we want singles for'. I think we had all expected that I would be putting out a smaller indie record but then all of a sudden they were like 'oh, you could be a pop star'. So then I have to retrofit this art rock record into pop star hit music, and also channel personal tragedy through it. I hadn't ever really been a front man - I'd been a singer, but I hadn't really been a front man, and I hadn't really written lyrics, certainly not introspective, personal lyrics. So that whole record is so strange and muted to me. So I went from that album, which also failed so fucking hard - I should have gone to school after that one. But Pete had reached out to me just as a friend, and said 'I know you're in your own thing right now, and I know that you're not the kind of person that is going to be in my fantasy football league, so I'm not going to see you unless we make music. But you're my buddy, and that kind of bums me out that I don't see you at all, so I guess we have to make music'. I thought that was a fairly convincing pitch. It's true, that was what we do when we hang out - we make music. So we reconvene, and going into it, I had all these lessons that really made me understand Pete better, because Pete is the natural front end person. So many of our arguments and frustrations and the things that we didn't see eye to eye on, I grew to understand having now been in the position of the point man that had to make all the decisions for my solo thing. It really flipped my understanding of why he said the things he would say, or why he did things he would do. I remember early on thinking he was so pushy, but then, in retrospect, you realise he was doing it for a reason. There's so many little things that really changed for me doing 'Soul Punk' that were not musical but were more about how you run a band and how you run a business, that made me understand and respect him a lot more.

What are memories of that initial return and, specifically, that tiny first show back at the Metro venue in Chicago?

PETE: Those first shows were definitely magical because I really wasn't sure that we would be on a stage again together. I don't have as many memories of some of our other first things. We were just talking about Warped Tour, I don't have many memories of those because it is almost wasted on you when it's a blur and there's so many things happening. But with this, I really wanted to not take it for granted and wanted to take in all the moments and have snapshots in our own heads of that show. I did a lot of other art during the time when we were off, everybody did, but there's a magic between the four of us and it was nice to know that it was real. When we got on that stage again at the Metro for the first time, there was something that's just a little different. I can't really put my finger on it, but it makes that art that we were making separately different than all the other stuff.

Musically, as you moved forward, everything sounded much bigger, almost ready for arenas and stadiums. Was that a conscious decision on your part?

PETE: Patrick felt like he was bursting with these ideas. It felt like these had been lying in wait, and they were big, and they were out there, and whether he'd saved them for those records, I don't really know. That's what it felt like to me. With 'Save Rock And Roll', we knew we had basically one shot. There were really three options; you'll have this other period in your career, no one will care or this will be the torch that burns the whole thing down. So we wanted to have it be at least on our terms. Then I think with 'American Beauty...' it was slightly different, because we made that record as fast as we could. We were in a pop sphere. Is there a way for a band to be competitive with DJs and rappers in terms of response time? Are we able to be on the scene and have it happen as quickly? I think it kind of made us insane a little bit. With 'American Beauty…', we really realised that we were not going to walk that same path in pop culture and that we would need to 'Trojan horse' our way into the conversation in some way. So we thought these songs could be played in stadiums, that these songs could be end titles. What are other avenues? Because radio didn't want this right now, so what are other avenues to make it to that conversation? Maybe this is just in my head but I thought 'Uma Thurman' could be a sister song to 'Dance, Dance' or maybe even 'Arms Race' where it is weird but it has pop elements to it.

PATRICK: I had a feeling on 'Save Rock And Roll' that it was kind of disjointed. It was a lot of good songs, but they were all over the place. So when we went into 'American Beauty…', I really wanted to make something cohesive. I do think that record is very coherent and very succinct - you either like it or you don't, and that's pretty much it all the way through. By the time we got to 'MANIA', I had done all this production and I'd started to get into scoring. The band had done so many things and taken so many weird chances that I just felt free to do whatever. At that point, no one's going to disown me if I try something really strange so let's see what happens. 'Young And Menace' was a big part of that experiment. People hate that song, and that's okay. It was meant to be challenging, it's obviously not supposed to be a pop song. It's an abrasive song, it should not have been a single. However, I do think that record should have been more like that. Towards the end of the production, there was this scramble of like, 'Oh, fuck, we have no pop music on this and we need to have singles' and things like that. That took over that record and became the last minute push. I think the last half of that record was recorded in the span of two weeks towards the end of the recording to try and pad it with more pop related songs. I look at that record and think it should have all been 'Young And Menace'. That should have been our 'Kid A' or something. It should have really challenged people.

