#beat bohemia

[kelleah-meah]

When Astrology Meets Aesthetics

I can't seem to get away from the exploration of aesthetics or just general navel-gazing about how I present myself to the world in my day-to-day life. So I've decided to lean in and continue the exploration until I bore myself to death and move on.

In this post, I engage in pairing astrology with aesthetics and where I think my lifestyle reflects my astrological vibration. (So if you're into aesthetics, but not astrology or astrology, but not aesthetics, this post may not interest you.)

A quick note: Some of the traits, colors, or activities I do on a regular basis aren't mentioned below because it's something I think all of the aesthetics I embody are known for, so it doesn't really belong to just one of them. (For example, eating in or hanging out in cafes while reading, writing or people watching. I feel that activity really belongs to all of the aesthetics below.)

Enough introductory explanation, let's dive in ...

Pisces Sun

- Art Academia (An aesthetic centered around the creation and enjoyment of art. It is similar to Light Academia and Dark Academia in its value of studying, dedicated practice of learned interests, 18-19th century-inspired aesthetics, and architecture, but is unique in focusing primarily on the visual and performing arts.)

Here are some ways in which I feel I express this aesthetic in my day-to-day life:

Journal 🖊️

Headscarves

Ballet flats 🥿

Cardigans

Leather satchel (in cooler months)

Always carries a smartphone & hard copy day planner📱

Statement ring 💍

Reads books on art movements, artists, fashion, and more

Paints, sketches and colors 🎨

Studies French

Tea drinker 🫖

Collects art 🖼️

Pilates & floor barre

Enjoys going to the theater & ballet 🎭

Goes on vacations in cities with thriving arts scenes like Toronto, Boston, and Paris

Attends dance classes 💃🏽

Loves jewel tones

Homemade bread 🍞

Foggy mornings 🌁

Reading nook 

Cooks at home more than eats takeaway or out at restaurants 🥘

Reads James Joyce, Lorraine Hansberry, and Oscar Wilde 

Major vice: procrastination

Pisces Moon

- Downtown Girl (An aesthetic centered around the romanticization of living in the downtown of a major metropolitan city, specifically New York. It involves a more cozy, almost autumnal view of urban areas and emphasizes having a cultured lifestyle of visiting museums, cafés, and thrift shopping with a laid-back attitude and admiration for the music and visual culture of that community.)

Here are some ways in which I feel I express this aesthetic in my day-to-day life:

Headphones 🎧

Caps & hats 🧢

Converse sneakers 

Flannels & t-shirts

Canvas tote bag (year-round)

Always carries a notebook & pen 📒

Silver hoop earrings 

Goes secondhand shopping for vinyl records, books and home decor

Listens to a wide variety of music 🎶

Studies American Sign Language (ASL)

Hot chocolate drinker ☕

Collects candles 🕯️

Bikes and walks in the park & hikes on trails 🏞️

Enjoys going to arts & culture festivals

Attends stand-up comedy & improv shows 

Loves mixing patterns & texture 

Succulents 🌱

Record players

Public transportation 🚍

Happily mixes analog and digital tech

Reads Edgar Allan Poe, Anne Sexton, and Langston Hughes

Major vice: starts new projects before finishing old ones

Aquarius Rising

- Beat Bohemian (An aesthetic centered around the counter-culture movement of the Beat Generation in the mid-1950s and early 1960s characterized by their rejection of conformity, social norms, and mainstream culture while romanticizing the bohemian artist communities of San Francisco’s North Beach, Paris' Latin Quarter, and NYC’s Greenwich Village. It advocates for personal release, purification, and illumination through heightened sensory awareness via music, spirituality and experimental drugs like mushrooms. Find more info here and here.)

Here are some ways in which I feel I express this aesthetic in my day-to-day life:

Dark nail polish

Berets

Black ankle boots

Hand-me-down sweaters 

Canvas messenger bag (in warmer months)

Always carries a book & bookmark 📕

Simple silver ring

Studies philosophy, spirituality, and religion ☯️

Argues with idiots online & IRL about important social and political issues

Studies Spanish 

Vodka drinker 🥃

Lifts weights 💪🏽

Enjoys going to concerts & small clubs to hear musicians play 

Goes to sci-fi conventions & book signings 🖖🏽

Attends poetry readings & jams

Loves the color black

Herb gardening

Goes to absinthe tastings 

Road trips 🚙

Black cats 

Abnormal sleep habits

Reads Albert Camus, Simone de Beauvoir, and Lao Tzu 

Major vice: occasionally smokes cigs

[kelleah-meah]

I wonder how old he is in this photo. 🤔

Tom Waits

[da-riya]

Highlights from my EU4 Austria game up to 1600s

[newyorkthegoldenage]

A jazz band plays from the top of a liquor cabinet at the Half Note nightclub, a regular hangout for the Beats, 1959. The Half Note was renowned for showcasing up and coming jazz musicians in the 1950s and 1960s.

Photo: Burt Glinn via Magnum Photos/All That's Interesting

[coyotehowlrye]

[tremendously-crazy]

"You can't hate on an entire Sherlock Holmes adaptation just because of how they interpret Irene Norton (nee Adler)-" SHUT UP.

