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badnewswhatsleft · 3 hours ago

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rock sound #312 (nov 2024)

transcript below cut:

ROCK SOUND 25 ICON

FALL OUT BOY

A BAND THAT CAPTURED THE HEARTS, MINDS AND HEADPHONES OF A GENERATION OF KIDS WORLDWIDE, FALL OUT BOY UNDOUBTEDLY CHANGED THE LANDSCAPE OF THE ALTERNATIVE SCENE FOREVER, NEVER AFRAID TO EXPERIMENT, TAKE CHANCES AND MAKE BOLD CHOICES AS THEY PUSHED FORWARD. FOLLOWING A SUMMER SPENT EXPLORING THE 'DAYS OF FALL OUT PAST', PATRICK STUMP AND PETE WENTZ REFLECT ON THEIR PATH FROM POP PUNK, HARDCORE MISFITS TO ALL-CONQUERING, STADIUM-FILLING SONGWRITERS AS THEY ACCEPT THEIR ROCK SOUND 25 ICON AWARD.

WORDS JAMES WILSON-TAYLOR

PHOTOS ELLIOTT INGHAM

Let's begin with your most recent performance which was at When We Were Young festival in Las Vegas. It was such a special weekend, how are you reflecting on that moment?

PATRICK: It's wild, because the band, I think, is going on 23 years now, which really came as a surprise to me. I know it's this thing that old people always say, 'Man, it really goes by so fast', but then it happens to you and you're just taken aback. There were so many times throughout the weekend, every 10 minutes, where I'd turn around and see somebody and be like, 'Holy shit, I haven't seen you in 18 years', or something crazy like that. It was hard not to have a good time. When I was going up to perform with Motion City Soundtrack, which was an exciting thing in itself, I turn around and Bayside is there. And I haven't seen Bayside since we toured with them. God, I don't remember when that was, you know? So there was so much of that. You couldn't help but have a good time.

PETE: I mean, that's an insane festival, right? When they announce it, it looks fake every time. The lineup looks like some kid drew it on their folder at school. For our band, the thing that's a little weird, I think, is that by deciding to change between every album, and then we had the three year break which caused another big time jump, I think that it would be hard for us to focus on one album for that show. We're a band where our fans will debate the best record. So it was amazing that we were able to look backwards and try to build this show that would go through all the eras - nod to Taylor obviously on that one. But it's also an insane idea to take a show that should really be put on for one weekend in a theatre and then try to take it around the world at festivals. The whole time on stage for this particular show production, I'm just like 'Is this thing going to go on time?' Because if the whole thing is working totally flawlessly, it just barely works, you know what I mean? So I give a lot of credit to our crew for doing that, because it's not really a rock show. I know we play rock music and it's a rock festival, but the show itself is not really a rock production, and our crew does a very good job of bending that to fit within the medium.

That show allows you to nod to the past but without falling fully into nostalgia. You are still pushing the band into newer places within it.

PATRICK: That's always been a central thing. We're a weird band, because a lot of bands I know went through a period of rejecting their past, and frankly, I encounter this thing a lot, where people have expected that we stopped interacting with older material. But we always maintained a connection with a lot of the older music. We still close with 'Saturday'. So for us, it was never about letting go of the past. It was about bringing that along with you wherever you go. I'm still the same weird little guy that likes too much music to really pin down. It's just that I've carried that with me through all the different things that I've done and that the band has done. So for us, in terms of going forward and playing new stuff, that's always the thing that's important to me; that there should be new stuff to propel it. I never wanted to be an artist that just gave up on new music and went out and played the hits and collected the check and moved on. It's all got to be creative. That's why I do it. I want to make new music. That's always why I do it. So something like When We Were Young is kind of odd really. It's an odd fit for that, because it's nostalgic, which is not really my vibe all that much. But I found a lot of nostalgia in it. I found a lot of value in looking back and going 'Wow, this was really cool. It was amazing that we did this, that we all did this'. That scene of bands, we're all old now, but it has taken off into such a moment culturally that people can point to.

Let's jump all the way back to the first ever Fall Out Boy show. There is very little evidence of it available online but what are your memories of that performance?

PATRICK: So the very first Fall Out Boy show was at DePaul University in a fancy looking dining hall. I actually applied to DePaul, but I never went there because the band went on tour. I think there were only two or three other bands. One was a band called Stillwell, who were kind of a math rock emo band, and then this heavier, more metallic band. And then we were there, and we had a guitar player, John Flamandan, who I have not seen since that show. He was only in the band for a week or two, and we were still figuring ourselves out. We had three songs and I had never sung before in front of people. I did a talent show at school one time when I was a kid and theatre kind of stuff where you would sing, but it was more in that context. And I was also a kid too. This was the first time ever that I'm the singer for a band and I was fucking terrified. We had a drummer named Ben Rose, really great guy. I haven't seen Ben in a million years, either, but we were still figuring ourselves out. The other thing is that all of us, with me being the exception, were in other bands, and all of our other bands were better than Fall Out Boy was. We were very sloppy and didn't know what we were doing, and so I don't think any of us really took it seriously. But there was a thing that was really funny about it, where even though we kind of thought we sucked, and even though we weren't really focusing on it, we had a lot of fun with each other. We enjoyed trying this other thing, because we were hardcore kids, and we were not the pop punk kids and the pop punk bands in town, that was like 'the thing', and we were not really welcome in that. There was a fun in trying to figure out how to make melodic and pop music when we really didn't have any history with that. It was very obvious that we didn't know what we were doing at the beginning.

So when did it begin to feel like things were finally clicking? When did you find your roles and what you wanted the band to be?

PETE: In regards to the music, I liked Fall Out boy, way before I probably should have. I remember playing the early demos and it giving me a feeling that I hadn't felt with any of the other bands that I had been in. Now, looking back on it, I might have been a tad early on that. Then as far as the roles, I think that they've been carving themselves out over time. We've always allowed ourselves to gravitate to our strengths. Between me and Patrick, we'd probably make one great, atypical rock artist if we were one person. Because our strengths are things that the other doesn't love as much. But I think that what has happened more is it's less of a fight now and there's more trust. We have a trust with each other. There's things that Patrick will play for me or explain to me, and I don't even really need him to explain it, because I trust him. I may not totally understand it, but I trust him as an artist. On the other side of that, it's also very nice to have someone who can veto your idea, you know what I mean? It's nice to have those kind of checks and balances.

PATRICK: I had been in this band called Patterson, and all three of the other guys sang in kind of a gravelly, Hot Water Music vibe. I was not intending to be a singer, but I would try and sing backups and, it wasn't a criticism, but there was this vibe that, while I could do the gravelly thing, my voice was coming through and it didn't fit. It was too pretty and that became a thing I was kind of embarrassed of. So when Fall Out Boy started, I was actively trying to disguise that and mute it and hide behind affectation. Pete would really push me to stretch my vowels because that was in vogue in pop punk at the time. There were all these different ways that we were trying to suppress me, musically, because we were just trying to figure out how to do the things that the bands we liked did. But that wasn't really us, you know? It's really funny, because 'Take This To Your Grave' was recorded in three sections, about six months apart. Over the course of that time, I can hear us figuring it out. I think a really defining moment for me was 'Saturday', because I am not brave, I am not a bold person, and I do not put myself out there. When I was showing the band 'Saturday', we were jamming on the bit after the second chorus, and I was mumbling around, just mucking my way through it, and I did the falsetto thing. I didn't think anyone could hear me over us bashing around in Joe's parents house in this tiny little room. But Pete stopped, and he goes, 'Do that again'. I was so terrified of doing that in front of these guys, because you gotta remember, I was incredibly shy, but also a drummer. I'd never sung in front of anyone before, and now I'm singing in a band and I'm certainly not going to take chances. So I thought the falsetto thing was really not going to happen, but when I did it, there was this really funny thing. Somehow that song clicked, and it opened up this door for us where we do something different than everybody else. We were aiming to be a pop punk or hardcore band, but we found this thing that felt more natural to me.

As you embarked on Warped Tour, simultaneously you were finding this huge level of pop and mainstream success. How was it navigating and finding your way through those two very different spaces?

PATRICK: I used to work at a used record store and what shows up is all the records after their success. So I got really acquainted and really comfortable with and prepared for the idea of musical failure. I just wanted to do it because I enjoyed doing it. But in terms of planning one's life, I was certain that I would, at most, get to put out a record and then have to go to school when it didn't work out. My parents were very cautious. I said to them after 'Take This To Your Grave' came out that I'm gonna see where this goes, because I didn't expect to be on a label and get to tour. I'm gonna give it a semester, and then it will almost certainly fail, and then after it fails, I'll go to school. And then it didn't fail. Warped Tour was very crazy too, I was talking about this at When We Were Young with My Chem. Both of us were these little shit bands that no one cared about when we booked the tour. Then we got to the tour, and all these people were showing up for us, way more than we expected, way more than Warped Tour expected. So Warped Tour was putting both of us on these little side stages, and the stages would collapse because people were so excited. It was this moment that came out of nowhere all of a sudden. Then we go to Island Records, and I had another conversation with my parents, because every band that I had known up to that point, even the biggest bands in town, they would have their big indie record and then they would go to the major label and drop off the face of the planet forever. So I was certain that was going to happen. I told them again, I'm going to put out this record, and then I'll go to school when this fails.

PETE: I think that if you really wanted someone to feel like an alien, you would put them on TRL while they were on Warped Tour. You know what I mean? Because it is just bananas. On our bus, the air conditioning didn't work, so we were basically blowing out heat in the summer, but we were just so happy to be on a bus and so happy to be playing shows. You go from that to, two days later, stepping off the bus to brush your teeth and there's a line of people wanting to watch you brush your teeth. In some ways, it was super cool that it was happening with My Chemical Romance too because it didn't feel as random, right? It feels more meant to be. It feels like something is happening. To be on Warped Tour at that time - and if you weren't there, it would be probably hard to imagine, because it's like if Cirque Du Soleil had none of the acrobatics and ran on Monster energy drink. It was a traveling circus, but for it to reach critical mass while we were there, in some ways, was great, because you're not just sitting at home. In between touring, I would come home and I'd be sitting in my bedroom at my parents house. I would think about mortality and the edge of the whole thing and all these existential thoughts you feel when you're by yourself. But on Warped Tour, you go to the signing, you play laser tag, you go to the radio station. So in some ways, it's like you're in this little boot camp, and you don't really even think about anything too much. I guess it was a little bit of a blur.

