#because I thought the way he portrayed the character was Really Good

[azaharinflames]

Hi! Can I say something controversial?

I think I’m the only person who doesn’t feel dissatisfied with bucks queer arc.

1. 911 is not queer media, it’s trying to be or seem like it’s progressive but it is what it is at the end of the day. It just won’t show us step by step coming out arc.

2. I’ll try to put it right, not to offend anyone, because I really don’t think that ppl are wrong and have every right to a good representation.

But sometimes it feels like there are boxes to be checked? You have to do research, you have to go to places, you have to find new queer friends, you have to label yourself., you have to struggle, you have to question. And it’s starting to feel like a job interview. But all my life Ive heard that there is not one right way to be queer.

And my story is pretty much. I’m bi? Cool. Like I read a thing here or there, or go to a place if the chance occurs and I feel like it. But not on purpose. I’m out to a couple of friends and coworkers but that’s it.

I’m not sure which Kinsey scale I am (sometimes I feel like 1, sometimes like 2,and on a rare occasion like 3). But I know who I am as a person and I’ll cross any issue that comes with being queer when I cross that bridge.

Maybe it seems like projection but my point is: it’s ok to want buck to go through a journey of self discovery but lately it feels like there is only one right way to do it. (Idk maybe I’m reading into it too much) And it kinda hurts.

Hope you understood what I tried to say. English is not my first and some thoughts could be lost in translation.

Hi, Nonnie! Your English was perfect, don’t sweat it. It’s not my first language either so I get it haha but you’re more than good.

I see your point! I definitely feel like there shouldn’t be any boxes to be checked when it comes to sexuality and identifying with something. I do understand what you’re trying to say, and with that I agree.

However-

I think the main issue here (at the very least, the main issue for me) is that they did build sort of the base of something in regards of Buck questioning his sexuality further, yet we all expect nothing to come of it, because (most likely) the show won’t ever do something about it or actually explore it.

Let me explain:

-Season 7 gave us an incredibly well done arc regarding Buck’s sexuality. He went through a small phase of thinking what it meant for him but it wasn’t something he over worried about. He’s bisexual (even when that is never explicitly stated in the show), he really likes Tommy (and they made an amazing point of showing how Buck likes him because of his masculinity, and not despite of it), and he’s dating him. By the end of the season, we see him comfortably flirting with his boyfriend.

And yet-

-806 painted a weird image. Because we see a Buck who has done no research (and hey, it’s not that weird in general! But it is weird if we take into consideration who Buck is as a character), a Buck that doesn’t even know what Tommy identifies as, a Buck that seems to just have realized he’s in a queer relationship almost. A Buck that still six months in is incapable of saying out loud he’s on a date, or that he’s bi. And I’m all for being unlabeled if that’s your preference. But I don’t think that’s the message wanting to be portrayed.

The issue overall (and again, my opinion. Please don’t hesitate to correct me if you think I’m wrong), the main issue, is that it feels like Buck regressed for no apparent or good reason at all. Yes, one can go through different cycles (in life and in relationships, regardless of gender or sexuality, it’s rather normal).

The issue is that just one episode before this regression wasn’t even hinted at. And I understand they wanted the break-up to ‘hurt’ (something I maintain was unnecessarily cruel, but oh well), but it was 1. whiplash and 2. just plain bad storytelling and writing. The issue, to say it bluntly, is that 806 felt like an AU, like some badly written one-shot that did not take into consideration anything that had happened before.

Overall - I do agree we should not expect 911 to be queer media. But I don’t think the main issue was us expecting that and them failing to deliver. At the end of the day, my opinion is that they failed to deliver a good storyline and one that felt true to the character(s), and that’s why everyone is so upset still.

And yeah, I’m not ignoring everyone’s also upset because they chose to give an unfairly sad and cruel ending to a queer character that had been hated on by a group of homophobic, misogynistic assholes for months. And at the end of an already very sad week and very sad few months. Their treatment of this queer character and couple was the straw that broke the camel’s back for a lot of people.

But overall? I don’t think people were mainly mad for 911 not being queer media. They were mad because of how the show played them and how cruel it all felt.

(Sorry if my rant at any point sounded a bit aggressive btw! Not directed at you if you felt that. I’m just passionate about this lmao. Also sorry bc it got long)

anyway! Love to receive controversial takes, so thank you. my inbox is open for ranting, venting, giving your opinions (popular or unpopular ones) and even confessions!

Take care <3

ps: week was crazy, but tomorrow i promise to go over some posts i have on my drafts hehe 🫶🏻

[swaps55]

Just wanted to say, regarding female characters - one of the strengths of Opus is the combination of Aslany and Pendergrass. One of my pet peeves is the rule of The Trio - almost exclusively, two guys and one girl. Han, Luke and Leia. Harry, Ron and Hermione. Katniss, Peeta, and Gale. Aang, Katara and Sokka. Ash, Misty and Brock. Every 3-man cell in Naruto. And so on. There's some overlap with love triangles - Bella, Edward and Jacob, for example - but the upshot is that the main character relationships can only explore how the guys get along with each other, and how they get along with the girl. How girls relate to each other is skipped over entirely because there's only one girl.

Then, the one girl is often relegated to being The Girl. Answerable for all womanhood. Like when Ron gets offside with his friends, it's because he's being a dick. But if Hermione does, it's because girls are weird. It perpetuates the two genders of Normal and Girl, and the reader is invited to sympathize with how hard it is for the Normals to relate to the feminine mystique of girls. But of course, girls are mysterious when they're never portrayed together, just existing. Normally.

Opus has two wonderful lead female characters who aren't so easily pigeonholed, and the story is as invested in how they play off each other as how any of the others interact. The thoughtfulness in what makes all the characters tick, and how they serve the story really comes through and makes it more engaging. And then there's Hannah, a powerhouse of a minor character in just a few scenes, you know she's my fave.

Fanfic is an adjustment after conventional fiction - it's more diverse, and the sheer novelty can provoke a kneejerk "why did they make that character [anything other than straight cis white]?" Not because there's anything wrong with it, but because it's new. But in sci fi especially, there's a verisimilitude to diversity.

This unexpectedly turned into a bit of novel, sorry! Aslany and Pendergrass are great!

Oh gosh, thank you!!!

Aslany and Pendergrass are so much fun and so very important to me, and it's absolutely incredible that they strike such a chord with others. I share your frustration on how often a solitary female character is expected to represent all women. "The Two Genders: Normal and Girl" is an amazing way to put it.

