#because he looks great and also i feel like i captured his age here which makes for a fun contrast with my art of him as an older man

[tossawary]

Brushing off some of our older gaming stuff to finally play "The Force Unleashed" (do not spoil it for me) and found myself immediately compelled by this presentation of what Luke Skywalker's life might have been like as "Darth Vader's son". (Or Leia's life, of course.)

Like, obviously, Darth Vader would not (and will not, I presume) have the same degree of attachment to his assassin here as he would/will to Luke, but the parallels are immediate and not subtle. Vader has killed a LOT of Jedi children by this point, but he sees a child powerful in the Force holding his own red lightsaber and something in him apparently snaps. And in the similar circumstances of 1) raised in secret away from the Emperor, and 2) trained to be a weapon against the Emperor, I suspect that Luke would actually have had a very similar quality of life to Starkiller (slightly better overall perhaps, but still similar), because I highly doubt that Sith Lord Darth Vader, who is held together by rage and spite, who is super traumatized by war and haaaaates being confronted by his own mistakes, would have ended up being even a half-decent parent if permitted to actually raise Luke as a Sith apprentice.

I was reminded of these games because I saw someone talking about how Galen Marek (protagonist of "The Force Unleashed") and Mara Jade (Luke's love interest from the Extended Universe) have very similar backstories and arcs, though they felt Galen's was better executed. So, I started up this game wondering to myself, "How old is Galen compared to Luke? A romance between Luke and his father's assassin / apprentice seems compelling... At worst, I bet it's comparable to the age difference between Luke and Din..." And yep! It looks similar and could also be fewer years than that. Galen could be 19 in this game for all I know.

I'm already enjoying an AU premise where Darth Vader somehow finds and captures younger teenage Luke, but he's panicking because 1) his son already hates him for injuring or even killing Obi-Wan (let's say that Owen and Beru are spared somehow, and also already calling up the Rebellion to fight the Empire to get their nephew back), and 2) Vader reeeeeally doesn't want the Emperor to find out about his son. But he doesn't really have a convenient place to stash his secret son! Palpatine is already calling demanding to know why Vader hasn't already completed some urgent imperial business.

So, Vader has to call his Ventress-in-training, Agent Starkiller, who happens to be nearby, to temporarily take Luke into custody. Vader says that no harm is to befall Luke and if he dies, then so does Starkiller, before he has to run off to answer the suspicious Emperor. Galen is, like, maybe 18 or something. (Ahsoka was kicking ass and getting traumatized on the battlefield at 14ish, so I assume that Galen's childhood under Vader was demanding and terrible.) This Sith teenager wants to be doing cool shit to prove himself, not shoved into a Bodyguard AU with some whiny brat who bites and has way too much of Darth Vader's attention already.

Cue some adventure that causes Luke and Galen to bond somehow. I'm not thinking about anything romantic at this point, I'm mostly thinking about angst, as Darth Vader tries to train Luke as a Sith apprentice through brutally cruel methods. Which give both Luke and Galen a lot of intense and complicated feelings about their own and each other's situations. And probably culminates in Darth Vader being shocked and angry when his son and not-son have run off and unionized against him.

The earlier that Vader nabs Luke, the longer you can shove him and Galen together. I'm leaning more towards a "The Worst Summer Teenage Romance Ever (During Sith Apprentice Boot Camp)" setup, even if it means bending the ages around a little, but I think that a "Childhood Friendship Forged Through Trauma And Desperation For Affection While Being Raised By A Sith Lord Who Is Playing Favorites" setup has great potential as well.

I like the potential humor of Luke initially being utterly unfamiliar with the Force and being unable to do anything with it, he doesn't even know how to lift a rock, while Video Game Protagonist Galen is like, "Okay, this soothes some of my terror about being replaced, but seriously, how are you this helpless??? You are like a Tooka kitten to me, what the hell is this???"

I also like the potential angst of Luke and Galen being forcibly separated somehow, so that Luke can escape and meet up with the likes of Han Solo and Princess Leia somehow, and he's all sad because the guy he liked is probably dead or else hates him. And then I like the potential humor of Galen showing up again as a real freak of nature, a human hurricane, just throwing everything around with the Force, waving a red lightsaber around. Luke has hearts in his eyes, while Han is like, "So, uh, this is the dead boyfriend, huh? Yikes."

[jichanxo]

onnagata. boyhood, blood, etc. + followup

[geekgirles]

Yumalia's Reunion

Back on my Yumalia brainrot, I can't get over all the layers and depths of their brief interaction in episode 11.

The moment Yugo is done defying his mother and forced to watch her leave, for she had long made her choice, Amalia doesn't hesitate to reach out to him and hold his hand, which Yugo immediately squeezes right back. Even with the threat of imminent war for her people's safety, Amalia's first instinct is to go to Yugo and offer whatever comfort she can, and he just lets her because if there's someone who can ground him, it's Amalia.

That's exactly what she did at the end of season 3. Not only did she tell Oropo he would never be Yugo because Yugo would never willingly or knowingly sacrifice anyone for his cause (even during his fight with Ad during the OVAs he always thought his brother would eventually come back), but she unknowingly dissuaded the fears and insecurities that'd been plaguing him throughout the entire season, both regarding his past actions and his own relationship with her. Because even after all they'd been through and his insecurities hurting Amalia deeply, she still chose him, and she still reaffirmed her love for him in such a way it would allow for their interactions in season 4 to be that much more openly affectionate and less restrained.

But not only that, back then she was also there to ground him when Oropo's passing and his absorbing of the Eliotropes overwhelmed him, helping him see all the good despite what they had lost.

And she is doing that yet again when they finally reunite.

But there is so much more going on here. So many emotions running deep between them.

Look at Yugo's expression, that mixture of surprise and awe etched onto his face. I feel like this is the moment where it truly clicks for him just how much he's changed and all the possibilities his new body entails, especially for their relationship. And Amalia is just happy, happy that he is alive and happy that he can finally see and feel like the great king and warrior she always knew was already there.

For the first time since he's met her, Yugo doesn't have to look up to meet his love's eyes, and you can clearly see how the mere thought takes him aback. But I believe there's so much more to it, so many things left unsaid.

He's looking at her like she's finally within reach, and not only because now they're closer in height. Yugo had to spent the last few years of his life watching how the love of his life grew into the most beautiful flower in Sadida's garden, into a queen, while he remained stuck in his child-like body, with only a title for show despite he too being royalty.

It's all in his eyes!

He isn't just looking at Amalia. He is staring at her like a dying man stares at his salvation, like someone who's been wandering in the dessert for ages looks at an oasis. And it's not just because they might finally have a shot, but because she is there and she is real.

Despite Yugo's unrelenting optimism and will, upon being captured by the Nécromes, a part of him had probably been forced to accept he would never see Amalia again, either because he would remain the last of his days as their prisoner, or because she would too fall soon.

Given his predicament, thanks to Oropo and Qilby's intervention, Yugo was most likely running on adrenaline when he noticed the portal in the Sadida forest and what it would mean for Amalia. His mind was set on protecting her, not on the fact that they would be reunited after such a horrible ordeal. And I don't think it really sunk in that he would see her again until she touched him, until she literally became tangible and attainable.

But she is real, and she is with him, they are together again. Only this time, they might actually get to be together.

Look at such level of intimacy! Such tenderness mixed with the underlying unbriddled passion they feel for one another! Yugo might have been shown being okay with revealing his wings to his friends, but he always took the hood off himself; but not with Amalia. With her he trusts her enough to let her do the honours and all he can do is melt under her touch.

Seeing Amalia again after being held prisoner in the Nécroworld and forcibly aged has allowed Yugo to fall in love with her all over again and, more importantly, to finally allow himself to love her with his whole being in return. No more holding back, no more second thoughts, no more take-backs. No more denying themselves what they have been desperately yearning for.

He loves Amalia and she loves him. And he's going to hold onto her for as long as they both live.

And I am so not normal about them.

[normal-internet-user]

Hii! How are you?

I was hoping you could do a one shot or hcs for a platonic/sibling PJO thing with Percy. I was thinking this kid shows up at camp-half-blood (their age being like 11-13) and being like a carbon copy of Percy and everyone notices except for him. They become pretty close and during a capture the flag game the Reader gets claimed by Poseidon, and Percy is just in shock like: 😲 holy moly

I think it would be really cute and I love big bro Percy

The reader is gender neutral

This is completely /nf and feel free to delete it if you don't want to! Thank you so much! Remember to drink water and take care of yourself!

-Axel <3

Ahhh this is actually such a cute IDEA-

Percy With a Child Of Poseidon Reader...

When you showed up to camp, no one really thought much of it.

