#because I have a passion for

[inkskinned]

this is just my opinion but i think any good media needs obsession behind it. it needs passion, the kind of passion that's no longer "gentle scented candle" and is now "oh shit the house caught on fire". it needs a creator that's biting the floorboards and gnawing the story off their skin. creators are supposed to be wild animals. they are supposed to want to tell a story with the ferocity of eating a good stone fruit while standing over the sink. the same protective, strange instinct as being 7 and making mud potions in pink teacups: you gotta get weird with it.

good media needs unhinged, googling-at-midnight kind of energy. it needs "what kind of seams are invented on this planet" energy and "im just gonna trust the audience to roll with me about this" energy. it needs one person (at least) screaming into the void with so much drive and energy that it forces the story to be real.

sometimes people are baffled when fanfic has some stunning jaw-dropping tattoo-it-on-you lines. and i'm like - well, i don't go here, but that makes sense to me. of fucking course people who have this amount of passion are going to create something good. they moved from a place of genuine love and enjoyment.

so yeah, duh! saturday cartoons have banger lines. random street art is sometimes the most precious heart-wrenching shit you've ever seen. someone singing on tiktok ends up creating your next favorite song. youtubers are giving us 5 hours of carefully researched content. all of this is the impossible equation to latestage capitalism. like, you can't force something to be good. AI cannot make it good. no amount of focus-group testing or market research. what makes a story worth listening to is that someone cares so much about telling it - through dance, art, music, whatever it takes - that they are just a little unhinged about it.

one time my friend told me he stayed up all night researching how many ways there are to peel an orange. he wrote me a poem that made me cry on public transportation. the love came through it like pith, you know? the words all came apart in my hands. it tasted like breakfast.

[poorly-drawn-mdzs]

Horse Meshi. Delicious, in Horse.

[actually-nagito]

i don’t care. I don’t care. you are all SLEEPING on David tennant’s Shakespeare career. i don’t think you understand how passionate I am about this. not the “oh he quoted hamlet once haha” no I’m talking about THE YEARS AND YEARS HE SPENT DOING THEATRE, PERFORMING SHAKESPEARE, AND BEING ONE OF THE BEST THEATRICAL ACTORS EVER I don’t care I don’t care I don’t care DO YOU REALIZE HOW IMPORTANT SHAKESPEARE HAS BEEN FOR THE ARTS AND FOR THEATRE DO YOU REALIZE HOW ID DIE JUST TO WATCH HIM PERFORM IN AS YOU LIKE IT OR THE SCOTTISH PLAY ?? OR ANY SHAKESPEARE PIECE PERIOD HE COULD EVEN STAND ON STAGE AND READ HIS SONNETS AND ID BE HAPPY. don’t sleep on his Shakespeare career please I am begging you I have such a love for theatre

[poppy-metal]

MARRIAGE COUNSELING W ART PLEASEEEEEEEE GOD THE DEVASTATION THAT TAKES PLACE ON THAT COUCH

i think about it alot. tashi staying with patrick, her injury never happening. your arts college girlfriend and now you're married and it feels fucking stagnant, your relationship. but neither of you wants to give up. neither of you wants to reveal to the other true feelings.

under the cut because this got long and i have a whole au in my hear around this concept

you're only in counseling because of tashi. because shes still in your lives, her and patrick. and she recommended it to art when they were having one of their 'friend' lunches. and now here you are, because of course art took her advice.

he hasn't said anything, though. despite pleading for this. saying he wanted to save your marriage, that he wanted to love you how you should be loved but he didn't know how.

so here you are, on opposite ends of the couch, with the counselor staring at the empty space between you like that in itself is very telling. you suppose it is, in a way. couples who want to stay together should be unified, shouldn't they? you imagine how it would feel, if art had sat next to you. put an arm around you. squeezed you to his side. would you even be able to relax into him? its been so long since you touched eachother that way.

"so im picking up on some distance here," your therapist says. shes a small woman. almost swallowed by her chair. her glasses are perched on her nose as she gazes imperiously at empty space separating you and art. "not just physical either, though thats rather obviously there. but emotional distance. do either of you wanna comment on that?"

you cut a glance at art, expecting him to speak up since this was his idea - well. tashi's. but he just looks down at his lap, quiet. spins his wedding band around his finger.

you feel an anger so intense it pricks your eyes with tears.