I've probably mentioned it before, but I have rules in Opus when it comes to supporting and background characters: they cannot be cis, white, male unless I have a good argument for why they should be, and to combat my biases when it comes to defaulting to male background characters (and BioWare's inability to conceive of female alien who aren't a sex fantasy), I try to start with female as default and then argue for why someone should be male.

And Opus, of course, is a story centered around a male/male relationship, which means I need to make a concerted effort to include women and their stories around that central through line. I wanted some of Sam's primary influences - good and bad - to be women. Hence Hannah Shepard, Guthra Tulak, and Anya Oseguera.

When it came to the 'Yang, I knew I already had two male lead characters, so I wanted to balance them out. Of the primary 'Yang OCs, only Clay Beaudoin is male, and he isn't white.

Okay, there's Wong, but because he's a plot device and effectively got fridged, I wanted him to be male. XD

Hannah Shepard is a lot of fun (I love how much you love her SO MUCH) because she takes so much blame for things most male characters don't. In many ways she's a parallel to Thane, who never takes much flak for being an absent father. Now, that's not something the reader should be blamed for: the ME2 narrative centers around Thane's perspective, which makes you sympathetic to him, while Opus very much looks at Hannah through Sam's lens, which makes her very unsympathetic. Which is why I so enjoy her occasional POVs when you realize that the world looks very different through her eyes, and maybe everything you're led to believe about her isn't the whole picture.

But Aslany and Pendergrass are really special, with their own motivations and complexities and strengths and flaws that, while sometimes making Opus more challenging to write, make it better. I'm really glad people have latched onto them, because it gives me more freedom to expand their role in the overall narrative.

[boysnberriespie]

Oh my GOD I forgot that Jared Harris was in the City of Bones movie

[bibiana112]

One of my favorite character traits that Junpei has is how as much as he's protective and caring to his favorite people and impulsively jumps into danger to help others if he has an opportunity to without wanting anything in return and highly values the promises he makes he just seems to also always be more curious than he is sensible or empathetic, he gets so caught up on the horrors he sees but he has such a hard time looking away, he's right to analyze and be intrigued by the ninth man's remains but he stands around staring at it until he pukes, in the showers you can interact with the wall behind which lies "Snake's" corpse and he will pick up more details about it each time you click on it until he has to mentally rip himself away because it's not that he can't keep looking at it it's that he better look away and focus on getting out, and the way he talks to Clover about the body with every minutiae she wouldn't want to hear is like his brain connects faster to his mouth than it can connect to his sense of morality sometimes which I guess turned out to be a good thing in this one case or just good common sense in general like there's other minor things he blurts out at times, he's stated to not have tact be his strongest suit, he's insensitive on accident trying to fumble through interactions even if he's entirely confident on what he's saying he's soo sharp when he has a goal in mind but he's soo dense if he's trying to just exist my man is so traumatized and his brain always seems to default to taking the most of any given situation in as possible to desensitize himself instead of any other response and sometimes it pushes his mind to be so single mindedly entranced on not ending up that way too that he'll describe a mangled body in excruciating detail to a grieving relative even if that's his friend and even if he feels guilty about it immediately as soon as he catches up with what just left his mouth instead of staying in his thoughts

[genshin-projection]

i don't think i can be normal about Sunday guys

[girlspecimen]

we’re also never getting anything mulan out of twst even tho it’s a classic because disney i think now realizes their portrayal of the huns was racist 💀 and bringing that back into the spotlight would be bad for business

[bastardlybonkers]

i feel like not enough ppl are factoring in the cultural clash between laios and shuro and the many micro agressions shuro faced while being in their group. literally the name 'shuro' in itself is one

his name is toshiro 😭 lets also not forget that he has his own communication issues, in the opposite way that laios does- thats literally a factor in their argument, that his envy for laios's ability to express himself sincerely manifested as part of his distaste for him.

ig all this to say like, was their fight heart wrenching, especially when reading laios as autistic? absolutely. anybody whos ever been in laios's position knows how much it hurts to realize someone you thought was your friend doesnt actually like having you around, especially when they didnt tell you and you had no way of knowing due to not understanding their cues. but im begging yall to step back and see the nuance of this situation cause im gonna be real a lot of you are kinda just brushing over it acting like everything is toshiros fault and that hes a terrible person when in reality hes an average guy who really, really clashed with laios and it led to a very long misunderstanding due to their supremely opposite methods of communication. even laios and toshiro, after letting everything out in their fight, were able to come to an understanding and start a foundation for an actual friendship built on better communication

ok yknow what Edit: i shouldve made it even more explicit at the end of this post, i hadnt thought i would need to since i started the post with this, but i think a few too many people are missing my point so i just wanna clarify. i shouldnt have said 'really clashed' and left it at that because yeah they did, but it wasnt just their opposite methods of communication, it is also very much that toshiro was experiencing microaggressions via laios. it may have been unintentional on laios's part, but it still happened and wore him down, made it harder for him to communicate on top of both the more subtle social cues that he was raised with and his own communication difficulties. i also want to say that the fandom reaction to toshiro and the complete ignorance of this point is also racist tbh or at the very least ignorant. i understand that the anime did not cover this panel, and neither did the manga, as this was an omake, but im gonna be real with you guys. there are enough context clues within the story to clue you into this. if you didnt pick up on it thats ok, but i think this is a good lesson in picking up subtext in the stories that youre watching and/or reading. kui shouldnt have to explicitly say 'by the way laios was racist to toshiro' for this point to be understood, and at the very least, when the author portrays a character in a sympathetic light (as kui clearly does) it should make you question Why they are doing so and what makes them sympathetic, rather than youre immediate and only reaction to be 'well i hated what this guy did/said so i hate them and they suck'. idk exactly how to finish this, just. idk. question your biases and gut reactions to things you see in media and stories, and think about whether or not theres subtext that youre missing.

[gregrulzok]

This is something I love SO much about Kuro, and about Dunmeshi's portrayal of Bilingualism.

Like ... When we first meet Kuro it's so easy to assume he's a dummy. He's a big doofy-looking dog man that only talks about food, and his sentences are disjointed and broken, so you think oh, haha, token dumb character.

But then we swap to speaking Kobold and it hits you like a truck - Kuro is a person, and he has a full and complete train of thought that he can articulate. This is a grown ass man, and in his native language he speaks just as well as anybody - not only that, but here we see that Kabru, who is usually so good with words, speaks Kobold just as poorly as Kuro does common.

It's such an easy, obvious, and common trope to depict broken speech in a characters non-native language as a funny gag at the expense of their intelligence - not even just in fiction! Making fun of non-native English-speakers for their broken English is so fucking common and normalized - and here you have such a clear and simple portrayal that, no, in fact, Kuro isn't stupid.