I will hate on an adaptation if it does the following:

makes Irene a love interest for Sherlock Holmes (whether realized or not).

First of all, Holmes is NOT attracted to women, and never experiences a smidgen of attraction towards them in the original stories. ACD could have very easily written him a love interest, but CHOSE NOT TO because it went against the idea of his character. He was never attracted towards women.

Second of all, Irene Adler isn't even Irene Adler. Her name is Irene NORTON. Do you want to know why? Because she's LITERALLY MARRIED. TO A LAWYER NAMED GODFREY NORTON. She already has a husband who she loves very much! She does not love Holmes!

Thirdly, a man can feel admiration for a woman without being attracted to her. Watson literally says in the first part of A Scandal in Bohemia that he didn't feel any emotion akin to love for Irene Adler!!

2. makes Irene into some sort of femme fatalle/sexually appealing

This implies that women can only be smarter than men if they are attractive/hot. That, in order for a woman to be successful, she has to provide something for a man.

Edit: this doesn't mean that she ISNT attractive. She is beautiful and enthralling, which is what makes the king fall for her in the first place. What I mean is when Irene becomes a SEXUALIZED character.

Doing this means she can't just be a smart woman, but that she has to be sexually attractive and mysterious, too! DOING THIS REDUCES HER INTO AN OBJECT OF DESIRE!!!

3. makes her weak/makes her get outsmarted by Holmes

Im not sure if any adaptations have actually done this. But if so. Absolutely not. She challenges Holmes's misogynistic ideals and to reform his views. Because Holmes views women as softer, weaker, and less intelligent (when they are NOT!!) And Irene helps to teach him this. Her lesson is effective!! Because Holmes stops making fun of women. And he changes his ways. Why would you make her weaker? She's SUPPOSED to beat Holmes.

If it does this or anything else I will NOT view the adaptation. You can tell a lot about the adaptors, their respect and accuracy while depicting the original stories, and how they view women, through their interpretation of Irene Norton. She is the most famous female character in the series, after all. Do her RIGHT! READ A SCANDAL IN BOHEMIA BEFORE YOU ADAPT! And if you still make these amateur mistakes, you shouldn't be adapting Sherlock Holmes at all.

[julienbakerstreet]

I’ll never get over what an iconic choice it was to make A Scandal In Bohemia the first Sherlock Holmes short story. A Study In Scarlet and The Sign of The Four had already made Holmes a popular character, but he didn’t truly explode in popularity and become the cultural phenomenon we know and love today until after he started appearing in short stories in The Strand. And for the very first story, Doyle chose to write about a woman outsmarting Holmes. Holmes being a misogynist, underestimating a woman, and learning from it.

It’s such a contrast to the two previous books. In A Study In Scarlet, the only woman who is relevant to the mystery (Lucy Ferrier) serves as motivation for the killer. In the flashback passage, she’s depicted in relation to the men in her life. In The Sign of the Four, Mary Morstan takes a more active role in the mystery, seeking out Holmes and accompanying him and Watson through much of the investigation. She’s a woman who works to support herself and Holmes even praises her intelligence. Yet so much of her relevance to the story (beyond being the daughter of a man involved in a mystery) is Watson’s feelings for her. Additionally, she fits so neatly into the damsel in distress archetype that Doyle references it in-text:

“It is a romance!” cried Mrs. Forrester. “An injured lady, half a million in treasure, a black cannibal, and a wooden-legged ruffian. They take the place of the conventional dragon or wicked earl.” "And two knight-errants to the rescue," added Miss Morstan.

Irene Adler is different. She’s an opera singer at a time when female performers were stigmatized as scandalous. She supports herself independently. She’s described as a “spinster” and an “adventuress” (used as another word for mistress). She had an affair with a King and then goes on to marry a man for no plot reason other than she wants to. She’s familiar with male costume and uses it to “take advantage of the freedom which it gives”— freedom which Victorian women were not normally afforded. She’s a contralto with a deeper voice (it’s worth noting that the most common operatic contralto roles are female villains and women playing men). In sum, she has a lot of traits that would read as unconventional to a Victorian audience. Unlike Mary Morstan and Lucy Ferrier, she doesn’t really embody the ideals of a chaste, refined, and benevolent Victorian woman.

The King of Bohemia describes her as jealous and out to ruin him, but it’s revealed that she isn’t interested in him and only keeps the photo to protect herself from him. Holmes is fascinated by her in a way that a lot of readers construe as romantic, but the text explicitly tells us that his interest in her is platonic. She earns Holmes’s respect and admiration as an equal. While she’s presented as an antagonist when the King of Bohemia first describes her, Holmes ultimately views her as a sympathetic person and the King as a rich asshole trying to control her.

Doyle could have easily written the story so that once Holmes switches his sympathies, he helps Irene and her husband get away from the King. It would have been a better look for Holmes not to get outfoxed by a woman and act (as he does in other stories) as a valiant gentleman always willing to assist a woman being mistreated. But instead, Doyle chose to show Holmes as a flawed character who lets his prejudices cloud his judgment and is beaten at his own game by a woman in his very first Holmes short story.