"well, i guess you could start with the fact that coming here wasn't even either of our idea. it was his friends."

and now. here art speaks. his head jerks up and she shoots you an annoyed look. "you don't have to say it like that. you always say it like that. her name is tashi and she is my friend. and it was her suggestion, yeah, but it was a good one."

you look at the therapist - janet. raise your eyebrows in arts direction like, get a load of this guy. your legs cross and you start picking at a stray string from the couch.

"first words of the session and its to talk about another woman."

arts inhale is sharp and you can feel his eyes on you but you dont look at him. you can't. you wont. you're right, anyway. he can try to deny it all he wants but you know - you know what you are to him. you know where all your problems stem. you dont need to be here to make any grand discoveries over a fact you've resigned yourself too.

"i see." janet says. "and art having a relationship with this other woman upsets you."

"everything upsets her." art cuts in, sounding tired. his elbow is braced on the arm of the couch and hes chewing on his thumb in one of his nervous gestures. he always did that, as long as you've known him. he was a nail biter, he'd chew his lips raw, he'd nibble on straws, the ends of his pens. he was either lost in thought or agitated. your guess was the latter. "nothing i do makes her happy."

"is this true? are you unhappy with art?"

your skin feels hot. you shift around in your seat. the attention is all on you, and it feels like you've done something wrong, even though you know its literally janets job to ask questions.

"more like i know I'm not what he wants and that makes me...... really fucking sad."

art knees almost knock against yours as he turns his body to face you, giving you his full attention the first time today. you cant meet his eyes still, so you look at the faded spot on his jeans. light blue, like his eyes. you wonder how hes looking at you. cant make yourself look up to see.

"what." he stops. seems to gather some thoughts. tries again, with a steadier tone. "what are you talking about."

you try not to roll your eyes. your arm flings out limply.

"just that this whole thing is a joke, art." and you let out an exasperated laugh, even though nothing is funny. nothing has been funny or light between you two in a long time. "we're only here because the girl you really wanted to marry, told you to get your fucking shit together. you didn't ask us to come here because you wanted to mend something, you're here to please tashi. because if playing a good husband is a role she wants for you - well, you want to play it right, dont you?"

its quiet after that. in the silence you cant help but think about those early days. when you'd been full of love and light and art seemed to be really happy with you. you'd go on dates to the movies, walk through the park together with your hands swinging between you. laugh together and steal kisses whenever you could. you felt high back then.

it didn't even matter that art had a crush on tashi, because hell, you had one too, at the time. but she'd started dating patrick, and they seemed to mesh well together. they were both so intense and passionate. back then, you'd been alot closer to tashi yourself. patrick too. you remember the way she'd rant about how much she fucking hated him, pacing around your room and calling him every name under the sun. and you'd sit there with eager curiosity, and ask her why she didn't end it then. if he makes you so angry, why stay?

and she'd get this faraway look in her eyes. kind of wistful. kind of sad. kind of happy.

"because he makes me feel fucking alive. hes like a - like a drug or something. i cant quit. its addictive, you know?"

that stuck with you. it still sticks with you. you remember being envious of that kind of passion. youe relationship with art had always been so easy. you dont think you'd ever fought by that point. you loved art. you felt safe with art. but were you addicted to him? if you broke up - would you feel withdrawal symptoms?

sometimes you layed awake at night and thought about starting a fight - breaking up for no reason. just to see if he'd fight for you back, if the missing of eachother would be so intense one of you would cave.

but somehow you knew that wouldn't be the case. thats just not how you and art operated. if you got angry, he wouldn't rise to meet you, he'd back down. if you ended things, he wouldn't chase you, he'd let you go.

patrick and tashi were fire and brimstone and you and art was ice and you were....... dirt. solid. walked upon. dependable and not at all exciting.

when art had proposed to you after college graduation it wasn't spur of the moment as it had been with patrick when he'd swept tashi up with a ring and a elopement to vegas. it was talked about and agreed upon and you knew it was coming.

you still said yes.

"you think," and arts voice has a barely concealed tremble to it that makes you look up, finally. you're shocked to see he looks wounded. so many of his expressions you can count on one hand - and this - this wasn't one of them. his eyes are dark, stormy. "you think i dont care about our marriage beyond what someone else has to say about it? you really think that?"

you hate the sliver of guilt you feel, because its not a crazy thing to feel.