And the thing is, common is common for a reason, right. In general high fantasy, "Common" means "Language that is effortless for everyone to speak". But in Dunmeshi, it's explicit that Kobolds can't fully learn Common - Common is designed for Humans, but Kobolds are demi-humans with different mouths and throats that don't allow them to enunciate in the same way.

And yet Kuro is doing his best to study it. He's going out of his way to master a skill most others don't even have to think about. Speaking of which ...

We get this exchange between him and Kabru, which I also wanted to focus on.

Because when we first see Kuro, then portrayed as a simple-minded dummy, it's easy to think that Mickbell is taking advantage of him and Kuro is unaware. Here, Kabru even assumes they can't truly be friends unless they speak the same language perfectly.

But that's not really the case - Mickbell isn't taking advantage of Kuro, not in the way we (and the rest of the party) assume - because Kuro isn't as stupid as we assume. He's thankful to Mickbell, he wants to repay him, and the food is a nice perk - but ultimately he cares about Mickbell enough to put this much effort into learning a whole language for him (while Mickbell cares about him in his own way, though since Mickbell grew up without a family or friends, it usually just manifest in over protectiveness and a fear of losing him. His goal in life is to buy a house for them to live in together. Cmon.)

I think generalising Kuro and Mickbell's relationship as unhealthy (whether you perceive it as romantic or not) is doing a massive disservice to Kuro's intelligence due to his speech - something Kui goes out of the way to disprove.

I love these idiots.

[vadlings]

Represention of Autistic Frustration in Laios Dungeon Meshi

Like many other autistic people, I related strongly to Laios Touden while reading Dungeon Meshi. This post isn't going to spend time disputing whether he displays autistic traits or not—while I could do that, I want to focus on why specifically his portrayal struck a chord with me in a way the writing of most other autistic-coded characters has not.

Disclaimer: as the above suggests, this post is strongly informed by my own experiences as an autistic person, as well as the experiences of my neurodivergent friends with whom I have spoken about this subject. I want to clarify that in no way am I asserting my personal experience to be some Universal Autistic Experience. This post is about why Laios' character feels distinct and significant to me in regard to autistic representation, and while I'm at it, I do feel that I have interesting things to say about autistic representation in media generally. This also got a bit long, so I'm sticking it under a read more. Spoilers for up to the end of chapter 88 below.

The thing that stands out most to me in regard to Laios' characterisation is the open anger he displays when someone points out his inability to read other people. This comes up prominently in his interactions with "Shuro" (Toshiro Nakamoto):

The frustration pictured above (Laios continuing to physically tussle with Toshiro, using crude language toward him) becomes even more notable when you remember that this is Laios, who, outside of these interactions, is not easily fazed and often exists as a lighthearted contrast to the rest of the cast. Then we get to Laios' nightmare.

In Falin's words: "Nightmares love emotional wounds. Wounds you hold in your heart. Things that give you stress, or things that were traumatic for you. They aggravate memories like that and cause the dreamer to have terrible dreams." (chapter 42, page 10.) (damn. i'm properly citing for this post and everything.)

Thus, Laios' nightmare establishes an important fact: even if he is unable to recognise social blunders while he's making them, he's at least subconsciously aware that other people operate on a different wavelength to him, and that he's an outsider in many of his social circles (both past and present). His dream-father's disparaging words stress the impact this has had upon his ability to live up to the expectations set out for him, and we also get a panel of kids who smirk at him (presumably former bullies to some degree). Toshiro's appearance only hammers home how much Laios is still both humiliated and angered by his misunderstanding of their relationship.

I've thought a lot about anger as concomitant to the autistic experience. When autistic representation portrays ostracization, it's generally from an angle of the autistic character being upset at how conforming to neurotypical norms doesn't come easily to them; as a result, they express a desire to 'get better' at meeting neurotypical standards, a desire to become more 'normal' (whether the writing implies this is a good thing or not). In contrast, not once does Laios go, "I need to perform better in my social interactions, and try to care less about monsters, because that's what other people find weird." His frustration is directed outward rather than inward, and as a result, it's the people around him who are framed as nonsensical.

The Winged Lion starts delineating Laios' anger, and Laios' reaction is to think to himself, "It can sense all my thoughts, huh?" (chapter 88, page 16.) This is the scene that really resonated with me. I'm not saying I have never felt the desire to conform to neurotypical norms that is borne from insecurity, but primarily, I know that I don't want to work toward becoming 'normal'—I don't want to change myself for people who follow rules I find nonsensical. It's the difference between, "Oh god, why can't I get it," and, "WHY CAN'T YOU GET IT?" (phrasing here courtesy of my friend Miles @dogwoodbite). And for me personally, Dungeon Meshi is the first time I've seen this frustration and the resultant voluntary isolation from other people portrayed in media so candidly. Laios' anger is not downplayed or written to be easily palatable, either.

The culmination of Laios' frustrations in this scene wherein we learn that Laios has fantasised about "a pack of monsters attacking a village" drives home just how alienated he really feels. I need not go into his wish to become a monster himself, redolent of how many autistic people identify/have identified with non-humans to some degree as a result of a percieved disconnect from society (when I was younger, I wanted to be a robot. I still kind of do.)

Obviously, wishing death upon other people is a weighty thing, but the unfiltered nature of this page is what deeply resonated with me. The Winged Lion is laying Laios' deepest and most transgressive desires bare, and they are desires that are a product of lifelong ostracization by others (whether intentional or unintentional). This is the brand of anger I'm familiar with, and that my neurodivergent friends express being familiar with, but that I haven't seen portrayed in writing so explicitly before—in fact, it surprised me because most well-meaning autistic representation I've experienced veers toward infantilisation in trying make the autistic character's struggles easy for neurotypicals to sympathise with.

Let's also not neglect the symbolism inherent to Laios' daydream. "A pack of monsters attacking a village". Functionally, monsters are Laios' special interest—he percieves everything first and foremost through his passion for monsters. His daydream of monsters attacking—killing—humans, is fundamentally a daydream of the world he understands (monsters) overthrowing the world that is so illogical to him, that has repeatedly shunned him (other people). I joked to my friends that it's an autistic power fantasy, and it actually sort of is. And in it, his identity is aligned with that of the monsters, while his anger manifests in a palpable dissociation from the rest of humanity. This is one manga page. It's brief. It's also very, very raw to me. I think about it often.