Pete, when you introduced 'Bang The Doldrums' at When We Were Young, you encouraged the crowd to 'keep making weird shit'. That could almost be a mantra for the band as a whole. Your weirder moments are the ones that made you. Even a song like 'Dance Dance' has a rhythm section you never would have expected to hear on a rock track at that time.

PETE: You know, I just watched 'Joker 2' and I loved it. I do understand why people wouldn't because it subverts the whole thing. It subverts everything about the first one. That's something I've always really loved, when I watch artists who could keep making the same thing, and instead they make something that's challenging to them or challenging to their audience. Sometimes you miss, sometimes you do a big thing and you miss, and we've definitely done that. But I gotta say, all the things that I've really loved about art and music, and that has enriched my life, is when people take chances. You don't get the invention of anything new without that. To not make weird stuff would feel odd, and I personally would much rather lose and miss doing our own thing. To play it safe and cut yourself off around the edges and sand it down and then miss also, those are the worst misses, because you didn't even go big as yourself. This is where we connect with each other, we connect by our flaws and the little weird neuroses that we have. I rarely look at something and go 'Wow, that safe little idea really moved me'. I guess it happens, but I think about this with something like 'Joker 2' where this director was given the keys and you can just do anything. I think a lot of times somebody would just make an expected follow up but some people turn right when they're supposed to turn left. That's always been interesting on an artistic level, but at the same time, I think you're more likely to miss big when you do that.

PATRICK: Going into 'From Under The Cork Tree', I had this sense that this is my only shot. It has already outperformed what I expected. I don't want to be locked into doing the same thing forever, because I know me. I know I'm not Mr. Pop Punk, that's just one of many things I like. So I would be so bummed if for the rest of my life, I had to impersonate myself from when I was 17 and have to live in that forever. So I consciously wanted to put a lot of weird stuff on that record because I thought it was probably my only moment. 'Sugar, We're Goin Down' was a fairly straight ahead pop punk song but even that was weird for us, because it was slow. I remember being really scared about how slow it was, because it's almost mosh tempo for the whole song, which was not anything we had done up to that point. But in every direction, in every song, I was actively trying to push the boundaries as much as I could. 'Dance, Dance' was one of those ones where I was seeing what I can get away with, because I might never get this chance again. We were on tour with a friend's band, and I remember playing the record for them. I remember specifically playing 'Our Lawyer…' that opens the record, which has that 6/8 time feel, and they kind of look at me, like 'What?'. Then I played 'Dance, Dance', and they're like, 'Hey man, you know, whatever works for you. It's been nice knowing you'. But I just knew that, on the off chance that I ended up still being a musician in my 40s, I wanted to still love the music that we made. I didn't want to ever resent it. It's ironic because people say that bands sell out when they don't make the same thing over and over again. But wait a second. Say that again. Think about that.

That attitude seemed to carry directly into 'Infinity On High'. If you may never end up doing this again then let's make sure we bring in the orchestra while we still can...

PATRICK: That was literally something that I did say to myself this might be the last time, the likelihood is we're going to fail because that's what happens, so this might be the last time that I ever get a chance to have somebody pay for an orchestra and a choir. I always think of The Who when they did 'A Quick One, While He's Away' and there's a part where they go 'cello, cello', because they couldn't afford real cellos, they couldn't afford players. That's what I thought would happen for me in life. So I went in and thought, let's do it all. Let's throw everything at the wall, because there's no chance that it's going to happen again. So many things came together on that record, but I didn't expect it. 'Arms Race' was a very weird song, and I was shocked when management went along with it and had kind of decided that would be the single. I was in disbelief. It did not feel like a single but it worked for us. It was a pretty big song and then 'Thnks Fr Th Mmrs' was easily the big hit off that record. So then we have two hit songs off of an album that I didn't even know would come out at that point. But again, it was very much just about taking the risks and seeing what the hell happened.

As you went on hiatus for a few years, you worked on a number of other creative projects. How did those end up influencing your approach to the band when you returned?

PETE: On the areas of the band where I led, I wanted to be a better leader. When you're younger and you're fighting for your ideas, I don't think that I was the greatest listener. I just wanted to be a better cog in the machine. When you're in a band originally, no one gives you the little band handbook and says 'these are the things you should do', you know? I just wanted to be a better version of who I was in the band.

PATRICK: There's a combination of things. 'Soul Punk' is a weird record. I love that record but I kind of resent that record for so many things. It's my solo record, but it's also not very me in a lot of ways. I had started with a very odd little art rock record, and then I had some personal tragedies happen. My EP that I put out far out sold expectations so then all of a sudden, Island Records goes, 'Oh, we think this could actually be something we want singles for'. I think we had all expected that I would be putting out a smaller indie record but then all of a sudden they were like 'oh, you could be a pop star'. So then I have to retrofit this art rock record into pop star hit music, and also channel personal tragedy through it. I hadn't ever really been a front man - I'd been a singer, but I hadn't really been a front man, and I hadn't really written lyrics, certainly not introspective, personal lyrics. So that whole record is so strange and muted to me. So I went from that album, which also failed so fucking hard - I should have gone to school after that one. But Pete had reached out to me just as a friend, and said 'I know you're in your own thing right now, and I know that you're not the kind of person that is going to be in my fantasy football league, so I'm not going to see you unless we make music. But you're my buddy, and that kind of bums me out that I don't see you at all, so I guess we have to make music'. I thought that was a fairly convincing pitch. It's true, that was what we do when we hang out - we make music. So we reconvene, and going into it, I had all these lessons that really made me understand Pete better, because Pete is the natural front end person. So many of our arguments and frustrations and the things that we didn't see eye to eye on, I grew to understand having now been in the position of the point man that had to make all the decisions for my solo thing. It really flipped my understanding of why he said the things he would say, or why he did things he would do. I remember early on thinking he was so pushy, but then, in retrospect, you realise he was doing it for a reason. There's so many little things that really changed for me doing 'Soul Punk' that were not musical but were more about how you run a band and how you run a business, that made me understand and respect him a lot more.

What are memories of that initial return and, specifically, that tiny first show back at the Metro venue in Chicago?

PETE: Those first shows were definitely magical because I really wasn't sure that we would be on a stage again together. I don't have as many memories of some of our other first things. We were just talking about Warped Tour, I don't have many memories of those because it is almost wasted on you when it's a blur and there's so many things happening. But with this, I really wanted to not take it for granted and wanted to take in all the moments and have snapshots in our own heads of that show. I did a lot of other art during the time when we were off, everybody did, but there's a magic between the four of us and it was nice to know that it was real. When we got on that stage again at the Metro for the first time, there was something that's just a little different. I can't really put my finger on it, but it makes that art that we were making separately different than all the other stuff.

Musically, as you moved forward, everything sounded much bigger, almost ready for arenas and stadiums. Was that a conscious decision on your part?

PETE: Patrick felt like he was bursting with these ideas. It felt like these had been lying in wait, and they were big, and they were out there, and whether he'd saved them for those records, I don't really know. That's what it felt like to me. With 'Save Rock And Roll', we knew we had basically one shot. There were really three options; you'll have this other period in your career, no one will care or this will be the torch that burns the whole thing down. So we wanted to have it be at least on our terms. Then I think with 'American Beauty...' it was slightly different, because we made that record as fast as we could. We were in a pop sphere. Is there a way for a band to be competitive with DJs and rappers in terms of response time? Are we able to be on the scene and have it happen as quickly? I think it kind of made us insane a little bit. With 'American Beauty…', we really realised that we were not going to walk that same path in pop culture and that we would need to 'Trojan horse' our way into the conversation in some way. So we thought these songs could be played in stadiums, that these songs could be end titles. What are other avenues? Because radio didn't want this right now, so what are other avenues to make it to that conversation? Maybe this is just in my head but I thought 'Uma Thurman' could be a sister song to 'Dance, Dance' or maybe even 'Arms Race' where it is weird but it has pop elements to it.

PATRICK: I had a feeling on 'Save Rock And Roll' that it was kind of disjointed. It was a lot of good songs, but they were all over the place. So when we went into 'American Beauty…', I really wanted to make something cohesive. I do think that record is very coherent and very succinct - you either like it or you don't, and that's pretty much it all the way through. By the time we got to 'MANIA', I had done all this production and I'd started to get into scoring. The band had done so many things and taken so many weird chances that I just felt free to do whatever. At that point, no one's going to disown me if I try something really strange so let's see what happens. 'Young And Menace' was a big part of that experiment. People hate that song, and that's okay. It was meant to be challenging, it's obviously not supposed to be a pop song. It's an abrasive song, it should not have been a single. However, I do think that record should have been more like that. Towards the end of the production, there was this scramble of like, 'Oh, fuck, we have no pop music on this and we need to have singles' and things like that. That took over that record and became the last minute push. I think the last half of that record was recorded in the span of two weeks towards the end of the recording to try and pad it with more pop related songs. I look at that record and think it should have all been 'Young And Menace'. That should have been our 'Kid A' or something. It should have really challenged people.

But we have spoken before about how 'Folie à Deux' found its audience much later. It does feel like something similar is already beginning to happen with 'MANIA'...

PETE: I agree with you, and I think that's a great question, because I always thought like that. There's things that you're not there for, but you wish you were there. I always thought about it when we put out 'MANIA', because I don't know if it's for everyone, but this is your moment where you could change the course of history, you know, this could be your next 'Folie à Deux', which is bizarre because they're completely different records. But it also seems, and I think I have this with films and bands and stuff as well, that while one thing ascends, you see people grab onto the thing that other people wouldn't know, right? It's like me talking about 'Joker 2' - why not talk about the first one? That's the one that everybody likes. Maybe it's contrarian, I don't really know. I just purely like it. I'm sure that's what people say about 'Folie à Deux' and 'MANIA' as well. But there's something in the ascent where people begin to diverge, you are able to separate them and go 'Well, maybe this one's just for me and people like me. I like these other ones that other people talk about, but this one speaks to me'. I think over time, as they separate, the more people are able to say that. And then I can say this, because Patrick does music, I think that sometimes he's early on ideas, and time catches up with it a little bit as well. The ideas, and the guest on the record, they all make a little bit more sense as time goes on.

'MANIA' is almost the first of your albums designed for the streaming era. Everything is so different so people could almost pick and choose their own playlist.