Furthermore, Irene comes out on top using her intellect, rather than falling into the trope of a woman using seduction to beat a man. She’s also better than Holmes at disguise- something he is very skilled at and prides himself on. The story literally ends with Watson writing “The best plans of Mr. Sherlock Holmes were beaten by a woman's wit. He used to make merry over the cleverness of women, but I have not heard him do it of late.” I find it very interesting that the story starts off with Watson saying how emotions would cloud Holmes’ judgment as a reasoner and ends by showing us how his biases hurt his ability to reason.

Irene exhibits dramatically more agency than Lucy or Mary. She drives the mystery rather than being an element of it. One of the reasons female Sherlockians have historically been inclined to identify with Irene Adler is because while male readers get to identify and project onto Sherlock Holmes, female readers gravitated towards the idea of a woman besting Holmes (in part because of his misogyny), earning his respect as an equal, and making Holmes stop being quite so misogynistic.

One of my adaptation pet peeves with Irene Adler is when “the woman” is used as a negative epithet. In A Scandal In Bohemia, Watson specifically says that it is an honorable title that Holmes uses with respect. Although she’s frequently adapted as a villain/antihero, as James Edward Holroyd wrote, “One may fairly claim that the only dubious and questionable aspect of the adventure was the conduct of the three men principally concerned!”

The overarching theme of The Adventures of Sherlock Holmes is righting social injustices. Of the twelve stories in The Adventures, six of them deal with women in varying degrees of trouble because of men who have power over them (SCAN, IDEN, TWIS, SPEC, NOBL, COPP). Three deal with Holmes clearing people of false allegations (BOSC, BLUE, BERY). Many cases also deal with the theme of rich men acting entitled and getting comeuppance (SCAN, REDH, NOBL; and to a lesser extent TWIS, and SPEC). A Scandal in Bohemia combines these themes. Irene is falsely accused of being jealous and trying to ruin the king. The king has used his resources to harass her repeatedly:

“Five attempts have been made. Twice burglars in my pay ransacked her house. Once we diverted her luggage when she travelled. Twice she has been waylaid."

The King of Bohemia is presented as rude, arrogant, and entitled, with Holmes flat-out telling him that Irene Adler is on a higher level than him, despite being of a lower social standing.

A Scandal in Bohemia is also unconventional in the fact that it’s not really a traditional mystery where Holmes is hired to help solve a crime. It was an odd choice for Doyle to reintroduce his detective to readers in this story on so many levels, and I think that’s why it tends to be one of the most popular Holmes stories. It shows Holmes as human and flawed, a man who can recognize his blindspots and grow from them. But of course, the enduring popularity of SCAN is primarily due to Irene Adler herself. Sherlockian spaces have traditionally been male-dominated, with the Baker Street Irregulars only allowing women to join in 1991, 100 years after the publication of SCAN. Although Irene only made one appearance in canon, she captured the hearts and imaginations of so many Holmes fans, and gave female fans assurance that they have an equal claim to everything that Holmes embodies.

[pupsmailbox]

MUSIC ID PACK

NAMES ⌇　abby. ace. adagio. adam. adria. adrian. adriane. aero. alex. alice. angus. ann. anthony. apollo. ari. aria. ariane. ariette. avril. axl. axton. bill. billie. billy. blaze. bohemia. bon. brad. brian. bruce. cade. cadence. cadentia. cantrelle. charlie. cher. chester. chordelle. chordette. chordiene. chrissie. christine. cleo. cliff. coda. cosmo. crescenette. crescenne. cresciene. cruz. dahlia. danny. dave. david. dax. daze. dolce. dolcette. dolciene. dolciette. don. doremi. duff. dusty. echo. eddie. electra. ember. ensemblette. enslette. enzo. eric. estelle. faye. flash. fleetwood. florance. floyd. flux. forte. frank. freddie. geddy. geezer. gene. george. ginger. glenn. glimmer. grace. gregg. halen. halo. harmonette. harmonie. harmony. harp. hayley. helena. iggy. isis. izzy. jack. jasper. jett. jimi. jimmy. joe. john. juno. kade. kai. kairo. keira. keith. kian. knox. krist. kurt. larkin. larry. layla. liam. lindsey. lio. luna. lux. lyric. lyrical. mac. malcolm. maynard. medley. meliene. melodie. melodiette. melody. micheal. mick. mitch. moxie. muse. musette. musine. nancy. neal. neil. neon. nick. nicko. nicky. noel. note. notesie. notesy. nova. octavia. onyx. orchestrae. orchestraette. orchestraine. ozzy. paul. pax. pear. pete. peter. phil. piper. pulse. quest. randy. rave. rhea. rhythm. rick. ringo. riven. robert. roger. ronnie. rosa. rose. sabbath. sable. serj. sierra. sky. skye. sona. sonata. sonette. songbird. songesse. songette. songstress. sonia. sonic. sonnet. spark. steve. steven. stevie. strobe. symphonia. symponiette. talia. taryn. tempo. thom. tim. tom. tony. treble. trix. vibe. viola. violette. violiene. vyn. xara. zack. zeppelin.

