#because I do think he's a very interesting character

[endursent]

My Partner Turned Into A Cat And I Don't Know How To Fix It (2)

【 content; established relationship , fluff , humour , slight shenanigans , gn!reader 】

【 characters; alhaitham , arataki itto , baizhu , cyno , dainsleif , diluc , kaedehara kazuha , kaeya , kamisato ayato , kaveh , neuvillette , tartaglia , thoma , venti , wanderer , wriothesley , xiao , zhongli 】

【 premise; " Your partner has been struck with a curse of some sort which has turned him into a cat, you have no idea how to fix it nor how long it might take. Yet you also cannot help but be rather amused by the situation despite the uncertainty…" 】

【 note; made the genshin version... no reason for this to be like 19 pages 😭 】

【 word count; 8.723 | read on ao3 | hsr version】

Alhaitham ;

Kaveh gaped at you when you brought a cat into the house, one that… looked eerily similar to a certain blockhead. “I can explain,” you say as you set the cat down on the floor, he doesn’t enter the house further than you do, instead sitting down by your feet and observing the interaction with… interest? Amusement…? 

  Kaveh didn’t need much to be convinced, and immediately he thanked the Archons for giving him a few days of respite. Even just a few days of Alhaitham being unable to comment on what he does or nag him is a blessing.

  For you, it’s a bit of a hassle… because he keeps disappearing! Not in an alarming way, because you find him again in the most secluded, quiet spots you would never even think of. Under your laundry, in an empty box that Kaveh hadn’t put away after getting a delivery, and even under the desk in the study—Kaveh accidentally kicked him and got a feisty scratch on his ankle. He learned his lesson. 

  He follows you around and—though he let you pick him up the first time—doesn’t let you carry him around, preferring to walk on his own… and wander off to explore nooks and crannies he has never been able to see, but he always shows up again before you reach your destination. 

  He has also claimed your pillow as his own and refuses to let you use it, loafing on top of it exactly when you thought you could get there before him. Which… in hindsight is fine, you’re not opposed to using his pillow, it smells like him after all. 

  You decided to test how much of a cat he really is, whether it’s appearance alone or instinctual as well and bought a cat toy with a whisker on the end as well as a small bell below it. You expected him to perk up and try to whack or catch it as soon as you wriggled it beside him… but his grey furred ears just lowered in annoyance and he hopped off the kitchen counter, it seems like having even more sensitive ears in this state makes his dislike for uncomfortable noises more intense. 

  He forgave you when you spent ten minutes scratching the itchy spot behind his ears after tracking him down. A small, rumbling purr left his chest as you moved your hand to scratch under his chin—he was, however, more curious about this instinctual reaction and demanded you continue after you drew your hand back.     Despite it being very much an unspoken rule between the two of you that neither of you should be disturbed ‘needlessly’ when reading or working at home, when you borrowed a few books from the Akademiya to try and figure out how to turn your partner back to normal, Alhaitham decided it would be very reasonable for him to lay down over your book… which you are very much trying to read.

  But when you ask him what he needs, he just blinks at you three times, very slowly. You’ll likely never be able to crack that brain of his, even in a form that is somehow far more expressive.

Arataki Itto ;

It’s difficult enough to keep track of him—and keep him out of trouble—on a normal day… now? You took your eyes off him for a second, and he’s gone. Shinobu split up with you to cover more ground while the rest of the gang scoured the streets of Inazuma City, at least as much as they could.

  You peek between baskets, crates and stalls, walk through tight alleys and even squint into a few windows… nothing!

  You had been very close to giving up and returning back to the meeting point by the bridge… until you heard a very distressed, very loud meowing. Following the sound, you come to a tree stretching over the gardens of a teahouse. What looks to be the owner of it stands below the tree with a basket, trying to ask Itto—stuck up on a wobbling branch—to jump into it.

  Exasperation is one way to describe what you feel as you approach the old lady, you put your hands on your hips and Itto notices you immediately. His meowing turns from frantic and panicked… to a sheepish pleading. Every movement he makes causes the branch to sway and wobble, and it looks like it could easily bend and break—and you don’t want to cause any trouble for the teahouse owner. “Itto, come on, hop down.”

  He meows and shakes his head, white fur swishing dramatically. 

  A sigh leaves you as you step closer and hold your arms open. “I’ll catch you, trust me,” you encourage him… and he finally relents, with wobbling paws, he leaps from the branch—fur shining in the sun as he practically flies in the air towards your open arms… and lands on your head. He panics and tries to adjust and not fall off, and you try to pry him away from your face as his belly nearly suffocates you—it’s a scene from a comedic play.

  Shinobu is glad for her mask, because when you return with Itto under your arm you have scratches on your face and forehead, and Itto is whining and meowing sorrowfully. 

  He spends the entire evening licking your ‘wounds’, dragging his coarse cat tongue over every spot so often that the licking starts to become more painful than the scratches themselves. But you let him, it makes him feel much better than you—and you don’t particularly need comfort, but if he doesn’t get it, he will whine all night. 

  So you let him knead your thighs and stomach even as his claws prick through your clothes and you make sure to pet him and stroke his fur when he snuggles against you… and then you wake up in the middle of the night, suffocating with his furred belly against your face when the lies on top of you.

Baizhu ;

You’re very happy that Baizhu is catching a break—something you often try to convince him to do—despite the strange way of being forced into it… however, it’s very difficult to focus on running the pharmacy in his place by yourself while also trying to make sure he doesn’t roll off the shelf he’s napping on… especially because Changsheng wriggles in her sleep and keeps nudging him closer to the edge.

  You decide it’s easier if you have them sleeping on separate surfaces and reach up to pick up your pliant partner-turned-cat. He effectively falls into your arms and blinks lazily, slightly confused by the sudden transport. “Just moving you so you don’t hit your head,” you dodge around Qiqi as she runs past you with an armful of jars and set Baizhu down on the counter, his tail sways lazily and he immediately flops on his side as a beam of sunlight sneaks through the window and directly onto his fur.

  Every time a customer comes by—with approval—they give Baizhu a small pet or scratch before leaving, as if paying tribute to the good doctor. He doesn’t seem to mind.

  Unfortunately, you’re not fit to take Baizhu’s place for consultations, and thus they all get delayed—which was a hell of a lot of work to contact everyone and change scheduling—until Baizhu is back to normal. The usual hours of consultation in the morning are therefore replaced with longer opening hours of the pharmacy and by pulling some strings, an increased stock of rarer products at a discounted price. 

  Changsheng does not let poor Baizhu catch a break, she wiggles her tail and swipes it in front of his paws, and unable to control the feline instincts harbouring his body—Baizhu chases after her tail like a kitten playing with a toy. He whacks at it and tries to capture it, but the white snake is far quicker than even you expected her to be as a sudden game of cat and mouse (snake) takes over your living room.

 The feline form, however, doesn’t come with free stamina—and Baizhu is not in good shape. He flops down on the carpet, exhausted from the play even as only seven minutes have passed. You feel a bit bad and scoop him up for some cuddling, which seems to be just the remedy he needed. 

  Baizhu is very careful around the clinic, he doesn’t knock anything over—even though he REALLY wants to sometimes, and is mindful of not getting fur or saliva on anything that could potentially be consumed by anyone with allergies. Changsheng has taken to wrapping herself around your shoulders instead, and though you’re used to her, it’s a little annoying to get a comment on every little thing you do. 

  But at the end of the day, Baizhu curls up next to you and you wake with him lying over your chest, belly to the skies and paws in the air, comfortable and content. Though you will always prefer him in his normal state, he is very cute like this.

Cyno ;

You look around the large front hall of the House of Daena, panting slightly as you try to catch your breath… that damn Cyno! Making you chase him across the entire city! 

  You spot some pawprints and squint as you look around… he’s not bringing all that dirt into the house—you were just going to rinse him a bit, but he’s run off! You finally spot dark and creamy coloured fur… perched up high on a massive decorative piece of the wall. He looks down at you with a swaying tail, completely at ease knowing that you won’t be able to catch him all the way up there.

  You almost consider inquiring about one of those massive ladders the library has to reach the high shelves, it might be long enough…

  But very well, he wins this round. 

  Once he turned into a cat, you were very excited about petting him, rubbing his ears and stroking his tail—but he’s not having any of it. Sometimes, you wonder if someone stuck a firework in his ass and lit it up, because the bouts of zoomies he gets is so frequent you wondered if there was something wrong—but you couldn’t catch him to take to a vet either! 

  After the first few days, Cyno seems to calm down… a little. He still prefers to survey the area (your living room) from above (your bookshelf) and watch you go about your day. It’s quite cute how his perked ears twitch every time you make a noise, as if he’s completely focused on what you’re doing.

  You soon find out after stepping a bit too close to the bookshelf that he might have just been waiting to strike, because he leaps onto your head as soon as you’re in range. 

  The only reason you know he’s fully conscious in that furred head is because while you were cleaning up after dinner, you spotted him sitting next to a cup of tea that was half-filled. You tense as you watch his paw raise to knock it off. “Cyno! Don’t,” you try to sound scolding.

  He looks up at you, he lowers his paw… then raises it again, making you glare at him. He lowers it again, turns away… you turn back to wiping the dishes and look over your shoulders after a few seconds—his paw is raised again!

  This back and forth continued until he finally knocked it over.

  And then he has the audacity during the next day’s dinner to sound like he has never been fed in his life while you’re trying to eat in peace. Meowing at you so loudly one would think he was terribly injured, eyes wide and mouth open. You hope your neighbours don’t think you’re trying to starve him, or treat him horribly.

Dainsleif ;

He’s not happy about it, he has things to do—places to be and investigations to make. Thankfully you’re familiar with where you were going next… but Dainsleif is very limited in what he can do. You decide to give him the task of scouting and sneaking around, something he’s used to doing anyway… but he finds that it’s much more effective to do so as a cat. His footsteps are completely silent and his senses are much sharper.

  Though, he had an instinctual need to swat at a glowing orb that you found in a strange vault half-buried in a cave in Fontaine before he could stop himself—which closed the two of you inside the vault. Thankfully he is now small enough that he could slip out between the bars and unlock it from the other side.

  It is quite cute how his ears flattened as you walked out, as if he was sorry. Though he seemed okay after you scratched behind his ears and assured him it was okay, he was here to help you out after all! His tail swayed in satisfaction to your assurance.

  You start to set down camp for the night, having just one pair of hands makes it a bit more of a lengthy process, and Dainsleif can only sit and watch as you put it together. He’s usually quite distant, even in a relationship—but as you straighten from squatting to fit something down, you feel something press against your leg and see him rubbing his furry cheek against you, then walking around your legs, tail trailing behind.

  He’s usually quite wary and alert, even during the night when you try and convince him to sleep—and it’s no different now. He sits poised and ready… for what? He’s a cat. But you appreciate the effort. 

  Surprisingly, he’s very active at grooming himself, the two of you usually have to bathe often anyway as you frequent dusty caves and muddy backwaters, but every time you make a stop, he sits down and starts licking his fur—at first you wondered if he was frustrated by something or had hurt himself, but as you picked him up to examine for any injuries or strange patches, he just blinked at you, tongue still half-hanging out.

  Dainsleif is rather laid-back when it comes to your relationship, there are times where you want to stay in a larger city for a few days or weeks in between travels, to have a soft bed and four walls around you—which Dainsleif doesn’t mind, there are places he wants to look into where he’d prefer you are safe elsewhere. He knows where you will be and will stop by to ask if you’re ready to continue days or even sometimes a few weeks later, to which you—recharged and rejuvenated—jump at the chance to follow him out of the city.

  But now, as a cat, he doesn’t leave your side for a minute—not even when you need to use nature’s bathroom. You went into a small village in Sumeru when passing through and a vendor was particularly pressing about selling you some type of perfume that you had shown brief interest in—Dainsleif had enough of you being pestered and whacked his paw at the man’s leg, hissing. He would usually be more subtle about guiding you away, but he doesn’t have the presence he usually does as he is now, so he must utilise the aggressiveness given to him in feline form. You take the chance to scoop him up and hurry away before the vendor can get upset, petting between his ears and thanking him for the help—he rubs his cheek against yours. He’s surprisingly more affectionate like this as well.

Diluc ;

Your nose itches… you try to hold back—achoo!!

  Diluc jumps, claws scuttling against the ground and he leaps from his resting spot and hops down to the floor. You sniffle and shake your head. “Sorry, it’s not your fault,” you stand from his chair and round the table to squat down next to him, reaching a hand out. “Did I startle you?”

  He makes a ‘hmph’ sound, fur red as freshly bloomed roses. Diluc bumps his snout into your palm and huffs into it, you turn your hand and pet along his back. “Aaah… you’re so cute~ so soft,” you near coo as you scratch behind his ears—

  Diluc shakes himself and ducks under your hand to walk past you—how dare you baby-talk him?! He’s not an actual cat! The scritches felt too nice, and his ears flicked when you cooed at him—it’s embarrassing…

  He sits down by the door, tail swaying lazily as a small meow leaves him. Let me out. 

  You pout, how can you not convey how cute he is? You want to rub his cheeks. But fine, you  walk over and open the door for him to slip out of. 

  Diluc likes the lounge around the fireplace in the estate, there’s not much work he can do  while you try to figure out how to turn him back—preferably without alerting his brother or any of the knights… or just anyone in general. Unfortunately, he can’t hide it from the staff of the Winery as he is a spitting image of himself in cat form, and you’ve caught more than three people trying to feed him expensive cheeses. 

  It’s only in the recent days that you’ve convinced him to settle down and use the time to rest and nap as much as he can, but Diluc was extremely restless at first, you had to trap him inside a room and trick him into lying down with you.