"yeah, i really do."

because well, that's the truth of the matter isn't it? you and your husband stare at eachother. and it feels like you're looking at a stranger. not the man who's freckles you used to kiss. who's fears you knew. who's hands you know every callous of, every divot and fingerprint.

"it seems you two have very different views of how the other views this marriage." janet cuts in, sounding curious. she taps her pen against the open notepad on her lap. "art, would you like to chime in on why you wanted to come here? even at the suggestion of someone else?"

art stares at you for a long moment. his face is unreadable to you. his jaw works before his chest expands on an exhale and he looks away.

"i guess i - i just didn't realize how..... stagnant things had gotten until it was pointed out to me. harshly." he winces, and you wonder exactly what tashi had to say to him. you haven't talked to the other woman for some time. contact fizzling out after your marriage to art. he flicks a glance to you, then away again. "im not the best at being aware of shit going on around me." his hand comes up to rub nervously at his neck. "i guess you could say im good at brushing things under the rug. going through the motions. that sort of thing."

janet nods like this makes sense to her. well, great, you think. you know my husband more than i do.

"you're not a fan of confrontation, are you?"

art actually laughs. a genuine one. one that brings a dimple to his cheek and flashes his teeth. you stare at it, like its an exotic animal, and you wont see it again. quickly you catalog the expression in your memory, so you dont forget what he looks like when hes happy.

"yeah, no." he shakes his head. "but I think thats part of the problem. I've obviously let too much shit get put under the rug and now its so full other people are noticing."

you look down at your hands, lips pressed together. your face burns at the knowledge that tashi and by extension - patrick - know your marriage is in shambles. how embarrassing, to be caught lacking in such a momentous way. to come up short and have your husbands friends know about it. you wonder - does he talk about all the ways you make him miserable with them? does patrick shake his head, say, "she's sucking the life out of you, man." does tashi look at him with pity? like hes some poor abused cat that needs to be let in from the rain?

the rain of your marriage.

the rain of you.

you're the storm. you're the problem. you're not enough. art needs fire. you're not even dirt, you're glass. and you can feel yourself breaking.

"that clearly hit a nerve, my dear." janets voice is soft. soothing. she hands you a tissue and you realize you'd begun to cry. "do you want to explain what you're feeling about what art said?"

"i...."

you dab dab dab at your eyes. sniffle. look around the room, trying to collect your thoughts. they feel like flyaway dandelions. you dont know which of them to grasp.

a warm hand settles over yours in your lap and you startle. its arts hand. warm and calloused and tan, covering yours. the gold glint of his wedding ring winks at you, the engraved words etched into them, "my soft epilogue". a shortened version of your favorite qoute i think we deserve a soft epilogue, my love.

at the time, that's what art was to you. your life before him hadn't been easy. being with art had felt like coming home from a long day and falling into a soft bed. it had felt like being able to land after weeks of being made to fly.

you turned your palm up, so he could slide his fingers between yours. he squeezed your hand.

"i think, i. i think i just think - I'm a failure." your bottom lip wobbles. you look at your enterwoven fingers and it makes you so sad that you haven't done the simple gesture of holding your husbands hand in months. "the two most important people in your life are. are so passionate and loud. and i see. i see how happy they make you - and i cant - i cant b-be that for you. we aren't - im not - you dont need me. im not a limb for you how they are. you could extract yourself from me and be. be happier."

your breath shudders out of you.

"you don't need me." you echo.

you wait for him to pull his hand away. this is more than you thought you'd share. some of it you weren't even aware of till the words were spilling from your lips. but they ring true.

without patrick and tashi art would drown. without you..... he'd float just fine.

"and that's important to you." janet says. a statement not a question. "you want to feel needed by art, and you feel as though you aren't. that his needs are met better with his friends than with you."

you nod slowly.

"baby." the word sends a shock through you. not the word itself but how its said. art calls you baby all the time, in a monotonous kind of way. routine. now he says it softly. with feeling. he lets go of your hand in favor of cupping your cheek, still damp with tears, turning your face to his. he looks pained. "of course i need you. i know i haven't been good at showing it. i just - you shut down - after we got married. you've been like a fucking ghost. like you dont want me to touch you. like i could dissappear for all you care and you'd just carry on. i don't know. but i need you, okay? i. need. you."

both hands cup your face, he makes you stare right into him. the conviction in his voice takes your breath away. theres a fire burning there you've thought long put out.