PRONOUNS ⌇　aero/aero. ba/bass. band/band. base/base. beat/beat. black/black. blink/blink. bpm/bpm. chili/chili. crash/crash. cream/cream. cue/cue. cure/cure. door/door. dor/doremi. drop/drop. dru/drum. drum/drum. eagle/eagle. echo/echo. electric/electric. electro/electronic. fla/flash. flu/flute. flute/flute. for/forte. forte/forte. glo/glow. guitar/guitar. gun/gun. har/harp. heart/heart. hot/hot. hx/hxm. hy/hym. iron/iron. jam/jam. journey/journey. jump/jump. ke/key. kiss/kiss. la/lala. las/laser. loud/loud. ly/lyric. machine/machine. maiden/maiden. mel/melody. metal/metal. mix/mixed. mu/muse. mu/music. muse/muse. music/music. ne/neon. nirvana/nirvana. no/note. noe/note. note/note. oasis/oasis. oct/octave. pearl/pearl. pepper/pepper. perform/perform. pi/piano. pia/piano. piano/piano. pink/pink. queen/queen. ra/rave. radio/radio. rage/rage. re/reverb. red/red. reverb/reverb. rhy/rhythm. riff/riff. rock/rock. rose/rose. rush/rush. scorpion/scorpion. scream/scream. shred/shred. shx/hxr. shy/hyr. sing/sing. soe/song. soe/sonnet. sol/sola. song/song. spike/spike. stone/stone. string/string. stud/stud. sync/sync. tem/tempo. tempo/tempo. thxy/thxm. thy/thym. tra/track. tre/treble. treble/treble. trumpet/trumpet. tu/tune. tuba/tuba. tune/tune. vi/vibe. vio/violin. vocal/vocal. wa/wave. yell/yell. 🎤. 🎧. 🎵. 🎶. 🎷. 🎸. 🎹. 🎻. 🎼. 💥. 📹. 🔊. 🔋. 🔌. 🗯️. 🤘. 🥁. 🧑🏻‍🎤.

[doingbad]

So I don’t approve of Scandal in Bohemia adaptation that take away Irene Adler outsmarting Holmes or giving them some deeper connection. However, if we have to, why aren’t there any adaptation I can find where Irene hired Holmes first and they’re in cahoots the whole time to trick her shitty ex???

Irene, pitching this plan to Holmes over drinks the week before: "Oh! You know what would be sooo good? If when you got to the apartment all I left was a photograph."

Holmes: "I should ask for the photo as payment."

Irene, serious now: "Tell Watson to write in how hot my husband is."

Events play out exactly the same but they make more sense now:

Holmes, trying not to laugh: “I’m so sorry, Your Majesty. I did everything by the book. I dressed up as a clergyman, got beat up, and I attended her wedding.” Watson: “I helped, I threw a smoke bomb.” Holmes, giggling now: “This is exactly what any other detective would have done.”

[schweizercomics]

Companions of Christmas, day 6: The Krampus

The Krampus was a rural giftgiver who would deliver presents to good Alpine children, but the naughty ones? Well, he'd stuff them into his basket and take them back to his lair, where they would be forced to spend the next year making toys for good kids.

They'd be released the following Christmas, but even so, a year spent toiling away in the clutches of the Krampus was a pretty terrifying prospect for the children of western Austria, southern Germany, northern Italy, and Bohemia.

When word of this Santa Claus fellow started getting around, kids in these regions, terrified of the Krampus, started writing Santa letters asking for his intercession, and Santa obliged. He and the Krampus had a rumble, and Santa successfully shackled the Krampus with the chains that had once held St. Paul of Tarsus.

Bound by the magic of this holy relic, the Krampus was forced to accompany Santa for the next few years, and in observing his captor came to see that his punitive approach to kids wasn't the best way to ensure their good behavior or long-term character betterment after all. Thus reformed of his kid-beating, kid-stealing ways, the Krampus was released by Santa, but he asked to retain the chains so that they would always remind him of how the best way to put right kids that are straying from the path of goodness, kindness, and charity, would be to practice those tenets himself.

He still has his avuncular sense of humor, and likes to put milder scares into wee ones, so expect to get a light whap with his bundle of switches, and a short ride around the room in his basket.

[thatliminal-wanderer]

Rock Music ID Pack

Requested by Anonymous

Names

Abby, Ace, Adam, Adrian, Aero, Alex, Alice, Angus, Ann, Anthony, Avril, Axl, Bill, Billie, Billy, Bohemia, Bon, Brad, Brian, Bruce, Charlie, Cher, Chester, Chrissie, Christine, Cliff, Danny, Dave, David, Don, Duff, Dusty, Eddie, Eric, Fleetwood, Florance, Floyd, Frank, Freddie, Geddy, Geezer, Gene, George, Ginger, Glenn, Gregg, Halen, Hayley, Helena, Iggy, Izzy, Jack, Jimi, Jimmy, Joe, John, Keith, Krist, Kurt, Larry, Liam, Lindsey, Mac, Malcolm, Maynard, Micheal, Mick, Mitch, Nancy, Neal, Neil, Nick, Nicko, Nicky, Noel, Ozzy, Paul, Pear, Pete, Peter, Phil, Randy, Rick, Ringo, Robert, Roger, Ronnie, Rosa, Rose, Sabbath, Serj, Steve, Steven, Stevie, Thom, Tim, Tom, Tony, Zack, Zeppelin