  One day, Jean came by looking for him, and you had to think fast to come up with an excuse while he had just leapt under the sofa to hide. Thankfully, she didn’t seem to need him urgently, so she just left a message behind and went back to her day.

  You fell asleep in Diluc’s study, trying to keep up with his paperwork—Adeline offered to help you, she’s very familiar with his work, and it’s not like it’s been a long time since he wasn’t there to do it… but you wanted to help, and as the sun sank below the horizon, you laid down on the sofa in his study next to a tall bookcase—only closing your eyes was enough to pull you into deep sleep.

  Diluc hops onto the sofa next to you, he carefully walks over your thighs and settles on the armrest where your head is. His fluffy tail sways and strokes your chin and nose—nearly waking you as you almost sneeze, you don’t have to work so hard for him, he knows you want to help. He wishes he could tell you, and he will, when he’s back to normal. For now, he rests alongside you, head leaning against the top of yours and tail tucked against your neck.

Kaedehara Kazuha ;

Kazuha is a very chill cat, he doesn’t get into trouble, he doesn’t cough hairballs on the floor and he doesn’t knock things over.

  (Instead of coughing hairballs on the floor he swats them off-deck with his paws, Beidou caught him doing it once).

  There’s not much trouble to get into on the ocean, and he’s rather good at keeping out of trouble overall on land, sticking by his side is a sureway to a boring day of exploration or lounging around—which is your perfect type of day.

  You help him into your bag as the Crux ‘boards’ by Liyue Harbour (it stops a bit away and tucked by a cliffside to avoid attention) and you make sure he doesn’t accidentally fall into the ocean as a few crewmates row to land. You’re stopping for a few days, so you make sure to use the time to relax and take in landside air and wander around the expansive Harbour. 

  Kazuha likes to take life at a slower pace, and thus your walk to the Harbour took longer than you expected… as you thought Kazuha was doing his normal meditation on a warm, sun-kissed rock along the road…

  But he was asleep, sitting up and enjoying the sun. It took you thirty minutes to realise—a sitting cat with its eyes closed and a sleeping cat in a sitting position is the exact same.

  He very much likes to people-watch, but in this cat form, he seems even more engaged—he can hear sounds more clearly and he seems even more perceptive than usual. Watching a tea maker brew a cup on a teahouse table you had sat by to rest and ordered some snacks. He sniffs at the tea as it’s placed in front of you—he’s perched comfortably on your lap, you’re surprised the teahouse even allows him inside—and seems to appreciate the detail he gets from this new perspective, af if it smells different in this form.

  He tries to taste it and your food, but you have to block his snout with your hand, you’re not sure if the food you were having would give him a stomach ache or not. 

On a walk on the outskirts of the city, you look back and see Kazuha carrying a stick in his mouth…?

  He’s not a dog, so you’re not entirely sure why he’s doing it, maybe cats do that too? The dogs that hang around the bridge leading to the southeast outside of Liyue Harbour try to approach him with the stick, thinking he was playing, but he hops into a tree to keep it to himself. You’re not entirely sure what’s happening, but he seems to be having fun.

  Kazuha wanders off oftentimes, just in his normal, usual body… so you’re not sure why you’re surprised when you suddenly find him missing from your side—perhaps it’s because he’s a cat and you’re unsure if he can defend himself as well in that form, but you hurry to look for him.

  You practically run in circles until you find him pressing his paw to a brown, crusty leaf… again and again, as if listening to the crunch of it in a rhythm. You sigh and scoop him up into your arms. “Don’t wander off like this,” you scold and poke his nose. Kazuha sneezes from the poke, but blinks up at you and nods his little furry head.

Kaeya ;

Unbothered, in his element. Kaeya sleeps in your windowsill and bathes in the sunlight all day while you scratch your head over how this could’ve happened. You try to leave for work and he practically screeches at the door, likely pleading you not to leave—he does that normally as well, except without the loud meowing. 

  Kaeya finds appreciation in the flexibility and grace that comes with this new body, he easily leaps up on shelves and dives under the sofa, he chases flakes of dust and seems to be having quite a good time—perhaps it’s because he has no responsibilities in this form, he can’t go to work like this and has no control over it. And the loss of control is strangely freeing. 

  You scoop him up into your arms and his tail swishes happily, he grabs his claws into your shirt and purrs as you rub his ears, happy and content with the additional affection. He loves all affection he gets from you no matter what form it takes, and being a cat has given him the opportunity to be pampered in ways he never could experience as a human. 

  He does need his free time as well and he uses it well while you’re out of the house—though you were very optimistic to think that closing the windows would keep him contained, Kaeya easily flips the handles and slips out of your home. He enjoys the attention he gets from any passersby, but is careful not to be too affectionate and get picked up by someone who thinks he’s a stray. 

  His usual guarded front lowers in this form, he feels like he could slip out of any situation—and he doesn’t have to be careful with his words or actions. No one expects a cat to have alternative intentions. 

  He jumps up in surprise as he hears footsteps rapidly approaching—he had fallen asleep on a ledge and the sun was already down. Kaeya blinks as you pick him up, breath heaving. “There you are, I’ve looked everywhere for you! I thought something happened when I couldn’t find you around the plaza,” you sigh a breath of relief and practically crush him to your chest. Kaeya wriggles a little but gives up and nuzzles into you, pushing his forehead into your cheek. 

  After a number of days, Kaeya gets bored, as fun as lounging around and being pampered it… he misses real food, and dragging you away from your work to have lunch—and holding you properly, he can only lay on top of you like this, which doesn’t exactly feel like holding.

  And Kaeya being restless… he gets whiny. 

  He would usually be more subtle, but now that he feels the rush of freedom his feline form gives him, he uses it to protest by loafing on your clothes after you fold them to put away, laying over your lap when you need to get up—even though he’s not really a cat… kind of, you still get the same feeling of not wanting to move him off no matter how much space he’s taking.

  But that’s okay, because he just has to slow blink at you and nuzzle into your hand and you forgive him, how could you not?

Kamisato Ayato ;

Ayato is an unreasonably pretty cat. His fur is soft and silky, he has this… smug kitty-smile at all times, and it makes you want to pinch his ears. He sits on your lap and peeks onto the low table inside his study as you go through paperwork. Just because he’s become a cat doesn’t mean his workload just miraculously lessens. 

  Thankfully, after a few days of trying to juggle his work—how does he do it?!—even with him by your side, albeit in a form that can’t properly communicate… Ayaka decides to lend a hand, she takes it upon herself to attend meetings and represent the clan and Commission in Ayato’s stead. Thankfully no one has questioned where he is yet.

  Or why there is a suspiciously similar cat trotting around the estate in his place. 

  You fish into a bush in the courtyard gardens, hand feeling around—until you find fur and yoink it up. Ayato blinks at you, tail swishing as he has a piece of grilled fish in his mouth that he stole from the kitchens. “You know… you can have all the fish you want—you don’t have to steal it,” you say as you lift him into your arms.

  His ears flick as you talk, but he eats the fish happily regardless. You shake your head in mild exasperation. Looks like he’s using the opportunity to engage in… more mischief than usual. Perhaps a different kind. 

  Ayato likes to use his newfound stealth and agility to his advantage… to torment you.

  You put away some laundry and turned to a shelf to fetch something—only to come face to face with Ayato’s cat-face, making you jump as he meows happily—as if happy to see you! He knows he’s just trying to startle you!

  He winds around your feet when you walk around the estate and purrs happily when you squint at him.

  Ayato knows the limits, he stops before you can lock him inside a room for the remainder of the day. His fur is so soft as you pet him and a rumbling purr leaves him, he knows it’s silly—he’s not really a cat, at least, hopefully not for long. But you keep petting and stroking him while he does. 

  He takes good care of himself on normal days, and as a cat, it’s no different—he grooms himself meticulously, though finds it rather embarrassing if you’re looking, so he tries to do it out of sight… it's very instinctual, but he also likes to feel clean and groomed. 

  You once passed the great hall and saw Thoma wriggling a toy with a bundle of feathers on it while Ayato chased it… it was pretty cute to watch, but you hurried along before either of them could notice you. 

  He hogs the futon, you don’t want to push him to the side and get pushed to the edge of the mattress yourself. Ayato doesn’t even realise he’s doing it. 

Kaveh ;

Distressed, not having fun, he wants to go home.

  A series of meows in varying states of distress and confusion follow behind you as you walk, you stop and turn around, peering down at the strange cat that’s been following you around since you left the Akademiya. You were about to ask what he wants… but as you squint at the cat… doesn’t it look familiar?

  Kaveh doesn’t stop when you do, he raises on his hind legs by your feet and sinks his claws into your pants, a shrill, distressed meow leaves him.

  You reach down and pick him up, holding under his front legs as you inspect him… hm, golden fur with tints of a darker, sandy brown… those big red eyes.

  “... Kaveh?” you must be crazy, there’s no way your partner is a cat, and followed you around without you realising, but you know those eyes very well. It’s him.

  Alhaitham just stares at you like you grew three additional heads, he looks at Kaveh in your arms and then back at you. “... it looks like him, but that’s not proof enough—have you asked him to write his name?”

  You look at Kaveh and he tilts his small head to look up at you. Write his name…? He doesn’t exactly have thumbs… but Alhaitham has a good point. What if it’s just a very persistent cat? 

  Then again… where would Kaveh be? He’s usually home by this time.

  Alhaitham fetches a pen and some parchment and you put Kaveh down on the table. He tries to use his paws at first but just spills ink all over the place—but as he grabs the pen with his mouth and clumsily scribbles his signature, Alhaitham just hums while you scoop Kaveh up again, holding him up. “It is you! What happened to you, Kaveh?”

  Of course, he can’t give a proper answer, he wriggles his paws around and meows in a long dialogue—but it’s entirely incomprehensible. 

  While you and Alhaitham try to figure out how to get him back, Kaveh tries to adjust to his… predicament. He doesn’t do it with any grace, though… his leaps and jumps across furniture are miscalculated and he falls to the ground or hits his head more often than you can count.

  But your worried petting and rubbing the aching area makes him purr and nuzzle into your arms.

  He does hate the heightened senses, he jumps at the smallest noise and scuttles across the room if anything startles him—and he gets startled very easily like this.

Neuvillette ;

You call his name, looking around his office… you scratch your head, he can’t have gone far, you just left to fetch some tea for a few minutes. It’s not like he can open the door or window and slip out—why would he anyway?

  You hear a very… pathetic meow, from next to you—but there’s nothing there, just a sofa. You hear it again—under the sofa…?

  Ducking down, you see that Neuvillette is stuck, he seems to have been trying to squeeze himself under the sofa, and rounding the furniture, you see his hind legs and tail flat on the floor… it’s a bit amusing. “There, I got you,” you say soothingly as you lift the sofa up a little so he can back out. Neuvillette stands up and shakes his body.

  You squat down and smile. “How’d you get stuck under there?” you hold out your hand and he presses his head into your palm, nuzzling against your skin for comfort as you turn your hand to scratch and pet him.

  He’s not very good at resisting the instincts and temptations that come with this form—you’re unsure why he seems to struggle so much, but you try to help him as much as you can, and not laugh.

  You saw him chase a shadow, there is an ornament on the raised blinds that hang above the large window in his office. It's attached to the strings that lower and raise them and it sways slightly—casting a shadow across the floor.

  Another time he was grooming his fur and struggling, he has a thick, long coat and had to lean far back to reach the end of his fur as his tongue dragged along the hairs… causing him to roll backwards off the arm of the couch and into the pile of pillows.

  Innocent, small things that make you smile, but you’re careful that he doesn’t see it.

  He loafs over a stack of court documents as you organise his desk—might as well use the opportunity to clean up while he won’t be making a mess. He doesn’t seem satisfied with his place on the desk and stands… and spots a box on the ground, it’s stacked halfway with old documents to be taken to storage… but it also looks like the perfect spot to rest. He hops down from the desk and circles a few times on the papers to get comfortable. He wriggles a little before sitting down.

  It takes him a minute to realise that he was kneading into the paper when he hears the sound of it tearing under his claws in an instinctual need to make the bottom of the box comfortable. 

  Safe to say, he was mortified to have destroyed the top four documents, but thankfully they weren’t shredded and you managed to salvage them with some memory of what had occurred as well as piecing them together.

Tartaglia ;

You look towards the window above the kitchen counter, cold air brushes into the house as Childe enters through it—with a mouse in his mouth.

  You leap up and push the book in your hand against his face and push him straight back outside. “No! Absolutely not! Leave it outside, not in the house!!” You close the window behind him and sigh in relief, brushing stray snow into the sink. When you look up again, He’s sitting there, big eyes and ears flat against his head… but no mouse.

  Sighing, you open the window a smidge so that he can step inside, where he shakes himself and tosses flakes of melting snow all over. 

  Childe sits down, tail swaying—as if waiting for something.

  You set your haps on your hips. “What?”

  “Mrrow…” he wriggles his head, he wants a pat. 

  … fine, just because he took the mouse outside because you ‘asked’, you raise your hand to stroke his head and he tilts it to lick your palm—but you pull back. “No, you just had a wild animal in your mouth, wash your mouth!”

  What is this?? He feels like a criminal, all he did was bring you a prize… to be fair, he realised how silly it was to bring you a dead animal when you leapt up to push him back out, but it felt completely natural up until that point!

  He whines and meows for forgiveness for the rest of the night, and you do eventually ‘forgive’ him and let Chile lounge around on your lap while you pet him and continue reading.

�� He picks fights with swaying curtains, chases your broom when you’re cleaning and even whacked your cup of coffee off the dinner table—spilling it everywhere. He’s a nightmare in this form, because no matter the scolding, he just stares at you with excited, large eyes and a swaying tail.