To conclude, I love Laios Dungeon Meshi. This portrayal of open frustration in an autistic character meant a lot to me, and I hope I've sufficiently outlined why. Also, feel free to recommend media with autistic representation in the notes if you've read this far—I would really like to see if there is more of this nature. Thank you for reading. I'm very tired and should probably sleep now.

[daydreamerdrew]

Iron Man (1968) #96

[bookdragonideas]

Here's the thing. I'm a girl, and as a girl, I really like it when girls are portrayed in fiction. Especially fantasy.

But so much fiction/fantasy mixes up 'girls' with 'unstoppable forces of female badass' and there's not necessarily anything wrong with having a character who is an 'unstoppable forces of female badass'. But it gets old real quick. And it is not the same as portraying normal girls, or having good female characters.

And that's one of the many reasons I love Avatar the Last Airbender.

Because all the girl characters have flaws and weaknesses and sometimes act like idiots or jerks. They get emotional and make mistakes. They lose fights or arguments or are just wrong sometimes. Some of them are amazing warriors, and some aren't. Some are powerful or special and some are normal, with nothing special about them.

And I Love that.

I was around the same age as Katara when I first watched Atla. And I instantly connected with her as a character. I loved her optimistic attitude and her fighting spirit. And I could relate with her anger, and with her maternal instinct. I admired her fighting skills of course, but I loved how the show portrayed her compassion and kindness, the way she could both beat up a bunch of bullies AND enjoy a relaxing day at the spa. She was a baddass warrior that should never be crossed. But she was also a normal teenage girl who had a lot of the same internal struggles and problems that I did.

(I never connected to Toph on the same level, but I did relate to her on a few things. She's an adorable trash gremlin who would commit any crime for fun and I love that. But she struggles with being both independent and letting people help her, and I still struggle with that sometimes. I've learned that sometimes, you can help others by letting them help you.)

Yue is, in my opinion, a perfect example of a type of hero that seems to be disappearing. She is not a warrior. She is not a fighter. She's not even a bender.

Yue is a perfect princess, a perfect daughter. She is extremely feminine in a rather older sense.

And she was the only one who could save the world. She gave up everything for her people. She saved everything, everyone, the entire world. Without ever becoming a fighter.

Yue is a perfect example of a girl who was never more than a girl, and how that's okay. Not every girl has to be rough and tumble and fight for her rights in order to change everything. Sometimes it's okay to just be a quiet obedient girly girl. Sometimes that's all it takes to be a hero.

And I love that. Yue is strong in her own way. She is unique and interesting. She appears in only a few episodes and yet manages to be one of my favorite characters.

Song is another great example of this. Song is a healer in a small town. We don't see much of her but we see her compassion and empathy. She is gentle and generous. A healer not a fighter.

She watches Zuko steal her ostrich horse and does nothing.

Is that because she's kind and generous and knows he needs it more? Or is it because she's a healer girl who knows she can't actually stop those two from taking the horse? Maybe neither, maybe both. I have always thought that the scene where Zuko steals the horse and only the audience knows she saw it is one of the most thought-provoking in the series.

Suki is a badass warrior woman who is an awesome fighter and good leader. She is one of the best non bender fighter we see in the entire show. She was one of the smartest, most efficient, and powerful characters we ever saw.

She kissed a boy she had just met because she thought he was cute.

Now don't get me wrong I love SokkaxSuki. Its one of the best couples in the show.

But Suki totally did the old 'love at first sight' thing. And that is awesome. Because when she kisses him she delivers one of the best lines, not only from her, but, I think, in the entire show.

"I AM a warrior, but I'm a girl too."

Being a warrior doesn't mean that she isn't also a teenage girl. She might be a fighter, but she still gets crushes and likes to flirt with cute boys. And hey, she picked a good one. Not every boy is going to come break you out of prison.

Anyways, let's have more realistic girls in fiction. And please enjoy the next 24 hours.

[unknown7s]

Can I just say that I really fucking HATE how the majority of the Arcane fandom praising Season 2 is deeply in the mindset of Piltover in reality? Like, it's not even funny, and I don't know where to begin.

I'll just start with Silco because he's this huge metaphorical character who is clearly written as the embodiment of a long list of sociopolitical agendas in the real world. And before I start, pardon my English, since it's not my first language.

I know y'all in the Anglo-American sphere tend to focus more on classism, inequality and police brutality theme. But the way I see it, THAT and every single dialogue plus the specific word choice of Silco & Sevika literally SCREAMS of postcolonial discourse (I guess F. Fanon is most well-known to y'all) and even some part of M. Foucault's philosophy, etc. I'm writing "etc." because the list will go on forever if I describe all these creepy historical parallels between the depiction of Zaun's internal conflict and what real countries that have been (or still are) colonies went through, and what real colonizer propaganda looked like during that time—like how those characters who fight for the nation's independence are the big bad villain and psychotic monsters who need "redemption arc" therapy, while those who cooperate with the oppressors are the good-hearted familial heroes of this story.

So upon reflection, if this fandom were to be a collective intelligence, we should have asked ourselves, "Is this show truly not problematic for portraying such a character as villainous?" and thus, "Is this show thematically implying far-right propaganda?" even before Season 2 presented us with this insane plot that glamorized the militaristic fascist aristocrat proclaiming martial law as a 'romantic revenge arc'.

But what did the majority of the fandom do since 2022? They were so busy shitting on this dead villain, claiming he has done so much wrong that he doesn't even deserve to be praised as a character. So instead of trying to understand where this character's point of view is coming from, they blindly hate him to the point where they are now fabricating a list of crimes that he didn't even commit, editing false information on the fandom wiki profile.

What's more frustrating to me is that I thought the problem was media illiteracy all along, but oh no, I was being way more optimistic than the reality. Now that I’ve read all these interviews from the showrunner and main writer—Linke and Overton—I get the sense of why Season 2 turned out like that. The more they babble on about this show, the clearer it becomes that they don't even acknowledge how messed up their political views are, which are so far-right. Taking the seemingly-centrist line doesn't make you fair, you're just passively siding with the oppressors. And lesbian sex scene doesn't make this show "progressive", in fact, hiding oppressor fantasy behind a rainbow flag makes it even more treacherous.

So yeah, I think critical voices should be much louder than this, but watching the majority of this fandom neglacting problems only to praise the show? I think my hope for humanity kind of get lost more and more as time passes, lol.