Pronouns

aero/aeros, beat/beats, black/blacks, blink/blinks, chili/chilis, crash/crashes, cream/creams, cure/cures, door/doors, dru/drum/drums, eagle/eagles, electric/electrics, guitar/guitars, gun/guns, heart/hearts, hot/hots, iron/irons, jam/jams, journey/journeys, kiss/kisses, loud/louds, machine/machines, maiden/maidens, metal/metals, music/musics, nirvana/nirvanas, oasis/oasis’, pearl/pearls, pepper/peppers, pink/pinks, queen/queens, radio/radios, rage/rages, red/reds, reverb/reverbs, rhy/rhythm/rhythms, riff/riffs, rock/rocks, rose/roses, rush/rushes, scorpion/scorpions, scream/screams, shred/shreds, stone/stones, vocal/vocals, yell/yells, 🎵/🎵s, 🎶/🎶s, 🎸/🎸s, 💥/💥s, 📹/📹s, 🔊/🔊s, 🔋/🔋s, 🔌/🔌s, 🗯️/🗯️s, 🤘/🤘s, 🧑🏻‍🎤/🧑🏻‍🎤s

Titles

A Rock Fan, A Rock Lover, A Rock Producer, A Rock Song, A Song With Loud Noises, Lover of Rock and Roll, The Drummer, The Guitarist, The Hard Rocker, The Headbanger, The Rock Fan, The Rock Musician, [prn] Inviting You to a Concert, [prn] Who Listens to Rock

Genders

Aggrorockvolic, Bassgender, Bassguitagender, Delinqxenifemasc, Drumgender, Guitargender, Guitarweaponic, Rockcothrillic, Rockfem, Rockgender, Sleepyguitaric

Other mogai

Aldembodirock, Alderguitar, Aldermusicae, Musicperspesque, Musictasteperspesque, Musicvior, Musivesil

[224bbaker]

An update and a thank you from 224B Baker Street!

Hello again, detectives!

While the crowdfund for season 2 of Fawx & Stallion technically wrapped up a few days ago, we thought it would be good to take a day or two to regroup, take a nap, and think of a few words to express our thanks. This being May 4th, the day in 1891 that Sherlock Holmes fell to his (alleged) death at Reichenbach Falls, it seemed strangely fitting to say a few words about the story of the detectives across the street and slightly to the left on the day Holmes ever so temporarily bowed out of his own story.

Last Monday, we crossed 100% of our goal. And on Thursday, we ended our campaign with 104% of our goal. We are beyond honored and completely grateful to everyone who donated, shared, sent along encouraging words, recommended, baked, drew, wrote, all of it, in support of us bringing more of this show into the world.

Everyone working to create this show has made art at some point that feels like it went out into the void--something they felt deeply, sacrificed for, put small, weird, jagged, still-beating parts of themselves into day after day, and then never knew if the thing those parts of themselves funneled into actually reached another human. Much less another human who saw themselves in it. We've been quite honest about the fact that our characters are very much an exploration of that feeling, of wanting to be seen, wanting the things we've done to be seen, to matter to someone.

We could write a million words, fifty seasons of audio drama, and never truly be able to put into words how grateful we are to you for reaching back to the art we create and telling it "I see this. I felt it. I love it. I want more."

Creating art is so hard. Most things are hard, but art is Hard, especially as the world and the algorithm and the AI and the Content creeps in and shuts off means of doing the personal, weird, silly, risky little things with any sort of official funding. It's why we funded season one ourselves, because we thought it was worth it. It means more than the world to know you thought so too.

And now, with all of that self-indulgence done: a practical update on NEXT STEPS!

MAY 2024:

We'll spend this next month prepping crowdfund rewards--writing thank you notes, getting extra supplies of stickers (they were VERY popular), etc! We expect those rewards to go out mid-Summer. The annotated Scandal in Bohemia will go out to our $30+ donors later this month via email. Also, if you pledged at $250 or up (THANK YOU again), we will be reaching out to secure details of your perks (start thinking of what mystery you'd like us to solve!). If you are expecting an email and do not receive one by the end of the month, please check your spam folder and if nothing is there, reach out to us via IGG!

We are also in the process or pre-production currently! This season will have a cast of roughly 22 voice actors, so we're taking the full month to get our recording plan. We'll also spend the month refining scripts, doing rehearsals, working with our composer on some original pieces (perhaps some violin) and giving our fantastic sound designer, Sarah, time to do the prep work she needs, and laying the groundwork for what is looking to be a very full summer of production! We look forward to updating you as the season progresses!

Again, thank you. Thank you. This second season is, aptly, a bit of an inverse of our first season. It's about the weight of expectation. How to operate in the world when you go from unknown to known. Invisible to spectacular. Alone to loved. It's also about a murder at a theme park but that's a bit less relevant to the emotional core of what I'm driving at here. But actually, fuck it, I guess it's still relevant, because we've always been excited about the weighty and the silly all the same.

So again, and not for the last time: #ForAmbrosius

-Lauren, Ian, and the whole Fawx & Stallion Team

[rulers-of-hungary-tournament]

FINAL ROUND

Admin's commentary: It's impressive how thoroughly were these two able to beat everyone that ever got in their way. Now, it's the final clash of the titans, battle of the behemots... Who is the most legendary king Hungary ever had?