  Nothing you say gets through his head. In one ear and out the other. 

  He does not give up either, if he wants affection, he will get it one way or the other, even if he has to whine and meow endlessly, follow you around—fake a limp! You shake him a bit after he worried you and you almost went out in the middle of the evening through the snow to take him to a vet when he just wanted scritches. 

  In all fairness… this is just typical behaviour, but now he has the kitten eyes to break your self control and composure within seconds. 

Thoma ;

He tries to do his job even in cat form, using his tail to sweep, he even takes his duster into his mouth and tries to sweep on surfaces he’d usually need ladders to reach, and now he can just leap to them.

  But he also has a problem…

  He has an instinctual need to create a mess, knock things over or sit on things—when he catches himself in an act of pushing Ayaka’s discarded tea off a table, he nearly leaps away to stop himself. 

  Thankfully, everyone around him doesn't mind—and it’s a bit relieving to see that Thoma retains a sense of himself. He finds time where he would usually go into town to instead nap—and the Kamisato estate has perfect napping spots. He lies sprawled across the engawa surrounding the eastern part of the estate near the back gardens, and lets the warm beams of the sun warm his belly—only to shoot up in surprise when he hears footsteps, embarrassed to be caught lounging around. 

  Ayato sometimes plucks him away to keep on his lap for hours while he sorts through paperwork, petting and scratching behind his ears while his other hand signs documents. Thoma gets a bit restless just loafing on his lord’s lap and meows in relief when you come along to fetch him. 

  Ayaka leapt at the opportunity to sew a few accessories for him, guised under the excuse of “practise for smaller bodies” and Thoma ends up with half a wardrobe by the end of the week. 

  But he prefers to be around you, you don’t trap him on your lap (even though Ayato gives very good scritches) or make him model for three hours (even though Ayaka gave him snacks). As you work around the estate, he gets tired—curse this cat body and it’s perpetual need for napping!—and you tuck him gently into your eri*. Thoma lays nestled against your chest warmly, his body light and still as you continue your work. 

  The gardens of the Kamisato estate is a disaster zone, and after the first few days, thoma knows to avoid it. 

  He had strolled past, early in his transformation—and been startled by his own reflection in the pond he passed by, the fish swimming away in a hurry as he ran across the gardens in surprise. A second time, he had spent twelve minutes chasing a butterfly while Ayato watched with a signature smile… he will likely not let him forget it. 

  Thankfully, he’s not needed much in the gardens, and he sits perched atop a high shelf in the kitchens, his tail sways as he leans forward… very much ready to leap and steal some food—before you pluck him up and raise an eyebrow.

  His ears flatten in realisation, but you rub his cheeks and tuck him back into your clothes—grabbing some leftover pears from the dessert the kitchens were making, letting him munch on it while you get back to work. 

Venti  ;

You didn’t think Venti could become even more of an airhead on a typical day as he does when he becomes a cat. He gets distracted by the smallest things and wanders off—leading to a wild goose chase where you have to ask around for a small darkly coloured cat with blue highlights on its ears and tail—a very distinct cat!—and being pointed in every direction possible.

  Only to discover him napping in a crate full of apples in an alley you walked past at least six times just in the last fifteen minutes. 

  He is also very vocal, Venti says anything that comes to his mind… which is unfortunately nothing but meowing nonsense to your ears, but you nod along as if you understand, having a halfway conversation with the lively cat. 

  Somehow, he very much likes to play and nap like he’s being paid to do it at the same time. In one moment, he’s swatting at your clothes and trying to get to play with your fingers—which he accidentally bites and scratches in his excitement, quickly rectifying it with some licks and nuzzles—and the next, he’s passed out cold in a box or on a shelf for five hours.

  He doesn’t seem embarrassed by these new catlike instincts, such as the need to groom himself—he even starts grooming you halfway through his coat, you’re sure your skin is very much clean by the time he finally turns back to himself. 

  Unlike normal cats, who move and settle down elsewhere when the person under them gets up… Venti is not happy about being disturbed nor that you’re trying to get up, he whines and kneads on your clothes to try and get you to stay a little bit longer, giving you the best big kitten eyes he can muster.

  And damn him, it works. He knows what he’s doing. 

  You had been looking for him one morning, thinking he just wandered off again and you’d find him napping in some corner of the city… when Diluc approaches you with a sheepish looking Venti-cat, holding him by the scruff of his neck. “This yours?”

  Diluc doesn’t even seem surprised that the bard is a cat. At least he isn’t an allergy risk when he’s human-like and trying to get into his wares. 

Wanderer ;

He is very aware of himself, he knows he looks stupid (cute) and that everything he does will be looked at through the lens of a typical cat and not someone stuck in its body.

  And thus, he does all he can to be as eerie and unnatural a cat as he can be.

  He doesn’t make a single sound, no meowing, no purring, nothing. He doesn’t walk like a cat—thankfully he doesn’t walk on two legs—nor does he exhibit any of their typical behaviours.

  At least, that was the plan. 

  Every single time Wanderer catches himself doing anything that could be considered “cat-like”, such as grooming himself, chasing a loose string, or gods forbid… kneading—he will immediately stop and compose himself again.

  As opposed to some others, he absolutely hates the loss of control that follows becoming a cat. 

  He can’t write properly, he can’t communicate—and if he tries, no one but you and perhaps Nahida takes him seriously—he’s always sleepy and aware at strange times… he hates it! 

  And once when he was just trying to have some grapes for snacks—you suddenly leapt towards him to stop him, taking the bowl off the table with a relieved huff when you noticed he hadn’t swallowed any of it… after you pried the grape out of his mouth. At his hissing, you explained that cats can’t have grapes. 

  He gave you the cold fur-shoulder for at least two days. 

  You brought him out one time to get some fresh air—since he’s fully aware of himself, he shouldn’t run off and get lost, or into a dangerous situation like an indoor cat might. But when you gave some other cats around the streets of Sumeru attention, he quickly meowed in protest and whacked the other cats away. 

  It’s a bit cute… he doesn’t normally act so forthcoming, and as he bumps his head into your knee afterwards, you rub his cheeks and pinch his ears despite further protest. How cute!

Wriothesley ;

At first, you weren’t even sure if Wriothesley was just a “cat”. He’s huge*. 

  You put a bowl in front of him, filled with foods that are okay for cats to eat but also not… gross, as Wriothesley is very much aware in that cat-head of his. “C’mon, there’s nothing wrong with this, I even tasted it—it’s a bit bland ‘cause we can’t put any seasoning, but it’s food.”

  He leans down, and for a second you think that he’s going to eat it—but as his whiskers brush against the sides of the bowl, he lifts his head abruptly and swats at the bowl, clattering it to the ground—he didn’t mean to hit it at all, but also not this hard. 

  You scratch your head, you just can’t figure out why he won’t eat—you’ve tried everything!

  It took you several hours of back and forth questions and meowing to realise that it was the shape of the bowl that was the problem and not the food itself.

  On another day, you reach down to pet his soft, thick fur—only to get a static shock, it zaps your fingers and both of you jump back. You always have to be careful with petting him, as there’s always a risk of getting zapped at any time. Worst part is, it’s not even every time! It catches you off guard!

  He likes to climb and jump on the pipes that web around the fortress, getting into places he’s never even considered before—and sometimes you look around for him for hours before giving up… only to suddenly be leapt on from above by a nine kilogram heavy cat half your size, knocking you over.

  Siegwinne noticed that he had been brooding lately, he had been stuck as a cat for five days now and it was beginning to frustrate him. So she decided to soak a small blanket in tea mixed with catnip—after it was dry and she rubbed some more on it, she laid it out in his office…

  You watched him for a good long while as he rubbed against it, meowed and rolled on the blanket. It was unbearably adorable, but you eventually pulled him away after a while—worrying it might be too much.

  He’s so large that it’s almost like sleeping with a person, just a very furry one. He lies halfway over you and as you wake in the morning—he refuses to get up. You give in and relax in bed for a while… until he starts kneading your cheeks, leaving small scratches with his big paws and claws. You don’t stop him—it doesn’t hurt, he looks so focused, like he’s trying to squeeze something out of your cheeks. 

Xiao ;

He meows and wriggles in your arms, but you try your best to hold him until you reach the top of the inn—he swats at you and you finally let him go when you enter his usual reserved room. Despite being paws up when you let go of him, Xiao lands perfectly and immediately hops up to the highest vantage point in the room he could reach. 

  You don’t get him down by yourself, he only comes down willingly after a few hours when he’s calmed down and adjusted a bit to this form. You’re not entirely sure what happened, you had just been exploring a cave that was strangely entwined with a temple of sorts, when a bright light appeared behind you, and Xiao—who had been accompanying you—was suddenly a cat. A very small cat. 

  He loafs on the windowsill in the night, his tail wrapped around his paws as he peers towards the sky—at the slightest noise, his ears flicker towards it and he squints at the roads below that pass and surround the large inn. 

  He is unbothered. Firm. Stoic.

  … after getting wet under a pouring rain that persisted all day, he pretends not to be bothered by his wet fur and the uncomfortable existence he leads under this blanket of wet fur…

  But he can only pretend for so long. You turn away and pretend to busy yourself to allow him some privacy to reluctantly lick along his fur and smooth it down, trying to clean or groom it in a way that makes it less sloppy. 

  He hates it, this weird satisfaction that comes with this very primal instinct, and yet, he does still feel the satisfaction.

  Xiao is difficult to read on an average day, he’s very used to controlling his emotions and maintaining a front that’s difficult to get past.

  But as a cat… he’s an open book, he approaches you with a curled tail, he slow blinks at you when you drag your fingers through his fur as he loafs on the windowsill. 

  But he does. Not. Meow. 

  Except for that time you hauled his ass back to the inn… and when Zhongli makes a sudden appearance, he hops from his perched position and snakes around the former Archon’s legs, purring and meowing as he’s being petted and spoken to. He doesn’t notice his own behaviour…

  Not until the following night after Zhongli leaves, and Xiao is mortified that he behaved like an affection-depraved cat in front of Morax.

  Thankfully you sliding a comb through his fur and untangling some knots from the day distracts and calms him down in the evening.

Zhongli ;

At first, you weren’t even sure if Zhongli was actually aware he was a cat, he follows you around, sits on a bench and licks his paw to clean it while you shop for groceries… he chases anything shiny that you come across and swats at it with his paws, leaps at it and tries to capture it—usually rocks or mora people drop. Maybe he likes the mineral, maybe it’s the shine. You can’t really know.

  You try to give him some nice food, cut down nicely so he won’t accidentally choke on it… but he won’t eat it, not unless you plate it properly…? At least, when you rearranged it better and separated the meats from the greens, he seemed to like it more. Maybe he thought you were treating him a bit too much like a pet rather than a partner that’s unfortunately become a cat for a (hopefully) limited time.

  After a long day of… not doing much, Zhongli realised he had left scratches on the sides of some furniture and he tries to hide or cover them up for the time being, dragging a blanket over the arm of a divan in the living room… hopefully you won’t discover them and he can fix it after he’s back to normal before you notice.

  You do notice that he very much prefers specific textures, he doesn’t like walking on the hardwood floor of your home and instead prefers to lie down or sit on blankets or the silken sheets in your shared bedroom. 

  Despite the strange predicament, Zhongli is very calm, he’s both patient and has a good sense—if this was a dangerous curse or spell that was difficult to reverse, he would likely sense it. Instead, he considers using this time to show and receive affection in a way you haven’t been able to before. 

  He often sits by your legs or thighs, he winds around them and rubs his furry cheeks along your clothes and pretty much anywhere he can reach. Your legs when he’s winding around them, your hand when you reach out to pet him, your cheek when he stands on your chest when you’re trying to read in bed before sleeping. 

  He purrs and cuddles with you, laying in your arms or over your lap—he even hid in your bag once when you went out for the day, and you discovered it too late to take him back home (you did wonder why your bag felt heavier than usual) and thus, he has the pleasure of accompanying you to your work—something he doesn’t often get the excuse or time to do. 

  Thankfully, Hu Tao didn’t question it when you came to her and said that Zhongli couldn’t come to work for a few days (hopefully just a few days). If anything, she sighed in relief and said something about him finally using his paid time off and sick days. Then thanks you for taking him out of commission??? 

  You pour over some scrolls and papers to try and figure out how to turn Zhongli back, and he hops onto the desk in the study, nuzzling against your arm before sitting down, tail swaying as he joins you in searching for ways to bring him back to you in a more familiar form. Despite how cute he is like this. 

* eri is the collar-flap on the front of a kimono/yukata that crosses over the chest, he's tucked into it and lying on his back. if you know about the nioh cat clock scene, yeah.

* wriothesley is supposed to be a maine coon type of cat, just huge and heavy. but not wild cat huge.

[felassan]

David Gaider on Fenris, under a cut for length:

"Fenris. Now, DA2 is a story all on its own but I'm not going to go there other than to sum it up as "we had just over a year and a half to make this". It's why I only wrote one follower, Fenris, and although it'll make his fans mad: I probably shouldn't have. Let me explain. The way we'd approach making the followers is brainstorming a list of concepts covering first the array of gameplay classes (and sub-classes) and then making sure they each have some skin in the game when it came to the story's conflicts - ideally having characters on both sides of the major ones. Why? You can't make a player care about the world, but you can make them care about characters who care about the world. It's the easiest way to provide hooks into a conflict, outside of it knocking on the player's door. Heck, it's probably better than that. Players will burn the world for approval. After that, we'd decide things like romances/sexuality. Then the writers would pick who they'd write. I always let my writers pick first. I figured they do their best work when it's something they're inspired to write... and they got so few chances at ownership, I wanted to give it whenever I could It's why I (reluctantly) let Patrick wrest Cole from my grasp in DAI, a character I'd created in Asunder. It's also why I let Jennifer take Anders in DA2, who I'd started in Awakening. In this instance, it meant I was left with the angry elven warrior character who nobody else appeared to want."