PETE: Of course, you can curate it yourself. That's a great point. I think that the other point that you just made me think of is this was the first time where we realised, well, there's not really gatekeepers. The song will raise its hand, just like exactly what you're saying. So we should have probably just had 'The Last Of The Real Ones' be an early single, because that song was the one that people reacted to. But I think that there was still the old way of thinking in terms of picking the song that we think has the best chance, or whatever. But since then, we've just allowed the songs to dictate what path they take. I think that that's brilliant. If I'd had a chance to do that, curate my own record and pick the Metallica songs or whatever,that would be fantastic. So it was truly a learning experience in the way you release art to me.

PATRICK: After 'MANIA', I realised Fall Out Boy can't be the place for me to try everything. It's just not. We've been around for too long. We've been doing things for too long. It can't be my place to throw everything at the wall. There's too much that I've learned from scoring and from production now to put it all into it. So the scoring thing really became even more necessary. I needed it, emotionally. I needed a place to do everything, to have tubas and learn how to write jazz and how to write for the first trumpet. So then going into 'So Much (For) Stardust', it had the effect of making me more excited about rock music again, because I didn't feel the weight of all of this musical experimentation so I could just enjoy writing a rock song. It's funny, because I think it really grew into that towards the end of writing the record. I'd bet you, if we waited another month, it would probably be all more rock, because I had a rediscovered interest in it.

It's interesting you talk about the enjoyment of rock music again because that joy comes through on 'So Much (For) Stardust' in a major way, particularly on something like the title track. When the four of you all hit those closing harmonies together, especially live, that's a moment where everything feels fully cohesive and together and you can really enjoy yourselves. There's still experimental moments on the album but you guys are in a very confident and comfortable space right now and it definitely shows in the music.

PATRICK: Yeah, I think that's a great point. When you talk about experimentation too and comfort, that's really the thing isn't it? This is always a thing that bugged me, because I never liked to jam when I was a kid. I really wanted to learn the part, memorise it and play it. Miles Davis was a side man for 20 years before he started doing his thing. You need to learn the shit out of your music theory and your instrument - you need to learn all the rules before you break them. I always had that mindset. But at this point, we as a band have worked with each other so much that now we can fuck around musically in ways that we didn't used to be able to and it's really exciting. There's just so much I notice now. There are ways that we all play that are really hard to describe. I think if you were to pull any one of the four of us out of it, I would really miss it. I would really miss that. It is this kind of alchemy of the way everyone works together. It's confidence, it's also comfort. It's like there's a home to it that I feel works so well. It's how I'm able to sing the way I sing, or it's how Andy's able to play the way he plays. There's something to it. We unlock stuff for each other.

Before we close, we must mention the other big live moment you had this year. You had played at Download Festival before but taking the headline slot, especially given the history of Donington, must have felt extra special.

PETE: It felt insane. We always have a little bit of nerves about Download, wondering are we heavy enough? To the credit of the fans and the other bands playing, we have always felt so welcomed when we're there. There's very few times where you can look back on a time when... so, if I was a professional baseball player, and I'm throwing a ball against the wall in my parents garage as a kid, I could draw a direct link from the feeling of wanting to do that. I remember watching Metallica videos at Donington and thinking 'I want to be in Metallica at Donington'. That's not exactly how it turned out, but in some ways there is that direct link. On just a personal level, my family came over and got to see the festival. They were wearing the boots and we were in the mud. All this stuff that I would describe to them sounds insane when you tell your family in America - 'It's raining, but people love it'. For them to get to experience that was super special for me as well. We played the biggest production we've ever had and to get to do that there, the whole thing really made my summer.

PATRICK: There's not really words for it. It feels so improbable and so unlikely. Something hit me this last year, this last tour, where I would get out on stage and I'd be like, 'Wait, fucking seriously? People still want to see us and want to hear us?' It feels so strange and surreal. I go home and I'm just some schlubby Dad and I have to take out the compost and I have to remember to run the dishwasher. I live this not very exciting life, and then I get out there at Download and it's all these people. Because I'm naturally kind of shy, for years, I would look down when I played because I was so stressed about what was happening. Confidence and all these have given me a different posture so when I go out there, I can really see it, and it really hits you. Download, like you said, we've done before, but there's something very different about where I am now as a person. So I can really be there. And when you walk out on that stage, it is astounding. It forces you to play better and work harder, because these people waited for us. The show is the audience and your interaction with it. In the same way that the band has this alchemy to it, we can't play a show like that without that audience.

#sir the ''schlubby dad'' in question is getting on stage and GROWLING. people are dying and creaming and dying and cr #time capsule #read the charts #fall out boy #patrick stump #pete wentz #joe trohman #andy hurley

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raven-at-the-writing-desk · 2 days ago

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I interpreted the "adaptation from the manga" thing to imply that they'll animate the 3 Yuus (like you said) but my partner proposed smth to me that raised my concerns... what if they only animate Yuuka? or like- default to a female Yuu? I could see that bc it would be probably easier for them to have only one protagonist.

don't get me wrong I like Yuuka and I know a lot of TWST fans are women but since the studio involved is apparently known for shojos I'm scared they'll make it seem like the story is romantic/the game is an otome... Which I mean- we do have SOME fanservice stuff but it's definitely not a romance story. That's why I'm scared 😭 if they do go that path... I much rather prefer the disconnection (?) of having 3 different Yuus than the possibility of this...

Also I'm just 🥲 I'm scared ppl will see that and say ahhh So Yuu has always been a woman!! Because as a trans guy, one thing that rlly made me feel valid in a way was seeing that in the game Yuu has no gender at all... I don't go by they/them but I'd much rather be referred as that than to be misgendered. It's a small thing but it's such an important detail for me (the fact that Yuu is gender neutral/can be whatever u want them to be) that it being erased in the anime would make me pretty sad... even more if ppl take the anime as "confirmation" of Yuu's gender, which it wouldn't be regardless if they end up giving us a girl OR guy Yuu- it would just be another Yuu interpretation different from the game.

But yeah, personal stuff aside, I'm more scared by the possibility of them making it seem like it's a romance story 😭 or ppl calling TWST an otome... which I mean... some people already have that misconception, even some fans...

[Referencing this post and this news!]

I definitely think they're probably leaning towards a new Yuu every season; otherwise, there would be a very uneven distribution of screen time for one Yuu over the others, and that leads into the problem of one Yuu being "more" canon than the rest. Yes, it will probably be easier logistically speaking to keep the same Yuu for the entire anime--but I also said the same thing when we only had the Episode of Heartslabyul manga, and look what happened with that. We ended up getting Yuuka and Yuuta following Yuuken, regardless of the logistical inconvenience of it all. I think if the anime intended to have a singular Yuu to follow for the main story, they would have chosen to adapt the light novel (which has Yuuya across multiple volumes) instead of the manga. The conscious decision to adapt the manga (with changing Yuus) says something to me. So really, I don't think we have to worry about one "kind" of Yuu dominating the anime. I took a look at the portfolios of the two studios collaborating for the Twst anime and didn't see a ton of shoujo myself. There was definitely a handful of them, but overall there was a spread of genres. I think Yumeta Company (one of the studios) has Tokyo Mew Mew New under its belt, which is probably one of its better-known works and maybe that's where the "they're known for doing shoujo" allegations are coming from? Don't quote me on that, though. I'm not someone who closely follows anime studios.

I would, however, like to point out that we shouldn't put all our stock into the studios behind the anime. Yes, they are obviously animating the project and thus have an influence on how the final product is. However, there are tons of other people involved (like the script writer) that will dictate how the anime looks and feels. (In fact, the script writer for the Twst anime, Kato Yoichi, is not known for writing shoujo.) I highly doubt all the staff involved at every possible level of production are conspiring to make Twst a genre it's not. (Related: I blame socialization for this, but it's a little sad that most of us by default think one woman + a bunch of men in a cast must be romantic.)

Now, to your main point. I understand the initial fear of people misunderstanding Twst as a dating sim/otome from how it is presented. Really, I do. I also understand the frustration that comes with people claiming Yuu's identity or gender or what have you is "confirmed". But to that, I ask you: so what? And I don't mean that in a "your feelings aren't valid" way (because your feelings are very valid!) I mean in like... Do these misconceptions others have truly impact your own enjoyment? Do the people believing in these falsehoods erase what you know is the truth? I would wager it doesn't. There has been and always will be those who see Twst or interpret Yuu as something they are not. Lots of us (myself included) thought Twst was an otome game when they first heard of its concept. People claimed Yuuken was the definitive Yuu when the first chapter of the manga dropped. That's fandom, especially the larger they get. If we fixate on those sore spots, it will ultimately make us unhappy because there will never be an end to misunderstandings. I would advise that you try and detach from those worries and just focus on having your own fun in the fandom rather than worrying about how others are consuming or reacting to Twst. Yes, we want Twst, a franchise we've seriously been invested in and love, to be seen a certain way--but I don't think that should come at the cost of your enjoyment. Fandom is meant to be fun, and we don't want to make ourselves miserable by stressing over the "what ifs", you know? Please focus on yourself!!

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coldkingwasteland456777 · 4 hours ago

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Ok wait i just read the tags and this got even better, I love the Heavenly Demon version of the abyss, (love thinking about how long it would take for Binghe to clean Shen quingqiu's blood off his sword, like every time he looks at it he almost throws up but if he goes to clean it he just hears SQ manically apologising for staining his sword with his unclean blood and just *can't*)

Ok because in the heavenly demon version I assume Binghe is still the protagonist and SQ is the big bad that reappears and has to be defeated in a glorious battle and obviously SQ had internalised a view of LB as his executioner that is disgusted by him and so after going through the torture of the abyss and then finding Xin mo which obviously does not help his sanity he unexpectedly runs into Binghe in Jinlan city (I'm thinking he's going through the path of joining Hua Hua palace sect because as a heavenly demon essentially demons flock around him in the demon realm so he's trying to avoid his canon fate as a Demon Emperor that has to be put down by becoming a righteous cultivator that blends into Hua Hua palace and never has to come into contact with LB BECAUSE the system disconnected as he fell into the abyss because like in canon Luo Binghe is the power source so SQ could do whatever in the abyss and when he got out he only took Xin Mo because he had no other way out and now he's got the sword he's under it's influence and it's not letting go. also because SQ is so lovely that everyone that knows him is outraged at Binghe for casting him off as his disciple or if he's going with the lie that he was kidnapped at the conference by demons and only just managed to fight he way out now then they can be outraged binghe didn't look hard enough for him, which is hilarious because in reality every moment binghe could spare he was using to find way to break into the abyss despite knowing he as a human could not survive) so basically when they have they're unexpected reunion SQ is both terrified and furious, even though he does'nt want to draw the protagonists ire and get executed early (and he doesn't want to hurt Binghe), binghe represents his death and his presence has re awoken the system which is the reason he just had to through years of torture.