But we have spoken before about how 'Folie à Deux' found its audience much later. It does feel like something similar is already beginning to happen with 'MANIA'...

PETE: I agree with you, and I think that's a great question, because I always thought like that. There's things that you're not there for, but you wish you were there. I always thought about it when we put out 'MANIA', because I don't know if it's for everyone, but this is your moment where you could change the course of history, you know, this could be your next 'Folie à Deux', which is bizarre because they're completely different records. But it also seems, and I think I have this with films and bands and stuff as well, that while one thing ascends, you see people grab onto the thing that other people wouldn't know, right? It's like me talking about 'Joker 2' - why not talk about the first one? That's the one that everybody likes. Maybe it's contrarian, I don't really know. I just purely like it. I'm sure that's what people say about 'Folie à Deux' and 'MANIA' as well. But there's something in the ascent where people begin to diverge, you are able to separate them and go 'Well, maybe this one's just for me and people like me. I like these other ones that other people talk about, but this one speaks to me'. I think over time, as they separate, the more people are able to say that. And then I can say this, because Patrick does music, I think that sometimes he's early on ideas, and time catches up with it a little bit as well. The ideas, and the guest on the record, they all make a little bit more sense as time goes on.

'MANIA' is almost the first of your albums designed for the streaming era. Everything is so different so people could almost pick and choose their own playlist.

PETE: Of course, you can curate it yourself. That's a great point. I think that the other point that you just made me think of is this was the first time where we realised, well, there's not really gatekeepers. The song will raise its hand, just like exactly what you're saying. So we should have probably just had 'The Last Of The Real Ones' be an early single, because that song was the one that people reacted to. But I think that there was still the old way of thinking in terms of picking the song that we think has the best chance, or whatever. But since then, we've just allowed the songs to dictate what path they take. I think that that's brilliant. If I'd had a chance to do that, curate my own record and pick the Metallica songs or whatever,that would be fantastic. So it was truly a learning experience in the way you release art to me.

PATRICK: After 'MANIA', I realised Fall Out Boy can't be the place for me to try everything. It's just not. We've been around for too long. We've been doing things for too long. It can't be my place to throw everything at the wall. There's too much that I've learned from scoring and from production now to put it all into it. So the scoring thing really became even more necessary. I needed it, emotionally. I needed a place to do everything, to have tubas and learn how to write jazz and how to write for the first trumpet. So then going into 'So Much (For) Stardust', it had the effect of making me more excited about rock music again, because I didn't feel the weight of all of this musical experimentation so I could just enjoy writing a rock song. It's funny, because I think it really grew into that towards the end of writing the record. I'd bet you, if we waited another month, it would probably be all more rock, because I had a rediscovered interest in it.

It's interesting you talk about the enjoyment of rock music again because that joy comes through on 'So Much (For) Stardust' in a major way, particularly on something like the title track. When the four of you all hit those closing harmonies together, especially live, that's a moment where everything feels fully cohesive and together and you can really enjoy yourselves. There's still experimental moments on the album but you guys are in a very confident and comfortable space right now and it definitely shows in the music. 

PATRICK: Yeah, I think that's a great point. When you talk about experimentation too and comfort, that's really the thing isn't it? This is always a thing that bugged me, because I never liked to jam when I was a kid. I really wanted to learn the part, memorise it and play it. Miles Davis was a side man for 20 years before he started doing his thing. You need to learn the shit out of your music theory and your instrument - you need to learn all the rules before you break them. I always had that mindset. But at this point, we as a band have worked with each other so much that now we can fuck around musically in ways that we didn't used to be able to and it's really exciting. There's just so much I notice now. There are ways that we all play that are really hard to describe. I think if you were to pull any one of the four of us out of it, I would really miss it. I would really miss that. It is this kind of alchemy of the way everyone works together. It's confidence, it's also comfort. It's like there's a home to it that I feel works so well. It's how I'm able to sing the way I sing, or it's how Andy's able to play the way he plays. There's something to it. We unlock stuff for each other.