[shrimpybbq]

the thought of drew and obx actress!reader sweeping award season with their crime drama😍 maybe it’s about 2/3 seasons too to really get their characters yearning…

Hehe they’re on the red carpet at the Emmy’s with the rest of the cast but they’ve split off together to do interviews. The reporters are ecstatic at getting the main actor and actress of the hottest tv show this year in front of them. Ever the gentleman, Drew has his hand resting on her lower back as he guides them through the interview line ups.

“So Drew! Y/N! How are we feeling? Your show is predicted to sweep the awards tonight - what’s that feeling like?”

Drew looks over and obx actress!reader before smirking cheekily. “I mean… I’m honoured,” he drawled, laughing as he received a playful swat to his chest at the now-famous remark. “No, but really, it’s really rewarding to know that people are liking and appreciating our work. Just a big thank you to everyone who has watched our little show. For letting us put two seasons out as well - it’s amazing to see people have faith in us.”

When the reporter turned to obx!actress reader, she spoke too, “Pretty much just echoing Drew, but it’s been quite intense! You know, you always have hope that your project is going to do well, but seeing the way this has blown up and the love from the fans for us and these characters has been incredible!”

Drew nodded alongside her. The cameras caught the way the pair had subtly begun to lean into each other, though it was clear neither was aware of it.

“And guys, coming from Outer Banks to this kind of show, it must be crazy! You two played an on-off couple before, but now for your characters, the stakes are a lot higher. What would you say has been the most important thing to help you portray this different kind of relationship, especially balancing the really challenging scenes you’re filming?”

Drew reached for the mic first, looking towards obx actress!reader momentarily for approval before speaking. “Yeah, I think knowing each other for so long beforehand was probably the most important thing. We would always debrief after scenes and check in to make sure we were both good, just keeping ourselves in good condition.”

He passed the mic to the shorter woman by his side, turning his attention to her.

“When you’re filming scenes that put you on edge and really push you out of your comfort zone, having people you feel safe with is just so invaluable. Pedro was great with that too, and all the cast on the show really recognised the nature of what we were portraying. Drew and I had a routine that each evening after filming, we would go and get ice cream from this place near the set and just chill. It was really great to just sit silently and eat for a while, you know?”

The interviewer nodded, incredibly pleased with the answers she’d managed to get from the pair so far.

“Ok! So my last question before you go is this - who is the best dancer on the set? Drew, I know you love to show off your dance moves, but there are quite a few great dancers in the cast!”

The pair both thought silently for a moment, before obx actress!reader leaned into the mic, “it has to be Pedro! He loves a quick dance party in between takes.”

“I’m also gonna go with Pedro,” Drew chimed in.

The interviewer grinned widely, thanking them quickly as their publicist began to shuffle the actors over to the next interview stand. The camera caught the pair waving goodbye as they moved over, not failing to capture the way Drew’s hand still rested on obx actress!reader’s back. This time though, her hand was resting on his bicep as she turned to talk to him, their bodies pressed closely together. The interviewer thanked her lucky stars that the pair were so touchy because her editor was going to love this.

[shiny-jr]

Hi! I noticed that your requests were open and I love the way you write Malleus so I was hoping you would do yandere malleus x reader. where the reader knows twisted wonderland is a game (but not imposter au pls) and after they got isekia'd are trying to stop the overblots from happening and malleus is just terrified for them. Idk just an idea I've had for awhile but never found a fanfic like lol. Obviously it's totally fine if you don't want to do it or if I accidentally broke a rule. Anyway remember to drink some water and take a break if needed! Have a amazing rest of your day/night!!

Warning: Yandere (not really, not at all). Gender-neutral reader.

Characters: Malleus Draconia.

Summary: MC sees affection meters and it's not good.

Note: These are mainly thoughts and random words my mind spewed out.  

How did one claim victory at a game? Well, it entirely depended on the game, the mechanics and the options. It should've been impossible to lose a mobile game that was primarily composed of the gacha mechanism and visual novels.

When you suddenly found yourself in the series of twisted villains in a prestigious school of magic, you found that it was much more complex than it appeared on screen. Especially when only you could see these small bars occasionally floating above people's heads. Bars which you recognized as affection meters, nearly all of them stagnant at a dull gray 0% when you first arrived. This was the hurdle blocking your way to an easy victory. Because how else were you to escape the game, other than complete it?

Situations became messier, when you didn't have a dialogue options between two mere choices. Add making good impressions and keeping a character's favor, to the list of quests alongside avoiding death by inky overblotted characters. By some miracle, you had increased the affection of the characters you met and interacted with to a healthy 5% or 10%, sometimes more. At any cost you wished to avoid getting in the negatives, because you did not want to find out what would happen then.

Sometimes, the numbers would drop dangerously close to zero, mainly when an overblot was occuring. Never had you realized how the visual novel failed spectacularly at portraying the utter horror of the overblotted in all their wicked glory. The black inky darkness leaking from them like tears or blood with those crazed unhinged looks in their eyes–– was the stuff of pure nightmares.

And yet the one whose overblot you had been dreading the most, the dorm leader of Diasomnia, was surprisingly docile as you dealt with others. However, you knew even when conversing with him, that you would one day witness him overblot and look like some ethereal but deadly fallen angel. So mentally you prepared yourself, while taking on the task of keeping up appearances.

Malleus' affection meter, was a good 20% and a friendly pink shade, quite the accomplishment you were proud of, considering the majority of the cast wasn't even at 15%. The Draconia heir was certainly someone you never wanted to see reach below zero, so you did your absolute best to appeal to him, even if he was quite intimidating at first with the way he stoically watched you complain about the least of your worries, homework and classes.

By the time you spoke to him about your troubles with the Ramshackle dorm and Azul, during what you knew was the Octavinelle arc, the prince's affection had sprouted to a 22%. When you went into more detail of the potential loss you could face, it went to 23%.

The next time you saw him, you were weary and antsy since witnessing Azul's break-down. If the blot of his tears had the magic to gather, it would've been enough to drown, you were sure of it. Even by that maniac look in his eyes, you're sure he would've purposely drowned you if he got close enough.

Throughout that charlatan's chapter, his affection meter had slowly been rising, dropping during the overblot like the tides only to rise once again by the end to a good 45%. This was good!

But no matter how much you may have pondered, strategized, or try to predict each next action, you could've never guessed that the next time you saw Malleus after Azul's overblot, his expression taut with concern, his affection meter had made a jump to 55% and turned red. This entire time you had been avoiding the negatives, but you never once worried of the dangers and implications a red affection meter above 50% would mean for you. Or heaven forbid, anything close to 100%.

[threeacttragedy]

Entry 17: The One About All the Hot Air

Oh, hey, hey, hey – what is that over there?

No, not that –

That!

Ah, fuck.