So, SQ is so calm, incredibly calm, and his behaviour is appropriate for reuniting with a Peak Lord because of course they have no other connection. He is not holding by any feral rage by the skin of his teeth and he's definitely just not looking LB in the eye because he doesn't want to get even more of his attention.

From LB perspective, he is having an out of body experience he is so overwhelmed, all higher functions have shut down, he's just kinda, staring at SQ (genuinely questioning if he's hallucinating) but then one of the Hua Hua ask SQ a question like "Shen-shidi" and he's like ok, ok, this is real, and his chokes out "Shen Quingqiu?" and SQ, doesn't even *look* at him, and the wave of euphoria kinda breaks when he rapidly is crushed by the truth that of course SQ hates him of course! He must despise him because everything was his fault and-

so much mental spiralling happens, and he ends up fainting and when he wakes up Mu Qingfang asks him what happened, has he been infected and so and so but he can barely get a word out before LB demands to know where SQ is and then MQ gets that familiar sad sympathetic look in his eyes that LB despises because SQ is *not dead* but then he starts freaking because of course SQ is not dead but *of course* but what if he's not here? What if it wasn't real? (he's experienced this sort of situation many times, so he sprints out of the infirmary before anyone can stop him and sprints to where the Hua Hua disciples are staying and bursts in demanding to speak to SQ and of course the HH disciples are angry and deny him entry and so he goes to push through them because they don't matter and see SQ slip out the window

SQ is is like i'm fucked, my death is now, clearly the protagonist is hunting me down because despite everything I've done, despite the fact I haven't even hurt anyone and I didn't choose this I deserve to die-- and basically goes down that spiral as he runs through the city, he's either so discombobulated he forgets to teleport or he's used too much qi to be able to teleport right now so he's stuck and also the sword is particularly bloodthirsty because its hungry which isn't healing SQ handle on his growing fury at his inevitable death

So when LB catches up and corners him in an alley because of course, SQ thinks, the protagonist would find him because he never had any chance since he was thrown into this dumpster fire of a world!

So LB grasp at his shoulder desperately trying to tell if this is real and SQ, just, snaps, completely

He slams LB into the wall, cracking his head against it and screams at him and at the same time loses control of his human disguise and LB pretty dazed, from the possible concussion, the fact he can feel SQ he alive, he's real- and the slightly nonsensical screaming

I don't quite know where it would go from their but it would be fun if SQ mauled LB a bit, maybe ended up feeding him his blood (LB didn't understand what was happening but he just drunk the blood without protest because he's insane) and then HH and cultivators from other sects come across them due to system meddling and because SQ is so out of it, he's easily knocked out but the one thing he does before the fight is knock LB out with his blood parasites because he still perceives him as the biggest threat

so LB wakes up AGAIN, but this time he's told that Hua Hua palace has 'kindly taken responsibility for missing a demon in their midst and taken SQ to the water prison for execution' and of course all of Cang Qiong are protesting but LB hears this and IMMEDIATELY goes to break out SQ out of prison

on a completely separate note; shizun luo binghe with a disciple shen yuan who fell into the abyss??? *thinks about LBH canonically stealing SQQ's corpse for 5 years* he'd hallucinate i think. like, like visual and audial hallucinations.

Keeps thinking he's seeing SQQ in the corner of his eyes, or wandering between the trees, amongst a group of disciples. Thinks he hears him calling for him, but its just the wind or another disciple.

Gets Xiu Ya reforged but patently fucking refuses to make a sword mound. Because his disciple Is Not Dead :))) There was No Body. He's Not Dead. And If You keep Insisting That He Is, He's Gonna Skewer You :). He's holding onto Xiu Ya so he can return his most favored disciple's sword when he returns. It's on his hip right next to Zheng Yang where it's supposed to be.

Also this motherfucker?? does not sleep btw. He has the image of SQQ, wide eyed and hysterical and standing at the mouth of the abyss burned into his fucking eyelids. Can't use the dreamscape to escape it either because he keeps trying to save him and either he does and it's an incredibly cruel trick to wake up to, or he doesn't and he gets his heart broken in several different pieces again.

There is no convincing this man that Shen Qingqiu is dead. Absolutely nothing at all. He is buried so deep in denial that moles would be jealous of how deep he is. He keeps making tea for two in the bamboo house only to remember that it's just him. SQQ's fans are hiding everywhere, little reminders of his presence. He goes to wake up SQQ on the mornings he sleeps in-- only to find the room empty.

#svsss

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ramblingautisticman · 10 hours ago

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(Okay, for some reason, the repost where I was talking about this just...disapeard?? So here I go. Again. I'm just going to post it as a separate thing.)

(Also, Warning, talking about child hood cancer, experimentation and torture, and the other general dark Logan or Wade things.)

Okay! So- obviously, with the timeline, it wouldn't work- but I can just change that because why not?

Imagine Wade being diagnosed with cancer at 8. He has chemo and some surgeries, then for a good 2 years he is cancer free. Of course, though, it comes back at around 11. There isn't anything they can do this time, though. The surgeries won't work, and chemo will only prolong the inevitable, so Wade has to accept his fate. His parents get approached by someone who promises to cure Wade, though. All they need to do is sign over their legal rights in regards to him, so that's what they do. Sure, they cured him, but only after years of being tortured and experimented on. Wade thinks his parents didn't know at the beginning, but after the first few months, he started to question if they knew what this place was. His parents had never been kind people, and Wade quickly decided his parents probably didn't care what happened when they signed that waver. He survives, though. He gets his mutation, and eventually, the X-Men manages to find the facility that has been doing this. He's glad all of the other kids have been saved and most of them reunited with their parents- he had looked after half of them in that hell hole so he feels responsible for making sure they are all save wherever they go- and he goes back to the school with the other kids who don't have a home to go back to or just don't want to go back home. It's weird to be a whole 17 years of age and not knowing how to function in the world. He knows how to survive, but that's about it. So, it's a struggle to settle into the mansion at first, but he quickly takes on the role of bigger brother to the younger kids. And yeah, he finds it hard to interact with the people his own age, too terrified to deal with the possible riddicule of how he looks.

Logan's been there awhile. He was found by the Professor after a few news articles popped up about some 'strange deaths' and he had investigated. No one at the school knows much about him- they know he lived in the woods for a year when he was 13, and that the Professor found him- but that's about it. Practically all the students avoid him like the plague in the halls and at meal times. It's not that Logan tries to talk to the others anyway, and he doesn't really want too. He's used to being a lone wolf. He keeps to himself, doesn't want to deal with others shit, and he plans to keep it that way. He's gonna leave this place as soon as he is 18 next year. He isn't even sure where he would go, but he refuses to join the X-Men. He can't bring himself too- to many accidents with the claws and panic attacks to be able to help people.

Naturally, Wade decides that Logan is the person he is going to befriend. Even if the idea of being judged terrifies him, he can't help but be interested in the quiet brooding bad boy.

#deadpool and wolverine #poolverine #wade wilson #deadpool 3 #deadclaws #deadpool #logan howlett #wade x logan #logan #wade winston wilson

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slaaverin · 9 hours ago

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Jikook came home today and I couldn't be happier 💜🥺 They will be insufferable once they get out I can already feel it 😂😅 I missed them 😭

Today I wanted to talk about something that was showcased on AYS, I call it The Smugness of Mr. Jeon Jungkook™

Smugness of what you may ask?

The absolute cocky pride of having The Park Jimin Extraordinaire as a boyfriend.

I can't say I didn't love it when I watched.

Jungkook couldn't help to show him off on every occasions

This is the man in question showcased plainly by Jungkook:

Also very important to include him between food shots in case we didn't know Park Jimin was also part of his "special" food regimen *cough*

He felt the urge to inform us that his crush gives him the most attention:

"Look at my boyfriend, he's doing very boyfriendy stuff with me because he is mine, my crush, mine only and his attention is just for me, look at him good because you're having none of it"

Ok 🤨

He's really rubbing it in our faces that only he has the Ultimate Boyfriend Privilege™

Jungkook, this is a bit cruel

He even reached peak smugness. The pride. The power move. The "We're Kings of the world" attitude. We get it, he is yours. Jungkook really is a fool in love 💜

Still keeping his little smirk.

"Look at my boyfriend, he's sick and miserable but look how good he still looks, how both of us look absolutely stunning together, I'm having the time of my life, stay mad losers"

Of course Jimin looks good even sick and at any time as a matter of fact, even while he sleeps, and Jungkook is still stunned by it. What a sight indeed.

Because Jeon Jungkook thinks Jimin is prettier than clouds and can't help but scream it to the world. It's all very natural. So obviously he is proud that Jimin is his boyfriend.

Jimin is not just anybody. He's so special and the fact jungkook has him makes him one of the luckiest man in the world (and vice versa) but he really put the nail in the coffin about this in AYS. Just in case we didn't get it.

DON'T WORRY JK GOD WE GET IT WE LEAVE HIM TO YOU

Do you get how insane is that growth? From 2015-2016 when Jungkook was so shy and sometimes closed off? To THIS TODAY?

That escalated quickly.

Now he has no fear anymore and doesn't hesitate to tell and show and express his love he has for Jimin and his pride to have him.

Jimin is funny because he didn't do it as often like Jungkook during AYS, he was more lowkey, but the one time he actually did the same it was PURE INSANITY

I mean Jimin doesn't play often but when he does he plays big game. Like go big or go home. He literally spelled it out for us.

Yes he is your boyfriend. Yes. Yes yes yes. We know he looks cute.

I also love how they both took time to film each other as well. This was clearly their main focus.

Aahhhh it makes my heart so happy for them. They admire each other. They are glad to be together and they show it to us freely.

What a time to be a jikooker, what a journey.