The Titan war was over, demi-gods were showing up left and right, getting claimed along the way.

The thing that was weird was your lack of the latter.

Weeks after you arrived you were still unclaimed, with no change in sight.

It frustrated Percy because the gods had literally JUST promised not to leave any kids unclaimed.

As a result, he decided to spend time with you, just because he noticed you were feeling slightly put out at your lack of a godly parent.

Percy seemed to be the only one who hadn't noticed that the two of you next to each other was like looking back and forth between a mirror of features.

Everyone else did though.

Annabeth really did try to just- nudge him in the direction that MAYBE POSSIBLY-

But no, Percy was as oblivious as a blind cat after you moved the furniture.

Honestly he liked hanging out with you.

It made him feel good to know he was keeping you occupied instead of thinking about not being claimed.

He felt like an older brother ironically enough.

He had you sit with him during meals, and during activities he was with the Hermes cabin most of the time to help you.

Your very first capture the flag was exciting for him,

Him helping you put on your armor before plopping am oversized helmet on your head was like a mother watching their watching their child ride a bike for the first time.

He was so proud!

Sure you tripped over yourself and fell on your face, but that's okay! Everyone stumbles sometimes!

You're doing great!

Honestly, it was his fault for not helping you tie your shoes.

It was safe to say, the two of you had sufficiently bonded.

Which must have been the reason Poseidon decided to claim you now of all times.

He must really like capture the flag if that's how he claimed both his kids.

Percy was floored, and incredibly confused.

Everyone else was more or less like, "yeah saw that one coming." and you were trying to look up at the floating trident over your head through your helmet.

Percy feeling a whirlwind of emotions.

Confusion, excitment, slight frustration- but mostly excitement.

He was confused as to how as a child of Poseidon you'd managed to stay alive this long.

Unless your mortal parent had also kept a Gabe around to hide your demigod smell.

The thought made him wince.

He was practically vibrating when he showed you around Cabin 3.

You'd seen it before, sure, but now it was your cabin as much as his.

He wouldn't be sleeping alone anymore and he was exstatic about it.

And he can't wait to introduce you to Tyson too.

And his mom, oh she's gonna love you.

Especially if your mortal parent isn't in the picture either by choice or tradgedy.

Percy was gonna be the best big brother ever, it was his job to protect you now, so he would.

Ta-da! This is legit, the first thing I have posted in FOREVER holy shit, it felt SO good to write this out, like-

Anyway, all done! Here you go, I wanted to keep going but I figured it was long enough lol

[coelii]

let’s talk Castlevania lore~

so it occurred to me that, within the game material (I haven’t watched the TV show or anything like that so that’s not personally interesting to me for this discussion, sry sry), we don’t have all THAT clear an idea of why Dracula is A Bad Guy Who Must Be Stopped At All Costs, do we? I kinda feel like it’s mostly just treated as “c’mon, it’s Dracula, let’s go vampire killin’”

I mean we’ve got the accusation that he “steals men’s souls and makes them [his] slaves,” and, okay, if true (do we ever, like, see that?) I guess that’s pretty not great. And I’m willing to accept just a priori that he is A Vampire and therefore, okay, presumably there’s some drinking of innocent blood or something, not ideal. (Again, not sure that ever occurs on-screen?) I guess he also cursed Simon to have some pretty horrible nights? That’s not rad, i guess.

But like, fundamentally, do we ever have actual word in the games/game material of what exactly Dracula’s menace really IS? Just what kind of fate is the Belmont clan (et al.*) supposedly protecting us from? I guess I probably don’t want to live next door to an Active Vampire, but honestly it’s pretty amusing to me that I can’t actually think of what Dracula supposedly, like, wants.

(*from the Latin “et Alucard”)

So if we’re strictly looking at game material (and specifically main game and not the Lords of Shadow reboot) in my opinion there’s two origin games that have made a case for Dracula’s desires.

Castlevania Lament of Innocence

As covered in another recent ask, this is the official first game in the timeline

Here you play as Leon Belmont whose betrothed Sara is kidnapped by an ancient vampire named Walter Bernhard. Leon’s close friend Mathias Cronqvist, an alchemist who is grief stricken over the loss of his wife Elisabetha (who died of an illness while he was away), informs Leon that Walter was the one who kidnapped Sara and Leon goes to save her. Over the course of the game you learn that there are two powerful vampire relics and Walter is in possession of one: the Ebony Stone that produces darkness and makes Walter effectively invulnerable (as he is strongest in the darkness the stone produces).

You also create the Vampire Killer whip during the game which has the power to break the Ebony Stone and make Walter susceptible to damage. At the game’s climax, when Walter is close to Death (both metaphorically and physically) it’s revealed that Leon’s buddy Mathias had the other vampire relic, the Crimson Stone, the whole time. This relic absorbs the souls and power of other vampires (kind of a Ghostbuster situation).

Walter’s soul is captured in the stone, but Mathias uses it for his own dark purposes - to become a vampire himself and take revenge against God (whom he curses for taking his wife from him). Mathias eventually gives up his name and adopts the name Dracula instead and is canonically the Dracula in all Castlevania Games.

This origin story unfortunately leaves a lot to be desired in Dracula’s motivations because it basically amounts to Dracula being a man who’s just mad that God took his wife from him and uses another Vampire’s power (Walter) as his own. He isn’t noble or powerful without the stone (which is this red thing he wears in much of the official artwork apparently)

But I guess “stick it to the man” is technically a motivation…

Castlevania Legends

Now I’m a Lament of Innocence denier personally and would prefer to use the older games as the source to answer this question.

According to the Legend’s instruction book the story is:

IT WAS THE MIDDLE AGES IN TRANSYLVANIA. ONE MAN CAME INTO POSSESSION OF AN EVIL POWER, AND THE PRINCE OF DARKNESS WAS BORN. BEFORE LONG, THIS BEING HAD USED HIS NEW-FOUND SUPERNATURAL POWERS AND THE MAGIC POWERS OF HIS FOLLOWERS TO SPREAD HIS PLAGUE OF DARKNESS AND DESPAIR THROUGHOUT THE EUROPEAN CONTINENT, HE WAS COUNT DRACULA. EVEN TO MENTION THE NAME OF THIS PRINCE OF DARKNESS WAS TO CAST FEAR INTO THE HEARTS OF THE PEOPLE IN THE LAND, WHO WERE POWERLESS TO DO ANYTHING SAVE VOICE THEIR CONCERN. HOWEVER, AT ABOUT THE SAME TIME A BABY GIRL POSSESSING SPECIAL POWERS WAS BORN TO A FAMILY LIVING IN A REMOTE AREA OF THE COUNTRY. "YOUR POWERS ARE MEANT FOR A HIGHER PURPOSE AND NOT ONLY FOR YOURSELF” SHE WAS OFTEN REMINDED AS SHE WAS GROWING UP. THE PLOT OF THIS GIRL'S FATE BEGAN TO DEVELOP ONE NIGHT IN HER SEVENTEENTH YEAR WHEN SHE MET UP WITH THE YOUNG ENIGMATIC ALUCARD, WHO WAS ON A JOURNEY TO SEARCH FOR THE FATHER THAT HAD DESERTED HIM. THE YOUNG GIRL'S NAME WAS SONIA BELMONT, AND SHE WAS THE FIRST OF THE VAMPIRE HUNTERS IN THE BELMONT FAMILY TO BECOME LEGENDARY.

Now unfortunately this doesn’t tell us too much. In this origin Dracula exists already, obtained his power by coming “into possession” of it, and his motivation is simply “spread his plague of darkness and despair throughout the European continent” (Africa, Asia, the Americas, and Australia are all safe apparently).

Now I don’t want to theorycraft too far off the actual game material here, but I do know that Vampire Hunter D was heavily inspirational to the development of Castlevania. Many people know the anime films, but Vampire Hunter is a series of novels first published in 1983 (three years before the first CV game was released) and in these novels the being known as the “Sacred Ancestor” is the progenitor of all the other vampires and the oldest among them. He is known as the Vampire King or God and D is the Sacred Ancestor’s son (so to speak). This was the inspiration for Alucard, who we know in Castlevania lore to be Dracula’s direct descendant.

The VH novels present vampires as a race unto themselves, not the traditional mythos of humans given vampiric power (although they can still create vampires from humans).

Novel #17: White Devil Mountain (published 2014) is more explicit in this stating that vampires predate humans by possibly millions of years. The Sacred Ancestor, as the oldest among them, felt it was his duty to watch over his people and did many experiments over the years to try and save his race from eventual extermination (not necessarily by the hands of Hunters, but through a variety of circumstances). Some experiments included inventions that could block out the sun and give eternal darkness (a common theme in vampire lore).