Is that what I think it is?

Yeah, yeah, it looks like some sort of hot air balloon.

Ugh, it’s that fucking wannabe Wizard! Get that manipulative shit-fuck outta here!

Seriously, don’t let it set foot on land. It’s not welcome on this side of Oz.

Someone release the flying monkeys! Like, now. Knock it out of the sky.

Wait, I thought the Wizard liked green. This weirdo has a red balloon.

Bitch, I didn’t say it was the Wizard; I said it was a wannabe Wizard.

Oh, no wonder it’s steering that balloon like a fucking clown.

Hell, I don’t even think we need the monkeys. That idiot is going to crash and burn itself straight into the glass walls of the Emerald Palace.

Well, you know what they say when you start throwing stones in a glass house…

It is slightly amusing (and a tad concerning) to me that children are always led to believe that the villain of “The Wonderful Wizard of Oz” is that bitch of a Witch of the West when the worst character traits are actually portrayed by the Wizard himself. And, by “worst character traits,” I mean that he was a master manipulator who conned an entire city into believing he held some form of great power.

Did you know that in the original story the Emerald City wasn’t really that green? Sure, it was made from green glass and emeralds, but the Wizard required everyone to wear green-colored glasses so that everything appeared greener than it actually was. Weird, that. And, even more weird, people bought it! “Here, put these glasses on and you’ll see everything exactly the way I want you to see it.”

Yeah, yeah, yeah, I’m fully aware “The Wonderful Wizard of Oz” is a work of fiction, but the idea that people can be easily manipulated – especially by someone with “power” – is not fiction.

That’s what today’s piece of “hot air” is about – fandom manipulation and the power of suggestion. And who better than to manipulate an entire fandom than the media? It’s unfortunate that I have to give the media power in this story – and even more unfortunate that I have to give it to rag-mags and social media – but the reality is information is power, regardless of whether it’s misinformation. In fact, MIT Sloan did a study in 2018 demonstrating how false information spreads through social media, namely, Twitter, six times faster than true information. Disturbing, right? I don’t even want to know what the going rate for misinformation is in 2025.

And, of course, since I opened today’s story with a visit to the Land of Oz, we may as well take a day trip over to Australia. Remember how I told you Australia deserved an entry of its own? Well, this is it. No, not really. I did say this was a day trip, not a sleep-over, so it’s not going to be chucked full of shiny bracelets or ways to “keep a good girl down.” It’s just our starting point today.

In my first entry, I briefly described what brought me into this fandom. It was something Luke said – and not really what he said, but how he said it – that left me intrigued. He was being interviewed on the Bowral red carpet by “Gretchen from the Philippines.” Yes, that’s literally how she introduced herself! Could I instead refer to the nice lady by her real name (Gretchen Fullido)? Sure, but “Gretchen from the Philippines” is far more fun. Plus, it sounds kind of whimsical. Any ways, Gretchen (from the Philippines) asked Luke if, “in real life,” he’d support friends-to-lovers. Luke’s response was, well, a bit jumbled, which was what sparked my curiosity because his previous answers that day were, for the most part, articulate: “I would – I would support friends – I feel like it’s not something that – that I have in my li – that I resonate with – that I’ve experienced. But, you know, if my – if my friends wanted to explore a relationship with one their friends, go for it. I’ll support it.”

Something in the way Luke answered that question was like suddenly being able to see the forest for the trees. At that moment, I was convinced Luke had always been in love with Nicola, and everything else that went on during that particular red-carpet event (and thereafter) simply christened the USS Lukola. However, that comment by Luke – and a subsequent one he made in New York – would result in the addition of a lot of trees to our enchanted forest.

Now – I apologize – we need to borrow a hot air balloon, preferably one that can travel through time, and jump forward to November 5, London-time. I promise, we will return to Oz momentarily.

Oh, fuck.

What now?

That ridiculous faux Wizard is right behind us. I thought I told you to send in the monkeys!

Dammit, you said we didn’t need them! I left those fuckers back in Oz.

Well, umm, I think we might need them now.

Why??

Uhh, do you see those four-legged beasts on the ground chasing our balloon?

Oh, you mean those coyote-like creatures?

Yeah, but we’re not in the Americas – and those ain’t coyotes…

Ah, here we are: November 5, Claridge’s, London. This was the evening Nicola attended the Harper’s Bazaar Women of the Year awards. We’re only stopping in real quick to steal a piece of the speech Nicola gave that evening. Okay, got it! Let’s get the fuck out of here!

The part of the speech I wanted to share was this: “I did a six-month press tour for Bridgerton, the show which I love, and I’m so proud of. The amount of inappropriate questions I got asked about my appearance, about my relationship…”

Hold up. Relationship? What relationship?

Did she say “relationship” or “relationships?”

Does it fucking matter?

Well, I guess not. But what does it mean?

I could tell you what I think it means… Wait a hot-air-balloon-minute – where the fuck have you taken us? I told you we needed to go back to April 21, Aussie-time. This looks like Soho in January.

Shit, sorry. Let me fix that. Here we go…

>>> 

Umm, hey, where’s that weird little red Wizard? I swear it was just behind us…

Eh, probably got stuck in Soho, hahaha. Guess it missed its exit.

Do you think that’s a good idea?

Yeah, sure. It’ll be fine…

We’ve returned to April 21, Bowral, Australia. Now, at this point in the timeline, World Tour interviews were already well underway. In fact, the first two parts of EmEdits on YouTube are entirely pre-Australia interviews, making up roughly 6 ½ hours of screen time. I’m not the least bit surprised that “Gretchen from the Philippines” asked Luke what his thoughts were on “real life” friends-to-lovers. The chemistry between Luke and Nicola was hard to ignore.

The Australian red carpet also introduced the hand holding, which – if we took another magical mystery tour over to May 9, Italy – Nicola and Luke agreed was a sign of “love.” I suppose I could buy the excuse that one or both had so much anxiety they needed the other’s hand to remain calm on the red carpet. But, nah, I wouldn’t buy that at all – for one very specific reason. When Luke and Nicola were seen leaving (I believe) the Milton Park Country House on April 23, Luke instinctively reached for Nicola’s hand as they were descending the steps. Why? This reflex by Cool Hand Luke was as natural as a pregnant woman touching her stomach. I ask again – why?

There’s only one answer.

It’s the answer that fits with the Claddagh ring. It’s the answer that fits with the side jaunt to Galway. It’s the answer that fits with their natural chemistry, the hand holding, the canned “shared experience” and “unique relationship” responses, the playful sexual innuendos. It’s the answer that fits with Luke’s “the best foundation for love is friendship” bracelet. It’s the answer that fits with Nicola’s remark about “[t]he amount of inappropriate questions I got asked…about my relationship…” It’s the only fucking answer that makes sense.