***

I.Mátyás (Matej I.); also known as Hunyadi Mátyás (Matej Korvín) 1458-1490

I mean, do I even have to say anything??? you know who this guy is right.

fought the Ottomans. supported arts and sciences. instituted important reforms. founded Academia Istropolitana. made Buda the capital and built the Buda Castle. gained the crown of Bohemia and stole territory from Austria. the man. the myth. the legend.

@deetherusalka said about him: "Lmao Bohemian crown snatcher, it's still so funny to me how in Czechia he's always presented as the evil himself and then everywhere else he's celebrated (which is not wrong imho! it's just funny how the narrative changes depending on perspective you learn about it)"

@durzarya said about him: #listen i love Mátyás király and i have voted for him#but my guy had some interesting policies#hilarious information about him: at 19 he captured Vlad Țepeș

@biksarddedrak said about him: #It's not even fight#It's just bloody beating#Matyás is remembered even in many historical legends as a good and just ruler#he reformed military and made the world fear Hungary#first profesional army#he managed to pay not only for the one for a THREE armies at a time#also his love with his wife Beatrice is a thing of a legends#The GOOD sort of legends#also I am completely obsessed with a way how his name is pronouced#seriously check that out it's hilarious#black army

@partialtotheperiwinkleblue said about him: "Seriously, who else has his own cartoon series and fairy tale genre?" #the goat#he did a lot of work for someone who was originally chosen as a figurehead at 14

I.István (Štefan I.) 1000-1038

unifier of the Magyar tribes and first crowned king of Hungary (the damn crown is named after him for fuck's sake)

a literal saint - though not because he was particularly nice, mostly because of the fact that he was the first Magyar leader to be a proper Christian (unlike his dad Géza, who did get baptized, but still retained some of the pagan customs); plus he actively spread Christianity among Magyars (founding of the first Hungarian bishoprics, the one church for every 10 villages rule etc.), for better or for worse

created the basis for later Hungarian administration, including the minting of first Hungarian coins and the first law code in Hungarian history

helped Byzantines conquer Bulgaria

infamous for imprisoning and blinding his cousin and successor Vazul (chronicles blame his wife's influence, but they're probably just being sexist)

@biksarddedrak said about them: "The only thing, what you actually need to know is he was crowned on 25. of December year of our Lord 1000. The absolute unit of this man managed to haggle the pope to elevate whole Panonian basin on the most easly memorabe day. (...) I. Istvám defended his right to rule from several pagan lords who wished to deposed him in the beginig of his rule. And he did it from glorious city of Nitra."

[thedevilscarnival]

Karin for the character ask game :)

yesssss thank you >:3

This thing got really, really long, so her character analysis will go under a cut. F&H's writing is just that good LMAO

Sooo, Miss Sauer... She's quite the gal, isn't she? I adore her, really. You take a person who sees so much injustice in the world and wants to do something about it, but, due to her upbringing and the fact she hasn't truly experienced hardship in her life... (yes she was kidnapped, but she had a relatively normal childhood despite The Dread of being raised on ransom) She does. Not know how things work. At all. Karin's the type of girl to chastise the powers that be and then use said powers to her advantage when they benefit her and not realize that's what she's doing. Her civilians arrest dialogue where she says she'll relish in the player being sent to Bohemia's notoriously inhumane prisons sticks out to me a LOT.

But she genuinely loves people. She loves people so fucking much and puts herself through absolute hell to "save" them. Unfortunately, she's gotta put people into boxes of "deserving" and "not deserving" or she'll go god damn insane. So she's biased, people fall through the cracks, and despite it being her worst fear there is a reason journalists like her are called "vultures".

Anyway, rant aside, ships. I enjoy Karin/Olivia because Karin needs to be dominated by someone she initially thought she'd need to protect. Go have your worldview shattered by the freaky gun fetishist who has terrible bdsm etiquette and masquerades as a Normal Girl to hide her pent up envious rage of her sister. Karin/Levi also appeals to me, but more in a way where they'd REALLY enable each other but not realize that's what's happening. Levi'd 100% fall into her Valkyrie complex and I love examining when characters go wonky.

I don't care for Daarin though. It can be good (and I've seen it be very good! Ao3 user Bobsledhostage's fic "Remaining Routine" is an excellent example of how that type of mutual spite-filled codependency can work), but a combination of it being... so common, and Karin's genuine hatred of Daan being flattened down to a "haha the wife hates her husband isn't it funny???" type beat has left me soured on it. But this game has phenomenal writing and literally every single character dynamic has potential so its a very minor, and very fandom heavy misgiving.

I'll die on my hill that Karin's not a natural blonde. It makes insane amounts of thematic sense for her character and is one of the few ways I'll be interested by Daarin, with Daan once again gravitating to a brash, black haired woman who steps all over his boundaries.

Let's see, let's see... Fanfictions... Well. I am. currently, in the process of writing a Karin/Olivia sm*t fic, but that's been on the backburner for a couple of. Months. By this point. But know it does exist. And it is emotional.