The Dracula of Castlevania seems as much inspired by Bram Stoker’s creation and the historical Vlad Tepes as he was by Vampire Hunter’s Sacred Ancestor.

If the Sacred Ancestor’s motivation was as ward and protector of his race, acting in various ways to save them and ensure their continued reign and existence then I would say Dracula’s motivation is similar: “spread his plague of darkness” by ensuring that the curse of night spreads and his people can remain powerful and eternal.

In Short

Both games present Dracula as a man who obtained power through unholy means. Walter Bernhard’s origins aren’t necessarily explained in the game and it’s possible that like Vampire Hunter D he is of a race of vampires older than humanity and Dracula simply is just a man using his power as his own. However I feel Dracula’s motivation may still be similar to that of the Sacred Ancestor from VH: with great power comes great responsibility (thanks Ben!) and his duty is to protect and allow his people to thrive in a world hellbent on destroying them.

[polutrope]

Just pure headcanons, what do you think happened during Maglor's reign as a king? I don't know if his reign was short or something but I remember it took some time before Fingon was able to save Maedhros and unite the noldor and there was still some division between the host of nolofinweans and feanorians. I wonder if he considered himself a placeholder until Maedhros returned or was he a reluctant king? Did the host respect him as a king, did his own brothers respect him as a king? I am so intrigued because, aside from Maedhros, I think Maglor deserved some shoutout lmao (No, this isn't a maglor-obsession-spree that I have been on, nu uh). Also, I feel like he would have some cordial relationship with Fingolfin, they could bond as the second sons having to take leadership because the eldest died/was abducted idk.

Oh no, starlitelwing. I hope you know the Pandora's Box you've just opened. King Maglor is one of my all-time favourite things to think about.

First of all: there's actually no canonical information on Maglor's position after the capture of Maedhros (in fact, we don't even know what Maedhros' title/position was after Feanor's death; all we know is that Feanor "claimed now the kingship of all the Noldor" in Tirion. Contested leadership is SO GOOD isn't it? anyway...).

The published Silmarillion glosses right over the question of who's in charge during the time between Feanor's death and Fingolfin's official assumption of the Kingship of the Noldor (which, if you ask me, Fingolfin effectively had been King since the time of Feanor's exile, and he was in any case Regent at the time of Finwe's death... he said he'd follow Feanor but the people following him were calling him Finwe Nolofinwe soooo... aiee, I digress again). The book gallops at such a breakneck speed that you don't really notice the gap in leadership. Or, I didn't.

But then you look at the Grey Annals (where Tolkien Gateway gets most of its First Age dates) and you see that there are 2-3 Tree Years and 5 Sun Years between Maedhros' capture and his rescue. Now, however you imagine time works in Tree Years when there are no Trees, that's still a long time. Maedhros was gone at a minimum 6-7 years, more likely closer to the equivalent of 30 "regular" years. (That's way longer, by the way, than the time between Feanor's death and Maedhros' capture, which was like, a day to a month, at most. Maedhros, if he even was King, was King for way less time than whoever followed him. And he sucked at the job, btw. But I digress. Again.)

So someone had to be in charge for those 6 to 30 years, but whomst? That the leadership would pass after Feanor's death to the eldest son is logical, and that it would then pass to the next eldest is also logical. I see no reason to refute that, but note: it would not be uncanonical to have someone other than Maedhros or Maglor in charge at this time. You can make King Celegorm a thing and still be canon-compliant!

This passage in the published Silm is basically the extent of the activities of the sons of Feanor during Maedhros' absence:

Then the brothers of Maedhros drew back, and fortified a great camp in Hithlum; but Morgoth held Maedhros as hostage, and sent word that he would not release him unless the Noldor would forsake their war, returning into the West, or else departing far from Beleriand into the South of the world. But the sons of Feanor knew that Morgoth would betray them, and would not release Maedhros, whatsoever they might do; and they were constrained also by their oath, and might not for any cause forsake the war against their Enemy.

The sense here is that all six sons acted as a unit. But in the 1937 Quenta Silmarillion, the text on which this passage is drawn:

Morgoth held [Maedhros] as hostage and sent word to Maglor that he would only release his brother if …

To Maglor! Excellent evidence that Tolkien was also making the logical conclusion that Maglor, the eldest, was in charge. (My best theory for why Christopher Tolkien took that out is Too Many Names, but it's an odd decision.)

All that was to say: We don't know, canonically, that Maglor was in charge at Mithrim. But it makes a lot of sense, and it's my headcanon that he was.

Now. More interesting headcanons.

I don't think Maglor was called King until it was politically necessary.

I see him as someone who is comfortable in command (one meaning of Cano is "commander", after all) but who likes to command collaboratively. Double-edged sword: he values the input of others (admirable quality) and he does not like being fully responsible for the outcomes of a decision (less admirable).

Unlike much fanon I've come across, I don't think Maglor was a particularly reluctant or incompetent leader or that he hated it. He was miserable, yes, because his father just died and his brother was just captured, and he wasn't thrilled to become a leader on top of that, but he keeps it together.

So how do I imagine it all went down?

The problem with Maglor being in command is that his "collaborative" style of leadership is not appropriate for a time of crisis or for his family. While the Silm often talks about "the sons of a Feanor" as a unit, I do not think they were of the same mind on everything. At all. They need a firm hand, and Maglor does not have that.

But who does have a firm hand? Who would be a more martial ruler, someone who could get people in order during a crisis? Celegorm. And he knows it.

So why did the Feanorians "get nothing done" during those 6-30 years (sidenote: I don't actually think they got nothing done, but it does seem they didn't get anything BIG done)? Well, for one, they were fighting amongst themselves.

Maglor could not get his brothers to agree on anything, and yet he did not know any other way of commanding, and over time he becomes more and more miserable as a leader.

Celegorm, meanwhile, is chomping at the bit to "relieve him" of the burden.

Around them, everyone else is picking sides.

Curufin is an interesting case. I headcanon he actually was fully behind Maglor at the beginning, because he respects the orderliness of succession. But as Maglor proves himself unsuitable for the role, he aligns with Celegorm.

Outside the family, I headcanon that the Mithrim Elves were actually quite taken with Maglor, the poet-king. Their alliance hinges on him. But the Noldor, especially the army, would rather follow Celegorm.

As everyone knows, a rival for leadership with the army's support is Bad News. And yet Maglor manages to hold on. He should definitely get credit for that.

But why hold on? If he is hating this ruler job, why not just let Celegorm have it? Couple reasons:

It's Celegorm. He may be able to perform well, but Maglor knows he's the most like Feanor in temperament and, well, Feanor's kingship didn't end well.

If Maglor gives up that crown, he will have admitted to himself that Maedhros is not coming back. This is the same reason he doesn't give it over to Fingolfin when Uncle Nolvo shows up. He is hanging onto that thing for dear life because, to him, it belongs to Maedhros and only Maedhros. He is the crown's custodian, never its rightful owner (this bleeds into my headcanon that Maglor does not "in his heart" agree with Maedhros' decision to cede the kingship — he'll never be as vocal about it as the others, though).

Now we come to another piece. What did Maglor call himself? Like I said up top, I don't think he initially called himself King. He was "head of his House", or maybe, "Lord of Hithlum," or maybe King Regent, but never King. If one of the Mithrim got mixed up and called him that, he would always correct them.

That changes when Fingolfin shows up. Now there's another claimant to the title of King. Possibly a more legitimate one than even Maedhros (as Maedhros later says himself).

By that time, Maglor has been keeping that crown out of Celegorm's hands for years; he is not giving it up now. And Fingolfin is less likely to challenge his leadership if he offers no room for ambiguity. If he dons the mantle of kingship and pretends Maedhros is dead.

So that is what he does... Does Fingolfin accept it? Well: "Then there was peril of strife between the hosts."

For three years, on opposite sides of the Lake, they're at an impasse. Fingon doesn't go looking for Maedhros because he thinks Maedhros is dead (and other reasons: the mission is insane and desperate not the least, and contrary to popular opinion Fingon is not a rash idiot).

How does Fingon eventually learn the truth? You'll have to wait and read what @melestasflight and I are cooking up for Silm Epistolary Week ;)

ETA: Despite this, I do think you're right that Maglor and Fingolfin could have bonded over their similar experiences! There's the personal and there's the political, and I love the idea of the tension between these straining what could be an emotionally supportive familial friendship between Maglor and Fingolfin.