"obviously we have shit to sort out, and we will. but you've got to. you've got to know that. tashi only pushed me to do this because she how - how desperate i was. that's all."

you inhale deeply. exhale. swallow hard. tears cling to your lashes. you reach a hand up to clutch at one of arts wrists. eyes fluttering automatically when you do. you feel grounded again. less like you might float away.

"okay."

"yeah?"

"yeah...." and you smile. it trembles across your lips. but its there. "we'll sort our shit."

art lets out a relieved breath. kisses your forehead, lingering there. the gesture so tender you get emotional again. you want to crawl into his lap, have him wrap you in his arms. you want to feel held by him, like you used to.

"our time is up." janet sets her pen down. smiles. "but i think that was a wonderful first session. i can see the love between you hasn't faded, and that's more i can say for alot of couples who come to see me. keep your chin up."

[fluff-e-boy]

Hi yes as a guy named Lore who will respond to it/its pronouns you would not Believe my experience trying to interact with fandom

[unityrain24]

please. i want to draw. i want to write. i want to imagine

[hinamie]

quick lmhs itafushi because god help me i have Not been able to get the concept of yuuji smiling/laughing into kisses out of my head

jjk atla!au with @philosophiums

[lilybug-02]

My contribution to the Animator Vs Animation community 😔🙏

[sun-e-chips]

We love an oblivious y/n

y/n: ( Aww, they really prioritize their guests and making their experience more personal <3

WP Sun: ( Isn’t it amazing!!! Do you love it? :D Don’t you wanna stay here forever :DDD

[meirimerens]

pathologic fest day 19

"In the Darkness"

where nobody dwells but the earth herself

[sensitiveheartless]

Part 4 of the "Dazai and Chuuya being competitive, mutually pining disasters" comics!

<- (Previous part) (Next part) ->

Most of this one is under the cut because it got LONG

[geneticdriftwood]

persephone's in hell; a rooftop conversation

for @mysterycitrus

persephone's in hell, @mysterycitrus // white winter hymnal, fleet foxes // assorted dc comics

[sandsorghum]

Clouds & Curtains

husband!Nanami x wife!reader

wc. 1.3k

summary. Perhaps Nanami's approach to...rousing you in the mornings has changed over the years.

tags. Established relationship, Domestic bliss | Romance | Smut | Body (& Soul)Worship | Mentions of Nanami wanting to be a father

a/n: Super soft, super indulgent piece. Have your cake and eat it nanami girlies. Sometimes i just need to write him a love letter ok

Prologue

Back when you'd just begun to be intimate with each other, Nanami tended to be a little embarrassed about his subconscious (but hardly subtle) desires for you. He would rather suffer his internal, infernal dilemma than disrupt your rest. But he couldn't quite control his urges, squirming between decency and depravity, not when you'd rub up against him, so innocuous and merciless.

It was a hard habit to shake; how Nanami felt he ought to earn your every quiver against him, every whimper, however much he yearned to feel you tremble at his moans at any given moment. It was codified in him, there was a time and a place and patterns to follow, before he could permit himself the pursuit of your shared pleasures.

Of course, you'd unveil him in the evenings, the privilege of your touch stripping bare the prerogatives of his flesh. You unraveled him, his reticence, his reasoning, his very capacity for speech, by braiding your breath and fingers with his, in the friction-begetting-friction tangle of your lips and limbs together.

Yet he still thinks of these mornings, that find the two of you entwined, as an undeserved luxury. So Nanami would do his best instead to focus on your face, how sweet your peaceful expression was. It would be wicked of him not to cherish this, he'd chastise himself for wanting more, for wanting to drown in your adoring gaze, for wanting to return it with his own hungry one, body and spirit beggared by the night, by the hours not spent beheld by you.

Nanami assumed the beauty and tenderness of your countenance would quell, or could sate his appetites, would tame the primal stirrings in his belly. But nothing could be further from the truth, in fact they had the opposite, compounding effect; a lump in his throat would rise, and his desperation would thicken till he could only helplessly rut his hips against you.

And then your eyelids would flutter open, and in the crease of your knowing smile, all his definitions, his distinctions, all that distance between need and greed would collapse with a single kiss.

Years later, and your husband is so absolutely shameless about his...early head starts to the day. He pulls you into him, snug against the cleft of your ass cheeks, content to let your scent and radiance seep through the thin fabric and warm him in a way the sun, in its reluctance behind the clouds and curtains, can never hope to.