She's loud bird to me. If she were a Pokémon she'd be a yellow Squawkabilly, or perhaps a Mandibuzz if I wanted to be really evil.

I believe that's it. I love Karin a lot. I really, really do. She's an amazing character from an amazing game who reminds me so much of myself when i was 14 it's physically painful.

I hope she finds more empathy in the world.

[mademoiselle-cookie]

(I'm not an expert of Sherlock Holmes' lore)

Many people seem angry that Irene Adler ends up married (and therefore no longer Irene ADLER) at the end of "A Scandal in Bohemia". As if after her last feat, she was gently put back in her place as a woman who follows her duty as a wife.

I understand this complaint, I too like strong and independent women, but I don't think that's the intention of Arthur Conan Doyle. In my opinion, it is above all a reward.

It is not difficult to assume that from the societal point of view from the 19th century and today too… the best fatefor a woman was 1. To marry and 2. For love.

Irene beat Sherlock Holmes intellectually AND morally, and she's not being punished for it, but instead living her best life. It's a total victory.

This end also has the added advantage of destroying any possibility of romance between the two! (Not that the following authors give a damn)

[isa-beenme]

Moonlight

Chapter 1: Bohemian Rhapsody

When Hybern falls, all of their prior experiments are free to take the world as they want, but for months no one hears anything coming from the castle. Until the massacre. Until the whole palace explodes. Their biggest weapon is out, and she only has one objective: get back to her sisters.

Warnings: mentions of blood, mentions of child abuse, mentions of experiments with human beings, mentions of child murder (please someone tell me if I forgot something)

The reason why I chose the name of the chapter is quite simple: This is the song I listened to and repeated the whole time while I wrote the chapter. Also, Rhapsody means a collection of different beats and rhythms united in a song, and that represents this lovely group of ladies that are together now fighting for their lives. And Bohemia is the city where Fausto (a mythological German character) was born, it's said that he traded his life with a demon for knowledge, eternal life, and love, kinda reminds me of a certain Archeron sister that I created haha

Aemma Archeron never believed she had the chance to reflect on her life. Her routine was simple: rise early, eat breakfast, train her powers, eat lunch, train physically in the camps, eat dinner, study with the king, and return to the cells to sleep. It was easy, it was enough. But then the war came, and Hybern fought and lost.

When Hybern's king fell, so did the girls' hope - though not Aemma's, not exactly. The younger girls still clung to dreams of a future that wasn’t theirs to dream. Their lives had never belonged to them but to the king. After Feyre Cursebreaker freed the High Lords in Prythian, after they stormed the castle, left more broken than before, after obtaining the Book of Breaths, even after Prythian's victory, no one came to free them, the long-forgotten slaves who were supposed to compose Hybern's domination plan. After that, they were all just waiting to die.

They could have left. That was an option. But months after the war ended, a new shipment of children arrived, meant to be turned into fae. The girls couldn’t abandon them; the camp lords and ladies were preoccupied with restoring order, so Aemma and the others cared for the children. It was the perfect moment for someone - anyone - to come and save them. But no one did. The camps restarted, and the children were gone, declared useless by the lords. 

Grief washed over the girls, always a strange feeling for them. They always cried for others, never for themselves. Over time, they stopped caring about their own pain, after all, Faes, they were told, do not grieve. But deep down, they were still human and always would be. Aemma once told the king this, he had laughed at her at the time and told her to only shut up and listen to what he had to teach her, and she had never spoken of it again.

After the grief came anger. The others raged against the camp lords, but Aemma remained the same, always leading, always unbreakable and fierce. For months, they protected those children, fed them, taught them, and loved them as their own. They hadn’t known the Cauldron was gone; if they had, Aemma wouldn’t have let Vivie get so attached. It was a cruel mistake, one she wasn’t prepared to deal with. The king had always known how to keep her in check, to make her his own obedient servant. She knew he was evil, cruel, and sadistic, but somehow, in some deep part of herself, so was she. He had given her a purpose to fight, a role to fill, a task to reach, even if his sense of care was cruel and twisted, he was the only form of care Aemma had ever met. She had grieved for him, too.

But what they had done to the children? Unforgivable. Aemma killed in the name of those who couldn't rise anymore tortured those who were proud of their swords, and fed the Enchantress's soul with their despair. She had enjoyed it, even if she didn't dare to admit it. She burned their homes, their camps, their ships, their souls. Silently, she mastered her power and ended them. The girls took the studies kept in the castle, saving them for their new lives. Whether they sold the knowledge, used it, or gave it away didn’t matter. Hybern was gone, and all that remained were its twisted experiments, finally free to run into the life the Mother had promised them.

Some girls went to Wotawa, others to Vallahan. Aemma and the largest group had made their way to Prythian. Their goal was simple: find a place to call home and start anew. Aemma’s personal objective was to reunite with her sisters, but first, she needed to ensure the safety of her girls.

They arrived at the Spring Court not long after the Black Massacre - as the commoners in Hybern were calling it -, knowing the High Lord had abandoned it. For days, they had mapped the area using Alyssa’s power, which allowed her to see the world differently than the others. Oletta ensured they weren’t caught off guard, feeling any movement from living beings, while Naomi kept them hidden when anyone ventured too close. They worked together seamlessly, though the fear of punishment for mistakes still haunted them, almost as if breathed in their necks every second of the day.