But, the real kicker is, why don’t people believe that is the answer?

Why is it so hard to believe that Luke and Nicola could be in a real-life relationship?

That’s easy – because the Man Behind the Curtain told us so.

Who is the Man Behind the Curtain? Well, that’s also easy. It’s collectively the rag-mags and the social media creators on the prowl for a following. It’s the spread of misinformation at its worst and it’s so incredibly easy to do with, say, a pair of green-colored glasses.

Like I said, “…put these glasses on and you’ll see everything exactly the way I want you to see it.”

There was one major plot twist that came out of the World Tour, and you already know what that is. The seed was planted with a New Year’s Eve kiss, fertilized with blurry pictures, a compulsory hallway hug, and copycat photos, and encouraged to grow with a bit of junk news and a lot of social media innuendo. Now, I’m not saying the video and photographic evidence that was presented was fabricated; I’m simply suggesting the narrative that came out that evidence was skewed. The media, namely, social media creators, pushed us to plant Lutonia trees while Luke’s actions (i.e., not acknowledging the existence of Lutonia) told us to “pay no attention to the Man Behind the Curtain.”

Uh, so, what you’re saying is we shouldn’t have left that wannabe Wizard in Soho?

Ah, shit! I forgot about that fucker!

The unfortunate thing about the Lutonia narrative was that it was bolstered by insinuation that Luke would never be interested in Nicola. Now, whether these remarks were deliberately planted, or they were simply seedpods carried away by a storm, they were not overlooked by Lukolas – or Nicola. In fact, Nicola herself brushed upon it in her Harper’s Bazaar speech: “The amount of inappropriate questions I got asked about my appearance…” Yes, I’m referring to the suggestion that Luke preferred “brunettes” over “blondes.” Somehow this narrative was conveniently supported by the existence of – lo and behold! – the brunette “friend of a friend” Antonia, who happened to be slender. Again, whether it was intentional or not, the push by, initially, social media creators (and later gossip rags) to link Luke to Antonia inadvertently called the blonde in our story – Nicola – fat. I refuse to dance around that word because it is exactly what this disgusting narrative implied when it chose to compare Antonia to Nicola. Regardless of whether these gossipmongers “corrected” themselves by replacing “thin” with “brunette” and “fat” with “blonde,” the implication was that Luke would never be interested in Nicola because she had thick blonde hair. This was incredibly upsetting and confusing to many Lukolas because it was contrary to Luke’s behavior towards Nicola throughout the World Tour (and in Bridgerton behind-the-scenes clips).

I decided months ago that Luke was incredibly transparent. And, by that, I mean he’s terrible at keeping secrets. Luke himself admitted his “tell” to this was pulling at his ear – now go watch the World Tour with that information in mind. It’ll give you something to do, at the very least. Luke’s sincerity is also why the blonde versus brunette nonsense just doesn’t take flight for me. Any ways, as I hinted at earlier, Luke’s comments on the Bowral red carpet and his later comments in New York City about friends-to-lovers would – again, unfortunately – give the Man Behind the Curtain ammunition to debunk any real-life relationship between Luke and Nicola. Luke was quickly labeled as being “…dismissive of something ever happening between him and Nicola…” Those are literally the words The Tab used in an article dated May 22 to explain Luke and Nicola’s differing commentary about real-life friends-to-lovers. In fact, the article is titled, “Luke Newton has revealed the reason he’d never date Bridgerton co-star Nicola Coughlan.” Oddly – but not really given the source – Luke never actually said he would never date Nicola. But that fact didn’t stop it from becoming a theme of the World Tour – Luke didn’t believe in friends-to-lovers therefore he would never date Nicola – even though, by the end of the tour, Luke’s stance on this had seemingly changed. That’s not to say the rag-mags misquoted Luke – they didn’t – but the narrative they coiled around his words attempted to shut down the idea that Luke and Nicola would ever date in real life because Luke wasn’t interested. But what Luke was saying was that he believed in love-at-first sight. “I actually don’t think friends-to-lovers is something that happens in my life. If I meet someone, I know immediately.” Now, take that statement with the fact that Luke has repeatedly stated he remembers everything about the moment he met Nicola.

The above examples of gossip and innuendo are simply par for the course. The media manipulates facts all the time – whether it be through social media chatter or rag-mags putting their own spin on ordinary commentary – but this type of manipulation is not what puts the fandom in danger of itself. In fact, most of the gossip and innuendo that took root during the World Tour would have dissipated almost immediately after it ended – if it hadn’t been for Papsmear.

Yeah. That was disastrous.

Come to think of it, it was awfully convenient, too, don’t you think?

Absolutely. And you know what else was convenient? That little wannabe Wizard was –

Oh, yeah, I heard that, too! That clown has been trying to hand out green-colored glasses ever since!

Yep. Tried to give me a pair and I told it to go fuck itself and its little glass cat, too. I mean, they weren’t even name brand glasses. Fake ass, bitch.

All jesting aside, if you haven’t noticed already, I do, on occasion, use my writing to call out the fandom, usually as a whole. I mean, we are in this together, right? Actually, no; we ceased being Collectively Delulu after a few unsavory characters were bitten by the Hunter’s Moon and followed Nicola through the streets of New York and London. There was a major – and rather unexpected – shift in the fandom when the rabid Jakolas appeared from the dark corners of our enchanted forest. And I’m sure you’ve realized at this point in my story that I have one particular – oh, shit, I just realized I don’t even know to which fandom our wannabe Wizard belongs. Ruh-roh. Regardless, that motherfucker is in my peep sight because it is a perfect example of how fandom manipulation has reached a new level of toxicity.

Typically, I don’t care what part of the fandom you’re on. My general attitude is, to each their own. If you’re a Jakola and you find yourself spending an average of 15 minutes each week reading my Lukola blog, I applaud you for peeking outside of the den hole. Best not let Alpha find out, though. It’s all in good fun, right? I often find myself getting a good laugh from Jakola stories, especially when they theorize on the Woman Behind the Curtain. Question, though – did you find her? In all seriousness, if I didn’t consider Jakola and Lutonia perspectives, I would be borderline Conscientiously Stupid, now, wouldn’t I? After all, the desire for knowledge is what ultimately gave our Scarecrow his brain.