He stares at the petulance drooping off the petals of your lips, rose bud coiled tight before daybreak can coax it to unfurl for strobes of gold. Nanami is a patient man, too patient you've often thought, yet you feel his phantom touch, a tender sweep of your mouth, a zephyr whispering in the wings, billowing brocade and swelling muslin, ghost pulling you through the gauze of sleep.

You shift against Nanami to hear him sigh your name, soft and distant, thick with slumber and affection and it's this which rouses you more, not merely his growing rigidity pressed to the curves of you. Although, it helps, feeling every inch of his hunger like this, in a slow swirl and pinch at your waist, the gentlest rocking as your breasts are cradled in his palms, familiar persuasion pebbling your areola. You know he dreams of them swollen with milk, that all your memories of his teeth are girded by the desire for them to be suckled by the most innocent of mouths, baring only gums and tiny wails. Your nubs stiffen and a small smile stretches across your face at the thought that with his wish to grow a family fulfilled, he might find also a small regret, of his monopoly of your mounds contested by another, to whom he owes the genesis of your body's generosity, that sweet fullness dribbling, stolen, into your husband's mouth, enticing in its envy.

This prospect of hypocrisy is to be savoured for another day, far down the road. This morning brings neither hesitation nor urgency, all syrupy light and his maple gaze, the languor of his limbs splayed around you to be treasured just as much as the gradual grind of his cock. There's a certain smugness in its slowness, as with the self-assuredness of his thumb circling a bare sliver of your skin.

A familiar motion that stirs a memory, fuchsia-tinted for the both of you. You remember your then boyfriend stammering and scarlet-tipped, matched to the rosy tips of his ears, excuses lost in the shuffle of sheets and stutter of hips.

"I-it's just-just the t-temp-ah-temperatuur," he'd slurred, the excuse as thin and transparent as the sticky film he laved across your throat, dangerously growing gossamer and feebler with every twitch and each strong buck against your body.

"Mmhmm," you'd hum, carnal ache turning you conciliatory. Such complacency. You had been the one to smirk back then, canines gleaming coy, as you offered ruin in the guise of reprieve.

"Want me to warm you up, darling?" Hands already reaching for him, mind already marveling before your fingers could be reacquainted with their hubris, his girth.

"P-please, anythin-nghing" he'd panted, all wide-eyed desperation to be devoured, sweet thing.

You'd been such a fool.

To not know not greed was a two-way street, this ravenous osmosis, this vicious ouroborous.

You think perhaps, in fact, you got the worse end of the deal, trembling against your spouse now, thighs clamped together.

"My dear," Nanami hums, a teasing timbre dripping honey as he sinks his fingers in, "always so ready for me."

You squirm, eyes screwed shut and fisting the sheets, trying to grasp the pale image of the boy who'd once writhed and blushed beneath you, a spectre all but vanquished. You miss him, sometimes.

You arch your back into Nanami, the way you know he's addicted to, just to hear him groan your name, ragged with the dregs of self-restraint or slumber, you're not sure which, but it's a close enough echo to send pleasure juddering through you, the recollection churning hot in your gut, of when he was wrapped around your finger, instead of your cunt around his.

"Sweetheart."

The tenderness of his tone pries your lids open. He doesn't have to ask, doesn't have to say anything but he does, because he knows you are too stubborn to ask for what you need to hear.

"My love."

He claims your gasp, in the crush and curl of his mouth, in the crook of his fingers.

"My girl."

Another smattering of kisses, chasing the flutters of your belly down, down, down to your creases weeping nectar. He licks a whine from you, pitching high into the air, his husky moan vibrating within you.

"My wife."

You feel the hot gust of Nanami's breath over your clit, as he pauses.

"My wife."

There's a reverence as he repeats himself, pathetic attempts to vanquish his disbelief, wonder glistening in his gold-flecked irises, staring at you in awe, searching for proof this isn't some frenzied fever dream of his.Of course, he finds it in your own unwavering eyes.

You've been such a fool.

There, in the locked gaze your shared history glimmers, that shy boy paralyzed by his worship of you, prostrate as the man before your parted legs now, offering his soul, his past, his future.

You reach for him, and he surges upwards. The collision is wave returning and rising from oceans, over and over, is starburst, is incandescence, is the fission of atoms never, ever meant to be split.

It burns away all notions of him as your acolyte or priest, any concept of deity and devotee.