Aemma was lost in thought when Ada approached. "Aemma? Alyssa finished mapping the Night Court. The girls want to know if you'll decide now or if we need to wait."

"Reunite the girls," Aemma replied, standing up. "We're deciding now."

Ada, whose power allowed her to speak with animals, was one of the first to be enslaved by Hybern. Her poor, ragged dress made her stand out from the others, who still wore the training uniforms assigned to them by the king. Aemma was the only one dressed in cobalt blue, chosen for her because of her matching eyes, so the king could always locate her during training.

As Aemma entered the camp, the girls gathered, waiting for the discussion. Alyssa looked excited; her power was finally being used for something good. Aemma somehow understood the feeling, if killing every camp lord to free themselves could be considered something good. 

"Where’s Clover?" Aemma asked. "Someone bring her here, please."

Soon, Clover, a dark-skinned girl with the power to project images from someone's mind, joined them. A detailed map of the Night Court appeared in front of them.

"Okay," Aemma began. "I think we can all agree that the Autumn Court is a no, we know how the High Lord is there. Winter Court is out because Olive needs warmth, and Summer Court is out because Livie needs the cold. We're already in the Spring Court, but the High Lord is still a lost cause, Missy, Lyanna, and Elara are making a list of those who want to stay here to help those who remain here. Anyone with plant, weather, or healing powers is welcome, or anyone who wants to help, for that matter."

With a wave, the map showed the Courts disappearing, leaving only Night and Day.

"Dawn Court is out because of the mountains. Shuri needs space," Aemma said with a smirk as the girls laughed. Shuri, their runner, had collided with a mountain before during one of the training sessions in Hybern, causing days of cleanup and being moved to a more open camp. "That leaves us with Night and Day. And for me, the choice is obvious. The Night Court is the largest, with different races and the most powerful fae leading it. They can help us continue our training and provide resources."

"And why do you think they'll help us?" Vivie asked, her eyes red and puffy from sleepless nights.

"They were the only ones who tried to stop Hybern from the start. Feyre Cursebreaker is the High Lady, and just accepting a High Lady is a good sign. They’re not perfect, but we can help them with our knowledge."

"And it has nothing to do with your sisters being there?" Vivie’s voice was flat, making Aemma stop in her tracks.

"How do you know Nesta and Elain are alive?"

"I heard your conversation with Anika," Vivie replied. "She overheard peasants talking about them and told you. Were you planning to tell us we’re going after your sisters?"

"We’re not after my sisters," Aemma said firmly. "If I had to take you all somewhere else on the other side of the world for your safety, I would. If I had to choose between all of you and my sisters, I'd choose you. The fact that they’re in the Night Court is a coincidence." Vivie lowered her head, and another girl comforted her with a soft hug "I know you're hurt, and I share some of that blame, but we can’t turn on each other now. The Night Court is our best option. If anyone objects, speak now. Otherwise, we leave tomorrow morning." As the group dispersed, Vivie lingered, looking unsure "Anything else?" Aemma asked.

"I’m sorry. I just… I don’t know. It feels weird."

"You’re sad. It’s okay. I shouldn’t have been so hard on you, or this strict. After so long, it’s strange to have so much freedom, I don't know how to deal with this, or… how to communicate with you without sounding like a direct command"

"That's more part of your personality than your training anyway" Vivie whispered, laughing softly at the panned expression she received from Aemma "Sorry again. I'm just tired, I still don't believe this is actually happening"

“I understand, you are one of the oldest here, you are hurt and confused with the new life we received, and I haven't been the softest anyway” Aemma's hand hovered over her friend's shoulder, before returning it to her side when it started to warm.

“Still getting used to your secret power? Hybern never taught you how to control this one” Even if her posture was one of jest, her voice carried a hint of worry in it.

“I'll get used to it at some point, the king never knew about this, I know I would suffer if he did” Her voice kept lowering to the point it ended in a whisper. Vivie took it as a dismissal, rising from where she was sitting before smiling at her sort of leader.

Aemma only watched her leave to her tent, only to be joined by the Enchantress, her shadowed form appearing beside her, laughing.

"It was for the greater good, if you wanted to say anything" Aemma said in the language only the Enchantress could understand.

“Perhaps. But your real goal is to find your dear sisters, isn’t it?" To anyone looking from the outside, it seemed like the female was talking to the shadows that hovered around her own shoulders and ears, but in Aemma's eyes, the old spirit took the form of a little girl smiling at her.

"Maybe. But these girls are my family, too" The Enchantress's shadow draped over Aemma, the voice fading into the recesses of her mind.

“You are so much fun, sweet girl. I'll be here waiting for this new adventure of yours” She always knew that the old death demon liked her, and found Aemma more amusing than anything. Even if it pained her to admit, she liked to have special treatment from anyone. She was a selfish person, terribly prideful and stubborn, she knew that much, and the king made sure to engrave it in her mind from the beginning. But it never hurt as much as lying to get to her own personal objectives. Even if she tried saying the contrary, she knew she was every bit what the king forged her to be.