[low-budget-korra]

Comments on Netflix's Avatar The Last Airbender

*spoiler alert*

First of all I'm gonna start by saying it is one of the best adaptations I've seen so far. And that's the key word, adaptation. I've seen a lot of fans and others complain about some things that honestly, doesn't make sense because some things only work in a cartoon(just as much as some things only work in a book or a video game)

And before I start to talk about some topics that I judge important, I also wanna say that the production is fantastic, from the costumes to the CGI. It all looks amazing. (A part from Yue's wig)

1. The Script

It's not easy to pick 20+ episodes and make it fit in only 8 but damn they did a hell of a good job, especially when judging what was important to show and what they could let it go. Some fans commented that since there's no fillers, the Gaang and others miss some development but I think that for the universe of the live action what we got here it worked.

I can express how much I like to see Ozai and Azula's relationship and how it is now clear that he uses the siblings against each other, manipulating them to get what he wants. But I will admit I miss the fear Azula had, since it's implied in the show and some extras that she does fear Ozai, and fears becoming like Zuko.

I hope the 41. Is just fine after the battle in the north. See all of them bowing to Zuko after discovering that Zuko was the one that saved their asses and was heavily punished by that...it was beautiful. I loved the writers did that, give names and faces to Zuko's crew and a beautiful yet sad arc when Ozai banished his son and the men who he saved.

I also loved that they put weight into things that was treated as a joke, like Katara talking about her mother. She was a little kid who saw her mom get murdered in front of her and the live action made sure to let us know that it is not okay to make jokes about something so traumatic. All of the deaths here have tons of weight in it, it's not some random person, is someone we met, someone we liked, someone who helped. The costs of the war, something the cartoon manages to show us but know in live action, with real people, the massage gets stronger.

And they didn't forget Iroh's past like the fandom does, which is great. That actor, the earthbending soldier really let it all out, that's how you use the few screentime you have.

Sokka's isn't sexist and y'all were making a storm outta a cup of water, is not like Sokka sexist didn't go away after like the 4 or 5 episode in the original show. I think the live action was able to bring more depth to him in comparison to the first season of the cartoon. We see how he feels about his father's, the absence of him and his duty as warrior who kinda doesn't want to be a warrior.

I need a Gyatso in my life, I didn't know I needed to see more of him until the live action gave us more of him. Kyoshi was the Thor coming to Wakanda from this season, WHY THE FUCK BRYKE DONT WANNA GIVE US A KYOSHI SERIES? She is absolutely a jewel of a character. Roku and Kuruk, damn poor Kuruk man, so much pain in his words but again that's what it means to be the Avatar, it's not fun and games. Zhao saying to Aang what Korra villains said to Korra😭 that the world doesn't need the Avatar anymore, it hurt.

Guys I'm gonna say it, there's no way in hell for anyone to ship Kataang here. I'm saying this because some shippers complain that the secret tunnel part was different but c'mon, look at Kiawentiio and look at Gordon, it would be so s awkward and weird and just wrong. I know they don't have a big age difference, is only like 3 years but when they filmed Gordon looked so much younger than her, maybe in the next seasons the difference won't be that big.

The pace is good, once you start you don't wanna stop.

2. The Acting

Everyone is really good at capturing the essence of it's characters and somewhat making them their own. The highlights for me were Dallas and Ian, Its like they came straight from the show. Ken Leung's Zhao was also amazing as he was way more threatening here than he was in the show.

Kiawentiio was the Katara we were looking for, she is kind yet strong, brave and caring. And Gordon was Aang, sure, he has to learn a few things since he slipped a few times in his acting but nothing that could ruin the experience, that kid is good and just needs some experience.

Elizabeth Yu was Azula. It was different but yet the same character, is like learning something new of her and I like how cleared she show emotions with her eyes. Maria Zhang had great chemistry with Ian and I can't wait to see more of Suki. Arden Cho and Yvonne Chapman as June and Avatar Kyoshi look like they came out straight from the cartoon. Daniel Dae Kim...man is Ozai, so cold, so sharp, so scary, already way better than the cartoon version. I wanna see more of Paul Sun-Hyung Lee as Iroh since the character he really starts to shine in book 2.

3. The live action doesn't have the spirit of the OG?

Yes, it does have. The thing is now that we are seeing real people, things get dark one way or another but I don't think it ruined the spirit of the show. Aang is still a kid, Sokka still making sarcastic jokes, Zuko still annoying as hell, Katara still hopeful and strong... There's everything there really.

The thing is stuff like genocide, murder, war, death and suffering are, for some people, better to watch as pixels in a cartoon than real people.

I think it's a great adaptation and I would recommend it to every fan.

[joefool]

Review: Peanuts Every Sunday, Vol. 2 (1956-1960)

In my last Sundays review, I said that the star of the show was Lucy Van Pelt. This time around, things have changed. The power has shifted. There’s a new Sheriff in town. His name? Linus Van Pelt.

One of the best running gags in this collection is Linus as an outfielder, going to extreme lengths to catch the ball. It’s a repeated masterclass in Schulz’s command of structure and pacing.

In classic Peanuts fashion, these strips feature a simple core gag but are elevated by small touches: in the top left, Linus spends several panels idly picking at the grass before jumping into action. In the top right, I love the casual way with which he catches and throws, and how slowly his movements develop. In the bottom left, “I beg your pardon” and “Thank you, girls” are the funniest possible things to say as he enters and exits the pool, not to mention the little way he sticks his tongue out as he takes his shoes off (and I think even flexes his toes?). And In the bottom right, I mean, come on, look at how small he is in that title panel!

I’m excited to see Linus begin to shed his blanket. It made for good baby gags, but he’s such a more interesting character when it comes and goes. Alongside the above scenes, he also has a series of battles with Snoopy over the blanket. He’s multi-dimensional!

It’s hard to stop gushing about this collection, which really feels like it captures the strip hitting its stride. There’s melancholy, there’s laughs, there’s sincere character development. Sally Brown shows up! Snoopy lays on top of the dog house for the first time, and his head is starting to get more recognizably thick! But wait, did you think I was going to stop talking about Linus? Because you’re wrong. Here are two more great strips, which also feature his (shown above) love for sand castles.

You start to get a sense of his personality: creative, a bit philosophical. Hum drum, in the way basically all Peanuts characters are, but not a sad sack. He’s dynamic, bringing all kinds of tones and melding himself to the other characters in the strip. Yet through all of it, he’s a fairly polite little boy, unlike Charlie Brown who progressed from rebellious gremlin into depressed sad sack. In a comic strip full of extremes, Linus operates as a fluid middle piece that still steals the show.

Look at this boy! The two above strips are funny, but still kind of touch your heart. Here’s this young man who wants to catch stars in his pail, and badly wants to learn like the older kids on his street. How can you not fall in love with him?

All in all, a fantastic collection. This is the dawn of the golden age of Peanuts, I feel. It’s exciting to read through, because the hit to miss ratio is better than ever. And now I need to get through like three different Complete Collections (the black and white books with the dailies), but it’s hard to go back to them after getting through these vividly colored strips. The colors, the maneuvers that can only happen with the extra length, man the Sundays are great. Peanuts is great.

[fushiglow]

If JJK characters were in Non- Curse world, what would their job be if not become Jujutsu Sorcerer (in your opinion)? Why? Please pick your top 5 fav characters...

I love you for asking this, anon ♥ It's an opportunity to wax lyrical about something I've given a great deal of thought! These are my instinctive answers, although I could make arguments for a number of other professions for each of them depending on the life choices they made in this hypothetical non-curse world — but we don't need to get into that! So, here I go (in no particular order):

Yūta is an emergency paediatric surgeon

When he was young, he made the decision to become a trauma surgeon after losing his childhood friend in a car accident. He spent some time in hospital as a child and he knows what a scary place it can be for children, so he always does his best to make his patients smile when he's checking in on their progress.

He's brilliant at what he does — a once in a generation talent — but that doesn't mean he can save everyone. It's heartbreaking work on a good day, but when he's been at work for approaching 30 hours and he feels like he wants out, he looks at the photo of Rika in his locker and finds the strength to go on.

Kenjaku is a performer

If the average Japanese human enjoys at least 80 rotations around the sun, why waste them by playing the same role every time? That's Kenjaku's outlook on life — which is why they chose to go into acting. However, they quickly became bored by other people's narrow view of the world, dissatisfied by the limits of everyone else's imagination.

Nowadays, Kenjaku marches to the beat of their own drum in a one-person show. There are more than ten roles available, all of them played by Kenjaku — who is also the writer, producer, and director. Critics can't decide whether it's madness or sheer brilliance.

Megumi is a vet

He's grumpy with humans, especially if they're irresponsible pet owners. However, he's soft as anything with the animals, and his regular clients trust him implicitly with their beloved furry family members — because it's obvious how much they love him.