They aren't the ace duo for nothing and will always be a power couple 🔥

Good for them 😌

Take care everybody 💜

#jikook #kookmin #jimin #jungkook #ays #travel show

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creatingblackcharacters · 2 days ago

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hi there; first, thank you for making this blog and all the lessons you do, i really appreciate them as a Black person because it highlights a lot of struggles i face with fandoms in general, and why i dont interact more in certain spaces. it makes me feel seen

with regards to your questions, i'd also like answers to them from nonblack fans, especially nonblack anime fans. i don't even mean consuming anime with overtly racist caricatures of black characters (because numerous anime fans pirate their anime and never send a cent to the creators anyway), i mean how can they make fanworks of it?

how can they look at something that they are told is wildly offensive, but then defend with "well, this is how it looks in canon"? where is the line drawn between what's okay and what isn't? as long as it's slow and gradual, is there no line at all?

these are probably just rehashings of your own followup questions, so please excuse that, but i do have an anecdote

i joined a casual anime server the other day and a lot of folks were lamenting one Black character's racist design and how often those on social media will replicate it without thinking/caring. The thing that struck me is that, I've checked this character's tumblr tag regularly for a long time. There are always people who will post art/fanworks of this character with his racist design. Yet hardly ever, if ever, (outside of Black fans) have I seen any of these folks- the ones in the discord server- try to talk to artists/writers/fan creators/etc via asks/replies/etc. There's a notable amount of people in that server and a notable amount that agreed the design was outright racist and that they'll never make fanworks like that, and yet still silence

i'm not entirely sure what would be the line, or the "okay, that's enough" moment to spur any of these folks into action. i'm not sure if there is one. the only reason i don't make my own "hey what is wrong with all of you" post and blow up is because I've made a wonderful little friend group in this fandom who get it, and I don't want them to get caught up in whatever happens if I were to make a post like that

And this is just for getting people to stop using the canon design of the character, i.e., to stop drawing him as a racist caricature. This isn't touching on the people who 1) lighten his skintone [he's been horribly whitewashed over time, which has been reflected in some fanarts and fan merch], or 2) give him a looser hair/straight hair texture, rather than his type 4 hair (there's also #3, which is fanfiction with straight up slurs, and horribly racist writing in it that my friend heavily warned me not to read, but that was more of a one-off case and I've had the creator blocked a long time now).

my point being, we (Black fans) can't even get folks to stop with the caricatures, which we have to start with, and then there's even more of an annoying uphill battle with the other stuff. I'm just so tired of all of this; it makes me want delete my own works and turn away from fandom all together because i can't stand it.

trying for polite and assuming ignorance hardly ever works, speaking bluntly doesnt work at all, making public posts hardly goes anywhere (partly because of how rarely people reblog things anymore, partly because it makes people 'uncomfortable' to share this information with others). Black fans so obviously need help to combat this, and yet it's like sitting at a tea party and hearing all these pretty words in this one setting, yet nobody does anything different/better when the party's over/outside this setting.

sorry for dooming a bit, but like, genuinely i would like to know where the line is for nonblack folks? what is the point/are the points where you would speak up against antiblack racism? have you ever considered speaking up? if there's ever a moment you recognized antiblack racism and didn't say anything, why didn't you? did you consider how your lack of speaking up might affect your fellow Black fans? or how Black fans may be interpret this as silent agreement with the racists/with the racist 'norm'?

..those could maybe be alternative ways of asking your last followup question?

(if i've made any blunders or overstepped here, please let me know!)

No, I'm glad you spoke up! I too would like to see answers!

#creatingblackcharacters #fandom racism #racism #antiblackness

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macaiv · 14 hours ago

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Source: Sky Sports F1 Pre-Qualifying Show Las Vegas GP 2024

Esteban: Yeah it's definitely been awesome to just being able to have such a result after difficult season. Yeah it's been fantastic and also coming back here last year we had almost a podium, finished fourth. It was a very good race so there's a good momentum at the moment going on and obviously a big fight with the other teams until the end of the year. So it just brings more spice and more interesting things for us until the end of the year.

Transcript:

Rachel: So Esteban we're back in Vegas, it probably feels like a long time since Brazil but those memories must still be pretty good.

Rachel: What did it mean to the factory and to everyone who works in the team to have both of you up there because as you say it's been a really difficult year. Everyone's had to keep their heads down and keep working hard and try and get something out of this season.

Esteban: Yeah I mean there was a huge buzz inside the factory. It meant the whole world for the team. Everyone, everybody was working so hard you know to try and get a good car this year. Unfortunately we don't have the the car that we expected but it's a good reward for everyone and a very very nice one you for me and Pierre for sure to to be on the podium together. It's a special story for us and yeah definitely a moment that we will forever remember.

Rachel: Last three races with Alpine. How are you feeling? Is it weird?

Esteban: Yeah it's going to be emotional for sure especially the the last race but I've spent five years with this team. It's been a hell of a ride some good times some times a little bit more difficult but five years in formula one terms is a long time.

Rachel: You're making me feel really bad man.

Esteban: You've been here for a long time Rachel. But yeah no it's been nice obviously to get that last good results. I hope that we can get some good ones as well for for the rest of the year but it will be more tricky to be realistic to be honest. It won't rain for for the last three but yeah as I said it will be emotional but I'm looking forward to finish the story on the high.

Rachel: I mean this place is quite distracting, isn't it? This actual I mean the city itself have you been out what have you been doing and and I mean look at all this this is crazy.

Esteban: Yeah this is crazy and you know the sunset, the scenery and how it is you know the whole week. It's a standout race I would say compared to the rest of the year. It's a race that we've got really good surprises from last year. I think you know we were expecting something to be very different to actually how it is but it's a really good racing circuit. It can feel like it's warm because I'm wearing very thin jackets but I'm actually freezing for it.

Rachel: But I'm really warm that's the thing I'm really warm right now but I've got about 10 layers back in the office ready for it.

Esteban: Yes exactly just before you take them off and when we do the interview but no it's actually freezing so that brings opportunities because you know the tires the way they work you know it's not usual it's quite extreme so it should be interesting.

Rachel: All right, go well this weekend. Enjoy your last three races with Alpine. Thanks for talking to us.

Esteban: No problem. Thank you.

Bonus Part:

Simon: Well, it was a nice way, isn't it, to end his Alpine career. Great scenes up there. They're not always been the best of friends. We know that. Great rivals himself and Pierre Gasly. But I mean, what an enormous moment for the team, Jenson.

Jenson: Yeah, that was massive. That came from ninth in the championship to seventh. Right. Yeah, sixth. So they jumped three teams. That's massive. But this is a nice way to see out their championship. Well, they they're time together as teammates, as we know, they haven't seen eye to eye always. But to hug it out and stand on a podium together, it's pretty awesome.

Simon: Such similar careers that they've had as well.

Danica: I mean, it's a small world. You never know when you might run into each other or the or a team again or the team personnel within. So I think it's a really good thing to sort of be on this being this in this in this feeling at this point in the season as this comes to an end for Alpine with him. And, you know, he still has a chance to make some really great impression in their these last few races. Here last year, him and Pierre had a great race against each other. So, yeah, it's good to see good to see smiles.

Simon: Is he destined, though, do you think to be one of these drivers that last a long time in the sport, but perhaps doesn't get to one of the top drives, Esteban?

Martin: I think there's more potential in Esteban than he's showed. He fascinates me actually, because he is the nicest person you'd ever want to meet. And then when the helmet goes on, a little switch just behind you here that we've all got goes down and he turns into, with all due respect, a bit of a monster on the racetrack. And I think that energy is wasted in a way. I think there's more potential in him than he's delivered so far. But there's still time.

#esteban ocon #eo31

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half-dead-writer · 2 days ago

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hello I am in fact not dead I've been sick and lacking the motivation to write but hopefully I'll get into the groove again, I got so many requests I'm itching to get done but no strength to do it at all grrrr at first I tried to write a drabble but it just wasn't coming out right so I settled for the short headcanons - as a bonus you can see what I wrote for it below

Kim Pine with a shy and nervous S/O

character: Kim Pine (Scott Pilgrim Takes Off) words: 261 reader: gender neutral warnings: none

𝔯𝔲𝔩𝔢𝔰 + 𝔪𝔞𝔰𝔱𝔢𝔯𝔩𝔦𝔰𝔱 / 𝔖𝔠𝔬𝔱𝔱 𝔓𝔦𝔩𝔤𝔯𝔦𝔪 𝔗𝔞𝔨𝔢𝔰 𝔒𝔣𝔣 𝔪𝔞𝔰𝔱𝔢𝔯𝔩𝔦𝔰𝔱

she thinks your nervousness is cute, to an extent

Kim isn't nervous or shy herself, but she can understand where your worries come from

if you're visibly stressed during a social gathering, she won't make a fuss out of it, instead taking you somewhere where you can cool off

Kim having the patience of a saint plays a big role in your relationship

even if you ask her a lot of times whether you done something wrong (whether it's an issue in your relationship or during an event where you're stressed about something you did during interacting with others) she'll always calmly reassure you and chase away your worries

that doesn't mean she won't be blunt about it, though

she will point out whatever you did right (or wrong) in her usual flat fashion

she doesn't mind re-explaining to you her logical reasons, as much as your anxiety makes you doubt her words

at the end of the day, she loves you, even if your confidence is lacking at times

if your love language isn't as open and not easily perceived, little gestures like holding her hand, staying close, no matter how small it may be - she sees it and appreciates you

the type to come up to the McDonald's counter and ask for extra fries they forgot to pack into your happy meal when you're too shy to ask for them yourself

will argue for/defend you if you need it, but also makes an effort to slowly make you come out of your shell, one step at a time

Seeing the look of pure passion on the drummer's face was enough to keep you occupied throughout the whole session of the band playing. You didn't wanna be a creep, of course, so you kept your staring at a minimum. You couldn't deny Kim held you tight in her grasp, though. She just seemed so cool. Somehow, her sarcastic remarks did not push you away, even if they poked holes in your already weak confidence.

Since you started working at No-Account Video, you made it your goal to get to know her better. Learning Kim was in a band was your best chance at showing your eagerness, as awkward as it was from your side. Your attempts at being social at work usually fizzled out after a few minutes, right after you used all of your small-talk dialogue options. Interacting with people didn't come easy to you, but you had to learn somehow, right? Thankfully, Kim accepted your request of seeing her playing live. Perhaps she took pity on you, seeing how hard it was for you to even utter the question.

The girl lowered her drumsticks, wiping the gathered sweat on her forehead. She grabbed the leftover soda from the nearby table, taking a sip. Briefly acknowledging your presence, she glanced your way.

"So? Do you think we suck?" Stephen asked, furrowing his brows with anxiety and hope, trying to gauge your reaction before you could even respond. He assumed the worst, per usual.

"I think- I think that was awesome." You hoped your smile, even if a bit shy, conveyed your excitement clearly.

"You don't have to be nice just because you don't wanna hurt Stephen's feelings." Kim commented with her usual flat tone, not bothering to sugarcoat her words. She knew they most likely sucked.