However, what I don’t find “in good fun” is when social media creators prey on more than one side of the fandom under phony pretense, namely, that they “just want Nicola to be happy.” Oh, these Cowardly Lions may argue that they’re simply being “neutral” – and, yes, I’m sure some instances of this do exist – however, neutrality does not embrace openly ridiculing one fandom over another, especially on a platform that is touted by its owners as being a “safe space” for everyone. The problem with these so-called “neutral creators” is that they’re only here for social media engagement – the clicks and the giggles – and they defect to the other side when the going gets tough. If you, too, take issue with this kind of creator, be soothed in knowing that when you play two sides, you find yourself with two-times the number of enemies.

What makes these so-called “neutral creators” – actually, let’s just call them the “Defectors” – so poisonous to the fandom is that they are made from the grease drippings found at the bottom of the barrel of the Conscientiously Stupid. The Conscientiously Stupid are one thing – they are the ones using their platforms to spread misinformation because they choose to ignore exculpatory evidence (i.e., they’re headstrong in their beliefs) – but the Defectors are typically the ones creating the misinformation and feeding it to the Conscientiously Stupid and then hanging them out to dry when the information proves to be false. The Conscientiously Stupid who refuse to “lose the battle” then resort to bullying (more so than usual) the Sincerely Ignorant of an opposing fandom. And in defense of their Sincerely Ignorant comrades (or simply because they’re sick and tired of the Conscientiously Stupid preventing anyone from having nice things), the Fact Finders – unceremoniously, I might add – have taken their own place on the battlefield (oh, yes, they are absolutely your tactical commanders). Now, the entire fandom is at war with each other – all because some wannabe Wizard – a Defector – convinced people to look through a pair of shiny, green-colored glasses. More than once.

Is it appropriate – or perhaps a bit catty – to put “ceasefire” here?

Ah, yes, well, uh, we have found ourselves a bit far from Oz at this point, haven’t we?

I suppose – but we are trying to help Dorothy find her way back home, and at least we now have an idea as to how she got lost.

Maybe one day we will get her back to Kansas.

Yeah, maybe.

Oh, silly me! I forgot to sneak in a sly reference to Dorothy’s third companion – the Tin Man! He’s perfect for the end of our story. You know, in the book, the Wizard was just an ordinary man who stumbled into his Ozian existence on a magnificent hot air balloon and took advantage of the power that Emerald citizens bestowed upon him. Yeah, yeah, yeah, the Wizard preyed on the naïve using deception and the power of suggestion and invoked fear in anyone who dared to question his authority –

Uh, where are you going with this?

Give me a minute!

Like I said – shit, where was I? – Oh, yes, the Wizard was just an ordinary man, and ordinary people are flawed. We all make mistakes. This is where our Tin Man comes in as he represents love and empathy. Yes, empathy; the ability to put yourself in someone else’s shoes, to understand and forgive, to take into consideration someone’s redeeming qualities –

You know that Wizard defected in his hot air balloon before taking Dorothy home, right?

Wait, what?

Okay, okay. It was Toto’s fault but the Wizard sure as shit didn’t come back for her!

Hmm, you’d almost think Toto knew the Wizard’s true colors all along…

“Au revoir, Wiz.”

[love-byers]

the first time i saw this, when i was NOT a byler shipper, i thought el was running TO mike. i thought we were getting a sweet moment where el runs to mike and he puts an arm around her or hugs her.

then i realized she was running away from him. 

and i was like, why?? they're supposed to be the couple why does she not want his comfort??

and even after will calls her out on doing mike wrong by lying to him, even after she sees that mike is attempting to talk to her and comfort her, that he's not angry at her, she still tells angela to lie to mike. more lies. that's how much she cares about keeping up the persona. had angela lied to mike, el would've continued lying to him the entire week. something she knows in her heart is wrong and not fair to mike.

this is a theme in s4. putting who you want to be seen as before being honest with your bf/gf. going above and beyond to preserve your lie, to be seen as who you want to be.

chrissy does that with jason. who she portrays herself as is completely different than who she really is and what she's really going through. jason has absolutely no idea chrissy is struggling and refused to believe chrissy would buy drugs, because chrissy didn't want to tell him. who knows how jason would've reacted if chrissy was honest, we don't know because chrissy didn't trust him enough to tell him. that's not love at all, that's sad.

this is a point in s2 as well. murray calls nancy out for being afraid to be her true self, and she stays with steve because she doesn't have to be her true self around him. she is her true self when she's with jonathan, and that's why they worked together. that's love.

the exact same thing happens with chrissy. the first time we see her genuinely smile is when she's with eddie. she's sweet and charismatic, and had she lived she totally would've gone to eddie's show, something you never would've expected from her, something her boyfriend, the person she pretends to love, would NEVER do.

robin and steve reinforce this too

you fall in love with the person who makes you feel accepted, the person who makes you feel like you can be who you are. the person you trust with your true self.

mike and el don't trust each other enough, they don't understand each other well enough.

they would have to change their behavior towards each other by leaps and bounds, and we're already at the last season. there is no time for that. stranger things isn't a multi season show about the complexity of romantic relationships and the healthy way to resolve problems. there is no time for that in just about any movie or show, especially a sci-fi show. you know what's way easier and way more likable? pairing your character with someone they naturally click with, who bring out the best in each other and for some reason can't help but be their authentic selves when they're with each other.

did it with jancy, like i said earlier

did it with lumax. when lucas and max talked on the bus max found herself spewing about things she'd never even said out loud before, and she had to stop herself. something about lucas just made her feel comfortable, like she could be herself and tell the truth. she trusted him.

"You're nothing like your brother, okay? You're cool and different, you're super smart, and you're like, totally tubular."

jopper too! joyce constantly had to hide things from bob, she was insecure about their family not being normal.

"This is not a normal family."

"It could be."

though bob had good intentions, the message of the show is not trying to be normal when you aren't. whatever it is about you that makes you weird or different, whatever you've been through that changed you, stay true to it. dont bottle it up and try to be someone else. all of vecnas victims in s4 were doing this, and it didn't end well for them.

they even did it with dustin and suzie. dustin constantly tries to impress max with his teeth, then in season 3 he says suzie thinks kissing is better without teeth. he doesn't have to be insecure about that or try to impress her. she likes him for him.

mike isn't comfortable being his true self around el either. he's insecure about his interests, he feels like he has to act older and cooler to impress her.

you shouldn't be with the person you feel you have to impress. you should be with the person who relieves that pressure, who makes you feel like being the authentic you is enough.

jonathan and nancy, lucas and max, joyce and hopper, dustin and suzie,

cough WILL AND MIKE cough...