Megumi is really good at his job, but he's guilty of taking his work home with him and finds it difficult not to get emotionally attached to the animals he's treating, even after years in the profession. Although he'd never hesitate to make difficult decisions, the unique ethical dilemmas his job presents take a toll on his wellbeing — especially when human cruelty or indifference come into play.

Suguru is a school teacher

Teaching is neither recognised nor appreciated by most people. However, although Suguru had the brains to follow his friends into their highly respected fields, he couldn't imagine anything more rewarding than doing his part to ensure that the next generation have an easier time of things than he did at the same age.

He tries to be the person he needed when he was at school: a pillar of support for struggling children who have no one else on their side. Unfortunately, the school system seems determined to hurt the very children it's supposed to support, and some of the parents go out of their way to undermine any positive developments he makes with their child — not to mention the terrible pay and working conditions!

Satoru is a physicist

But he could have done anything he put his mind to. In fact, that's the only thing Satoru ever really found difficult in life: choosing one path to follow. Sometimes, he wishes he'd become a musician or a historian or an athlete, but in the end, nothing captured his imagination quite like the limitless bounds of the universe.

He's younger than most of his peers in the field, and his revolutionary ideas (alongside his casual disregard for traditional academic hierarchies) get him in trouble more often than not. However, he's a certified genius, and popular with the media, too. He's doing a lot to improve the image of physicists among the general public — which translates to more funding for research. That keeps them out of his hair, most of the time at least!

-

These are too obvious, but I thought I'd mention them anyway:

Yūji is a firefighter who remembers the names and faces of every single person he couldn't save.

Shōko is a pathologist who devotes herself to improving the diagnosis and treatment of disease, often at the expense of her own health and wellbeing.

Because they're *also* huge nerds, I imagine Sukuna and Yuki as physicists in slightly different fields to Gojō:*

Yuki is a brilliant mind, but she doesn't live up to her potential because she hates the oppressive nature of academia. In fact, she vocally criticises it and goes out of her way to undermine it, to the chagrin of all the old stuffy professors who try to discredit her at every opportunity.

Sukuna, like Gojō, is a genius who's fascinated by what he doesn't know, shaking up the field with his cutting edge (lol) ideas. I like to imagine the pair of them getting into heated arguments at conferences, though they both have enormous (albeit grudging) respect for each other.

*As long as Sukuna is, you know, ~normal~ in this hypothetical non-curse world. Otherwise, he'd be a chef that moonlights as a sadistic serial killer lol.

-

Thank you for the extremely fun question, I had the time of my life! I hope you enjoy my answers ♥

[klaineccfanficlibrary]

Hello To All!

Hope you all are enjoying your weekend! I read on my phone and I’m not able to find stories. If there’s a way, please tell me how.

Please suggest adult stories for me with a great/happy ending. I prefer chapter stories of adult Klaine. Any suggestions are welcome. Need something to read tonight. Thank you for all you do!

Hello, when I search from my phone, I go onto our libary blog and into the "magnifying glass/search" at the top. I type in a particular word like "adult" or "enemies to lovers" and then a whole lot of previously recommended fics appear. Alternatively download A03 app, and you can search and filter on it.

Also on AO3 check out our 2023 Klainebingo which has 191 tagged stories written 2016-23 that fandom have recommended - not all adult klaine, but definitely worth looking at.

What I've done is made a list of recommendations here of some of Klaine fics I've enjoyed, where they are adults, or mostly post college age. Some newer, some older. ~ Jen

Seven by @scatterthestars

How far would you go for someone you love? For Kurt, that means doing the unimaginable. But if it means saving his dad, he's willing to take that risk. A risk that has him leaving his home to go states away to spend a week with the last person he ever expected to meet. Over the course of the next seven days, things don't go as planned, or thought.

Can seven days change everything?

~~~~~

Feel my heart's intention by @kurtsascot

Blaine started to hate Kurt on his first day. And it was a shame, really, because they could have been cute together. 

~~~~~

Falling for You By @caramelcoffeeaddict Coffeeaddict80

A fic written based off a mash-up of these two prompts from the @gleepotluckbigbang prompt page -- Prompt1: During rehearsal I tripped and fell into the orchestra pit and landed on you Prompt2: I have to share a dressing room with the most obnoxious, self-centered jerk; and when you sent flowers to our dressing room, they took them assuming they were for them but they were really for me Featuring: Broadway!Kurt, PianoPlayer!Blaine, Obnoxious!Broadway!Sebastian

~~~~~

Rock, paper, scissors by @gleefulpoppet

Kurt and his seven-year-old daughter are moving from the hustle and bustle of New York to the Rocky Mountains for a fresh start. On a connecting flight from Atlanta, they meet a warmhearted man who captures their attention with his enthusiasm. Will they ever see him again? And even if they do, how will he fit into their new life?

~~~~~

Nashville! by @hkvoyage

Kurt lands the lead role in a new musical, but it flops during the previews. However, his performance captivates Nashville’s newest country music sensation. They share an instant connection and it grows deeper as they get to know each other. Will Kurt be able to save the musical and keep the man of his dreams? An AU meeting featuring country singer!Blaine and Broadway!Kurt.

~~~~~

Made to keep your body warm by @quizasvivamos

Blaine is a meteorologist who works as a weatherman for a local New York news station where he's especially well-known for predicting storms. But, when a huge nor'easter blows in and the news crew is trapped at the station for three days by snow, can he predict what happens when he meets a young new intern?

~~~~~

If music be by @blurglesmurfklaine

Kurt’s just trying to survive his last semester of college, which means making it through student teaching in one piece.

~~~~~

In my place by @heartsmadeofbooks

Blaine has always been shy and introverted, so after his father dies, he looks for comfort into his childhood dream - owning a bookstore. But then Kurt Hummel walks into his life, turning his dream into a complicated affair.

~~~~~

These inconvenient fireworks by @redheadgleek

After an unexpected Tony award, Kurt Hummel is Broadway's hottest up and coming star, which comes with expectations and some admirers that won't take a hint. When his best friend Elliott Gilbert suggests that they pretend to date to get the leeches to back off, Kurt takes him up on the idea. It's all working out great - until Kurt starts to fall hard for the dark-haired music director of his latest musical.

~~~~~

Scenes from December by @spaceorphan18

An exploration of Kurt's life throughout various Decembers. The story of family and how the definition of family changes over time.

~~~~~

Home away from home by @lilyvandersteen

Cooper buys a hotel sight unseen and asks Blaine to run it for him over the summer. Only, the hotel is a health and safety hazard and Inspectors Hummel and Abrams are hell-bent on closing it down. Can Blaine spruce the hotel up in time and save Cooper's investment?

~~~~~

Living Haphazard by anna_timberlake @shame-is-a-wasted-emotion

Have you ever thought of getting cheated by a house broker and getting to know that you had to stay with another stranger who was also cheated? What if you are getting stuck up with the stranger in the apartment due to unavoidable circumstances? What if you hate him as well as have a crush on him? What if you had to fight your inner self and the stranger? What if he agreed on helping you which can only happen in dreams? This is a real living haphazard, isn't it?

~~~~ Someone like you by @iconicklaine

Kurt and Blaine keep up their very own version of "When Harry Met Sally" for years, a friendship fraught with sexual tension and longing, until the agendas of Adele (yes, THE Adele), a bored NY socialite and a super-sweet hetero couple bring our boys together. The only problem is... they're both in committed relationships.