"It should have been my first clue that something was up. The second was how the artists had zero clue what to do with him. The art concepts were all over the place - from mages to crows to... well, even weirder. No matter how hard I tried to explain the idea, the artists simply didn't seem to get it Does this mean he was a bad character? Not exactly. Just an idea that probably deserved some re-examining. You can tell when an idea has a certain spark, and part of that is being easy to communicate. Sadly, there wasn't time for any re-examining even if it'd occurred to me. And it didn't, not yet. If it had, if I had time, maybe I'd have re-booted him as a templar. Someone pro-templar rather than anti-mage, who could give a personal hook into Meredith and give the templars some badly-needed humanity. But this falls into the shoulda-woulda-coulda category. I had a follower to write. Quickly. I struggled, at first. It was hard to get away from "Fenris hates everything, all the time". It felt very one-note, and I didn't know where to take him. My third clue, I guess. I also wasn't sure if I was the right person to write a former slave. I did know that couldn't be the center of his story. I did know trauma, however. How it can eat you up. How the hate and resentment is like drinking poison and hoping the other person dies. How it can infect your relationships. Fenris's trauma isn't my trauma, obviously, but here I dipped into a more personal part of myself than I'd ever done before."

"It gave me the center of his story I was missing, but wow was it uncomfortable. In a good way, maybe. I likely wouldn't have, if I hadn't been so desperate. In a way, I think DA2 had some of our best writing *because* of the timeline. It was raw, with little time to sand down the interesting parts. I wouldn't have done the "Fenris doesn't talk to you for three years" thing if I'd known we were going to cut all the reactivity initially planned for the time jumps. When that call was made, I campaigned to cut the jumps to a year, but there was no time for the revisions it'd need. So, um. Awkward. I used to get asked where the name came from, and I... don't remember? Obviously it's derived from Fenrir, but I don't recall why we picked that. Someone pointed at Fenris the Feared from Joe Abercrombie's books... and I did read them, so maybe the name lodged in my head? Wouldn't be the first time. Casting Fenris turned out to be easy. He was the first time I requested a specific VA and got him. (The other times were Merrill and then Solas, my two "I want these specific Welsh actors, please".) Why? OK, if you must know, I'd played a bit of Final Fantasy XII. I heard Balthier. "Yes, that." 😅 And Gideon Emery was a delight, as it turned out. Consummate professional, and that lovely gravel in his voice... good god. Bite the knuckles. There was a struggle to find the voice at the outset where I did my best not to say "just pls do Balthier" but he found Fenris on his own and it was amazing. Overall, Fenris turned out better than he had any right to, considering the rocky start. He had a lot of soul, a vulnerability forged by pain that struck a chord with a lot of players, and I'm glad. Do I regret anything? Probably having him live in a corpse-filled mansion that would never update. That's a hindsight thing, though, as again the cut to reactivity over the time jumps came late. Outside of that, maybe letting the player give him back to Danarius? Poor shock value and a waste of resources because almost nobody took the option. Good evil options are ones that are tempting to take. And the lyrium tattoos. Interesting concept, but they're probably why you'll never see Fenris in a future DA. He requires a custom body, and the tattoos make that expensive. It's why I put Fenris in my 4th DA novel - the cancelled one. Don't fret, though. He died in it, so this way he lives on. 😉"

[source thread]

User: "Wait wait how does he die in [the cancelled novel]??" David Gaider: "Gloriously, after taking up a cause he didn't believe in at first but then made his own, one that allowed him to rediscover what it meant to be elven." [source] David Gaider: "I’m not sorry about the novel cancellation. I’m the one who cancelled it. I am kinda sad we couldn’t make it work, though. Considering it was after I left the DA team, it would have been my final DA hurrah." [source] David Gaider: "From my perspective, it was kind of "well if you're never going to use him again, let me at least give him a proper send off" and the story required a glorious death... but I get that's not the story his biggest fans would want (which is Hawke + Fenris 4ever), so it's just as well." [source]

User: "You all did some incredible work with such a tight deadline" David Gaider: "I'm of the opinion that even if we'd had only another six months to bake, DA2 would be remembered as a classic and not either a flawed gem or underbaked sequel, depending on who you ask." [source]

[evilauthor]

I shamed a dude with this scene from the books when I was a kid.

Early 2000s, first Lord of the Rings movie had come out, but before the Two Towers. My family had gone to the Carolina Renaissance Faire with one of my mom's army buddies. After the faire shut down for the day, we stopped at the mall. There was a table top gaming store that sold D&D stuff and they had a Lord of the Rings display in the window, so I wanted to go in.

Mom was indulgent.

Inside, I was getting annoyed because they didn't have any good Lord of the Ring sets. They didn't have any set that was the entire Fellowship, but they had four different box sets that had multiple characters bundled together...the only way to get everyone was if you bought three of the bundled sets. Legolas was only in one set, so if you bought all three sets, you'd have several duplicates. However, they did have a few solo characters. I did the math in my head and determined that the most cost effective option was to get two sets and buy Legolas by himself. If I got the right two sets, I'd have minimal duplicates while getting everyone. However, I couldn't find Legolas by himself in the solo boxes.

A cashier noticed me standing in front of the display too long, so he came up to ask if I needed help. "Do you have any solo boxes of just Legolas?"

"Let me guess, you want Legolas because 'he's so pretty'?" Said in a mock pitched voice. Very annoying and insulting to little tween Evil. He was implying I only wanted Legolas because Orlando Bloom was hot and not because they didn't have a single option for buying the full fellowship!

"No. I want Legolas because he went off to fetch the sun."

The my mother...my dear sweet mother...comes up behind the guy. "My daughter loves the Lord of the Rings. She's read the entire series five times. Her dad has first editions."

The cashier sputtered a bit and I stomped out of the store without getting any of the sets.

It's so many years later and I still think about it...and I wish I'd bought the sets. I wouldn't get interested in D&D until much later, but the figures back then were die-cast metal.

That time Legolas and Gandalf had a sass battle on the slopes of Caradhras.

[astrologiadivertida]

Astro observations pt1

Saturn in the 5th house:

Saturn in the 5th house people do not like children.

It sounds horrible, but they actually do😭

But I’m not saying that they’re psychopaths: Saturn in the 5th house people are like old people who doesn’t like loud noises, and guess who makes loud noises? Children!

10th house Sun:

10th house Sun people crave attention, they practically live for it. They love it when they get appreciated for a project or something related to their careers: it makes up a huge part of their identity

So please pat your 10th house Sun friend on the back for a project they worked their asses off: they’ll appreciate it a lot

Pluto conjunct Ascendant:

They look like they’ve seen shit.

Someone I know who has this aspect always gets asked if their family is doing okay because of this aspect😭

Also they look like they can keep secrets very well. So they have a lot of secrets, because people tell them their secrets very often.

Men with hard aspects to their mars(squares, oppositions) are red flags to me. And if they have a moon aspect that’s also badly aspected? Run, girl, run😭 Chances are that he might cheat on you or hit you🚩

Lilith 9th house:

They question god a lot. It doesn’t mean that they don’t believe in god, actually Lilith 9th housers are fascinated with their religion. They seem to have a good grasp of religion from an early age because of that.

But often than not, they could create a version in their heads of god that is quite different from the concepts that we learn in church. They love saying thought-provoking questions about god and religion.

Your Venus sign and house placement+ your Juno(3)sign+house placement can tell you a lot about your type.

Ex) I have Venus in Capricorn in 12th house and Juno in Sagittarius in 10th house: Kendall Roy( from succession)

He is my favorite character. I had a crush on him since I was little. He gives off an endearing vibe, Venus in 12th house people likes that in a guy

Contemporary politicians all seem to have prominent Jupiter/Neptune influence in their charts: Jupiter/Neptune placements in your charts can give you luck(winning elections) but also delusions and unclear thinking

Are we all doing okay?😭

Ex. Emmanuel Macron(president of France since 2017) is a Sagittarius Sun. He has Sun conjunct mercury opposite Jupiter . He also has Neptune in the 10th house,.

Boris Johnson has Jupiter opposite Neptune

Joe Biden has Neptune in 10th house. He also has Jupiter trining his sun and mercury and Venus . He also has Neptune sextiling his sun and Venus and ascendant

Yoon suk yeol(current president of SK) is a sag stellium(sun, moon, mercury) and has Jupiter trining his Neptune, but opposing his mars.

Lilith in 5th house+a difficult mars placements(square, opposition) can make you have weird kinks in bed🤭

Saturn in the 3rd house in a solar return chart is a tough placement to have. You might feel really lonely. You might feel cut off from your friends this year. Your communication skills might hit a new low this year.

But remember, this is a Saturn placement: all of this can be improved by hard work. If you want to know what to work on, check the planets that aspect your Saturn

Ascendant conjunct Mars in SR chart(especially if mars is in the 12th house)

could be bad for you 😭contrary to the popular belief that it makes you more assertive

It can make you susceptible to illness or infections. So if you have this placement in your sr chart, try to stay as healthy as possible.

Leo moons are so endearing to me: They are kinda dorky and cute even if they don’t know it. They’re really close with their moms as well.

Aries moons are so pure. They always think for themselves and their thoughts are so interesting to me. They never hold back and they are so bold in their thinking. They are so fun to talk to.

Uranus in the 1st house people are used to being an outcast: something about them is so different and they don’t seem to fit in at all with a group.

Pisces signs are notorious for being delulu but have you ever met a mars in Pisces?Their actions revolve around their delusions(big dreams) and if they don’t get to make their aspirations come true, they’ll get so sad sometimes.

Like or reblog if you want a part two

[hyperions-light]

The Poison Fruit Ripens

#defendingtheending here we go

First of all mega super ultra spoilers for the ending teaser that Steam says like… 6% ? Of players have seen? So you’ve been warned. No cuts baby, it’s Miyazaki style

Okay, so it’s the Executors, and they’re probably coming across the sea in the next game (if EA doesn’t nuke BW), from what I can gather. I mean, this is fine from a lore perspective. All we knew about those people before is that 1) they are mysterious 2) they are from over there, across the ocean

And now they’re maybe connected to the revealed Qunari lore, which I am ! So excited to have! We already knew that the Qunari fled across the ocean for unspecified reasons, and that going back there was Not A Thing. But now we know that they left because of the (probably metaphorical?) Devouring Storm, which could be connected to the Executors. What are the odds that there are two separate Huge Bad Things Over There that both want to destroy Thedas? Probably is just one big thing— also the title Executor implies they are doing the bidding of someone else, so whatever the Qunari were talking about could be it. (They also talked about being agents of someone else’s will in the Inquisition War Table quest).

So the cinematic shows a bunch of our prominent villains from the previous games being influenced in some way by the Executors. Which I think people are upset about, but I think it’s fine because:

- They did not really specify the manner of influence. I would be annoyed if they retconned Loghain’s decision to leave Cailan on the battlefield because it makes him interesting, but they didn’t say that. They just said they influenced his decisions. They could have done that by stoking his paranoia about Orlais, or by planting Arl Howe to influence him after the battle. He did a lot of OOC stuff while he was King Regent, and this could be a chance to explain what didn’t make sense for his previously established character and was just put in there to make him seem Very Evil.

- They also were around some people doing a blood magic ritual… there weren’t enough of them to be the Magisters, technically, but that is usually what it looks like when we see them in DA art so I’m going to assume that’s them for now. I mean that’s wild if that’s what it is bc that was such a long time ago? Thee guys have really been playing the long game I guess

- The other person they directly influenced seems to be Bartrand, which is really easy because who the fuck gave him that damn map? We NEVER found out who pointed Bartrand to the Thaig! Someone did it, and they probably did it on purpose! It may as well be these guys

- the rest of the villains don’t get guys whispering to them, so I have to assume they mean to imply that they just set up the circumstances that would lead to these people gaining power. I mean someone sent the Carta to the Vimmark mountains, right? And there was like some weird demon there, too.

-So basically they’re just implying that these people have been manipulating events to make sure that shit in Thedas is hitting the fan all at once, which does kind of explain the frankly improbable number of world-ending events that have happened during the Dragon Age. I mean, three Blights, two Magisters, two Evanuris, Antaam invasion, major mage rebellion, Templar schism, and the death of the Southern Divine? It’s only been like 50 years!!! Before the Dragon Age there had only been four Blights since the Ancient Age! Shit does not normally happen this fast in Thedas

I think the phrase itself is pretty direct (also giving Southern Reach vibes). All this chaos they helped sew is reaching its culmination, and now they’re getting ready to cash in the chips. They’re coming to Thedas at the moment that all the great powers are at their weakest, when there’s basically no one to oppose them. Tevinter? Fucked. Qunari? No military anymore. Antiva? Haha! lol, even. Fereldan? Basically gone. Orlais? In shambles. Free Marches? Decimated. Anderfels? There’s like 100 Wardens left in a swamp. Nevarra? I actually don’t know, maybe the lichlords can do something. Maybe Rivain could field some token resistance if they didn’t get hit by the Antaam too badly, but that’s kind of it IMO. This is THE time to come in and conquer(?) the land, or whatever they’re trying to do. Kill everybody?? Turn them into Darkspawn? Who knows!