"No, no, I- I really think you're cool. Um, all of you." You clarified quickly, obviously overthinking your simple words.

"That's a relief." Her tone was ambiguous, most likely sarcastic, but somehow you managed to pinpoint a bit of sincerity in her words. Perhaps she did care at least a little bit of the opinion of her co-worker.

#scott pilgrim takes off #x reader #imagine #requests open #inbox open #spto #spto x reader #scott pilgrim takes off x reader #kim pine #kim pine x reader #headcanons

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pipwasreal · 15 hours ago

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@gameo-archive another one for the collection!

About Charles using mirrors as windows, the 'thing that is worse than a demon', and love for Jenn Lyon.

Transcript under the read more...

George: Hi Pip, it's George and Jayden here from the Dead Boy Detectives. It's lovely to hear from you, thank you so much for being a part of our little cameo week, or half week, we've absolutely loved it, getting to relive all things Dead Boy Detectives. Now, let's get into your request. You've said: "Jayden, when did Charles figure out mirrors could be used as windows?"

Jayden: Ooh well I always imagined that Edwin, obviously, Edwin has all these books of magic spells and I reckon from time to time Charles probably would have a little scroll through them himself, and I reckon that that was something he saw in one of those books and a spell that he really wanted to master as he obviously did want to go and check in on his mum. Um so yeah that is how I think he came to knowing how to do that. "George, what is the 'thing that is worse than a demon' Edwin was traded to in Hell?"

George: Great question. I probably could've had a more clear-cut answer when I filmed the scene a year and a half ago, but I imagine it was something, maybe like some evil of a non-physical form and I imagine it might have been some form of torture, so you know, like you see in, I can't remember which realm of Hell it is, but when the boys are running through the hotel, through Hell, and everyone's stuck, they're frozen... something of that ilk. It would have been a form of torture, like maybe in a room, kind of powered by a non-physical entity and I think that would have been a big struggle. Um you've said: "Please tell Jenn Lyon she is iconic. Esther is the best antagonist, so funny and scary." Listen, I tell Jenn, I speak to her a lot and I'm often telling her how much she is loved. So I will pass this on gladly, because it's true.

Jayden: And we agree.

George: We agree.

Jayden: Very, very much so. In episode 8, I was chained up to a kitchen cabinet, and in most cases that would've been awful, but the fact that it was Jenn Lyon aka Esther's cabinet, it made it a little bit easier. Listen, we love you Jenn, if you do ever watch this, but we also love you, Pip.

George: We love you, Pip.

Jayden: Thank you so much for sending in this request, you are such an angel, thank you for showing love and supporting our show. Sending you lots and lots of love.

George: Bye!

#Dead Boy Detectives #George Rexstrew #Jayden Revri #gameo #gameoden #video #Jenn Lyon

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lawofangie · 2 days ago

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hello! I need some advice. I've seen numerous success stories and many blogs claiming that you can manifest seemingly illogical and unrealistic things. I want to manifest a completely different desired face, probably similar to looking like a celebrity. Although many people say it's possible and some even claim to have achieved it, I still have doubts that it's true and worry that I just might be wasting my time. I think part of this is from the lack of success stories with photos that show they changed there appearance and look like a whole different person. I really don’t want to have these doubts because they stop me from trying my hardest, but I can't help feeling this way. I’m really scared i’m just wasting my time and even if I continue to assume that i have my df in imagination nothing will change or i’ll just get very tiny differences but end up not looking exactly like my df or that it could just be a placebo and i’m just completely wasting my time. I hope i’m not bothering but thank you for taking the time to read this! ❤️

there's definitely a lot to unpack here. first off, i have seen many success stories on this app and twitter of people manifesting various things, including appearance changes (with and without photo evidence). i've done this myself with various things (i mention them in another post. i haven't touched my face though). the law works, appearance changes are real. if they weren't, nobody would have any reason to say they were. i think it is very obvious when people collectively disagree on something.

second, i think this doubt and lack of faith in the law is due to the fact that so many people are misinformed and misinform other people. the point of the law of assumption is to make assumptions. an assumption is believing something without proof. there is a quote that says "an assumption, though false, if persisted in, will harden into fact." manifesting is just assuming, people literally just have a way of rewording and misconstruing things like usual.

but anyways, you make assumptions on a daily basis, you believe things without proof on a daily basis. it's nothing new. you're just being informed that your assumptions affect your reality, and since they do, and you have the ability to assume absolutely whatever you want, you should just do so in your favor. not because you need to, or anyone's forcing you to, but simply because it's in your best interest to do so.

this is why you affirm "i have ___" or you visualize yourself having ___ or you script about having ___, because assuming you have it now is how you get it. you're literally just being told that you can use this ability to assume to obtain whatever you want, that's all.

third, there is no "trying". you either have your manifestation or you don't. i'm not sure exactly what you're doing, but if the point of the law is to assume, what do you think "trying" implies? obviously, it means you're working to get something, which means you don't have it yet. the point of making an assumption is to believe something without proof. in this context, you're being told to accept you have it now without waiting for proof. you're being told "if you accept this as true without proof, it will materialize in your reality."

i personally don't really care for the "imagination" stuff anymore, i understand what the concept means, but honestly all these concepts get unnecessary at some point. i feel like if you take it the wrong way, it implies some kind of separation between the 3d and 4d (your imagination), when there really isn't any. believing you have it "in imagination" just doesn't sound right to me. i would rather just accept my assumption as the reality and take whatever the 3d is showing me as false.. which is again, literally what assuming is.

like, i have it, no matter what i see, it's still there. i think about my desires the same way i remember i have a bed when i'm not home. you know it's there at home, even if you can't see it, even if you can't feel it. you know it's yours. you may even imagine yourself laying in it sometimes, tired from a long day and being excited to finally go home and sleep.

this is all that's required of you, believe you have it. you don't need to make something appear, you don't need to try and force something to happen. just decide it's yours, like you're being told to.

you have to literally treat your assumption as the proof, like how you would do with the 3d. you have to genuinely believe your assumption, then the 3d will follow. waiting to be validated by the 3d will never work. you will always fail.

also, i think your ability to stay true to your own beliefs about wasting your time and none of it being real perfectly shows how easy it is to accept something as true despite what you're being shown, how able you are to make an assumption. because honestly, why would anyone be preaching the law if it didn't work? there's no logical reason to not practice something you preach or just admit that the law of assumption is not real.

if the law happened to be some sort of scam, it would be obvious. people would clearly be asking you for money, leading you on with all sorts of rules and twists and turns, they would overprice the hell out of their services, etc. but people like me are literally running blogs to help people for free. (most) people literally run these blogs for fun, nothing more. the motivation behind my account at least, is entertainment. talking to and helping people is entertaining. i have no ulterior motive, hardly anyone does.

people have lives, they don't have time to waste hoping something happens. if the law didn't work, so many people wouldn't be telling you it did. it's irrational to think every single person in the community is simply making claims that may be true or false, someone's had to have done it before.

also, you shouldn't need your manifestation validated by the internet. i can understand maybe seeing if someone's manifested one or two more "challenging" things (things being difficult or easy to manifest is completely up to you. no manifestation is different from the others unless you decide it is or attach some meaning to it.) like, to me that would be some like grades or hair texture. but to you, that's an appearance change.

the point i'm making here is that your opinion is different than mine, we find different things difficult. if everybody can have differing opinions and find different things more challenging than others, then it is not up to the object or specific person, but ourselves. if everything can have different levels of difficulty to different people, then these objects and people are inherently neutral, until you add your own assumptions or meanings to them and the way they operate for you.

so, proof, while i understand you want to be validated, is useless. there is tons of it out there, if not on tumblr then on twitter, but i think having photo proof of something not specific works just fine as proof too. you're already told that you can manifest anything, that no manifestation is too big or small, everything is neutral, you are limitless.. so what's the point? everything inherently has an equal value until we as people decide to change that with our assumptions. if you truly need to believe, then prove it to yourself. obviously no amount of internet success stories will help you, they just make you anxious and paranoid.

often times, we think external things are the cause of our problems, so we try to achieve a goal or make a change without changing ourselves first. for instance, i used to think that certain things would make me happy. like finally getting good grades, having my desired body, my desired weight, my desired friends and whatnot. while all of that was nice, i still felt depressed, obviously my life quality changed, so it wasn't exactly as bad as it used to be, but i still felt the way i did because i still needed to do the internal work.

its your perception of things, the way you choose to react, your decisions, etc. that shape your reality. its all you. it will always be all you, because this is YOUR life. the cause of your doubts and worries is you.

getting partial results can't be a thing when manifesting if manifesting is literally just about making assumptions. if you're assuming something to be true, then it's going to be true.. if you think the law magically won't work for you, that's your belief. if you believe that to be true (also without proof because this is purely paranoia), you cannot be surprised that it happened. that's literally the singular rule of the law of assumption, make an assumption, no matter what you decide to assume, it will be true. WE are the ones suggesting you assume in your favor.

and honestly the more i read these asks (no offense to you), the more i wonder what you guys think manifestation is. do you just say a bunch of words, create a bunch of images in your head, etc, and wait for something to happen? i mean, who or what exactly do you think is "giving you" your manifestation in the first place? why are you receiving anything? is it a reward for affirming enough? for visualizing enough? for scripting enough?

your inability to answer this question correctly is most likely the reason why you have so many doubts. you clearly think someone or something outside of you dictates what you do or don't get.. which doesn't make any sense, neither do the questions i asked. the law of assumption does not work that way.

you aren't receiving anything for doing a good job. there isn't some god or higher being giving you anything or dictating anything regarding your manifestations. it's you. the point of making the assumption is that your assumptions create your reality. whatever you believe to be true materializes. you're just being shown a way to use your ability to assume to your advantage.

i would suggest you build faith, maybe put that manifestation aside for now and at least manifest something with less significance to you, but still specific. something that you can use to help prove manifestation to yourself. then maybe come back to this desire when you feel more confident in your manifestation abilities.

this is really all i can say because there is no way of getting around the way the law works. in order to have favorable things happen to you, you have to assume in your favor. that's really it. however you practice and get the hang of manifesting is up to you. still, this is the only rule and you have to use it to your advantage if you want manifesting to work for you.

#edward art #law of assumption #loa #loa blog #loa success #loa tumblr #loablr #loass states #loassblog #loassumption #neville goddard #angie's asks #loa motivation #loa methods #loa advice #loa help #loa manifesting #loass post #loassblr

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applebuttercringe · 1 day ago

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Pre-finale Arcane thoughts

I'm so glad we are getting more Arcane content tonight, I am so sad that we are never getting Arcane content ever again.