Note: This story is AU after "Sexy" and assumes Kurt and Blaine graduate from Dalton in the same year. In this future fic, set in 2025, Blaine is based off of Season 2 Blaine. Originally posted on LJ and S&C.

~~~~~

The Journeying By @flowerfan2

Freshly graduated from music school, Blaine is thrilled when he is chosen to stay in the cast when the production of Into the Woods he was lucky enough to be part of in Boston moves to Broadway. He knows it’s going to be hard returning to New York City – the scene of his epic breakup with his fiancé and the emotional meltdown which cost him his place at NYADA. But he’s determined that this time, everything will be different. Little does Blaine know that out of thousands of potential castmates, his director has chosen none other than Kurt Hummel to play the part of Jack. Blaine has worked hard to recover from their breakup three years ago, and struggles to find a new way to relate to Kurt and simultaneously protect himself, especially when tragedy strikes.

This story looks at what would have happened if Kurt and Blaine had reacted differently to the break up in 6x01 than they did in canon; if events hadn’t brought them back together as soon, and if forgiveness hadn’t come so easily.

[mitochondriaandbunnies]

Miami Vice S1E16: Smuggler's Blues

Sonny and Rico fly to Colombia with Eagles frontman Glenn Frey.

The first time I watched this one was before I'd watched Wiseguy, so I don't think I had much of an opinion about Glenn Frey other than TAKE IT EEEEEASY, TAKE IT EEEEEEASY

Anyway I actually really like him as an actor and I think he does a great job of playing a super burnt out aging hippie Vietnam vet here

This is also the second (and unfortunately the second to last) episode directed by my best pal Paul Michael Glaser, so it's thoughtful and well-paced and fairly homoerotic, which is all one really needs for a solid Vice episode

The DEA does not come off well at all in this episode:

Sonny tells a callous and "results oriented" DEA agent who blames casualties on the "politics of contraband" that "the politics of contraband does not involve killing children," and then straight up calls him a fascist

And later a Rico expresses a sense of surprise that they're involved in such "a big operation, moving people to Cartagena," and a DEA agent responds with "not people, just you two"

...which is all fair because the DEA is terrible, although we're still in the portion of the series where (Sonny especially believes) "regular cops" are still positioned as good, so a bit of pot-kettle going on there

Trudy SO wants to go to Cartagena and make a drug deal but the DEA agent tells her she is staying in Miami and posing as Rico's wife. : (

We'll see later in Prodigal Son that PMG is really good at directing Don Johnson, but it's very clear in this episode that he's also extremely good with Philip Michael Thomas

There's a bunch of moments in this one that are very Starsky & Hutch -- the fight in the alley could literally be ripped from an S&H episode, and the later scene where Sonny and Rico have a wordless conversation in matching doorways feels very S&H as well

The lyrics to the Glenn Frey song Smuggler's Blues straight up narrate part of the episode, to the point where it feels a little silly. Trudy sure does have a suitcase when you're singing about suitcases

We don't get to see if their hotel room only has one bed but I like to believe

So. I think this is the episode where Sonny, who is very good at ignoring his own feelings and refusing to process anything, suddenly realizes that he might care about Rico More Than Is Normal or Acceptable. When Tubbs is captured by the Colombian police, he lets him go fairly quickly, and without pushing back too much on Jimmy-- until they get back to the hotel. He doesn't freak out until he has the time and space to process, and then he snaps. Jimmy asks if he's going to just take on the entire Colombian police force, and Sonny says 'maybe,' and he tries to strangle Jimmy. When he calms down, and Jimmy offers him a cigarette, he breaks the filter off. And then as he and Jimmy sit and discuss loss, Sonny genuinely looks like he is (and frankly he could be) crying. He tells Jimmy that Rico is the one guy he's "gotta wait for," and then when Rico gets out of jail, he sees that Jimmy has left and Sonny has completely trashed the hotel room.

You know.

Normal coworker kind of behavior.

Thank you PMG for always supporting your loyal queers

There is an unremarked upon and incredibly ominous small boy who follows Grocero (the drug dealer) around throughout the episode, and I'm sure the intention is something-something the way the drug trade fucks up kids bla bla BUT what it actually comes off as is just. David Lynch Red Room shit. Haunted child.

When Trudy is captured later and Castillo is deciding who is going to try to defuse the bomb she's strapped to, twice Gina asks for it to be her, and twice the entire rest of the team ignores her. It's a really interesting little moment, especially coupled with the DEA agent shutting down Trudy's desire to go to Colombia earlier-- Gina and Trudy are often given short shrift, but it's not usually remarked upon. These lines didn't need to be included-- Gina and Trudy could've just been excluded from the missions as they often are-- but instead this episode actually highlights the ways they're sometimes dismissed and prevented from fully participating in things the men of Vice are never questioned on. I'm not 100% certain, but from what I recall this may be the only time this tendency is lampshaded in this way-- I suspect because this episode was written by Miguel Piñero, which is to say: Calderone himself.

Piñero was a playwright and poet known for piercing portrayals of modern society and its ills (especially with regards to the treatment of Black and Hispanic populations). He died very young, but in that time was nominated for or received a number of prestigious writing awards and helped found the Nuyorican art movement. I do not think it's a coincidence that this man saw some things (Vice's iffy track record with women, the abject uselessness and evil of the DEA, even the portrayal of the Colombian police captain not as corrupt but desperate) more clearly than many of the other writers on the show. It's also worth noting that Piñero was bisexual, and in a relationship with gay painter Martin Wong at the likely time of writing this episode-- which is to say I don't think Sonny's "oh. Oh no." moment about Rico ought to be brushed off as "straight writer accidentally makes something homoerotic because they don't think or care about women."

Tubbs blesses himself when he hears that Sonny and Trudy are okay-- he is not generally portrayed as particularly religious, but he probably had a Catholic upbringing, given his background, and it feels like a very real reaction.

The episode ends with Tubbs waxing philosophical about why anyone would do any of this shit and deciding that "the bottom line is money," and Castillo agreeing, "usually is." That's it folks! That's the show!

So uh. Is Jimmy dead

I know in a later episode some other smuggler will be like "yeah Jimmy told me all about you guys" to Sonny and Rico but like. Someone forgot to wrap up Glenn Frey's storyline here

He gets shot and then we just never see him again

R(?)IP Jimmy

[sexlovelitpodcast]

Sex Love Lit girlies! I watched Crash Landing On You (my first k-drama) and now I have a conundrum: A) I want to watch more k-dramas, and B) No k-drama can seem to measure up to CLOY 😭 Could you put together a playlist of entry-level k-dramas for new fans that capture the CLOY magic? Bonus points if they’re on Netflix

@sliceoflifegirl thanks for the ask!

(Corinne here) First of all, welcome to KDrama land! Crash Landing on You was my second ever KDrama, and the one that really got me hooked. I’m gonna be honest, it’s a hard one to top when you’re mid emotional hangover! That said, I love this ask and recommending KDramas to people, so I’m more than happy to recommend some. My strategy here, rather than recommend something that exactly mimics CLoY (because imo, there’s nothing exactly like it), is to recommend dramas that I think are some of the best of their genre—with some aspect that might help scratch that CLOY itch ;) So, without further ado, here is your KDrama Starter Pack: 

Goblin aka Guardian: The Lonely and Great God—This fantasy romance is a classic for a reason. The set-up: 900+ year old goblin Kim Shin is on a quest to find the goblin bride to pull the sword out of his chest and finally let him die. The catch: when he finds goblin bride Eun-tak and starts to fall in love with her, he wonders if there might be something to this whole “life” thing after all. Also featured: a glum Grim Reaper, with whom Kim Shin has a top tier bromance, who has a doomed romance of his own. Goblin gave me one of the biggest emotional hangovers post-CLOY in my early KDrama days. One caveat: Kim Shin meets Eun Tak when she’s in high school, so if huge age gaps in fantasy romances give you the ick, maybe give this one a pass (in which case the fantasy romances I recommend checking out instead are Alchemy of Souls and Doom at Your Service, both on Netflix atm). (On Viki)

Mr. Sunshine—My pick for one of the best historical (aka sageuk) KDramas out there. Set in early 1900’s Joseon, just before/in the early days of Japanese occupation, this drama follows the lives of five equally compelling characters as they navigate the political turmoil of the time. At the center are Lady Ae-sin, an aristocratic lady with a tendency for dressing up as a man and sneaking around at night on missions for the rebels, and Eugene Choi, an American Marine now stationed in Joseon who escaped enslavement there as a child and has mixed feelings about the land of his birth. This one resonates with the forbidden/doomed love of people from different classes and cultures from CLOY. (On Netflix)

Reply 1988—This slice of live drama set in Seoul in 1988 follows five families who live in the same neighborhood, and especially five of their high school aged children as they grow up during a particularly vibrant time in South Korea’s recent history. Like the other installments in the Reply series, the series uses two of the main characters in the present day (or present to when it was released, anyway) looking back—which means that viewers know the Deok-sun ends up married to one of her four besties, but which one?? Still, while the love triangle mystery is fun, at its heart, this story is about community. It’ll scratch the CLoY itch for the North Korean market lady shenanigans, and a few others as well (especially if you like intense yearning in your dramas). (On Netflix)