Some speculation about what could be done to repel invasion:

- shit ton of blood magic

- fix titans, wake them up??? But idk if they’d be into it

- adaari, but idk if there are that many

- people with dragon blood, like the Theirins, are maybe super special and can do things?

- pirates, baby!!! Woooooo!

- I guess Mythal could know something? She can see the future a bit

- dragon army! Dragon army!!

[eelclaw]

the protagonists of the broken code. who's rootspring

i am tbc's number 1 hater! negative thoughts below

shadowsight: other characters sometimes acknowledge that he was manipulated by ashfur, but the narrative puts all of the blame for the ashfur situation on him, neglecting that (a) he did exactly what he was supposed to do as a healer (obey and take messages from a starclan cat), and (b) the codebreaker hysteria was far more a product of clan culture than the actions of a single apprentice. he isn't treated like the victim that he is, and it is frustrating and not cathartic.

bristlefrost: what the hell does she even do. what does her spy arc accomplish or contribute (like mother, like daughter). she finds out that bramblestar isn't bramblestar far too early. she's so perfect and she has no flaws and she's so empty. i want her to be worse. how much more interesting would she be if she was sneaky and selfish? if she was loyal to the imposter because she truly believed in what he was saying? not to mention how she reciprocates rootspring's feelings with literally zero warning, and ceases to have what little character she'd had to begin with. i genuinely don't care that she dies, they did nothing to make her an engaging character. miss bristlefrost, i'm sorry they did you so bad.

rootspring: first rootpaw thinks he's weird because of his father. i hate this because i hate tree. later, rootpaw thinks he's weird because he can see ghosts. so they give him this "i just want to be normal" deal, and the clans suddenly pretend that ghosts are silly and not real. sure, rootspring and tree are the first clan cats with this specific power. and i get that the clans have very rigid beliefs, and they are afraid of anything that contradicts those beliefs, and that's interesting! but ghosts have been appearing to clan cats all the way back to tpb. fireheart tries to kill clawface at one point and he senses spottedleaf's spirit beside him, there to avenge her death. so rootspring's issue is stupid and he's nothingburger to me.

bramblestar: the arc really depends on me giving a shit about what happens to him. which i don't.

i think bramblestar is unintentionally a bad person and a great character. he proves himself by rejecting tigerstar, but he's still deeply insecure. he makes mistake after mistake (conspiring with tigerstar; hesitating to save firestar from the fox trap; forsaking his children after finding out they're not biologically his; using his power over squirrelflight as a warrior, deputy, and leader to control her), and for none of these mistakes is he held accountable (no thunderclan cat except leafpool learns that he plotted with tigerstar; he is allowed to remain deputy; his children think he was the best father ever; in every situation, squirrelflight seems to bear the consequences of his actions).

in other words, bramblestar gets chance after chance to redeem himself, and he keeps fucking it up. again, that's interesting! there is a story here about how difficult childhoods affect adults, and how powerful men are not held responsible for hurting people. except that's not how he's written. he's written as a completely good person, a brave and noble leader, and all of the clans respect him and they need to get him back.

there's a crazy amount of bramblestar worship in this arc. even rootspring, a brand new skyclan apprentice, thinks about how important bramblestar, the thunderclan leader, is, and how all the clans wouldn't be the same without him. i can't take it seriously.

graystripe: graystripe also got a crazy amount of worship. i couldn't stand reading every few paragraphs about how great he is.

side note: shadowsight, bristlefrost, and rootspring all want the same thing. they advocate against killing bramblestar's body. wouldn't it be more interesting if the protagonists had different perspectives and opinions? if they wanted different things? for example, it makes sense that shadowsight wouldn't want bramblestar dead. he feels like the only way to make up for his mistake is to recover bramblestar alive. but bristlefrost could be in favor of killing bramblestar, because the only way to make up for her mistake (supporting the imposter) is to get rid of him. putting our protagonists at odds would generate some interesting conflict.

conclusion: i also have problems with ashfur (why does ashfur try to stir up trouble with codebreaking which will certainly get him caught when he could just take over bramblestar's body and live quietly with squirrelflight), tigerheartstar, mothwing, starclan, the dark forest insta-death water, firestar possessing rootspring, the pacing (oh my god! they were debating whether to kill bramblestar for like three books! and for three more books they were running in circles in the dark forest!), etc. but i've already written a lot and i'm out of steam lol.

let me finish by saying these are kids books, and i'm not expecting them to be the cream of the crop, but there are a lot of writing choices which are incredibly misogynistic and/or completely baffling from a narrative standpoint. i still have a soft spot for this series though. dammit. okay bye

[bluedalahorse]

I feel like there’s some meaningful stuff here about Sara and August’s relationship, so I wanted to reblog and lift those up here! Sara has traditionally been unfairly slammed by the fandom, even though her actions were meaningfully different from August’s in season 2. And a lot of times saraugust is held up as this ontologically evil foil to wilmon, even though both pairings juxtapose the capacity to be sweet and loving with some pretty intense teenage flaws.

Personally, while I understand why they happen, I’ve always been a little wary of discussions of “is Sara a bad person/is August a bad person.” I understand why this framing works for some fans, but it doesn’t work for me. Mostly because a while back, Omar was talking in an interview, and he talked about Lisa’s writing philosophy being that there aren’t good and bad people in her stories, there are people in her stories who are capable of good and bad actions. Now, authorial intent can only go so far, I get that. But I do think this is a theme that underpins the series. I think they did a great job of showing Sara’s complexity and growth over the season. I do think there were some fumbles to August’s writing in season 3 that led a portion of the audience to believe he never changed, ever, over the course of the series. I think the show would have benefitted from him and Simon having a chance to do restorative work outside of their relationships with Wille. At the same time, I don’t think season 3 was without growth for August. @sflow-er’s post on the Fleabag parallel does a great job of breaking down August’s arc. I’m not saying any of this negates the harm August does—far from it—but I do think the show is inviting us to envision a better future for August where he grows and changes, especially in our fanworks.

And that’s what I want to talk about in this reblog: fanworks. It’s been a long time since people were acknowledging the saraugust nuance in season 2, and ultimately how fascinating the pairing is, but there’s still only 96 fics tagged Sara/August on AO3 and only a few are actually about them.

I think, what I’m sad about most when it comes to Young Royals fandom, is that there is no fanworks community around Sara and August the way there is for wilmon, at least on tumblr. There are individual people who are interested in their dynamic, and some of them create fanworks from time to time, and some of us reach out to one another and have meaningful and wonderful one-on-one conversations in our inboxes. But there’s very few reblog chains about them where people are just expressing fun headcanons, there’s very little circulating fanart, there’s some gifsets and edits but they don’t circulate as frequently, no fandom events or challenges themed around them, no following and cheering on of Malte and Frida’s careers, (to my knowledge) no epic multichapter saraugust fics we discuss together and swoon over and make starry eyes over.

To be clear: I don’t think I’d ever expect saragust to have the same size of following wilmon does. There are many factors that make wilmon more popular, first and foremost being that August does real legitimate harm and is annoying and kind of sucks. Like, hey! I get it! Not everyone is going to like him, and that’s perfectly okay. And then there’s the fact that not everyone who’s drawn to an m/m show is going to feel excited to ship a f/m pairing. As @crownedwille points out, fandoms sure can do some stuff when female characters are involved. Of course saraugust will get smaller numbers.

But as someone who’s been tracking the saraugust breadcrumbs in fandom for a while, and has been following their tag on AO3, what I’m noticing is not exactly a natural absence of interest in the pairing. It’s more like I see a lot of people who have an interest in the characters and the dynamics, but something about the way YR fandom interacts socially reinforces the notion that you keep your saraugust feelings to yourself. Or, for a while if you were expressing those feelings, you were encouraged to express them in ways that are full of apologies and disclaimers. When you’re spending all your time doing that, it becomes a lot harder to create fanworks. Like, even in the tags of this post, I see a lot of people saying they liked them or found them interesting or cute or they’re hooked in by the drama or whatever else! Clearly the enjoyers exist and are out there. I think the discourse (and the harassment of actors/writers/creative team on social media) has died down a lot since the finale and there’s more space to like the characters, but I also think that some of the patterns of fandom interaction that sprung up post-S2 have had a continued impact on how people express themselves.

And yes, it’s important to be mindful of the morally dubious sides of this pairing, but we can do that while creating space for people to openly enjoy it through fic and headcanons and edits and such the way that many people in the fandom openly enjoy wilmon, even if it’s a smaller group of us. (Heck, some people enjoy saraugust because of the moral dubiousness and that is part of a Valid Fandom Tradition of enjoying morally dubious pairings.)

As someone who’s currently feeling a little burned out on wilmon by itself and doesn’t really have a desire to read works centered on them, but who’s still in love with the broader YR world and its characters, especially my two favorite characters—I am desperate for a little bit less saraugust discourse and a little bit more joyous fannishness about them. I’m not entirely sure how to make that happen. I’ve been writing fic, blogging about the characters, creating ask games, posting pictures of the plushies, and also doing some other stuff behind the scenes. But I often don’t post or reblog as much as I could for fear of discourse returning, and I feel disconnected from fandom most of the time, even though I have some strong individual ties to individual people. (I also feel like I may have burned some bridges at times when I was upset.) It’s a bit of a sisyphean conundrum, isn’t it? I wish I could wave a magic wand and make more fanworks and community happen around this pairing in particular, but also around other pairings and characters on the show for the fans who want those other pairings and characters. I just wish there was a little more variety in the characters and pairings talked about.

Anyway, I don’t have any answers and it’s time for me to acquire groceries for the week, so. Blue out.

There's so much discourse around Sara and August. Whether they were good together or not. Whether they loved each other or not.

What we tend to overlook is the fact that they talked to each other. Enough that they knew each other.

He wanted someone to talk to and he thought about her. So he went to find her and he knew to find her in the stables. Then he immediately proved to her that he was someone "safe" by petting her horse. She misunderstood his invitation that evening but he didn't make her feel bad about it. We know she talked to him about the Felice Horse Selling Thing™️ because when she comes to say that Felice was officially selling the horse, he just said "I thought you already knew that" because she had already told him.

Sara talked to August. The same why August talked to Sara. He opened up about the drugs and why he used them. He opened up about being Wilhelm's back up. He opened up about his guilt and about feeling like a horrible person.

She talked to him about her horse and about Felice. Two things that she considers the most important in her life. She also opens up to him about wanting to fit in. Wanting to "be like him" meaning that she wanted to be like the Hillerska crowd.

They talked to each other.

So like, yes, they did horrible things. They are bad people. But they aren’t incapable of caring. And they aren't entirely self centered. That's what makes their individual betrayals even more heartbreaking. Because we know they're capable of caring and they made the choices they did anyway.

[sockfus]

natsuo todoroki being who he is and seemingly being the least tragic todoroki makes me so. urgh. you are the middle child least affected by everything going on around you but you grow up looking the most out of your siblings like your father, you watch your sister being forced into an adults role when she shouldn't have to and your little brother trapped away being hurt in a way you recognise from your dead one. you pushed your brother away once because you were tired when he needed support and now he's dead and you can't help but feel like it's your fault despite everything, and because of that you can't understand why your siblings want to forgive! you don't have the same connection to endeavor that they do. you were born when the problems became worse and have never seen him as anything but bad, have never been his focus and only witnessed his anger and neglect all your life, watched him push your brother to a demise that made you go into a degree just to prevent situations like this again, a degree you dreaded taking because it meant your sister would be forced to live with him on her own. you never will forgive him, not like you think they can

[judesmoonbeauty]

My Thoughts & Spoilers On Jude's Route

This will contain detailed major route spoilers. If you do not want to be spoiled, please move on because I will not be filtering my review. Also, not all spoilers and details are being shared. This is intentional. Bear in mind this is written prior to my thoroughly translating his route, so the translation may have some adjustments to this information.

So, I really LOVED it!! It's a very good storyline. Am I biased? Yes. However, whether you're romantically interested in Jude or not, I feel like you'll like in route in general. I do highly recommend reading his and Ellis' Past Records before his route if you can. His route does bring up clips from PR, but it's very minimal and there's a lot of context and extra details in PR that you don't get in this MS. I did my best with this, but my thoughts are still every where, so if it doesn't make sense. My bad.

Tropes: Enemies to Lovers....of sorts?, Slow-burn. Key Side Villain Characters: Ellis, Nica, Victor New Side Characters For His Route: Theodore, Gilbert Murphy, Oswald Simmons Love Language: Physical Touch (I'd just like to say that I called this.) Who Falls in love first: Kate First Kiss: Kate Kisses Jude First Snu-Snu: Chapter 24 Both Premium ends Jude's Fate Tragic End: He will die bearing a grudge against/hating the world. Route CW: Violence, Smoking, CA, Neglect, Mentions of a child's death. Jude's Age: 28-30. Jude's Heritage: Irish-British Jude's Curse: 13th Fairy (An endless cycle of hatred) Jude's Fated End: To die with a hatred/resentment against the world.

Plot: In a nutshell, Kate is trying to find one good thing to like about Jude prior to her term of FTK (fairytale keeper) ending, as per their first promise made together. If she finds one, Jude must fulfill any one request she has. Amidst working for both Crown and Raven, Kate tries to come into her own in terms of standing as Jude's equal, seeing the world as he does, and essentially saving him from not only own his death wish, but from being framed for treason against their country.

My thoughts: Jude's route is very lively, it's got a healthy amount of funny moments, action packed moments, and it's quite wholesome overall. However, it still retains some darkness in the sense of his past, and the fact that he's literally on this tightrope of life and death.