"My life," he breathes into you, and you feel the throb in your ribs, the furnace of his lungs.

"My life," you repeat to your husband.

Adam. Prometheus. Kento.

This morning and many after, he lavishes you with irreverence, a ravishing of irrelevance; his goddess, his woman, his joy -all that matters is that you are his and he is yours; Together, you forge a paradise that exists for as long as the melding of your souls persist, boundless as horizons and sure as sunrises.

@houseofsolisoccasum

[bonefall]

Hey, what makes a character a 'plot device but not a character'? And how do you not do that? I'm trying to do it on purpose but also I need to still make them interesting because it's on purpose, yknow?

A good skill to pick up is to learn to criticise criticism itself. A "plot device" is simply a thing that moves the plot along, it's a neutral literary analysis term! Usually, when people are angry that "a character has been used as a plot device," it doesn't mean they hate plot devices. It means they're gesturing at something deeper.

Runningwind and Bumble are equally plot devices in their deaths. They are both killed by the antagonist to escalate political tension. Runningwind is rarely "accused" of just being a plot device, and yet, we're talking about Bumble for the same thing.

So, why?

Well, Runningwind is just a background character, but in life, he was a part of the community. He was characterized as impatient but responsible. Yet, he wasn't SO important that he died with a bunch of unresolved plot threads.

He is mostly an extension of the entity of ThunderClan. His killing by Tigerstar, and the fear and paranoia that settles on the group after this, feel like a progression of the story insteas of something forced.

Bumble, on the other hand...

Is hated immediately by Gray Wing, when she's established as Turtle Tail's friend. Bumble's abuse at Tom the Wifebeater's hands invites even MORE investment. The rejection is shocking and upsetting. There's a story there about our main characters being imperfect; jealous, bigoted, and judgemental.

But, she is simply killed off. Everything they set up for this character is gone with little personalized fanfare. It's not a tragedy with a lesson about cruelty, or something anyone regrets.

It's just... plot. Gray Wing whinging that no one will like his shitty brother now that his body count is 2.

More than that, in the discussion of women in particular, "Fridging" was coined to give a name to the way women characters often don't get their stories told at all. There is a CULTURAL trend of female characters facing disproportionate violence, for the sake of advancing male plots.

Bumble has a lot going for her. Petal had a lot going for her. Turtle Tail had a lot going for her. Bright Stream had a lot going for her. When they died, they took their potential with them.

It's not always wrong to kill off a character of high potential, mind you. In Gurren Lagann, Kamina's death is sudden and shocking, leaving a massive hole in the hearts of the cast that never heals. Grappling with that loss, but also letting his memory fuel them, is a major theme of that story.

All that to say... there's no formula for avoiding it. You've gotta identify what the deeper issue is, in your specific narrative.

I can't say for certain what that will look like for your story, but here's some things I keep in mind;

When you make characters who exist to die, make sure they're people before you axe them.

Ask yourself; what about them does the cast miss?

If they just miss them because they were (pre-existing relationship), go back to the drawing board.

Fluttering Bird as an example. Who was she? Dead sister. Why do they miss her? Dead sister. No traits until after her death.

Runningwind was short-tempered and helpful. Kamina was a valuable leader who made people believe in a brighter future. Swiftpaw was fiesty and desperate to prove himself. The better characterized, the more profound the loss usually is.

If this is a female character who is dying just to serve the plot, be aware of cultural bias and tropes. How is the gender ratio looking in your cast? Is this happening disproportionately with your girls?

Note how Quiet Rain's litter had both a boy and a girl, but the girl was chosen to be "weaker" and wither away.

And how most of the time in DOTC, whenever a man had to be upset, a girl would get killed for it.

If you ever feel like the character on the chopping block is NOT a full character, ask yourself why it needs to be a character at all. You don't need to spend narrative time building out someone when a literal object of high value might suffice.

"My sister died when I swore to protect her and I can't face my family" = Old. Tired. Ive seen this.

"I lost my heirloom sword when I swore to protect it and I can't face my family." = Fascinating. Why was the sword so valuable? Will they really not take you back? How did you lose it?

When you do kill off "high value" characters, try to make sure you're not leaving too many plot threads hanging. Or at least make a point of how they will never get closure.

[deoidesign]

Wearing your boyfriend's jacket

[pokimoko]

haunting the narrative -> haunted by the narrative -> haunting the narrative -> haunted by