Business Proposal—If you’d like romance of a completely different genre than CLOY, look no further than Business Proposal! In this KDrama, Shin Ha-ri goes on a blind date in place of her friend as a favor only find out that the date is with her boss. This tightly plotted romantic comedy plays with more rom com tropes than you can shake a stick at, but never sits with one so long that it gets old. The B couple is also fire, and helps move things along whenever the A couple gets into a rut. This drama also features some chaebol (rich business family) shenanigans a la CLOY.  (On Netflix)

Extraordinary Attorney Woo–If you’re in the mood for a workplace comedy/drama, look no further than Extraordinary Attorney Woo. Featuring the incandescent Park Eun Bin as rookie attorney Woo Young Woo, this legal drama features about a case per episode as Attorney Woo finds her way in the world alongside a delightful main cast of characters. (On Netflix)

Little Women—My choice for the makjang to include on this list (a genre in which extreme storylines are treated very seriously), this drama focuses on the three Oh sisters as the oldest finds that her friend who died under mysterious circumstances has left her 70 billion that a powerful political family will stop at nothing to get their hands on. Will the story always make complete sense? No. But will the stellar performances, fast-paced, genre-mixing drama, and wild cliffhangers keep you on the edge of your seat as you binge the whole thing? Absolutely. (On Netflix)

Extraordinary You—Youth dramas may or may not be your thing, but if you have the patience for the shenanigans of high schools, Extraordinary You is my top pick. In this fantasy romance, Eun Dan-Oh discovers that she is actually a character in a comic–and she’s not even the main one! While still high school appropriate, Eun Dan-oh’s literally doomed-by-the-narrative and impossible circumstances romance with Haru, another side character, is another one from my early KDrama days to stick with me just as much as Yoon Se-ri and Ri Jeong-hyeokk’s. (On Viki)

Search: WWW—Ayanni’s particular contribution to this list, this modern romantic drama focuses on intersecting lives of three women working in the fast-paced tech industry at the top two competing web portal companies. Just as interesting as each woman’s various romantic entanglement are their entanglements with each other as they put their careers ahead of just about everything else. Ayanni says she especially appreciates this one because it focuses specifically on three women (also in this genre are Be Melodramatic and Because this is My First Life). 

Happy watching--and do let us know if you pick any of these up!

[thesummerestsolstice]

Part three of my little series on the Rivendell guards! Meet Hrivossa here and Celecoll here! Today we're covering the founding of Rivendell in the late Second Age, and my headcanons for how it happened, as well as how Elrond and Celecoll met.

It is the Second Age– 1697 to be exact

(Fair warning I've messed with the timeline and events a bit, but this isn't too far off of canon)

Eregion has just been destroyed

Elrond was there as Gil-Galad's lieutenant; he was there mostly alone, no one expected the city to fall so fast

Elrond was there with Erestor and a few others, which should've been fine, but he gets separated from them in the fighting and ended up unconscious

In the aftermath Elrond is actually captured by Sauron's forces, though not immediately identified

And while the party of orcs was dragging him off to Sauron's fortress, a vaguely feral figure in a cloak stepped in to save him

Everyone meet Celecoll again! She's been living alone in the woods hunting Morgoth's forces and refusing to engage with society for the past couple thousand years! I'm sure she's fine

(Yes, she does know that Doriath fell after she left, yes, that did compound the guilt crisis, yes, she did almost drown when Beleriand sunk, yes, this has all been amazing for her state of mind)

Anyway Elrond wakes up in her camp with his injuries treated, very quickly realizes that Celecoll's doing not great, and manages to convince her that he really needs as escort back to Lindon

(Look, Celecoll is an old soldier clearly suffering from some flavor of trauma, and Elrond really wants to help her, even if he knows she doesn't feel like she deserves that help)

Problem: Morgoth's armies have completely cut them off from Lindon; hell, no one in Lindon even knows if anyone survived the Fall of Eregion

Elrond manages to join back up with Erestor and the others, who were able to escape before being captured with a few of Eregion's people

They also meet Glorfindel, who rode out of Lindon on his own when he heard about the fall of Eregion and just managed to sneak past Sauron's lines before everything really went to shit

Elrond quickly realizes they're all going to die if they stay out in the open, and instead leads them to a valley that had caught his eye when he was traveling the region earlier– a place hidden and defensible enough for them to hunker down there until relief comes

It had called to him, and he'd wanted to come back to it, but hadn't had the chance

On the way, they also join up with a few orcs who are– look, it's complicated, there was a kidnapping and some surprisingly productive cultural exchange– they're basically Elrond's friends, and because they turned traitor against Sauron, they're also liable to be killed

Normally, several people there (especially Celecoll) would be completely unwilling to team up with orcs, but the situation is dire enough that nobody complains about a few extra sets of eyes and hands to help out

Tension dies dies pretty quickly between everyone all things considered, there's not a lot of room for distrust or anger when you're all constantly fighting for your lives together

When they finally reach the valley, they are as follows: Elrond, Erestor, Glorfindel, Celecoll, and a few assorted elves, half-elves, and orcs

There are a couple dozen of them total

And they have to turn the valley into a siege fortress in the hopes that someone will find them before Sauron's army exterminates them all

Given the circumstances, it's maybe unsurprising that they don't waste too much time coming up with a name for the valley

They call in 'Rivendell'

Here's the part where I play with the timeline a little– the siege ends up lasting for years

By that point, the people of Rivendell– especially Elrond– have grown very attached to their valley

And Celecoll decides to stick around, and try her hand at being a guard again

Tomorrow I'll write about what happened after the seige broke, as well as the eternal feud between Celecoll and Hrivossa. Also, the Tolkien wiki ended up being super useful for this post!

[shepherds-of-haven]

I just played Chapter 8 and your worldbuilding was absolutely insanee, it's one of my favourite chapters so far. Could we also have Senua facts and lore, she was such a fascinating character.

Ah, that's so good to hear, I was hoping reception to Chapter 8 would be positive! 🥰 Thank you so much for your kind words!

As for Senua (I love her, she's a badass), I gave more details about here in the Q&A here, which I'll copy-paste below!

Could you tell us more about Senua? She's such a great character! I couldn't help but wonder when reading about her if she is, perchance, a distance ancestor of Red? (The irony in that would be amazing! Poor Red missing out on that adventure but actually being somewhat related to Senua? lol)

Yay, I'm so glad you liked her! I wondered if her character would be more divisive given all the shit she puts MC's party through, but I personally love her! XD Unfortunately, the "real" Senua never married or had children, so she's not related to Red! I imagine that she was the only child to commoner parents who didn't really have a strong Gift themselves (I'm getting the vibe that they were cloth merchants or something like that). Around the age of six, her unusually strong magic would have started manifesting itself, so after consulting with some local teachers, her parents decided to send her to the Mage academy Stavastre. Interestingly, I think she wouldn't have completed her education there, probably running away as a teen of seventeen before earning her graduation robes because she would have been frustrated by how stifling and traditional she felt the teaching style was; Senua was a pioneer and maverick even from a young age, and coupled with her enormous Gift, she would have insisted on experimenting with magic in ways that would have made her instructors extremely uneasy or disapproving. So probably in a fit of pique after failing another class or something like that, she ran off in a "fuck the system" rebel move and probably would have traveled around for a while, doing whatever the hell she wanted. I could see her working as a blacksmith's apprentice, a sailor on a merchant barge, a keeper at a menagerie--whatever captured her fancy! She was enormously inquisitive and her mind was hungry for everything: experiences, knowledge, meeting people, new sights and sounds, what have you. 

Eventually, however, she would have settled a bit more in temperament and realized that her true calling lay with magic. Returning to Stavastre wouldn't have been an option (she was also quite hardheaded and prideful), but hearing about Archmage Tangriel and the things that Saenreth was pioneering (they would have been on the absolute frontier of magic), she would have been eager to join people she perceived to be more like herself (innovative, fearless, radical, revolutionary) and would have joined the Crystal Tournament in order to secure her entrance. Notably, she wouldn't have been part of an official delegation the same way the Adepts from other schools were, which would have made them treat her a bit coolly (this gets translated into how MC and their group feel as outsiders during their Crystal Tournament); if Senua was strong enough to enter the tournament essentially on her own and without the backing of a school, the others would have considered her a threat or would have looked down on her for being so unconventional. But she would have swept the competition, and you know the rest from there!

After she left Saenreth, I'm not sure what happened to Senua. If you find Archmage Tangriel's journal at the bottom of the Cave of Many Mouths, he includes a page addressing her and voices deep regrets over sending her away. A few years after she leaves, of course, is when he enters the reclusive part of his life and ultimately withdraws from the teaching and public life entirely, living in his tower with mostly only the companionship of his spirits and a few apprentices. The doors of Saenreth ultimately closed as a school, and it was some time later that the Archmage--in his experiments to perfect a method of translocation that didn't require you to have been to your destination before--vanished entirely. 