Kate: She is not afraid of voicing her thoughts and feelings, or speaking sarcastically to Jude. I almost died when I read that she stuck her tongue out at him LOL. There's this scene where Ellis tells her she's thinking out loud when she doesn't realize it, so she apologizes. A few minutes later after she greets Theodore, she sees Jude behind him:

Kate: ....And thanks for your hard work too, Jude. Jude: Can ya please stop greet me so sourly? Makes me wanna vomit my mornin' tea. Kate: I wonder if I'm under a curse that'll kill me if I don't say something sarcastically...

So, she is very courageous and gutsy, but she also thinks things through. There are times where she wants to act because she loves Jude and wants to be there for him, but she also knows not to act rashly because her movements can hurt him and Crown, so she opts to bide her time instead.

Out of all of her versions, I think she is the one who gets the most frustrated, the most angry, and laughs the most at certain situations such as getting locked in the office with Jude. She is very optimistic and kind, but not saintly kind.

She is a fighter. She learns self-defense and how to use a gun, a lot this takes place off screen, but she does develop this over time. Which is nice because it's more realistic.

Jude & Kate Relationship: Starts off very rough, and I say it's an enemies to lovers trope, but no one actually hates the other person, they simply don't get a long and it has that vibe. Jude is trying to kick her out of Crown, and Kate is trying to find something she likes about him.

Overall, they bicker and banter a lot. It's cute because in MLE Kate says, "If I say one thing, he has 10 things to say", and in BLE Jude says, "If I say one thing, she's got 10 things to say." They're adorable together.

One scene I loved was when Jude is being attacked by a group of thugs in his office after closing hours, and Kate barges in with her gun. She yells at the men to stop what they're doing, and then she tells Jude to step away from them. And so, Jude and Kate are having this full blown conversation as they're surrounded by these thugs as to why she is at his office, who's fault it is, etc, etc. And when the head thug starts to complain, both Jude and Kate say, "Shut up!" at the same time. This seems like it actually becomes a thing for them, they say it in MLE as well.

Were they childhood friends? No. That was an AU thing only, and a clever misdirection from Cybird. I think key take aways from Dark IF and Prison IF are that they made promises to each other, and that Kate tries to return to little Jude in Prison IF. Additionally, it does hint that two children were involved in Jude's past, just the other wasn't Kate, it's his sister. While some may be disappointed by this, I loved that it turned out this way, it surprised me.

Love Language: Physical. Touch. Lemme say it again. Physical Touch. While their relationship is a slow burn, it's not without it's tension along the way, and the pay off is hella worth in my opinion. I just knew that Jude was going to tear into her, and he does.

But more importantly, Jude touches Kate a lot especially before missions. For example, in BLE just before Kate goes undercover at a criminal organization that is using Raven products, she and Jude are in his office reviewing the plans, and while he does this, he touches her bare skin, kiss or bite her, and then after the mission he'll make love to her. Why? Because Kate made another promise to Jude earlier in the route that she would never die before him, so he doesn't have to suffering loss ever again. So, prior to any missions, he'll touch her up to a certain point like a promise she won't die, and then finish once she returns safely. I can't...he's so damn precious.

They love each other very very much, but Jude doesn't like saying the words. "I love you." Not because he's a tsun, but because they're easily said. So, he'll convey his love to Kate with words like, "I'm taking you to hell with me." If you read his side stories, he'll tell you just how much he loves her, and he admits that there is no other woman in the world that he could ever love like her.

Important Side Characters: Theodore: 21 y/o and he works in the sales department at Raven. Every one calls him Theo, even Kate. It seems that he's worked for Jude for a long time as well. He's very personable, and chatty, and he gets nervous about things like when the president forgets his custom fountain pen as he's on his way to business meetings. He even says to Kate and Jude that Kate is his type, and everyone is like.....um what? I'm really happy that Theodore isn't a traitor. I like him. I thought Cybird would use him the way that contract worker in Jude's first story event would be used. But no, he's just a loyal young man who cares about his job. I hope to see him again.

Oswald Simmons: He is the doctor who treated Jude and his sister after Jude memorized an entire medical textbook in a week. After Jude's sister was sold off, Jude ran to Oswald and asked that if he put Jude through school, let him lodge with him and provide him food, then Jude would pay him back with interest. Oswald agrees and in time, Jude does pay him back with interest. Oswald treats everyone equally, and he finds Jude's intelligence and ability to memorize things amusing. While he does not offer to take Jude in of his own initiative, Oswald does have a soft spot for Jude, as he tries to gift Jude a new pocket watch upon graduation and the success of his new company. He even tries to dissuade Jude from seeking revenge that will only force Jude into be lonely. In the route, he tells Kate to relay a message to Jude, that if he ever gets into a pinch to comeback and he'll give Jude a run for his money. To this day, Oswald still has the watch that Jude refused to take.

I honestly, hope that they reunite one day. Jude doesn't wish Oswald any ill-will (though he calls him a weirdo), and he wished Oswald a long life when he said goodbye.

Gilbert Murphy: He is a high-ranking officer of the British military who colludes with the Privy Council and a criminal organization to frame Jude treason and building military weapons. However, Gilbert truly does think that Jude is going to the moon for monetary purposes. While he is being an asshole for framing my beloved, his motives are to protect the people from potential weapons that can be created with Jude's research. Still, it's sullying Jude's innocent and pure motives. Still, he testifies in Jude's favor and takes the blame of the dead privy council member, as his own form of justice for trying to frame Jude due to his becoming blinded by his obsession to protect his country.

The other villains: Ellis: Ellis is Jude's right hand so he is heavily involved with the plot, especially in MLE. We know about Ellis.

Nica: Darius asks him to investigate Jude, so he does. Twice, he offers information to Jude that he's gathered after he lets him know he's aware of what he's building.. The first time, he tells him that a part from the criminal organization Jude has already been dealing with, the British military want his plans too. And wouldn't it be something if they teamed up to get Jude's research. He asks if he can snatch the robin away from Jude, but Jude says she doesn't belong to him, and no matter whom she dated she belongs to herself.

Nica leaves the bar after getting scolded by Jude, but prior to that, he tells Jude that the robin is in the most danger because she's around him. A few chapters later, Nica appears again and tells Jude that his assumptions based on the previous information given have come true, and because he didn't let go (of Kate), he's letting her know the facts. After he explains the situation to her, he tries to whisk her away on a date, but Kate declines. While Nica is a "playboy", it seems that he does care for Kate's well-being.....I am letting my current knowledge of his past events, and bond stories influence me by saying this.

At any rate, at the end of BLE, Darius asks Nica why he follows his orders so complicitly, and Nica says it's because he's on the winning side, and to him, Darius will be or is the winner. Darius is satisfied with this, and when he leaves Nica looks at his palm and says that he will be the happiest someday. It's already been established that becoming the happiest person is important to him, but this has now been reinforced.

Victor: Lore crumbs are very little, but what we do know is that when Kate asks him if he is angry, he tells her that he's forgotten loneliness a long time ago.

Further, when he approaches Jude and asks if Jude is hiding something from him and Crown, he tells Jude he has the means to help him. Jude asks if Victor isn't the one hiding something, and remarks that's why Harrison hates him so much because he knows he is lying. Victor simply smiles and stays silent. Upon leaving his study, Victor does tell Jude no matter what, he doesn't want their freedom disturbed and those are his true feelings.

Further, Victor later tells Kate in the BLE that when Jude says he abuses his power, Jude wasn't lying about that. Later in chapter 24, all of Crown are gathered together in front of her Majesty the Queen for a very important meeting. Victor speaks saying that they wish to grant Kate the position of fairytale keeper permanently, and when Jude finds out, he leaves angrily. In the middle of all this, the Queen never utters a word.

I don't think we learn anything new that we weren't aware of before with Victor to be honest, unless I missed something while reading. But, it's nice to know that we should see something big for his route. We better for how under wraps his lore is kept.

Jude's age: He can't be any older than 30 because in his Past Records he definitively says that he is five years old. In the MS, Oswald states the events he recounted to Roger and Kate took place over 20 years ago. Kate reason's that if it was 20 years ago then Jude had to be under the age of 10. I think he's 28-30.

Jude's Curse: Jude's curse was born when his heart was completely broken, and he vowed to get revenge on those who made him and his sister suffer. It's manifestation was described as a black flame of hatred in his heart. Essentially, Jude has entered a vicious cycle of hatred that never really ceases. Jude fuels this cycle by acting in a way where people want to get revenge on him, and a part of that is because he want's to die.

Jude's Fated End: Jude is fated to die bearing a grudge/resentment/hatred against the world. Jude himself says that his death will not be an honest one. Some have made comments that his fated end is a bit underwhelming, but I am pleased that Cybird left Disney alone, and stuck with Grimm's ending for the 13th fairy. I love it because no one knows what the fairy was thinking or what happened to it, it just simply disappears. This is something that is mentioned quite a bit in Jude's route.

In the MS there is a beautiful chapter with all of Crown gathered for a fireworks beach day, and while Jude is looking at the fireworks, Kate is looking at him. She thinks he is like a firework, beautiful, dangerous if you get too close, and then simply gone.

In BLE, Kate watches a Sleeping Beauty play hosted by local town children where she is staying and even though she knows that the outcome of the fairy is unknown, she is hoping for a different outcome. When the kids stick to the fairytale, it's then she realizes that Jude too - while still stuck in his cycle of hatred - will die. He will never know happiness, and disappear like the burnt body of cigarette smoke, like a firework in the sky.

In chapter 18ish, while Jude is being held captive and being tortured by the British military for information on Crown, he laughs self-mockingly and says that this is the perfect fit for him to die bearing resentment/grudge against the world.

Is Kate Trying to find a way to break the curse? No. Unlike Alfons and Roger's route, Kate is willing to accept Jude's fate, stay by him, make him happy and be his reason to live. That is her sole purpose, to make sure he doesn't die. Kate is obsessed with keeping him anchored to the world no matter the cost, and she even mentions to Victor that even though no fated ends have ever been avoided, that doesn't necessarily mean they are tragic.

Is Jude happy by the end of the route: Yes. Though he won't admit it out loud being the tsun tsun that he is, Jude's first glimpse of happiness occured when he told Kate about his dream and she didn't laugh at him. By the time he puts her to sleep and leaves her behind, he tells her that being genuinely liked wasn't so bad. And of course, Ellis asks if he can kill Jude in his BLE epilogue because it's obvious that he's happy......Jude tells him he can go die, and Ellis is like okay okay. FR though E, I need you to calm TF down.

The depth of his love for her is so great that he tells her that if she ever tries to run from him, she should just kill him. The reason is because she is his only happiness - she is the moon that he's been trying to reach for so long. He'd have no reason to live if she left him.....

Hmmm, here are some of my favorite parts in his route:

He tries so hard to protect Kate, from throwing her out of a window when a house is on fire and telling her she died in that fire so she wouldn't have to return to Crown, to lying to her and accusing her of making a 10,000 £ mistake and firing her from Raven, and other things.

I love that he even assigned people to watch her secretly after he's left her behind in a seaside town, with the intention of doing so for a long time since she is known throughout London for said involvement with Jude. He says things like, if she can live a calm, normal life, then that's enough for me. So, he's resigned to love her from afar.

He does everything in his power to protect even Crown from getting involved with his research so they aren’t crushed and hated by the privy council or others, even undergoing brutal torture.

Jude promises to make Kate the happiest he can before they go to hell, and there are many, many more things he does to endear me even more to him. I nearly cried when he introduced Kate to his sister at her grave he had made for her, saying she (his unnamed sister), was the only family he had left.

Even though he knows his dream of going to the moon is going to be difficult, he is more determined than ever to achieve it, because he's got two promises to keep.

Ultimately, we have our teasing Jude and Kate kicking ass together, and loving each other until their ends come.

Ugh, I'm gonna make myself cry. Well, this is it in a nutshell. Sorry for rambling!

[arcane-ish]

Vi got robbed by the finale

First, a few words on where I'm coming from. I really enjoyed Vi and felt for her in season 1. I'm a Cait/Vi enjoyer and was looking forward to their resolution. I do not have fundamental objections to Vi becoming an enforcer. I don't have a problem with Caitlyn and Vi having sex in the Jinx cell and I actually think it is one of the better scenes of her arc.

IMO she was great, tragic POV heroine and lead in season 1.

Her status changed in season 2, which is reflected in the screntime distribution (ie both Jinx and Caitlyn having more screentime). This does not have to be a bad thing. You can have good arcs and emotionally resonant stories even as a supporting character.

But the more and more I think about the finale and Act 3, the more I think Vi really got treated badly. And the core is really this:

I've joked that I thought about switching my ship allegiance to Mel/Cait after the finale. I'm not actually serious about it. But it got me to think.

And I came up with the following thesis:

1.) Vi is really, really unimportant and useless in the final fight 2.) That matters because they went with an an action finale

On to a long post discussing Vi's role in the finale and Vi's arcs in Act 1 and 2 and her lack of meaningful arc in Act 3.

Within the finale there's really a clear hierarchy of conflicts.

1.) Viktor is the biggest threat and the most emotionally emphasized climax. Jayce is the action and emotional hero of this threat, Ekko is the supporting cool action hero of this threat.

2.) Ambessa is the second most scary threat. She's not a universe threatening as Viktor, but she's still badass and interesting and she gets a cool and very lengthy action scene associated with her. Mel is the emotional core of this conflict. Cait gets the badass action part of this conflict. Mel and Cait also directly coordinate, increasing the badassery.

3.) Warwick by comparison is barely a goon. He feels like an afterthought. Not like a major threat. Vi and Jinx are "assigned" to him. Jinx is the hero of this already fairly unimportant conflict and I would argue she even gets the bigger emotional punch, even though Vi is clearly affected as well.

