#beauty in all things [ aesthetics ].

[spookyasmr]

[cigarettefawn]

there is beauty in sadness.

[girlintodust]

i want a peaceful life ˚｡𖦹 ⋆｡°✩

[spitblaze]

Sometimes I worry it's infantilizing to hc Odo as asexual given the autism coding. But then I remember the source of the headcanon, Odo's constant complaints of how he doesn't understand why people experience sexual attraction and never will

[wonderholegifs]

Rhett & Link's Wonderhole

[enii]

🐱💕🐱

[aracelysfawngirl]

me core 𐙚˙⋆.˚

[sydicidal]

Been sober for a month 💔

[trebuchet151]

This is jumping the queue bc some really cool people reblogged my last post of Corey and they escaped containment.

Updated sidestep design perpetual WIP

Sidestep days vs retribution. They're slowly reacquiring their self expression. Next book will probably be the full return of the scene/punk look

Bonus Corey sans most of their clothing to show off their tattoos under the cut. CW for healed SH scars

Yes that is Ortega's bedroom yes I half assed it. I drew this background in my car at work when it was like 110 degrees idgaf

[stingrayextraordinaire]

Aesthetic Moodboards // “How I Became the Sea” by Owl City

I brought the oceanside to its rusty knees as I felt the even tide deep in my shallow dreams.

[lottieedotsblog]

[absent-o-minded]

Tiny YR S3 Analysis

Just wanted to compare the parallels between these two hand holds in 3x05 and 3x06:

(Please ignore the shitty screencaps, I tried my best)

In terms of composition, these shots are identical. A hand-hold centre to the frame, in a car with the camera placed in the middle. However, they're underpinned by different narrative contexts.

Here, the first shot from 3x05 is drenched in darkness. The actual lighting inside of the car is dim enough to obscure both of their suits, which almost blend them into the seats and so it becomes hard to distinguish between the two of them - The only focussed light is on their conjoined hands. Notably, the actual touch itself is tentative, almost like the bridging of an awkward divide on the way to the palace. Neither of them are sure what the touch actually means. Even their sleeves fall over their wrists and interfere with the actual act, so we only see the bottom half of their hands. Simon reaches out first and places his hand in the open sliver between the two seats before Wille accepts and laces their fingers together. It's an assured squeeze that reads as: "I'm not sure what will happen. I'm nervous." "I am too."

This scene has garnered a lot of analysis for its parallel to the Kristina x Wille car scene in S1 where people have commented on the reversal of blocking - Wille now assumes Kristina's position and Simon equally assumed Wille's. We now know that this arrives before the birthday explosion, and so it's also a touch that signifies confronting the inner workings of an oppressive environment (the palace). It's nerve-wracking and cautious and consolidating, but it's also doubtful. We, as spectators, pick up on visual and physical cues and so we begin to see the hand-hold as an visual indicator that the unity between the two characters is about to be disrupted.

~~~~~

However, the shot in 3x06 reads entirely differently. The first thing is that the shot is bathed in light. It's a bit like an embrace, contrasting the previous presentation of a cold backseat, Simon and Wille are literally basking in the sun. Most importantly, there is a light flashing on Wille as it seeps in from the windows, illuminating his spot as a person who is newly free. Simon sits to the left with the natural light (no abundance of light) because Simon has always strived to be free. He has never turned away from the light. As he said earlier in the episode: "I never gave up on us. I gave up on the royal court." For Simon, the issue was never the fear of being free, but the constraint of not being free. For Wille, fear hung over his shoulders just like a King's robe would. Being free was an aspiration, never a reality.

But that has all changed. The light is let in. It stands similar to a spot-light, where Wille finally lets the sun hit his body and not have it scorch him, but rather enlighten him.

The actual act of holding hands is no longer bridging an uncomfortable space; It's an assured togetherness. It is the two of them acknowledging everything that has happened and knowing that a future for the two of them is no longer a "possibility", but a truth. It's giddy and confident and safe.

It's also the final touch of the season, and so it had to speak louder than dialogue ever could - Which I think that it does. Throughout S1 and S2, we understood that physical touch was always done in private, or if not, it was done discreetly with the knowledge that it was fleeting. S3 saw the transition from private to public, but not without the fight to touch and not have it be seen as a revolution. To just let it be what it is. And THIS is what the show has been working towards for 3 years. It can all be summarised with this simple, final hand hold in a sunny car that's racing towards a future that finally, finally resembles their dreams. It's not overtly revolutionary, it's not a grand gesture; It's just theirs.

[oceanlover1111]

love these beautiful beings

[jellybeanshotshit]

𝘸𝘦 𝘤𝘢𝘯 𝘴𝘦𝘦 𝘸𝘩𝘦𝘯 𝘴𝘰𝘮𝘦𝘵𝘩𝘪𝘯𝘨 𝘪𝘴𝘯𝘵 𝘩𝘶𝘮𝘢𝘯 𝘫𝘶𝘴𝘵 𝘣𝘺 𝘪𝘵'𝘴 𝘦𝘺𝘦𝘴 , 𝘐 𝘵𝘩𝘪𝘯𝘬 𝘵𝘩𝘢𝘵 𝘪𝘴 𝘣𝘦𝘢𝘶𝘵𝘪𝘧𝘶𝘭 . ⊹ ࣪ ˖

[girlintodust]

all about lily chou-chou (2001)

[spookysalem13]

Source

One day, I would like to stay there for the entire month of October to fully bask in the spooky 👻 magic ✨️