As for Senua... we know she went to Armalenthieh, and it's my guess that she became an instructor there, with all the connections and resources and recommendations and accolades Tangriel would have provided her with. But probably the scandal of their rumored affair would have caught up with her even there, and she probably wouldn't have fit in as well as she could have among the staff there anyway, preferring to be left to her own devices and teaching only because it was required of her to keep her position. Although still strong-minded, she would have become more and more solitary as time went on, until one day someone discovered that her office was empty and that Senua had simply... left. The history books don't say what happened to her after that!

[kohakhearts]

hey taylo my bestie hello please elaborate on the goh cubone jn subtle storytelling thingy

COMING TO THIS SUPER LATE SORRY MAN SCHOOL WAS KICKING MY ASS BUT THANK YOU SO MUCH FOR ASKING. IM SO FUCKING GLAD YOU ASKED.

ok so jn015. our intro to goh's family unit, notably his parents. goh explains his dad is a systems engineer and his mom is a programmer. they work together and run their own company (and appear to be a two-man team, when we actually see them at work). right off the bat, ash is surprised that goh has to call to warn his parents he's coming home. goh essentially says he doesn't want to be a bother to them. he's very casual about the whole thing. it apparently doesn't bug him at all. in fact, he goes out of his way to get them and his grandmother gifts and generally seems to be looking forward to seeing them.

he IS disappointed when they turn out not to be home when he gets there, but in true pokemon anime fashion, this is not dwelled on for long. he says it's fine, he doesn't want to make his parents worry, and also his parents are great and scorbunny's gonna love them. so instead of moping about it, he goes out and gets involved in his little park adventure, where he runs into a cubone being targeted by a bunch of mankey.

this is the only time in the main-line anime that cubone's dex entry is given. it is not the first time a cubone has shown up, though, which is...strange, but i'll roll with it. here's what the dex says (sourced from bulbapedia):

Cubone, the Lonely Pokémon. A Ground type. Cubone wears a skull as a helmet, concealing its face as it sheds tears for its long-lost mother. It cries loudly to express its loneliness. It also always carries a long, thick bone.

REALLY interesting choice for Pokemon Of The Day (literally bc it's also the who's that pokemon feature) for the episode where we're introduced to goh's parents.

it's also like...obviously not the only time where we see goh decide to help a pokemon, but i do think that his captures (especially early on in the series) that are framed in this way (i.e. they span over the course of an episode, wherein he befriends the mon before catching it. he doesn't have many catches like this in the series!!) seem to serve a purpose of like, really emphasizing certain traits he shares. before this, we had scorbunny - who is a bit of a loner, kind of the "odd one out," but is determined and stubborn and doesn't really want charity, either (but latches very quickly on to the first human who shows a genuine interest in it). now, we have cubone. the lonely pokemon.

i feel that the WAY he approaches cubone is...interesting? like he's sad for it. his facial expressions are very telling. and this is the first time we see him choosing to help a pokemon without ash around (something we know he never really would've done before meeting ash; and i've mentioned this before, but i do think a lot of his "well, you can't just help pokemon because you think they need it, they need to learn to be independent and help themselves" attitude stems from the fact that he was forced to be independent and help himself from a young age. so i think it's actually pretty profound that one of his first major overtures to a pokemon without ash pushing him is in a situation where he is acting more the parent to his parents than the other way around. he's literally on the way to delivering them dinner to work. and his gift for them is gloves, because it's cold). that tells me he is really affected by what he's seeing. he's empathetic to it (he also never tells it to stop crying or anything when they're looking for its bone, which honestly doesn't seem all that in-character for him at this point. just look at the way he talks to scorbunny a few episodes later when it's trying to learn ember, right?)

anyway, this being the only time it gets a dex entry is already like, kind of in your face enough imo. but then he also catches it. and at the end of the episode, when his parents are talking in the kitchen (and notably they are, again, separate from the other characters - more so onlookers than active participants in the family), his dad specifically says this

like i don't know how much more obvious than that they can get with saying they were trying to draw a parallel between goh and cubone. but lonely - anyone can feel lonely. that's just one aspect of the comparison. cubone is lonely because it misses its mother. because it's an orphan.

isn't it a little...ironic...that goh's parents would be the ones drawing the comparison in the end? but that's the point, i think. i mean, goh's not an orphan. but his parents chose to continue living a lifestyle that reinforced his loneliness and ensured a degree of separation between them. they share with each other their concerns for him, but never voice those to him. obviously there's love on both sides, but emotionally speaking - there's next to no connection there. goh idolizes and idealizes his parents, and goes out of his way to take care of them; in turn, his parents share in a secret concern for his wellbeing and compensate for their guilt at making him feel isolated by supplying him with whatever they can materially (mr six computer monitor set-up in his bedroom at age 7. what the fuck). so he's not literally an orphan...but emotionally? well. that's a whole other can of wurmples :pensive:

anyway, tl;dr he's not a real orphan. but i'll give him the honour because he does kinda have that orphan complex going for him <3

[zahri-melitor]

Newish Comics:

Batman: The Brave and the Bold #14: I am largely uncompelled by this set, but I was amused that they had to specify "look! This Barry/Iris story takes place before we break them up! Because we want fluffy Barry/Iris!"

Also charmed that in the Black and White story at the end with flashbacks to previous events there's Bruce as Tengu in KnightsEnd! That's a bit of a deep cut I wasn't expecting.

Green Arrow #13: Williamson please learn to pace a story at some point. That said, I was very fond of seeing Roy and Lian snuggled up together, and Connor and Mia hanging out together. Also Williamson finally acknowledged Sin's existence for the first time? I think? in this comic.

I also note Williamson is on team "we like Jade" rather than on team "Jade's a villain who's done a bunch of irredeemable things" (Which. Both positions are perfectly acceptable, but does give me a bit of an 'of course you're like that' for a guy with a known tendency to prioritise biological relationships)

The plot is ridiculous but it's editorially mandated, everyone is about to go into their Stupid Eras for the next two-three months.

The Flash #10: speaking of editorially mandated storylines...I was snorting at 'make Ollie and Barry punch each other', in terms of Ollie was doing everything but shouting what his name was and Barry was going ??? mystery guy who is not Bruce.

Jai is great in this issue. Wally is busy ascending into a higher plane of existence, still, and I am waiting until his brain comes back online and the various creepy higher dimensional beings stop trying to brain wipe him and use him as conduit, as they will not enjoy him handing them their asses.

Please get Bart into a room with his friends so he can notice they're also young adults over 18 and stop reverse aging himself, he's drawn younger than Jai in this. Or actually address the plot point that Bart's currently making himself be the age he was when Max was his guardian, and what that means about their relationship.

Zatanna: Bring Down the House #1: oh this is fun. It's functioning as a Zatanna origin story, and a good reminder that Zatara is in hell.

And now a look at everyone losing their minds for the Event:

Suicide Squad Dream Team #1-4: super reluctantly reading this as lead in for Absolute Power.

I'm not sure if I'm more mad over how Amanda Waller is being villainised here or how they're characterising Lori Zechlin. Lori, what have they done to you?

As I scrutinise this, it's written by the actor who originated Nia Nal, and uh...it could use being less Nia's perspective v general Squad attitudes. It just feels very very righteous v Waller Being Evil For No Reason.

I dunno. I don't think Nicole Maines has enough experience or practice in writing for a shared property. Her Nia stuff on its own has been fine so far, but managing to write decent team dynamics for the SUICIDE SQUAD is something that takes a lot of skill and experience (given the number of strong personalities involved). It probably shouldn’t be handed to a writer who’s effectively never written a comic that doesn’t star the character she played on TV.

Absolute Power: Ground Zero #1: sigh.

This is not going to be a particularly compelling event to me.

Like hmmmmm part of me wants to point out that under a different storyline, Waller living out 20 years of peace in a virtual reality as a mother figure would be something that would affect her a lot, given her history.

Unfortunately, we are no longer in Suicide Squad 1987.

The Warlord #58: this week in Skartaris we don't see Travis at ALL. Guy who's cosplaying Travis is doing a terrible job of it, and pissing off Tara, who has been driven back into finding her childhood sweetheart Graemore attractive. We get a full retrospective of their childhood growing up together: Graemore was the son of a blacksmith and a tailor whose family were captured in warfare by Tara's father. Graemore played with Tara while his mother made swords for Shamballah and his father educated Tara. It's a very cute 'they grew up together' teen love story.

While all of this is going on Darvin the Thief goes to try and extort more money from the people on council paying him to hold Travis prisoner, and he suddenly realises where he's seen Joshua's weird bracelet before...on Tara's arm!

Surely this can only end well.

In the Arion backup, I am very slowly starting to get my head around how to fit Skartaris's ancient Atlanteans, Earth's ancient Atlanteans and modern Atlantis together. They do all come from the same group (which is what I expected) but it's definitely interesting in terms of the various interactions between magic and advanced technology.

(Now I actually need to read some more Aquaman to confirm my understanding, as it's still pretty vibes based right now)