I find it striking how different Vi's role in the battle feels to Caitlyn. Caitlyn it feels gets two badass action sequences. First in the smoke, really getting to show of her sharp shooting:

While at the same time, Vi gets her shit kicked in by regular Noxian soldiers and is busy... trying to hold a door? Babysitting the shooting of a rocket?

I've been thinking about it. On paper, there isn't that much of a difference between Cait's sharp shooter sequence and Vi's sequence at the tower.

Both show several people dying around them (though Cait acts calm and professional about it while Vi reacts emotionally). Both have bit player characters stepping in to help execute what they are doing (Steb placing the bomb, Jhin tease guy shooting the rocket). Both have missions that kind of fail (Cait's bomb doesn't go off, the rocket shoots the empty egg thing).

But it still feels like Caitlyn just gets way more glory shots. While Vi gets pushed to the floor, gets rescued by Jinx and Ekko riding to her rescue.

Her big glory shot

In theory should be great. She is punching Warwick to rescue Jinx. But it's shot so far away and turns around so fast into Warwick choking her, we don't feel the impact of her punch at all, even though on paper it is Vi using her gauntlets in a really cool innovative way.

If I compare how the Cait/Ambessa fight goes, yes Cait also gets hurt and thrown to the ground.

But Cait's fight just feels way more badass and Cait like a fundamental part of that conflict. Cait and Mel fight like a well coordinated team while Vi, Jinx and Ekko feel a lot more erratic. Cait is the one who initiates the fight in the first place, Cait is the one who makes a badass sacrifice to open up an essential tactical weakness. Yes, Mel gets the last shot and the emotional payoff, but it still feels very much like Caitlyn's fight too.

Yes in theory, Vi and Jinx go back and forth with saving each other, but it's just much faster and erratic, and *busier*, it just never has the same impact to hit. (I would be very interested in seeing a numbers breakdown, how much screentime is spent on the various different fights but also who has longer scenes before the next cut is)

It just feels like this finale is filled with scene after scene after scene with Vi being shellshocked and helpless and not really being super effective enough to compensate for that. Neither her glory moments, not her emotional moments really get the time to breathe the way this moment does with slo-mo and a song.

Compare Vi hurtling herself at Warwick to save Jinx, versus Jinx hurtling herself at Warwick to save Vi.

Okay, so is this just a dick measuring contest over who gets to be the most badass?

No. It's not a crime for Vi not to be the most effective fighter in the finale. But let's take a step back.

Act 1: Vi is a supporting character, but she has a clear role

I have said before I feel a major difference to season 1 is that rather than Vi being the main driving character, the show switched. Cait is the main character of Act 1, Jinx of Act 2.

Vi has lost her spot as main character, but her role in the story is still very clear. She is there as Cait's partner, her heart, her conscience. She witnesses Cait's distress. She tries to reach out to her. When they have an action scene, they work together and coordinate.

Arcane has action roots. Characters express themselves through their action scenes. That's why it's important who gets what action scene.

Also, while Cait's grief and hate and decisions drive the events of Act 1, Vi has her own arc of having hardened towards Jinx (agreeing Cait should take the shot) and then having that challenged by the end and of course getting an emotionally charged poignant moment when Cait dumps her when Vi takes a stand for Isha (= Vi making a choice).

Act 2: Vi is a supporting character, but she has a clear emotional arc

IMO Jinx is the clear lead character of act 2. She has a clear arc with Isha, befriending Isha, rescuing Isha, losing Isha.

Jinx is also the driving force of the Warwick arc. She encounters Warwick first. She is the one Warwick recognizes first. She puts 2+2 together. She seeks out Vi. She initiates their trip to the mines. She gives Vi the important hint about correctly handling Warwick. Warwick jumps into action ("Don't touch my daughter") to save her. His "death" in this arc is linked to Jinx and Isha.

But Vi still has a nice and satisfying enough arc in Act 2 anyway. She starts at rock bottom and grieving, she gets roped in by Jinx, she is initially suspicious of Jinx, she starts to trust Jinx more, her reunion with Warwick is emotional, they all go and try to help him, Jinx and Vi think about their mother.

Vi also goes from grieving Cait, to fixing her own life a little bit, to re-encountering Cait and teaming up with her again.

The big theme of Vi's arc is trust. She has to get over her fears and trust Jinx's advice on Warwick, just like she has to trust Caitlyn about letting Cait tie her up and play fake prisoner.

Act 3: Jinx has an arc about Vi, but Vi has no arc about Jinx

Jinx's in arc in Act 3 is about deciding to leave Vi. Everything in this arc is to prepare us for it.

Vi is not at all in the first episode. Even though the trigger of that episode was according to Amanda Overton what would happen if Vi had died in the original explosion, and the episode is absolutely respectful of Vi, with much grief and praise about it, in the end the portrayal isn't really about how life is impossible for these characters without Vi.

We get told what's going to happen to Jinx and get emotionally prepared for it, even though we don't know it. Sometimes leaping a step forward means leaving a few things behind. We get prepared for the idea that leaving things behind doesn't have to be a bad thing.

In the next episode, again we are getting prepared for what Jinx wants to do through her vision of Silco. She's going to heroically break the cycle of violence. Also, codes and commitments (like Vi's to Jinx) can be the bars we lock outselves in with. Identities (like the Jinx identity) are the cells we want to break out of.

Jinx then makes her decision. She's going to leave Vi. Vi never giving up on her is perceived to be something negative by her. She sets Vi free, telling her to stop caring about Jinx, telling her to be happy with Cait instead.

In the last episode, Ekko talks her out of killing herself. But Jinx still is determined to leave Vi. She says her goodbye to Vi. She assures Vi that it's not a problem because they will always be close anyway.

She then cuts the ties, lets go of Vi's hand and tumbles down with Warwick (and by most people's logic, fakes her own death and leaves the city).

Jinx has made a decision about Vi, which she executes. But Vi has no say in this decision. That's why she has no arc. She doesn't get to make a decision about her future really.

Even sneaking out to try and save Jinx we find out was prepared for by Caitlyn (and of course we find out that Caitlyn is the one who understands what Jinx did while Vi is still outside of this decision). And yes, she chooses to sleep with Caitlyn and she chooses to live with Caitlyn. But do these things really feel like part of her arc or just Vi reacting to circumstances?

IMO Vi wasn't ready to let Jinx go, that's why Jinx had to do it against Vi's will. That's why Vi doesn't make a real decision in Act 3.

Amanda said they wanted to explore who Vi would be if she didn't have anybody she had to protect and that is a valid and cool idea. But how much time with that did we really get?

And yes I genuinely think that if Vi had gotten a better action role within the finale it would have made a real difference in not making her feel so aimless.

Don't get me wrong. I get why they split it like that. The story required for Vi and Jinx to be paired up, so they can execute the conclusion of their sisters story. And unfortunately, compared to the other threats going on in the finale that story didn't really get the attention and gravitas and time and focus it deserved. (also Vi doesn't have a meaningful enough relationship with Ambessa for it to work for her to be in the Ambessa confrontation)

The problem is also that Vi doesn't really have much of a say in the conclusion of the sisters story. And her future is with Caitlyn.

So if they had found a way to sneak in some Vi and Caitlyn also doing action together or even just have Vi react to Caitlyn's duel or have Caitlyn react to Vi being under attack from Warwick, I think it would have felt more satisfying vis a vis the relationship they are going to have.

Alternatively. I love Ekko. I love that he got a badass fighting moment against Viktor. But in the moment where Jayce flies past Vi, for a moment I thought Vi would switch battlefields and Jayce and Vi would team up again, like they've done a couple of times already. If Vi's identity within the final battle was to be a big damn hero, that would also have imo left us more assured about what her identity is moving forward. Rather than the only thing we have is her being fairly weak in battle, being left out of information loops/not being smart enough to recognize them and being Cait's sweet live in girlfriend.

I don't hate Vi. I don't hate CaitVi. And I actually have some hope that maybe there is a chance that CaitVi as a pair will get to show off their stuff in some other form after all. But yeah, that's why imo season 2 and particularly Act 3 really did Vi a disservice.

(I'm not even suggesting things like Vi's decision to fight for Piltover and seeing so many Zaunites die being given gravitas or her reacting to Sevika being on the council, because I think the writers just have no interest in this topic at all)

[daughterofapollo-official]

I feel like if you do not like Jason you are just lazy.

Because he was a very interesting character, but more mysterious.

Like, in order to understand and appreciate his character you had to actually THINK! Read between the lines and look at the details.

He was intriguing. And calm, he put people before himself, because he never considered himself and he was TARIFFED that people would leave him behind, abandoned. So he’d do anything, and always put others first.

If you didn’t understand that, you were too lazy to analyze the books and you only liked the surface leave, entertainment aspect of the series and not the actual art of Rick’s work. Not everyone is very aware of their emotions and is able to dissect them.

Like Leo, he knows he is fucked up, he knows the ways he is fucked up. He is aware of his issues which is why he thinks about them and they are obvious in his chapters. Even if he doesn’t verbally express them.

But Jason isn’t the type to think about himself. He doesn’t even have the time for that. So how could he acknowledge that about himself if he doesn’t understand it yet?

Jason’s chapters were about the mission at hand because Jason prioritized responsibility and goals above his emotions.

Secret government agent: *punches me in the face* Say it! Me: *spitting out a concerning amount of blood* Secret government agent: Say Jason Grace is a boring character with no personality! Me: Fuck you

[felassan]

David Gaider on Zevran, under a cut for length:

"I was going to skip over Zevran, honestly, as I felt like I didn't have a lot to tell in the way of stories about him... but I know he still has some (ardent) fans. Plus, on reflection, I thought maybe I DO have a few things to say. 😅 Sooo we'll see how this goes. Zevran came along much later in the DAO process, as we were trying to round out the cast of party members. Alistair and Morrigan were well underway (as "main" characters, they were concepted very early) and I'd just started to consider who our Rogue followers might be when... things changed, a bit. See, BioWare had released a game not long beforehand called Jade Empire. It had included some same-sex options in its romances - not obscured like the way Juhani's "romance" had been hinted at in KotOR, but explicit. To this day, I have no idea who on the Jade Empire team was behind it, or why. More to the point, the same-sex options had received a lot of attention and praise - almost universal praise, in fact. In 2005, everyone was just pleasantly surprised. And I don't recall if I went to James and asked about it or if he came to me to suggest DAO should include it. The latter, I think."

"You might ask "Aren't you gay, Dave? Weren't you already pushing for this?" And the answer to that is, emphatically, "no, not at all". It might seem odd looking through the lens of 2024, but there was no talk of 'representation' or 'diversity'. Not at any level where we were aware of it, anyhow. Today, fans argue about how MUCH representation to include and whether it's done well enough... the idea that, less than twenty years ago, it being included *at all* was very much in doubt feels so far away. But, back then, I'd always assumed my private life and my work in games would never meet. So I think it was James who brought it up, because I remember being startled. Pleasantly so, of course. Now I had to look at our two rogues and figure out how this would apply. I sketched out the female of the two (who was taken on by Sheryl Chee) and then looked at the male - he who became Zevran. I'd been reading about the CIA and one thing that stuck with me was how they'd (allegedly) recruit gay men as assassins because they rarely had familial ties. Zevran wasn't going to be gay (bisexuality wasn't a question of representation, but a cost-benefit compromise) but that was the inspiration."

"Then there was the question of how "flamboyantly" I was writing this character, whether that might be too stereotypical? I don't remember how it arose, but I had too many "flamboyant" friends to do anything other than double down. This character was gonna be Zorro the goddamn Gay Blade, that's what. So that's how Zevran happened. Fun, a bit nihilistic, maybe a bit too overtly flirty for today's audience but very confidently *sexual*. Everything I'm not, so I'll admit it was an interesting exploration to dig down and find that voice somewhere inside. He was the anti-Alistair, and I needed that. Casting him was difficult. Caroline always tried to go for authentic accents, when we could, but for some reason this was getting us nowhere. I think back, and I suspect it's because I hadn't yet learned the lesson to not use terms in casting descriptions I thought were universal... but were not. What do I mean by that? Well, there was one write-up that said "drow elf". Now, I know what a drow elf is. It wasn't even important to the description, but the director saw the word "elf", and you know what we got back? A Keebler elf. Like a leprachaun, high and sweet and cutsie. Can you imagine?"

"In this case, I think it was the use of the word "assassin". Combine that with the sorts of roles many Hispanic actors in LA probably are asked to play, and all the auditions we were getting were 150% dark, mean, and gritty. 🫠 So we widened the casting call a bit, and this led us to Jon Curry. I knew Jon wasn't Hispanic, but what I wasn't prepared for when I flew down to meet the DAO actors was that he's this extremely tall, extremely Nordic looking dude who just happened to do the most amazing Antonio Banderas impression. Watching THAT man channel Zevran was... more than a bit surreal. 😅 And he had fun with it. As soon as we gave him the go ahead to play the fun and flirtiness to the hilt, that's exactly what he did. Over the few days where we found Zevran's voice, it totally supplied me with something I could hold in my head when I went back to Edmonton and finished writing him. Zevran was funny enough that the fans liked him. The only part of the reception I thought odd was the occasional comment by a male player who felt "tricked" into having sex with Zevran. "You mean... that part where he invites you to his tent for a sensual massage?" "Yes! I was expecting a massage!" "He literally says the massage is sensual." "Well he wasn't clear enough!" This is where I first came to the conclusion that a certain number of our players just don't know how to people. And that maybe an adjustment to the way we approached the messaging (or massaging lol) of romance was in order. If I could go back, would I change anything? Maybe I'd remind the systems team Zevran should really be able to pick a lock. And maybe not allow him to die. We had no idea we'd need to import these choices into the future - we kinda thought DAO was "one and done". Not so much, as it turned out. 😁"

[source thread]

David Gaider: "there's something to be said about how Zevran flirted and even had sex with you because he thought that's all he had to offer... not just you, but anyone. And when he realized you wanted something deeper, suddenly he was on unsteady ground and it truly unsettled him. It was fun to explore." [source]

User: "So David - besides loving the fact that the third image you picked is a gay sex scene - what happened in DA2(DAE - come on) with Zevrans design?" David Gaider: "Check the ALT text. It wasn’t a custom sculpt, so that’s as close as they could get it. Which… was not close." [source]

User: "Just to make sure I fully understand: the director (was it the voice director?) saw the word "elf" and thought you were looking for someone high, sweet, and cutesie?" David Gaider: "Yeah, this was from back before we managed VO in-house. The voice director in this case just didn’t have an association with “elf” like some familiar with fantasy would." [source]

[azen13]

[Not really sure if this counts as a request but here we go] Who’s your favourite male yandere(s) from genshin? And could you talk about why?