Before we close, we must mention the other big live moment you had this year. You had played at Download Festival before but taking the headline slot, especially given the history of Donington, must have felt extra special. 

PETE: It felt insane. We always have a little bit of nerves about Download, wondering are we heavy enough? To the credit of the fans and the other bands playing, we have always felt so welcomed when we're there. There's very few times where you can look back on a time when... so, if I was a professional baseball player, and I'm throwing a ball against the wall in my parents garage as a kid, I could draw a direct link from the feeling of wanting to do that. I remember watching Metallica videos at Donington and thinking 'I want to be in Metallica at Donington'. That's not exactly how it turned out, but in some ways there is that direct link. On just a personal level, my family came over and got to see the festival. They were wearing the boots and we were in the mud. All this stuff that I would describe to them sounds insane when you tell your family in America - 'It's raining, but people love it'. For them to get to experience that was super special for me as well. We played the biggest production we've ever had and to get to do that there, the whole thing really made my summer.

PATRICK: There's not really words for it. It feels so improbable and so unlikely. Something hit me this last year, this last tour, where I would get out on stage and I'd be like, 'Wait, fucking seriously? People still want to see us and want to hear us?' It feels so strange and surreal. I go home and I'm just some schlubby Dad and I have to take out the compost and I have to remember to run the dishwasher. I live this not very exciting life, and then I get out there at Download and it's all these people. Because I'm naturally kind of shy, for years, I would look down when I played because I was so stressed about what was happening. Confidence and all these have given me a different posture so when I go out there, I can really see it, and it really hits you. Download, like you said, we've done before, but there's something very different about where I am now as a person. So I can really be there. And when you walk out on that stage, it is astounding. It forces you to play better and work harder, because these people waited for us. The show is the audience and your interaction with it. In the same way that the band has this alchemy to it, we can't play a show like that without that audience.

[thatonebirdwrites]

Gosh, I can relate to this.

I think about what fandom is a lot since I sort of lurk in a lot of spaces (until I feel brave enough to speak or share).

First off, the point of this addition isn't to guilt trip anyone, but to get people thinking about what community means. What inclusion means, and what engagement means. And how those are interconnected.

One of the crucial pillars of fandom, and the reason fandom exists at all is because of community.

Writing fanfiction and sharing it for free is about building community with one another. It's people who loved a show/movie/book enough that they wanted to play in the world longer, so they play together in that world with other people who love it too. That's what fanworks are -- it's people playing together in community because of a love toward a specific series/media.

But community requires communication. It requires building connections. It requries engaging one another.

I write long fics. In fact, adding up the word counts of my fics in AO3? It's well over a million words in two different fandoms. These are free novels written because the community had been welcoming at first and it had encouraged me to keep going.

But I made a mistake. Two of these projects (in two separate fandoms) I made into a series. Because of how each part in a series means the sequel gets less engagement, it feels like I'm watching a community dissolve, and that's painful. I don't get paid for this. It's all free, and part of the reason I went to fanfic writing was because of community.

Lack of engagement gives, often unintentionally, the author the message that they aren't really part of the fandom's community. At least not anymore (if they ever were).

Some say, "Well, don't write for your readers!"

Well, no, I don't write for my readers, but the act of sharing for free is me giving to the community and building up community.

But part of building up community requires people to give back in turn. Oherwise the community will fracture and fall apart.

The reason fandom exists at all is because of community.

It's the community part of fandom that has helped me to heal enough to write again, but when that community dries up or no longer engages with me, then what am I to do? I've lost that community, and if I continue to engage with it and get very little (if not nothing) in return, then at that point, I'm throwing my energy into a void in hopes for a scrap of community.