The writers have revealed that Act 3 will be the longest act by far, with the final episode being much longer than the average episode. It isn't specified how long, but it will be longer.

Despite this extra runtime, and the S2 pattern of getting multiple music video segments per episode, this Act has by far the least songs. Most of the songs have already happened. We only have 3 songs on the soundtrack that haven't happened yet. Then again that assuming the Blood Sweat and tears song will not make it into Arcane. This might be a good sign that they are going to use that extra time for more detailed plot. I know too much music was a big complaint of the first 2 acts.

Also there will be a Viktor song ♥️

I am hopeful for more Jayce and Viktor content, I am excited that they will have another confrontation and Viktors final transformation. I am of course sad about the figurative death of Viktors humanity. It seems from some leaks like the show will put immense emphasis on Viktor and Sky's relationship. It is still unclear to me if the Sky Viktor see's in the Hexcore is really Sky. From what we saw in S1 Viktor and Sky didn't have a very close relationship, we are only ever shown him brushing her off. His grief over her death is more a general guilt and grief of having taken a good persons life, not a personal loss because of a significant relationship between them. My interpretation is that Viktors visions of Sky are a manifestation of guilt. After finding out how much she looked up to him he wished that he had gotten to know her when he could. Believing she is with him now is a coping mechanism to avoid the guilt that he is grieving someone who he went out of his way not to give a chance. Maybe the show will take it in this direction, maybe she will be revealed to be the Hexcore controlling him, maybe they go all in on SkyVik as the new doomed romance.

I like Jinx and I look forward to the show furthering her recovery. If they do. Inevitable because of the death of Isha Jinx is going to spiral, we will get way more sad Jinx content. She will try and kill herself again, she will be absolutely destroying and isolating herself. It's the same thing we have gotten from Jinx for the entire show, she is just forever on the pain train. I am hopeful however that the show will focus on a recovery and that Vi and Jinx's relationship will stay intact despite Jinx's intense grief. I hope Vi will in some way be able to stay and comfort Jinx through the loss of Isha, and through Jinx's self blame. Both Vi and Jinx blame themselves for the death of their younger sibling (powder's emotional death) and perhaps they can both find solace in each other.

Caitlyn and Vi will get back together. Fingers crossed that we get a Cait/Vi sex scene. though honestly the hope is mostly for the memes. After their devastating breakup I am not sure how well the show will be able to just get them back together and make the relationship ok. From both characters perspectives the other has betrayed them in every way, gone against their deepest morals. Vi is in a close family relationship with Jinx, the woman who killed Caitlyns mother, after she promised she had no more sympathy for Jinx. Caitlyn betrayed Vi's trust and tried to shoot a child, then she attacked Vi and gassed the streets of her home. I really hope Arcane doesn't just gloss over this and get them back together. We know from the trailers that they at least argue about it, but most of the blame seems to be shifted to Ambessa, which is kinda weak.

Obviously we will get the Ekko/Heimerdinger Time travel plot. My only concern is that we will not get enough time for this. Even with the extra long act, time travel is an insane element to include this late in the story. Time travel as a plot point is infamous for creating massive problems for the story, it's almost never done well.

Overall I think episode 7 will start with a cold open flashback to Jayce's time in the Hexcore and show us both what happened to him that caused his turn against Viktor, I think this will be a flash forward to a future where Viktors commune has spread and the people don't really have free will. This flashback will also show us what happened to Ekko and Heimerdinger. This is where time travel will be introduced.

The next episode will focus on Jinxs grief, she will have another attempt on her life and be stopped by Vi. Vi and Caitlyn fight over Jinx's involvement in Caitlyns mothers death, but Caitlyn will see Jinx's grief and how it mirrors her own and come to the conclusion that war destroy all. Caitlyn and Vi will fight about Caitlyns involvement with Ambessa. Ambessa and Singed will be bringing Vander back to life as well as Viktor. Singed will strip Viktor of his remaining humanity so the "mutation" will survive. Viktor in some way will agree to this motivated by his witnessing how emotions tore down his commune and the betrayal of his best friend, accompanied by The Line song.

Jayce returns and finds out that Viktor is being resurrected, he once again wants to stop him in order to stop the Arcane from spreading. He will explain the Hexcores spread to Vi and Caitlyn to explain his action sagainst Viktor.

In the final episode they all team up to fight Ambessa, Jayce goes separately to fight Viktor. Ambessa will have revived Vander, except he will have lost his humanity and no longer contain Vi's father. This breaks Vi's heart, but she ultimately has to fight and stop him. Caitlyn and Ambessa will have a showdown that mirrors their training fight on the boat. This fight will take most of the episode and have a banger soundtrack. At some point in this Piltover v.s. Noxus battle Jinx will show up having made the choice to move forward and redefine herself, here we get the haircut and new design. Maybe she will rename herself.

I'm not sure how Mel fits in, her plotline seems so separate to the rest of the story. My assumption is she somehow makes it back to Piltover and confronts her mother about being the mystery child with magic powers. She will also side with Piltover against her mother. Being forced to fight against her daughter will shake Ambessa's resolve, as in her mind she is doing all this for her daughter.

I have the sinking feeling this will all end with the characters solving it with the power of friendship. It seems obvious that they will team up to fight Noxus, but there is no way they kill Ambessa, she is too profitable and promoted by Riot. Her status as a badass is being promoted on all the games and she has a tie in book coming out. I doubt they kill Vi or Jinx, too central. Caitlyn has to live to end up with Vi. Killing Viktor for a third time would be cheap. Jayce's arc hasn't led up to it.

I have a lot of ideas for cool things that could happen, and where it feels like the story is steering, But I can't see how these plot threads come together for a satisfying conclusion in just 3 episodes.

So much discussion about Arcane S2 ends with "but we'll see where it goes" this is the shows last chance to prove if it really was going somewhere with all of this, if the last few episodes were just set up to something great, like how so many people found season 1 act 1 boring/generic. or if the show is just fumbled. If these episodes suck then it will retroactively make these characters arcs all feel like they ended up going nowhere. In a heavily plotted show like Arcane where everything has always ended on a cliff hanger, where it finally goes will make or break the show. These character arcs and little animation details people have been obsessing over were either genius or a bunch of fluff that ended up amounting to nothing.

I am excited, a little worried. Mostly excited.

#arcane #arcane league of legends #arcane season 2 #viktor arcane #jayce talis #arcane jinx #arcane theory #vi arcane #arcane jayce #arcane predictions #predictions #arcane discussion #arcane caitlyn #caitlyn kiramman #caitvi

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hashimasims · 11 hours ago

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Kanaloa: What time is it?

Elucea: It's almost midnight

Kanaloa: Shit . . . I must've passed right out. I put the babies in the playpen at nine-thirty. Are they OK?

Elucea: Yeah, they're fine, asleep at the moment.

Kanaloa: El, I'm sorry I -

Elucea: Kan stop

Kanaloa: No, Elucea, please I need to get this out. I'm sorry for today, I'm sorry that I upset you with my thoughts and I should have had a better handle on them. I'm sorry that I feel this way and I guess I don't really have the right to, Abs set me straight on that. I know things won't actually ever be the same as a year ago between us but . . . like I told Abs I feel like we're just hired hands, that you only . . . you only have us around because you think you have to. I know I shouldn't have hoped for what we had almost a millennium ago between us, it was too easy a thought once you accepted what you are but the life you've been living obviously didn't just go away, I don't know why I thought you would go back to being the El from then, the El I stole. Back then you already went through the worst thing that could have happened to you, we had all the time in the world with no real responsibilities . . . but here . . . . . . Everything is different here, in the living world . . . you're different, and now we have the school to look after and you have the farm you wanted, I hate to admit I thought I could wear you down eventually to live in the Underworld with me but now I know that's never going to happen.

Elucea: Do you want me to -

Kanaloa: No, that's not why I'm saying it, I think the light you have would die if we went there . . . and I already can't stomach how . . . dim it has become. I also never thought that kids were in our future either, I know we wanted them and the only way was for you to be alive so we went about having you reborn, but after . . . After I lost . . . Milu . . . I don't think I truly wanted another, afraid that something similar was going to happen, and now I have four and . . .

Beginning|Previous|Next

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luckyjak · 2 days ago

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how I would fix veilguard

general note: I enjoyed Dragon Age: The Veilguard and it is very easy, post game release, for me (a person who doesn't work for Bioware and isn't the game's developers) to sit back in my armchair and go "This is what they should have done instead." That said, this is the internet, and I have opinions, so let's roll.

also, spoilers, obviously.

First, I would have made two games out of the material in Veilguard, not one.

Game one (which we will still call The Veilguard) takes place in Northern Thedas. The beginning of the game is the same: you interrupt Solas's ritual, and Elgar'nan and Ghilan'nain escape. However, rather than taking over Thedas together, the two decide to divide and conquer: Ghilan'nain takes over the North, and Elgar'nan takes over the South.

Most of the game stays the same. You still play as Rook; however, the game starts with Varric recruiting you, so you get a chance to spend time with Varric before, you know, Solas. You still recruit your seven friends. For pacing purposes, romance and friendship scenes occur faster. This is because we're going to end the game sooner.

We're going to shave off all of Act 3.

Why would we do this? Ghilan'nain and Elgar'nan are both stand-out villains who deserve their own time in the spotlight. As it is now, we hardly spend any time with Elgar'nan other than the constant looming threat of him, and Ghilan'nain mostly comes off as his lackey as opposed to a full-fledged "mother of monsters" she deserves to be. By splitting them into two games, each gets to shine as a villain, and Rook doesn't seem like such a overpowered protagonist who is able to kill (potentially) three elven gods.

So, where does Veilguard end? Last mission of The Veilguard should be "Isle of the Gods" and it should end exactly as that mission ends: Ghilan'nain's death, the realization of where Varric has been all along, and Solas trapping Rook in the Fade. Rook is trapped in the prison of regrets, realizes they are trapped, and then bam, end credits.

but wait, doesn't Veilguard suck now then? Most people agree acts 2 and 3 are the best part! And they are! But I think with tighter pacing, the whole game is improved. Remember, we are moving companion's Act 3 moments up to the end of Act 2 as well. We won't spend quite as long wondering when Lucanis will ever talk to us if we have his romance happen sooner, and that becomes true of all the companions.

So does the "Hero of the Veilguard" thing matter? It does, but not until the next game! Hold your horses!