Ah I love this question! Thank you so much for asking. I've been really busy with college lately so I haven't gotten a chance to write recently, but after this week I should be finished with a lot of tests until finals. Just to clear things up, I absolutely accept questions like this! I feel like I haven't really shared a lot about myself as a person so I'm hoping to do more of that in the future.

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CW: Yandere Themes, Spoilers for Wriothesley's Story Quest

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I'd say I have four yanderes who I really like, and then a few who I like but I'm not obsessed with. Those four being Alhaitham, Neuvillette, Wriothesley, and Zhongli. Beyond the fact that I just like them as characters (and I'm gay asf lol) they're the most interesting yanderes to me, in part because of how much power they have in their societies.

Alhaitham is really interesting to me because there's this personal conflict between his values and beliefs and the idea of falling in an obsessive love. Alhaitham is inherently self-centered, not narcissistically so, but to the point where he prioritizes and values his time alone. In doing so though, he's also extremely lonely. I think a lot on how Alhaitham would react to someone who's able to match his sharpened blade of wit with one of their own, how he might exchange parries and blows with that person and find himself needing to understand the nature of their mind. I also think about how he'd react to someone who struggles with taking care of themself, or overworking: how he'd try to get you to stop doing so much and trying to please everyone. If his lover can keep up with his intelligence, he treats the romance like a game of chess, lining up his pieces to topple over the defenses surrounding your heart. His possession of you is slow and methodical, like vines growing on walls, slowly creeping over every inch. If his lover's wisdom is spent in other areas, then he's quick to snatch them up and take them home. While I think he's quick to get you under his control, it's harder for him to make them fall in love and surrender to his calculating embrace.

Neuvillette brings a really interesting element that I like to think about when I'm writing for him: immortality. He's a dragon who's lived for centuries, and that element of the slow passage of time is really fun to both write and think about. I really like to think of Neuvillette as a really, really soft yandere; he's seen humanity at its worst, and doesn't want you, the beautiful thing you are, to be tainted by all of its ugliness. Besides, he just can't help himself, what with his draconic instincts.

Out of the four, Wriothesley is the character I'd say I have the hardest time writing for because it's harder for me to explain why he feels the way he does. The working justification I have is that being betrayed by his adoptive family and living his whole life in Meropide made him incredibly lonely and developed a lot of abandonment issues that remained unearthed for years, as he didn't really make many close friends in Meropide. Then you come along though, and for once, Wriothesley has something good, something he doesn't want to give up. He's definitely one of the hardest yanderes to escape, what with Meropide being a literal prison. I think he definitely takes extra precautions when it comes to you, though, because he's so scared of losing them. Beneath his gruff exterior, there's a heart of gold, a man who only craves your complete affection and attention.

And then there's Zhongli, who was actually the character who got me into writing Yanderes. The thing about Zhongli is that as a yandere, you're practically powerless, unless you're on a similar or higher level of power/divinity to him. Even if you exceed his power, you're still going to have a very difficult time escaping his control. With how long he's lived and how much he's seen, he knows the only way to guarantee your safety is to isolate you from Teyvat entirely. Zhongli has no qualms about doing this, regardless of how much you might protest. Because when you've lost everything but Zhongli, you'll eventually—and inevitably—crumble into his arms. Only then will Zhongli put you back together, shaping you to be his perfect lover. Zhongli's greatest power as a yandere is his patience.

[artbyblastweave]

To be honest, while I know that you've discussed a Worm/Marvel "crossover" before, considering how unusually different both Ultimate Universes are from mainline Marvel, how would a crossover with Worm go for those?

(Side note: I'm mainly asking for the potential thought experiment of: what if Cauldron met the Maker and all of the immense bullshit that would result from that.)

I don't think I'm totally capable of answering the back half of this ask because I haven't read The Maker comprehensively- Aside from his pre-heel turn stint in Ultimate FF, It's basically only Secret Wars, a couple of the times Ewing used him, and the current New Ultimate Universe.

So what I find interesting about this prospect is that Worm and Ultimate Marvel are very aesthetically compatible, right, you aren't going to drop one character into the other's setting and have them constantly going "what the fuck is going on" the way you would if we subbed in 616 Marvel at it's most four-color. But the worldbuilding and themes are actually very divergent in ways that are interesting to look at. Namely-

Worm is a grim, grim setting, but it's also attempting to replicate the status quo at Marvel and DC where, despite occasional attempts at government sanction or integration, there's fundamentally a weirdly high cultural tolerance for independent vigilantism as long as the person doing it is wearing a costume. Their version of Registration- The Protectorate- is a very carrot heavy initiative, when we see Kid Win making the recruitment pitch to Chariot it's all about the support you get, the funding, the backup, the PR help. Individual street level heroes get nailed to the wall or hung out to dry all the time, but collectively, they're granted a lot of discretion in that they're allowed to exist at all. And the fundamental reason for this is that the government is scared of them. They might be able to smack down individual upstarts who try to go full warlord or revolutionary, but they don't control the overall distribution of powers and there are so many of these assholes, three-quarters of whom go career criminal due to some combination of trauma, material want, neuroticism or ideology. So any set of norms that gets as many of these people as possible to behave in a slightly-less-antisocial manner is something that they're going to roll with. Worm is a world held hostage by the typical superhero paradigm, buckling under its weight. Crucial to this dynamic is that powers aren't a man-made phenomenon, and they're barely a man-influenced phenomenon via Cauldron.

But with the Ultimate Universe, a major pillar of the deconstruction and the worldbuilding is that superheroes would not be allowed to operate in the typical wild west paradigm. There's a much stronger divide between sanctioned heroes (The Ultimates, The Fantastic Four), grey-zone heroes like the X-Men, and then the out-and-out outlaw street level heroes like Daredevil and Spider-Man. A major plot point is that Nick Fury and his spooks very predictably figure out who Spider-Man is almost immediately; he's only able to continue operating as a street-level hero in the usual manner due to Fury's implicit sanction, because Fury is trying to groom him to eventually join The Ultimates. Moreover, a lot of the rest of the street-level capes (as depicted in Millar's Ultimates) are cast as genuinely incompetent puds, only not cracked down on because there's no real reason to. (Note that I have a seething hatred for this particular beat in practice because it deprived us of an Ultimate Luke Cage worth having, but I get what Millar was gesturing at with it.) All of this, likewise, is downstream of the fact that powers are almost totally a man-made phenomenon, with almost all superhumans being downstream of Military-Industrial Complex attempts at reproducing Captain America; it's not an out-of-control supernatural phenomena that they're trying to get in on, It's a government-made phenomenon that leaks like a sieve and eventually spirals out of control. The Ultimate Universe is fundamentally about Hubris in a way that Worm isn't.

Both settings converge on a state of societal collapse due to the advent of superpowers; Ultimate Marvel was gesturing at an impending superhuman-driven World-War Three for a while before things spiraled into the comparably destructive nonsense of Ultimatum, The Maker, The (partial?) balkanization of the U.S. and the rest of the crisis cavalcade that led into the 2015 Secret Wars and the total destruction of that universe. Worm suffered the much more tightly-directed Apocalyptic Bad Time with which we're all familiar.

As for a crossover premise, I'd have to say that post-gm Taylor getting marooned on 1610 and winding up in the orbit of 1610 Peter Parker specifically- as opposed to the MCU or 616 versions, with whom I've seen this done- is an underexamined hook. Ultimate Spidey represents a deft integration of Peter's best and worst personality traits. The early-run ditko-style dickishness is recontextualized as an anger about the state of the world, the crazy-making sense that bullies and dictators appear to have free run of the world and nobody but him is doing anything about it. Which, given the state of The Ultimate Universe, falls in the middle ground between typical teenaged myopia and a sober assessment of what he's up against.

Remind you of anyone?

[leoleolovesdc]

Stephanie (at least throught the 90s-00s) had a very discernible violent streak and morals that don’t really line up with tim and the other bats around her. This is kinda lost on modern comics, either because of how much she’s being sidelined or as an attempt to soften her character and make her more likeable, but i genuinely think it was a interesting part to her characer that we should bring back.

Steph is sort of angry and reckless, she became spoiler without any training because she needed to get her father out of her and her mother’s life permanently, and she didn’t care for the implications of what she had to do to get there.

In her debut, you can see how desperate and impatient she is, she was tired of all the harm arthur caused to her family and of the helplessness of never being able to do something about it. It’s just a lot of bottled up anger you can tell she’s been struggling with for years, so when she finally finds a way to channel it onto something good (you can argue on how much good beating up criminals would really do, but this is from steph’s pov) it immediately leads up to her being ready to murder her father on the first opportunity she gets.

And even after bruce convinces stephanie to Not Kill Him, she still expresses multiple times how she doesn’t care for men like her father and saving them is a waste of her time. She is usually pretty willing to let “bad” people die because, as she sees it, their lives aren’t more important then the ones they ruined.

I wouldn’t say steph has very “strong” opinions on murder like jason, for example, does, but she definetly has a detachment to bruce, cass and tim’s morals that end up pushing her into a place of distrust with all of them at some point or another. She is willing to adapt to what her teammates (on the occasions where she did get to feel like a part of a team) expect of her in a mission because she values their opinion of her and wants to receive proper support and training, but it doesn’t make her dislike the kind of people who’s lives she is told to care about any less.

In the short time steph had as robin that trend of loose morals in comparison to the bats really continues, like in that one story where a guy she hit recklessly doesn’t die by pure luck and when bruce is scolding her about it she just goes “he was a serial killer, so really, why should i even care?”, or when she has that talk with batgirl after having to be stopped from beating the shit out of the penguin and ponders a bit about “when does it end? Am i really that wrong for wishing we could just take guys like this out of our lives?”.

It’s a very noticeable highlight on this aspect of stephanie right near the end, and it builds up to when she is fighting fo her life against black mask and finally manages to get the upperhand. It’s not the first time she has someone’s life on her hands but it is the first time she hesitates, maybe because the stakes are higher now, but mainly it’s just because of how guilty she feels for the gang war, for fucking it up with batman and for orpheus’ death. When she lets black mask live it’s not because she thinks it’s the right thing or because she doesn’t want to blow his brains out, it’s out of respect for bruce, because she feels like she already ruined everything, she should have known better and she owes him something, so she does what batman would do. And then that gets her killed.

So, let’s be real, why should i think that after all of this, after her father ruined her mother’s life, after she watched hundreds of children get killed and traumatized by monsters like the penguin, after the one time she tries to follow the damn code it kills her, should she have any notion that murdering is wrong if when she’s looking back on it, killing a bitch would have solved all of her problems from day one?

Being a Stephanie Brown fan is so annoying sometimes because you read about this child consistently trying to commit murder since her literal debut just for some random writer and those “batboys” mfs go around saying that she thinks murder is wrong

[discofama]

Was thinking about our Pineses different styles of comedy and I realized Mabel's and Ford's are kind of the same in a way.

Originally was thinking of who of the 4 of them was the funniest for me, and I decided it's Dipper. I can't express how much I've laughed with him. Or more like, AT him, i realized. Unlike the others, most of the comedy that involves him is at his expense. Almost every character thought bad things of him at the very least (including Ford! In his first impressions in Journal 3) and the way he's so insecure and awkward and weird, and that almost everybody bullies him, is just so funny to me. God forbid me lmao.

Stan's comedy is more aimed at how shameless he is with his criminal activities and kind of fucked up stuff he says, like "finally a good reason to punch a teenager in the face!". Most of the times the jokes that involve him are simply funny because they're sudden, mean (him to others, which feeds the kind of humor that involves Dipper and a variety of other minor characters) and/or unexpected of someone as rough as him, like crying at a telenovela. Of course we also laugh AT him many times just like we do with every character, but the fact he is so shameless, unlike Dipper, makes it very different.

Mabel and Ford are funny just because they're both insane and have extremely weird interests. You could say it's also laughing AT them but this feels of a different nature than laughing at Dipper. So i'd say it's more like laughing WITH them, like we usually do with Stan. What's funny (in the strange sense) is that Ford did share Dipper's awkwardness when he was younger, but as far as I remember, it was never played for laughs like it was for Dipper. Mabel and Ford both are reckless, absentminded and go extra on everything, which is very amusing, but they also have a riddiculous taste in everything. For example, Mabel likes toothpaste and Ford likes human blood. Mabel bedazzles her face and Ford sets it on fire. They use grappling hooks and jump out of windows epically. They are shameless too, but while Stan is unabashedly greedy and his comedy usually intentionally harms others or their property, they unabashedly just are their own strange person from start to finish. And the result is pretty funny.