It ceases to fulfill the need. It leaves me feeling lost and alone. And finding out later how much people loved a fic I wrote but that fic received very little engagement? It tells me that I'm not loved as a person within the community.

I have watched and listen to people talk about how much it hurts when the work they put in so much effort in for the community gets little to no engagement. It often pushes them to engage less, to stop writing, and watching that happen? It hurts to see.

Community requires communication. Do not treat an fanfic author like a kiosk, where you grab the story and run. Treat them like they are part of your community. By doing so, by including them, you bolster their sense of belonging and are more likely to get stories in return.

Community needs to be reciprocal. And I fear fandoms are losing that understanding of what community is. They expect and sometimes demand more, but what are they doing to support that fanfic writer or artist? Are they engaging them and uplifting them within the community? Or are they not engaging them?

If you read an author's work and love it, include them in that community by sharing your thoughts in a comment. You don't necessarily have to comment on every chapter of a longer work (Though it is so lovely some do), but to at least offer up comments here and there to be inclusive of that author.

Engagement bolsters the community bond.

The lack of engagement breaks the community bond.

And that's a sort of grief. Us writers came for community and to share our love of the fandom with others. When we fail to be included in that community, it will hurt. It's a type of rejection that people may not even realize they are doing.

Community requires communication, and for fandoms, part of that communication is comments, kudos, (and gosh, even tumblr asks).

I hope that helps give people another perspective to consider.

Think it over. Think about what you'd like to give back to the creators in your community.

And please understand, if you can only give back one or so comments? That's okay and valid, and that too builds up community.

Even little actions matter.

Never think your small action doesn't matter or that your comment or kudos doesn't matter. It does. It helps build community too.

Thanks for reading. Be safe.

A writer friend told me something that broke my heart a little bit today; they're going to quit publishing their fanfic.

My instant thought was that they had been trolled or attacked or that something terrible had happened in their life because this person is so passionate about their writing. It wasn't any of that. Engagement with their works has been going down, as it has for many of us. Comments are like gold dust a lot of the time, and just looking through the historical comment counts on old fics on ao3 demonstrates this trend very clearly. It was not simply the comments dropping off which caused them to decide to stop posting, however.

My friend came across a discord server for their fandom (I should point out here that their fandom interest and mine diverged a couple of years ago, we stay in touch but don't currently read each other's posts because I'm not into their fandom and they would rather gouge their eyes out with a wooden spoon than read anything Star Wars) and specifically to share fic in that fandom. They joined, because we all love a good fic rec, only to discover that their latest multichapter fic, which has almost no comments and very few kudos, is being hotly discussed in this server as one of the best stories ever. Not one of these people has bothered to say this to them on the fic. When they asked, none of participants could see the point in telling the author of the fic they apparently loved so much that they love it.

This discovery has absolutely destroyed my friend's love of sharing fic. They share because they love seeing other people's enjoyment, and fic writers do that through comments and kudos/reblogs/likes because we don't get paid. There is no literary critic writing a blog post/article about how amazing the story is for us to copy and keep/frame. There is no money from royalties. All we have are the words of the people reading our works.

Those people on that server could have taken five minutes of the time they spent gushing about how amazing my friend's story was to other people and used it to tell the one person guaranteed to want to hear that praise how much they loved it. They could have taken a moment to express their opinion to the person who spent hours upon hours plotting, writing, editing, and posting those chapters. Instead, they deprived my friend of thing that keeps them sharing their writing, and in the process have killed their love of it. My friend now feels used and unmotivated.

I won't be sharing a link to their fic, they said I could share their experience but not their identity. I know they plan to post one final chapter. I know they intend to express their hurt at being excluded from the praise for the thing they created, and I know they intend to announce that as a consequence they will not be posting for a long while, if at all.

So please, I beg you, don't hide your love of a story from the writer. It's just about the only thing we have.

[what-am-i-doing-in-this-fandom]

I am such a big Werewolf Stan advocate I had to jump on this particular train 🙏 (but I didn't really wanna commit to full line art, you guys understand)

Oh, and you guys aren't gonna believe this, but here's part two 🙌