So, now we make Game 5: Dragon Age: Dreadwolf. At the end of the last game, Solas established himself as a villain (by putting Rook in prison) so now it's time to really mess with that.

For starters: Game 5 cannot happen unless world state is included, and I'm talking about most of the Keep. Game 5 takes place in Southern Thedas, with the focus being on Fereldan, Orlais, and the Free Marches.

You play as the Inquisitor once more. You get to decide what happened between you and your LI in character creation: are you married now? Did you break up post-game? The game starts with you saying goodbye to your LI (if you still have one) then getting on a ship. No need for dialogue from LI, so no excuses about hunting down voice actors. The game starts with you getting a spirit hand, so that you can once again be the hero of the land. The ship is your Lighthouse, your base of operations that is always moving.

Your companions are:

dwarven grey warden woman (warrior)

human or elven orleasian bard man (rogue)

qunari runaway saarebas woman (mage)

spirit of wisdom (mage) *this is Solas in disguise, spying on you.

human avaar man (warrior)

human woman who definitely killed her husband (warrior)

dwarven artificer who is making bombs and got exiled to the surface (woman, rogue)

elf man who used to work for Solas but deflected (mage)

DLC character: my son Kieran, who is customizable, and also a blood mage

All of them are romancable if your Inky is single except for maybe Kieran.

Don't worry, though: you get frequent letters from your previous LI's giving you life updates (except for Solas but like. you know)

The core gameplay loop is sailing the Waking Sea to defend people from darkspawn and try to find more info on Elgar'nan, who is definitely causing trouble.

Places you visit:

Highever (Fereldan): I have legit always wanted to go there. Saving my origin character's hometown that is currently being ravaged by darkspawn? Fuck yeah

obviously, the slaughter of Denerim (Fereldan). Bonus points if we save the life of King Alistair/Queen Anora

Ostwick (Free Marches)

Val Royeaux (Orlais)

Cumberland (Orlais)

Maybe also Orzamar?

Jader

Final battle at Halamshiral because we love a callback.

Essentially, all the stuff we hear about in Inky's letters about the south, we now get to experience in the game.

Elgar'nan has done something fucky with time magic and now Halamshiral is half modern Orlais, half ancient elven empire. He's trying to bring the veil down, and Solas is unsure if he wants to stop him, or wait until he brings the Veil down to stop him.

Inky requests Rook from the Fade. Rook tells Inky about Solas's betrayal. Double-team Act 3 time, where people may still die depending on faction strengths in Veilguard, and who/what Inky has managed to save in Dreadwolf.

Assume you manage to stop Elgar'nan, and then the question becomes:

Do you, the Inquisitor, stop Solas? Save him from himself? Or die trying?

#dragon age #datv spoilers #datv #dragon age the veilguard #how i would do the games

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itwasntimethatdidit40 · 2 hours ago

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Sensitive.

Pairing: Frankie Morales x afab!reader

Words count: 1300 (more or less, I added something just before posting it)

Warning: + 18, MDNI

Summary: You make Frankie come just by playing with his nipples. That’s it, that’s the fic LOL

Tags: pov second person, reader has breasts, nipples and hair, no other description of her is given, pwp, nipples play (YAS we play with the man’s nipples wooo), ice cubes, swearing, pet names (baby, honey), established relationship, dick pronouns for @sp00kymulderr’s challenge, kissing, Frankie obviously has a huge cock, I think it’s all? Let me know if I missed something and I will add it right away.

A/N: I've been wanting to do this for a while now because I'm a big fan of nipples (gender neutral, folks, we don't discriminate here, I can love a variety of them) and those Pedro pics yesterday uhm…inspired me lol English is not my first language, I have no beta, any mistakes are my fault, I’m so very sorry 💀

I also did it because every time I use the translator to check my English, whenever I type something nipples related, the translator always uses she/her and it pisses me off.

I hope it's not cringe, if it sucks pretend you've never read it, please, I love you all bye.

I started a tag list, let me know if you want to be added, thanks so much!

Frankie has sensitive nipples.

You discovered this by accident, while you were in bed together after he had fucked you like a god. Your hand wandered over his chest and brushed against his areola. Frankie fidgeted, tried not to show it but the involuntary flinching of his body spoke for him.

He kissed you right after just before you could ask anything so you didn’t investigate any further but you were so intrigued by it. You kept thinking about the way he squirmed under your touch for days and craved to do something more for him.

You have a thing for nipples. For his especially.

Both because you love him and because they are delicious. You also don't like the fact that yours get all the attention while his have always remained two neglected little buttons on his chest while you’re pretty sure you could make good use of them.

Tonight is the time to change that, at least to try.

As you kiss on your couch his hands instantly fly to your tits, he massages them, squeezes them and as much as what he's doing drives you crazy you keep thinking that you would like to do something for him.

“Frankie” you breathe between kisses and and he whispers on your lips “what, honey?”

“Nothing… it’s just…”

“What?” he interrupts you “did I do something wrong?”

You smile in front of his worried eyes “no, you’re perfect, really. I just…” you hesitate but in the end you spit it out “I would love to try something new”

Frankie smirks under his mustache “uh, what’s in that scrumptious little head of yours?”

You giggle, feeling your courage grow as you slowly run a hand over his chest still covered by his shirt, starting from his neck, down his collarbones and then his pectorals.

“I would like… uhm… I would like to play a little game”

Frankie’s eyes sparkle with curiosity mixed with excitement “you know I like games”

“Okay, do you trust me?”

“Of course I do, baby” he says right away, brushing your arm gently and looking you sweetly in the eyes.

“Let’s go to bedroom then”

You stop in the kitchen to get some ice cubes that you put in a glass as he watches you, still confused but definitely aroused “What are those for?”

“You'll find out soon enough” you take him by the hand grinning, lead him towards your room which has now become yours and you have him stand in front of the bed.

“Take off your shirt” you order him “and your jeans”

“I already like that,” he chuckles.

“Lie down,” you tell him soon after, playfully pressing a hand to the center of his chest.

You place the glass on the bedside table and undress, remaining only in your underwear while he cranes his neck to look at you and licks his lips full of anticipation.

“My favorite view…” he whispers and you giggle, crouching on the bed right next to him “Now listen to me, you can’t touch me but I’m going to touch you, okay?”

Frankie sighs “okay”

“Can you behave for me?” you raise an eyebrow watching him ironically.

Frankie lets out a more convinced “yes” and you praise him “such a good boy for me”

You brush your fingertips over his chest again, going down over his sternum, then over his stomach and belly, stroking the thin strip of hair that disappears into his boxers. "I think he'll like this," you whisper, watching his half-erection rose from beneath the fabric.

“He’s looking forward to it” he nods with a crooked smile.

Of course he expects you to touch him right there, but your hand goes back up letting a little protest leave his lips.

You stop on one of his nipples and your fingers graze all around the areola.

Frankie squirms, widening his eyes, mouth agape “oh fuck, is that what you want to do?”

You purr “exactly. Can I go on?”

Frankie swallows air, his Adam's apple pops in his throat, then murmurs, “Go ahead.”

“Shall we bet he will come untouched?” You suggest.

“We’ll see. Don’t make him wait further, gorgeous, do your thing” he urges you.

You begin to caress his skin, moving closer and closer, Frankie watches you mesmerized as you feel his body tense under your fingers.

You rub his areola again and then pinch his nipple. He gasps loudly “Oh fuck”

“Everything okay?” You murmur.

He frowns noticeably and nudges “yes.”

You alternate between pinching and rubbing, feeling his breathing get heavy and shorter as his cock swells under his boxers. You shift only long enough to pull them down and expose his huge engorged dick to your view.

“So much better” you purr “I need to see him”

You return to your seat beside him and remove your bra, smiling mischievously at him. Frankie tries to raise his hand to reach out to feel you but you rebuke him, " Hey, no! You can look, but don't touch, remember?”

He blurts out, “That's not fair,” and you chuckle, “I feel like he's doing just fine anyway. The best boy," you tease him.

You take an ice cube and pass it over your lips, you suck on it lightly and small drops of water slide down your chin, you place it back into the glass as Frankie lets out a needy moan. His pupils are dilated and his lower lip quivers slightly, he is absolutely delicious.

You reach down and your nipples brush against him, “You can feel them like that, can't you?”

He sighs “yeah…okay”

You stick your cold tongue out and run it over his and he groans “oh baby”

You eye his cock rise higher and higher until it comes flapping against his tummy, hard and swollen and its pre cum begins to drip from the tip along its length.

Your tongue circles his nipple, again and again, then you flick it and you nibble it lightly and Frankie's back arches as he gasps, "Holy fuck, baby, you're killing me."

Your mouth and ice-cold lips stir all his nerve endings just as you expected.

You smile pleasantly impressed against his skin ”you like that, huh?”

“God, yes” he breathes “fuck”

He groans loudly when you detached, taking an ice cube again and sucking it between your lips, then lean over his chest to reach the other nipple as you continue to rub the other with your fingertips.

His chest rises and falls faster and faster as your tongue strikes sharply and precisely, your other hand resting on his arm to steady you.

“Don’t stop, don’t stop please I’m so close” he whimpers “fuck - just like that baby”

You continue until his cock is on the verge of bursting, then you move your hand to take it and finish him off.

“Come for me, Frankie, come on” you urge him “Give it all to me, baby” just like he does every time he’s in control and his response is immediate, he comes in your palm after a few strokes, long streaks of sticky cum painting your hands and his tummy as he whines.

You get between his legs to suck him clean, welcoming his cock between your lips and giving him what he wanted from the beginning after what he didn’t know he needed.

You suck him until he softens and then you lie in his arms, quietly enjoying his warmth. He is the first to break the silence, after kissing your nose and your forehead "damn, baby, you knocked me out"

You lift your gaze to his and smile "you didn't imagine that huh?"

"He didn't imagine it either," Frankie laughs.

"I told you he would like it" Frankie caresses your cheek and you reach out to kiss him, his taste still on your lips. "next time you play with mine while I play with yours" you coo.

He retorts, “just give me some time to rest and I’ll show you right away”

Thank for reading, I hope you enjoyed!

Tag list: @aurorawritestoescape @baronessvonglitter @almostempty @thundermartini @harriedandharassed let me know if you want to be added or removed and I’ll do it right away ♥️

#frankie morales fanfiction #frankie morales #triple frontier fic #pedro pascal #frankie morales x afab!reader #frankie morales smut #frankie catfish morales

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